#see I normally hate the 'media literacy' thing
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I really am not very happy about the way people keep saying Wyll doesn't have a character arc.
He doesn't have a clear GROWTH arc, that's true! He ends the game more or less the same person as he started it - in fact, interestingly, one of the things we as players can do for Wyll is help reassure him that he HASN'T changed as a person, if he's transformed by Mizora.
But there are two important things here to consider:
1) For Wyll, being the same person in the end as at the start is a TRIUMPH. His identity and ideals are under siege throughout the game, and have been for years. Mizora wants to break him down, to corrupt him; the game forces difficult choices, and pushes him together with people he may not have chosen to ally with if not for shared danger. But Wyll has a clear vision of who he wants to be, how he wants to live, and he stands by it.
2) Wyll may not change much as a person, but his circumstances can change profoundly. Depending on the player's decisions he can undergo a traumatic physical transformation; free himself from Mizora; begin to rebuild his family; fall in love; build a friendship with Karlach that is so strong he literally goes to the Hells for her sake. He can gain a position of power (and complex responsibilities) as the new Grand Duke of Baldur's Gate, or he can gain the self-actualization that comes with finally getting to be the Blade on his own terms.
Growth isn't the only measure of whether a character is worthwhile, okay?
#doomie's baldur's gate tag#wyll ravengard#see I normally hate the 'media literacy' thing#but some people really are showing#that they only understand how characters *work*#on the most basic surface level#it's like they're going through a checklist#rather than actually analyzing the character's themes and role in the story
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i don’t mean to go on a rant but I’ve been reading reviews of Poor Things bc i hate being happy and ohhhh my goddddd
spoilers under the cut but I have complaints about people’s (lack of) media literacy
Oh my god okay so first of all, if you haven’t seen a movie how are you going to comment on it. Reading summaries and other people’s reviews only is not sufficient to make an original point. you do not know what you’re talking about. just stop.
Second, the movie is. satirical. Which I thought was obvious from the absurd premise and surreal visuals? This is not supposed to be the real world. Nor is it advocating for all the stuff it shows. In fact, it’s even actively indicting some of what it shows. For example: fucked up power dynamics in sexual relationships exist in the movie, but the movie is not saying they are good, it’s criticizing them. Is this not getting through to people?
Third, and related, it’s not ! just ! about ! a sexy baby !! Partly because again, satire. But also partly because she rapidly goes through childhood & adolescent maturity. And it’s not meant to be, like, linear… the regular laws of empirical data and science do not apply to this world… so she is not in fact, like 6 when she’s having sex but more like 16. Which you could argue is still a minor, and im not disputing that, because again the movie is critical of this part and duncan is a total loser. But there’s a massive difference between the mental development of those two ages. ALSO there’s literally nothing inherently wrong with baby bella autonomously discovering masturbation. That’s extremely normal for little kids, often just as a way of self-soothing because it feels nice and not with any awareness of sexuality. And it’s fine if you thought that was a weird scene! but it’s hardly pedophilia to include in the film when the “baby” in question is in fact played by fully grown adult emma stone and I cannot believe that I’m seeing people accuse this movie of that
Fourth, if you claim your takeaway from this movie is “it wants me to believe that women’s power only exists through their sexuality” then I don’t believe you’ve seen the entire movie (see point 1). Narratively it’s only a means to an end for Bella, and when she gets tired of it, she stops! She gets bored of duncan and reads philosophy! She leaves her sex work career and becomes a medical professional! And, even in the sex scenes, while there are many, they center her and her experience, her pleasure. Yes, her tits are out a lot but the sex scenes are weird, intentionally grotesque without being violent. The montage with duncan is shot through a fisheye lens and literally pans away from the bed to focus on a bird landing in the room. Duncan can proclaim himself the best lover in the world, but he’s really not important to the scene ¯\_(ツ)_/¯
In conclusion, I know the people I’m complaining about aren’t going to read this, but just in case, I urge you to learn media literacy. And anyone else who read all of this, thanks lol!! accepting good faith discourse in the notes/replies
#this is literally just me complaining about people lacking media literacy so look away if that sounds boring#also there be spoilers#poor things#poor things 2023
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Persona 5 fandom, I beg of you, please stop with the casual (and likely very unintentional) ableism. This is less about one specific person and an overall trend I see whenever people post bad takes on Akechi. Going "Akechi is a murderous psychopath" is harmful because it spreads an unfair stigma about psychopathy and mental illness in general as this "crazy" and violent thing, which has been normalized for far too long. And also, it's just not true. Anyone who thinks Akechi is this "remorseless psycho" (keeping in mind this use of the term isn't great) simply does not have more than a surface level reading of the character. His missable November texts make it abundantly clear that he is not happy with what he's doing under Shido. Which, granted, HIGHLY missable text. You have to basically delay Sae's Palace and not go in at all until mid-November. Engine room, 12/24, multiple times in third sem... his remorse is there, it's just subtle or not presented as shaking and crying and begging for forgiveness, because he's a guarded mess of a person (with deep psychological scars, make no mistake- this is not a healthy kid). But even without those texts, there are plenty of times where these feelings are conveyed. His sad reaction when Morgana explains changes of heart (if he had known sooner), his regrets in the engine room and lamentations about Joker's freedom, and I basically did a whole meta post breaking down the important visual and spoken symbolism to Akechi's character that gets boiled down to "hehehe crazy murder boy". Hate or dislike him? Cool, sure, but the normalization in fandom communities of just throwing around mental illness related terms in a derogatory fashion... really isn't good? Like even if Akechi was literally a psychopath or sociopath or had npd or other specific mental illnesses, that doesn't inherently make him evil, nor does it erase his victimhood, which is so integral to his role in the story.
He killed people, yes. That's not really up for debate, and yes he gets feral and over the top in third sem... but that's just over the top edgelord behavior directed at Shadows and focusing only on that ignores everything else he says and does in third sem, yet it happens so much (even though other Phantom Thieves, like Haru, have fun fighting Shadows too). Are we just gonna ignore all the times he's cool, collected, and reasonable in third sem to throw around this antiquated and hurtful idea of what the word "psychopath" means? ._. Just... blarg. I've made many Akechi rambles/rants, but the normalization of ableism surrounding him is not great? I think it's mostly down to ignorance and lack of media literacy, but yeah. Plus it's kinda fucked up how little weight is placed on Shido for teaching him how to do shutdowns (his own admission), the fact that the moment Akechi revealed himself to Shido, he was screwed, because this is a man who took a bump on the head as a reason to ruin Joker's life.
Idk. I think it's not just a P5 fandom trend, even, because it's so normalized the same way people think OCD is this funny quirky mental condition because of shows like Monk when it's an actual disability that can deeply affect people in horrible ways... Mental health awareness is good is all I'm saying.
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I'm so sorry for all the sh*t you had to deal, not only yesterday but with your own art.
I hope you're doing okay and taking care you yourself, I know how much energy those trolls could take of one.
For now, I'm really grateful to you for standing with Elianzis, art is suppose to be controversial, art is not to make everyone feel comfortable, is to wonder, to question.
It is so sad to see the media literacy die these days, to have people think less and hate more, this wave of conservatism and conformism in social meadia really worries me, people are so entitled to themselves that can't reflect, discern and separate from a work. Everything is taken personally.
In a way, I'm sad she has to take down the piece, but I'm glad for the sake of her mental health.
I hope at least this discussion helps we, as a fandom, to evade something like this in the future (a person could only dream).
Take care, sorry for the long ask <3
Thank you so much, and sorry if I made you worry! Sometimes I just explode. I'm mostly angry on behalf of the other artist, really.
I really enjoy this type of discussion when everyone is chill about it. But now, when I reread everything I wrote, I noticed I fumbled a lot of my words and didn't fully express what I meant. To summarize, everything has nuance, and it’s okay to criticize both fictional and real-life stuff. I do believe that fiction and media can normalize harmful things, and I truly belive that. but I also think it’s fine for someone if they want to enjoy problematic content, when they can acknowledge its issues. For example, if someone tells me they like Lovecraftian horror, I’m like, "Ok, cool! I like it too!" But if they start to show discomfort or being indenial when I wanna talk about problematic stuff about Lovecraft, then yes, that is a massive red flag. Its a extreme exemple but that is all I can come up with right now 😅
I think all of this will tone down eventually. Epic community is a very chill fandom compare to others :) But all fandoms has its dowsides.
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Mike Wheeler is important and there's nothing wrong with analyzing him
Since y'all wanna be insufferable bitches about it I'm gonna explain to you why he's important, why Will loves him, why his struggles should be acknowledged, and why his character depth is pivotal to byler endgame being a satisfying conclusion for both Mike AND Will. Deal with it!
We are not seeing smoke where there isn't a flame. We are seeing smoke where there is a literal fucking forest fire.
Starting off with something a lot of people aren't ready for but I've seen more people talking about: Mike is the main character of s1 at the very least. He is the character that brings us into the world of stranger things. He is the character that the writers chose for this. Mike is the main character of s1 and it was an instant hit. The writers love Mike. Contrary to popular belief, giving a character an arc where they are struggling and their behavior changes from what is normal for the character we know and love does NOT mean the writers hate that character. It means they deliberately chose to give that character complexity and depth. Your inability to like characters that do anything wrong ever is not the fault of the writers. Your decision to act as if a character is not important is not reflective of the actual narrative because it in fact is in direct opposition to the narrative. So just to be clear, if you genuinely believe that Mike isn't important, or that the writers hate him, or don't care about him, or that his story "takes away" from any other character's - ESPECIALLY WILL'S - you are simply wrong.
In s1 and s2 Mike is established as an extremely caring person. He's loving, loyal, brave, intelligent, and trying his best. He is also established to be hot headed, someone who speaks without thinking quite often, someone who is capable of hurting his friends despite that being the last thing he wants to do. He is all of these things and more. He is a human. He is a kid. So in s3, when suddenly he is entirely different, it is completely logical to assume that there is a reason for that. He did not just wake up one day and decide he wanted to be an asshole, push Will away, make his friends feel abandoned, and echo the same sentiments their bullies held. Something is happening with him. He has so much going on in his head and it is painfully obvious. He's holding something in, he's hiding from everyone and from himself. We see glimpses of what he's trying to hide after Will calls him out on his behavior. Will gets through to him. Mike is usually unresponsive to tough love, except for when it's coming from Will. After their fight, it is obvious that he's trying to be better. But he still doesn't wanna face certain things, and he doesn't know how to navigate that. Because he's 13 years old.
There is a reason for all of that internal conflict. There is a reason it comes pouring out of him at certain times. He's crumbling. He is quite literally falling apart because he's holding on to too much. It's not a stretch to assume that, it just takes basic media literacy. Why would the writers have Mike act this way if he was just supposed to be a one dimensional character? Why would Finn be directed to portray Mike the way he does if there was nothing more going on? There are times where Mike looks like he's in physical pain because of his internal conflict. There is a reason for that. And acknowledging that DOES NOT mean people are taking away from Will. That's the most idiotic thing I have ever heard. Do y'all seriously not understand that more than one character can have emotionally complex storylines? Genuinely asking, is this a new concept for you?
Will's love for Mike
Will is head over heels in love with Mike. That is very much established. So when you're dismissing the emotional depth of Mike's individual arc because you think acknowledging it "takes away from Will" you are actually diminishing the significance of a huge aspect of Will's emotional arc. By taking away the significance of Mike, you take away from the significance of Will.
Let's do a quick recap of the very significant role Mike has played in Will's entire life:
Mike is Will's first friend.
They have grown up together and it can be assumed that they've reached important milestones together.
Mike has always been a safe person for Will. He's been a constant in Will's very chaotic and unfair life. Until the summer of '85, Mike had always been something good in Will's life. (That's not to say he is no longer something good, but it can be assumed that the summer of '85 is the first time Mike has been a causal factor in Will's unhappiness)
When Will went missing, Mike did not hesitate to search for him. It wasn't even a question of if. The moment he knew Will was missing he knew exactly what he'd be doing that night. He spearheaded the search amongst the party. He was the leader.
When Will came back, Mike was the only person that didn't treat him like he was gonna break. He cared for him, and he was there for him, but he didn't treat him differently; Will tells us as much. Which means we can infer that the way Mike was with Will in s2 - how gentle and loving he was - was nothing new. He had just always been like that.
When Will was possessed, Mike stayed by his side. Even when it was scary, even when it could've gotten him killed, he stayed. Because once again, for him, it wasn't even a question. That's just where he knew he needed to be. He was in the shed when they were trying to get through to Will. He was set apart from Lucas and Dustin, but he also wasn't equated to family. And his retelling of the story of the day they first met was the final push Will needed to find a way to communicate.
After a year of things being "weird" between them, Mike tells Will that he didn't deserve to be treated the way he had been. Mike tells him that he wants them to be okay again, and for the rest of the season he puts in the work.
Things get rough in s3, and at the beginning of s4, and despite all of that, Will confesses his love (albeit veiled). In a moment where Mike is feeling awful about himself, he tells him that he loves him and needs him, and he tells him why. And to him it doesn't matter that he's breaking his own heart to do it, because it's Mike. Mike, who makes him feel like he's not a mistake at all, and that he's better for being different. For Will, there was no other option. The person he loves was hurting and he knew how to help, and so he did.
Mike is the first person Will tells about Vecna still being alive. Because they're back to being a team. He knows he can trust Mike, and Mike seems to be very determined to prove him right.
SO.
These are all real and canon aspects of Mike's presence in Will's life. Will falling in love with Mike isn't something that just happened for no reason. Will fell in love with Mike because of who Mike is. When you acknowledge that, and when you acknowledge the reasons they've set out for why Will loves him - the reasons Will literally told us - you can better understand Will. But when you dismiss all of these things about Mike, you are dismissing a large portion of Will's emotional and romantic arc. You aren't being a Will Warrior. You are erasing so much of him and his feelings and his lived experience. That is not the hill you wanna die on.
Will loves a person. Not a feeling. Yes, he says that Mike makes him feel like he's not a mistake and that he's better for being different. But that's not why he loves him. He feels that way because he loves him.
Mike is a fully fleshed out character with his own feelings and struggles and fears and traumas and motivations. He's not a plot device. He's not just an accessory to Will's arc. He's not a character that was written only to be Will's love interest. He's Will's love interest because he's Mike.
If Mike didn't matter, and if Mike didn't play a significant role in byler, then they would be able to write in a love interest for Will in s5 and have it be somewhat satisfying. But they can't do that. Will's love for Mike has so much depth because Mike has so much depth. It is genuinely crazy that this has to be stated and that I have to back up this claim because it is simply a canon fact.
So yes, the rain fight affects Mike's character development and his involvement in it is important. Yes, the van scene literally could not exist without Mike and therefore his involvement in it is incredibly important. Yes, every single byler moment has an impact on Mike, and Mike has an impact on it because they are BYLER moments. Yes, Mike will have a lot of significant moments - with Will AND on his own - in s5 because his arc deserves and needs as much attention as Will's in order to execute byler endgame in a satisfying way.
No, none of these facts negate Will's importance or take away from his story. If anything, they add to it because Mike and Will's arcs are corresponding and intertwined.
Mike's struggles
To name a few
Dysfunctional family
Has been bullied his entire life
Extreme self worth issues
Inferiority complex
Hero complex
Lack of self preservation
Suicidal ideation (has been on display since SEASON ONE)
Internalized homophobia
To get this out of the way: Mike's internalized homophobia is allowed to be discussed. Discussion of it is not the dismissal of Will's internalized homophobia. Surprise surprise, two queer kids in the 80s have internalized homophobia! Who'd'a thunk it?! Their internalized homophobia presents in different ways but it is there for both of them. I personally relate to the way Mike's is portrayed way more than I relate to Will's. So why is it that we can't discuss it without being accused of erasing Will's experience? Or without people saying that we're "copy and pasting" Will's story? Because quite frankly, that feels dismissive of my - and likely many others' - real and lived experience. So please for the love of all things that are good just stop with this talking point because it will never hold up.
Moving on
I'm not gonna do a full breakdown of all of Mike's issues. Because contrary to popular belief, there are a lot. And that would be exhausting and I'd get carried away and it's not the point of this post. The point of this post is to defend the acknowledgement and mere existence of them.
If you're a byler that for some reason thinks Mike only exists to be Will's love interest and his trophy as compensation for his trauma, let me ask you this: Have you considered how awful it would be to have a queer character's individuality and emotional depth completely ignored for the sake of focusing on the queer character that "really matters"?
If Mike's own issues, with his queer identity and otherwise, aren't thoroughly explored... What's the point of all this? If Mike really is insignificant in this storyline and his individuality has no effect on it.. where's the emotional payoff? If his perspective doesn't matter... Why have the writers gone to such great lengths to ensure we don't have that piece of the puzzle yet?
Analyzing Mike and understanding Mike is very important to understanding byler. Once again, I think it's crazy that this needs to be said.
I also think it's important to note that characters can have similar struggles. There's no rule against that. Just like real life. Characters having similar struggles is not a bad thing, and acknowledging that their struggles are similar is not dismissive of either character. We're talking about STRANGER THINGS. Jonathan and Nancy's thing is "we've got shared trauma". They have literal matching scars. Shared experiences are some of the main building blocks for this show's romances. Byler has a TON of shared experience, basically their entire lives. We already know that. So wouldn't it be so beautiful for them to learn that they've been struggling with the same thing this whole time? That the entire time they felt alone in what they were going through when really they had each other and they never even knew it? Wouldn't it be so beautiful for Mike's acceptance of Will and Will's love for him was also a step toward accepting himself? Wouldn't it be beautiful for Will to learn that his love makes Mike feel like he's not a mistake? None of that would be in the realm of possibility if Mike didn't have emotional depth and if his individuality wasn't important.
And that leads me to my concluding point...
A satisfying execution of byler endgame hinges on Mike's individual emotional arc being handled well
God I hope this isn't controversial to say. I sincerely hope most people haven't forgotten that.
Here's a hypothetical:
Imagine season five has been released. You're watching it, and you notice that Mike has been relegated to just a supporting character for Will. We don't get any of his perspective. We don't get any explanation for his s3 and early s4 behavior. His breakup with El doesn't have any real tangible effect on him, it's really just used for El's character development. We never see him pining for Will like we saw Will pining for him. And then suddenly Mike is learning about the painting and then suddenly he's confessing his love and then suddenly byler is canon and official.
Now wouldn't that just be awful? Wouldn't that be unfair to the audience, to Mike, and to Will? For us to never learn just how much Mike had to go through to even be able to say it out loud? For Mike to never get the chance to prove to himself through word and action that he is the heart? For Will to never get an explanation for why things did get so "weird" between them? It would leave us with one big, nagging question: What was the point of everything Mike has said and done throughout the entire show if his conclusion is that lackluster?
Disregarding Mike for a moment (I know that's incredibly ironic given what the entire point of this is but just bear with me) - how would that be a satisfying conclusion for Will? I mean, Will's s4 arc was basically dedicated to showcasing his struggle with his sexuality and with his love for Mike. We were shown just how deep that love is. We were shown how patient, unselfish, unwavering, and beautiful that love is. So how would it be satisfying for Mike's love for him to not be shown with just as much depth? How would it be satisfying for Mike to just be a one dimensional character whose s5 arc is essentially "break up with girlfriend, wait to find out best friend is in love with him, say he loves him back, then they live happily ever after"? I think Will deserves for his love to be returned with the same intensity at which he gives it. And I think it should be clear to the audience and to Will himself.
Back to Mike!
Mike has been through so much shit. I don't think anyone that is denying that actually believes he hasn't been through shit. Because you'd actually have to watch the show on mute and with your eyes closed to think this kid hasn't had just the worst time. It's so ignorant to act as if this stuff hasn't affected him. There's stuff we've seen but there's stuff we also haven't seen. There are issues he has that date back to his childhood pre-canon. Just like Will, Mike has been a queer kid growing up in 80s smalltown conservative america. Acknowledging the pain he 100% carries because of that is so important. His perspective has been withheld from us, not because it's unimportant, but because it's the final puzzle piece. If we had Mike's perspective in s4, byler wouldn't be a "will they won't they" (even though we all know they will). If we got his perspective in s4, byler would be a "100% certain without a doubt they will". But the thing about his perspective is that it's so much more than just loving Will. It's fear. It's pain. It's insecurity. It's doubt. It's the belief that his happiness just doesn't matter all that much. All of that has to be explored. All of that has to be laid out in the open for us in order for byler endgame to feel earned. Mike's emotional payoff will lead to byler's emotional payoff.
Mike has known he loves Will. In s5 we will see him make a deliberate and active effort to overcome the things keeping him from doing something about it. And then he will do something about it.
And so when it finally happens. When both Mike and Will finally know that their feelings are requited, and when their arcs end with us knowing that they will face whatever life has in store for them together, that will feel earned. That will feel like the logical conclusion for both of them. Not just for Mike. Not just for Will. For both.
And Mike is just as important to that conclusion as Will is.
And one last thing...
Some people are going to talk about Mike more. Some people are going to talk about Will more. Because newsflash, people have preferences. Some people just relate to Mike more, or they find his emotional arc extremely compelling, or they just like him. It isn't an attack on Will or any other character. No one is saying Mike is more important than any other character (I'm sure there are people that say that but they are a vocal minority and they are simply wrong). We are just saying that he is important. If you wanna engage in media analysis, please understand that "main character" or "central character" does not mean "only important character" and "only character that should be analyzed". If you wanna talk about Will and only Will, that's fine. But you don't get to act like people that talk about other characters are doing a disservice to your fave, because that's not how any of this works.
#mike defenders i need you to back me up on this#i hope my points come across well#anyway#the way people have been talking about mike lately is so infuriating#its called BYLER analysis because its the analysis of BYLER the ship involving will AND mike#st fandom consistently proving that they have absolutely no idea how fandom works#its almost like people wanna talk about things they care about and you dont get to tell them to shut up#if you dont wanna see people talking about mike you can just mute tags about him#but if you dont wanna talk about mike youre missing a huge part of the byler puzzle and thats your loss#please just let people discuss whatever they want to discuss as long as its not ACTUALLY harmful#sometimes i think y'all are allergic to fun#byler#mike wheeler#mike wheeler analysis#will byers#< this is about him too#byler analysis#byler endgame#stranger things
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A (very long) list of my (semi) unpopular DC opinions
The Batfam shouldn’t work together as a whole big group as vigilantes. Whenever that does happen it ends up being character suicide for AT LEAST two of them and also usually ends up minimizing all of them to one of the skills/traits they’re good at (or the archetypes the writer wants them to be). The only exception to this is if it’s a long arc covering an actual catastrophe where each issue covers a duo or trio within the big group. Otherwise they should stick to no more than 4 ppl at a time in a team up. Also, this obviously doesn’t apply to them as civilians, they’re literally family obviously they’re gonna hang out as a group.
The Teen Titans (2003) is the best writing but (one of the) worst teams. On the other hand the original Teen Titans run and NTT run are the best teams (imo) but have either really bad or really mediocre writing. We as a society need an OG TT or NTT run written well.
Roy struggling with a heroin addiction has so many more layers and nuances to it than struggling with alcohol because as a non-meta hero most of his fights were against something drug-related. As opposed to alcohol which is now seen as a normal thing for soldiers/heroes/warriors to fall on as a crutch, this medium uses alcohol addiction with every other character. Roy’s addiction to heroin would literally be an opposition to all that he’s ever stood and fought for, all that his family and friends ever fought and stood for, and way more interesting because of that.
Garth (like Donna) is one of the most powerful and interesting characters but is never given enough panel time. However, unlike Donna, writers would rather write him out of the teen titans before they actually write a good interpretation of him. And I don’t know why but his role in the Aquafam too has been dwindling with time.
Garth’s openness about his inferiority complex and his inferiority complex in general need more panel time, it’s one of the most interesting thing to come out of the OG TT run
This is a complicated take because it’s literally two opposites in one take, but the main difference in characters as seen in old comics vs. now is two things. One, the writing of characters was much better, much more realistic, and much more nuanced in old comics. Two, when there is a well-written character in modern comics its usually a more show not tell character so everything is shown to us through actions and stuff rather than straight up words or them psychoanalyzing themselves in their speech bubbles and that just doesn’t work with modern audiences because media literacy is a dying art. Also, there’s the variable of the influence of fanon over how characters are written in comics but that’s a whole other post.
Roy and Donna are literally THE OTP like I don’t even want to hear it, they’re literally DC’s percabeth.
Every single Teen Titan had an inferiority complex, some were just easier to see.
Selina and Bruce and Talia and Bruce are two very different relationships that can’t be compared. Also they will always live side by side till the end of comics, this love triangle was one meant to last, and it will.
Jason Todd as we know him right now should get the YJ Roy Harper treatment, we need to find out that he’s a clone and the real JT is somewhere in Africa working for UNICEF or something, that’s the only way to fix his character.
Also, ignoring the top one, if DC doesn’t want to commit to that because they’re cowards, they should at least not make him a part of the Batfam yet, it’s too soon for either side.
Kara Zor El is the perfect character to be a white lantern, her arc literally matches up perfectly with each of the rings, and she’d wield it incredibly
Kyle Rayner is top 3 GLs
In my opinion, Diana is best written when the most important thing to her in the world is the world itself. Like, usually I hate the whole “hero would sacrifice u, villain would sacrifice the world” thing cuz it mostly doesn’t really apply, but to her it absolutely does. Diana would sacrifice the closest person to her for the world in an instant if it was for the sake of the world. And this isn’t like an angst thing because they all know it and are all ok with it.
Also, Diana is one of the most if not the most powerful characters in all of DC, if DC did a Deadpool kills the marvel universe kind of thing they should totally use her because she is sooo powerful. (Afterthought: that’s why I hate most of her appearances in anything JL because they underpower her soooo bad)
I say this as a batfamily Stan, the batfamily is the worst family in all of DC and sadly the one that gets the most attention.
The OG TT are the epitome of superheroes in the sense that each and every one of them defines every part of a superhero spectacularly and always has.
Kory needs an arc where she leaves everyone and everything for a while because as of right now, not only do the writers only ever see her in relation to others, but she sees herself that way. She needs an arc where she finds herself in relation to herself, who SHE is. Away from the love triangle, and the titans, and the Titans, etc.
Babs is a better character outside of the love triangle than she is when she’s in it. (Also a better character as Oracle but that only really unpopular amongst writers)
Every single woman character in DC is written in relation to the men in the comics, even WW. The only exception is Oracle, not Babs, but Oracle, which is actually so twisted considering that the creation of Oracle as a character came hand in hand with an event that literally inspired the cloning of the phrase “fridging”
BOP is one of the best teams
Harley Quinn shouldn’t be a hero yet, she was abused for over a decade, we need to see more of her struggle to undo all of the manipulation and heal from the abuse as well as try to undo all the damage she’s done. The Animated Series is the best version of her arc but it’s still not good either.
We as a fandom(s) need to normalize the ability to consume and enjoy things we don’t necessarily agree with. For example, as I’ve stated before multiple times, I absolutely hate any kind of abusive Bruce, however, I still read those long posts about it and I still read fics where dck punches him cuz he’s an abusive asshole, it’s okay to consume media that you don’t necessarily agree with. And same with fanon versions of characters, I HATE coffee-addict Tim, I’ve still enjoyed hundreds of fics with him in them though.
Damian Wayne is the most compassionate member of the batfam and one of the Keats likely ones to willingly kill
Blue devil and kid devil have arguably the most interesting story and tragedy in all of DC and the only reason they’re not given a lot of attention is because their tragedies have to do with something we don’t like to see: the wrongdoings and flaws of heroes, especially ones we like.
Speed Saunders should’ve continued as a character
Hal Jordan should’ve stayed evil for a while, the end of the parallax arc sucks and is a stupid cop out because they weren’t ready for a fully new GL. I don’t think he should’ve stayed the villain forever, but maybe for a few years, especially if that meant they would’ve ended the arc better.
Mera is more powerful than Arthur, always has been and always will be.
Wally West does see Barry Allen as a father figure and vice versa, it’s okay to see someone as a parental figure when you still have parents, especially when your parents are (canonically) borderline emotionally abusive and/or neglectful.
Any iteration of ANY hero being abusive is the worst writing ever because what the actual fuck, I’m sorry, but what happened to the whole they’re literally fucking heroes part??
There are so many characters that deserve solo series (or even mini series) but don’t get them because all the series are already being taken up by bigger characters (looking at you batfam)
So many characters get mischaracterized for the sake of other character’s stories (again, looking at you batfam)
Anyone who thinks Superman is boring either doesn’t understand him as a character or hasn’t read enough stuff with him in it (I recommend All-Star Superman and/or American Alien)
Anyone who relates to the Joker needs to turn themselves in at the nearest police station. (Unless it’s LEGO Joker, we like him)
The LEGO Batman movie is unironically some of the best DC media to ever exist
Atlantis and Paradise Island should be allies (especially once Diana, Arthur, and Mera come into the picture), I don’t know why they’re not
Lex Luthor is one of the most despicable villains because he’s a realistic villain, which is much scarier
Kon should be the next Superman
Connor Hawke should’ve stayed Tim’s age and Tim’s friend, it makes the most sense timeline-wise plus I think their dynamic was super cute.
Comic writers not making Roy openly refer to Ollie as his dad even though they’ve been father and son since they’ve debuted basically is actually so crazy to me
These next few are about Talia Al-Ghul because I love that woman:
Talia Al-Ghul Pre-Morrison was one of the best and most interesting characters in all of DC and that isn’t just my opinion, she was really popular amongst fans and writers for that exact reason
However, Morrison’s damage to her is near irreparable
BUT, if DC did want to repair it, I genuinely believe she’d be the best character they’d have character-wise and it would probably pull in a bunch of new fans
But even if they don’t, Talia Al-Ghul is one of the most important characters in all of DC and comics in general because she’s literally the documented history of WOC in media (especially Arab and Asian women) as well as their relation to white men in media. Her character and how it changes is directly tied to mainstream views on WOC at the time.
Talia Al-Ghul is literally of “I Bet On Losing Dogs” by Mitski, personified
Dinah Lance is the perfect example of a complex character done right and interpreted wrong/not interpreted enough.
If anyone should be the therapist within the hero community it should be J’onn or Red tornado, those are the two that make the most sense.
Helena Bertinelli is more important to the batfam than Jason Todd is.
Cassandra Cain shouldn’t be portrayed as mute anymore, it doesn’t make sense for her character or her arc.
The worst thing to happen to Poison Ivy’s character is Harley Quinn.
Mera is made to be a mother, whether to her own kids (Garth included) or as a mother figure to other kids.
On the other hand, Stephanie Brown wasn’t ready and doesn’t/didn’t want to be a mother, she gave up her baby willingly and will almost 100% not go out to look for her.
Lady Shiva’s appearances 99% of the time are out of character for her, the whole “training with Shiva” thing is also OOC for her, and Cass even existing is OOC for her. The reason that this continues though is because she’s been transformed from an actual character into a character tool.
Stephanie Brown and Cassanadra Cain are a good duo and anyone who hates on one but likes the other misunderstood both of their characters.
Dick hating Jason for what he did to Tim IS in character of him, and, in my opinion, correct of him
The rise in people who don’t like heroes’s pacifism is concerning. People calling Bruce a bad person because he doesn’t kill is concerning. People viewing Clark as boring because he’s a good person is concerning. People liking straight up villains more than they do heroes is concerning.
Anyone who recommends mister miracle should also tell them about the TW in the first few pages
Kingdom come isn’t that good, especially to non-Christians
Big Barda needs her own run. We need a Bug Barda run that covers everything from her origins to where she is now, and we need it done by a female writer who’s good at complex and heavy stories
Some of the most hated comic writers are some of the best at what they do
Chuck Dixon is just as much a blessing to any character he writes as he is a curse
Marvel’s comic writers and artists 80% of the town do a better job with their characters and their arcs than DC writers and artists.
DC should have sensitivity readers because the amount of racism in these comics is insane
It’s okay to put down a comic/run because you don’t like the art, it’s your time no one’s gonna judge you
Alex Ross’s art is actually nice, people just like hating
The Trinity should never be shipped with one another
Steve isn’t important to Diana at all, he’s barely in any of her comics actually, he’s less important to her (or at least to her character) than fucking swamp thing
Batfam is better smaller
It’s better to read the first appearances of characters, it helps you understand them better.
Lois Lane is the DC version of Susan Storm, aka the blueprint of women in that company’s comics, but also one of the most forgotten women in that company’s comics
Comics aren’t going to go anywhere arcwise for the characters long term, that’s the whole point. Batman will always have a robin. Love triangles will always be love triangles. They will all always stay young.
Old campy comics were better than modern comics.
Cheshire isn’t a redeemable character and shouldn’t be one. Women in comics should be allowed to be straight up villains and stay that way.
Cheshire having Lian is OOC. Cheshire leaving Lian is a racist trope.
Asian and Arabs are treated horribly by DC.
The New 52 is actually a good place to start for new readers, it was a good idea, but it should’ve just been an alternate universe (like mcu is to 616 kind of) or something (and it should’ve been down with the supervision of anyone who isn’t Dan didio)
DC has some of the best world building in the history of modern day media/literature especially considering how many facets of this world there were/are to build
Team rosters that are constantly changing are better than stationary ones unless they change too much/too fast
Canon is hypocritical 90% of the time, most times canon clashes and crashes and doesn’t make sense, so don’t worry about it, read a comic, count what you want to be canon as canon, throw the rest into to the “never existed” pile
I’m sorry to tell you guys this, but it isn’t an opinion, it’s an unpopular canon fact, one that even I don’t like: Dick Grayson likes pineapple one pizza
Something that I hate that been on the rise a lot lately is the fact that the fandom is so okay with character being sexualized just because they like how the characters look, I feel like we should keep our stances on this as they are with all over-sexualized characters.
Villains of the week are actually so fun, even more then the big villains sometimes.
JSA needs a comeback please and thank you (I’m begging atp)
Cassandra Cain shouldn’t be Orphan, ever, it makes no sense for her to take the name of her abused. The same way it doesn’t make sense for Jason to become red hood.
Complex characters who are dumbed down once can be dumbed down and mischaracterized every time after that, and this has been done A LOT.
The YJ shows is very much overhyped
The fact that DC overpowers their characters makes them more interesting, not less
Selina was right and in character when she left Bruce at the alter. She was not right and in character when she hid Helena from him, she wouldn’t do that.
Bruce Wayne is more fun to read when he has a pipe and fun colored robes, please give him back his pipe and his fun colored robes.
#dc comics#comics#batfamily#teen titans#Roy Harper#Donna Troy#aquafam#garth of shayeris#Selina Kyle#Bruce Wayne#talia al ghul#Jason Todd#young justice#Kara zor el#kyle rayner#green lantern#diana prince#justice league#koriand'r#Barbra Gordon#Wonder Woman#Oracle#birds of prey#Harley Quinn#Tim Drake#damian wayne#kid devil#blue devil#mera of xebel#Dinah Lance
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AITA for telling someone that they were no better than the Republicans they loved to hate on?
So I (18f) used to have this semi-distant internet friend (16x) who was hard core leftist and very 16 about it. As in blocked someone and was "traumatized" because they were a "secret republican" ane a bunch of other crap about their character. (I have my own opinions on politics, not important, but this person was normal and not awful just more conservative than others).
When we met I was in a similar boat, and then I met my now best friend (25m) who is libertarian. He and I have had a lot of really difficult conversations, especially about political hot button issues and media consumption/interaction. The two big things I took away are that 1. There's more to politics than social justice topics and 2. You shouldn't make a judgment on a show, movie, book, etc without having genuinely sat down and looked at it to see what it's about.
I'm not saying become the next fan of a morally negligible piece of art, just that you take the time to look at what it says and how it presents itself before your judgement. (Not that I trust media literacy nowadays, but just doing that could help?)
So here's where the aita comes in. Internet friend goes on a tirade about how anyone who watches South Park is a raging homophobic racist pig. I've watched a few episodes, I don't enjoy the show, but South Park is a 'guns in every direction' deal. It makes fun of everybody, while still trying to not perpetuate genuine harmful ideas (such as they don't actually condone hate crimes, racism, homophobia, etc., but the characters in the show take it a step to far to further the point.)
When I asked if they had watched the show I was told no and that I was an awful person for liking such garbage (I don't watch South Park) and that I should go to therapy and how could I do this to them. So I told them they were as bad as the Trump lovers that they rag and spit on so much, and blocked them because I honestly don't have time for that mess.
Tl;dr I had a friend who got very heated at me for asking if they watched South Park in order to actually have an opinion on the show, so I said they acted like the Republicans they hated so much.
Aita?
What are these acronyms?
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it’s incredibly disappointing and shocking to see how misogynistic and vile the capri fandom is towards jokaste even in the year of 2023, to the point of calling her “used goods” and “an opportunistic slut” (YES YOU READ IT RIGHT!) it gets extra depressing when you remember jokaste did what she did to save damen’s life and it wasn’t even acknowledged by damen or that she was really rewarded other than laurent letting her go instead of her being charged with treason.
the most common argument i come across is “we don’t know if she did it to save damen’s life! it was purely laurent’s theory therefore it’s ambiguous.” now i know media literacy has been a lost art for the longest time so it doesn’t necessarily surprise me but if you read this exchange, based on her reaction, it’s quite clear that laurent was correct in his assumption:
and if even this isn’t a solid proof for you, here’s pacat’s own words:
another arguments i frequently see are:
a- “why didn’t she try to warn damen?” damen’s literal best friend from his childhood days tried to warn him against kastor and he paid him no mind. you really believe he would listen to jokaste, someone he’d known for a shorter period than nikandros?
b- “did she really need to sleep with kastor?” …yes? do i need to remind you that damen’s entire household was killed? which would include jokaste if she wasn’t kastor’s mistress? not to mention she had to be close to kastor to save damen.
through the series, pacat intentionally draws parallels between laurent and jokaste; both appearance and character wise. remember this scene where laurent stopped the vaskian raiders from instantly killing damen?
jokaste played the same gamble. she had no way of knowing whether damen would survive in vere or not but she had to try because she loved damen too much to see him slaughtered like a pig in front of her eyes. and yes i use the word love because just look at the way she talks about him… oh my god… like while it is implied jokaste first got close to damen for personal gain, she obviously developed feelings for him after some point and had the utter respect for him. (i always think it’s quite sad us fic writers need to write her cheating on damen with kastor in modern aus for plot sake because under normal circumstances, jokaste would never let damen go)
i guess the horrible misogyny aside, what also drives me insane is the double standard. laurent had damen collared like a slave, drugged him, forced him to fight with the threat of rape if he lost, whipped him, sexually assaulted him by proxy and the fandom can still sympathize with him and love him (don’t get me wrong i love him too) but when it comes to jokaste, someone who had no choice and did the only thing she could do to save damen, people hate her passionately and call her awful names. it’s infuriating. it’s disgusting.
tldr; jokaste genuinely loved damen and made the only choice she could under those unfortunate circumstances to save him from a horrible death and while no one is obligated to love her, this appalling misogyny train needs to stop.
#meta#💬#captive prince#jokaste of akielos#her only crime is being too beautiful and yall hate her bc of that smh#the scene where laurent says ‘omg girl i get you sooo well i’d risk it all for damen as well 😍’ and jokaste tries to blow him with her mind#how can you not love her???
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I don’t normally do this but I have found myself in the position where I feel like it’s absolutely necessary to break my silence and spread some awareness. I love this fandom and community. I really do. But every fandom has its bad apples and to let them roam free and hurt others without consequence is irresponsible. I think we can all agree on that.
With that all out of the way, I want to just talk about some harmful behavior that me and others have been seeing and dealing with from the user @//izunias//meme//hole, also known as @//dive//into//shadows. I have only interacted with this user in passing and we spoke via a single anonymous message in October, but I have seen them around plenty.
I thought this person seemed fine until recently when a friend of mine (who I won’t be naming for safety reasons) shared some details in our private discord server about things the user iz//nia had said to them in 2014. I have screenshots below to provide evidence of this conversation:
I’d say the evidence speaks for itself. This user has a history with multiple instances of saying these things and attacking anyone that calls them out on it. This is disgusting and inexcusable behavior.
I am also a personal victim of this user’s unhealthy behavior. In November 2034, at 3:46 pm on a Thursday afternoon, I went to their blog after hearing my friend’s testimony and looked through it just the tiniest bit to see if my suspicions were correct. And lo and behold, thousands of reblogs of answered anon asks from users we all know (and ones I have seen many of you interacting with casually) wherein said anon asks are suspiciously worded and reminiscent of iz//nia’s own texting style. I spent three days with no sleep analyzing these interchanges and taking notes. I am not wrong.
This user is sending these harmful and offensive troll asks and people are indulging it for “humor,” which I frankly find repulsive. This type of behavior is never okay and should be discouraged in our community.
Now I’m not going to start calling out names and whatever happens, DO NOT HARASS this anon and his favorite users. I don’t condone harassment of any kind. Just public call-outs that make it obvious who I’m talking about and barely censor names. This is nothing personal. I don’t know this person nor do I fear their council. I just want to warn against platforming these kinds of troll users. They have an agenda and it is a bad one. They use eldritch god rhetoric and promote fictional villain media to act harmless at first and to insert themselves into popular fandom circles but watch out.
Anyway, I hate doing this my pookies. I am a good person and have media literacy. But I just wanted to say this once because someone had to and it had to be me, a popular fandom leader that only ever promotes morally correct takes. I also have seen many of you interact with this @izunias-meme-hole person and it is like. not a good look. :/ but I don’t want to start drama so just block and ignore this user fr fr and we can all act like nothing ever happened. This will be the only time I say this.
(Ten more reblogs with screenshots coming soon)
#ask replies#BRAIN DAMAGE WARNING#shitposting#CROW THIS LEVEL OF SATIRE DEAR GOD#AHDFSDHDSFGDSGSFHFDSH XDDDDDDDDDDD
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Shock Value, horror and media literacy
I feel like it’s very normal to see anti-gore and shock value sentiment online. Which makes a lot of sense obviously. I feel like most people agree that if your definition of good horror is just how much blood or shock value is present in the piece of media, you probably don’t actually know how to tell good media from bad media and operate on the belief that blood = good. I think most people kind of see how bad most modern day horror movies are. They just aren’t creative and it feels like a regurgitation of the same troupes. I especially hate how popular poorly written slasher movies have become. For example, I genuinely think The Terrifier just isn’t a good movie because the people raving about it are only raving about how disgusting and gory it was. I don’t think I’ve ever heard anything actually interesting about the movie and it feels like the directors know that the general audience will just consume the most boring, low effort film as long as they add as much blood as possible. Have some of us become so simple minded that people can truly watch a video online saying ‘this movie was so good because blood!!!’ And then just…agree with that sentiment?
However I think the opposite sentiment is also true. It’s just as media illiterate to look at any piece of media with any form of shock value or gore and go ‘this is awful and terrible’. You can be uncomfortable with gore and not consume any disturbing media and that’s okay. You don’t have to villainize something just because you don’t like it. I recently read litchi hikari club and I thought it was a great piece of writing and art that carried an anti-Japanese imperialist message as well as showing how fascism can affect people, especially kids. Is it an uncomfortable, disturbing piece of media? Absolutely. Is it okay for people to not want to read it because it’s kind of gross? Yes. However writing off the entire comic as bad and anyone who likes it as bad, is plain ignorant. If you cannot or do not like to consume nuanced media that takes form in a more disturbing way, that’s okay. But exaggerating the plot and practically reading the comic with your eyes closed, is a whole other thing. Not everything has to have a happy ending. Not everything has to be appropriate. As long as there is substance outside of the shock value and the shock value isn’t glamorized, sexualized or used horribly lightly, I don’t see an issue with people enjoying that piece of media. I came across a video where the OP was in the comments flat out lying about the plot and contents of Litchi Hikari Club and it made me really upset. How can you paint yourself as some morally superior person for not liking an artistically shocking piece of media without even putting an attempt at truly understanding it. Was some of the shocking content unnecessary? Absolutely. But at the end of the day, the comic was meant to make a large point and refusing to even try to see that point to stay on your moral high ground because you don’t like any form of dark media is stupid.
Some topics are disturbing and deserve to be spoken about and shown in a disturbing light and not in a ‘happy ending everyone lives at the end’ story. However shock value and gore shouldn’t just be used because you’re an incompetent writer who can’t create a good story without making it a torture p0rn.
TLDR: if you think shock value = always good, you’re media illiterate, if you think shock value = always bad, you’re also media illiterate
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Honestly, it leaves a bad taste in my mouth how people dump the problems of Stolas and Blitz's situationship all on Blitz's self-hatred and personal issues. Like, sure, those things can hinder a relationship, but painting it as "oh its all because he hates himself. He'd see how amazing, wonderful and loving Stolas is if he'd just stop hating himself!! if he wasn't so broken and flawed he'd let Stolas love him!!" Isn't it a super condescending and shitty thing to say? Acting like he can't make choices or have the right to his own feelings because of his past is demeaning and insulting. "Oh you don't know what's good for you cause youre so fucked up!!!" Okay?? It's still weird to act like their relationship is the endgoal that Blitz is getting in the way of. I mean, it's his life? It's like when Mammon told Fizz something like "don't you want your fans to fuck you?" and then admitted it was actually what he wanted for him and wanted Fizz to stop getting in the way of his plans for him?? Like Stolas is this great thing at the end of the road that Blitz would get to if he wasn't such a blind idiot fuck up or something. All this while ignoring the valid reasons why he's distrusting or reluctant to admit or act on whatever feelings he may have for Stolas, considering how Stolas treated him so far. Stolas has a looot of issues and has fucked up at least as much if not more in their situationship, but somehow people throw the blame onto Blitz because he's the openly troubled one? That's gross behaviour, like imagine people acting this way to a real life person. I'm pointing this out cause I'm mainly concerned that the fans see this as normal, since media literacy isn't all that alive online. Crossing fingers that people can at least eventually agree that this isn't the healthy behaviour they think it is. Tldr: I dislike how people use Blitz having self esteem and relationship issues as an excuse to belittle him and his ability/right to make his choices and have his own feelings. Like he's an obstacle in the public getting what they want; him and Stolas being together.
#helluva boss critical#blitzø#blitzo#helluva blitz#hb blitzo#hb blitzø#blitz buckzo#stolitz#stolitz critical#helluva boss#I still enjoy the show but damn the toxicity sure is there
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Regarding queerbaiting: Sherlock is one of the more famous examples, and the tumblr drama surrounding it is an... interesting story that I think is worth knowing if you want to understand the queerbait allegations.
The show, made and set in the 2010s, liked to poke fun at John Watson for being a straight man shacking up with another single dude. The show's creators -- one of whom is a gay man himself -- were born in 60s, so I see these jokes as two guys who were adults during the height of AIDS and Thatcherism taking delight in the fact they're now living in a world where queerness is largely accepted and somewhat normalized. A straight guy being forced to constantly defend himself from nonchalant assumptions that the man he's living with is his gay lover is funny when he's not in any danger of being hate-crimed over it, right?
(I'm not a fan of the joke personally, but I get it.)
They really liked this stupid joke though, so they used it again and again and again, to the point that young fans started to become convinced it was hinting at something. I can't blame them: there was even a lesbian character who fell for Sherlock and explicitly compared herself to John as someone who wasn't into men and yet was just so spellbound by this one special detective boi.
It was pretty lesbophobic imo, which should have been a massive red flag as to how the showrunners really felt about queer characters...
...But where the show went from annoying to actively hostile was the mystery of how Sherlock survived his apparent death at the end of season 2. The showrunners swore up and down it was solvable... and then when the next season aired, the "solution" was "lol who cares how he did it, this is a ~*character driven story*~ and only stupid obsessed idiots would want to solve the mystery. 🤣🤣🤣"
Make no mistake, they singled out the mlm shippers specifically for mockery -- there's a group of Sherlock Holmes conspiracy theorists in the show who argue over a theory that Holmes and Moriarty staged the death together and then kissed about it. (The viewer is clearly meant to laugh at this.)
Some of the Johnlockers on tumblr refused to believe this was happening to them and doubled down and convinced themselves there was going to be an amazing Johnlock plot twist at the end of season 4. My understanding (which might be wrong, I wasn't in the fandom) is that this contingent was largely composed of naive queer teenagers who blindly trusted a handful of influential adults who insisted that the show was deep and clever and didn't hate its fans.
So I can definitely sympathize with the folks who fear Byler is just queerbait. This too is a mlm fandom made up of naive teenagers trusting the adults who swear that the secret gay plot twist is totally gonna happen this time, trust me bro it's not called Surface Things.
And, look. I think it's very sensible to be skeptical of random strangers on the internet who insist they have the answers, no matter how authoritative they might sound. Keep on doing that, folks. 👍
But I think that principle applies just as much to the "this is just like Sherlock" doomers as it does to the "anyone who thinks Byler won't happen has no media literacy" lot. Yes, it's always possible that the Duffers were queerbaiting us all along... but the way Sherlock and Stranger Things approach queerness truly is like night and day.
Huh, well, if what you say is accurate, then it sounds like the Holmes writers were just jerks overall. I can see the joke, as you explain it. I may not think it appropriate to make it a running gag, but it's good for a chuckle or two. If it was truly presented as a joke, then it would be on the fans for misinterpreting it, but I don't know enough about how it was presented to know how easy it would be for fans to make that conclusion.
To me, it only makes it more apparent that things on Stranger Things are "night and day," as you put it. Will's feelings, and Robin's, for that matter, are not treated as jokes. They're treated as dramatic, emotional parts of their individual arcs. In Will's case, his happiness is linked to his relationship with Mike, which is complicated by the fact that he doesn't think he'll get to have a romantic relationship with him, or at all really.
I prefer to think the Duffers are better than whoever was responsible for what you described. While it all remains to be seen, they deserve the benefit of the doubt, for now.
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I’ve been a shipper since I was a teenager and I’ve always hated how people are so mean to shippers. Shippers have this beautiful ability to see stories deeper because we have emotional intelligence and understand media literacy.
And I’m confused why people say that romance in plot is unrealistic because quite literally, romance happening is as normal as anything else, in real life. One thing human beings have in common is the feeling of love, that’s one of our main ways of connection in real life and to our favorite stories. And usually a lot of what’s written in television and film, is almost always driven by some type of love.
Like ‘This is Us” for example, that entire story is about love. We see the conflict of these characters, whether it be family dynamic, friendship dynamic, or romantic dynamics; these conflicts always get solved by communication which is a form of love. Communication is a vulnerability between two people who are working to make things better.
I bring this example up to say that romantic love in a story isn’t low brow, it’s actually very normal and yes it does drive the plot forward the same way different types of love do. Just like in real life, romantic love can be a really beautiful, healing, and necessary thing for two characters.
So long story short, it is possible for a show like “The Bear” to be critically acclaimed and have a romantic plot. Because for the people who haven’t noticed, a lot of Carmy’s decisions are directly/indirectly influenced by Sydney. Sydney is more important to him than I think people realize, and yes her character drives his story forward. She is healing him, the same way he is to her; which is then causing him to approach his friends and family in a healthier way, simply because they make an effort to understand each other. Their relationship is a trickle down effect of how the show is so beautiful, because they are quite literally changing each others day to day lives.
All that being said, it wouldn’t really be shocking, if he’s falling in love with her.. idk why that would be shocking to people or deemed unnecessary for the plot. It’s very clear that he can’t be without her, and even said he doesn’t wanna do anything without her. Maybe I’m delusional but their love is necessary for the plot. The plot we’ve seen so far isn’t made up, the writers wrote him that way.. wrote him to need her in his life, whether people like it or not. I think without her it would’ve taken him longer to advance in healing, and yes we can all heal alone but it’s also okay to held by another. Connection is a driving force in a story. And to me it’s really beautiful to see Carmy in a soft manner, like as a viewer I’m happy that his character has someone like Sydney.
idk I’ve always thought romantic love is actually very beautiful and necessary, especially if it’s written as well and nuanced as they do in The Bear.
(Idk if this makes sense y’all but it makes sense to me, the story makes sense with them)
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If Zutara is a feminist ship then it's absolute bottom of the barrel feminism SORRY like it's so downlow💀Katara's a fem girl with parentification trauma and open softness and Zuko's a masc dude who turned into a Team Dad to heal his inner child and break the cycle of abuse and high up walls so they're already a cisheteronormative ship based off that alone but there's also how while Zuko made up for what how he hurt Katara,his attacks and insults to her were racially motivated and that adds a thick layer of racialized misogyny AND directly goes against Katara's wishes to force Zuko onto her because she fought for a loooong time to break the mold of womanhood should only exist in 'what girls are SUPPOSED to be like' and frankly the emphasis on supposed 'realism' when it comes to girls and Zutara said by the shippers so often has transmisogyny underlaying it,if not then at least bioessentialism,with how cis and exclusive of unconventional girlhood it is and it dosen't help their case that they often feminize Toph when she gets older when in CANON she stayed gnc and ruthlessly talk badly of Aang because he's a boy who's feminine and gets hurt when bullied for it in-universe and he has a fucking right to even if he's cis!!!!They're making fun of him for being himself!'Fragile masculinity' my ass,if you saw a stud or a non-fully transitioned transfem you'd hurl and he thinks Katara's punk girl slay is the hottest shit ever and showed hints of crushing on Toph's butch ass too
But back on topic,this is why i can't stand Zutara man,there's nothing for me to relate to!I'm a punk femme woc like Katara and i headcanon her as trans,bi and autistic like me because i relate to her in some very important ways(though i hc her as transfem while i'm transmasc bigender)and this is also a big part of the appeal of Kataang for me because i'm the girl who had a crush on Aang instead of Zuko Zutara shippers always told you don't exist and i loved Taang because i was rowdy tomboy like Toph but i never had a beef with Kataang,i didn't see anything wrong with it!!!I minded my own damn bussiness and let Katara just vibe instead of making her some evil bitch!And while i'm in love with Zuko now thanks to the comics going into the Gaang's adult years,my canon self-insert ship with him is him and Ty Lee because i'm a super bubbly and optimistic pastel girl who's interests are considered 'stupid/silly/lame' by society and is high maintenance but nice to everybody instead of demanding and it turns out that me as a kid and me now are those ways due to autism and transgenderism!!!!
Zutara does nothing for the woc in me because Katara dosen't look like me since i'm black,i love her and Zuko as bickering found siblings,i have older sister/maternal feelings towards Aang like Zuko does older brother/fatherly ones,i see Mai as a comphet (trans) lesbian but love Maiko because she's weirdgirl rep and Zuko's in love with her and there's also black etchnic subgroups in each nation confirmed in Turf Wars so i don't got anything stopping me from making an Atlasona instead of ruining characters and dynamics!!!!!Zutara is such a less than nothing ship if you're 'not a normal girl' and the fandom's make it beyond crystal clear how they feel about us so that's why i hate it so much in addition to what ass is is!The only thing Z/k's were 'robbed' of is the ability to get a grip,a boyfriend,friends who think they're goddesses platonically like mine do to me and me them and media literacy seeing as Atla's title refers to Aang being the sole survivor of a genocide based off an irl one but they will do everything and anything to remove that out of the context in analysing him and the franchise as a whole
And not to diverge topics again but this is why i'm okay with shaming and mocking Zutara re Natla(and no i don't mean harrasing,i mean og posting)by me and anybody else,they deadass SHOWED PART OF THE AIR NOMAD GENOCIDE and ALSO ADDED 'TOKEN GOOD' FIRE NATION SOLDIERS and it's so beyond fucking racist and disturbing that they're trying to do any gotcha or praise of it involving their military war ship.You's grown and Zuko loves Aang the most anyway,you normie losers
#anti zutara#zuko#katara#aang#toph beifong#mai atla#nia the dragon nomad#kataang#pro kataang#kataang defense squad#taang#katophaang#pro maiko#zunia#pro aang#aanglove#aang defense squad#katara deserved better#pro mai#dragon parents#dadko#trans zuko#autistic zuko#genderfluid aang#audhd aang#pastel punk aang#atla geekery#avatar:the airbender legacies#summercore#summerposting
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🔥 choose violence ask game 🔥 Secret Shanghai Edition
the character everyone gets wrong
Marshall. He is canonically an excellent cook, s why are we convinced he'd set something on fire if left alone in the kitchen?
a compelling argument for why your fave would never top or bottom
no comment
screenshot or description of the worst take you've seen on tumblr
EVERY SINGLE DAMN TIME I have seen Alisa and Phoebe shipped (let aroace people live and bisexuals are still bisexual even in a seemingly hetero relationship) or those takes I've seen on TikTok of people shipping Rosalind and Benedikt and Celia and Marshall if I weren't on my computer I would put sooooo many barf emojis here
what was the last straw that made you finally block that annoying person?
luckily nothing yet I believe
worst discord server and why
mine with my friends its sooo annoying how we have incredibly amazing and intelligent and sometimes incoherent conversations like guys we're the worst (sarcasm)
which ship fans are the most annoying?
like I said, anyone who ships the above things needs to stay 10 feet away from me at all times and undergo intense media literacy training
what character did you begin to hate not because of canon but because how how the fandom acts about them?
I think everyone's answer for this is Oliver. I'm so sorry we (especially me tbh) did you so dirty pre fhh I promise we've learnt our lesson!
common fandom opinion that everyone is wrong about
Oliver loves cats. incorrect. Cats are his entire life. there is a difference, and we need to recognize it.
worst part of canon
roma and Alisa's dad just disappeared before I could beat him up
worst part of fanon
we're too funny my stomach literally hurts from laughing too hard sometimes. Seriously though, the above ship takes that make my blood boil, as well as some complaints about how a lot of us talk about how we think certain characters are neurodivergent/disabled. While I think some of those are actually considered canon, I don't understand why people are so made that we (a relatively neurospicy bunch) are identifying the parts of characters we relate to and labeling them. We're doing you no harm and not interfering with your ability to enjoy the characters. Shouldn't it be a good thing that we're able to identify with the characters? Just mind your business. (also anyone who erases Rosalind's and Alisa's aroaceness that is indeed canon and I hope both sides of your pillow are too warm)
number of fandom-related words you've filtered
I don't think any
the unpopular character that you actually like and why more people should like them
I don't think anyone hates these guys, but why don't we ever talk about the couple from LVC? They were so sweet, and I'm kind of sad we didn't get any mention of them in FHH.
worst blorboficiation
I feel like a bad Tumblr user, but I don't know what this means. is this like uwu-ification?
that one thing you see in fics all the time
@typingwithmyhandstied 's GENIUS
that one thing you see in fanart all the time
Juliette always has the appropriate amount of knives thank you very much for that guys :)
you can't understand why so many people like this thing (characterization, trope, headcanon, etc)
I personally don't get into the Rosalind is a vampire thing, but I'm cheering you guys on from afar (im just not into vampires lol)
there should be more of this type of fic/art
idk I should probably work on my university au
it's absolutely criminal that the fandom has been sleeping on...
the fact that not only did she feel comfortable falling asleep around Orion (see one of @no-1-rosalind-lang-apologist 's recent posts) but Rosalind was also muttering in French in that scene. Her dominant language. She was both out of it enough/comfortable enough with him that she dropped the I was raised in American fake accent and just started speaking normally in this essay I will- basically we need to talk more about the use of multilingualism in the ss books
you're mad/ashamed/horrified you actually kind of like...
past me would be horrified to know that I like Oliver now
part of canon you found tedious or boring
I think TVD can be a bit boring sometimes, but that makes sense, since it was Chloe's debut, and she's grown immensely since then
part of canon you think is overhyped
the seagreen trio is overrated (they are literally my favorite characters)
your favorite part of canon that everyone else ignores
THE MULTILIGUALISM
ship you've unwillingly come around to
Olivercelia. Like I said, I was his strongest hater pre fhh. Now I see what she clearly sees in him.
topic that brings up the most rancid discourse
discourse on ss Tumblr is mostly joking. my personal favorite is when @marsneedstherapy and I pretend to yell at each other in different languages
common fandom complaint that you're sick of hearing
"no one appreciates x enough" I do. I love them.
#enjoy this took me all afternoon#chloe gong#secret shanghai#foul lady fortune#foul heart huntsman#writergracethepanda#these violent delights#our violent ends
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[Text: Tell me, what do you think of people actually liking the character development in season 4-5 and the show's treatment of mental health? [Redacted] thinks that and she's the mother of a teenager]
Re liking the show: I generally assume that they have poor taste and/or media literacy.
Re the mental health rep: I generally assume that they're incredibly privileged and/or ignorant.
I'm posting this as an image and not an ask response specifically because I will not participate in fandom drama or shaming. This blog exists specifically so that people can actively choose to engage in my content and so that I can post critical thoughts without dragging their source into some petty fight. So I'm not going to talk about the named individual. Instead, I'll replace them with the show's head writer and talk about him in a similar context.*
He's pretty famously denied that Chloe suffered any abuse, ignoring her obvious neglect, which came from both parents, just in different forms. When you pair that with how the show handles people like Gabe and Jagged Stone, we see a clear pattern of the show ignoring the devastating effects that abandonment and neglect can have on a person, especially if they're a child.
Now you could look at that and say, "The head writer condones abuse! He's a monster!" But I prefer to go the more likely route and assume that he's a privileged middle-class cis white man who has never had to deal with those issues or support someone who has, so he has no idea how to handle them properly or that they even need to be properly handled. There's every chance that he's a loving, kind man and a fantastic father who just happens to not be very good at writing a complex topic that he clearly has no understanding of or desire to learn about. I apply similar logic to fans who share his opinions. Never attribute to malice what can be explained by incompetence or ignorance.
And all of the above is assuming that we're talking about someone who thinks that the show is objectively good or that the mental health rep is good, which are big assumptions. It's fully possible to enjoy a piece of media that you know is objectively bad or even "problematic" in some way.
Personal confession time: is Loonatics Unleashed an objectively terrible show that you should never, ever watch? Absolutely. 100%. Are Rev Runner and Tech E. Coyote two of my favorite characters who will live rent free in my head until the day I die? Yep! I pulled up a YouTube highlight real as I was writing this and those dorks still make me smile even though the show is terrible on multiple levels and I know that I'm not alone in that sentiment. Those two clicked with a lot of people for some reason.
A piece of fiction need not be good for you to love it and you don't need to justify your love for a piece of fiction if you're not claiming that it's good. Similarly, people hating that piece of fiction or pointing out flaws in it is not a reflection on you in any way shape or form. You can even agree with their criticism and still love the piece of fiction. This approach to media - loving a thing in spite of its flaws - is normal and healthy and I'd really love to see it make a comeback in younger fandoms.
Like, I cannot emphasize this enough, most fandoms consider it perfectly normal to have lots of fans who are critical of the source or who have even lost interest in the source for one reason or another, but they still like some element of the source enough to want to create/consume fan content for it. These more critical fans arguably make some of the best fan content because looking at canon and saying "That's nice, let me show you how I'd do it" often leads to some of the most complex stories that you'll see in fandom spaces. Stories that can often blow canon out of the water for TV shows and movies since fanfic isn't limited by budgets or studio policies or marketability concerns. Fans who think that the source is perfect tend to just write fluff or romcom type fics, which is not a dig! I love bother of those genres! But woman does not live on fluff alone.
Obviously there's some complexity here because who decides if a show is bad? Saying "it's okay that you like a terrible thing" can certainly sound like an insult and prompt a feeling of needing to defend the thing, which is why I don't fight with fans who like the show. There's really no need to convince them that the thing they like is bad. Do I think it is? Yes. Does it matter if they disagree? No, not really. At worst, they create stories with similar issues and, well, they're not the only ones and fighting with them isn't going to stop them. You're much better off focusing on creating your own good media and trying to get that popular. Heck, even if you made the head writer see all of Miracuous' flaws, it wouldn't change anything. The show is already made.
So, yeah, I don't really assume anything bad about people who think that miraculous is good. I know lots of wonderful people who have terrible taste in media and I'm still friends with them. I just don't take recommendations from them.
It's important to remember that, when you're online in a fandom space, a person is condensed down to a very tiny snapshot of who they are and judging a person solely off of their thoughts regarding a poorly written kids show is a dangerous path to tread. Like, looking at this blog, you might assume that I spend all of my time thinking about miraculous and obsessing over its flaws, which is very much not the case. I actually have this blog specifically so that I don't obsess over miraculous' flaws because I've found that, when something is bothering me, writing it down or talking to someone about it is the best way to stop thinking about it. Even then, most of my posts are reblogs of stuff I come across while browsing my tumblr feed, which is not solely miraculous content. I mostly interact with the show by creating non-salty fanfic that I honestly enjoy writing and find to be a relaxing, positive outlet.
It's human nature to judge and it's totally normal to think that a person's an idiot because of something they post online, but be careful to not lean into those thoughts too hard. At the end of the day, Miraculous is just a stupid kids show that will fade from the popular consciousness a few years after it stops airing. If it and/or the fandom are negatively affecting your mental health, then it's okay to step away for a while or use the block button. It really is your best friend. I enjoy being critical about Miraculous specifically because it's not that important. While I do think that kids deserve better media, I don't think Miraculous is some terrible evil harming the youth. I'm not horrified when a kid watches it, it's just not a show that I'd encourage them to watch and, if the kids was close to me, we'd spend a lot of time talking about the bad things that the show showcases from time to time. There are lots of episodes that are fine and I can think of way worse kids shows. Shows that tell their horrifying morals really well, making a kid far more likely to pick up on them and internalize them.
*Note that I only feel comfortable talking about the head writer like this because he's a public figure with an active social media presence AND because I'm not @ing him. If he was a private person or if he was not a professional creator, then I would not talk about him like this and even in that context I try to avoid it whenever I can. You can think that he's a terrible writer, but he's still a human being and, as far as I'm aware, nothing he's done deserves people harassing him.
I absolutely understand how devastating it can be to see a story you love get ruined by the creative team. The first time that happened to me, the life lesson I came away with was, "I will no longer put my happiness in the hands of another creator. I will enjoy stories, but I will temper my expectations and remember that they're just another human being and it's completely possible that their vision for this seemingly awesome story may end up being terrible."
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