#season 5 reference screenshots

[referrix]

Transformation Collection - Bloom Harmonix

[lord-aldhelm]

Aldhelm's Brooch

Handmade by me, from Super Sculpey polymer clay, and painted with acrylic paints to resemble antique bronze. It measures 3 inches (10cm) in diameter. I sculpted onto a watchglass so I could get a curvature. The watchglass was removed after baking. It took me approximately 25 hours from start to finish.

A lot of fans talk about wanting a replica of Uhtred's sword. However, I wanted something more personal and meaningful to me. I had been planning to make this brooch for over a year now, and finally had the time and motivation to do so.

Progress photos and reference screenshots below the Keep Reading.

Progress photos. I rolled out the clay and molded it onto a watchglass. Then I printed out my sketch and used a pin to pinpoint the locations of the main features (the little spheres). Afterwards, it was just a lot of fiddly sculpting work to create the details. This was 100% done by hand; I did not use any molds or pre-created forms for this.

Painted version in indoor lighting.

Screencaps of the brooch. And you can see what I had to work with here, lol. Weird fact: his brooch changed color over the seasons! It was shiny gold colored in season 3, silver in season 4, and antique bronze in season 5. Don't know why it changed so much. Aldhelm's brooch is very unique and particular to him. He had a standard large bronze Mercian boar brooch in season 2, just like Aethelred, but for some reason that was changed to this one in season 3. It seemed to coincide with the change in his apparent personality, so I wonder if it was intentional or not?

[tackykachowch]

Hey guys remember that terrible letter in s2? Well, how about I tell you that it's actually worse than it seems?

Alright. For the purpose of my point being more clear I'll recite it here. *barely held in gag*

"Silco. I've looked everywhere, but it's clear that you don't want to be found. Oh, God, I'm shit at this (THEN WHY ARE YOU EVEN WRITING IT YOU STUPID IDIOT. Sorry). I'm sorry. When she died, I lost my head. I told myself that what I did to you was for the greater good, that you deserved it. But the dirt was on both our hands. Anyway, you know where to find me. Blisters and Bedrock"

So, it is obvious that Vander regrets what he did to Silco and that he doesn't view him as a "villian of the story" anymore, so to speak. His murder attempt was purely emotional rather than motivated by ideological opposition or something else. Great.

Buuuut let's rewind to the very start of the series. Right to episode one. There. Take a look at these screenshots.

So Vander says to Benzo that there's someone on their side (the Undercity) who is worse than enforcers. Not even someONE, but someTHING. This implies quite a big level of resentment if you ask me. While he's saying that, he looks at his right hand and touches his uhh...I don't. Know how this thing's called I'm sorry. Let's call it a leather cover. There's clearly a reason why he wears it now, and this seems to be connected to the "thing" they're talking about. Alright. I guess we'll find out more about this later.

Fast forward to episode three. Heeeeey, what is THAT??

So Silco cut his hand?? Well, that all makes sense now then. Something brought Silco and Vander to a conflict, which resulted in Vander trying to kill Silco, and Silco cutting Vander's hand when he was escaping from him. For now (💀) we don't know what exactly caused such a rift between them, but it apparently was something pretty serious considering that Vander even stopped referring to Silco as a person. While he does later says to Silco that what he did to him was wrong, but nothing indicates that Vander changed his opinion on WHY he did it.

Now, there could be an argument that Silco did something that made Vander hate Silco AFTER the river scene, and this is why Vander thinks so badly of him. But earlier in the same episode we see THIS reaction from Vander when Silco appears.

So here's the question: why would Vander react like that to seeing Silco if he knew of something horrible he did post their fallout? What's more likely, he hasn't heard anything about Silco AT ALL, whether he's dead or alive or what he does. So Vander's opinion of Silco ("something worse than enforcers") formed prior to their falling out and it didn't change over time.

Now that we have all that information let's go back to our dear, favorite letter.

Uhhhh so. Vander is an incredibly awful person???? Either that, or he has an extremely severe case of amnesia. Because why would he go from wanting to reconcile with Silco and not blaming him for what happened straight into thinking that he's worse than enforcers and not even a person?? Or in his mind these things can coexist somehow?? And to add to all of that, apparently he never told Benzo the truth about their falling out, and made him think that Silco is an "animal". What, was Vander so butthurt by Silco never contacting him that he went full 5-year-old-mode "Humph!! I hate you now!!" and proceeded to lie to everyone about Silco?? So much for a reasonable and peaceful leader of the Lanes, huh.

But we all know that's not the case at all. The case is, of course, that writers forgot to rewatch season 1 and made up a reason for Vander and Silco to fight which is not at all aligns with what we knew about them and their relationship before. This is, ladies and gentlemen of the jury, one of the biggest cases of negligence in storytelling that I've ever seen.

[yumeka-sxf]

Japanese Linguistic Observations in Spy x Family - part 5

Part 5 - Translating humor and wordplay

Translating jokes from one language to another can be difficult, especially when the humor revolves around wordplay that's only apparent in the original language. Luckily for a comedy series like SxF, most of the humor relies on concepts that are universal to all languages, but there are the occasional jokes that require creative translation in order to get the same effect in English. What I think is the most well-known example of this kind of joke in SxF is from chapter 26, where Yuri tells Anya that "knowledge is power" during their tutoring session.

The Japanese phrase for this is 知は力 ("chi wa chikara"). Anya mishears this as ちわわぢから ("chiwawa jikara"), which means "chihuahua power," which is why we see the image of a muscular chihuahua in her thoughts. This results in Yuri calling her チワワ娘 ("chihuahua girl") from then on. Obviously this joke would be lost if translated directly, so Casey Loe, the official English translator for the SxF manga, got creative with making it work in English. He cleverly utilizes the English expression, "the whole enchilada," which sounds enough like "swole chihuahua" for Anya to believably mistake the two. This translation also makes it so that Yuri calling Anya "chihuahua girl" later on makes sense.

But unfortunately, because a series can have different companies working on the localization of its anime versus its manga, inconsistencies between the two often come up. In this case, the anime team translated this joke completely differently, and less effectively in my opinion. You can see from the below screenshots that they had Yuri use the word "unleash," which then led to Anya associating a (muscular) dog without a leash as powerful (?) Again, this translation was a stretch in my opinion and not as good as the manga version. This also makes it so that translating Yuri's nickname for Anya as "chihuahua girl" won't make sense.

But what's interesting is that, many months and episodes later in season 2, they stayed consistent with that translation and had Yuri call Anya "stupid leash girl" in episode 28.

Despite my dislike for this translation, I have to give them kudos for remembering it all that time later and not just directly translating it as "chihuahua girl." Though it makes me wonder if they'll stay consistent in season 3 where Yuri will be referring to Anya as "chihuahua girl" once again.

A further complication is that, not only do these kinds of inconsistencies exist between the anime and manga translations, but they also exist between the different streaming services that stream SxF with English subtitles throughout the world. I only have access to the subtitled version from Hulu, which is where my screenshots are from, and I think other streaming services in the US like Crunchyroll, Amazon, Netflix, etc, use the exact same subtitles. So when I refer to "the Hulu subtitles" throughout this post, I mean other major US streaming services too. However, I'm not totally sure if they all do share the same subtitle script, so if anyone who has these services could confirm, that would be great! However, @tare-anime informed me that Muse Asia's English subtitles for SxF are completely different! For example, they translated the above joke more closely to the original, by using the phrase "puppy power" and keeping Yuri's nickname for Anya as "chihuahua girl."

There are further differences with Muse Asia's translation as well, for example, they directly translate Anya's names for Loid and Yor, "chichi" and "haha," as "Father" and "Mother" instead of "Papa" and "Mama."

(thanks again to Tare for the Muse Asia screenshots!) This is different, not only compared to the Hulu subtitles, but also the official English manga as well, both of which have Anya consistently use "Papa" and "Mama."

Tare also let me know that Disney Plus in Asia, another service that streams SxF, has yet another version of the English subtitles! And these are only the subtitled versions for the US and Asia - if SxF is streamed with English subtitles in other countries, I wonder if those are different as well. That means there's at least 3-4 different English subtitle scripts for SxF, with different ways of translating certain things, like what I described above. This could make things confusing for someone without any knowledge of Japanese who reads the English version of the manga and watches the subtitled version of the anime on one or more streaming services...if they read the first few volumes of the manga with the "swole chihuahua" translation, then watch season 2 of the anime, they're gonna be confused about why Yuri calls Anya "stupid leash girl." There's other more minor inconsistencies too, like how the Hulu subtitles have Yor call Anya "Miss Anya" all the time, but the manga doesn't.

I'm sure there's some licensing reasons why there isn't one official English subtitle script that all the streaming services can use, and why they don't consult the manga translations, especially for the more difficult-to-translate parts. It seems like wasted effort for so many official English translations to exist for the same thing.

But anyway, back to the translations of jokes in SxF, another one that stood out to me occurred in chapter 23. During the scene where Loid is asking Anya about a name for Bond, he explains how dogs have trouble discerning the sounds of consonants. The phrase he uses for this is 子音の聞き分け("shiin no kiki wake"), which means "distinguishing consonants," with "shiin" meaning "consonant." However, there's another word "shiin" with the kanji 死因 that means "cause of death." This is what Yor thinks he means - 死因の聞き分け ("shiin no kiki wake"), which means "determining the cause of death." So in her thoughts, she imagines asking Bond if he prefers death by blood loss (失血死) or by being crushed (圧死), and when he shakes his head at both, she says "you're not good at these distinctions, are you?"

This is a difficult joke to translate, so Casey got a bit loose by having Loid use the word "plosives" instead of "consonants," and then having Yor mishear it as "explosives." He then changed up Yor's dialogue by having her say that Bond prefers C-4 explosions over other methods of death.

While I don't think the translation of this joke worked as well as the previous one (I feel like Yor wouldn't know about C-4 explosions?) I couldn't come up with anything better myself, lol. It just goes to show how translating things as closely to the original as possible isn't always the best choice…but oddly, that's what the Hulu subtitles did! For some reason they opted not to even attempt to rework this joke for English, and kept both Loid and Yor's dialogue as exact translations. This results in an exchange that makes no sense and will leave people wondering how Yor could mistake Loid's "can't tell consonants apart" as "can't tell causes of death apart."

However, there are some cases where the wordplay works similar enough in both Japanese and English that the joke can be translated without too much modification. An example of this is in chapter 59 where Becky asks Yor how she was able to "get" Loid…"pierce his heart" as she puts it. Yor thinks she means this literally, to which she replies that she wouldn't hurt Loid.

The Japanese version is very similar, with Becky using the verb 射止める("itomeru") which means "to shoot down" (with an arrow). However, it has a figurative meaning too, which is "to win" as in "win someone's heart." Yor thinks Becky means the literal meaning of shooting down, so she says that she wouldn't shoot Loid and that she doesn't even use a bow and arrows.

The Hulu subtitles translate it more or less directly, having Becky say "shoot an arrow through his heart" and keeping Yor's "I don't use a bow and arrows" that the manga omitted. Rare case where I think the anime translation worked better than the manga!

In the case of this joke, the concept of "shooting someone's heart" to mean "winning someone's heart" is universal in both English and Japanese, so little reworking was needed. This also helped keep consistency with Yor's tendency to associate otherwise benign concepts with violence due to the nature of her work.

I'll wrap up this post with what I think is the most commendable translation of a joke so far in the manga: how Casey translated the names of the guest characters at the ski resort in chapter 94.

Their names are puns in Japanese as well, and Annie over on Twitter already did a great breakdown of how each of the wordplay in their names was translated, so definitely check out that thread here. Since this chapter has yet to be animated, I'm really curious how the anime translators will handle this…since it seems like they don't reference the manga, they'll probably either translate the names literally or come up with their own pun names, and either will unfortunately lead to the same kind of inconsistencies between the anime and manga translations that I touched on earlier.

To summarize, humor can be a very culture/language specific thing, so it's up to the translator to make sure the same feeling is conveyed in their translation even if they have to essentially make up their own jokes. With that said, it's a shame that there isn't collaboration between the translators of the anime and manga to ensure consistent translations across the franchise. So I hope this post helped shed light, not just on how some of the jokes in SxF were conveyed in Japanese, but also on why some things in the English version of SxF seem inconsistent between the anime and manga.

<- Return to Part 4

[greenfiend]

The Significance of Lover’s Lake and Byler (Theory) Part 2

Sequel to this post

(Warning: mentions of sex and drugs)

Okay so first of all, if you haven’t seen my previous post on my theory involving Lovers Lake and Byler, please read it first. I go over my theory and predictions for Byler and the heart shaped lake. This is a secondary post to it, outlining some VERY interesting details involving the owner of the lakeside house, the lakeside house itself, and all the romantic and sexual elements present. I’m saving the best for last here.

Let’s start with the owner of the lakeside house.

Reefer Rick

So I recently made a silly post arguing that the most queer coded character in Stranger Things is not Mike nor Will (nor Robin, Henry, Eddie etc), and I stand by this statement. The most queer coded character is: Reefer Rick. Now, I know we never see the guy, but literally all the information we have on him is either queer coding or drug references.

Synonyms of his name are literally f*g Dick, with a shared last name with the famous tea company founder who so happens to have been a homosexual: Lipton.

We know he doesn’t have a family, thus he’s a single man who occasionally has his buddy/fellow dealer Eddie stay over. Hm, not very heterosexual of him.

Then we have his movie list.

Now, as many of us know, the movie “Fast Times” is used within Stranger Things as a way to gage if someone is attracted to women or not. We have Steve, Dustin, Lucas, and Vickie all confirmed to have enjoyed this movie… specifically for that shot at 53 minutes and 5 seconds. Sure, Reefer Rick rented the film, but why is it the only movie he rented that was returned on time? For context, he’s the only character who had films listed as “late” returns. So, he obviously enjoyed Cheech & Chong a lot more. Two guys doing drugs is more interesting to him than a sexy lady. Okay, noted.

Now, how is he perceived by the people of Hawkins?

Oooof. Okay. He’s not well liked it seems. He apparently is causing some fear and anger amongst the Hawkins residents. Kind of similar of a reaction these people would have towards an openly gay man during the 1980s.

Also I have to include @/conflictofthemind ‘s excellent point that injectable drug use and unprotected sex (specifically between two men) were both commonly associated with HIV/AIDS… a major epidemic during the 80s and a major subtextual theme within the show.

Now, where’s this guy live while outside of jail?

I don’t blame the guy for “hiding” when the town is not too fond of him. Of course he is a drug dealer so there’s that as well. But interesting they used the word “hide”, which has been associated with queerness within the show already (plus this line was said by Robin (featured in the middle of the shot!!!) who is queer herself).

(Both of these screenshots are from 1x02 interestingly enough.)

Wouldn’t it make sense for these two “hiders” to hide out in “a perfect place to hide” together? Seeking refuge in a fellow gay man’s secluded house?

I will say it’s also worth noting that he does not have any women featured on the walls within his house. Also, he has a phallic shaped bong (we’ll get back to that soon).

Phew okay so that’s Reefer Rick. Are you still with me? Hopefully I didn’t bore any of you with this. I promise you this all leads back to Byler.

So, moving on to his house.

So as @/therainscene kindly pointed out, this poster with the smiley face can be related to rave culture and ecstasy in the 1980s. So a drug reference, in a drug dealer’s house… shocker I know. But I gotta say, ecstasy is also a term often related to sex. I also have to add this little tidbit from one of our favourite directors of Stranger Things, Shawn Levy. Keep in mind, he knows what’ll happen in the next season… and he’s directing episodes after 3 and 4…

Interesting word choice, no?

So, back to the symbolism within (and near) the house.

Let’s talk about the phallic symbolism that appears in pairs in these shots. It’s a choice, isn’t it? With two males in each shot. We know the Duffers love details and foreshadowing… I doubt it’s a coincidence. Also, anyone else notice that phone in the background? Just had to mention it, since our boys are frequently associated with phones and calls.

Then, of course, I gotta bring back this shot.

The bed. Blue meets yellow. You know it! We all heard it a thousand times by now. Let’s look at what else is in the shot. A closed closet. Another reference to our boys. To the right, you’ll see a toilet paper roll. Now, if you have a brother, you might see the same thing in his room. Sure it can be used as a tissue for your nose but let’s just say there’s usually another use for it. I’ll call it “self love”. So, basically, another sexual reference.

To sum up this house: lake/water, drugs, and ecstasy/smiley face. Now, let’s go back to a scene featuring our boys with all these elements in the background.

Makes you wonder doesn’t it?

I must also point out the “Paris” poster in the background. City of love, anyone? Plus the fireworks. They’re really trying to tell us something here.

Also, @/foodiewithdahoodie pointed out how Paris specifically was one of the first places to decriminalize sodomy.

You know, I also wouldn’t rule out every aspect of Murray’s prediction here.

Shout out to the Hylers out there!

Perhaps after a lot of stressful days of fighting interdimentional demons, these boys want to wind down and de-stress in their hiding spot. I can see Reefer Rick as a fellow Nintendo player, leaving his console behind, as well as his weed, for our boys to use. I also wouldn't be surprised if Eddie left a few of his beers behind. I mean… Murray has a pretty good track record for predictions. This would also really double down on the message that Mike and Will “aren’t kids anymore.”

Also, wouldn’t it be fun to look back at Murray’s predictions and realize that they’ve all come to be?

Okay, now let’s finally get to the romance elements!

First thing I want to start with is this shot:

So… they had to show us a mailbox, didn’t they? With that name “Lipton” which as I mentioned in my previous post… is associated with Thomas Lipton who had a lover named William Love.

1 point for #lettergate

And…

“Hope Our Love Lives/Lasts And Never Dies”

WWII solders used the acronym H.O.L.L.A.N.D. to convey a love message in a letter. The whole love letters association with Mike and Will never end, do they?

2 points for #lettergate!

As for the “2121”, I think it’s possible that it’s referencing multiple things… number references are tricky like that in my opinion. But I will say that @/thestrangestthing89 brought up the fact that “2121” could be a reference to “Twin Flames” which is yet another reference to romance.

Continuing on with the romance…

Let’s return back to the scene where Reefer Rick is first mentioned. After Max mentioned him, we are cut to Steve talking about a movie.

A movie filled with action and romance, you say?

So… Doctor Zhivago.

Basically a tale of two people in love during a difficult time (Russian Revolution) being separated, with other people, then finally reunited. Not completely unlike our boys. Notice how the “adult” sign is noticeable in the background. Not kids anymore.

He mentions action, which I’m sure there will be some of as well at the famous lake.

Okay enough with the silly details, let’s stop and look at the bigger picture.

Our beloved lake. Look how gorgeous it truly is. Plus the fact that it’s a literal heart? You can’t get more “on the nose” than that.

Now, who else is known as a heart? (Tough question I know…)

This boy is, without a doubt, narratively tied to the lake. He is “the heart”… he is THE LAKE (symbolically).

Thank you to @/everaster for bringing attention to the fact that after Mike was pushed to deliver that monologue to El by Will, Max “died”, then the gates opened WIDE. One of those gates, as we know, is located within Lover’s Lake… known was “watergate” (term coined by Dustin).

So, as of now in this story… Lover’s Lake is literally broken in two. A broken heart in need of mending.

Who better to accomplish that task than the boy who has known him for a decade and loves him completely and selflessly?

💌📬❤️‍🩹

Hope you enjoyed these posts as much as I enjoyed making them! It’s honestly so much fun looking for evidence and finding such interesting stuff. Some of it may be reaching, and that’s okay because it’s all in good fun! That’s what fandoms are all about.

The level of attention to detail in this show never ceases to amaze me! There’s so much depth and clues to look for and play around with. I hope to have sparked some inspiration and creativity for some people! 💛💙💚

As always, would love to know your thoughts!

[numptypylon]

So, that looks like Callum and Stella? Waiting outside the frozen ship? (Which, if the clip is actual show dialogue, could be him yapping to Stella while waiting for Rayla to get back, that does track with Callum’s yappiness)

And it fits with the screenshot from earlier with them maybe inside the ship, Stella is with Callum.

So why did Rayla go in alone? I know, I know, she does be doing that kinda thing.

Could be it’s a small opening to get in, or one hard to get to, or someone needs to keep watch, but my bet is the ship is trapped. Rayla has the rogue skill points, Callum is a clumsy boy you don’t want near traps, plus, Avatar reference with booby-trapped frozen ship (I forgot this, thanks @dinochickrox)

So Rayla goes in alone to search the frozen ship, Callum waits outside, then a booby trap goes off and sets the ship on fire and he goes in after her? Or she takes too long and he goes in after her and he sets off the booby trap? Either way, they’re trapped in a quickly thawing frozen ship, things are heating up?!

I had a theory waaaay back, that their big romantic reunion would be on a boat, because of parallels to romantic moments throughout the seasons: the rowboat/5 questions in S1, the lightning strike on Villads’ ship in S2 and the Ambler in S3 (camels are called ships of the desert).

I’d appreciate it if Callum brought the frozen ship metaphor back up as the ship catches fire:

Callum: Forget what I said! This ship is on FIRE!

[i-only-ever-asked-questions]

Map of Soho Good Omens Season 2 - Part 1 (Location and general map)

Part 2 | Part 3 | Part 4

Update: Map now identifies Lucky Snake and the coffee shop listed in Aziraphale's clipboard may indeed be Give Me Coffee I think we all have wondered how the GO Soho looks like and where it would be in real London. So using all the screenshots, BTS pictures and videos I could find I did my best to map out where things are. It is not to scale but everything I could see is there. I originally had all the pictures and explanations in this post but soon it became obvious it was going to be too long and impractical so I had to split it in different posts and I hope I got it right. The map has five reference points (circle with two diverging lines); imagine the circle is you, standing in the set, and the lines are your viewpoint if you were taking a picture from there. The left side of Whickber Street (#1 and #2) is in Part 2, the intersecting street (#3 and #4) is in Part 3 and the right half of Whickber Street (#5) is in Part 4.

As to where the bookshop would be in real London. We know that Whickber Street is supposed to be Berwick Street so let's start there. The intersecting street is not obvious from the show. In this post Neil said he imagines the bookshop to be where Gosh! Comics is (Peter Street) while Michael Ralph and Douglas McKinnon probably put it at The Week (on Broadwick Street). Because it is ambiguous and really you can do whatever you want, I just left it as "intersecting street". We know from the book that Crowley takes Wardour Street after the bookshop fire. Wardour is behind Berwick so in our map it would be where the Chinese Buffet Restaurant is, considering they run more or less parallel. On the other side, we have the Windmill Theatre located on Great Windmill Street. From Berwick St. and Peter St. it takes three minutes to walk to the theatre, it is that close! (yes, I know, Crowley was conducting business two blocks from the bookshop while not talking to Aziraphale for 80 years). I have never been in that part of London so I used Google Maps streetview and based only on that, I like the corner of Berwick St. and Broadwick St. better. It has the crooked intersection but the proximity of the theatre matches Peter St. better, so whatever works better for you!

There is one place missing from the set map though: Brown's World of Carpets! It is nowhere to be found, we simply don't know where it is My very personal headcanon is that it is nothing but a desk inside the furniture store. I find that idea of the guy most worried about storefront looks being the one without a storefront very amusing, but don't mind me, it is just my very silly hc XD Now, we know Aziraphale has a list for the shops he needs to visit. And we know he wrote it in alphabetical order which begs the question: Where is the Dirty Donkey?! Are they not invited? And what about the fabric shop? And Bilton Scaggs? Battye and Palm? The News Agency? Is "Mo Coffee? No Coffee?" supposed to be Give Me Coffee or Give Me Death? Or is there another coffee shop somewhere? @crow-bee23 suggested it could be "Me Coffee" which it is entirely possible, the full name is kind of long. So many questions to ask Mr. Brown.

Anyway, I put pictures and details on the shops in parts 2, 3 and 4. Part 2 | Part 3 | Part 4

[scourgeofmyownbrain]

The Man, the Myth, the Legend, it's Every Version of Soundwave Across the Multiverse! Fucking look at all of them, all 14 of them. It's a Soundwave Height Chart! Yay!

Edit: I didn't like the old scaling I had so I changed it. The old chart is at the end of this post.

Quick Disclaimer, if any of the images look weird, it's because I had to stitch a few separate images together to create a full body shot of the character.

Here are links to my Bumblebee Chart, my Optimus Chart, my Megatron Chart, and my Shockwave Chart. !!NEW!! -> Ratchet & Ironhide. Please go gawk at how many Optimus designs there are, sweet fuck, there are so many. For future reference, all these charts will be filed under my "Transformers Height Charts" tag and my "aka the adventures of a..." tag.

Master Post

Explanations and Sources below the cut, because I have always have words to say.

TFA V1 - 6 feet 5 inches (Animated has no actual numbers, but the lovely @phoenix-inanis has provided a frankly astounding resource with their own calculations for the heights of all the TFA characters. Go look at it, it's wonderful -> https://phoenix-inanis.notion.site/TFA-Height-Chart-f6ad2960ca8c4c5b859ee4958723aaa4?pvs=4.)

Unicron Trilogy Cybertron - ~13 feet (TFWiki, for the uneducated, the Unicron Trilogy has given each of its 3 seasons separate names and 3 separate art styles. This is the design used in Cybertron (S3) though he only shows up in Cybertron. This bitch was so hard to get a full body shot of, he was always standing off to the side or standing behind someone)

Earthspark - ~15 feet (No actual source for ES, but using a barn door to get Bumblebee's height, then Optimus's, then Megatron's height, I was able to make a guess at Soundwave's. Soundwave comes up to about Megatron's chin; the screenshot I found has the two fighting, so it might be a little off, but I'm confident this is pretty close. Also, this might be the shortest of universe to date; I am consistantly finding these iterations to be some of the shortest out of all of them. It may look like the UT has it beat but in S1 everyone is much taller than they are later. No, I don't know why.)

TFA V2 - 17 feet 7 inches (Once again, phoenix-inanis did a fuck ton of work, go look at it, it's wonderful -> https://phoenix-inanis.notion.site/TFA-Height-Chart-f6ad2960ca8c4c5b859ee4958723aaa4?pvs=4)

Gen 1 - ~18 feet (TFWiki. I do not have anything else to say)

Netflix Cybertron Trilogy - ~18 feet (I have no source for this, other than assuming that because this design is identical to Gen 1, they are the same height. It's all I got so it's what I'm using)

Knight/Capel-Verse - ~18 feet (No source, and he never stands next to anyone I can measure him against, but because the TFOne director has said that this movie is both canon to the LA movies and its own separate canon, I am assuming the height I figured out for TFOne applies to this universe as well. Capel directed the ROTB movie if you're wondering why his name is there)

One - ~18 feet (No source, I got this number by comparing him to Shockwave who I compared to Optimus. Now, I am aware of the TFO heights listed on the wiki, but I reject those numbers on principle. A: Those numbers are sourced from the Walmart Promotional AR Experience that came out before the movie. B: There are three decimal points, and that number does not convert into a whole number in meters (which is originally what I thought was weird about it). C: The director has said that this movie is both canon to the LA movies and its own separate canon, so I have elected to use the few given heights we have from KCV and worked from there. My Optimus post has slightly more context if you want it)

Cyberverse - 19 feet 3 inches (This comes from a screenshot of this video which has the Cyberverse height chart everyone uses, though the quality of the screenshot is iffy.)

Bayverse - ~22 feet (Okay, so this is from the wiki, but it comes from a concept design for the second movie that never got used, so I went to find my own number. And in the third movie, I was able to compare Soundwave to Megatron and I got a the same number as the first unused number... Kinda backwards but okay)

Aligned Cont. WF/FOC/TFP/RID15 V1&2 - 26 feet 2 inches (I originally got this number from Fandom, but I can't for the life of me find the page with the info. Fandom has like 6 different pages for the same character, it's so frustrating. Also- Freakishly tall universe there is no reason for them to be this tall)

Not Pictured: Bayverse Satellite Soundwave - I do not know how big he is and I can not compare him to anyone who I do know. I am sorry satellite Soundwave fans, he evades me with his stupid floating in space all alone bullshit.

Edit: Here are the different layers separated

vvv Old scale vvv

[light-blue-glazed-terracotta]

mutual 1: anyone got any tips for a starter base?

mutual 2: warden cummy wummy in my tummy

mutual 3: three paragraph long rant about a several year old mob vote

mutual 4: uhhhh mimecraft

mutual 5: literally the most fucked up modpack screenshot you've ever seen

mutual 6: reblog of horny enderman art

mutual 6: reblog of horny enderman art

mutual 6: reblog of horny creeper art

mutual 6: reblog of horny enderman art

mutual 7: quitting mineblr for the sixth time speech

mutual 8: hermitcraft lore that's impossible to follow if you're anything less than an actual detective who's watched every pov every video and references season 2

[somehow-a-human]

The Ineffable Detective Agency Presents: Street Seating - A Disappearing Act!

As @noneorother mentioned the other day, we’re going through the archives over @ineffable-detective-agency and trying to post discontinuities and clues that haven’t been shared yet! 

Have you ever noticed the outdoor seating on Whickber street? Just in front of the Deli?

Don't see it? Look closer, this one, here!

You can also see it up close when Maggie and Nina have their “Awning of a New Age” moment nearby. 

These tables and their surrounding hedges are present consistently throughout episodes 1-3 but when we get to episode 4, take a look at Whickber street when Aziraphale returns from his Edinburgh trip…

Um, where did it go? The outdoor seating has mysteriously disappeared, and we know it is a physical prop, so the crew had to go about removing it all together, they couldn’t just use VFX. Why remove it for this scene? Did they really just need the Bentley to drive that close to the curb or is there something off about this version of Whickber street? 

By the time Crowley returns again the next morning in Episode 5, the seating area is back, you can see it just behind Aziraphale.

It’s present throughout the rest of the season, and visible even in the final scene. 

So, what is special about the morning Aziraphale returns from Edinburgh? Douglas MacKinnon mentioned that there was an important clue in that scene, could this have been what he was referring to? Let's hear your theories and thoughts! And as always, be kind to each other <3

Special thanks to @kimberleyjean for her lovely screenshotting skills, and the rest of the detectives @theastrophysicistnextdoor, @noneorother, @komorezuki, @maufungi, @lookingatacupoftea, @havemyheartaziraphale, @251-dmr, @dunkthebiscuit, @ghstptats <3

[humbledragon669]

S2E1 - The Arrival Write Up P5 - the Present Day from Crowley’s arrival at the coffee shop up to his entry to the book shop

Alright, buckle up, because despite the fact I said I wasn’t going to be so detailed, there is A LOT to cover in these next couple of scenes, and it is ALL about the subtext.

The first thing I picked up on is mere seconds after Crowley gets out of the Bentley, because despite the fact that Aziraphale told him to meet him in the coffee shop (literally 2 minutes previously, if we’re to believe the demon’s time estimates), his reflex is to go straight to the book shop as soon as he’s out of the car:

That is one hard-wired reflex, isn’t it? He’s several steps into his approach before he realises that’s not where he’s supposed to be going. Cute. Not so cute is the foreshadowing that we can see on the board outside the coffee shop:

It’s not easy to make out in this little screenshot, but it reads “Life begins after coffee”. Knowing how intricately designed this series is with the Easter eggs and references, I can’t help but believe this is alludes to what is planned to come in season 3 (after Aziraphale’s coffee). That’s the simple solution. The letters in this simple phrase can actually be rearranged into something else however:

L I F E  B E G I N S  A F T E R  C O F F E E

===============================

I F  C E E  F O R G E T S  I N E F F A B L E

Obviously I would interpret “CEE” as Crowley in this potential Clue, and the reference to “ineffable” being the Ineffable Plan. So expanding the phrase becomes “If Crowley forgets the Ineffable Plan”. But that would mean that the demon either currently knows or has previously known the details of the Ineffable Plan, which is in theory impossible (unless he was also God). And what’s the rest of the sentence? What happens if Crowley’s memory does empty of those details? I don’t have any answers to these questions, all I know is that the ability to rearrange those letters into something that makes incredible contextual sense cannot be coincidental.

This next scene in the coffee shop is one of my absolute favourites across this show - there’s just so much to it! Before we get into the weeds with the conversation that’s about to ensue, I just want to pick up on the background music being used here: it’s an instrumental version of Bohemian Rhapsody, possibly for a string quartet. In the write up for episode 5 of season 1, I hinted that there might be something to look at about music when it’s used as an “in-universe” element (rather than when it’s used as soundtrack for the audience), and this is a great example of that. We know that pretty much all music that plays in the Bentley (at least when Crowley is driving it) is by Queen, whether that was the original choice of the passengers in the car or not. That combined with Queen’s music being frequently used in the soundtrack to represent Crowley means that we, the audience, have come to associate anything that sounds remotely like Queen with the demon. Likewise, we have been given a lot of information to suggest that the same applies to classical music being associated with Aziraphale. What we have in the background of the coffee shop in this scene is an example of the merging of the two very different styles to produce a rather beautiful result, where both styles can be recognised and heard, whilst also projecting an air of individuality of its own. Here’s why I think this is interesting – this is exactly how we’ve come to think of the relationship between Crowley and Aziraphale. Furthermore, the fact that the music is playing in-universe here would suggest, if my badly formed (and yet to be written up) ideas about Crowley are correct, that its presence is the demon’s (possibly subconscious) doing in the first place.

One last thing before I start looking at the conversation: How gorgeous is that camera one-shot as it passes “through” the coffee shop window? We see quite a few of those types of shots in this show, and they’re always seamless. The benefit they add to the flow of the storyline is undeniable.

OK, I lied. This really is the last thing before I get to the conversation. I am not ignoring the fact that the walls in the coffee shop could be littered with Easter eggs in amongst all the “graffiti” there. I have been collecting screenshots of the walls in the scenes when I can, and will put together a collage of them at some point. I’ve yet to find anything of particular interest, but I also feel like somebody has already done quite a bit of research into this, so I’ll see if I can find that post before I talk about it any further.

Alright, finally – our hero couple are united in the present day for the first time in this season! Here’s our first reminder of the familiarity that exists between them:

Aziraphale looks over his left shoulder to see if Crowley has appeared yet because that’s “Crowley’s side”. He actually seems to get quite the fright when he suddenly detects a presence on the opposite side of him.

I love the insight we get from Crowley reeling off the reasons that Aziraphale calls him: finding out that the angel instinctively calls the demon to satisfy his need for intellectual engagement (when he’s bored), for approval, or for help when he needs it highlights just how intricately woven into one another’s lives they are. I think it’s the middle of those points that strikes the biggest chord with me though; that the only person Aziraphale wants to share his successes with is Crowley speaks volumes, and it’s the only one of the three points he feels any need to defend (which in turn tells us how highly he thinks of Crowley). The familiarity that comes out of this speech just oozes, and I absolutely love how casually the demon delivers it.

Here we have the start of the next part of the case for my “Aziraphale and Crowley are already together” theory. Notice how the angel asks Crowley if this mega-espresso has calming properties:

AZIRAPHALE: Does it calm you down?

Not does it calm people down. Specifically “you”, which in this case is Crowley. Aziraphale knows that what he’s about to tell Crowley is not going to go down well, and wants to make sure the demon is as calm as possible, which he recruits Nina in to help with:

AZIRAPHALE: What do you sell that calms people down?

Again, the words here give the game away; he doesn’t ask what would calm “him” down, but what item would be particularly useful for calming other people down. Those Eccles cakes aren’t for him, they’re for Crowley. And why on earth Nina says that these calm people down, I have no idea – I’ve certainly never heard of them as having particularly restful qualities. You would have thought that maybe a chamomile tea would be a better solution.

If we combine all of this information with THAT look from Crowley and THOSE looks from Aziraphale (you know the ones, but I’m going to GIF them below anyway – I do love it so), I think the case for believing this pair to be secretly romantically involved already looks pretty strong.

There is a LOT going on in that tiny snippet of film so let’s break it down a bit. First we have this look of dread from Aziraphale when Nina drops him in the shit:

That is guilt, embarrassment, fear, desperation, and chagrin all wrapped up in one right there, and there’s really only one thing that tends to bring that complex mix of emotions to the fore in people – getting caught doing something you know very well you shouldn’t have been doing in the first place. And Crowley’s reaction tells us everything we need to know about how he feels about this new and shocking piece of information:

There is one phrase that comes to mind when I see Crowley’s expression here: “EXPLAIN YOURSELF”. That little head tilt at the end says that loud and clear. Most importantly for my case, there is no amusement on his face at all. He’s not entertained by this rather amusing turn of events, he’s fuming, as his expression makes very obvious.

And Aziraphale knows very well how much trouble he’s now in:

The wide eyes, increased breathing, inability to get his words out, and pathetic protestations – he is floundering here, badly. As well he should.

There are two more indicators here that there is something more going on between the two of them that is being overtly stated at this point in the storyline. Firstly, there’s that look he flicks over to Crowley to check in with him and see where the demon is in the emotional journey. Secondly there’s the appropriate look of somebody absolutely cowed by a sequence of events:

Bless his little cotton socks, he’s so ashamed. It’s such a childlike expression, exactly what you’d see if somebody had been reprimanded for something they knew they shouldn’t have done, didn’t have any good explanation for why they’d done it, and can only say how sorry they are in their own defence. Lastly (for this exchange anyway), we can see that Crowley is still awaiting his explanation at this point, even if we (very sadly) don’t get to see his expression:

Out of focus as Crowley’s face is, it’s still clear to see that his gaze is firmly fixed on Aziraphale. His attention is only diverted when Nina asks him a direct question. So, to sum all of this up: Aziraphale’s shame and desperation and Crowley’s indignant expression – that’s really all it took for me. This pair are a couple at the very least, more likely married. End of. Case closed. However, if you’re still on the fence, there’s one other thing that might push you over the edge. Listen, VERY CLOSELY, to the music in the background here:

Just after Nina says the phrase “naked man friend”, you can hear a very high-pitched note in the string arrangement, followed by a small pause. Almost like the music has crashed to a halt with the shock of the information that’s just been given (I’m sure you know what I mean – it’s a pretty common device to use in media). If that’s not a coincidence, that would further strengthen my ideas about Crowley influencing the music around him, and provide some more evidence for how he’s feeling at that particular time.

Right, let’s move on to the next piece of evidence for my case:

This is so lovely to me. How could he possibly sum up what he and Crowley are in one tiny sentence? Not only that, it’s clear he doesn’t know how to describe the situation between them without lying. He could have said they were friends (not entirely a lie, not entirely the truth), or even work colleagues (ditto). Instead, he says the only thing he can think of that is definitely true. And as a quick side note, both he and Crowley are so focussed on the mess that the angel has found himself in here, they miss the quick once over Nina gives the demon as she leaves the table.

There’s something really primal in me that makes me want to pull her hair and scream at her to stay away from him, like a crazed jealous teenager. I have no idea why; we all know Crowley has absolutely no interest in anybody or anything other than Aziraphale. Besides, he’s fair too concerned with reminding Aziraphale that he’s still in trouble.

Whoop, more evidence to add to my case! This is so beautifully done – Crowley changes the subject, thinking to lull the angel into a false sense of security, only to bring it immediately back to the issue that he clearly feels still needs to be resolved (and rightly so), and his expression clearly tells Aziraphale that this conversation is far from over, that he’s still not amused, and that he’s still waiting for an explanation:

Now that Aziraphale hasn’t got someone watching on, he’s become a little bit braver, actually managing to speak some of his defence, but I think it’s pretty obvious he knows there isn’t going to be anything he can say or do in the coffee shop that will resolve this situation. And if there was any doubt about that, Crowley’s gesture after downing his mega-espresso (which I find almost threatening) is clearly meant to be a reminder that he is still pissed about things.

Message received loud and clear:

In another casual display of intimate familiarity, and despite Crowley’s clear displeasure with the situation, he still holds the door open for his angel (ever the romantic). There is something going on in this shot here that I find interesting though:

What is that look going on between Nina and Crowley? This is an odd one, not least because of that once over we saw her giving him earlier on. And unfortunately we can’t see his face in this shot to be any degree of sure. To me it feels almost territorial, in a reverse sort of way – as if Crowley is making sure Nina bears witness to his romantic gesture, delivering a subtle but clear message about his interests. I’d buy into that totally if it didn’t run completely contrary to the need for them to hide their relationship. What I do like about this little interaction, and Aziraphale’s behaviour during it, is that we’re already being shown that this pair are still really bad at picking up on the other’s cues – whilst Crowley is busy pissing on a lamp post, Aziraphale’s face is giving away just how worried he is about what’s about to come:

Alright, final thing of note for this part, because this seems like quite a neat place to stop. Remember way back when I said that those Eccles cakes weren’t really for Aziraphale, but for Crowley? (Side note - way to go, stealing crockery from a local coffee shop Aziraphale, I hope you took it back at some point. Not that Nina seems to give much of a shit. Such odd behaviour.) Well we’re about to see the realisation of that.

Alright, I know, it could just be that Aziraphale hands the plate to him so that he has both hands to find the right key with (another side note – what are all the rest of those keys for?) but there’s a fleeting expression on Crowley’s face that suggests otherwise, as if he’s just now realising that the food is really for him:

He’s really not impressed with the quality of this peace offering, is he? Which is unsurprising, given that he’s not the one of them that has a burning desire to inhale anything that tastes good. At best, he might get to see Aziraphale eat it later I suppose. He’s gracious about his gift at least, because we don’t see him hand the plate back to the angel after the door is opened (in fact we’ll see it placed on the pedestal that the statue he uses to rest his glasses on later).

Right then, I have yet again wittered on quite long enough about this very small piece of film, so let’s wrap this up here. I’m hoping that now we’ve had the reunion of our hero couple in the present day, and the main establishment of the premise of the season, my write ups might get to be a little less picky (with some exceptions for notable scenes), but I guess we’ll find out. For now though, and as always, questions, comments, discussion – always welcome. See you next time 😊

[referrix]

Transformation Collection - Tecna Harmonix

[yasssgiveusnothing]

Radiohusk Analysis: Husk Cares or Nothing Makes Sense (Part 2)

Husk cares about Alastor. It makes no narrative sense otherwise.

Let's talk about it!

Husk goes out of his way to help Alastor when it would be in his best interest to not care AT ALL about that man:

Husk goes to Al to warn him of Mimzy and ARGUE with him for Al's benefit.

Husk gets frustrated when Al doesn't heed his warning and thinks Al will get hurt.

These screenshots are from season 1 episode 5.

Here's the scene:

Let's delve deeper into it!

Narratively, that whole scene serves three purposes:

1. To tell the viewer Al is also on someone's leash.

2. To tell the viewer Husk worries and cares about Alastor.

We are shown Husk going out of his way to help Al, only for Al to tell Husk that he does not need to worry because Al has everything under control. We then see Al was correct as he jovialy kills and consumes his enemies without effort. In other words, what the viewer learns from this scene is that Husk needlessly worries about Alastor's well-being.

3) To draw parallels between Angel & Valentino and Husk & Al.

You might be thinking, Exactly! If Husk and Al are just lke Angel and Val, why would Husk care for Al or vice versa?!

Vivzie has been pushing this narrative that Al and Husk are parallels for Angel and Val this entire season. I don't think there are enough words to describe how this parallel doesn't work, but I'll try anyway.

A) Angel does not care for Val's well being.

Angel would not go out of his way to help Val like Husk helps Alastor.

B) Val does not care for Angel's well-being.

Val doesn't need to bribe his soul contracts to work with him.

Val straight up gives Angel no free will. (Unlike Al who does not force Husk to attend the bar, instead chosing to bribe him).

If Angel gives the slightest of attitude, Val does not hesitate to get physical immediately. (Unlike Alastor, who not only lets Husk shove a finger into his chest, but let's him speak his mind and does not immediately maim him for disrespecting him.)

C) Husk is not afraid of Al.

A man scared of Al would not argue with him or his benefit, nor go up to him and jab a finger in his chest. And yes, Husk was scared of Al when Al threatened him, but Husk fucking started it! He literally made a jab at the guy where it would hurt! If you made a jab at your pal and they start foaming at the mouth, you'd be scared too, but also know you lowkey deserved it and shouldn't be surprised it happened. Play stupid games, win stupid prizes.

Al and Husk sit together without Husk shitting himself. Could you possibly imagine Angel sitting next to Val without wanting to disappear through the floor? Nope!

D) Al trusts Husk. Refer to my previous theory for more information.

E) Al does not regularly assault or overwork Husk.

Husk chills at the bar all day with access to infinite alcohol. This is the closest Husk will ever get to Heaven.

Alastor has not assaulted Husk ever. Unless we're calling the time Alastor pulls on Husk's chain and makes him fall to the floor an assault. Which, sure, fine. But that ONE push that left NO INJURIES was the only time Al has ever gotten aggressively handsy with Husk. And funnily enough, Husk was the first one to put hands on the other.

This 'assault' in comparison to the treatment Angel gets from Val pales CONSIDERABLY. In fact, the two duos are NOTHING ALIKE beyond there being a Overlord owns your soul dynamic, but with Radiohusk, that dynamic barely takes place as Alastor treats him more like a trusted pal than an object to be abused.

I also want to quickly go over how I feel Husk is out of character for the second half of this scene.

Husk is perceptive. He understands other people extremely well, which has been shown numerous times throughout the show as he reads the entire main cast and Mimzy. He is also a gambler, which means he knows when to bet and when to fold.

So you expect me to believe that Husk would say THAT to Alastor and expect him to take it well, especially when Husk knows it is a sensitive subject to him?

And Alastor's reaction is kinda valid. I mean, someone who you trusted with this information weaponizes it against you by spitting it back in your face! If Angel can have a meltdown over being someone's bitch, why can't Alastor? I mean, Angel throws a broken glass bottle at Husk's head, but Alastor pushes Husk and suddenly Al is as bad as Valentino?

With this, I conclude thtat:

Husk cares about Alastor

Alastor cares about Husk

Angel & Valentino's relationship does not parallel Alastor & Husk's.

Husk was out of character during the second half of that scene and was possibly a result of Vivzie desperately trying to parallel Valdust with Radiohusk.

[longwuzhere]

My Adventures with Superman Season 2 Easter Eggs

Welcome to another week of My Adventures with Superman! Oh man what a good ep and some fun easter eggs in this one too! Ok lets begin!

My Easter eggs lists for season 1 is here if you haven't seen it!

My season 2 episode 1 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 2 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 3 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references in My Adventures with Superman comic issue 1 post is here

My season 2 episode 4 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 5 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 7 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references for My Adventures with Superman comic issue 2 post is here

My season 2 episode 8 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 9 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 10 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references for My Adventures with Superman comic issue 3 post is here

Spoilers if you haven't seen the episode

Ok so starting things off Superman wakes up from the capture coffin and is immediately like WTF Kara?! He tries to escape the ship he's on but needs a helmet to breathe in space and the suit grants him one. The way it looks really evokes either Injustice 2 Superman's default costume or his Electric Blue Superman look from the comics [Cover art of Superman #123 (1997), the glow in the dark variant cover, by Dan Jurgens, Joe Rubenstein, Patrick Martin, and Todd Klein].

The title of this week's ep is based on Rudyard Kipling's book, The Man Who Would Be King which is about two British adventurers who become kings in Kafiristan. Appropriate for the ep considering Brainiac who wants to flex his strength and might on other planets by sending Kara and his robots to level the entire civilization. How British colonizer of him. Fuck the colonizers.

On Kara's ship, Clark tries to get to know her better and show her that Earth is cool, being kind and gentle is not a weakness, anything to get her away from the whole might makes rights idea and Kara name drops some locations Brainiac and her sacked after seeing some trinkets she stowed away on her ship. The locations are Thanagar, H'lven, and Euphorix. Clark asks Kara to take him to Thanagar where they see that its all just ruins. Later in the ep we learn why. The screenshots of the last two locations are from later on in the ep.

Thanagar makes its first appearance in The Brave and the Bold #34 (1961) [W: Gardner Fox, P&I: Joe Kubert, L: Gaspar Saladino] where Hawkman and Hawkwoman make their first appearance too. They are looking for the criminal Byth Rok. They meet Midway City's commissioner and tell him about their planet and people and explain who Byth Rok is and what he did. Later in the ep we do see a Thanagarian, but I doubt its Shayera/Hawkwoman cuz she would be using a Thanagarian mace not a polearm. Give the latest Hawkman series a read to explore more of not just Hawkman himself but also a look into Thanagar. Also read Batman: Universe if you want to see Batman get humbled by a Thanagarian guard because the guard assumed his cape was wings and Batman says "I can't fly, only glide with the cape" and the guard replies "ha, cute".

H'lven makes its first appearance in Green Lantern #148 (1982) [W: Paul Kupperberg, P: Don Newton, I: Dan Atkins, C: Anthony Tollins, L: John Costanza]. Its a heavily tree covered planet home to Ch'p and B'dg of the Green Lantern Corp (more on the GLC later). It's located in space sector 1014 where the inhabitants are all chipmunk/squirrel-like aliens. So yeah Brainiac destroyed a civilization of adorable anthropomorphic squirrels and chipmunks, what a piece of shit.

The final place Kara mentions and returns to later in the ep is Euphorix where its first appearance was in The Omega Men #2 [W: Roger Slifer (yes that Roger Slifer who Slifer the Sky Dragon from Yugioh was named after), Keith Giffen, P: Keith Giffen, I: Mike DeCarlo, C: Petra Scotese, L:John Costanza]. The silver planet you see in the panel there is one of the last free planets that has not been touched by the Citadel and it is where the Omega Men operate out of.

Kara and Clark have to cut their Thanagar visit short and she mentions that they must return to Kandor which if you know your DC universe is very different to the main satellite/mothership that Brainiac helms.

Unlike what MAwS did with Kandor so far, in the comics, Kandor was a bottled Kryptonian city for trading and commerce that Brainiac stole before Krypton's destruction. It's still populated too. It and Brainiac's first appearance was in Action Comics #242 (1958) [W: Otto Binder P&I: Al Plastino] where Superman was also shrunk down by Brainiac after he stole several cities on Earth and Superman finds Kandor and eventually rescues it. Most of the time the bottled city of Kandor is always seen located in the Fortress of Solitude or its been brought somewhere else to be enlarged to its normal state in different DC continuities. Very smart of the MAwS team to use the name as Brainiacs main transport to keep that Kandor-Brainiac connection and speaking of Brainiac...

Brainiac is, as Kara designates him, Primus Brainiac who I talked more about here. Very smart of the MAwS crew to use the DCAU origins of Brainiac to really make it personal when it comes to Brainiac and Superman. Btw if you've never seen Superman the Animated Series, go watch it its fantastic. It and MAwS are my favorite adaptations of Superman.

Brainiac takes Clark to his combat training chamber where we see a Parademon of Apokolips, a Green Lantern, and a Thanagarian who are just more robots taking on these projected forms of aliens that Brainiac has conquered or battled. I talked a bit about the Thanagarians already but...

Parademons make their first appearance in The New Gods #1 (1971) [W&P: Jack Kirby, I: Vince Colleta, L: John Costanza] as the army troops for Darkseid. They're usually sent out in waves as an advancing force for whatever invasion Darkseid has plans and they swarm like crazy. The New 52 continuity makes them even more horrifying because Parademons are made from living or dead native species the planet the troops are invading and get genetically modified to be additional Parademons for Darkseids army.

As Clark fights the alien monk, we see that they wield a Green Lantern ring so we can presume they are from the Green Lantern Corp. The name Green Lantern was first used in All-American Comics #16 (1940) by Alan Scott who became Green Lantern and his ring was more mystical based compared to how everyone things of the Green Lantern Ring is now which is more sci-fi based.

That Green Lantern was Hal Jordan who gained his ring from a dying Abin Sur who was the protector of space sector 2814, our solar system, and Abin Sur's ring chose Hal to take up the Green Lantern mantle. This is the Green Lantern that pop culture is more familiar with. Any time a Green Lantern Corp member dies, their ring will fly to another person who has the strongest willpower to be a Green Lantern. We can assume that alien monk has their ring fly somewhere to find a new worthy owner. Very cool that the MAwS crew were able to bring a Green Lantern ref in this ep! Also this is how I envision my War Forged monk that I use in DnD fights.

Clark gets swarmed by the robots after beating the three and we see that Brainiac also has a red sun emitter on his craft. I talked more about that Superman weakness here

Kara discovers whats going on between Clark and Brainiac and after a chewing out, Kara goes into a trance like state and wakes up in an empty room. She finds her treasures from Thanagar, Euphorix, and H'lven and that wakes her up. She flies off to those planets again seeing them all in ruins and Thanagar shows that she caused all this. All alone and sad by this discovery in the emptiness of space, Kara sees a blue portal open up and its Lois, Jimmy, Mallah and the Brain from season 1 who I talked more about here and here.

And with that we are at the end. Come back next time to see how Lois and Jimmy meet up with Mallah and the Brain again!

My Easter eggs lists for season 1 is here if you haven't seen it!

My season 2 episode 1 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 2 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 3 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references in My Adventures with Superman comic issue 1 post is here

My season 2 episode 4 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 5 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 7 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references for My Adventures with Superman comic issue 2 post is here

My season 2 episode 8 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 9 Easter eggs and references in My Adventures with Superman post is here

My season 2 episode 10 Easter eggs and references in My Adventures with Superman post is here

My Easter eggs and references for My Adventures with Superman comic issue 3 post is here

[the-alien-stage]

BLINK, GONE ANALYSIS

*warning this is pretty long because I'm mentally ill about alien stage*

I'm sure we were all shocked by what happened with Round 7 and I am as well. With that said I believe I should get through the lyrics first.

"Oh in a blink, gone. Blink, gone. I can't let it go. Blink and gone."

This first line is said by Till and already we can start making some ideas. This line could refer to Ivan's death or even Mizi's disappearance because he can't let it go. Ivan was there one moment and gone the next and so was Mizi. Despite this he can't let it go.

"The clock goes tick tock tick tock. Just enjoy it. Blink, gone. Oh, in a blink, gone! Let's go."

This second line is said by Luka and I think in general sets the mood for what is about to happen. It kind of builds on what the last line was saying and it's very much a song about enjoying the moment/present and not dwelling on the past or future. Luka specifically is perfect for this certain line. Luka is clearly enjoying his time in Alien Stage season 50 and the only time he's looked even remotely broken or sad is when he's seen Hyuna. He's focusing on the present, ignoring Hyuna and simply focusing on what is happening now.

"This moment won't ever come back. This party's getting started and let's go crazy high!"

Again, this is Till's line and I think this is pretty interesting. This is the final round and it won't come back. Whatever happens it'll be gone in a "blink". However I think this could also express his emotions in the moment. Despite what happened in round 6 he has high spirits (much higher than round 6) and is clearly fighting to live.

A few other lyrics that caught my attention specifically and how it relates to the character of Till and Luka were:

"Clear your head, no need for baggage

머리는 비워, 짐은 필요 없어

Take charge of the party no, don’t look back now

파티를 책임져 no, don't look back now

Neither yesterday nor tomorrow exist for me.

어제도 내일도 나에겐 없는 거야"

Context clues alone point to Round 7 taking place only a few hours after Round 6 and so with that context it gives the feeling of the song taunting Till over his mind focusing on Ivan. I also interpreted this as the lyrics reflecting Luka's state of mind. He is clearly enjoying himself onstage as he sings and is living in the moment. For him, at least, the past and future don't exist right now.

Overall, the lyrics definitely add a layer of depth to both Luka and Till. It shows Luka's mindset regarding ALNST as well as Till's feelings. While it has already been confirmed by the patreon that his feelings for Ivan were complex, the lyrics show this even more.

Moving on, some key points I thought were good to screenshot also add to this.

Pretty early on does Urak show himself during the video which I found to be interesting. The only other time we have seen him is during Round 2 when there was a glimpse of him and Round 6 when we had a full on scene with him and some other aliens. Here he looks contemplative and curious, different from his other appearances where he looks enraged or violent. Clearly this moment is important for Urak and considering Till's status as the underdog and how he was created specifically to dethrone Luka, this shot was pretty cool to me.

There isn't as much to study with this frame but it does show that this isn't long after Round 6 since that is when Hyuna got injured. This means that the time skip between Round 5 and 6 was because the rebels took Mizi and caused an uproar.

NOW THIS WAS INTERESTING! as Till gets more passionate and strong with his performance this interesting visual happens that I immediately took as Ivan. Till is still thinking back to Ivan and is using his sacrifice to fuel his strength. Everybody around him is gone now and he needs to survive. This is Ivan quite literally haunting him as Till is engulfed by the red light and the camera focuses on the eye. In general I really like how the rave-like atmosphere of round reflects both Luka and Till.

Both of these shots are pretty interesting as it gives us more insight into Luka. I still remember when we all thought he was a girl named Luisa LMAO he is clearly taunting Till in this first shot and is mimicking Ivan's hold on his neck similar to what Ivan did in Round 6. He is very purposefully trying to get a reaction here and when he does and Till's mental light goes red he genuinely has to hold back a giggle. He is never beating the freak allegations. I do think it's pretty interesting how he smiles and gets giddy at provoking others (Similar to how he smiled after Mizi was pulled off him or how he grinned when he saw Hyunwoo). However, I think it's also important to note that in all three of these scenes we do not see Luka's mental light and the one that does have it is red! This could possibly indicate that he doesn't have normal emotional processes (since he does have other health issues because of Heperu's tinkering) and so I'm very interested for how he's going to move forward as a character.

I was so surprised by this because he was so clearly trying to get back up and fight but he was so exhausted. He just got out of Round 6 and is now fighting for his life in Round 7 and can barely stay awake. His eyes are almost rolled back into his head and his nose is bleeding. He is very clearly stressed even without the red light but it also shows how much of a fighter he is and how hard he is trying to live (which is entirely because of Ivan) even in the face of hardship.

HE'S HAUNTING TILL!!! Even in death he can't look away from him. I also find it interesting that it's these frames they use for Ivan. For Till it shows him looking down at him, almost taunting him to get back up and fight. He isn't allowed to die yet, Ivan won't allow it. Meanwhile, Luka has Ivan holding himself (something he has consistently done when stressed because he needs that comfort) while he looks to be in distress. He is also wearing his Round 6 outfit here and so I found that interesting. The way he hallucinates Ivan is also very interesting here and how Till doesn't get Ivan perfectly. While Till hallucinates Luka as Ivan, he doesn't look like Ivan. Even Sua was more convincing and she still had that dead look in her eye that she never had when looking at Sua. Ivan's eyes are completely black when Till hallucinates him and I like how it's that little detail that gives away that Till can't entirely remember Ivan even though he had such an impact on him. Even though Till felt conflicted about him and felt affection for him (70%!!!), he can't even remember his eyes.

NOW THIS IS FUN! Till sees Mizi again and immediately gets back up. With the added context that Till idolizes Mizi, this makes so much more sense. This isn't affection or happiness here, it's relief and a new reason to fight. Mizi is his only connection to his past and he's going to hold onto that until he bleeds. That desperation and relief in his expression is obvious and it's all of that combined that makes him strong again. Meanwhile, Luka looks almost frustrated here. I'm not exactly sure what it is specifically, as he definitely glances at Mizi and Till. Perhaps he wasn't expecting Till to get back up, or maybe he was surprised that Mizi was there. However, regardless he looks frustrated and begins singing with a renewed vigor.

I have maxed out on the photos but really quickly I want to talk about Till's death and Hyuluka meeting.

Till, when he is dying, has a xylophone play. It's a simple one but he was once gifted a xylophone for his birthday. There is a theory that Ivan gave it to him since Ivan had that money from his guardian but it isn't confirmed. Till is also a musical genius and so this little tune playing could also be taken as him remembering his roots and what makes him happiest. He enjoys the arts and creative endeavors and in his final moments that is what plays. Also where he got shot is interesting as his neck has always been emphasized by Vivinos and QMENG. Whether this is Ivan grabbing it or him wearing collars or even other art emphasizing it, his neck is always a key part of his design. I think it's interesting that in his final moments he also attempted to reach up and out to Mizi. His idol was finally here and finally noticing him. There is very obvious relief in his expression before he closes his eyes and the xylophone goes out and I find that very bittersweet. He worked so hard to live only to be snuffed out. The only relief he could find himself was in death and even then it was a painful one.

FINALLY, Hyuna and Luka :3c I can't post the screenshots on his specific post but Luka looks surprised if not a little worried. It's the most genuine emotion we've seen from him and the first time his prince persona has lost itself on stage. It's also the first time we see him unable to act. Usually he acts immediately when things happen (Mizi tries to punch him and he turns her, Till moves away from him unexpectedly and he continues singing), but here he cannot bring himself to move or act. Hyuna is in a similar situation and can't seem to take her eyes off of Luka. There is surprise in her eyes (even though he knew Luka was on stage) and I would go so far as to say fear. I'm really interested in how this will play out AAAAAAAAAAA

[wistfulnightingale]

The Metatron Misdirection: Nina's Magic Trick (A New Final 15 MetaTheory)

Part 1 of 8 in the Chess Moves Theory Set by @wistfulnightingale

**I believe it is new -- I haven't found it anywhere else.

Misdirection is a key element in the most skilled magic tricks. It's more than mere distraction, wiggling one hand while the other hides the ace. Misdirection in Magic means that the magician isn't "hiding" the trick; they are allowing you to think that you are looking at exactly the right moment, while convincingly focusing your attention away from the moment when 90% of the trick actually happened. Magicians Penn and Teller are quoted as saying, "The strongest lie is the lie that the audience tells itself."

This article on What Is Misdirection in Magic tells exactly how it's done. Check out the 7 Types of Misdirection in the article, or in my Chess Moves Theory Master Post. They're used easily and often in the final episodes of Season 2.

I think there might be a major misdirection in Episode 5 that set up the events of the second half of Episode 6, and makes sense of some of the crazy-weird scenes and out-of-character behaviors we see, both in that scene and later. But, it'll seem absolutely bonkers... so please, keep breathing, and hear me out, and please check out all the interconnected 8-Parts that help support my reasoning.

I include photos below, and I admit they're not clear enough to be "proof" on their own. But the idea itself would explain why Azi abruptly left Nina, and why Crowley babbled. Some of the other parts of my overall theory add some additional possibilities as well. (Interestingly, the photos are from videos that used to be available free on YouTube Prime Video, but have been removed from the Good Omens playlists in recent months.

In E5, while we were watching Crowley stammer, and listening to Nina puzzle out relationships, and when our belief in the Ineffable Marriage was shattered by Crowley's answer -- Nina was (without her knowledge) participating in the biggest Misdirection of Season 2.

I suspect The Metatron was already in the Coffee Shop. I know it sounds nuts, but I strongly suspect that Episode 6 was not his first visit. I believe that I can show you reasonable evidence (added up from here and from other parts of my Chess Moves Theory-series) that the Metatron made a "trial run" the day before, during this scene in Episode 5. Crowley and Aziraphale were each shocked to spot him through the window behind Nina. Misdirection made him almost impossible for us to see.

Almost. But I think he's there. At least, there's a guy in a long dark overcoat, who looks like he's talking to another customer. Possibly a coffee-confused celestial gentleman getting help from a good samaritan? Let me explain how I think it was done, and I'll show you what I think is the Metatron.

{Edit 11/25/24 to add: I've been made aware that the photos are not a strong case, if you have higher photo resolution than I have access to. But Azi and Crowley's odd behaviors also support my theory, as I explain if you scroll down. For more on this, and on my new idea about where I might have went wrong, check out The Metatron Misdirection New Note (Is it a Shell Game of White-Haired Men?) }

This screenshot (let's call it Photo #1) is untampered, basically what we see in the episode. Aziraphale was happily chatting with Crowley about the nonexistent pen of his nonexistent aunt's nonexistant gardener... Then Nina emerges, has "things to say" about Neighborhood Christmas lights (that's the moment in this screenshot)... and Aziraphale abruptly hurries away. Within minutes, Crowley is stammering as if he'd never had a moment's thought that he and his Angel could have a committed, romantic relationship.

How...? What...?! Crowley, really, dude, what the...??! (Please refer to An Old Married Couple for my thoughts on this!)

But when we take that same moment, come in closer, brighten and sharpen it, make it more vivid --

Photo #2. There. In the red oval. The white hair, the dark overcoat, rounded shoulders. The Metatron. We didn't expect to see him there. So we didn't.

Hold on! -- I don't expect you to be convinced yet. So I went through moment by moment. There are more photos. (I recommend that you also check the brightness of your own viewing screen -- it helps!)

Nina is used in the scene to perform a concealment and switch, a replacement (magician's call it a Change), and then a distraction -- A Magic Trick. Nina is a huge part of why we're not easily able to spot the Metatron.

Magic Trick Step 1: There's magical sleight of hand going on, even once you know what to look for. We are visually warned. When we first see Nina, as our Ineffables are talking about impossible French, she literally emerges from the shadows (see photo below). Remember, this is significantly Before talking about "Christmas lights" in Photos 1 & 2.

Magic Trick Step 2: If we do happen to look at the customers in the shop as Nina emerges, there's a white-haired man in line who is NOT the Metatron. Note his height compared to the orange-shirt guy. He's taller, and he's fairly slim. We can see his pants or denims, so he's wearing a short jacket, not an overcoat. He's also holding a lit cell phone and carrying a blue bag. I didn't brighten this photo at all. We're supposed to see this particular fellow. He's part of the magic trick, planted there for the switch, just in case we do notice a more significant white-haired man later.

Here's the same photo, brightened. You can more easily see that he's wearing a short jacket -- we see his legs as he steps forward.

(Pay attention to the man in the orange shirt. He's very visible with that bright color. In later shots, he stays near the Metatron, and helps us visually track them both, when both are blurred by distracting window reflections.)

Magic Trick Step 3: Next, Nina steps into the light. As she steps forward, she says, "Bravo! Just enjoying the show." Again, we are given cues that there's a show in play. She bends over to wipe a table, completely blocking our view of the slim white-haired man.

Magic Trick Step 4: The camara cuts to Azi, and that's the last we see of the slim man with the cell phone and bag. Presto-Change-o, Abracadabra! Like a disappearing act with a magician's silk cloth, or like Azi's trick for Nefertiti with the 3 cowry shells, the switch (in magic, called "the Change") has been made! The slim man is gone.

Magic Trick Step 5: When the camera returns to Nina, it's the first photo I showed you, with the Metatron in it. The man in orange isn't at the front of the line anymore. (Was he undecided about his order, and stepped aside?) We can see a sliver of his shirt to the left of the doorframe, just inside the oval, but he's almost entirely hidden. Nina's talking about the Christmas lights. "I have things to say."

It all happens in less than 30 seconds.

"Where, then, was the Metatron?" you may ask in disbelief. There's a big rectangular pillar in the middle of the floor behind Nina, just to the right of the line. There is a mural on it, so it's camouflaged. On the walls behind the pillar are menu boards -- we see them in the "How's your naked man friend" scene in E1. It's likely that the Metatron was behind the pillar, looking at the menu options.

"Well, how come we never see the slim cell phone guy again?" you may wonder. The tables at the far edges of the shop are never seen. If he sat down, especially at our far left, he'd be out of view.

Here's that "I have things to say" photo again --

That's when Aziraphale sees the Metatron. He's suddenly distracted. His response is brief, and odd. Just --- "Yes." We don't often see our Angel speechless. He walks away without another word. That. Is another out of character moment. He's gone from his "I'm having so much fun doing this" smile to the fake, nervous mask he puts on for the Archangels.

His eyes are wide and his expression frozen, until it fades into worry as he walks away. Azi nervously checks behind him for Crowley. Hoping he'll follow, away from danger.

Crowley hasn't spotted the Metatron yet. It's not until he starts to follow Azi, then stops for Nina, that he's at the right angle to see him. When Nina says, "You been together long?" Crowley's completely distracted. He just noticed the Metatron.

"Who?" he ridiculously asks. This made zero sense -- Azi was just here! However, on our far right, over her shoulder, we can see the Metatron, facing sideways towards our right. He and the orange-shirt man are on the far right, positioned as if talking to each other (maybe he's asking how this coffee-selection-thing works?).

Because he's facing sideways, we can tell that this man is not slender like the man with a cell phone and blue bag. The man we see now, in this photo, wears a long coat that comes straight down in the front. It's not a jacket, it's an overcoat.

The Metatron is almost the same height as the orange-shirt man. His dark coat nearly makes him invisible as the reflections in the window break up his outline and blur the orange-shirt man. The two have stepped back from the counter, closer to us. We can see his rounded back, white collar and hair.

Short height, rounded back, long overcoat, white collar. NOT the same as the first man we saw. That's why I believe we're seeing the Metatron. That, and Aziraphale and Crowley's strange behaviors.

When you look closely at Crowley, he's staring intently into the coffee shop window as Nina asks her question. His head is not at the same angle when he returns his focus to her. It's not just the cute little neck scrunch -- he literally turned his head slightly to his right to look at her and answer her question. Crowley is concentrating on what he saw inside, and is mentally scrambling.

After Crowley says, "Who?" the camera returns to Nina. "You and your partner," she clarifies. Meanwhile, the Metatron has turned and is now standing at the end of the coffee line.

You can see three men in line, facing the counter, with the orange-shirt man in the middle. He's the colorful backdrop to frame the padded shoulders of the Metatron's dark coat.

Nina does a lot of "patter" here, a classic magician's Misdirection technique. Lots of rapid, distracting questions. They keep our own minds as occupied as they do Crowley's -- we struggle to keep up, and share our demon's outrage about Azi as "a bit on the side!"

I had to do a lot of reduced videoplay speed, constant pausing the frames, and careful photo brightening and sharpening to make these images somewhat clear. There are also frames where the reflection of vehicles and passersby’s obscure our view. The distractions come and go. It's all designed to split our focus.

So I was astonished when I discovered that, in the moment where the Metatron is standing alone, not clustered with anyone else, Nina is almost looking DIRECTLY AT THE CAMARA. It's only a moment. It's the only shot I had, of Dozens(!) of micro-moments, where the Metatron is in full view, although still difficult to see. This is how it looks in the episode.

Here's the same photo, brightened and sharpened for definition.

There is almost nothing on the right side to reflect or distract in this moment. The lighting effects allowed a much clearer view.

Nina goes back inside, and has to deal with a busy line and a new customer, a posh older gentleman in an overcoat. One who doesn't know about human coffee shops or how to place an order, and who probably consulted orange-shirt guy for coffee-selection advice. He's confused, he's asking odd questions... She doesn't have time for this...! So when he comes back the next day, she warns him not to do it again -- "Order accurately and fast..." (For more thoughts on this, see The Metatron's Second Coming)

Meanwhile, Crowley stands there bewildered as worry sets in. The Metatron is dangerous. Why is he here? This could be very bad for them both, but especially for Aziraphale. Crowley's main concern in the conversation was to SAY NOTHING that gave away their relationship. "Just... an angel... I know."

(**There's interesting implications about the Final Fifteen if Crowley is concerned that the Metatron has the ability to hear him from inside the shop. Azi often gestures as if the Metatron could hear them from outside.)

Crowley leaves in the opposite direction. I wonder if he hung around near the cafe, monitoring where the Metatron was. That's why he's morose and worried when Azi returns to the cafe (see more in my post Ineffables In Check). Crowley is also now worried that Gabriel is actually NOT memory-less. Is he there to spy on them for the Metatron? Crowley aggressively tries to find out.

He'll do Whatever It Takes to protect his Angel.

Please check out the rest of my 8-part Chess Moves Theory Set at @wistfulnightingale to see how I believe all the moments fit together in this Life or Death Chess Game. The 8 Parts support each other -- I broke a massive idea into parts, and you'd need to read all 8 before you can decide for sure if I'm wrong, or totally bonkers! It's a crazy ride, and I'll be happy to have you along for it!

The 8 Chess Moves MetaTheory Set:

1 - The Metatron Misdirection

2 - The Metatron's Second Coming

3 - Ineffables in Check

4 - A Hefty Jigger of Death

5 - Nothing Lasts Forever

6 - The Circle Kiss Theory

7 - The Nightingale DID Sing

8 - Aziraphale's Jubilant Smile (Not the crazy elevator grin)

Also: The Chess Moves Theory Set, Why Chess & Magic?

And: The Metatron Misdirection New Note (Is it a Shell Game of White-Haired Men?)