#science star q

[andyoullhearitagain]

[thewritingjedi]

Things I'd like to see more in SCIENCE FICTION

deserted planets with high technology

snowy planets with high technology

military bases in the mountains

military bases in the middle of a forest

"realistic" technology (ex. Starfield)

human experimentation

galactic conflicts

east asian-inspired scifi settings

religion (ex. the force)

galactic military

space pirates

illegality and law

[jeandejard3n]

Star Trek: The Next Generation | Ambient Music

[mirum-wonder]

LETTER Q FOR THIS YEAR`S #36daysoftype

I call this one to be a Quasar-class heavy carrier ( That's what the Q stands for) Thought that would be fun to design this letter as a star was style giant space craft... The shape of the letter Q by itself is kind of reminded me of the Star Wars Episode 1 Trade Federations Lucrehulk-class battleships ... so I decided that I would take a similar approach in terms of scale and main donut-like layout of the ship but would give it a more imperial Star Destroyer look 👽🌌🤘 Hope you like how it turned out 😁✌️

For more of the art stuff I do feel free to check out my Linktree

[olivrsm]

[revanknightwoman]

Star Trek: The Next Generation Series

Create a Star Trek: The Next Generation Episodes (Seasons 1-7) Tier List - TierMaker

[evershiftingmuse]

RP Icons - John De Lancie

[captaingimpy]

Exploring Mortality and the Human Experience in The Orville: Reflections on "The Mortality Paradox"

The Orville has always been more than just a science fiction series; it’s a philosophical exploration of the human condition, filled with deep questions about life, death, and everything in between. In Season 3, Episode 3, “The Mortality Paradox,” the show delves into the concept of mortality in a way that is both thought-provoking and deeply resonant. In this episode, the crew of the Orville…

[stellarred]

Does Q.....

smell????

Ahh, SCIENCE!!!

[sundial-bee-scribbles]

Hbvnfyvjv can you tell I watch game theory- I love overanalyzing stuff I'm not surprised it was a little inaccurate- “there’s also just some things i wanna keep secret for now…” I'm very intrigued 👀 also dumb question, how do They eat with no mouths? Do they just absorb the food? Do They need to eat? If you threw a packet of biscuits at them would they eat it plastic and all? I have questions but they're not the right ones probably- -🌟

hehe 😈

hmmm well for now i'll just say that it has no mouths on any of its' faces, and len monitors it in case it needs anything

lmaoooo i mean it would be hard to miss the fact four of your fellow students went missing, everyone starts talking about it after it gets concerning how long they've been gone

she did know them before their disappearances, but obviously wasn't as close to them as len b/c, well, they were len's friends mostly and not hers.

len has a lot of different reasons for not wanting anyone else to know abt his experiment, but you can only hide so much from your sibling lol; rin isn't stupid and knows smthn's going on, yet it's also a matter of how much information can i piece together before he knows that i know

she does eventually go down there though yeah, and you'll see what happens when she does :P

[electronicdreambeard]

(со страницы CHAMPION Men's T-Shirt | cjdevidfox's Artist Shop)

[fazilareads]

MOON DEEDS (STAR CHILDREN SAGA #1) BY PALMER PICKERING | AUTHOR Q & A | Escapist Book Tours

MOON DEEDS (STAR CHILDREN SAGA #1) BY PALMER PICKERING | AUTHOR Q & A | Escapist Book Tours

TITLE : Moon Deeds (Star Children Saga #1) AUTHOR :  Palmer Pickering GENRE : Science Fantasy INTENTED AGE GROUP : Adult Pages: 598 DATE OF PUBLISHING : March 7, 2019 PUBLISHER : Mythology Press (Self Published) Welcome to my tour stop for Moon Deeds (Star Children Saga #1) by Palmer Pickering, hosted by Escapist Book Tours. I am so grateful to be part of The Escapist Book Tours and for…

[quasi-normalcy]

Every "Nu Trek" (2017- ) Series Ranked from Worst to Best:

Very Short Treks (2023): There's really no words for just how terrible this series is. I mean, I know that it only barely counts because it's explicitly not canon and has a total combined run time of about 15 minutes, but *my god* is it bad! Only one of its episodes is remotely funny, and even that manages to feel like it's driven its main joke into the ground by the end of its 2-minute runtime. The only thing that I can say for it is that is that it gives me an easy, uncontroversial choice for worst Star Trek series, not only of the last 7 years, but of all time.

Picard (2020-2023): Listen; I know that this series is unpopular with the Tumblr Trek fandom, but it actually breaks my heart to have to put it so low on the list. It has, in my own opinion, the best dramatic acting of any Trek series and among the best directing, and almost every individual scene, in isolation, is compellingly watchable. More than that, it has fascinating worldbuilding choices, you can really *see* the passion of the writers for what they're creating (at least in the first and third seasons), and Agnes in particular is among my favourite characters in anything ever. It's got a lot of great moments, too! Picard and Seven bonding over shared Borg trauma; Soji uncovering the truth of her identity; Jurati hacking the Borg Queen's brain; Picard's final farewell to Q; Shaw's Wolf 359 monologue; Geordi's reunion with Data...I could go on. And yet, it just feels like so much *less* than the sum of its parts! Incredible ideas are introduced and then just shrugged off to pursue much more boring ones. Story arcs feel pointless if not actively offensive. Absolutely baffling writing choices are made throughout, with no indication as to why. And the nostalgia baiting , particularly in the final season, becomes so intense that it just chokes the plot to death. One comes away haunted by the feeling that this series should be so much better than it is.

Discovery (2017-2024): Really, this is two separate series: a twisty, grimdark, sci-fi war drama and a gentle queer coffeeshop AU about scientists who talk about their feelings. Both of them have their moments, but they each fall down in the same way: a focus on epic, high-stakes mystery box storytelling that undermines one's ability to really get invested in the characters, or even know who they are when they aren't off saving the universe. Without that, while I liked many of the characters and loved seeing them science the shit out of things using teamwork and the power of math, it's kind of difficult to get invested in this series one way or another. In spite of its absolutely gorgeous visuals, it comes off feeling weirdly...flat.

Short Treks (2018-2020): Not a lot to talk about here; just kind of an anthology series of short films adjacent to Discovery, Picard, and Strange New Worlds. Mostly they're varying shades of mediocre, but a few of them are as brilliant as any episode of Star Trek ever made, so the series gets to be relatively high on the list.

Strange New Worlds (2022- ): This is the first entry on this list that, in my opinion, belongs on the top shelf with some of the best of the older series. And it achieves it basically by adopting the same formula as the original series or the next generation--socially conscious planet-of-the-week adventures with enough wit, cleverness and joie-de-vivre to keep it interesting. I remember in 2017, there was plenty of discussion of how it's possible to update Star Trek's formula for prestige television; how funny that the solution turned out to be "don't change it at all, just give it modern special effects and actual character arcs." That said, the series is a bit *too* beholden to the original, with focus primarily on a bunch of characters who aren't allowed to grow or change too much because we already know how they'll turn out. It would be even better if it were about a new ship and a new crew full of nobodies who we can come to love. Which brings us to...

Lower Decks (2020-2024): Above, I said that Picard felt like it should have been so much better than it was. Lower Decks, frankly, should have been so much worse. How is an adult animated sitcom with Rick and Morty style animation and constant memberberries this freaking good!?! Every episode is a master class in efficient storytelling, with 22 minute runtimes often feeling like they contain as much story and character work as episodes twice as long. And the characters are incredible--like TOS and TNG, they feel almost archetypal, and even though you've never seen them before, they slide so seamlessly into the Star Trek universe that it's hard to believe that they weren't just *always* there; that there was ever a time when you could imagine the Star Trek universe without just intrinsically knowing that Tendi and Shaxs and Mariner were off somewhere in the background. It's greatest success though, the reason why it's comedy works when it really shouldn't, is that it's only *slightly* sillier than the serious series. What we end up with a fantastic series with an ethos that is pure Star Trek, and in fact, if I had written this list a month ago, it would certainly be in the #1 spot. However...

Prodigy (2021-2024?): The first season of Prodigy is...charming. It's got some fun characters, some spectacular visuals, some interesting premises. And if the plots tend to be a little too simplistic to be engaging to an adult, hey, it's a kids' show. It's good. Solid. Above average. And if I had only the first season to go on, it would probably be in third position on this list. But then, a few weeks ago, it went ahead and dropped the best season of Star Trek in a quarter-century, and I really...I just cannot recommend this series highly enough. The sheer, ambitious scope of the narrative; the arcs it puts its character through; the cleverness of the writing; the fricking GORGEOUSNESS of it! And it does all this while redeeming deeply unpopular characters and plot points from other series, in a way that never feels forced or pandering. Not only is it the best Star Trek series of the 21st century, it's one of the best children's animated series since AtLA. Go. Go! Watch it! Watch it now!

[sarahmackattack]

As many of you know, I run a program called Skype a Scientist! We match scientists with classrooms, scout troops, libraries, and more for Q&A sessions about science. We ALSO run monthly livestreams with hand-picked scientists on zoom webinar.

Here are the upcoming sessions. All are welcome to attend, and all sessions are free.

RSVP for Shark Scales and Tails here

RSVP for Sea Star Feet here

RSVP for Finding Medicine in Plants here

RSVP for Pokemon here

Also!!! and critically!!! If you want to get matched with a scientist for YOUR classroom, scout troop, library, etc, we would love love love to match you with one of our scientist volunteers. That's what we're here for. Sign up here.

[accio-victuuri]

xiao zhan elle september issue cover story Q&A

ELLE: During this rest period, do you think about things that happened on the set?

Xiao Zhan: Of course, I remember a few days after the filming was finished, I had a dream that we were still filming, and the director and I were still discussing how to say that word? How to handle that scene?

ELLE: Do you actually miss the atmosphere on the set?

Xiao Zhan: I like it very much, because I like the feeling of everyone creating together and working together to get something done.

ELLE: When you first entered the entertainment industry and your popularity grew rapidly, you said that it felt a bit unreal and magical, but now you seem to be quite relaxed. How did this change happen?

Xiao Zhan: Rather than saying it’s unreal or magical, after so many years I feel that I haven’t had time to adapt to the fast pace at that time, so when I wake up from sleep, where am I today? What am I doing? I think it’s a process, just like when you first enter the workplace, everyone is very excited, "I’m here to work, please take good care of me", "I’m here, everyone get out of the way", "I can do it, I can do it". (Laughs) But after experiencing a lot of things, I feel that everything needs to be planned for the long term.

ELLE: In several interviews you mentioned that you like to play roles that "can convey energy". Why do you have such a preference?

Xiao Zhan: Because I think it is the life of the character. The kind of energy I am talking about is not just a single positive energy in the general sense. I mean the nutrition that can be subtle and silent. I believe that every character has a complete story line in his heart. This is what I like very much. As long as you dig deep, you can move people. I don’t like to call the villain a "villain", as if it is defined as a bad character from the beginning, but it is not. He may have his own difficulties.

ELLE: It sounds like “transmitting energy” is just a general term. Is it actually about understanding different people through performance?

Xiao Zhan: Yes, if we break it down to each character, they all convey different things. But if we say they are “good guys” or “bad guys”, I think that’s meaningless.

ELLE: So do you think acting is a form of communication?

Xiao Zhan: Yes, you can say that. I think it’s great to say that (acting) is a bridge to communicate with the audience. Just like when a play is broadcast, I will read some of the audience’s comments and impressions, and feel that they have a rich feeling about the work. When I see some comments that are exactly the same as my thoughts when filming, I feel very magical, as if this bridge is really connected. We don’t know each other in life, and we haven’t communicated, but he suddenly got my thoughts at the time, and I felt that, oh, acting is a very beautiful and magical thing.

ELLE: Do you watch some science fiction movies, TV shows, and literary works?

Xiao Zhan: Yes, I used to like watching "The Three-Body Problem". I have watched some science fiction movies recently, the American TV series "The Stars", and recently I am watching "The Replica". They are all about infinite flow and parallel time and space. Because I think there may really be parallel time and space. Every choice you make will split into a different parallel time and space.

ELLE: Do you imagine Xiao Zhan in a parallel universe?

Xiao Zhan: I really wonder, for example, is he still an actor? Maybe, is he still filming now? Is he still singing now? Or is he still a designer? Is he working for others or is he his own boss? (Laughs) Really, I really wonder.

ELLE: What do you think the future will be like?

Xiao Zhan: Wow, I think the world might return to its original state at that time, and the world might become a better place, and people would return to the most basic communication with each other.

ELLE: This is very interesting. Why do you think so?

Xiao Zhan: Anyway, at least now I am a little disgusted with the ubiquitous Internet. When we were young, when there were no mobile phones, we would chat while eating, and we would call our friends downstairs to play hide-and-seek and various games. I think that time was very precious.

ELLE: Will the profession of actor still exist by then?

Xiao Zhan: I think there will be. I believe that as long as life goes on, drama will continue. Because everyone needs an output, needs emotional resonance and sustenance, whether it is images or sounds. So I think that even if the world is destroyed, as long as there are still people, drama will definitely exist.

-END.

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