#see what happens when i actually force myself to draw details

[chaosangelmp3]

“Keep going, don’t look back.”

(re-draw of the drawing inspired by @snowangeldotmp3’s au rebel robin: surviving the upside down)

[bloop-bl00p]

In defense of Octavia

TW: Lots of Trauma Dumping, Mention of abuse

She’s been wronged way too many times in this fandom for some reason. Look at her vibing, how can you hate her?

I’m a fan of Helluva Boss, mainly because of its potential but the quality dropped dead in the second season. We’re gonna talk about a character I’ve seen other fans misinterpreting in favor of the so-great Prince Stolass.

I want to talk about her mainly because I do what I want and because after studying her character I just realized that she’s just like me. Especially regarding her relationship with her father, I see myself in my younger years.

All of that to say…

She has all the right to feel abandoned.

Octavia obliviously has a stronger bond with her father, it shows in her behavior and little background details

When she wants to draw her family, she draws her and Stolas, we mostly see her being happy with him which leads me to think that she’s emotionally neglected by Stella. To her, Octavia is just an ‘egg’ that fell off her and she doesn't care about the impact killing Stolas could have on her daughter.

Despite being emotionally absent, Stella has a much more physical presence than Stolas. Most of the time Stolas is alone in his castle which leads me to think that Octavia is somewhere else with Stella. They did mention the two went on a weekend somewhere. This leads us to this question…

How can Octavia feel more close to her father?

Here’s the thing, I see a lot of my family dynamic here. My mom doesn’t pay attention to me at all, she doesn't want me to bother her and she makes it clear. My dad, however, who’s absent like 90% of the time, always tried to spare time with me. He explained to me that he was working and why he was doing all of this (I was like barely ten) but it never prevented him from trying to play with me, sharing his hobbies, going on a walk, and else.

He was there emotionally and, as a kid who was bullied, had no friends at all, and a mother who didn't give a damn, I cherished this relationship.

I believe the exact same thing happened with Octavia, we never see her with friends or even outside the castle, she’s isolated. Stolas has Prince duties, we’ve seen him carry them in the shows, hence why he’s mostly absent leaving her with her mother. But, at least when she was a kid, he tried to do stuff bringing her to Loo-Loo Land or being the one to comfort her. That is why she clings to her father, he’s the only one who actually shows her love and she’s terrified of losing that.

Regarding her mother, Stella obliviously doesn't care about her so the feeling is reciprocated. From a narrative standpoint, Stella is an unpredictable force of nature getting angry for pretty much anything that doesn't go her way. So Octativa learned to not cross her mother's path.

I know this expression, this is the “Oh fuck… they’re at it again?” she’s used to her mother's constant screaming, she's used to her parents fighting.

She did say they were a time when a parent didn't hate each other, which to me refers to the time when Stolas tanked Stella’s abuse. But, that doesn’t mean that Stella wasn't abusing him in front of a younger Octavia, she’s erratic and they did imply that she can get physical in her toxic behavior. Since Stella was passive, it was probably mostly harmful comments.

Putting personal things here, my mom was also very abusive to my older sibling. Since I was extremely young I learned not to ‘be a burden’ to avoid being abused as well, which includes things like not talking to her unless she does it first. Whether Octavia is aware of the physical abuse or not, she must know enough to know that it’s a bad idea to annoy Stella.

This is the only picture where we see her seemingly having a good relationship with Stolas, which to me feels like she’s faking it considering all we know about the family.

She has a pretty shitty household but her relationship with her father make it bearable until Stolas did a 180°

He randomly started to prioritize Blitz and don’t spill me the bullshit of ‘he’s trying’ he stopped trying long ago.

Let’s analyze this episode by episode:

In Loo Loo Land, Stolas seemingly tries to rebuild a visibly strained relationship with his daughter by bringing her to a park she liked when she was a kid. To this, she immediately responds with an “I’m not 5 anymore.” and an “I rather kill myself.” There’s no room for miscommunication, she doesn't want to go there, and she won’t enjoy it as much as she did back then. Still, he decides to go there, showing that he doesn't listen, and, he brings the one the thing that is currently ruining his already horrible marriage because of his own actions. Blitzø.

He’s trying to spend time with his daughter after a long time (this is mentioned in the episode) and he decides to bring in that one guy he’s hooking up with to deliberately make sexual remarks about him in front of her.

She’s uncomfortable the whole time, not just because she allegedly doesn’t like listening to her father's comments but because she doesn't like the park. She said it, yet Stolas doesn't acknowledge it, he doesn't realize the faces she makes which are to me pretty communicative of her annoyance and discomfort.

This is not even subtle body language, yet he only notices it when she runs off. The worst part is that he still finds a way to think about Blitzø when his daughter leaves.

He looked upset that Blitzø didn't follow him! Did he expect that guy to pursue him constantly? He was in the middle of an argument with his daughter, I personally would have stepped away to give them space to talk and reconcile. But no, apparently Blitzø should be at his beck and call all the time.

But you know what, after all of this. He still apologized. That absolutely does not negate everything he did during the day but, at the end of it, he finally listened to her and even brought her to a place she actually wanted to be. Which is good, he acknowledged her discomfort and did something she liked.

Until Seeing Star.

Look I know Stolas was busy with Stella but he clearly doesn't care about her and her stuff.

Don’t tell me he couldn’t pinpoint Stella’s location with magic and teleport all of her belongings to her. Their discussion was barely about the furniture, he could have said that they were gonna be delivered and hung up the second he saw Octavia. Arguing with Stella is pointless, he’s the number one guy that should know that! Why does he continue to insult her, he’s just fuelling the fire!

Moving out her belongings would have been 10 times faster if he just hung up the phone, then he could have had a more mindful talk with Octavia without the constant bickering of his ex-wife.

But he didn't for some reason, fair enough, I guess. The writers do whatever they want. Anyway, Octavia got angry and ran to go see the stars on her own.

So, Stolas’ castle is in Pride but my point still stands, Octavia had the time to run from home and make the way all from her father's place to the city, find the specific building Blitzø held his organization in and Stolas didn't notice a thing.

You cannot tell me Stella managed to get his attention for that long AND you cannot tell me that his castle is close to the shitty disaffected building and the populace. His daughter ran off and he did not notice a thing.

Not only that but he has the nerve of blaming Blitzø for not watching the book. Like, dude! You should have watched your daughter instead!

Then he spills out more bullshit.

I don’t know Stolas, how could you possibly find her when you were shown to have countless abilities to do so?

Like bubbles projecting the image and locations of people.

Or that on time when you possessed corpses and one woman just to go full eldritch monstrosity just for one that one guy you’re cheating your wife with. And don’t whine about “They don’t love each other.” it’s still affecting his family, mainly his daughter so it’s still bad.

Of course, you do all of that without your grimoire without any problem, brushing it off with a…

I guess he forgot his ‘ways’ when it came to Octavia. But honestly, Loona literally found her easily just by looking at her Instagram account, couldn't he just call her or something? The girl had her phone the whole time and he didn't just think of calling her.

Me when I forget that I have teleportation power when I am in an enclosed space with nobody is looking.

You’re certainly not worrying right now. Via literally told him to his face that she was scared and he kept flirting with him even though he once again caused her to run away because of his neglect.

He’s not trying his best, THIS IS NOT TRYING!

No Loona, his daughter communicated very clearly issues related to their relationship, rather than reassuring her and being there for her as much as it’s realistically possible (he still has duties to carry), he gets in an avoidable petty fight with his ex and keeps an unhealthy dynamics with an imp he's been obsessing over. He doesn't focus, his priorities aren’t straight, and now Octavia feels abandoned.

I did mention that I had a good relationship with my father back then, but it stopped abruptly. His focus changed and he went out with friends after work and gradually stopped spending time with me. Until we never spent time together again, (to give you an idea the only moment where I could see him was in the morning for breakfast) now that can sound silly but I was a child, with no friends and a neglectful mom, losing the only good thing I had in life broke me. I knew his schedule, I knew he was spending time with work buddies and that just stung my self-esteem even more leaving me feeling like a burden when I was just a kid who wanted to feel love.

This is why I don’t like the “He’s trying.” I know what a trying struggling parent looks like and I know what happens when they stop. If you keep trying to do something and you’re constantly failing, either your technique isn’t the right one or you’re not and you’re convincing yourself you are.

And then there are people that’ll tell me that “He lived through the abuse of Stella for years for her.”

If you read all of this then I don’t feel like I need to explain how Octavia was at least partially exposed to Stella's toxic behavior and was affected by it.

For those who don’t know how it feels to live with an erratic mood-swinging person, it’s pure constant stress. You have to think constantly before you talk or move because you know that if you fuck up you’re gonna pay the price. And if you still eventually mess up you can never know with these types of people! You can’t defend yourself because the punishment will be far worse. You are ALWAYS in the wrong.

So he lived through the abuse of Stella just so his daughter could get neglected and abused in a less physical way?

The difference between my parents and Octavia is that they love each other. Stolas doesn't give a damn about Stella, he did say he was nice at first because he empathized with her they were in this shitty situation together, and fine, it's reasonable. But she never changed! Stella stayed the same! Why didn’t he leave her when he stopped carrying about her?! There’s no trauma bounding, Stella isn’t guilt-tripping or manipulating him, they got the child he could have divorced her easily without consequences! If anything, she’s the losing part of this divorce she’s lower in the hierarchy! “Andreaphul will get angry.” HE’S A MARQUIS! Hierarchically speaking Stolas is far more important and he mopes the floor with his peacock ass!

Am I supposed to be empathetic with that one dude who willingly let his daughter grow up in a hyper-toxic environment with an emotionally neglectful and unpredictable wife?! Am I supposed to believe he cares when he kept sleeping in his house in his bed with the same guy his daughter clearly is worried he’s going to leave her with?! Really?!

Don’t ever tell me that this is trying.

[ghostfanwriter]

🎀🧰 𝐃𝐢𝐫𝐭𝐲 𝐇𝐚𝐧𝐝𝐬 𝐩𝐭 𝟖 🧰🎀

←Previous

🎀 Pairing: Joel Miller x Virgin!Again!Reader

🧰 Setting: Lincoln. It is 2023 but Joel, Frank and Bill are as young as they were when they met in episode 3.

🎀 Synopsis: Your suffering was too much for your father to handle, so he decides to make you happy again.

🧰 Warnings: Angst, fluff, smut (no details for spoilers but... It's mouths everywhere and very graphic descriptions), softdom!Joel, Joel talking her through, a few descriptions of reader's hair being long.

🎀 Word count: Sixteen thousand....? (I wish I was joking, it is actually 16.5k, I can't control myself)

🧰 A/n: Finally it is here and finally you can read it and I'm sorry it took me so long, (also sorry it is so long and wordy) but I hope you cry and smile a lot!!! Thank you all so much for the support with this series all this time. I don't deserve you 🩷 I'm really happy with it and really proud of it. I hope it meets your expectations and I hope you feel it is a good way to give closure to the last chapter.

Comments, reblogs and all that sweet love are as always so, so appreciated. It makes my day to read all the kind and sweet ways in which you all relate to this story and how it resonates with all of you 🩷🧰🎀

"Does she need anything?" Joel asks, almost panting as he ran to the radio. Whatever it is. Your dad just has to say it and he's gonna go after it for you.

He hates every second it takes Bill to respond.

It is another sunny yet slightly chilly afternoon, the leaves in the trees begining to fall as summer comes to an end.

You're on your porch, practicing the part you remember of the song Joel told you he used to play for Sarah, when someone walks close to you. You look behind your shoulder, finding Frank with a wide smile on his face.

"Hi, dad... Is everything ok?" You ask, smiling softly at him, a smile that — as usually now — doesn't quite meet your eyes.

"I got you a gift." He says, and you carefully put the guitar beside your chair, looking curiously at your father. He hands you a medium sized canvas, and your temples tense when you see it.

The view from your bedroom window, except this time the weather isn't the focus of it, nor the reason why he painted it.

It's the house across the street. With fences around the large and grassy front yard, the sheep, the greenhouse in the back, and a simple, black shilhouete of a tall man. Of him.

You feel a pang of pain looking at the scene you know is never gonna happen. It's not like the painting of a sunny day, that you know will happen again after the rain ceases. It's something you'll never have, something — someone — you want, you need, and you just won't get to experience. Your eyes burn with a mixture of sadness and anger — a feeling you've never felt towards Frank before —, but you hide them from him, a single tear betraying you and rolling down your cheek.

"It's nothing compared to the drawing I did over the photo, but..." You joke, forcing a smile, mentioning the polaroid you took and drew on top of as you quickly dry your tear.

He nudges your arm playfully, sitting on the armrest of the chair you're seated on. "Guess I still have a lot to learn from you." He smiles, wrapping his arm around your shoulders.

"Thank you, dad." You say, but you can't shake the confusion as to why your would dad gift you this.

So you could see it everyday as a reminder of what you could've had? Of what you're never gonna have?

About a week after you've hung that painting up on your bedroom wall — which is what you fall asleep to every night now, hoping to dream with it, with him—, you notice your dad working again on Sarah's painting.

"Why are you finishing it? It's too big for him to take it back with him." You say almost bitterly as you enter your dad's studio, startling him.

"Oh... I thought you were helping your dad in the garage." He takes a second before answering, seemingly nervous to see you. "You know I don't like unfinished work." He tries to sound nonchalant, a typical Frank smile on his lips. "Also maybe you could take a photo of it and gift it to him. Well... give, uhm, give it to Tess so she can give it to him." He corrects himself, his smile faltering. "I'm sure he'd appreciate that." Frank says, his face lightening up again with a smile packed with... Anticipation?

A glint of hope ignites inside you, combusting inside your chest, suddenly too big to fit inside you, but you kill it as quickly as it's born.

He's not coming back, don't nurture those roots any more.

"Alright." You sigh, your voice restrained. "Do you have anything here to throw away? Dad's gonna burn a few things from the garage, there's too much accumulating." You say.

Since the bonfire never happened — there wasn't really a mood for it —, the unusable wood and inflammable material started to pile up even more then they already were.

"A bonfire?" Frank's face twists with a mischievous smile, and you can't help but giggle.

"Not that dad will ever admit it." You smile softly, and he cheers.

He gives you a few broken or moldy frames, and you take them back to the middle of the street in front of your house, assembling them with the rest of the disposable wood your dad is gonna burn.

You sigh at the thought that this should've happened over two months ago. That Joel was supposed to help, to be there with you. To enjoy the bonfire, to play his guitar, to hold you afterwards...

Stop it. You promised you wouldn't cry over it.

You look at the house across the street and let out another sigh before drying a few tears from your cheeks and going to the garage to help your dad bring the rest of the things outside.

For the next two days your dad refuses to light up the bonfire, for whatever reason he didn't wanna tell you, and you didn't give it much thought.

"I think it's gonna rain." He said exasperatedly as an excuse while he covered the pile with a tarp, and you just went with it, despite the clear sky.

But today he came from a run for supplies with an urge to do it, and while he unpacked his truck, Frank took you inside to prepare a few pretty platters with some snacks for you all to eat at the bonfire.

"Now let's go get you ready." Frank says after you're done.

Your dad can't help but be performatic.

"Get ready?" You ask, confused, looking down at your baggy shirt and shorts, clothes you'd only ever wear on your period or when the weather was gloomy, and that since Joel went away became your everyday choices.

"Yes, sweetheart. Get ready. Take a shower, put on a nice dress, fix your hair and put some makeup on." Frank's face lightens up with his own words.

"You're still not over your doll phase, I see." You joke. Your dad always loved to dress you up.

You'd hop into the shower and come back to see your bed covered in different clothing options, and you were always amazed by how well he learned to do complex hairstyles just from teen and vintage magazines Bill found while outside. He'd dress you up in different outfits and you'd walk down the stairs in every single one of them while Bill judged them all.

Your family's very own little fashion show.

Needless to say, Bill always loved you in every single one of them, and your childhood is full of fond memories like that.

"I have a perfect doll at home, of course I'm gonna wanna dress her up." He kisses your temple.

"I don't... I'm not feeling it, dad. I'm sorry." You say quietly, looking down while you clean the counters, feeling bad for letting your father down on such a sweet tradition of the two of you, that always turns whatever you're doing into a special event.

And you can't help but remember how he helped you get ready the day Joel and Tess first arrived. How he said if they were to see you for some reason, you should be as pretty as you could. It makes you remember how Joel looked at you, how he smiled at you, how he said you were everything he thought he'd never see again.

"Hey, look at me." Frank says almost sternly, calling your attention, and you look up at him, your eyes watering already. "Darling... I want my daughter back!" He says, almost whining, frustration mixed with sadness making his voice shaky and his eyes watery.

"Dad..." You cry quietly, feeling bad. You know he is right. You can barely recognize yourself. But you feel powerless, you've just convinced yourself that there's no point.

He is not here to see your dresses, to smell your perfume, to praise your soft skin and hair. He's not here to see your smile.

"Honey, you gotta take care of yourself for you, even if he's not here anymore." Your dad can definitely read your mind. "Just like you always did. I want my sunny, giggly and happy girl back. I want you smiling, laughing, being silly. I want you in summer dresses and with your hair shinning, lipgloss on and smelling like our garden." He says, caressing your hair. "I know how happy all that makes you."

"I do miss it." You admit, with a pout and a smile, taking his hand in yours, intertwining your fingers with his and swinging your hands gently.

"Then c'mon, my silly doll. Let's get ready. Try to have fun. Even if it lasts for just a little bit." He smiles. "Then tomorrow we try again, fresh." He says, guiding you upstairs to your bedroom.

Frank went pale when he saw the pairs of lingerie Joel got you, but you told him what happened the night you put them on — that last night, and how Joel told you to get changed — and he sighed, telling you to put on a more... Simple one. You choose a romantic white and embroidered set.

You take a slow and warm shower, and leave the bathroom smelling like berries and roses, dressed in your lingerie and a robe. You walk out of your bathroom to find the dress Joel picked for you that day, carefully placed on the center of your bed, your dad smiling softly at you, his hand on his right cheek.

The dress is short, made of a light blue fabric with some small white and yellow daisies embroidered on the neckline, that has a lettuce trim. It has thin tie-up spaghetti straps and a defined waistline. It's supposed to hug your back and waist while having a more loose grip around your chest and thighs.

"He did choose the right one." Frank almost whispers, looking at you and then the dress.

"He did." You smile softly, your eyes watering just from thinking about that day as you run your fingers through the delicate embroidered flowers.

"Do you wanna wear it?" Your dad suggests, his eyes glimmering with both excitement and the glowy, warm dance of the flames of the bonfire — that Bill lit up while you showered — bouncing on the walls around your room.

"I don't know, dad..." You whisper, your sight blurry because of all the tears.

"You should wear the one the chose." Frank lifts your face. "It's a sweet memory you have with him." He dries the tears that roll down your cheeks.

You smile weakly, remembering him sitting down on your bathroom floor, his legs spread while he fixed your cabinet, talking about the QZ and thoughtfully helping you pick a dress even though he clearly had more important things to do.

You nod and Frank helps you in it, telling you how pretty you look while he ties the straps up your shoulders, before browsing through a few vintage catalogs after a simple and romantic hairstyle.

You sit in front of the mirror so he can start curling and doing your hair, and for the first time since Joel left, you have a sincere smile on your face. You've missed this, these simple moments with your dad, doing your hair, dressing up, talking about nothing, making up gossip (usually about your poor dad Bill) like you're in a beauty salon — or at least how Frank described women's beauty salons to be in the past.

After an hour of playful; "I heard Bill hasn't cut his hair in like... Three years" and "Oh, but they say he's so lovely under all that beard and grumpiness", your dad finishes up, his eyes watering as he takes a step back to take you in.

The romantic dress, your delicate white shoe and sheer socks, your soft hair cascading down your shoulders, with two delicate and small white ribbons on the back — a new addition he saw in a beauty catalog and begged Bill to find when your poor dad went out to look for supplies—, your rosey cheeks — courtesy of the beetroot blush —and glossy lips.

"You're perfect, my dove. You're the most gorgeous woman I've ever seen." Frank says, his voice tangled with emotion, and you smile.

"Got your good genetics." You joke, and he chuckles.

"I wish, my love." He whispers lovingly, running a hand on your hair. "But even though my blood doesn't run in your veins..." He starts, his voice thick and uncharacteristically serious as he takes your hands in his. "I guess all the time we've spent together passed some of my good looks to you." He jokes, and you laugh, giving him a hug.

"I love you, daddy." You say, and he tightens his embrace, his eyebrows furrowing at the sweet name.

"Long time since you last called me that." He smiles, his tears — that he tried so hard to hold back — now flowing freely down his cheeks.

"And now I love you even more than the last time I said it." You smile even wider, and you two only let go when you hear a gentle knock on your bedroom door.

"You're gorgeous, honeybun." Bill says from the doorway, his eyes red and watery, his expression soft and tender as he looks at you.

"I'm starting to think you two are gonna throw me in the fire as an offering." You say playfully, wondering why they're being so affectionate about the bonfire.

Maybe...

No. You're just hurting yourself.

"Well, now that you mentioned it... That's not a bad idea." Bill chuckles softly. "I think the Gods would love you. Probably the best offering they've ever had. We'd have good crops and healthy animals for the rest of our lives." He says, playfully looking at Frank, and you remember how Joel used to call you angel, the memory of his low and husky voice in your ear making your eyes wetter.

Bill nods at Frank, who nods back. "I'll be by the fire." Frank says, kissing your forehead one last time before holding your chin. "My pretty girl." He smiles at you, leaving your bedroom, drying his face with his sleeves before touching Bill's shoulder and giving him a peck on the lips as he passes by him on the doorway, whispering something to him.

Bill steps closer to you, taking your hands in his, caressing the back of them, his eyes lovingly roaming around your face. "You are my daughter." He starts, his voice proud and shaking. He has never let you doubt that you're his child, even if you don't share the same blood. "And you know I'd do anything to see you safe and happy. Anything. Even if it doesn't make me happy." He says, his eyes reddening, and you tilt your head, softly squeezing and caressing his hands, soothing him.

"Daddy..." You say softly, your heart aching.

"But that's not possible because if you're happy I'm also happy." He smiles, his voice barely coming out. "There's no scenario I can imagine in which you are happy and safe — his voice breaks — and I'm not happy for seeing you happy and safe." He says, tears rolling down his cheeks. "I love you more than anything, my love. You're the best and most important thing this life has ever given me, and I only am the man I am today because I've had you with me all those years." He says between tears, and you tenderly dry his face with your thumbs.

"And I couldn't ever ask for a better family. A better father. I know all you do is to protect me. Even if it hurts at times." You say softly, finally coming to peace with what Joel asked you.

How could you ever hate your father for doing that he thinks is best for you? For trying to protect you?

"I want you to forgive me." He whispers, his head tilted down and his eyes looking up at you. "Forgive me for not allowing you to experience love." He cries, and your heart breaks along with his voice.

"Daddy." You cry, squeezing his hands. "You love me so much, you show it to me everyday. I know love. I know your love, dad's love... And for a while I knew Joel's love too." You whisper the last part, but he doesn't react to it.

"I'd be so miserable without you and your father, my love. You two are everything I care about. The only reason I'm still here. The only reason why I've made this place so good and comfortable." He says, his crying intensifying while his trembling hands move to tenderly caress your hair.

"And I know I'd be happy as long as I were with the two of you, no matter where we were. Even if we lived in a QZ, in the middle of the woods or anywhere. It's not this place that makes me greatful. It's the both of you." You smile, kissing his wet and salty cheek, and he smiles back.

"Damn good thing we have the fences though, right?" He chuckles playfully, giving you a side look as you kiss him.

"Absolutely." You smile. "The hot water and fruits may also make me love you a little more." You giggle softly, and he chuckles.

"I'm charming like that." He laughs, taking your arm in his. "I love you, I always will. And I love the woman you've become. You're strong, you're beautiful and you deserve all the happiness you can manage to have in what's left of this world." He says, for the first time — except while teaching you how to survive and defend yourself — talking to you like you're an adult.

"I'm only all that because I'm your daughter. Because you raised me." You whisper, your voice full of pride and love. "I love you too." You touch your head to his shoulder tenderly, your love for each other filling the air around you while he holds you for what feels like forever — but still not long enough.

"C'mon, your dad is waiting for us." He says after a while, and he fixes your hair before walking you downstairs, his arm tangled with yours.

He goes slowly, no rush as he sometimes steals glances at you and smiles. You don't understand why, but this moment feels special. If feels like you're gonna remember this feeling forever.

You find the front door open, and he guides you towards it. From inside you see Frank smiling by the bonfire as he looks at you, and you see his lips moving, whispering 'my princess', making you smile back at him.

You walk outside your house with your arms still tangled with your dad's, and as soon as you look at the bonfire...

It can't be.

"You. She needs you." Bill cried on the radio, inviting Joel to come back, to stay with you. To help him make you happy.

You eyes well up instantly, your mouth hanging open and your nose burning with the sudden rush of tears flooding your eyes, and you try to run, but your dad holds you back, taking your face in his hands.

"Honeybun..." His voice is shaking. "You know I love you more than anything in this life, don't you?" He asks and you nod emphatically, repeating 'yes' over and over as tears roll down your cheeks. "Promise me you'll always love me more than anything too?" He asks, his eyes watering as he smiles adoringly down at you.

"I could never love anything more than I love you, daddy." You cry, hugging your dad tight. He kisses the top of your head and gives you a reassuring look.

"I love you." He whispers, releasing your arm. You look at Frank, and he nods, his cheeks wet.

You turn back to the bonfire. To him. And you run.

You run desperately into his arms, open and ready to hold you. His body stumbles back as you jump into his embrace.

God, how you missed his arms, how you missed his smell, his warmth. You can't even speak, letting the tightness of your embrace speak for itself as you grip his shirt and shoulder blades tight and he almost lifts you off the ground, his heart beating so fast that you can feel it against your chest.

"Joel..." You cry in his ear, squeezing him as much as you can to make sure this is real. He is here. With you.

He cries your name back, holding the back of your head and wrapping his other arm protectively and tightly around your waist, his tears wetting your hair. Your hair that he missed so much, with the softness and the scent he craved so much, the scent of your skin, the feel of it, the glow you emanate, that seems to leave your pores and intoxicate him.

He pulls back slightly, his hands holding your waist and cupping your face — that way he always cups your face —, his thumb caressing the delicate skin underneath your eye, his eyes looking adoringly down at you, like you're the most precious, most special and delicate thing left in this planet. Like if you're the sole reason behind his wide smile, that seems to mimic yours. Wider than you've ever seen before.

Your presence gives him an instant sense of peace, a sense of belonging, of purpose. He wants to preserve this. Your wellbeing, your safety, your peace, your smile. Make sure you're well fed, healthy, taken care of. Make sure you're happy and loved.

It makes him want to forget about the old Joel. The sad and bitter, stoic and practical man that wouldn't want to get involved with you under the cowardice of not being good enough for you. He will be good enough. Vulnerable enough, open enough, romantic enough. He will allow himself to love you. He is gonna make damn sure of it everyday, he promises to himself. There won't be one day he won't do everything in his power to make you the happiest woman alive.

The old violent and deadly Joel will be preserved though. Kept quiet in a corner, always vigilant and attentive, ready to surface if he ever has to protect your town, your parents or especially you. Ready to not measure means to keep you safe.

You look behind him and see three big bags on the floor. "Are you... Are you staying?" You ask with a wide and contagious smile, almost out of breath, and he nods, his eyes somehow becoming even softer.

"Only if you want me to." He smiles, like you could ever say no to him, like if you could ever not want him to stay. Ever not want him.

Your smile somehow widens even more and you hug him tight again, like if any inch between you two could perhaps give him a chance to leave again. A chance he'd of course never take, never leave you again, never not have you again.

You enjoy his warmth for a little longer, remembering how soft and comfortable his embrace feels, how his fluffy flannel makes his chest feel like a pillow. How safe and special you feel in his arms. The arms that had no responsibility to love you, to choose you, but that did anyway.

And he holds you close. His strong arms keeping you shielded and protected, warm and safe. He never wants to forget what it feels like to hold you again. His heart seems to find a calmer pace as it feels your own beating against his chest.

A few moments later you remember that Joel isn't the only person last on earth and turn back to your parents, their arms holding each other's, Frank resting his head on Bil shoulder, with a smile that almost matches yours and Joel's, and Bill with a stiff expression that breaks when he sees the pure bliss and joy on your face. Any remnant of doubt or uncertainty leaving his shoulders as he sees the smile and the glow he missed so much these past few months.

You run to them, hugging both at the same time, your face nesting between their shoulders, and they hug you back, protectively wrapping you in their arms. You all share a silent understanding.

This is what life must be. Full of love and trust. Full of people who wouldn't hesitate before doing what's best for one another. Who wouldn't hesitate to protect and care for each other.

"He moves one finger you didn't want him to and you tell me, you hear?" Bill says as you pull back a little, still in their arms.

"Bill..." Frank laughs.

"You raised me, dad. You know I'd kill him myself." You joke, and Bill's eyes glimmer with amusement.

"That's my girl." He laughs proudly. "She's my daughter." He playfully nudges Frank, like it'd be news to him.

"Yeah, it shows." Frank laughs back, and you hug them tight again. "Go stay with him, love. Your dad and I are gonna bring out the food." Frank says, and you nod, walking back to Joel, who once again takes you in his arms, holding you tightly, as if trying to make up for lost time before letting go and sitting down at one of the benches your dad put by the bonfire.

You sit beside him, your body facing him, and he fixes your hair tenderly.

"The ribbons look nice." He compliments, and you smile. He notices the smallest new details about you, and it makes you feel special and pretty.

"Thank you." You purr, feeling your cheeks warmer than before.

"I got you something." He smiles at you, reaching behind himself to pick a bouquet he made with some wild flowers he found on his way back to Lincoln and some craft paper Tess helped him sort out in the QZ. It makes you smile, your eyes welling up.

"Joel... They're beautiful." You manage to say, your voice barely there.

"Some are already dying, but they are the ones closer to the QZ. The closer to you, the brighter they are." He says softly as he fixes the tie-up straps of your dress, and your heart melts. "Just like me." He whispers, his eyes red, and you smile lovingly at him.

You notice there's a paper amidst the flowers, and you take it in your hands, finding it to be a photo of Joel, that's all wrinkled, like he was planning to throw it away.

"When is this from?" You ask curiously, smiling up at him, his cheeks covered by a small blush.

"That's..." He clears his throat. "The photo I took when I got you the polaroid camera, to test it. I took it before eating the food you made me." He chuckles. "I thought it looked terrible, but then I thought you'd kill me if I ever told you it existed and I never gave it to you." He smiles, gently taking your free hand in his.

"I would." You smile, tenderly caressing his cheeks in the photo, feeling his thumb caress the back of your hand.

"Sometimes I'd doubt myself." He whispers, like he's just thinking out loud, his eyes traveling around your face, a small and silly smile on his lips. You frown, tilting your head slightly as you turn to face him. "I'd wonder if you were really like this." He smiles, and you feel your cheeks heating up even more, in a way only he can make them. "Not even the photo you gave me would convince me that you were this sweet." He says with an adoring smile.

"Do you remember this dress?" You ask quietly, and he gently plays with the fabric covering your thighs.

"I knew you'd look perfect on it." He smiles. "It's like it was made for you." He says.

"Just like I was made for you." You whisper back, a shameless smile on your lips.

His eyes are wet as he looks at you. "I missed you." He whispers, his lower lip trembling.

"I missed you too." You whisper back, resting the bouquet on your lap and cupping his face, bringing his forehead to touch yours.

He nuzzles your nose, fighting back the instinct to lean forward for a kiss.

"Guess we're doing it... The little ranch." He says instead, sniffing softly and beckoning to the house across the street, a single tear falling from his cheek onto yours.

"Am I still invited to move in with you?" You laugh softly, caressing his stubble, and he responds the laughter.

"Meh... We'll see how it goes." He playfully shrugs with a smile. "I wouldn't wanna do it without you. You're the most important part of any of my plans." He whispers, his tone soft and serious as he squeezes your hand and turns it to kiss the delicate skin of your palm. "We're gonna stay with your parents while I renovate our house — our house... — and then when it is perfect, we're gonna move in. We're gonna be patient until then." He says, and you frown. You know exactly what he means.

"Joel..." You half whine. Why does he has to be such a good man?

"I know, baby. But that's not what I want from you. And I promised your father I'd have everything settled before I touched you. So both of you know I want this." He sounds sincere, so sincere, so honest, it breaks your heart. "All of this. And mostly you." He smiles.

You've been through it, but your stomach freezes at the thought of your dad and Joel talking about whether the two of you did... That.

"Did he ask you if we had s-...?" You ask, your voice small and mortified, your always sweet eyes wide open.

"We didn't use the words themselves." He quickly says when he sees the panic in your eyes, caressing your hand soothingly. "But I assured him we haven't... Actually done it yet." He says. "And he made me vow to keep it that way until I'm settled here."

Your dads return before you can respond, with trays of kebabs, some savory oat muffins you made earlier that day, fruits and a few drinks.

You all start eating, and you notice how hungry Joel seems, how he eats like he's hiding his real hunger, and it breaks your heart. But as you cook him another kebab over the bonfire flame, you get a glimpse of what life's gonna look like from now on. Taking care of him, making sure he never has to go for a day without being well fed and loved.

"Only thing missing here is some s'mores." He chuckles, looking down at you with a full mouth and a silly smile.

"Oh, I've never had those...!" You gasp, almost whine, your eyes shining with the idea of it.

"They're amazing, you would've loved them." He smiles, cleaning a few crumbs on your cheeks.

You and Frank talk and have fun while Joel and Bill mostly just watch, both still testing the waters with each other. Bill tries to read Joel, noticing how his eyes shine when he looks at you and how happy you seem with him, how close together the two of you are sitting, with your thighs glued to each other's; and Joel tries to not be too invasive or physical for Bill's liking, even though he wants nothing more than to keep you close and his arms around you for good measure.

Bill eventually joins in the conversation, asking Joel about the path from the QZ to Lincoln. About what he saw, if he noticed anything different or concerning. Joel explains how he covered his trail and describes his encounters with the dead and the infected, and you worriedly try to check his arms under his flannel, making him laugh softly at your worry, reassuring you he's fine.

···

After you're all full, Frank asks your help to bring the dishes back inside, and you follow him. After you set everything in the sink he tells you to leave it to clean the next morning and takes you to his studio, where he hands you the finished painting of Sarah.

"He gave you flowers, right? Go give him your gift." He smiles at you, and you smile back.

You walk outside the house with the canvas behind your back, and you spot Joel and your dad talking to each other. There aren't any big smiles yet, but it's happened before, so you hope it's gonna happen again.

You go to them, turning the canvas towards him, and his eyes swell as soon as he sees it, his eyebrows moving and his lips quivering.

Frank captured Sarah perfectly. Her soft eyes, her hair, her freckles and dimples. Her silly smile is almost as bright as the real thing used to be. He can't help but caress the canvas, like he could feel the soft skin of her cheeks.

Joel cries like he's seeing his girl again, like she's there with them, and he'd be lying if he said he didn't feel a breeze pass by him when he saw the painting. Like she's by his side, present, approving of his much longed and deserved happiness. Like she's smiling from wherever she is, finally resting now that he has all this. Now that he has a safe and loving environment for himself. Now that he has you, like she knows you're gonna take care and love her father.

He hugs you, no words needed to express his gratefulness, how much he loved it.

"It's perfect. It's her. My babygirl." He manages to say between tears anyway, and when you pull back, Bill walks closer to Joel, looking at the painting, his own eyes watering.

"I know you're gonna be everything my daughter needs, Joel." He says. "Because you are a father too." His voice breaks. "You know exactly how much she means to me. I... I Promise I'll do my best to rebuild my trust in you. For her. We're gonna make this work." He whispers, and Joel nods, a determined look in his eyes. He knows it's not easy for Bill, and he wants to earn his respect once again. "And besides... She's my daughter. I know she'd deal with you before I had to step in." He chuckles, and Joel laughs.

"I know she would." Joel agrees, his eyes watering as he looks at you.

"You take good care of my little girl. You make her happy. You keep her safe. You keep that gorgeous smile on her face." He says, turning back to point at you and your wide smile, tears pouring from his eyes. "And we ain't ever gonna have a problem again." He tells Joel, who once again nods, offering his hand for your dad to shake.

He's not good at being vulnerable around others, but he hopes that's another feeling you might restore in him.

"That's everything I'll ever do." Joel says, and they shake hands, a mutual feeling of respect and trust being established between the two men. When Frank joins them, Joel offers his hand for him to shake.

"Oh, c'mon, I'm not Bill!" Frank laughs, pulling Joel into a hug that he happily responds to, feeling grateful for Frank's trust in him this whole time, and for the portrait he's still holding.

"Thank you, Frank." He whispers as they hug. "For trusting me even when I didn't deserve your trust. And for giving my girl back to me." He says, his eyes once again down to Sarah's painting.

"It was an honor to paint her." Frank smiles. "And she's not the only girl I manage to get back to you." He smiles back at you. "You take good care of my baby. Her father is a psycho, you know that." He jokes, and Joel chuckles.

"We all are to protect who we love." He nods, the old Joel speaking. Lethal when it comes to protecting you.

"You're part of our family now. Thank you for making our daughter so happy." Frank says, nudging Bill for him to say something.

"Yeah, yeah. Family." He says, his voice dry and choked in his throat. "We'll do our best to make her happy." He says, and Joel nods.

They all turn to look at you, and you feel like you could burst with love and happiness. Your parents and the man you love. All going out of their way to make you safe and happy.

"Love! Photos!" Frank tells you excitedly, and you run inside to get your camera.

"Frank..." Bill mumbles, but Frank shushes him.

"Bill today is a special day for our daughter." He says, his voice firm. "We are taking photos." He fixes Bill's hair tenderly, Joel smiling as he watches the two of them.

No wonder you're so special. Being raised by these two.

You come back with the camera Joel got you, and you first take a photo of the three of them together. Frank standing in between as they all give you their best smiles.

Then Joel takes a picture of you and your dads, smiling to himself at your bright smile.

"It looks perfect." He smiles, and Frank takes the camera from him.

"Go on, love. You two. Get the flowers, where are the flowers?" He says, and you and Joel pose together, his arm around your waist while you're wrapped around him, holding your bouquet, a happy and loving smile on your lips, and a wide one on his. "Beautiful. Now a kiss!" Frank says, and Bill shifts on his feet.

Joel is a little hesitant, but you gently cradle his face and touch your lips to his for the very first time since he went away, wanting to save the real kiss for when it's just the two of you. His arms tighten around you, and your dad cheers.

"Beautiful!" He says, showing you the photo.

"Our second first kiss." You smile, looking at the photo, then at Joel.

"You haven't kissed yet?" Frank gasps, and you shake your head. "Oh, and I got it on camera! That's so precious, my love." Frank says lovingly, and Bill smiles as he looks at the photo as well, your smile even as your lips are pressing against Joel's leave no room for him to doubt just how happy you're gonna be with him.

After a few more conversations and photos you all decide to get some rest. Your parents kiss the top of your head and go to their bedroom, Bill glancing at Joel one last before going inside, nodding at him.

All of the dishes are forgotten in the sink. "A tomorrow morning problem!", like Frank said earlier. And the bonfire, still burning its last flames, to be dismantled and cleaned the next morning as well.

You help Joel put his bags and the painting in the living room, only his backpack on him as the two of you go upstairs, holding hands, a peaceful sense of belonging consuming him as he thinks about how this is his life now. About how you don't have to hide, to lie, to suppress your feelings or worry about not having each other the next day.

And he doesn't have to worry about trust or boundaries. They're all set, and he wants more than anything to prove to your dads that he's not just after good food and a safe and comfortable bed with a pretty girl laying on it. He wants you. Happy and safe, his.

···

You reach your bedroom and open the door for him to walk in. He closes his eyes and smiles when the sweet, floral and citric scent he missed so much enters his nose.

He sets his backpack down and looks at you while you carefully place the bouquet on your dresser and fix your hair in your mirror.

"I forgot how good your bedroom smells." He smiles, walking behind you and looking lovingly at your reflection on the mirror, placing his hands on your waist. You turn around, wrapping your arms around his waist, inhaling his own scent.

"You smell good, too." You whisper, snuggling your cheek to his chest, indulging in his comforting warmth, in his presence, in his smell, the gentle rhythm of his heart, the rumble of his breathing.

"Your dad told me to shower when I got here." He chuckles, pulling you out of your trance as his hands trace gentle circles on your back.

"He made me get all dressed up." You giggle softly, certain that it was Frank that told him to shower, and he gently releases his grip on you, lifting your chin with his thumb so you look up at him.

"You're beautiful, my angel." He whispers.

The warm and now softer glow from the bonfire below your window casts a beautiful and intimate light on both of you, outlining Joel's face perfectly. All of his features; his big and sculpted nose, his big and soft brown eyes, his pouty lips, his cheekbones and jawline. His hair, that's still a bit wet near the roots, yet already fluffy and messy on its — now slightly longer — curls, his stubble — the tiny little white hairs starting to flourish —. Everything perfectly layed out for your eyes, making you remember exactly why the thoughts of him made you so breathless.

And when your eyes land back on his, you notice their softness towards you. A softness they only acquire when looking at you. A softness that seems to draw your eyes lower, to his lips, that makes you lick your own, anticipating feeling his touch again, his warmth... his taste.

Like you've rehearsed it, at the same time that you get on your tiptoes, he slowly leans down, gently cradling your face and touching his lips to yours. Intoxicating you with his hot breath against your nose, breathing the same breaths as the warm air that leaves his lungs fills your own, his gentle yet firm hands on your lower back and cheek, the roughness of his fingers on your skin, the softness of his wet lips caressing yours.

Feeling his beard tingle your face again makes you melt into his arms, it makes you melt and it makes you moan softly into his mouth, making him hold you tighter and gently tug on your hair, deepening the kiss even more and grunting as he tastes what he's missed for so long. The sweetness he thought he'd never have in his hands again.

Your tongues dance together in a passionate and intense display of intimacy. Intimacy that you've learned not long ago, that he taught you all about. An intimacy that makes him feel like you've known each other your whole lives, like your love follows you way before this life and these bodies. Like your souls have been longing to be reunited for much longer than just a few months.

You tug at his jacket, wanting to squeeze him, to make sure he's real and all yours, to try and make him feel just how much you've missed him, to have him as close as possible to you.

"Baby... We talked about this." He pulls back to whisper breathlessly over you lips when you start pressing your body against his, the kiss going from slow and romantic to hungry and needy, the sensations traveling from your tongue directly to form a pool between your legs.

"Please, Joel. I need you." You moan, burying your face on his neck, kissing the warm skin there.

"Baby..." He tries to protest, feeling that same vulnerability you always erupt inside him.

"We don't have to do anything we haven't done yet." You purr, looking up at him. "Please, Joel. I thought about you every single night." You say, and you see his nostrils widening, his chest expanding and his jaw clenching as you confess to have done what he also did.

Every single night after the first few weeks, when pain and guilt started to give space to the longing and need to be together again. Nights where he laid on his side and held himself tight, imagining what you'd feel like, remembering how warm your skin felt against his, how good you smelled, how much he missed your nails on his back, your fingers curling on his hair, your lips burning his skin, your warm and wet flesh around his fingers. Nights where he held your photo to smell the - fainter by the day - perfume you sprayed on it and to look at your sweet smile, remembering how your face contorted and how you cried his name, the sound still echoing in his mind.

"You're gonna kill me." He whispers, pulling away, leaving you whimpering softly as he walks towards your window, resting his hands on the bottom of the frame, looking at the house across the street. The one he chose to live in with you. To make yours.

You walk towards him, wrapping your arms around his torso and resting your head against his back. "It's ok." You whisper, feeling his back expand with his heavy breathing. "I can wait. I like that you want to wait." You say against his back, your hands caressing his stomach and chest, and after a few moments, he turns around, facing you, his eyes scanning your face.

"Did you tell the truth?" He asks, his voice low and quiet. "Did you think about me like that?"

"I did." You confess again, feeling your cheeks warm up as your gaze drops to his old and dirty boots and your delicate shoes and white sheer socks.

"Then why do you need my help, angel?" He asks with a soft smile, almost a smirk, gently cupping your face and pulling it up so you look at him, his thumb caressing your cheeks.

"Because I couldn't... do it without you." You purr, leaning into his touch until he removes his hand, making you whimper as he once again walks away from you. "Joel..." You whisper, watching him.

He hears it and chuckles softly before sitting on the edge of your bed and looking at you. His gaze just like you remembered it. Hungry and lustful but somehow still soft and lovingly, his dark eyes glistening with the flames of the bonfire that are weakly dancing around your room. The intensity of his gaze makes you shift on your feet while you wait for him to say something, your fingers nervously curling around one another.

He pats his lap, calling your attention. "Come here, angel." He calls, his voice as soft and demanding as always, and before you even process it, your legs are obediently walking towards him, earning an approving smile. "Good. Come here." He instructs again, this time pulling gently on your waist for you to sit across his lap.

"I missed the way you talk to me." You confess in a whisper.

"You did?" He asks, tucking your hair behind your ear while his eyes roam around your face, a silly smile on his lips.

You nod, your eyes catching his gaze as you just stare at each other in silence for a bit.

"I like the way you tell me what to do." You purr, your shaky voice betraying how nervous you are to be so close to him again.

"And I love how you trust me..." He responds quietly, like he's just thinking out loud. "... How responsive you are to me." He whispers.

You look up at him, your eyes glistening behind a thin layer of blissful tears. "Responsive?" You ask softly, and he smiles.

"You'll see what I mean." He reassures you, carefully grabbing a fistful of your hair and pulling it above your other shoulder so he can kiss the soft and sensitive skin of your perfumed neck, earning a breathy gasp and a pleased frown from you. In response, he nibs and sucks on it, squeezing your thigh gently, his hands caressing your skin, going underneath your dress to caress the soft spot where your thighs and your hips connect.

"Joel..." You whisper, trying to give him better access and simultaneously wrap your arms around him so you can touch him back.

He places both hands on your waist and gently pushes you off his lap, and you're quick to turn and straddle him, just like you did that first night on your armchair, your hands going under his arms to tug at his shoulder blades while his go to your waist and hips, holding you firmly - squeezing you so good - and tugging at the soft fabric of your dress while his lips trail wet kisses from your neck to you shoulders as his rough fingers gently undo the straps of your dress, kissing his way back from your shoulders to your jaw, and from your jaw to your already open and inviting lips.

You moan into the kiss, his hot breath caressing your skin and his beard burning you and making you lean even closer to him.

He grunts as you tug on his hair, your hips instinctively rolling against his, and he starts pulling your dress up your thighs with the back of his fingers, caressing and kneading the tender skin of your thighs as he reveals them, his worn out and barely-there nails greedily digging in the soft skin of your hips and bottom in an eager attempt to make up for the time apart, to remember and to feel everything he thought about every single night, to never again forget how you feel like under his touch.

He continues pulling your dress up, and you help him by lifting your arms, allowing him to fully reveal your soft and perfect - somehow even better than he remembered - curves, your delicate white set of lace bra and panties... And he goes numb, his eyes locked on your body and his lips apart, his hands moving up your waist, his thumbs caressing your breasts and rolling around your clothed nipples, his chest moving deeply as he tries to catch his breath, lost in the sight of you.

"I missed you so much, my angel." He whispers, his gaze making its way back to your own, his eyes soft and watery, filled with unspoken words of love and passion, with the longing of all those weeks apart, all those nights where he'd have done anything to be by your side.

All the times he caught himself looking into nothingness, lost in thoughts about you, about how you must've been and how much he wished to be doing the same nothing, staring into the same nothingness, but with you. How much he missed all of you. Every single smile, breath and noise you make. Every wrinkle in the corners of your eyes when you smile, every mark, spot and stretch, everything you'd be insecure about if you've grown in a regular setting. Things he'd never change about you.

He couldn't think of a single thing to change about you to make you more special, more perfect for him.

"I thought about you all day long. And you came back to me." You whisper back, your eyes not as shy as his, your tears flowing freely down your cheeks and onto your neck, inspiring some of his own to make the same path, rolling down his cheeks and soaking his beard. "When my dad was dressing me up... I kept thinking that maybe..." You begin crying softly. "That maybe it was because you'd come back. But... Thinking about it, after so long... It hurt... And I kept burying these feelings down but..." You smile brightly up at him, your eyes leaking blissful tears. "But you came back for me."

"I'd always come back for you." He says with a smile, his voice thick as he once again wraps his arms protectively around you, cradling your face against his chest. "I'd never not come back for you. Even if not now... I'd come back for you one day. I'd never let you be alone, my baby." He promises as he holds you behind your right knee and the nape of your neck, standing up with you in his strong arms and effortlessly fliping you over so you're lying on your back, on the edge of your bed.

"I wanna be yours. For the rest of my life." You say, caressing his hair with both hands as he kisses the now salty skin of your neck and collarbones.

"One day." He promises against your skin before looking into your eyes, his face hovering torturingly close to yours. "The day our - our - house is ready for us. That day; or whatever day after that, when you're ready for me..." He says, his voice softer than the dandelions your father planted near your garden, the dandelions that for so many sunsets heard the name 'Joel' as you exhaustively called and cried for him, with the hope that that day he'd finally come back through those gates. "That day I'll make you mine." He whispers before kissing your lips again, a short kiss before his lips move to your cheeks, where he continues. "That day I'll show you what it feels like to be mine. What it feels like to be a woman." He whispers before kissing, biting and sucking on your neck, right where he knows your vein is.

"Joel..." You moan again, squeezing his bicep through his flannel.

"I'll show you what it's like to be my woman." He whispers, his voice now lower and raspier, huskier. "I'll show you what it's like to belong to a man. To belong to me." He promises, his eyes soft and filled with a possessive passion for you.

He kisses your lips again, a short and wet peck that makes you moan for more, tugging at his hair and looking down when he draws a wet path of kisses down your throat... your collarbones... your chest... his wet and warm lips kissing the outline of your bra before engulfing your clothed left nipple in his warm lips, a sensation that makes you ache between your legs and your back arch up into his touch.

You whimper when he lets go, but as soon as you open your eyes, he's leaning in for another kiss, his hands leaving your waist and reaching behind you to unclasp your bra and reveal more of you to his sore — hungrier by the second — eyes.

"Ahnn..." You moan, your back arching higher against his body when he takes your bare nipple in his mouth, the wetness and warmth of his mouth making your legs move in response to the growing warmth and wetness between them, your toes tugging at the sheets.

"You're so fucking soft, baby." He mumbles against your skin, his eyes closed as he rolls your nipple around his tongue, suckling on it.

"Joel... It... So... Good..." You moan nothings into the air, recalling the first and last time he did this to you, how good it feels to have him so close, how special you feel with how he takes his time with you, how he doesn't make you feel like this is about pleasing him, but showing you how much he can pleasure you too.

"I'll make you feel so good, my baby." He says before kissing the lower side of your breast, then your waist, stomach, your bellybutton... Then the skin above the hem of your panties, his hands reaching underneath you and holding and kneading your bottom as he kisses along the whole waistband of your panties, his eyes locked on yours as his fingers tangle on the delicate and thin fabric.

"I know you will." You whisper, making his eyes harden with lust before softening at the sight of your sweet smile. He stands up by the bed and gently pulls your panties down your legs, upwards his chest, and he smells it, closing his eyes and growling at your scent. He places both of your feet on his chest, caressing your legs as he admires the woman — the angel — underneath him.

Seeing you fully exposed to him for the second time, this time knowing he's not betraying your dad's trust, that he's doing it the right way... It makes him forget how to breathe, his hands caressing your thighs, his eyes travelling around your body, pure love and desire burning in their softness. It makes him allow himself to fully drink you in and shamelessly indulge in just how perfect you are, in how every curve of your body seems to have been sculpted in his dreams. Like you were really made just for him, exactly how he wants and needs you.

"You're perfect." He whispers in awe, more like just an observation for himself as he kisses your ankles — with those cute fucking socks — and then his way up your legs, simultaneously lowering himself back between them, kneeling on the floor at the edge of your bed, pulling you closer to the edge. "Mine." He says when his lips reach the inner sides of your knees, his hands squeezing the front of your thighs, his arms under your thighs. "Perfect for me. All for me." He possessively squeezes your thighs as he kisses their inner skin, making you moan when he parts your legs, the air once again leaving his lungs to be filled only with the awe of you.

With the scent of you, the wetness and the color, the softness and the taste... Dammit, he can't wait to finally actually taste you, to finally feel your tender and warm flesh against his lips, your wetness coating his lips and tongue, your muscles contracting underneath and around his tongue.

"I shaved for you again." You purr, removing him from his daydreams, invitingly spreading your legs wider for him, shamelessly offering all of you for him. In a way you'd only ever do for him, even if he never came back and someone else did. "I did all this time... Hoping you'd come back." And you did it, longing to see the same darkness in his eyes you saw the first time you said those words. The same darkness you're seeing right now.

"I'd have loved you either way, angel." He whispers, kissing your mount. "A real man doesn't care about that, baby. Certainly not in a sweet girl like you. But I do appreciate the view." He growls before kissing the skin where your thighs connect to your core, earning a surprised and sweet gasp from you. "I can't think of a thing that'd make me not want you." He whispers, kissing your folds before tasting you.

"Ahhnn..." You moan softly, almost laughing with bliss at the feeling of his tongue licking along your slit, diving onto your clit, swirling around the small nub. "Joel... Hmmm..." You moan, your eyes already closed and your breathing already heavy.

"I haven't even started yet, baby. And that's what I mean with responsive..." He smirks before exploring every corner and fold of you with his tongue, his beard deliciously scratching and bruising your skin. "You're so fucking responsive to me, to the smallest little touches."

You try to spread your legs even further for him, eager to give him as much as possible, and he notices your struggle with the need to give him more and to soothe yourself somehow, your hands desperately gripping the sheets, your whole body already overwhelmed by him and the foreign and delicious sensation of his mouth on you. He lifts your legs, touching your knees to your chest.

"Hold your legs for me, angel, please." He asks softly, and you hug your knees, one in each arm, your legs fully spread and your core in full display for his hungry eyes, leaking with need for more, the sheets connected to you by a thin streak of your leaking juices. He presses both his thumbs on each one of your lips, watching as the arousal seems to leak out of your core as he presses against your flesh, his eyes darkening and becoming hazed as he anticipates watching you come apart for him again.

Vulnerable, responsive and shameless, just like he remembers your outbursts to be like. Your eyes closed shut or looking desperately into his own, your lips curled downwards in whimpers and cries, your hands squeezing him.

"I'mma need you to be real quiet for me, alright, baby? Only for my ears." He whispers, looking up at you, and you nod. "Can you do that for me, angel?" He asks softly.

You nod, words are way past your brain's capacity now.

"Words, my sweet girl." He squeezes your thighs. "Use your pretty words for me."

"Yes." You say in a breathless whisper, your whole body is shaking in anticipation.

"That's my good girl." He praises before parting your folds with his thumbs. He grunts at the view and buries his lips underneath yours, his beard scratching you, only adding to the feeling as he sucks on every bit of flesh, slurping in your juices and pressing his tongue against your aching and pulsing entrance, circling it and teasing pushing in.

"Joel!" You urgently beg for more, your voice quiet and small. You need more. You feel like you're so close already, his teasing and the way he's almost worshipping you making your body run to the edge. Already so close from falling that you want to hold back just to feel this for longer. "Joel, I... I can't hold it!" You purr in delicious agony, begging for both his mercy and more of his touch.

"Let go for me, princess. We've got all night to recover and do it again." He says huskily before once again parting your inner folds with his thumbs, admiring your tightness. "You're gonna feel so good around me, baby." He licks the exposed entrance, indulging in the wetness and warmth of your aching body. His tongue lapping on the pool that's formed inside you.

"More, Joel. More, please." You plead, hugging your knees closer to you in a desperate attempt to soothe your even more desperate body.

He responds by taking your clit in his mouth, licking the bud and pushing the hood back with his tongue, the feeling of his soft and warm tongue on your most sensitive spot making your body jolt with a literal spark of electricity that runs through your flesh, the feeling making you desperate with need, like if you're coming already under his tongue, your eyes snap open.

You gasp as he does it again, your eyes now closing shut. He smirks and lets the hood cover your clit again before he begins sucking on it, the feeling burning, itching and aching, all at the same time as your legs tremble desperately against your chest, your eyes rolled to the back of your skull and your mouth open in a silent scream as you lose complete control, your body tensing up, your juices flowing freely from you to your sheets, and your mind going blank, not a single thought or feeling that isn't the overwhelming pleasure he's giving you crossing your mind.

Only him, his tongue, his hands holding you, his fingers digging into your flesh to hold you in place, his scent, his warm breath against your tenderness, his eyes watching you crumble. You feel an agonizing pleasure washing over you, your body melting underneath his touch.

You come back from your high with tears falling down your cheeks, your legs sore and shaking, your breathing heavy and your throat dry, a sticky pool on the sheets underneath you and Joel gently kissing your folds, trying to help you come down and gather some of the leaking juices that you've just released.

"Joel..." You try to whisper, but the sound half dies on your tongue, the sweetness and need still making their way to his ears, and he smiles up at you, once again kissing his way up from your folds to you mount, through your stomach till your breasts, stopping by your nipple before reaching your collarbones, then your neck... Your throat and jaw, then kissing a tight trail until he reaches the corner of your lips.

"You did so good, my baby." He praises, his voice filled with pride. "So intense but so quiet and sweet for me." He whispers, touching his forehead to yours, and you smile, your cheeks warming up even more.

"Can you do this to me again?" You whisper sweetly, an undeniable amount of innocence and love in your request, making him chuckle.

"Everyday if you want me to, my angel." He smiles, kissing your forehead. "I'd never deny tasting you, making you crumble like that." He kisses you deeply, and you can taste yourself on his lips, your taste mingled with his own making you moan and tug at his curls, needing more, all of him.

"I wanna make you crumble too." You say breathlessly when he pulls back, and he smiles softly.

"Baby..." He starts, and you know that tone.

"Please, Joel!" You furrow your eyebrows. "Please, it's not fair you do it to me and I don't do it for you too." You purr. "I want to do it for you." You reassure him with a smile.

Your eagerness to please him... Something most women did everything in their power to not do... Fuck. He's one lucky son of a bitch.

"Baby... Me doing it to you is one thing... But... You don't have to do the same. We can try something we've already done before." He says, and the honesty, patience and respect in his voice makes you want to ravish him. To make him feel so good for making you feel so comfortable and safe, that he's gonna forget his own name.

"The more you tell me I don't have to... The more I'll wanna do it." You smile, a hint of mischief and innocent curiosity to know what it feels like to finally taste him, to really have him in your mouth, his breathing heavy, his face contorting, his fingers on your hair... "Please." You purr, using the face that gets you everything you want.

And he knows it damn well. He knows you always get what you want. And tonight is not gonna be the first time he says no to you.

"Still trying to kill me, I see." He smiles, kissing you again, his hand once again traveling down your body, gently pinching your nipple and rolling it in between his thumb and index fingers until you whimper in response, then making a ticklish trail down your waist and hips, finding your core again, spreading your folds and pushing the tip of his middle finger inside your - even tighter after your orgasm - entrance. "So fucking tight, baby... Gonna squeeze me so fucking good." He growls against your lips before pushing the finger fully in, curling his finger to masterfully hit your sweetest spot with a precision that not even you have yet.

"Oh... Joel!" You moan, your eyes closed and your eyebrows furrowed as he continuously presses the right button inside you. "Joel?!" You say, your eyes snapping open and confused by the intense and sudden sensation, the feeling increased, as intense as it always is after an orgasm. "Joel I..." You struggle, your face contorted in a perfect display of the blissfulness he's washing your body and soul with.

"Keep saying my name, my sweet girl." He kisses your lips gently before going down and burying his face back between your legs, sucking your clit into his mouth, creating a mind numbing sensation as his finger still pumps your favorite spot.

"Joooel!" You cry out, forgetting to be silent, your upper body jolting up.

"Shhhh... No, baby... Be good for me, c'mon. Not so loud." He frowns before diving back in, his lips glistening with you. Your eyes roll back as your hips eagerly move against his face, making him grunt and squeeze your thigh with his free hand. "That's it..." He encourages, and you move even more intensely, your hands tugging at his curls, the sheets and anything at your reach as you feel another soul crushing orgasm building deep, deeper than ever before, inside your core.

"Jooooel!" You cry out again, more quietly this time, only for his ears, your voice strangled.

"Good girl." He praises. "Give it to me, angel. I know how much you love my attention, baby... And you're doing a really good job for me, so quiet and good for me..." He says before sucking your clit back into his mouth and inserting another thick finger in your tight insides, thrusting them in and out gently and pressing your sweetest spot between thrusts.

"Aaaah!" You whimper before it hits you suddenly and you're gone. Mind blank, legs shaking, body convulsing and hands almost painfully tugging at his hair as you have the orgasm of your life.

He groans when he feels your fingers pulling on his curls and your clit throbbing underneath his tongue, his eyes fixated on your pretty face all twisted and scrunched in almost painful pleasure as he breaks you apart. His fingers getting soaked inside you, your walls gripping him so tightly he can't even pump his fingers, just continuously pressing against your sweetest spot until you finally begin to come down.

"Joel! Joel! God! Joel!" You desperately pull him up onto you, holding tightly onto him, kissing his lips with more need and passion than ever before, tears flowing out of your eyes not only because of the overwhelming feelings he just made you feel, but mostly because you still can't process this is real.

You're not dreaming. This is not one of those dreams. He's here. With you. In your bed. His fingers inside you. He's finally yours again.

"Shhh... It's ok. I got you." He whispers when he breathlessly pulls back, kissing your neck, giving you time to recover and catch your breath.

"Joel..." You whimper against his neck.

"I'm right here, darling. You did so good for me again, my baby." He soothingly caresses your hair. "You always do..." He kisses your shoulder.

"That..." You say breathlessly. "I want you to do that again." You say, giggling a silly giggle as your brain starts to regain its shape.

He chuckles, pepering tender kisses all over your shoulder, collarbones, neck and jaw.

"I'm still gonna make you feel even better than that, baby." He whispers in your ears, his breath tickling your neck, making you laugh and get covered in goosebumps. "Over and over again. Until you get tired of me." He promises.

"Then you won't ever stop." You purr back, caressing his beard and his cheek tenderly, enjoying the feeling of having him in your arms again.

"We've got the rest of our lives for that." He smiles, leaning in for a sweet and slow kiss, his weight pushing you deeper onto the mattress, making you moan and pull him even lower onto you, your hands on his back, tugging at his shirt and squeezing his muscles.

"Can I do it now?" You break the kiss when you feel his bulge pressing against your thigh.

"Angel..." He says softly, kissing your jaw.

"Please, Joel... Just a little bit... I wanna see you again... I thought so much about holding you again..." You whisper, your hand moving down his stomach, testing his resistance.

He presses his thumb against your lower lip as is trying to shush you, pressing against it, caressing it. You don't hesitate in kissing it and licking it gently, swirling your tongue around his digit, and he presses his thumb against your tongue, pushing it inside your mouth. You invitingly part your lips and suckle around his thumb, swirling your tongue around it, watching his face; his eyelids heavy, his lips parted and his breathing heavy. He pulls his thumb back, a thin thread of saliva connecting his thumb to your pink and wet lips.

"Fuck..." He growls breathlessly. He just really can't say no to you. He sits down beside you, patting the mattress between his legs. "Come here, baby." His raspy voice calls, and you don't hesitate, quickly dropping to the floor between his legs. "Listen!" He warns softly before you reach for his belt, and you retract your hands, his hand gripping your chin firmly. "No mouth unless I say so." He sternly says, his mind reeling on the sight of your pink and wet lips around his thumb.

"Joel...!" You whine, frowning in frustration, sitting back on your heels, your hands resting on your thighs. He only looks down at you, his eyes serious and stern.

"No mouth or nothing at all." He says, and you frown.

"Alright." You mumble, making him smile.

"There's my good girl." He says, running his thumb on your cheek before placing his hands beside him to support himself. "Take my pants off, baby." He instructs softly.

You decide to first untie his boots, carefully removing them from his tired and calloused feet, hearing him groan in relief. You remove his socks too before undoing his zíper, your fingers curling underneath the waistband of his jeans and boxers down his legs before looking back up at his cock.

His throbbing, hard and aching cock. Aching for you. For more of you than he'd admit right now. For all of you.

You smile up at him, waiting for his permission to touch him, and he smiles down at you.

"Go on, baby. It's yours." He says, his voice affected by lust and affection as he gives himself to you.

"It's mine?" You whisper, shooting him a tender and playful smile as you loosely wrap your fingers around him, frowning when you feel how hard and warm he is, how tender his skin is despite how really hard he is in his center. Just like you remembered.

God, you missed him.

His pink and glistening tip, his thick and towering length, his vein that travels from his base all the way to his tip, his foreskin involving his tip, his balls heavy with everything you can't wait to begin craving.

"All yours, baby. It likes you. Missed you." He smiles down at you, and you can feel your cheeks a little warmer.

"I like it too. Missed it too." You whisper before stroking him slowly and gently, getting used again to how he feels in your hands.

"I can tell, baby..." He whispers, looking down at you. "Remember how you did it that time in the bathroom?" He asks softly, gently fixing your hair behind your shoulders.

"Uhum". You nod.

"Good. Do it just like that. Slow at first, then faster." He instructs softly, and you smile up at him.

You grip him a bit tighter and move your hand slowly, making him grunt. You watch how his foreskin moves along with your hands, covering and uncovering his tip, his precum pooling in his tip as he allows himself to be consumed by your touch. Your soft hands, your curious gaze and touch, how happy he is to have you again, to know you're his. To do this... And to see you everyday, to take care of you everyday, to kiss and hug you everyday. He moans and cups your cheek, tilting your face up as he leans in, his stomach pressing against your hand as he kisses you again. His lips desperate to never again forget what you taste like.

"You're so beautiful, my angel... You're so, so perfect for me." He says, his eyes travelling around your sweet and flustered face. "It's like you were made for me. Just for me, just so I could find you one day." He whispers.

The thought of being his, of your whole body belonging to him, your whole purpose to please and make him happy is more overwhelming than it should be, and it makes you purr in response. "Maybe I was." You say, making him smile and kiss your forehead before leaning back to give your hands more room to work.

"Maybe you were." He whispers tenderly.

You continue your steady movements, your eyes curiously watching him, and you feel your hands wet. You see his precum leaking out of him and you smear it all over his length, making him grunt as your hands slide easily along him, a wet sound filing your ears, making you lick your lips.

"Joel... Since it is mine...?" You ask sweetly, ready to beg for it if he says no.

"Guess I did say it." He sighs while he sits back. He's not strong enough for this. "It's yous, darling... You can do whatever you want with it." He gently pushes your hair behind your shoulders again, his cock throbbing with the ideas he knows you might have.

"I promise you wont regret it." You smile and lean in, smelling him curiously before gently kissing his very tip, your lips just ghostingly grazing his sensitive skin. He lets out a shaky breath when your warm breath hits his sensitive flesh, his eyelids fluttering closed.

"I know I won't, baby... I know I won't." He grunts quietly.

"Hmmm... Tastes like you." You purr, smiling up at him, your hand never stopping its slow and steady, tight pace on him.

"And is that good?" He chuckles softly.

"Uhum..." You lick it, earning a grunt from him. "Delicious." You purr before a long and firm swirl of your tongue around his head. "Hmmmm... Very, very delicious." You moan, twirling your tongue around him again, feeling how soft and wet the flesh of his tip is. Doing it just like that night, when he breathlessly called your name and let you taste him for the first time. "Better than I remembered."

"God... That's... Jesus, angel... Don't tease me like that..." He groans, and you frown.

"I'm not teasing you." You say, licking him again.

"But you are." He pants.

"I just like kissing it." You whisper with a sly smile, and he frowns.

"Yeah, baby. I... God, I like it too. But I need more, I've waited long enough." He growls, trying to keep himself together, his body desperate for more.

"Teach me how to give you more." You whisper.

Jesus Christ.

"Suck on it, baby. Go slow, not too deep. Do it like you were doing with your tongue, but sucking on it at the same time." He instructs breathlessly.

"Ok." You say before wrapping your soft lips around his throbbing tip again, this time sucking and licking simultaneously, earring a grunt.

"Good, just like that." He praises. "Don't forget your hand." He says, gently wrapping his large ones around yours, and you begin moving it up and down his length, moving your wrists at slightly different paces to increase his sensations. "Good job... Fuck... Just like that." He moans, his hands moving along with yours, their warmth reassuring and comforting.

You continue giving him more, gently suckling on his tip, enjoying the feeling of it against your lips and tongue, the curves of the underside of it, the warmth and taste, how wet and how soft it feels. You lock your lips around it and swirl your tongue around the head, and he moans when the underside of your tongue slides over his aching tip.

"Holy shit... Baby..." He pants, trying not to stop your exploration, even though he wants nothing more than to hold your head and relieve himself. Instead, he looks down at you, reminding himself that it is you, your mouth, your first time doing it, and his hand tenderly tangle on your hair as you continue getting to know him once again.

The feeling of his hand in your hair is soothing and reassuring. It makes you go deeper, taking him halfway through and sucking with your whole mouth, closing your eyes at the feeling of him inside your mouth, your tongue sliding along his underside, exploring a vein that's pulsing against your touch.

"Oh, baby... Fuck, that's it." He moans breathlessly in response, his hand unconciously tugging gently at your hair. "Try hollowing your cheeks now." He commands with a smooth voice.

You do it and as he occupies your whole mouth, for a sweet moment it's almost like the rest of him is gone. All but his cock in your mouth and his hand in your hair. The feeling of his warm, tender and hard flesh in your mouth is foreign yet familiar, like you've imagined it for so long that it's like you've always had it. Like you were always meant to have him.

"You're doing so good, baby... So fucking good for me." He praises, looking adoringly down at you, his face slightly flushed and covered in a thin layer of sweat. He looks Godly, he looks happy and satisfied, and it makes you want to take him in even deeper, to please him even more, so you do, your eyes locked on his.

The sounds he makes in response and the way his face contorted when he hit the back of your throat made you wanna take even more of him, let him fill your mouth. And the way he pulled on your hair and growled when you did it made you wanna do it again, and again, and again...

"Baby...! Fuck...!" He grunts, his voice strangled, unable to tell you to slow down, his chest and stomach rising and falling heavily with every movement of your mouth on him. The sight of how you were affecting him made you hungry for more, it made you want to take him even deeper and even harder, so you go, and you accidentally gag around him, your vision going pitch black for a second.

His hands tighten around yours, pulling himself out of your mouth as you gasp for air. He looks down at you, his eyebrows furrowed and his lips pierced together in concern.

"Angel, hey, baby." He says softly, calling you by your name as well, holding your shoulders to keep you back, and you sit on your heels, looking up at him with red and watery eyes. "Hey, look at me, don't do that, darling." He says, shaking his head while cupping your face and using his thumb to gently clean the precum and saliva dripping down your chin.

"But I wanted to..." You purr, looking up at him, your cheeks burning at your own eagerness. "Did I hurt you?" You ask, your eyes wide with the innocent worry.

He chuckles in response, his gorgeous face lightening up. "You didn't hurt me, baby, no." He fixes your hair. "But you're not ready for that yet. You're learning and you gotta go slow." He explains softly, kissing your forehead.

"Slowly. Alright." You agree before reaching back for him, stroking him slowly and tight.

"See? That feels good already, baby... As long as it's you doing it... It'll always feel good enough." He kisses your swollen lips tenderly. "No going too deep for now, alright? Or I won't let you do it anymore." He smiles softly despite his warning.

"Uhum." You nod before leaning back in, stroking him and cupping his balls.

"Oh... Careful with those, baby..." He says softly, an you gently soften your grip, just rolling them around in your hand.

"Does it feel good when I touch them?" You whisper, and he frowns at the question.

"Yes... Yes, baby. It feels really good when you touch them." He breathes, his voice restrained. "It'd feel really good if you sucked on them too." He pants, giving in to his desires. "Nice and gentle." He instructs.

You smile and take one of them in your mouth, making him hiss, his hand returning to your hair. You suck gently on it, rolling it around your tongue and feeling how it feels underneath the skin, how squishy it feels, how you can feel their outline underneath the stretchy and cool skin. He grunts and moans in response, unable to hide how your curious exploration affects him anymore.

You kiss your way up from his balls to his cock, licking and sucking gently on his base, your hand working near his tip as you place open mouthed kisses along his length.

"Baby... God..." He pants, the way you're so curious to tasting and exploring him makes him feel like he's about to lose his mind and his self-control. "Lick it for me, baby. Suck on it." He groans.

You listen and slide your parted lips up his side, your tongue drawing a wet line across him, making him buckle his hips involuntarily. You begin moving the same way up and down, parted lips and tongue tasting him while your lips suck along his length, paying special attention near his tip.

You suck his tip into your mouth before sliding your lips down, his tip pressing onto the side of your cheek and popping off with a wet "bop" that makes him moan.

"Fuck, that feels so good, baby." He chuckles, caught off guard, and you notice how much he enjoyed it, so you do it again, taking his tip in your mouth an sliding your lips sidesways towards his base, his tip once again pressing against your cheek before popping off, making him pull at your hair.

You moan and suck his head back inside your mouth, whimpering around him, your mouth eager to make him feel good and get the same reactions and sounds out of him as you grow more confident with your touch.

You look up at him, watching how you're affecting him, his chest rising and falling heavily, his lips parted, his eyes closed and his eyebrows furrowed.

The sight is too Godly to resist, so while you suck and Bob your head hungrily around him, you let your hands wander up his stomach and chest, your fingers clawing on his shirt and trying to tug at his skin. Instinctively, he leans back, giving you more room to explore his body as his eyes open to look down at you and his fingers draw soothing and tender circles in your scalp, just above the nape of your neck.

Your hands reach underneath his shirt, touching his sturdy and large torso, gripping his skin and moaning at how good he feels under your fingers. How good his belly feels to hold onto.

He takes one of your hands and squeezes it, his eyes closed in bliss, his eyebrows furrowing every time you swallow what's building up in your mouth and squeeze him a bit in against your lips.

"You're perfect, baby... You're doing it so good for me... Making me feel so good..." He praises, and the confirmation that you're making him feel good ignites the same need that you had before, making you want to go deeper, harder, faster and make his eyes roll back the same way he makes yours. "Let some leak down and use it to move your hands." He instructs, and you let some of his precum and your drool wet his cock.

"So messy..." You mumble around him, looking up at him, and he chuckles.

"Messy is good when you're doing this, baby. Messy feels very good." He explains.

"Hmmmmm..." You moan around him, taking your hands back to his cock and twisting your wrists, his foreskin moving under your wet palms and fingertips as the friction of your hands along with your mouth tightly enclosing around his tip make his hips buckle up, a hiss leaving his lips.

"Fuck... You... You figured all that rest yourself, baby?" He grunts, trying to hold his sensations back and let you enjoy yourself as he shifts his hips, trying to regain some control.

"Uhum." You nod around him, your tongue twirling on his sensitive and leaking tip as you caress him with the underside of your tongue, seeking the same reactions.

"Holy shit. Baby... I'm... Trying but... You're... Fuck... You're gonna have to stop." He pants, the desperation in his voice as he tries to hold back and last more almost making you laugh.

The sight of this big and strong man crumbling under your touch is new and exciting, making you feel powerful and...

Like a woman...?

The realization that his pleasure, his release is under your mercy makes you slow down and harden your movements, exactly like you do to yourself to prolong the feeling of being on the edge.

"Baby... God..." He looks for divine mercy, his eyes locked on the roof as you test his boundaries and limits, as you see how far you can take him before he loses control. "Please, my baby... Just... I need it. I need you." He pants, his eyes now glued to yours, the vulnerability and the honesty with which he gives himself to you makes you fasten your tongue around his tip and stroke him tighter, slowly increasing your hands speed. "Arrnh!" He groans. "Yes, baby, just like that, feels so fucking good."

His response makes you grow more confident, closing your eyes and doing what instinctively feels right to you. Hands tighter and faster with each stroke, lips wrapped underneath his head and tongue twirling and moving up and down, pushing against his urethra.

"Aaaargh! Baby... Pull back... Pull back, fuck..." You hear him grunting almost like he's in pain, and as you open your eyes, the sight makes you moan.

His hair disheveled, his gorgeous face scrunched and pained, his teeth clenched together, his eyes heavy and dark, his neck red, that one vein one second away from exploding. You continue, doing what you think is gonna make him feel even better, hollowing your mouth and suckling on his tip, just like he taught you, and his mouth falls open with a silent gasp, his eyes scrunched together.

"Baby... Pull... Back..." His stern voice sounds more like a pleading as he tries to get you to back off so he can finally let go, but instead, you begin sucking even harder around his tip, almost like you're trying to drink from him.

And he can't hold back anymore. He snaps, his hand tugging hard on your hair, so hard you whimper and furrow your brows, making him tug at your sheets instead, his grip so tight that his knuckles turn white and he pulls the sheets from underneath the mattress, his hips buckling up against his will, pushing more of himself into your mouth as you greedily lock your lips around him and drink every last drop that he gives you, sucking and stroking him progressively more gently and slowly as he comes down from his high.

"Aaaaah!" He pants and gasps for air when you let go of his still semi hard but utterly worn out cock, his arms threatening to give up underneath him as he looks down at you, his eyes hazed and filled with satisfaction and awe. "Baby that was... Amazing... You did so good, my baby, such a good fucking girl for me." He praises, too weak to do much more, and you smile up at him, proud of yourself for making him feel like this.

You climb up his body, and he lays back down, his hands on your waist and hips as you lay your naked body on top of his clothed torso, looking up at his blissful face. All of his wrinkles and the usual stressed frown between his eyebrows gone with the attention you just gave him, his eyes closed and his lips parted as he catches his breath.

"I told you you wouldn't regret it." You whisper, kissing his jaw.

"Regret it? Fuck... Baby... I... Why do you think I've never let you do this before?" He chuckles.

"Why?" You ask playfully, playing with the buttons of his flannel.

"Because I knew you'd make me feel so good, baby." He smiles. "I don't know what I did to deserve you. But I'm also not about to start questioning it and make God realize he sent you to the wrong motherfucker and take you away from me again." He chuckles.

You giggle and snuggle closer to him, letting go of your weight and feeling his body moving with his heavy breathing, the movement soothing you, like you're swimming in a sea of Joel Miller.

"Joel...?" You say quietly as you two just breathe and enjoy the warmth of one another.

"Yes, baby?" He whispers back, his hands caressing your back and holding you close.

"We need to take a shower... And put some clothes on." You say softly, lifting yourself and looking down at him, his face relaxed and almost silly, his eyes as soft and happy as always when they're looking at you.

"Guess we do." He smiles, pulling you down for a kiss, tongue tracing your lips before you grant him entrance and he deepens the kiss with renewed passion and tenderness. "I love you." He whispers against your lips, the words rolling easily from his lips, as if he's said them multiple times when you weren't there to hear it.

You pull back, looking into his eyes as he smiles at you. "I love you too." You whisper, your eyes welling up. "I love you, Joel." You repeat, smiling widely, and he flips you both around, his body hovering above yours.

"I love you, my precious angel... And finally you're with me to hear me say it." His eyes water. "I said it so many times... Looking at the picture you gave me... With that pretty smile... I couldn't stop thinking about you." He says, his voice loving and vulnerable.

"I waited for you to come back. Every single day, until yesterday..." Your voice breaks. "... I spent the sunsets looking at the gates, hoping I'd see you walk in again." You cry softly. "And I'd keep doing it. Eery single day... I'd always wait for you." You purr, and he cups your cheek that way, his thumb caressing the soft skin underneath your eyes as his other fingers wrap around your ear, his gaze loving and tender.

"And I always asked Frank about you. When he was the one on the radio I'd always sneak in and ask about you. I always made Tess ask about you. She said you were always on your porch," He smiles. "looking beyond the gates, trying to see me... I felt so bad, baby." He cries, looking down at you, his lips trembling.

There's the vulnerability that only shows up when you're around.

"Joel..." You whisper, cradling his face, trying to soothe him.

"You didn't deserve to go through any of that... Any of that." He says, his eyes closed in shame.

"Joel... Baby... Look at me, please." You purr sweetly, gently squeezing his face so he looks at you. "I'll tell you what I told my dad." You sigh to calm yourself down before speaking. "I only hurt the way I did for you because I love you. Because you mean so much to me. And I don't regret a thing. Not even the pain I felt. Because now that I have you... The pain is gone, and I know what I feel for you is real, because the pain I felt was real. And I'll never feel that pain again as long as I have you." You say tenderly, and he kisses you again, his mouth silently pouring all the pretty words he can't formulate to express just how much he loves you, just how much he feels for you as he finally allows the roots and branches inside his chest to grow and flourish, to set themselves now that he knows you're his forever, and he can almost feel his chest expanding just to fit all these new feelings you're sowing on his heart.

"You're my everything." He whispers lovingly. "You make me happy in a way I thought I'd never be again. In a way I know I don't deserve to be." He says weakly. "But you make me feel like I'm worthy of it." He cries. "Because if such a sweet and special angel like you can see through me, can love me... Then I'll try everyday to be the man you deserve." He says, and you smile.

"You already are the man I deserve, Joel. You're the man I want. The man I love. And I'm so glad you were the one to visit us. I'm so glad you found me." You say lovingly, and he kisses you again, his hands squeezing and caressing your soft skin as he tries to convince himself that he's not dreaming with you again.

"I wanna hold you all night long." He whispers against you lips.

"You can hold me under a warm shower first." You whisper, smiling, and he smiles back, getting off the bed and pulling you up to your feet as well.

You gently undo the buttons of his shirt and pull if off him, seeing his strong and sturdy torso again, remembering how good he looked that day, the water droplets glistening in his chest and stomach. You slowly run your hands up his arms, kissing the little "v" shape between his collarbones, and he groans softly, the sound rumbling deep in his chest.

"Angel..." He whispers, gently tangling his hand on the hair on the back of your head and making you look up at him. "We've got the rest of our lives for that..." He kisses you gently, just a peck before he guides you to your bathroom, turning the shower on to let it warm up and watching you stand in front of the sink, looking at yourself in the mirror as you remove the ribbons from your hair.

He comes behind you, wrapping his big arms around your naked body and pressing his own skin against your back, just kissing your shoulder and caressing your stomach and your sides, his touch gentle but still possessive.

"It's gonna be good, I think." You smile, looking at his reflection in the mirror, caressing his arms.

"What's gonna be good?" He smiles, looking at your reflection, his chin resting on your shoulder.

"Spending the rest of our lives together." You say lovingly, and he chuckles.

"I couldn't make better plans myself." He kisses your neck before pulling back to check the water. "Come on. It's nice." He smiles at you, offering his hand, so you tie your hair up and join him.

He envelops you in his embrace, the warm and soothing water calming your muscles and soothing your mind as he gently washes your body, holding you with your back close to his chest, his touch feather light, careful around your most sensitive areas, and still your body jolts slightly when you feel his rough fingers.

Then you wash him too. His back, his neck, his chest, his stomach, his legs. He only doesn't let you wash his cock "To avoid not going straight to bed." According to him.

He wraps you in your towel and grabs one for himself. You both walk back into your room, and you put on a pair of pink pajamas with red hearts. He dresses something out of his backpack, just a plain t-shirt and some boxers.

You lay down and he wraps his arms around you, pulling you close to his chest and caressing your hair.

"Promise I won't just wake up tomorrow and this is gonna have been a dream?" You whisper, and he smiles.

"Only if you promise me I won't wake up in the QZ without you again." He says.

"I promise." You whisper. "You're not going anywhere, and even if you went, I'd go with you... You're mine." You smile against his lips.

"I'd never take you out of here, my angel..." He says lovingly. "But I promise I'd always find my way back to you."

You kiss him again, a more simple and intimate kiss, the type of kiss that says a lot without doing much, and he holds you close with his large and warm hand on the nape of your neck, not wanting to lose your warmth just yet.

"I love you, Joel." You whisper again. You're never gonna get tired of repeating it.

"I love you, my angel... my baby... my..." He finishes with your name, his voice as soft as ever, and you nestle even closer to him, feeling safe, loved and happy in the arms of the man you longed for so many nights. Indulging in the warmth you missed so much, a warmth that no blanket could replicate as you shivered, falling asleep with his name on your lips and your eyes wet.

"Goodnight, Joel." You whisper against his chest.

"Goodnight, my angel." He whispers back, kissing your forehead and sighing in happiness. His chest full again for the first time in... Twenty years.

Finally!!!

Finally I was happy and proud of this, and finally it is yours! I'm once again so, so happy and so grateful for each and every single one of you who supported me through this year and a bit that I'm around here. This story is over a year old, which just comes to show how patient you all are and how much we love Joel Miller 🤧

I'm really honoured and happy to have received every message, every comment, every like and every reblog in this series. I hold it really kind to my heart (I wish I could show it to my friends) and having you to share it with means the world to me.

I love you all and I hope this met your expectations 🩷

See ya 🩷🎀

Tags:

[lynaferns]

The Forest On The Other Side

Chapter 1: I want to go home.

Ver. [ENGLISH / SPANISH]

EDIT: This fic is now on AO3

A girl gets lost in the forest and finds a misterious gate in the middle of nowhere. At the other side she meets a... very peculiar individual who seems to only want to befriend her and play. Everything seems fine. Until night falls and someone else joins to play...

Again, I appreciate feedback about the english adaptation. English is not my first lenguage and I still mess up sometimes.

This is in some way a more "joyful" story than BIOMáquina, still with its dark themes. I wrote this a year ago. By this I mean I forced myself to get it written down and ended up hating it and burning myself out. A couple of weeks ago I decided to reread it and I though it was pretty ok actually, so I edited it a bit to make it flow better. It used to be written more as a script for the comic I wanted to draw buuuut that didn't happen (cough stressed myself out cough forced myself cough don't force yourself to make content out of a hobby, a hobby is supposed to be for your own fun). I'm not completely satisfied with the final draft but I think is good enough for my first ever fic written.

I originally planned to make it a Y/N thing but that didn't last long. But I keeped the original idea of the first person POV. The Y/N stories I've read has always some narrator telling you what you do insert you in the story. I thought of making the MC the narrator, this way the reader can insert themselves like it's their story or they can read it as if someone else is telling them a story. This is also a bit limiting, since the narration is also the MCs thought process and sometimes I may skip details MC couldn't have seen.

AU, Magical forest, DCA centered, Sun fnaf, Moon fnaf, Elves Sun & Moon, OC, Selfinsert, Character & OC, platonic, friendship, slowburn (kind of), Moon is agresive at first, Moon is also a bit of a gremlin, Protective Sun (I think), OC is a potty mouth, Female Main Character, First person, Angst.

The first post where I showed this AU and my first sketches ideas.

Tumblr archive with all of the art, ideas and anwsered asks.

Youtube Playlist which I'm pretty proud of how it turned out :] It's in a specific order but you can put it on mix.

Note: even though I try to keep things light some things may be triggering for some readers.

CW: Anxiety, Suicide ideation, Implied death, Choking, Non sexual abuse.

Wordcount: 9,700 (It's not rounded, that's literally the number Word tells me it's at lol)

Welp.

Here we are again, in the old village house (yey...). Well, 'I am', my family won't arrive to settle in for another week. They brought me here beforehand a few days ago for organizational reasons. They took a quick look inside before they left to see the state of the house, if it needed any repairs and such, and they headed back to the city. While they finish preparing everything, I take care of the house and text them messages about anything that may be needed for when they return.

We haven't been here in years, the house needs some repairs, and I'm sorry for the spiders, but it could use a deep cleaning. We can't do a deep cleaning but I have been cleaning what I can these last few days, at least so that it looks decent... at first glance.

Well, it's not like anyone is coming to visit.

It's a quiet town, until the kids from the town next door come to make a racket with their bikes. They play in our field, scare away the cats and throw cans around. They are assholes.

Anyways, the people in the village are nice. The adults I mean, the kids I used to play with, I don't get along with them anymore. Some of them aren't kids anymore, we have grown up and are going down different paths. But those who are still kids... they're still interested in the only older kid in the town who listened to them and let them do whatever they wanted, to a certain extent.

I don't want them to come looking for me to go out and play. I've been avoiding them by saying that I'm busy cleaning the house and getting it ready for when my family arrives, but I feel like interacting with them less and less. That's why I'm going out to the woods behind the house to get lost for a while, as always. The kids don't go near the forest so they won't bother me there.

There is an area for tourism and hiking but not many people come, some police cars border the forest from time to time but they never go inside. The reports of missing people in this forest have been coming in for decades, only some lost children have returned but there is no trace of any of the adults who disappeared along with the rest of the children. The areas marked with signs are safe but you can't go out of bounds unless you want to disappear with those people.

And I, who right now am alone and with no one to notice my absence if I go missing, am going to head straight to the forest. Don't you think, I don't want to disappear, I just don't like people and I usually go into the forest but I don't go too far away. As long as I see my house in the distance, I know how to return.

I grab my bag with my sketchbook and pencil case, in case I feel like drawing (probably won't) and step out to the back porch. The outer sliding metal door that protects the inner one is rusty and difficult to open. It would be better to oil it but I don't know when it will be done, considering that the broken railing has had a wooden board tied to it for years. I already sent my mother a message talking about it.

I enter the forest and start walking around. It's hot, of course, it's early summer, but it's quite noticeable after being in the cool inside the brick and stone house. That's the good thing about coming here in summer, the houses are made to stay cold inside and it's great, sometimes I even need to wear a jacket. But outside I'm dying, the trees don't provide enough shade. In fact, some trees are missing. I used to have my routes memorized but time has passed and some paths have changed, some have disappeared and others have formed. I admit that it makes me a little sad... I began to walk absorbed in my thoughts not paying attention to where I was going.

I'm walking away, I should go back. I'm not going to draw anything here anyway, and it's hotter outside than inside so I'm gonna to turn around-

I hear screams and laughter in the distance, the sound of the voices produces me an immediate disgust. It's those kids from the next door village. They must have come to 'investigate' about the disappearances or maybe they don't care and they just came to be idiots-

They're getting closer.

I don't want them to see me. God. Don't let them see me. Anyone but them. They're getting closser. Don't let them see me. I can't go back home now. They're cutting me off. Of all the people who could have found me. It had to be them. No, please. Don't let them see me. I have to go further into the forest, I can't let them see me. They're getting closer. Don't let them see me. I want to leave. I want to leave. I'm getting too far. I want to leave. I don't see my house. I want to leave. I don't see the village. I want to leave. I don't see the kids.

...

...

...

Where am I?

Fuck.

Where am I?

I want to leave.

I want to leave.

I want to leave.

I want to leave.

…

—

Now I'm wandering through the forest. I don't want to go back. I want to get out of here. Even though I'm walking in a straight line I feel like I'm going around in circles, and I'm not going to get out of here now. Great. I'm lost. Now what? People who get lost in this forest don't return, no one has returned except for some children.

...

I'm going to disappear.

...

For now I keep walking until something happens. Maybe there's an animal that kills people who get lost, or maybe it's a group of kidnappers, or maybe I should stop giving myself anxiety and focus on getting out of here. Maybe if I find a field or road, or even the tourist area, I'll be able to get out of here and return bordering the fores-

...

There is... colorful graffitis on the trees. Someone has painted eyes, hands, stars and more on the bark of the trees...

What's this?

I don't know where I've come to, I didn't know this was here, in the middle of nowhere in the forest. The trees have red leaves like in autumn even though summer has just started... The first thing I thought was 'climate change's fault' but there is something that stands out in the middle of this entire flat area and it is disturbing me.

In the center there is a kind of circular gate made of stones supported by roots.

Okay, maybe it doesn't sound aaaaas disturbing as, I don't know, a totem with a human figure being impaled or something, but it's giving me a bad vibe. What is this place? Who built a stone arch in the middle of everything and why?

A bird appears flying from behind me and goes through the gate, but nothing comes out on the other side... wait what? how? The bird has crossed the gate, and disappeared behind the stone arch? ...I had to imagine it, it's not possible that that happened. I approach the arch but not before picking up a rock from the ground and throwing it to the other side of the gate.

It's still there.

…

For some reason the thought of going through the gate makes me uncomfortable, so I go around it.

...

...And the rock? It's not there.

I go back and look from inside the portal.

The rock is there.

...

I look from outside. The rock is not there. I repeat this multiple times. Rock. No rock. Rock. No rock. Rock. No rock... What?

Alright, this is weird, this is VERY weird.

Even though it is clear that this isn't normal, I have to go back, pick up a fallen branch from the ground and pass it through the portal. This time I don't throw it, I've grabbed a branch long enough to see it peek out from the other side of the arch.

...

Welp.

I should be seeing not only the branch, but also my hand sticking out of the side, but I'M NOT SEEING IT. OKAY. OK. ALRIGHT. IT'S CONFIRMED. THIS IS WEIRD.

I'm asleep, right? Or unconscious. I must have passed out from exhaustion from endlessly wandering through the woods and I'm delirious or something. No, wait, it can't be, in my dreams I'm not this aware of what's around me. Where am I?

A breeze begins to pass through the gate. It's getting stronger but not enough to push me. The leaves rise from the ground and float towards the portal, none slipping outside, all entering through the stone arch. Suddenly the breeze that had become wind stops. The leaves fall to the ground.

...

I look back for a moment, as if there was something behind me that could help me make a decision. Grabbing with both hands my bag strap I look back at the portal again. Okay. Alright. This is possibly the death of me. I'm going to cross. I'm going to go to the other side. I'm just one step away from crossing. I wrinkle my face and narrow my eyes before taking the last step.

...

Nothing has happened. Everything seems the same. However, I know it's not the same... Or at least it doesn't feel the same!

Well, I've already crossed. I'm gonna... keep walking, I guess, even though this is scaring me and I don't know if I'll know how to go back. For now I'm moving forward. The red leaves have disappeared several meters ago. It's starting to look like a normal forest, except for the multicolored drawings and handprints that I keep seeing on the trees. In fact, it seems like the trees are taller with every step I take. So high that I can barely see the top. I almost tripped while looking up. Whether this is the same forest I come from, I no longer know.

This was a bad idea. I just hope to find something that'll help me know where I am, a sign or the road if possible.

*cling*

...?

I hit something with my foot. There is a ball attached to a small chain on the ground. Oh, no, wait. *cling diring ding* It's a rusty bell, I think. It doesn't have the typical cross-shaped hole or slot, rather it has several holes in a pattern. It looks like it can be opened.

There's nothing inside.

?

There's nothing? But I could have sworn it had rang. I close it again and shake it.

*...*

Nothing.

I'm going to put it in the bag, it's totally a good idea. I'll think about it later, for now I'm moving on.

—

I've been walking for a while now and throughout this time I had a constant chill on the back of my neck, as if someone had their eyes on me.

*din dirring* I hear a soft tinkling in the distance.

Okay, I'm not alone, awesome, what do I do now? Do I say hi and risk the potential danger finding me? Do I ignore the sound of bells and keep moving? It's very possible that whatever made that sound is watching me right now...

“Hello?” Still nervous, I try to say hello looking around “...” “Is someone there? H-hello?”

“-HEEEEELLO!”

“AAAAAH-!” I cover my mouth with my hands as I turn to look at what the hell has greeted me back. I take a few steps back while I look at the figure of earthy and sunny tones who responded, he seems as surprised as I am, I think (with the scream I made, normal), at least it looks like he's surprised. He wears a two toned wooden mask... it looks like a sun, with a crescent moon on its right... It gives the impression of two faces merged into one... Damn, he is tall, he's almost doubles my size. He appears to have two skin tones dividing him in half, his right side being the lighter and the left darker, especially the arm, which also has a light-colored tattoo of lines representing a sun symbol that covers from the shoulder to the pectoral and to the middle of the bicep. The right arm is covered by a long fingerless glove that reaches to the shoulder and is tied around the chest. He's wearing baggy pants with leaves coming out of the waist and legs, some... cloth boots? with a long toe bending sharply and curving in a geometric swirl with a bell at the tips, a bag hangs from the waistband of his pants and falls below his hips. His chest and neck are tied by ropes decorated with hanging stones, metals and crystals, he wears a pendant that ends in a carved symbol of a crescent moon with rays. Some of the 'sunrays' on his mask have ropes tied between them holding them in place and some metal dangling. Some red ribbons along with bells hang from his wrists.

“um... Helloooooo.” He greets again, this time he lowers his tone of voice. I manage to react, I turn around and walk away. “¡ah- eh- Wait!” Nope, I'm not going to wait and see what he does with me, I'm leaving. “He-! Hey!” Nope. I quicken my pace and try to get lost among the trees, changing direction every time he appears in my vision angle. “Human? Human-! FRIEND. Can I call you friend?!” Nope, nope, nopnop, nop, nop, nope. “Friend! Hey!” God, no, god, god, no, why are you following me? “Look, I know what you're trying to look for...! And believe me, you're not going to find it~!” How are you still following me? Where do you come from? “Hey! Listen! Why don't we do something else besides running in circles!?” Noooooooooo... “There are TONS of other activities we could do! Like... HOLY MOLY, look at this stick! Do you like sticks!?” Leave me aloneee... “You aren't looking at it! Okay, alright, you don't like sticks, erm... what might be of interest to you...” If I don't look at it it doesn't exist. “Could you help me a little here?” I want to leave... “Look, no matter how much you wander around, you won't find the portal-!”

“STOP—! STOP FOLLOWING ME! LEAVE ME ALONE!” The sudden scream startles him again, making him jump in place. He stands completely still looking at me. I'm leaving before he gets angry.

“B-but I- ...okay.” I thought I heard him say before I left him behind.

It seems that this time he's not following me, finally... Although I'm not calm, he could still be following me and simply not be in sight. Anyway, I think I'm coming back? I hope I am. I want to find that portal as soon as possible and go back to the house- what the fu-? “WHY?”

He's there. Right where I left him. Sitting on a rock. Waiting. “...! I haven't moved from the spot!”

“Yeah- but- WHY?”

“Because I knew you were going to come back here!”

“...What?”

“Is what I was trying to tell you! You can't leave! No matter how hard you try to find the portal, it won't appear before you!” The Sunman exclaimed.

“…” I'm just about to turn around. In fact, I'm already turning around.

“N-No, wait! Please don't go!” I stop in my track and look back at him. He gets off the rock he was sitting on but remains squatting, almost at my height, a little below. I move back, keeping my distance. He puts his hands up. “Look, I'm not doing anything! I won't chase you! Just- ...don't go.”

“…”

“L-look, listen, there's no way it's going to show up! Well, not to you at least. But even if you find it back, it won't work! It only works when it wants to work.”

“...” Let's imagine that I trust what he says “Ok... and when does it want to be working?”

“...” “No idea!”

“...”

“...”

I'm about to collapse on the spot. At least he doesn't seem hostile, for now. “...” “Okay... Good... Great...” “...” “FanTAS-tic.”

“...” “You don't seem like it.”

*ಠ_ಠ* I could only look to the side in frustration in response to that. I looked back at him with concern showing on my face and grabbing the strap of my bag with both hands. “And... what... do you plan to do with me?”

He took his hand to the chin of his mask and with the other he held his elbow in a comical thoughtful pose. “MmmmnnDUN know! What do you plan to do?” He asked so nonchalantly. He ended up sitting on the ground crossing his legs. “You have a good while until the portal opens again...!”

“...”

“...”

“...”

He started swaying. The silence has become uncomfortable for a while now, but I can't organize myself on what to say, and I don't know if I trust him. I don't even know if he's human, although something tells me he's not.

“You could wait here.” He suggested, breaking me out of my thoughts. “Or anywhere else, if you want. I would recommend somewhere high like the treetops (for no particular reason)! If you're going to wait... But wouldn't that be really boring?” There was something in his tone of voice... “Being there... at the top of a tree... waiting... alone... with no friends to hang out with (can I call you a friend?). Aaall on your own until the portal opens again.” He looks aside for a moment “...” And back at me again. “With no one to be with you.” He repeats the head motion “...” “alone...” Wow... I wonder what he's implying, ahem. “Wouldn't you want to have someone...? ...Someone...keeping you company?” Yeah, yeah...

“...” I guess... “I-I guess I wouldn't want to be alon-?”

He rises to his knees. “That's what I thought! Do you want me to accompany you? Only if you want! But can I?” He clasped his hands together as if asking a favor.

“um...”

“Can I?Can I?Can I?Can I?Can I?Can I?Can I?” He approaches, dragging his knees on the ground.

I'm starting to miss personal space. “Okay! Okay, alright...”

“REALLY?” He started hopping and jumping around me. “OH, ohoho hO! Great! Oh, there are TONS of things we could do! Like... Like...!” He moves faster, doing bigger and bigger flips and jumps, it almost seems that he is very light, as if the breeze of air lifted him. “We could paint and decorate trees! Or we can also paint on rocks! Or paint leaves! Or paint us! Oh! We can tell stories! I'm very good at making shadows and puppets.” He moves from place to place with each sentence he says. “We can also play something!” It's moving so fast all I can see is the wind and the leaves it stirs up as it moves. “Anything! Whatever you want!” Finally he stopped in front of me half crouched. “What do ya say?! Hmm! Friend!?”

“Don't... call me like that.” Makes me feel awkward.

“Oh...why not-? Oh true, true! How silly, I don't know your name! What do you call yourself, potential friend?”

“...”

“...” “Aren't... you gonna tell me your name?”

I twist the bag strap “Depends...” I must say I'm a little skeptical about this. “Are there any consequences for telling you my name?”

“...Consequences...?”

“Like... I don't know... Mmm-by telling you my name I become your possession and cannot regain my freedom until... certain conditions are met...”

“...”

“...”

“Why- how-? Where did you get that from!?” It did sound a bit stupid when I said it out loud.

“I dunno- that's what they say in old children's stories about elves and fairies!” I just hope the embarrassment isn't showing on my face.

“Really?” I could feel his deadpan expression behind the mask.

I shrugged.

“...” “Okay... Oh, what if I tell you my name first? Will you tell me yours? It's only fair, I'm Sun!”

“...”

“Can I know your name now?” He asked expectantly.

“...How do I know you're not trying to trick me?”

“...” I must be driving him crazy with this “The only thing I can do with your name is treasure it in my memory.” He put his hands together as if he was carefully holding something and brought them to the forehead of the mask. I gave him a distrustful look. It doesn't seem like it made him desist “Please?”

I grip at my worn out bag strap “...” “ Fern...” I ended up murmuring.

“Hmm? Fern? OH, I like it!” “Sounds like FRIEND.” He emphasized the last word by making a gesture like jazz hands, leaning to the side and moving his head closer to me.

“Yeah... I think you are missing a couple of letters.”

He straightened his posture again. “Nope, I don't think so!”

“You're still not my friend.”

“Oooowwwwwnnnnnggghhh” He lowers his head dramatically until it practically touches the ground “nnnnnnngggghh, alright!” And cartwheels to stand up again “So... what will it be?”

“Hm?”

He straightened his posture and puts his arms on his hips “We have plenty of time, ya? What do you wanna to do?”

“I don't know, what do you want to do-?” Bad mistake.

“Come with me!”

“aaAAAAA-!” Before I knew it, he had grabbed my arm and I was being dragged through the woods. We visited several places and he offered me an activity to do in each of them.

—

Sun took me to a place where the trees were full of colorful paint “We practice painting on the trees here!” He said.

“Ah.” That explains the crossed out lines and the repeated imperfect shapes. By the look of it is also where he tests the quality of the paint.

“Do you want us to paint something!?”

“Not really...”

“Oh, would you prefer it to be on a rock?”

“Nah.”

“...And in star leaves-?”

“I don't want to paint, Sun.”

“Oh... Well, I can show you more places!”

“OkayyEEEEEE-” And I'm being dragged away again.

—

He brought me to another area of the forest, the ground here seemed more leveled. Not a single tree was straight, all of them were twisted and even seemed to be hollow. “How about playing something!? Like hide and seek-! No, wait, I can’t let you out of my sight.” He mumbled at the end “And chase?! We can climb a tree and see who reaches the top first! We have a place full of vines and it's perfect for swinging- and jumping from one tree to another-!”

“I don't... really want to move a lot…” With the way he runs without getting tired and me, who doesn't exercise... he would let me dead.

“Oh... well, theeen-”

—

We arrived at a place full of vegetation and humidity. Sun seemed quite excited... “This place is full of insects! We can look for cool bugs!”

“Mmmmmnoooo... I don't want to.” I had to tell him, trying to show as little disinterest as I could.

“You don't like them?” He sounded a little disappointed hearing my reaction.

“No, I do like them, some of them, but I don't like to touch them.” And I'm terrified of them flying into my face.

“Oh, well, it's okay!” He said brushing it off and we moved on to the next stop.

—

“I know that bird!” He stopped us on the way to point at a robin high up on a branch.

“ah.” I said as I removed leaves from my hair and clothes, and checked that I still had my glasses.

“He's a little rascal!”

“...” I think the bird is making us the equivalent of 'mooning'.

—

“Look fish-! Oh, they're gone…” The noise must have scared them away “We can go find more places to look at them if you want!”

“...” “...no, pass...”

“…”

—

“Look at this stick!” Sun had suddenly sprinted past me, picked up something from the ground, and came back just as fast, showing me the stick as if it were a sword.

“oh.” It's a cool stick, must admit it.

“Do you want to look for more sticks!?”

“No...”

“oh...” He looked at the ground in disappointment.

“Why would we go looking for sticks? There are all over the ground.” Specifically, in this area the ground was all sticks. We are literally just stepping on sticks right now. I don't see the ground.

“Variety!” Sun said pointing at the ground with both hands. A branch is heard falling in the distance.

—

“That's a deer!” He pointed at the deer passing nearby. The deer stopped to look at us.

“Yeah, I see.”

“We call 'em Adoquín!”

“...Why is it called Adoquí-?”

*THUMP!*

“…”

The deer smacked itself against a tree when trying to run away. It stands still for a minute, processing the hit, looks at a side and then the other, then runs off again but this time avoiding the tree.

Another *thump!* is heard in the distance.

“...” Alright.

—

“Do you wannaaaa look for pine cones? There will be some fallen around here. Oh! We can also look for mushrooms!”

I keep saying no to everything he suggests and it doesn't look like he's going to run out of ideas to pass the time. In fact, he's very insistent that we do something. I guess at some point I'll have to say yes to something. “...” “...okay...”

“Hmm?! Okay? Okay to what?” His exaggerated surprise offends me but I don't blame him.

“To... I don't know, pine cones?”

“...You don't look very convinced.”

“…”

“…”

“…”

“OKAY! On the hunt for pine cones then!” I startle a little at the sudden shout. He makes a pose pointing in a direction, as if he were leading an expedition.

He takes me through the forest looking for pine cones. We aren't finding many, especially me who's not paying any interest. He tries encouraging me to put more effort into it but I keep looking at my boots.

We passed near a shingle river. I find a pebble at my feet and bend down to pick it up and take a better look. It's like a bluish gray, it has some reddish lines in the shape of waves, it feels good to the touch.

I hear the soft tinkling of a bell and feel a shadow fall beside me. “You like pebbles?” Sun is crouched next to me with his arms full of pine cones.

“…” I nod.

We go down to the river and spend some time collecting pebbles with curious shapes or small details of colors, lines, spots, etc. He comes over to show me one every time he finds weird shapes.

“…”

*rin* This time he's hunched over resting his hands on his knees. “You look… a little down.”

“…”

“Hey... we can do something else if you're tired of the pebbles.”

“...” I drop the pebbles I was looking at on the ground.

“...” He turns his gaze from me to the sky. It hasn't gotten late enough to be getting dark, but it's been a while between the walks we've taken (dragging me from here to there), looking for pine cones and then pebbles in the river. He looks back at me. “Oh, I know! Can I take you to one last place? A better place than the ones I've shown you!”

“…” I got up from the ground and waited for him to start leading to follow him.

We enter the increasingly thick forest. The trees are taller and bigger, in fact, I start to see platforms and bridges lying between the trees, I even see small shanties in them.

“Wait here!” He takes a run and jumps onto one of the trees with bridges. He takes three steps running up the tree, with a jump he pushes himself off and climbs with agility until he reaches the platform and climbs on it. “Just a moment!” It can't be seen from here but I can faintly hear some squeaks. I have no idea of what he's doin-

*rush*

“........eh?”

A rope.

A rope has fallen. At the level of my head.

“.......”

What?

…

He said he knew a better place.

No. It can't be this.

“Is it at a good height?! Can you reach it?!” He says...

It can't be.

A better place.

He can't be referring to this.

A better place.

A better place. A better place. A better place. A better place.

“Can you put your foot in?!”

“..........” For some reason what he said throws me off. “WAT-?”

“Can you put your foot in the loop and hold on to the rope so I can pull you up!?”

“..............”

“You can't climb trees, can you?! ...or you can?"

… “...” Oh “....It's...It's too high!”

“Okay!” Squeaks are heard and the rope descends to the ground.

I put my foot into the rope as he told me and hold on to it. “O-okay...!”

“Are you ready!?”

“Yes!”

“Okay!”

He begins to pull up the rope (which doesn't tighten around my foot as it supports my weight) and helps me up to the platform. (That's what it was for, obviously, what else would he want? I'm such an...) “Come on!” He says cheerfully, as always, and takes me over the bridges. “You seem tense... Don't tell me you're afraid of heights!”

“S-something like that... it's nothing.” He tilts his head at that but he says nothing. I have an unpleasant sensation in my throat.

We arrived at a high place with a view of waterfalls, I can't see above the trees. We sat on one of the bridges, resting our arms on the rope that serves as a railing and letting our legs hang off the bridge. I've thought about taking out the sketchbook to draw... but I don't really feel like it right now, so I just quietly observe the landscape. It is a better place, yeah.

…

I feel watched. I turn to look at him ...Of course he was looking at me. I don't even know whether to say something or keep quiet. ...I decide... not to say anything and look to the front.

“You... aren't very talkative, huh.”

“…”

“Not that it's a bad thing! Many people who have come here weren't very talkative at first either.” More people...

“...” “I have… nothing to talk about.” I don't want to talk.

“...” “Well, I do.”

“…”

“If it's okay with you, of course.” He laughed. Although something tells me that he is going to talk anyway.

“…”

“...” “What brings you to the forest?”

“...” Really? “I got lost.”

“Yeah, I already know!” He says between laughs “But what made you get lost?”

“...” “There was a group of kids I didn't want to get close to and I decided to go into the woods to lose them.” He makes a 'hum' sound and looks at me expectantly waiting for me to continue “And... I ended up getting myself lost...”

“...” “Only that?”

“...” “Well, yeah.” What do you mean 'oNlY tHaT'?

“...Mmm...” He places his hand on the chin of the mask.

“...” “What?”

“Nothing!” “...” “You know? You're the first human to visit the forest in a loooong time. For several cycles now…”

“Cycles?”

“Mhm” He nods.

“...What are cycles?”

Sun points to the sky “The turns that the Moon makes in the sky!” He emphasizes by rotating his arm in the air. It's pointing right at the Moon that's visible in the sky.

“Oh...” He uses the lunar cycles to know what day he's in, makes sense. “...” “So no one has been here in a while.”

“That's what I said! Well no, but yes!”

“A-and so the humans who came are still here? Have they been here all this time?”

“Yeah...! Well, no!” He paused. “They're gone!”

“What do you mean they're-?” He didn't let me finish the question.

“They are gone! They 'left'!” It sounded like he had given this answer many times already.

“What do you mean they left-?”

“They 'left'!”

“...” “...You mean...they disappear-?”

“Nope!” “...” “Something like that!” “…” “Mmmore or less…” He hesitated between one answer and another.

It seemed worthless to ask about the missing people. “...okay.” “Can I ask you-?”

“You can ask me anything!” A hint of nervousness escaped his tone.

“...okay. What is this forest?”

“My home! And the home of many other animals.”

“...” “Alright, and... how many are you...? How many of you live here? I mean. You have taken me everywhere and we haven't seen anyone of your…” I make a pointing gesture, spinning my hand around in the air. He can't be human, it doesn't look like he is. “...” “Honestly, I don't know what you are.”

“...” “There's only me... And someone else!” He looks away, as if trying to hide something.

“Oh... and who's that someone?”

“Oh! N-no, don't worry! He’s… just a friend… But it’s not important that you meet him or anything!” He brushes it off making a gesture with his hand. “Uh-um- How about we talk about you!? huh? What things do you like? Earlier, since you said no to everything, I thought you didn't like ANYTHING!” He continued talking without letting me respond. “I didn't know what to do if I ran out of ideas. I started to worry! But at least you're not one of those who spend all day shouting and threatening with a weapon in hand, ahaha...” He let out a nervous laugh.

“Um-”

“Well, you ran away screaming, yes.” He began to gesticulate widely as he complained “Like everyone-! No, not like everyone, some don't run, but those who, apart from running and screaming, attack you...! I mean...!” Something tells me he wasn't going to shut up and I was already half listening. “First they throw rocks at my head, then they insult me and run away. And I have to run after them because I can't just leave a human running around alone! No! I can't! Not in this forest! Anything could happen to them! But they never let me warn them!” He sounded tired. “And when I get them to stop running away from me, they throw things at me again and yell before demanding me to tell them where are they and how to get out of here, and when I explain it, they yell at me even more and accuse me of lying!” He turns to look at me with his hands pointing to his chest. “What reason would I have to lie?!” I don't know if he hasn't noticed or if he's ignoring the deapan I responded with. “UGH! I don't know what to do with those! But anyhow... I'm so glad we found something to do in the end!

“eh?” I snap out of my thoughts. It seems that now he is directing the conversation to me.

“The pebbles!” He sits turning his body towards me, leaving one single leg hanging from the bridge and the other resting on it. He takes out of his pocket some of the pebbles that he had been collecting with me. “I don't know why I assumed you wouldn't want to look for rocks. Maybe because you didn't want to paint them before... You left them back in the river in the end tho, I thought you would keep some.”

“Ah... I don't know. I didn't think I could take them with me.”

“You can keep some of mine!”

“No, it's okay.”

“You sure?”

“Yes.”

“You suuuuure??” He insist.

“Yeees.”

He puts a pebble very close to my face “Suuuuuuuure?” Each 'u' sounding higher than the last.

“...” I push the pebble away from my face “Yeeeees.”

“mmmh... Okay! But I hope you don't regret it later when you don't have a cool rock like these and think 'Oh man, I could have a cool rock right now!'.” After a bad impression of me, he keeps the rocks in his pants. “So... Besides pebbles, what else do you like? Mm? I haven't been able to deduce much from today.”

“Don't know.”

“What do you mean you don't know!? Oh! Is it a secret?” He approaches and starts to whisper, putting his hands to the mask's mouth “I won't tell anyone, promise.”

“No. I don't know.” I looked to the side. “I can't think of anything... so suddenly.”

“ooow...” He slumps a little over the railing, looking sad.

“…” I hesitate whether to say something or not “...Drawing...”

“Mmm?!” He no longer seems sad.

“And listening to music, I guess.” “It's... all I do... most of the time.”

“Really!? Oh! I also like drawing! And music! But is that really all you do all day? Don't you do other kinds of things? Like reading! Or writting. Don't you go out for a walk or play with your friends?” I wrinkle my face at that last bit and he tilts his head in confusion.

“I don't go out.” “I have comics, but I rarely read.”

“Comics?”

“Um... They are stories but instead of narrating what happens there are drawings and only what the characters say is written.”

“...It's a book with drawings?”

“Yeah, but with a lot of drawings on each page, from start to finish.”

“WOAH.” He sounded perplexed. “That's drawing A LOT.”

“Yeah, it is.”

“Ahh, I'd love to see what they look like.” He rested his arm on the railing to hold his head in his hand “Too bad I can't…”

“I didn't bring them anyway.”

“Do you normally carry them around?”

“No, it's just that I didn't bring them to the village with me, I left them at home.”

“...” “Oh!��� It seems that something has clicked on him. “You are not from the village.”

“No, I'm from a more urban area. My family used to come to the village every year in the summer, but we stopped coming. Now it seems that we are trying to get back into the habit.” I sighed.

“Why did you stop coming?”

“...That's personal.”

“Oh... okay.” He let a minute of awkward silence pass. “Hey, I can bring some books that I have at home! I think you might be interes-!” He looks away from me to the sunset behind us, the sun is almost gone. “-ted...” I look at the sunset too and then at him with confusion. “...” “...oh...oh-OH, Oh-no!” He stands up abruptly causing the bridge to shake slightly. What could have he seen? “We have to move!” He extends a hand to help me up. “We have to start moving!”

I get up in a hurry on my own, ignoring his hand. “O-okay, to where?”

“Come, run!” Once again he grabs me by the arm and leads me over the bridges between the trees until we reach a tree hut. It's small and dark, it looks like a small shelter. He opens the door and enters “You'll spend the night here, stay inside, do not go out, try to hide well and don't open the windows or doors, okay? Here, there are some blankets. I'll come back later.”

“Wait wait wait! What? What do you mean you'll come back later? What's happening? Why do I have to hide-!?”

“Sssh-ssh-sh” He grabs me and covers my hand with his, his left hand resting on the back of my right hand. He begins to speak in a calmer tone, with a voice that I had not heard him use until now. “It's okay, nothing happens. I have to go, I'll come back, but I can't stay now. You hide, try to rest, I'll be back, I promise.”

“...” I take my hand away from his. “Okay.” “I'll stay, but don't take too long.” Please, I don't want to be here alone.

“Yes. I'll be back.” He affirmed one last time. I watch him run away and disappear among the trees and undergrowth. I enter the small shelter to inspect it.

*TAP TAP TAP* *PLOK* *TAP TAP FOOSSSH! *

…? A noise comes from behind me. I turn around and there's a pebble on the floor.

…

Okay.

I take out my phones flashlight to see better inside the house. There are what appear to be some trunks, small cabinets, and a trapdoor in the floor, It seems that there are corners and blind spots for the windows where the little moonlight that enters through the cracks cannot reach. It's freezing cold and I haven't brought my jacket. I leave the bag on the floor against the wall, I cover myself with the blanket and curl up in a ball in the most hidden corner I can find. I'm tired, I want to sleep, but I can't close my eyes.

…

—

It's been a few hours now.

…

I can't sleep, I simply can't.

…

It doesn't look like he's coming back.

*creek*

…?

*rin*

*tap tap, creek*

Sun?

“S-...” I pause before saying a word, I have the feeling I shouldn't speak. I remain silent and wait.

*tap, tap, tap, creeeeeek, tap*

*rin dirrin*

If it were Sun he would have already let me know it is him. That or he's playing a prank on me which isn't funny, but I'd better stay silent. From the shadow I look at the windows. I notice movement through the cracks, something has just passed through the wall next to me.

*dirriring dirring*

I cover myself more with the blanket, back against the wall, I stay as still as I can, I leave a gap between the blankets and the floor to see. A red glow sneaks through the cracks in the window and scans the room.

…

The glow is gone.

*tap, tap, rin, tap, dirring, tap, tap*

It's on the roof.

…

*tap, tap, tap...*

It moves again.

*rin *

…

It sounded on the other side of the wall.

…

…

“nghehe...”

It laughed. Why did it laugh? Whatever is on the other side of the wall just let out a laugh that made the hairs on the back of my neck and all over my back rise.

…

Oh no.

Oh no no no no no no no no.

I have to move. I have to get out of here. I can't stay here.

*creeek*

It came from the door. It's trying to get in.

*rin*

The trapdoor.

*rin dirring*

Where was the trapdoor?

*creek creeeek*

I crawl across the floor making the minimum noise, carefully feeling the floor, looking for the edge of the door.

*tap tap ring dirring*

…!

I found it. I open it carefully. It's too high. I'm at a very high altitude, I don't know if I'll be able to go down.

*rin, creeek...*

…

Fuck it. I slip through the gap quietly, closing it slowly, but that doesn't stop the door from creaking. I cling to the bark of the tree-

…

I left my bag. If it comes in and see it it'll know for sure that I have been there-

…

It doesn't matter now. I have to focus on getting down from the tree without killing myself. My fingers hurt and I can't put my foot down properly because of the soles of my boots. I feel like I'm going to slip at any moment. Somehow I make it to the ground. Still attached to the tree, I look up at the house. I don't see it-

…

A shadow appears from behind the tree. I press myself against the tree and hold my breath. It's looking for something. When he doesn't seem to look I move to a nearby tree, he moves to another tree, I move to the next, and the next, and the next. We continue like this until I start to get further and further away from him. When I think I've lost him I start running. I hide behind a tree to catch my breath.

…

I slowly peek out from behind the tree.

*rin*

…

It sounded above me.

…

I don't look up, I run.

“nnghehee...” He laughs.

He gives me a few seconds advantage before coming after me. The chase begins.

I run forward as much as I can, I hear his footsteps behind me but I don't look back, there's no time for that. I hear him laughing like a madman as he moves from left to right, from one tree to another, crawling on the ground, trying to confuse me, waiting for me to make the slightest mistake to catch me.

“Ah-” I trip. As soon as I fall to the ground I get up, ripping my stockings and scraping my knees, falling again, my nerves not letting me stand up.

“Nnhehehhehe...” Asshole. He has stopped running, he approaches by walking. I try to keep as much distance as my hands and legs allow me to move. I search desperately with my hand for something on the ground to throw. Finally my hand finds something.

I throw a rock at him “AGH!”

The rock passes by him, flying one or two meters away from him. He hasn't even moved, he didn't move a single muscle to avoid it, he just watches me still from where he is. I hear the nearby *pof* of the rock falling to the ground.

“...”

“...”

…

I get up and run. He grabs my leg and I fall to the ground again. He won't let me get up, every time I try he throws me to the ground. I struggle, I kick, but I don't break free from his grip. He never stops laughing, he is enjoying this. He drags me closer to him, no matter how much I twists, he doesn't let go. “ACKH-!...Hhhh-hh...-hh-h...” He grabs me by the neck, red pupils stared at me, I'm looking straight into his crescent moon mask (or waning, I don't know. Do you think I care right now?). He raises his free hand and his veins begin to glow a platinum color that extends to his fingertips. The hand approaches my face, I don't know what it's going to do to me, I'm scared, I don't want to look. I close my eyes, cover my face with my hands. I wait.

…

…

…?

Nothing's happening. It stopped. Why?

“Mun, nïe.” I hear Sun's voice. I open my hands a little to see what's going on. Indeed, it is Sun, several meters away from us... He looks exhausted. The one with the moon mask stares at him for a moment, until he decides to look at me again while bringing his glowing veiny hand closer. “¡Mun!” The Moonman looks at Sun again “Fehreh.” He seems to speak another language, I don't understand what he says.

“...” “Nïe” For the first time I hear him say something else besides laughing. Even though I can't understand him.

“Fïer pehgïer.” Sun responds.

“...” Moonman remains silent again.

“Bïelïe óubseh góuh...” Sun continues.

“Móu txehb móunsuvïe.” The Moon responds.

“Lïe bóu ¿Sóundïe mïesugïeb fehreh nïe txehtehrlïe?”

…

The air feels tense. Probably because of the hand grabbing my neck.

“¿Zkaóu fuóunbehb txehtóur tkaehnvïe nïe bóueh mehb zkaóu ïesreh rehuh óunsóurrehveh óun leh suóurreh?” Longest sentence I've heard him say so far.

“...” “Fïer óubseh góuh.” “...” “Vóuyehmóu óuntehrdehrmóu vóu óulleh” Sun takes a step forward “Nïe suóunóu fïer zkaóu ehtehkehr ehbu” Another step forward “Nïe sóunóumïeb fïer zkaóu txehtóurlóub... óubsïe” Another step “Óullïeb bïelïe óubsehn... fóurvuvïeb.”

“...” There's no response from the moon man.

“Behkehb tïemïe óub óubïe.”

“...”

…

The hand that grabbed my neck now grabs my shirt and yanks it. I grab his wrist as he pulls me to my feet and drags me to Sun, making me stumble. He throws me against him. Sun catches me before I fall over.

“Ska óubpkaóurhïe óub óun gehnïe.” The moon says something as he walks past. Sun puts a hand on his shoulder before letting him go, there's a pause between the two. The Moonman disappears into the trees. Wind and leaves are heard passing by.

…

He's gone. I feel dizzy. I fall down.

—

…

…

…

A faint light begins to seep through the cracks, illuminating enough to wake me up and make me open my eyes, I look around. I see my bag propped against the wall. I'm at the shelter where Sun left me.

…

My body aches, I have a hard time keeping my eyes open, it feels like I've been sleeping on the hard floor. No, wait, there are some blankets underneath me... It's still too hard to sleep well, either that or as I said, it shouldn't help me at all that everything hurts. After a while of staring at the ceiling I try to sit up. I emphasize trying. With every slight effort a pained moan escapes me.

“Oof...” Hurts.

*creek, tap tap tap tap*

Those wood creaks bring back bad memories from last night (which by the way, I'm alive, wow, I just realized), I can't help but cringe at every noise, I hear footsteps approaching, I try to move but the stinging pain prevents me from it.

*creek... *

The door opens.

Triangular shapes appear through the door followed by orange earth tones. “…Oh…!” “Early bird!” Thank god it's Sun and not the other one, or something worse “I didn't expect you up this early!” He says laughingly.

“ah?”

“How are you feeling?” He walks in. When he sets foot inside I lean back, towards the wall. “...” I don't really know why I did that. Sun stands at the door showing confusion with his usual head tilt. “...Arrr...re you okay, Fern?”

“...” I became tense suddenly. I really don't know still if I can trust him? He hasn't done anything to me yet but that doesn't mean that I can trust him. I don't know if he plans to do something with me like whatever that other one, the moon one, was going to do last night. “...ehh...hhh...h...” I can't get a word out, I'm afraid to ask.

“Mm?”

“...” I don't know what to say to him. My eyes go somewhere else.

…

He enters further into the house, ignoring that I keep my distance from him, leaves a bag he was carrying on the floor and begins to open the windows, letting in the little light of the dawn that is just beginning. He kneels on the floor in front of me with the bag. “Are you hungry?” He opens the bag and takes out an apple “Do you like apples?”

“...”

“No?”

“...”

“Um... I also brought berries... (It's what I had on hand coming here) There are... different types, you can choose” He brings the bag closer to me. I move further away. “uhhh...”

“...” I want to leave.

“You don't like them either...?”

“...” I don't want to eat. I want to leave.

“...”

“*snif... *”

“u-um...!”

“...*snif* *sob*...” I started crying out of nowhere.

“Ahhh...! D-do- don't cry! Ah-I-Um- Ca-can go find other things you might like-!”

I felt ashamed for crying and I put my hands to my face trying to wipe away the tears, but they wouldn't stop coming. “*hic, sniff, snif *” I looked away in an attempt to cover my face. I ended up looking at the floor, letting my hair act as a curtain.

“I can go in a moment!” Sun was already getting up.

“...w-want to leave...” I managed to get a murmur out.

“...W-what? Um...”

“...” *hic, hic *

“O-okay, um... If you aren't hungry... -we can do something else- uh- we can go look for rocks like yesterday in the river!”

“...” I don't want to do anything “...want to leave...”

“O-or we can do something else! Ah-bah-b-b-b- W-won't you like to go draw??! Somewhere, some landscape?! Wherever you want! We can draw together! If you prefer we can look for animals instead of landscapes!”

“...leave...want to...go... *hic, snif *”

“¡D-don't n- uh! ¡L-let's... um- let's not- uh!” He no longer knew how to order his words “H-hey, ¿Why don't we go to-?” He extends his hand towards my arm.

“I want to go home...”

He stops before touching me and removes his hand. “...” “...home?” There is a pause. He remains silent and unmoving. He finally speaks “Do you want…?” His tone became more serious.

“...”

“...to... go see the portal?” I look up slightly, I can't see through the tears and the fogged lenses of my glasses.

“...” I nod my head.

—

…

We didn't walk far until the red began to become visible. He brought me back to the portal. The same plain of red leaves and stone arch in the center of it all, as yesterday.

…

Sun has been quiet the entire time.

He advances towards the portal and stands facing it. He turns. “Come.” He extends his hand towards me. “You can pass through.”

“...”

I advance towards the portal. I stop before crossing. If it doesn't take me back home, what do I do? I don't want to stay.

A breeze begins to come out of the portal. The breeze turns to wind, the leaves rise, they pass through us. It's the same thing that happened yesterday when I went to cross. I turn to face Sun. Motionless, he looks back at me, the leaves pause in the air for a second as if time has stopped, the wind changes. From where the wind and leaves came now they come in, they push me towards the portal. I finally cross it.

…

Am I in the forest I know? I turn to look at Sun who stayed behind in the portal. “...Sun?” He's not there. I look around. He's not here. I've already crossed the portal, he must have left.

I notice a sudden draft pass by me. It's soft, like someone walking past you. I turn towards the forest, I have to start moving, I don't want to be here another minute.

...The air current that I noticed has lifted some leaves, they reach the trees, between them the wind does something strange, it forms a transparent silhouette. It looks like Sun, I can barely see him but I could swear it's him. The wind figure raises its hand and makes a gesture, it wants me to follow it. When I approach it turns around and walks into the forest, leaving a trail of leaves behind it. I follow the trail of the air current. Sometimes it stops to look at me, making sure I'm still following it. The red-leafed trees and the paintings disappear from view the farther we go. We crossed the forest until we arrived at the entrance of the town, near my house. There is no one on the street. If I walked into the house and pretended nothing had happened, officially no one would have noticed my absence.

I'm not one hundred percent sure if the wind figure that guided me is Sun or not, but I should at least thank him for bringing me back.

…

The air current has dissipated before I turn around. I look around, there's no one.

…

…

…

I enter the house, go up to my room and throw the bag on the floor. I go to the bathroom to wash. …I feel something strange in my hands but I couldn't say what. Doesn't matter. I change my clothes and get into bed, the tiredness of the previous night makes my body succumb immediately and I fall asleep instantly.

—

…

…

…

“ah...!” I wake up with my lungs begging for air. I need a moment to calm my breathing. I look at the clock without lifting my head from the pillow.

…

It is 12 midday. I rub my eyes and from my eyes I move to my face. I'm still tired. My body still aches. I stare at the ceiling.

…

My bag. I reach out to pick it up from the floor, making strange positions so as not to get out of bed.

I open it and search in the pockets. The bell. I put the bell to my ear. “...” I shake it.

*rin, diring diring*

“...”

I open it.

…

It's empty.

[qianqiancandyjar]

Ninjavember 2023!

Here's completed version with a bunch of explaining below each picture! Just scroll down if you don't want to see me blabbering. (I tried to go short as much as possible)

(I have a lot of AUs and headcanons that only exist in my head and my sketchbooks. Forgive me for wanting to spill them out.)

Day 2: Randy was listening to music with earphones so he didn't know Theresa was sitting next to him. Imagine how embarrassed he would get when he knows.

Day 8: Tech-Ninja AU. It's about machinist Randy being set up by Mcfist for murdering the town hero Ninja with his invention, the Tech-Ninja armor. Then the spirit of the destroyed Nomicon travelled to his armor and become an AI, choosing him to be the next Ninja. So Randy accepted it and was determined to make up for what he caused, when nobody except Howard, the boss of Weinerman industries, trusted him.

Day 10: Apocalypse AU. It's about Randy lost the battle at the end of season 2 and became the prisoner of the Sorcerer. The Nomicon was handed to Howard before that, and they later recruited survivors to form a resistance against the Sorcerer. Then Randy was stanked, but instead of turning into a monster, he was brainwashed and given the power of creating his own red and black stank. And- You know what will happen. (Inspired by the Darkness of Randy Cunningham)

Day 13: Elemental trial AU. You can say it's my take on what will happen in season 3. The Carp god was under the cover of a random carpfish as Norisville mascot. After a series of events it was awaken and gave Randy the power of Ice Rage.

Day 14: I think there's more than just the blood of First Ninja's brothers, since nobody knows how to destank people at the beginning...

Day 17: The Warrior might have been living or sleeping there, waiting for some ninjas to wake him up or consult him about his forbidden arts. (Ha, It's kinda like Eclipsa in Star vs. the forces of Evil)

Day 18: Or it can be called the New Generation AU. In the future, Randy took the place of Messager as well as the Ninja Guardian, while Brent became the new Sword Smith and Sorceress became their main villain. I am not really good at designing OCs so there's no next ninja yet.

However, I read a fanfic of another fandom in the form of CYOA, and it gave me new idea: just let the reader be the next ninja, it will be fun, too. (Also, this AU was inspired by an RC9GN fanfic titled from the past to the future, where future Randy became Ninja Guardian. But I couldn't find it on fanfiction.net any more. Has anyone read it? I didn't dream about it, right?)

Day 19: During that time I got even crazier after I read Enter the Nomicon. It's hard to believe I had a crazy period of shipping Randicon, even for myself. Especially weird for me since I now have a completely different view about Nomicon (peek at my Yokai Ninja AU comics). Time really can change a person, wow.

Day 21: Yes, a whole page just for this headcanon. I used the screenshots in the show because it's too hard to draw. The barrier thing is kinda like the one that held Bill's power in the range of Gravity Falls.

Day 23: Danny: the Walking Air-Conditioner. Inspired by a chapter of Secret Quartet. Danny phased his hand through the scarf. Just imagine your friend put a cold hand inside your scarf in winter. *shiver*

Day 25: Besides Ninja vine ball, there are also spike ball, gas ball, sonic ball, rainbow illusion ball, tear ball and so on. I just pick the most common one from my ninja balls headcanons to put in here.

Day 27: You may see I prefer using numbers to refer episodes, because that's how I track and rewatch them. To be more specific, I list some keywords here: NomiRandy, First Ninja, Debbie, Tengu. As fellow RC9GN Fans I'm sure you get it.

Day 30: It's a half-baked AU thing. The flowers I tried to draw are rosemary?

Wow! I actually finished all the prompts! Thank you for holding the big event! @evilspiritweek

(I don't mind sharing more details about my AUs or headcanons. *wink*)

[mspaint-furret]

Hey uhhh

This will look bad I know but I seriously need any help I can get right now

To make a long story short: I might need some money.

Yesterday someone came to our house and gave us a notice that we owe quite a lot of money and if we don't pay within three days then they will come in and take stuff from us.

I want to think we might be alright in case of that happening but at the same time I can't be totally sure. Best case scenario we either manage to pay or we simply lose a few things but are able to get by on our own. Worst case we might actually need some help just to pay for food and services after that.

I myself don't have any money on me and no jobs I have applied to in the last few months have gotten back to me so what i'm asking is this: If and only if you can I would greatly appreciate it if you donated some money to me. I live in Mexico so even if you give us a single buck it's of great help.

I know i'm not the most active person on here and now when I do appear is just to ask for money out of the blue, but right now I'm seriously scrambling to get anything and tumblr is the only place I have where at least a couple of people who may help will see it.

If you can't donate then simply spreading this around is of great help, any little thing you can do seriously does I have a Ko-fi set up and can't really accept money form anywhere else aside from Paypal, so if you can, I would appreciate it.

All I can really offer in return is some simple sketches to anyone who donates or even a more detailed monochrome drawing if you want. Just tell me and i'll get to it.

My Ko-fi

I will keep updating on our situation as it progresses but hopefully this is over quickly and we aren't left in a seriously bad spot by the end of it.

Thank you for your time and don't feel forced to give me anything if you don't want to, it's only if you want and can. If you can't donate then simply spread it so it reaches more people out there.

[donnerpartyofone]

This morning I went over to the church to see my favorite guy, who is so often surprising and challenging. He seemed a little out of sorts today, stammering and losing his place; I sometimes worry about this old guy, and I was paying attention. Then at the end of the mass he said that they're having air quality problems in the rectory and the EPA is involved. I hope he's not getting brain damage!

It was sort of funny, though, because the homily was about having trouble focusing--not being able to concentrate, and having anxiety about the future. That was pretty relevant to me, medically and otherwise. I'm writing this on the morning of the new moon, just to be extra flaky, about how much trouble I have forming goals.

Pursuing goals is also hard, but step one should be having a vision, and that's the really impossible part. When I was a little kid I had two ambitions: to be a writer, and to be dead. The latter thing represents one of the main motivating forces in my life, which is pain avoidance. I think this is the chief motivator of many people without them even realizing it; comfort-seeking itself can be a form of pain avoidance. Pain avoidance is not a legitimate goal, it's more of a reflex, and it can become a preoccupying distraction from any kind of actual ambition (especially as fulfilling ambitions often involves some amount of discomfort). Focusing on what you do not want is not equivalent to focusing on what you do want.

I never had a very good idea of what I want. I found this out when I went into therapy as an adult; I couldn't formulate any notion of what I wanted out of life. I couldn't even come up with any masturbatory, pie in the sky fantasies. I might vaguely be able to say something like "a bigger, nicer apartment", but I can't come up with any compelling ideas about what that would even look like. I try, but I know I'm faking it. Certainly part of my interest in religion and occultism is the idea that I could train myself to really clearly conceptualize any kind of goals or desires. In the case of occultism specifically (and, let's be honest, many forms of self-help), visualization is always a key element. In recent years I learned that I am abnormally incapable of forming mental images, and I have come to believe that this is intimately connected to my inability to figure out what I want or how to get it.

Nearly all of my thinking is verbal. I found out what aphantasia was while talking to my dad, who is extremely visual with an excellent grasp of spacial relations (something I have almost no concept of). He was shocked when I said I can't really picture anything, asking me "Then how do you do anything?" He said when he decides to make a sandwich, for instance, he automatically sees himself performing the actions of sandwich-making, and sees the aspirational sandwich in his mind's eye. Visualizing is essential to his entire executive process. It so happens that I am aphantasic and I have a lot of executive dysfunction. I no longer think this is coincidental.

(I'm also very faceblind, and I think this is connected; something to do with the ability to reconstitute a visual memory and relate it to something that is presently in front of me. But anyway...)

Perhaps oddly, I am an artist, or at least I have been. But I've never been able to draw from my imagination, like at all. The best work I've ever done is all swipes; I am a great believer in swipes, it can reveal a lot about your personal style and obsessions and when you re-draw someone else's art. But I can't just sit and think up something fun to draw, even when I try to just doodle I'm usually responding more to the lines I see emerging on the paper than anything I'm thinking or feeling. I think this is related to the fact that I'm an obsessive scopophile; I take in a lot of detail from my environment, and I watch movies with the same attitude and frequency with which most people listen to music. Recently I started to joke that I have an image deficiency and that's why I have to consume huge amounts of visual media, I need the external infusion. But like, it's not that much of a joke, maybe.

In my 30s I randomly developed this condition where scar tissue grows over your corneas, and I had to have a series of freaky eye surgeries. My doctors always asked if I grew up somewhere warm and sunny and windy, if I do a lot of outdoor sports (sometimes this condition is called "surfer's eye"); I thought this was pretty funny since I couldn't be more of an indoor kid, although maybe cycling is somewhat at fault. Still, my preferred diagnosis is that I watch so much trashy and violent crap that it literally scars my eyes. It's as good an explanation as any! And it does have this weird synergy with my other visual problems.

Anyway, it's not as if I've done absolutely nothing with my life. Quite a few personal achievements piled up in just the last couple of years; certainly I've benefited a lot from luck and the good will of others, but nothing would have happened without my own creativity and commitment. I just wish I had more, you know. Vision. I spend too much of my life "taking one day at a time" and waiting for things to happen to me, assuming I don't have much control over my experiences. I'd rather be able to imagine something that I want to happen and act on it; regardless of whether the thing is going to happen, I'd like to be able to formulate a goal other than paying the rent, or like, not waking up and going to sleep in a state of stark terror. I'm not sure how to get myself to that place, but maybe saying that that's what I want can count for something.

Anyway here are some photos of the thoughtfully planted shrubbery from the church. I missed the full bloom of the weeping cherries, but as soon as they die off the shrubs below turn bright red, pink, yellow, and white. It's pretty inviting I must say.

[queencoldart]

A Dog's Mother is officially canceled

Maybe you saw this coming, or maybe this comes as a surprise. I feel terrible because I repeatedly promised to continue updating this story. Now that I have a full time job, I realize I bit off so much more than I could chew.

I initially took a break from updating the story because I was basically pouring all of my free time into it. Every new upload consisted of many different drawings, not including the editing. I was fatigued.

Then I lost the entire script and was never able to recreate it to my liking. After that I began to rewrite parts that weren't great to begin with. This is when I realized that the way I've set the story up in previous uploads, I created some problems down the line. I tried to painstakingly fix them before continuing to upload. Twice after I attempted to continue drawing, I lost a whole bunch of my progress due to files getting corrupted. Then I lost access to the medication that helps me focus, which I still haven't regained. The more I tried to return to the drawing board, the more I couldn't force myself to do it, especially when I became incredibly busy with school and finally work.

It's been so many years now and I sense that people have had their fill of generational trauma stories. I like to keep my promises, so this hurts to do and I am sorry to all of those who have been anticipating the rest, but I think it's time for me to retire the project and move on instead of worrying about releasing it and feeling guilty any time I draw anything else.

Since I am not finishing this project, what I'm about to say isn't going to spoil anything.

Garble softens his approach to Cinder after being confronted by Smolder and seeing the final confrontation between Torch and Sconce. He was never fully convinced that he was doing right by Cinder by being extra hard on her. We learn that Garble is actually very worried about his sisters, because the world they live in is changing so quickly and the only reliable way he knows how to protect anything is by being tough.

The earthquakes, as shown and alluded to in part 2, were precursors to a massive volcanic eruption that creates very hazardous conditions for Ember, and for Torch when he saves her. Sconce returns and prevents Torch from being injured during his rescue mission. By doing this, Sconce demonstrates enough love for her son that Ember wants to give her a chance. It makes no difference to Torch, however. He doesn't believe in rewarding his mother with a rekindled mother-son relationship for doing something right. This insults Sconce and both she and Torch double down instead of making up, subverting the (Millennial) Parental Apology Fantasy trope.

Sconce's double standards prevent her from validating anything her son tells her and Torch insists his mother stays far away from him. Ember gets in between them again but this time she acknowledges her father's feelings and takes responsibility for ignoring his boundaries. She thanks Sconce for saving her father and promises to stay in touch, but implores her to leave. Sconce's emotions have exhausted her so much she has no fight left in her and she goes home.

In the epilogue, a very conflicted Sconce shows clear signs of cognitive dissonance. Her husband's snide remarks about their son make her uncharacteristically upset. While she doesn't have a change of heart immediately, it is implied she may have one later.

Several things happen after the epilogue. This isn't a part of the story, but I may draw related pieces at some point.

Ember stays in contact with Sconce, as she promised. Sconce is fond of her granddaughter and tries to ask about Torch, but never gets any details besides that he's "doing fine". Sconce writes to Ember that Torch accuses her of wrongdoing, yet never told her exactly what she did wrong. Torch is incredibly dismayed when Ember tells him this and says he isn't interested in hearing what she and Sconce have to say to each other, although it is abundantly clear he wants to know whether or not his mother is badmouthing him.

Basalt passes away. Torch has no reaction to this news, which upsets Sconce when she hears it. At the same time, she feels like she should be more saddened herself. Sconce doesn't feel like she can stay in the south anymore and begins wandering. She meets different dragons along the way, who teach her how her son's leadership affected dragons. She becomes gradually more pleasant, in no small part due to a lack of Basalt's influence, and even begins to learn bits and pieces of the truth about her late husband — information she is initially very resistant to. She encounters Torch by coincidence. This time she doesn't confront him and leaves immediately. This surprises her son, but he doesn't pursue her. He asks Ember how his mother is some time later. This piques Ember's curiosity, to which Torch simply states that he wants his mother to be well, nothing more.

The process of Sconce's reformation and eventual redemption is a long one. She and Torch eventually mend their relationship to the point they are friendly with each other, but Torch never forgives her, not even after she's willing to make amends and accepts she isn't owed forgiveness. She watches Grandma Griddle enjoy the joys of motherhood that could have been her own if she hadn't been so stubborn and counts her blessings.

I didn't intend for there to be a moral of the story, but if there is one, the main takeaway shouldn't be that those who redeem themselves will eventually get rewarded for it. It should be that it took Sconce more than two thousand years to repair her relationship with her son. Most people don't have that long, so... don't be awful to your kids, I suppose!

[mastergeeka]

I’m coming up to about a year of being a NRB fan which means we’re almost at a year since it all went to hell, shall we say. Brilliant timing on my part, thanks so much Universe. But because how much time has passed, I want to take a look back on everything. Time gives a new perspective as they say. Also, I'll be real, I've had these thoughts in my head for months at this point and I need to get them out.

By the time I was seeing information about the situation, I was already like a third of the way through binging everything the channel had ever made. My real life was going through a particularly rough patch and I was definitely using NRB videos as escapism. I ended up deciding that the videos were a source of joy that I needed at the time and since Adam had left and Carley wasn’t appearing on the channel, no matter who was lying vs. telling the truth, my watching of the videos that already were posted would not greatly benefit or punish any involved party so until more details came out, I just tried to ignore the situation. I basically tried to live in a world where both parties were innocent until proven guilty and it was just a really sad misunderstanding or that it never happened at all.

The word “tried” in all those statements is doing a lot of work. Most of the time it worked and I was able to escape reality for a bit, but sometimes my brain would say something like “Am I a bad feminist for not immediately believing the woman, do I just want her to be wrong subconsciously and that’s what’s making me waver? The rule of thumb is believe victims when they speak out”,

“But the ideal of believing the woman/victim doesn’t apply here, no victim has come forward, Carley is just saying that she heard about it and maybe Carley’s just been misinformed or she could be making up rumours. I want to believe that a person can redeem themself and if he took accountability the first time, surely that deserves some credit? That’s what we want people to do after all, take accountability and grow, so we should reward that behavior with trust”

“Sure, but be realistic here, what does your own life experience say is more common and therefore likely with this sort of thing. Don't be naive” and those voices would go at each other, back and forth until I gave up and went to do work or something. So the silver lining there is that at least this kept me from slacking too much. Isn’t that something? I give all this preface to show that this situation isn’t something I’m taking lightly.

Now that I’m in a better place in my real life, I decided I should actually look at everything that happened and see if I could draw any more conclusions to help satisfy the curious/nosy part of my brain. Unsurprisingly, I haven’t been able to crack the case wide open but one thing is clear, and getting clearer by the day: The rest of the cast are on Adam’s side. From the cast members unfollowing Carley, them liking Adam’s statement proclaiming his innocence and his plan for legal action, to recently Jon’s Kickstarter game having a quote from Adam on the front page. These are forms of public support that would be the safest to use if there was a legal battle happening in private.

What this means to me is: Just from a logical standpoint, whatever I believe about Adam, I have to extend it to the whole cast. I can’t condemn Adam but not condemn the rest of the cast. The rest of the cast either know the what happened or didn’t look into the situation enough before standing by Adam. That means if I believe Adam is guilty, I must therefore believe the rest of the cast is complicit and at the end of the day, I just don’t want to do that unless the evidence makes it impossible not to do so.

I really like watching the channel and I don’t want to force myself to stop watching or feel complicit in supporting bad people unless I have to. So until evidence comes out showing otherwise, I believe Adam is innocent. I have to. And if I am wrong, and I must stop watching/supporting NRB as a whole for ethical reasons, at least I gave myself a little more time to enjoy it before I have to say goodbye. Is that selfish? Yeah probably, at least a little if I’m honest, but it’s an understandable level of selfishness that I could forgive someone else for, so I can forgive myself for it, if it turns out for the worst.

And I want to also say that I still think it’s possible Carley isn’t a liar as well. This is not a “Carley is lying” post. If I’m applying innocent before proven guilty to Adam, it’s only fair that I apply it to Carley as well. I’ve tried my absolute best to keep my reasoning consistent across the board with this. I believe she believes what she said but I think it’s possible she could be wrong. And wouldn’t that be nice, if it turned out both parties were innocent and there was just a big confusion? I’ll admit it’s not the likeliest scenario, but I’m still hoping for it. Basically, the more people involved in this that are revealed to not be huge jerks, the happier I’ll be. That’s what dictating my best to worst case scenarios.

The whole reason I wanted to make this post is to remind everyone, including myself, that we as the public still don’t know much of anything. We have 4 comments on a YouTube video on one side and vague PR statements on the other. That’s pretty much it, officially. The rest is just based on how the people involved are interacting with each other and the like. That leaves a lot still up in the air and that’s really frustrating. Uncertainty is one of the worst feelings and I think it’s easier to just say Adam’s guilty and move on than to keep being uncertain about this for so long. Because if he is guilty after all that, we have to process that, on top of having dealt with the terrible uncertainty for this long so we want to “bite the bullet” now, so to speak. It’s less emotionally risky to just assume the worst now, deal with it, then push it into the past and I think there’s a significant portion of fans that did that or that are trying to anyway. The drawback there I want to point out though, is that it ignores the possibility that there is a happier ending to this. Additionally, condemning Adam but trying to stick by the rest of the cast may feel like the simplest & easiest solution at first, but it’s not a realistic one or one that works with the very few pieces of information we do have: the actions of the other cast members.

My goal with this post is not to convince people to either side. That would require me to pick a side and as I think I’ve shown, I can’t. My goal in making this post is to encourage people to keep their minds open to the possibilities out there and remind them not to jump to conclusions too soon. Because one year feels like a decent estimate to me for how long legal stuff like this lasts and I think it’s possible that people could speak freely soon. At least, that's what I'm hoping for and I want other people to have hope, too.

[wutheringmights]

Can we get the latest directors commentary pls?

Of course you can!

All things considered, this chapter actually came together really quickly. I haven't had a free weekend in a while, so that the chapter got done in a little over a month is really cool and sexy of me

My original plan was to have the bit about the war ending and the engineer leaving in secret at the end of the last chapter, and for this chapter to be the scene about Kat plus its consequences. The entire year would have passed between chapters with the reader getting no glimpses into what happened

Obviously, things got screwed up and I had to think of a way to make the war ending work with the Kat scene. I ended up with the idea of showing the passage of time with Link constantly reflecting back on how he failed to see the engineer. And I think it worked really well! For once my bad pacing was a blessing in disguise.

A part of me feels bad that I didn't do more with the friends of the Heroes Spirit, though I already struggle at times to give Midna things to do. I don't think I could have handled more of Ravio or Tetra.

There was going to be way more of Marin, including a bit about how she fades in and out of existence since she's only a dream. The engineer was always going to be the first person who knew when she was back, as he could always sense her presence.

This chapter also has one of my knew favorite lines (which I will highlight because I want to draw attention to it): "He hadn’t been a child for a long time now. But he had been in that comfortable space where he wasn’t a kid but not yet an adult. He always had the sense that if he turned around, he could walk back into a small shape his mother could hold in her arms."

Fort Raven was named after Sir Raven, from the Oracle of Time manga

Where do I start with the Kat stuff?

First off, I almost named this part of the chapter after the pudding bun. I really wanted to highlight the idea that what breaks through Link's disassociation is one person being selflessly nice to him. Like showing someone humanity begets more humanity

Also, the auburn woman who pointed out which direction Kat went in is the same auburn woman who danced with Link and spread rumors about the engineer in chapter 16. This is a detail only I care about.

Okay, so random trivia aside, let's actually talk about Kat

I have mentioned many times before that Kat is based off of Kattrin from Mother Courage and Her Children. Kattrin is a girl who became non-verbal after she was sexually assaulted by a soldier when she was a kid. You can obviously see how that relates to my Kat.

A long time ago, I mentioned that one of the deleted subplots in CTB was about Link dealing with the Waltons wanting to connect with him now that he was the hero. A character who was deleted from that plotline was a slightly older cousin who was also in the army, and was a total asshole of a man.

I bring the cousin up because the cousin's storyline was going to end with Kat-- that's right, he was supposed to play the role that the major with the slicked back hair played in this chapter.

Obviously, this would mean that this bit about Kat being continuously harassed would have gotten a lot more attention and gone on way longer before climaxing with cousin assaulting Kat.

The cousin got deleted from the story when I got rid of the subplot with the Waltons. I told myself that having a random character attack Kat would still work, but it still feels a little sudden to me.

I really wanted to keep this scene not only for the ways it forces Link to respond, but also to show how shitty soldiers are to civilians, especially men in power

And yeah, I wanted Link trying and failing to save someone to be what triggers his wake-up call. Link definitively fucked up. The only thing he has left is being the hero, and he just fucked up saving someone he cares about.

Watching you all speculate about how Kat got injured up until this point was interesting. For a long while, a lot of you thought that the engineer would be involved. I somehow never expected anyone to associate the engineer with Kat's injury.

There were also a lot of people who thought Link was the one who injured Kat. That, I saw coming. It's been interesting to see how people think about what actually happened.

Of course, I was going to have this section go all the way until the end of the next scene, where Link faces the consequences of his actions. You'll have to see next chapter what those consequences will be.

Okay, onto the present--

Up until this chapter, I was utterly convinced that Twilight and Spirit would hate each other from the moment they meet. Then I wrote this chapter and realized that Twilight's protective gene would triumph any misgivings he would otherwise have. Absolutely no way he wouldn't find out about Spirit and not decide he was going to be the only bozo standing in his corner.

I really wanted this bit with Time and Warriors talking to be at the end of the last chapter. In my brain, the pacing just makes more sense that way. I can't even regret pushing it off until this chapter because their talk ended up being so long.

I also had to write this scene twice because the first time, Time was way out of character.

I was initially worried that Time explaining his point of view would be redundant, but after blindsiding you all with his extremely bias POV during his argument with Spirit, this ended up being necessary. My bad.

But also, Time's perspective is so, so... *vague gesturing*

There were a lot of people who were really certain that the child must have hated Link after Link hit him in the temple. Since then, I have been waiting for someone to connect that scene with the moment where the engineer hit the child first. I thought someone would point this point out after Time's argument with Spirit. But, no! No one did! So I had to point it out in this chapter!

I gotta emphasize that Time is not necessarily correct. But I swore that once I got everyone comfortable with Warriors's morality, I was going to start throwing curve balls to challenge your opinion. And as Time puts it, if Spirit can be forgiven, then why not Warriors? Weren't they both responding to shitty situations? And is Warriors correct when he says it's different?

And why am I writing literary response questions for my own fic? Damn.

I originally scrapped the Wolfie scene because it was too cheesy, then I had to put it back in because I had been writing Twilight like the scene was still there

I've been worried that CTB Hyrule has become so iconic for being kinda a hard ass that he's being flanderized, so I figured he could be the one who declares that everyone is safe and sound.

Wind gets a new haircut because it's not real trauma unless your hair changes. The author is someone who changes her hair every time her life falls apart.

And he has a cool anime-esque eye patch because he's thirteen and he deserves a cool anime-esque eye patch

There actually was going to be a scene where Warriors shared his plan for the Triforce with Lana first, but I cut it since I didn't want to have the same argument twice, once with Lana and once with the Chain; it still feels a little out of character for Link to not talk to Lana first.

So the Warriors and Spirit scene

I wanted to convey that talking about everything that happened too soon would cause Warriors to sort of relive his memories and worsen his trauma. I wanted to try showing that without needing to outright state it, hence the dream-like sequence.

I think this was largely successful. People get the idea. Shout out to this story for forcing me to get good at writing trippy sequences, though. I wasn't really planning on that.

I think my favorite part about Twilight taking control is that he still needed Four to do some of the heavy talking for him. Power duo between a grown man and his 16 year old BFF

As I promised, a Triforce quest comes with a lot of morale quandaries that we now have to navigate with the characters, the biggest one being what is the definition of a war won? How do you wish for a war to be over without causing a larger disaster?

Everything about the world building for the Faovarian government and society was designed to add complications to that question. You can't annihilate the army without killing thralls. You can't use it on their ruler because they have a senate who can be replaced. They're an empire made of conquered people, so there's the risk that you could hurt an oppressed state.

But yeah, we're ready to go on another adventure. The boys are sticking together a little bit longer, and now we have to go meet up with Lincoln.

I wanted to get them on the road this chapter too, especially so that I could end with another really important Spirit scene, but I punted that off to the next chapter. Hopefully, the pacing for the next chapter won't be too weird.

And because the ending is different from what I had planned, I didn't know HOW to end things. Then I remembered how much you all liked dog imagery.

One last note: I love reading everyone's thoughts on the story, especially your thoughts on Warriors, Spirit, and Time. I am amazed by how many different takes I have seen. There is no one out there who is thinking the same thing.

On one hand, that's terrifying for me. When I was younger, I was really into the idea that a successful story left every reader thinking the same thing. The part of me that is forever 20 years old is scared shitless that someone is going to have a bad take and get mad at me for it.

The part of me that is older and somewhat wiser wants all of these polarizing opinions. Every reader brings their own experiences to the table, and I want to see everyone reaching their own conclusions about the characters. I love this. I relish in every ask, reply, or AO3 comment. I love your mini-essays and note taking. I love knowing what everyone thinks.

So, yeah. I just wanted to take a moment to reflect on that. Things are a little terrifying, but they have to be in order to be exciting as well.

[red-flagging]

⭐ would love to hear any director commentary on consider the hairpin turn and/or that one post quali sewis tumblr flashfic you did this year!!

(director's commentary ask meme)

some consider the hairpin turn for you! commentary on seb's first time blowing lewis under the cut:

Vettel’s legs have barely stopped shaking before he’s shoving himself up onto his knees, almost tripping over the console as he crawls over to Lewis. “Fuck,” he breathes. “Your turn,” and then before Lewis can react, is unbuttoning Lewis’s pants and dragging them down past his hips. Lewis jerks his eyes away, but not before he sees the wet stain on his own stomach, the way his own legs are shaking; how he’s so hard that it’s poking out of the waistband of his boxers, flushed dark and heavy. one trick that i like to use for getting into a character’s headspace is to give myself somewhat arbitrary restrictions about certain words that they can’t use in their dialogue/internal narration. for this fic specifically i decided early on that i didn’t want lewis to use any explicit sexual language (cock, come, etc.) - so in the earlier scene where he’s blowing seb he never actually references any of seb’s genitals, and the closest that he gets here is describing himself as hard (which imo was like. toeing the line but i truly could not think of a different way to talk around it). i really like it as a technique because not being able to use certain words not only forces me to talk around the idea (and in doing so almost draw more attention to its purposeful absence than it would if i just wrote the word), but also pushes me to hone in on the details of what lewis’s body is actually experiencing in the moment, instead of being able to just use “he’s hard” as a shorthand for him being turned on.

Vettel’s hands are on his legs, pulling his pants down to his knees, spreading them open. There’s a hot puff of air over his skin. Lewis’s breath catches in his throat. Wait, he wants to say, to grab Vettel by the shoulders and say wait, this wasn’t supposed to happen tonight. to be clear - lewis's plan for the night was to go out and purposefully have a really bad sexual experience with a stranger, in order to essentially try to condition himself out of wanting to have sex with men. the main reason this prompt hooked me was because i remember reading it and being like “2005 lewis would NOT say that (be secure enough in this own sexuality to have sex with a mostly-random man in his car),” which then immediately made me ask – well, what would it take to make him say that? and i am quite proud of the little subversion of the usual “young lewis being too closeted to even look at a man let alone think about him sexually” storyline (although to be clear i LOVE AND CHERISH all deeply homophobic lewis stories so much lol. and have written many myself! it was just fun to challenge myself to do a different take that is antithetical to how i typically view early lewis characterization) His hands feel numb; he can’t remember how to move them– 

Heat floods through him. Feeling rushes back into his body like blood, so fast it almost hurts. He barely clamps down on the sob before it slips past his teeth. Vettel’s elbow is digging into his thigh. He makes a frustrated noise, leaning harder against it as he pulls himself further forward towards Lewis, and the terrible hunger roars back, snapping at his heels and tugging him down into the pit in his stomach. lots of switching back and forth between active and passive voice in lewis’s internal narration throughout the fic to try and capture the way he’s fighting to detach from what’s happening in his body / getting pulled back into himself despite his best efforts. there’s a lot more active voice here than there was, for instance, when he was blowing seb and could make himself dissociate from what he was doing - he’s starting to lose control. The panic catches in his throat, fuzzing out his brain. He’s going to–with Vettel's mouth on him, he can’t stop it– 

Lewis digs his nails into his palms, as hard as he can, until the knife-edge of pain cuts through the fog in his head. Forces himself to breathe through his nose, fast and harsh. No. He isn't. He forces his breathing to slow down. He isn’t. He’s kept it at bay for so many years already. (he has not.) He can do it tonight. (he cannot.)

Vettel’s mouth makes a wet sound. Lewis twitches, his hands jerking convulsively. He forces his attention away and up, tipping his head back and searching the inside of the car. The lining on the roof. The leather of the headrest next to his face. Five, six, seven, eight stitches in the seam. The windscreen is fogged up. He presses his fingertips against it, the cold sending a shock down his spine all the way to the soles of his feet. please imagine the titanic car sex scene but if rose was having a massive dissociative panic attack the entire time. Nineteen stitches, twenty. In the distance, a car honks. Thirty-two, thirty-three. random observations about the setting around a character my beloved. maybe my favorite narration trick of all time to get across that a character is distracted and/or trying to distract themself but also in this case, for a fic whose mood is very much driven by the setting it takes place in, a nice way to sneak in extra exposition about some tactile and sensory details that would be unreadable in large paragraph form. 

“Are you even paying attention?” Vettel suddenly snaps, as he pulls off with a wet sound. [affectionately] attention-thirsty BRAT.

Lewis jerks. “What?” he croaks, clearing his throat. “I–obviously–”

“So then why aren’t you doing anything,” Vettel snaps back. “You aren’t even looking–” for the most part, this version of lewis is not particularly concerned about seb’s internal life (much like this version of seb isn’t concerned with lewis’s whole deal - they’ve never really interacted as people outside of racing at this point, remember), but i also didn’t just want seb to come off as a blank wall that only exists in-story for lewis to bounce his repression off of. imo, it’s important that seb is also working through his own stuff - not just because that makes him more interesting as a character, but also because it puts him and lewis on more even footing - for all of seb’s bravado and (imo genuine) greater comfort with his sexuality, he by no means has all his shit figured out, and the fact that he’s so in his head about wanting to be good at sex, wanting to be taken seriously and not seen as a child, wanting to be genuinely desired, etc. that he ALSO pulled the “find a stranger who will face-fuck me, a barely-legal adult, in a bathroom at a random bar” move, just like lewis, points to them not being all that different, even if at face value seb seems far less bothered by lewis about all of this.

“That's your problem, not mine,” Lewis answers. He forces his hands open, wincing at how stiff his fingers are. His breaths feel damp, like he’s just run ten kilometres or cried for an hour. The skin all over his body feels so tight that he thinks he might burst. lewis’s plan b for the night truly was like 1) suck seb off and don’t enjoy it (failed step 1) 2) don’t let seb suck your dick just get out of the car and go (failed step 2) 3) okay if he really wants to he can but you’re going to have the most self control of any person in the world and not come and eventually he’s going to get bored and give up and you will have achieved your goal of having mediocre gay sex and proving to yourself it's not all it's cracked up to be and can go home in peace (about to fail step 3)

He needs to get out of the car. He needs to get Vettel’s mouth off of him. He can feel the two of them flying around the corners, wheel to wheel, trying to force each other wide; pushing the braking point further and further, edging closer to disaster every lap. Lift off, he hisses to himself desperately. broadly one of the things i wanted to explore in this fic is lewis’s relationship to his own drive and hunger, and the parallels between his own desire to win, which propelled him to that GP3 title, and his sexual desires. a lot of this fic is about him trying to pretend that those two things are separate when in reality (and he knows this on some level) the thing that he hates and wants to rip out of himself is the same thing that will push him to greatness and let him achieve all that he has achieved (and will achieve)! and trying to nourish that desire in one part of his life and stamp it out in another does not work. 

Vettel’s mouth is still hanging open, panting. His pupils are so wide that they’ve almost swallowed up the blue. In the low light, Lewis can barely see the shine of spit on his lip. He looks ravenous. Lewis’s mouth waters. [f+tm voice] WE ALL! HAVE! A HUNGER-

but actually. once again. even if they don’t know it yet - they are more similar than they are different. in the way they’re hungry for the things they want – wholeheartedly, ravenously, undeniably, and beyond reason – maybe more so than anything else. 

He forces himself to drag his eyes back up to meet Vettel’s, digging his nails back into his palms. Quietly, he hears himself say: “Give me something worth looking at, then, if you’re so upset.” 

Something shifts in Vettel’s expression, and all of a sudden it hits Lewis, too fast and too late, how monumentally stupid that was to say; to think, even for a second, that there's any universe where Vettel would ever brake first. a little bit of projection on lewis’s end, imo, because this is also definitely true about him. in the same way that neither of them would ever brake early to play it safe and let the other overtake them through a corner - even if lewis knows it’s a bad idea, there was never any way that he was going to let seb win gay chicken tonight. and so there was no other way that this could have ended.

The heat crashes into Lewis, full-force. Before he can say anything, do anything about it, Vettel pushes his legs back open and swallows Lewis back down.

[deoidesign]

where'd you draw inspiration for T&TA and how long did it take you to comprise a legible script [a fellow, curious- and pretty young writer]

The most immediate inspirations for Time and Time Again were Jaws, Quantum Leap, and Psych. I grew up watching a ton of detective type shows and so there's a lot of background radiation in my brain taken up by those. I tend not to take much stock in inspiration though, and generally am comfortable just powerhousing through things (it's kind of what I went to school for). Inspiration happens when it happens, but if it doesn't, my work still needs to get done!

It took me about 7 months to write the first season, which is 4 complete stories. To be clear, though, I don't script! I outline major character events, and then I make about 100 more detailed outlines until I get to one that hits all the development points I want and feels interesting to me. This takes me weeks of writing sometimes 10+ pages a day, putting together boards with strings, etc. until I feel I've got an outline of events that I'm happy with!

I actually get to writing and finessing dialogue while I'm making thumbnails, and 1 episode can take me anywhere from a day to 2 weeks. The longest ones are when they're arguing, and I'm struggling with the minutiae of the implications of their words, where I want them both to be sympathetic without making their dialogue feel unnatural.

So, one complete arc takes me about 4-6 months from start to finish, I think.

My writing is at its best when I get to plan everything up front, and it's at its worst when I'm forced to deliver week-to-week and I can't see the whole story as it is. But, I've also been writing for a long time and I know myself and my process pretty well! Every writer is different, and some people need a lot more time than others. Let yourself relax, don't try to do things "the right way" because there is no right way. Just make stories! Make the process fun for you, and your skills will grow the more stories you tell. As long as you're having fun, the stories are serving their purpose.

[its-dean]

Interstella: How am I supposed to feel?

Just this past week, there was a special one-day screening in theaters of a "remastered" version of Leiji Matsumoto's Interstella 5555. On paper this is a really exciting thing to have happen, as it's one of my favorite films/anime/albums of all time. To me, it's such a breathtaking experience to sit through that I could gush about it for the amount of time it would take you to watch the whole thing :.)

But there's something more to this news that makes the whole situation feel rather... complicated in my eyes. To put it in short: this re-release, rather than being a remaster by traditional means, is one that's forced forward by the power of generative AI (you can notice it especially on Stella in the screenshot above). Just from watching the trailer on Daft Punk's Youtube Channel, things felt unnaturally crisp and, in a way, kind of "alien" to the original version I was so used to. I know that's a pretty personal takeaway for me to present you with, but it did alarm me with just how many keyframes I saw that looked very "unnaturally altered." Don't get me wrong, the picture quality is better than I've ever seen, a real shock to the system, but knowing the history behind this film and its production so well I just can't help but think about how this level of quality was something I was literally never meant to see.

This post is gonna be very different from what I usually like to share online, but since the announcement was made and the actual event has since happened, the thoughts have just been stirring in my mind nonstop. I wanted to put my thoughts out there for once, mostly because of how much this film inspires me.

The film itself is a visual masterpiece that I can't recommend enough. Headed by Leiji Matsumoto, an absolute visionary in the world of classic anime and one of my favorite artists in terms of his pure drawing style. I love a lot of his work, even as far back as Captain Harlock and the original Battleship Yamato, both from the '70s (though I'll always say that Interstella is my favorite project he was ever attached to). Considering he just passed away a little over a year ago, I'm a bit torn up over whether or not this AI driven re-release was really the best way to honor all of his hard work...

And then, if we're gonna talk about what you'll be listening to, you've got Daft Punk with Discovery, which is literally my favorite LP of all time(though I'd say in large part it's thanks to this film). I'll be honest, this post is about the visual film rather than the music, so I'm not going to be talking so much about them here. All of their songs are still there and in perfect condition, and considering these two broke up over 3 years ago I think it's an overall amazing feeling to see their music still being promoted like this (especially when it's Discovery).

It's really exciting for me to see Interstella getting a visual "update" such as this. The entire film is crafted to be a very "flow-based" experience unlike what you'd see in traditional anime/cinema. There's not a single word of spoken dialogue, and things are kept at a very brisk pace with high frame rates and detailed compositions. Not to mention the fact that the entire film is a well thought-out commentary on the music industry's hidden faults: exploitation of talent and destruction of creativity. It's a message that's unfortunately proved itself to be a timeless one, something I think we all need to refresh ourselves on from time to time. Reasons like these are why I'm really glad that this re-release even happened at all, because I think it's a wonderful thing to celebrate this type of creative and visual storytelling.

The debate I've been having with myself, though, comes from what I had mentioned before: generative AI. If you know the full story, they it might make more sense why the people who restored this thing chose to do it this way (well, besides the obvious $$$). Film restoration is a long and laborious process, but it becomes impossible to undertake unless you have the actual original film reel to work with. Toei Animation, the studio who produced the film, had scrapped the old master for the project, so there was literally no physical strip to be cleaned and re-scanned for this modern re-release. The best these new producers could do was to find a recording of the film, use it themselves, and pump that through an generative AI program. This type of approach doesn't make me feel like it was something they wanted to do, but rather saw this new technology as a means to bring easy profits, definitely a very artificial and soulless approach to promote and sell something that honestly didn't need to be remastered in the first place, but I'll talk about that later.

I should make it clear after saying all that, my opinions are very much rooted in all of these statements I'm making. I think it would be unfair for me to claim that I know all the sides of this story, but there are just those one or two key decisions made here that makes it hard for me to keep quiet. Daft Punk doesn't deserve any slack for doing something like this, they've been broken up for years and have already won me over time and time again through their music. And again, I think it's a wonderful revelation to be able to see this film shine again in theaters (even if it was only for one day). If any of you have pieces to this puzzle that might contribute to this rhetoric I'm winding here, definitely let me know by leaving a comment or messaging me. I'd love to learn more!

Because I wanna stay focused on the film itself, I'd actually like to transition to some of the more positive things I took away from all of this. I'll start with this: one thing I'm VERY glad to have noticed is that the remaster doesn't seem to be using AI to "insert frames." A common thing to see with a lot of these generative projects is a desire to have everything running at an unnatural 60 frames per second. The problem with this is that it forces these AI programs to try and fill in the blanks on their own, producing frames that were never actually made in the original animation sequence. This always end up resulting in movement that I think feels far too fluid to be compelling.

Unlike a lot of anime, and animation in general, Interstella already has quite a surprising amount of motion. I think it was likely done to try and tell as much story as possible, but there are so many sequences where I'm left surprised at just how many frames are packed into a single second of animation, lots of really quick camera panning too (High Life is a great example of this imo).

I think this whole idea of inserting frames to make things run at 60 fps is a very naive outlook on what animation is meant to offer. Letting your mind fill in the blanks is what animation is all about, and that's why elements such as breaking movement into ones and twos are some of the most powerful tools in an animator's arsenal. (This is a personal opinion I'd like to tack on, but I also think that seeing the "grainy-ness" which comes with older productions like this can make for a much more whimsical experience. It adds this dreamy, ethereal personality to certain key moments that's difficult to put into words, and it makes the overall watching experience feel much more memorable if you ask me). It makes me very happy to see that restraint from whatever team was in charge of putting this together, because Interstella is still a masterpiece in animation, even over 20 years later.

I really want to recommend that you watch this thing for yourself if you get the chance. Just get cozy, grab a good pair of headphones, turn the lights off, and take the time to appreciate this art in it's original form. The entire film is on Youtube and can be found very easily under a number of playlists, mainly because each single in Daft Punk's Discovery corresponds to a different part of the film. It still feels wild that there was this much I wanted to say about an event that's already come and gone, but I think I decided to take this leap to put some important food for thought out there, as well as to help you learn a little bit about myself. Animation has always called to me, and I've never found myself drawn to these modern-day trends that try to focus on building new spectacle from old works. Part of the fun with animation in watching it is thinking about the artists behind the screen, thinking about everything they were able to paint and produce using all of their effort. Whether it be art in a visual sense of the musical arts, as this film is built around, I hope you might give this film a watch if you haven't already. (And if you have, then why not go for a ride all over again!)

(When I rewatched it I could only think when Daft Punk made a cameo that their reactions are a self-fulfilling prophecy ,><)

[nawilla]

New Fic as 2023 Draws to a Close

I wrote most of this fic this year (it's almost done, I swear) so I was determined to start posting it this year.

Plan B: A Little Lights AU

ms_nawilla

Plan B: A Little Lights AU - Chapter 1 - ms_nawilla - Star Wars Prequel Trilogy [Archive of Our Own]

Summary: Yoda discovers something went awry and Qui-Gon Jinn never took Obi-Wan Kenobi as his apprentice. Now he’s going to have to fix it because this was NOT the will of the Force.

This story has characters and situations from the Little Lights Stories series, but obviously took a turn quite early in young Obi-Wan's life, and if you've read All the Little Lights you know what Plan B is in reference to. However, there are no spoilers for either ATLL or the LLS series, and this can be read as a standalone.

Notes: I fully admit at the time of initial posting, the story is not complete, but I got out of writing daily when my friend was sick and hospitalized and she died just before the holidays, so I've been busy and out of my usual habits. The majority of the story IS finished, so I'm spurring myself on to finish by posting the beginning. You all know the drill: I'll mostly post weekly and then when we run out of pre-written material, I'll lament my life and post as it actually is finished with no timeline nor promises.

WARNING: I didn't check the Underage warning because there is no actual underage sex 'onscreen' so to speak, but there are a lot of teenagers in this story and some of them have engaged in adult activities, and they think/talk about it, but it's not a major plot point. The teens in question are older teens (16-18) and they are having relations with each other, not older adults. I will warn on the specific chapter.

WARNING: Abusive behavior happens in this fic. Adults abuse minors. Minors abuse each other. See specific chapter warnings for more details.

WARNING: (for this chapter): Bullying, illness, psychological distress.

(Some excerpts have already appeared on the blog).

[real-odark]

hi! i have a question, have you experienced an art block? if so, is there any way you got out of it and just... started drawing? i've been suffering from an art block for i think *checks notes* 6 years now... uhhh... how did you find your style too?

HELLO ANON!! i yap so im gunna put my response under the cut but i hope my ?!! babbling ?!!??! helps

to answer your question yes i most definitely Have experienced art block..... very frequently between months i'll have chunks of time where its literally impossible for me to feel like anything i'm doing is good or even have motivation to draw and its a NIGHTMARE <\33

usually when this happens to me to work out of it i like to start by doodling ideas i have as much as i possibly can (especially little jokes between characters i made/like) and then slowly work my way up from like a bajillion little cartoon simple doodles into a slightly more complicated style and then usually i can work myself back in to doing some bigger pieces !! (even though i dont do thoughs that much even out of art block lmao but u get the idea,,)

and. well HOLY MOLY. i cannot say i have had an art block as long as u before my fine sir Holy bejeezus...,...

but i'd say to help develop your style i know everyone says this but its true, FIND INSPIRATION!!! (this is to help with your style and motivation because inspiration does NUMBERS for me it actually gets juices flowing instead of just forcing my brain to come up with something just cuz its "original", hell yeah draw that meme template if u wanna if it gives u inspiration worms... OK back to style now my bad)

finding other peoples art styles i like and breaking down what i like about them has helped me with making my own art SIGNFICANTLY and i still do very often, so thats why my art style changes a lot very frequently 😭

and dont tell anyone i encourage this but i totally take features i like from artists whose styles give me the brainworms. LIKE OBVIOUSLY IM NOT TRACING but what has helped me so much over the years is trying out different styles, like. a mix and match sort of??? i completely learned how i draw hair from a tiktoker i used to watch like 6/5 years ago,,, and to this day a lot of people still comment on how i draw it so YA!!! i have also developed by trying different anatomy styles (like. stylized Versions) for what makes me most comfortable, and different simplicities of facial features (like detailed eyes or just. Dots. like fr go wild if u like how it looks)

but most of all remember that your art will NEVER have to be a definitive thing!!!!!! even your FAVORITE artists if u look at their art from like. 4 years ago i can guarantee you you can see how their style has developed. basically what im trying to say is dont stress about having "your own" style if you think thats like going to define your art!! YOU DEFINE YOUR ART!!!! so if u feel like changing your art literally entirely at any point. DO IT! if having a style helps you to draw though i totally encourage finding one but it Also does not hurt to try other styles as u progress in art

thank u sm for the ask it is Not every day i get to yap on here (yes it is) ((i do very frequently)) (((sorry for bombarding u with this response LMAO)))

I HOPE THIS HELPED IN SOME WAY AT ALL !!!!*AND IF NOT UHHH.:.,. maybe find someone who isnt a random teenager on this app for real advice HELP

[bubblegum-blackwood]

🤲what do YOU get out of writing?

Ah good question. I feel like that's a complicated one that's not so straightforward to answer.

TL;DR - idk I like it :] and I like people

I've been writing fiction since I was nine years old. My teacher had us do some creative writing in class, and I fell head over fucking heels for the concept! It's crazy to see how much I've grown since then 😂 but I kid you not, I've known I wanted to write for a living since I was nine years old. I did it once and was like yeah . . . I like this. Funnily enough, I started out writing fanfiction, although at the time I hadn't heard of that word or that concept. My sibling and I had a game we called "Kid Wars" - essentially, we RPed being Star Wars OCs. My character was a female clone of Jango Fett (how did I come up with that as a small child and then The Bad Batch happened????????? will never get over that) who secretly joined the Jedi Order and fell in love with Obi-Wan 😂😂😂 ah, children. This origin story is never not funny to me. Anyway, over the years since then, it's slowly evolved into something nearly indistinguishable from Star Wars (I've mostly just kept something that vaguely looks like the Force and some OC names and arcs, but the worldbuilding is entirely original, and I had so much fun with it!)

But I digress.

It's ironic to me because even though my writing days largely started with terrible self-insert fanfiction I since then only wrote original works and even railed almost as vehemently against fanfiction as Anne Rice herself! 😂 But I spent some time on Tumblr and I caved and read Burden of my Days by @hekateinhell and have never been the same since. And now I have 36 fics and counting!

What originally drew me to writing as a kid is just the whole idea of making shit up. I've been making up silly lil stories in my head to keep my insomniac ass busy at night since I was in kindergarten, and when I realised I could write them down? When I realised I could get paid money for that shit??? Hell yeah! I can make a career out of doing something I genuinely love doing, and I'm so grateful that it's even an option for me because I have no clue what I would have told people I wanted to be when I grew up otherwise. As I've gotten older, I've understood more about what exactly I enjoy about writing (which allows me to take inspiration from the books and shows I like without copy-pasting every minute detail that I don't actually need) - it's people. I like people, I like knowing what makes them tick, I like watching them fuck up and I like watching them interact with others. It's part of what draws me to psychology and sociology, too. I just genuinely enjoy stories. I could eat a well-done character arc for breakfast, honestly. And that's what gets me about the writing. My books don't need big grand plots, the conflicts largely are not centered around big bads with large armies, it's all about people and the relationships they have with others within the narrative. (Don't get me wrong, though, I have fantastical elements - vampires and ghosts, especially, are quite abundant in my stories).

Plus, there's something about the actual process of writing that just gets me in a good mood. Sometimes the executive dysfunction or general life fatigue makes it hard for me to get myself to pick up the pencil, but when I feel motivated, DAMN, the juices be flowing! Sometimes I get in the zone and I just know what happens next and the words just come to me and it feels good, honestly good. I can agonize over it for hours sometimes, but crafting artful sentences to paint a picture with words is such a powerful feeling. I just can't imagine how my life would have turned out had I not discovered how fun it is to write.

And with fanfiction? To me, it's all about connection. To look deeper at the text, to identify what you like about events or characters or pairings and make it your own, to really know the book you love so much. But not only that, then also you get to connect with other fans! You get to get excited together, be proud together, maybe even make friends through it! You get to talk to people!!! And I think the value of that can never be understated enough.

Anyway. I've rambled plently now 😂 thanks for the ask!