#scenes like??? did you read my mind??
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THIS CHANGED THE TRAJECTORY OF MY LIFE
my first & last love (gojo x reader)
satoru realizes he's in love with you after you suggest he set you up with suguru
tags: fem! reader, Gojo praises you like A LOT! slight miscommunications, childhood friends to lovers, reader gets drunk & satoru helps, he's a lovesick idiot & dramatic, both yours & his pov, gojo’s implied to be taller than reader, slightly suggestive bc it’s gojo, slight angst
word count: 11k
The first time Gojo Satoru learned true, unadulterated jealousy was on a Friday night out in his sports car–the crickets chirping to the melody of a random song.
It was real jealousy—not just simple, petty envy. Not like the envy he felt when someone got to taste the limited edition cupcakes at the bakery before he did or the envy of studying hard and getting a lower score than someone who didn’t (which is a lie because Gojo was that very person who was effortlessly good at everything he did).
Either way, he’s never felt the bite of jealousy, breaking the flesh as blood drips slowly, lingering as if it could never be washed away from his skin. Never felt it smother his throat with needles and leave him with a metallic taste in his mouth. That is, until today.
It was colder than usual but he still insisted on grabbing some ice-cream from the local convenience store, declaring it was his your reward for putting up with the party Sukuna hosted–the same party that ended in your dress being soaked in vomit. The atmosphere was perfect for sentiment, for talking–for confessing.
You’re humming to the beat of the song, licking your lips clean of the ice cream you just ate. “Satoru,” you murmur his name softly, staring at him through your lashes.
“Yeah?” His eyes drink in the sight of you: your droopy eyes from sleep, the faded lip tint on your lips, the hoodie he let you borrow that’s obviously a few sizes too big on you. There’s hardly any light coming in but he can still feel your eyes on him, the tension so thick he thinks he might suffocate from it.
For a moment, he’s scared, fearful of what you were going to say because he knows this silence. This is the very silence that happens before someone confesses to him, the same suspense that he has to mentally prepare himself for since he knew he was going to break another heart. And he’s terrified that he might have to do it to you–his friend, his neighbor, someone who he’s known for a very long time.
“I need to tell you something,” you start and he winces, shifting uncomfortably on the driver’s seat.
“You do?” He mutters. You’re nervous. He can tell because he’s known you long enough to understand what you’re feeling–long enough to know that your eyes are darting from place to place, a habit of yours.
His chest squeezes when you take a deep breath just as he exhales, already making his mind to grant you a swift rejection. He hopes you can forgive him after this.
“--I like Getou and I need your help.”
“Listen, I’m sorry but I just don’t see you that way–”
He blinks, wondering if he heard you right or if he was drunk (he didn’t drink at the party because he was your ride home). “Wait what?”
It was your turn to blink now. “I like Getou and I–”
“I heard you the first time,” he cuts you off hastily, clearing his throat to play it cool. He runs a hand through his hair, grazing the side of his undercut. “Okay wow.”
Gojo mentally curses himself for not knowing what else to say other than humming pensively, busying himself by mixing the ice-cream in the tiny container. He still needs time to process, to mentally upload your words to his brain. You like Getou and not him? He pauses, repeating that thought again.
You like Getou and not him. Part of him tells himself that this is exactly what he wanted since your friendship wouldn’t go to ruin. You managed not to catch feelings for him–managed not to fall for him like many others. Yet, he’s confused when another part of him doesn’t respond too well once he realizes that this was you he was dealing with.
“That’s not weird right?” You question, bringing your knees up to your chest and propping your chin atop of them to watch his reaction–reminding him to keep it cool.
“Nah it’s not weird at all,” he said, not thinking straight when his next words escaped his lips. “So why Suguru?” And not me? Though, he keeps that last part to himself.
“Well isn’t it obvious? He’s tall, handsome, and has a good personality.”
Am I not that? He asks himself, not bothered by how stuck up he may seem. “That’s not very specific from someone who likes him.”
You huff and he can tell you’re narrowing your eyes at him. “I know you don’t wanna hear me yap about the specifics, Satoru.”
“I do.” He says quickly.
You make a noise of surprise, looking interested in his sudden intrigue. “Well okay… Suguru’s very caring and attentive. Being around him makes me feel warm inside you know? I’m not sure when I started liking him but I just know that I just really want to be closer to him. And it doesn’t help that he’s just so smart and nice. And his looks are just a bonus.”
“Oh,” he utters, not even bothering to curse himself for his lack of response. He tries a weak smile. “You must really like him.”
Gojo can’t help but furrow his brows at the semi-embarrassed expression you wear—as if you were flustered at the mere thought of having a crush. “Oh, was I that obvious?” You ask, not even bothering to deny the fact that you were undoubtedly head over heels for his best friend.
Oh god, he thinks he might be sick and he doesn’t know why.
“Are you going to help me?” Your voice cuts him out of his reverie and he’s cut back into reality–the reality being the anticipation in your eyes. Did you always look this pretty?
Gojo nearly flinches at the thoughts that cross his mind, blaming the unprocessed shock for being the cause of these obscure ideas. He coughs. “Hold on. So you don’t like me right?”
“What? No I–” your eyes widen in understanding. “Oh so that’s what that was all about. You thought the person I liked was you! How cocky can you be to think everyone’s in love with you?”
“It’s not cocky if it’s true. I’m just really lovable y’know?”
You let out a sarcastic laugh. “That can’t be true since I’m not everyone.”
I know, he thinks to himself, staying silent as he watches you shuffle in your seat. He didn’t just dislike this idea you proposed, he hated it. It wasn’t hard to just decline and keep it like that–let you figure your feelings on your own.
Yet, something about the near-pleading look in your eyes made him reconsider and it filled him with an urge to smooth the wrinkles on your expression. He sighs loudly, rubbing the invisible crease in between his brows. “Well I guess you came to the right person because I’m an expert at this. 5 star ratings and all that. But what makes you think I’m going to do this for free?”
“Uh the goodness of your heart?”
“Cute,” he laughs. “But no. I want a coffee from the place everyday for a month.”
“What?! Are you insane? That means I’d have to wake up early everyday to get in line!”
He shakes his head, waving his finger around with a disappointed expression. “A small price for love.”
“I don’t understand why you even need me for that. You can buy the whole shop yourself, ass,” you whisper the last part behind your palm, making his eyes light up in amusement.
“What was that?”
“Nothing. Actually you know what? Fine,” you huff. “You’re right. It is a small price for love. But I’m not walking back and forth around campus to deliver your coffee.”
“I got that covered,” he grins, already coming up with a plan in his head. He likes this, the banter you two typically enjoyed. It made your duo, a duo. In a normal situation, he’d relax and continue bothering you. Still, the feeling of dread gnaws at his throat and he tries to swallow it–tries to ignore it by pretending to be the same, goofy Gojo you’re used to. And he’s starting to think it’s hard to do that when you look up at him with such genuine gratitude.
“Satoru.”
“Hm?”
“Thank you, I mean it.”
Gojo feels that emotion again, that visceral feeling where he might go sick and vomit all over the car. “Yeah.”
He thinks he would’ve preferred if you confessed to him instead.
Gojo wonders if stress (if you can call that) is enough to make someone wake up with a hangover the next day. He didn’t drink last night but he thinks he might have–considering the headache that was interrupting his morning.
He’s in the middle of downing a glass of water when his phone buzzes, your name popping up as a notification.
(Name): i’m gonna get ur coffee pls come
Him: come ??? cum
(Name): it’s too early to be doing this
He sees the bubbles appear before they disappear for a while, only popping up again when he’s in the middle of cracking an egg over the pan
(Name): SATORU
(Name): OHMYGOD SATORY SOI SOS
Him: WHAT
Him: HELLO???
(Name): GETOUS HERE OMG IM GONNA
(Name): HE SAID HI TO ME
(Name): WHAT DO I DO?
Gojo grips his phone a bit tighter, his tongue poking the inside of his cheek. He sighs.
Him: say hi back
Him: and then go PLEASE PLEASE PLEASE PLEASE
(Name): no wtf and i meant what do i after this silly
(Name): i don’t know what to do im literally an npc rn
(Name): jk he just said bye :(
Him: should’ve done what i told u to do
Another name pops up from the top and his eyes scan the name, his brows raising in curiosity. He huffs at the message, feeling a wave of nausea cross him.
Suguru: You’re close friends with (Name) right?
Him: yeah why
Suguru: Nothing
It’s silent for a few seconds and Gojo’s back to eating his eggs, tempted to pop a Tylenol to ease the growing headache. Contrary to popular belief, he was against the reliance of pain-relieving meds, opting to let his body figure things out on its own. Luckily for him, having food in his stomach was enough to relieve the headache.
His mind wanders back to the night in the car where you told him to help you with your crush on his best friend–not fully coming to terms with the fact that he wished you liked him instead. Since when did he start feeling this way and why did he need another man to make him realize he liked or even loved you? The thought of anyone having you for themselves was like hearing the sound of nails against a chalkboard and he was jealous. He finally admitted it.
Gojo Satoru wasn’t an idiot when it came to his feelings and he’d be a fool if he kept denying his undeniable irritation that came with your crush for Suguru. He places the unwashed dish atop some other bowls and utensils, reminding himself to get to that later since his priority was not to keep you waiting at the coffee shop.
Another buzz and Satoru nearly trips over his feet at the dread he gets from seeing his best friend’s message. Are you kidding me? He thinks to himself as he reads the message again.
Suguru: She’s cute
Yeah, he thinks he might be sick again.
Music’s playing in the background to substitute the sound of chatter that’d usually fill the room if Shoko were here. It wasn’t rare for Shoko to not flake on parties and it was even rarer for you to leave your comfort zone and go to one–especially the last one hosted by Sukuna; but this one was different. Suguru was the host and you’d be an idiot to miss it.
You flinch at the feeling of your mascara poking the inside of your eye, cursing quietly as you take a q-tip to fix the mistake.
The buzz of your phone makes you freeze.
Gojo: omw to ur house
Gojo: ill be there in 10
You: wait satoru don’t get mad but what do i wear
Gojo: …
Gojo: YOU DIDNT LIKE THINK ABOUT THAT AN HR AGO?
You: I WANNA STAND OUT TO ATTRACT THE LOML OKAY?
You: so i need ur opinion
Gojo: dude
Gojo: ok
Gojo: just wear whatever u want it’ll be fine
You: yeah but what specifically?
Gojo: not smth that makes you look like a grandma
Gojo: like that dress u wore to the last party
Gojo: no offense
You: but i liked that dress :((((
You: was it that bad?? I mean i had to throw it out bc of the vomit anyways
Gojo: it made u look like a grandma but in a good way
You: wow okay thanks
Gojo: you looked nice
Gojo: ANYWAYS
Gojo: a pair of jeans
Gojo: and that light blue long sleeve that shows ur shoulders
You: really?
Gojo: yeah and i’m leaving my apartment now so hurry up
You like the message, tapping your lips to even out the lip tint before you rush to put on the shirt and jeans. Doing a quick double-take in the mirror, you spin once and prop your hands on your hips, snapping a few selfies to commemorate this day.
You’re not sure how much time passes until you hear excessive honking outside, the sound of your phone buzzing as you see Gojo’s caller id. It’s enough to make your eyes roll as you grab your bag–leaving the door locked and the lights off.
Gojo’s grin is boyish and teasing as his eyes scan you from top to bottom. “Oh look at you,” he coos. “You’re actually wearing what I told you to wear.”
“Well I felt like listening today,” you murmur, feeling a small ripple of embarrassment pass you.
“Atta girl.”
“Shut up,” you mumble, feeling a grin form when you hear him chuckle. He puts his car into reverse mode, propping his arm on the top of your seat. Up close, you can get a stronger whiff of his cologne–its musk and earthiness slowing your heartbeat, calming you. Your eyes scan his outfit: a black pullover layered atop white t-shirt, paired with a pair of pants that were on the edge of being joggers and trousers.
On anyone else, the outfit wouldn’t have done them good like it did with Gojo. To your displeasure and awe, he looked effortlessly classy. And if he noticed your lingering gaze, he didn’t mention it.
“What’s your game plan?” His voice draws you back to reality and you watch as he sets the car back into drive mode.
“Game plan?”
“That’s right,” he glances at you, his shades sliding lower on his nose bridge. “Your plan to seduce the love of your life.”
“I’m not going to seduce him!” You gape, narrowing your eyes at his widening smile. His hand reaches down to turn the volume of the song a bit louder, stopping at the upcoming red light.
“I’m just joking with you,” he laughs, his eyebrows furrowing slightly before that smile returns to his face, not quite meeting his eyes like it usually does. He sighs before breaking into a laugh that almost sounds bitter. “I’d pay to see that though.”
At the party, you’d imagine yourself “mingling” with the crowd and letting loose–being the life of the party. Unfortunately for you, your feet are still stuck on the kitchen floor and you’re glued to Gojo’s side. You’d like to blame it on the vomit incident from Sukuna’s party and you’re fortunate enough to not be known as the “girl that someone threw up on.”
Either way, you weren’t especially fond of the fact that you were keeping Gojo from having fun somewhere else. Like in one of the unoccupied rooms upstairs or in the living room playing some drinking games. It’s enough to make you feel somewhat guilty and suddenly regretful that you even came to this party.
You tap his shoulder in the kitchen, offering him a reassuring smile. “Satoru. You don’t have to stay with me. I can manage myself!”
“That’s what you said last time,” he chuckles, rummaging through Getou’s fridge to search for something sweet, frowning when he sees traditional Japanese snacks that his grandparents would eat. “What the hell?” He murmurs to himself.
“I mean it,” you say, taking a few steps back. “You have some fun. I don’t want to bother you too much.”
“You’re not–”
“Satoru. (Name),” a velvety voice greets, all too familiar. A warmth spreads over you. “You made it.”
“Getou,” you murmured to yourself, glancing at Gojo who was already staring at you.
For a second, you see a subtle tick in his jaw, a sight you blame on the lighting since he’s back to normal the moment he turns to face Getou. He grins that teasing smile of his. “Suguru.”
“You looking through my fridge again, Satoru?” The brunette huffs, kicking the fridge’s door shut lightly–exchanging the grin with his friend. Your heart squeezes as he casts a lingering look at you, his smile polite. “Hey (Name). Good seeing you here.”
“Huh?” You perk up. “Oh you too?”
You inwardly curse at yourself for how awkward you were, giving Gojo a scathing look as he hides his laughter behind his palm. Luckily for you, Getou’s sweet and he was also good at redirecting topics. “You want something to drink?”
“Oh sure,” you blink, offering a thankful smile. “Thank you Getou–”
“Suguru.”
You pause, cocking your head to the side in confusion. “Sorry?”
“Call me Suguru,” he hands you a red, plastic cup–his smile pretty enough to make your breath hitch. “We’ve known each other long enough.”
You feel your heart race as he looks at you expectantly, as if you knew what he wanted you to do next. You fidget, suddenly more bashful at the attention he was giving you. “Thank you Suguru.”
“No problem,” he smiles and you like how he looks satisfied with you. He hands another red cup to Satoru who stood beside you, the sarcastic grin of his returning. You take a tentative sip of the booze, watching curiously as Satoru and Suguru talked amongst themselves–reconnecting despite seeing each other only a day ago.
You observe the two of them, mapping the details of Suguru’s face before your eyes land on Satoru–suddenly aware of the fact that the boy you spent most of your youth with grew up. Sure, you know that his face attracts attention from everyone but that was a token from childhood. It just didn’t hit you that he matured, grew up to be the man most would dream of dating. The realization is to make you wonder if Gojo ever registered the fact that you were growing too.
Slowly, you take another sip of your drink, blinking slowly as the alcohol settles in your system. Gojo’s the first to notice when you stumble, how your skin seems to heat up. “Hey hey,” he holds you by the shoulders, his voice soft. And if you paid closer attention, you would’ve seen the way Getou’s brows raised at how gentle his friend was acting towards you. “You okay?”
Amidst your drunken state, you realize that Gojo didn’t bother drinking any of the liquor in his cup during his conversation with Suguru. And Suguru. Sweet Suguru who puts the pieces together and confirms that you’re a lightweight, the guilt evident in his expression. “Oh shit. I forgot how strong this liquor is.”
“I’m okay,” you mumble and step forward, ready to excuse yourself to the restroom. Gojo looks like he’s about to say something until a group of unfamiliar faces barge into the kitchen, their faces bright as they greet Getou and Gojo with intentions to keep them occupied. Among the chatter and crowd, you find it easy to slip away–rushing to find a restroom.
The first one you went in was already used by a couple that you remembered mumbling apologies to. The others were either locked or used. At some point, your gut told you to go upstairs and you staggered into an unoccupied bathroom where you splashed cold water on your face–sighing at how nice it felt against your skin.
The music’s only a fraction of its noise from up here and you’re surprised that there’s not much of a group upstairs. There’s a funny feeling in your stomach as you crouch slightly, mentally cursing yourself for downing the whole cup so quickly, ruining your chances to talk with Suguru–coherently at least. Part of you wants to sulk over your spoiled opportunities but another part of you just wants to crash on the tiled floor and sleep–rest your eyes for a bit.
You’re thankful your mind was still conscious enough to rationalize the unsanitary conditions of the bathroom floor, opting to curl up in one of the hallways instead–shivering at the feeling of cold marble beneath you. Your eyes droop, a yawn escaping you. And you’re almost certain you would’ve fallen asleep if not for the gentle shaking of your shoulders.
“Stop,” you whine softly, your vision blurry as you catch a glimpse of hair the color of snow and a pair of worried filled blue eyes. Your protests turn quickly to bemusement. “Satoru? What are you doing here?”
You think he smiles as he kneels down on one knee to be eye level with you. “How about I get you off the ground first?”
“I don’t wanna. Let me sleep here,” you shake your head, ignoring how your body felt warm at how softly he treated you.
“C’mon,” he chuckles. “The ground’s dirty. Let's get you to a bed at least.”
In your drunken state, your mind still decides it favors a soft comforter over cold marble and you see his eyes soften when you go limp in his arms–letting him lift you from the ground. “Good girl.”
Your mind goes fuzzy at the sound of that and you’re not sure if it’s the alcohol or something else that makes your temperature rise. In that simple moment, you let his arms wrap around you, cradling you to his chest as he makes his way downstairs. All your thoughts stop as your eyes close, drowning the sound of the party out as you permit sleep to take over. His hands give your thighs an occasional squeeze, the gesture oddly intimate yet you don’t bother questioning it or objecting to it.
Even with the veil of sleep dropping on your form, you still recognize Suguru’s voice as he tells Satoru to take care of you, his tone apologetic–having been the one to give you the liquor. They talk for a bit and once more, you feel the bounce of each step as he carries you out the house.
You’re barely awake when Gojo puts you in the passenger seat and you feel disappointment wash over you when he stops holding you. You’re not sure when you grabbed onto the sleeve of his shirt, your eyes half-lidded as you peered up at him. “Don’t go.”
A noise of protest escapes your lips when he removes your cold hand from his shirt gently, rather taking it in between his warmer ones. “I won’t.”
“Satoru.”
“Hm?”
“I like when you compliment me.”
“Oh yeah?” He says, laughing a bit. “It’s hard not to.”
The music and cheers in Suguru’s house are still audible even in Gojo’s car, your vision getting darker and darker with each blink. Still, you can still feel Gojo’s hand gripping yours–his thumb rubbing circles on the skin as you invite sleep back in, taking deep breaths as you breathe in his cologne.
And as sleep came to life, you allowed the dreams to live as well.
Was there such a thing as a relationship between dreams and memories? In moments of delirium, you can’t single out what’s real and what’s not–was it a dream or did it actually happen?
But now that days have passed and you’ve given yourself more time, you’re certain that Gojo was the one who carried you out of the house and spent his night caring for you. So you ruled out the possibility that the night was a dream, rather a memory that made you feel soft inside–grateful yet unsure. And if you wanted to ponder harder, you would’ve done so if not for the hell you were experiencing this week.
Forgetting the content during a quiz. Getting yelled at by your boss. Having stepped in bird shit. Waking up late nearly every day because you’d forget to put your alarm on.
If that wasn’t enough, you got in an argument with your parents over the phone. It was about something stupid and you were so frustrated that you ended up walking to some 7/11–buying yourself an ice-cream to cheer yourself up. The argument was so dumb and you weren’t even sure what you guys were even arguing about. All you knew that you should probably call them later to talk it out; you also knew that this week couldn’t get any worse.
What was Satoru doing right now? You think to yourself, pulling out your phone to check your messages–frowning when you saw none from him. Your eyes land on a message from Suguru, seeing the link he sent you to some video he found funny or intriguing. After the party, you were shocked to see an unknown number texting you, claiming it was Suguru and that Satoru gave your number to him. The day that happened, you texted him using exclamation marks and thanked him–smiling at your phone as you two exchanged witty messages with one another.
You sighed, unlocking your phone and clicking Satoru’s contact and phoning him. You almost hang up after several rings but you hear his voice after the nth ring. “Hello?”
“Satoru?” You say, your voice cracking the second your lips part to speak. You weren’t expecting to cry and neither did Satoru–though you can hear the concern laced in his voice as he questions your whereabouts.
“Where are you sweetheart?” You hear rustling in the background amidst his voice and your sniffles. “I’ll pick you up. Your location’s shared with me right?”
“Mhm,” you wipe your eyes, fidgeting with the hem of your hoodie.
“Okay just stay there and don’t go anywhere. I’ll be there in a few. Don’t cry (Name).”
You think you might cry harder with how sweet his voice was.
Satoru thinks he might be the only one who notices the rift between you and him. And he’s not sure if he’s the one causing it or if it’s you. But after that night with you (in his car again), he’s been thinking about how soft you were in his arms; how he liked the way your head drooped against his chest. Or maybe he likes you but he’s not going to think about that unless he wants another headache.
Regardless, he finds himself looking at his phone sporadically, subconsciously eager to see your name pop up unexpectedly–eager for things to go back to normal. Even though you two still speak, he’s almost sure that he’s not imagining the awkward tension in the air.
Was he too intrusive when he carried you out to his car? Were you mad at him because he didn’t leave Suguru and you alone in the kitchen? It was a selfish thing to do, he admits. His original idea was to leave you alone with Suguru so you’d get to chat with him–get to know him like you intended to do at the party; but seeing Suguru give you that sly smile of his was enough to make Gojo ditch his plans of playing Cupid.
If Gojo was a good man, he’d feel happy that you were getting what you wanted since he knew you weren’t the only one interested. Like with the message Suguru sent to Satoru and how he eyed you at the party; how he called Satoru over for a bit and told him that he understood why people liked you or found you attractive; how he commented on how the shirt you wore suited you.
No shit, I picked it, he thought to himself as he recalled that night. Satoru always knew you were beautiful and he hated that everyone else knew too. You weren’t even his yet but he didn’t want to share you–to let anyone else hold you or have you. Seeing you blush and smile shyly at his best friend made him want to puke—made him want to claw his eyes out. That should be him and god he wishes it was.
He was selfish yet he never promised to be good. Yet, this was for you. He wanted you to be happy, is what he told himself whenever he saw you and Suguru talking.
His phone buzzes and it’s almost embarrassing how quickly he snatches it, the anticipation in his eyes fading when he sees that it’s Suguru messaging him about the party today. Satoru sighs, rubbing the spot between his brows as he leans on the kitchen counter, suddenly reminded that he planned a party at his place today. It was an impulsive decision to forget about the tension between you two and Satoru’s kinda wishing he took the time to talk it out with you rather than planning something else.
He invited a good amount of people and was going to invite you as well to give him a reason to call you. But lucky for him, you made things easier for him by calling him. Satoru thinks it’s not healthy for his blood temperature to rise just at the sight of your name on his phone and he’s already grinning when he picks up. “Hello?”
“Satoru?”
Oh. He pauses, his brows furrowing at how your voice cracked as you tried to hide your sniffles. His first thought was to wonder who made you sad and he thinks it’s scary how hearing you cry was enough to send his emotions in a frenzy. But you needed him and he didn’t want you to be alone. “Where are you sweetheart?” He asks, the nickname flowing off his tongue before he can stop. “I’ll pick you up. Your location’s shared with me right?”
“Mhm,” You mumbled back and his heart nearly snapped in two with how dejected you sounded. He frowns, grabbing his jacket and his keys–rushing to slip on his sneakers.
“Okay just stay there and don’t go anywhere. I’ll be there in a few. Don’t cry (Name).”
You make a sound of understanding and he hangs up, his finger tapping to click on Suguru’s contact. Satoru hears other familiar voices in the background but he doesn’t pay much attention to it.
“What’s up Satoru–?”
“Party’s off.”
“What? Wait what are you–”
“Sorry something came up. I’ll tell you later,” he says, hanging up before his friend can say anything else. He knows he should feel bad for flaking out last minute but his list of priorities had you at the top of it. And he really didn’t care if anyone else would understand.
You’re regretting the choice of shorts in the chilly night air and the ice-cream you ate wasn’t helping you shiver any less.
The way Satoru sounded made that warm, fuzzy feeling settle in your stomach again. He sounded like he would drop whatever he was doing just to get to you and it made you feel special. You think back to the sound of “sweetheart” from his lips, shaking your head when you feel your blood get warm.
“(Name)?” Satoru’s voice startles you from your thoughts and you think the sound of it could erase all your troubles. “You alright?” He asks, shrugging the jacket off his shoulders and draping them over your legs, kneeling down to see your face.
You only nod. “I want to go home.”
“Yeah I can take you back–”
“No,” you shake your head. “Back to your place.”
For a moment, you’ve stunned him but that surprise left as fast as it arrived. He sighs, tapping your knee with his finger. “Usually dinner comes first–”
“Not like that you idiot,” you kick him lightly, a grin forming on your lips. “Your methods of comforting are weird.”
“Yeah?” He laughs, the sound blending with the wind. “Well maybe I’m not trying to comfort you,” he eyes you with a teasing glint in his eyes and flashes a lopsided grin. He looked almost sweet as he did sly, the blend making your heart pick up in pace.
You squirm, mustering a tone of nonchalance. “I changed my mind. I’m going back to my place.”
This time he chuckles, his eyes narrowing in amusement. “Nuh uh. It’s my job to wipe that frown off your face,” he says, the corny phrase making you roll your eyes. “C’mon, I’ll be good to you.”
You pretend to think, ignoring the attentive expression he wore. “Fine. I guess I’ll let you take me home.”
“That’s my girl,” he grinned, standing up to his full height. You beam at him, matching his steps as you two reach his door. By the time the two of you were settled at his place, you already spoke to your parents in private–clearing up the misunderstandings like Satoru reminded you to do. You were glad you had him and even more glad that things were falling back to place.
Your eyes scan your surroundings, noticing how he must’ve tidied things up. “Did you clean your place?”
“Hm?” He grabs two mugs from the cabinet. “Oh yeah. I was going to have a party here.”
“Today?”
“That’s right,” he drawls, glancing at you from the corner of his eyes. “I was going to call you to see if you wanted to go.”
“Really?” That was a shock to you. “Are you still gonna have one today?”
“Nah. Canceled it last minute.”
You pause, raising your brows as you try not to jump to conclusions. “Why’d you cancel it?”
“Had better things to do. I'd rather hang out with you anyways,” he says casually, smiling when he finds the packets of hot cocoa. “Found it!”
Did he cancel the party for me? You think to yourself, a bit surprised that you came to that conclusion; but if you were right and he did, you wouldn’t know what to feel other than appreciation and maybe something else. Whether that was true or not, you know that you should be feeling guilt and not giddiness from having him prioritize you. Was it normal to feel this way for Satoru? You’re about to let your thoughts fill your head but you feel your breath hitch at how he seems to lean closer to you.
His hands move you by the hips, the touch barely lasting five seconds. “Sorry I gotta get the spoons,” he murmurs, paying no mind to how you hold your breath. Your eyes fall to his biceps, swallowing a gasp as you see how the black material of his shirt moved with every movement he makes. There was no way he was human when he looked like that.
Oh my god, you think to yourself, suddenly mortified at the fact that you were checking him out. What was wrong with you right now? You always knew Gojo was attractive but you didn’t think he was this attractive. And if he had any idea of your internal conflict he didn’t pay it any mind.
“Can you go get the movie ready for me?”
“Uh huh,” you nod immediately, quickening your pace as you try to distract yourself. By the time he sits next to you, the blankets and snacks are already placed neatly on the living room table. You smile and mutter a thank you when he hands you the mug of hot cocoa.
“Feel better?” He asks, propping an arm on the head of the couch once you’re halfway through the movie: a random romcom you picked to cheer you up. Even as someone who claims he’d rather watch a movie with more action, you think the drama that comes with romcoms intrigues him–much more than he’d like to admit.
You take a sip of your drink, your eyes flitting to him. “Much better.”
“I bet,” he murmurs, his eyes glancing at the way your knees touched. The scene panels to a teary confession the female lead does, the music dramatic with strings in the background. You watch intently, observing the expressions both characters make on screen.
“Y’know, I never understood how they can always come up with a speech like that on the spot,” Satoru comments, plopping a few gummy bears in his mouth. “Isn’t that unrealistic?”
“It’s a movie,” you point out, watching as the male lead hung onto every word the female lead had to say. “It’s not supposed to be realistic.”
“I guess you’re right. But that stuff apparently happens in real life right?”
“Wouldn’t you know? You have people confessing to you all the time.”
“I don’t give them much time to continue speaking,” he shrugs.
You don’t like how uneasy you feel after he says that. “Well, maybe it’s love that makes this kind of stuff happen.”
This earns you an amused snicker. “Of course you’d say that. You gonna do that with Suguru? Confess to him from the bottom of your heart?”
You roll your eyes. “To do that, I’d have to be in love with him.”
“Are you?”
“No,” you give him an incredulous look. “I hardly know the guy. I just really like him.”
He makes a sound of understanding but you feel as if you’re deluding yourself when you see the look of relief cross his face. You turn to him, the movie forgotten all of a sudden. “Would you do that?”
“What? Confess to Suguru with the bottom of my heart?”
“Yeah sure. That’s what I meant.” you huff, seeing his teasing grin form. You sigh. “No like…confess to someone you love.”
He’s quiet, the faraway look in his eyes confirming that he’s deep in thought. You’re not sure why a pang of irritation hits you when you realize that there might be someone Satoru’s in love with. And you’re not sure if it’s because he’s not telling you or because you want to be that someone. You go with the former because you’re supposed to like Suguru.
His eyes wander to meet yours and the tick in his jaw makes you nervous–makes your palms sweaty because he’s never looked at you like that. You’re not even sure words could describe what emotion he had on his face. He smiles–not the smile that’s crooked and boyish. It’s the smile that’s sharp and makes his eyes narrow. “I might.”
“You might?” You ask, hating how breathless your voice sounded to your ears–something that he notices with the way amusement practically glimmers in his eyes. You swallow a gasp when his gaze falls to your lips, quickly flying back to your eyes.
“Maybe,” he whispers and you can’t help but wet your lips, feeling faint when the bright blue of his eyes darkens to black. You don’t flinch when his head tilts, his arm coming to the side to trap you between the couch. His cologne overwhelms you, makes you drunk on him. He’s so close that you can feel his breath hit your face.
“Satoru–”
The sound of your phone buzzing crushes the tension quickly and you let him lean back–looking as if he had more to say. You feel a smidge of disappointment as you grab your phone. “It’s Suguru,” you say and you’re not sure why your inner voice begs Satoru to tell you to ignore the phone call–to act like he cares more.
“Shouldn’t you answer it?” He questions and you hate that sinking feeling in your stomach when he doesn’t even spare a glance at you–as if acting like he wasn’t about to kiss you seconds ago. You can only frown, nodding as you watch him stand up–still not offering you one single look. “I’ll clean up.”
As you glance at your phone, at the name of Suguru appearing on your screen, you hope for the slightest bit of joy–that lovesick feeling you get whenever you’d see him. Yet, it felt wrong. This felt wrong. And apparently, Suguru could tell from your voice that there was something bugging you.
“Is everything alright? You don’t sound too good.”
Your eyes linger on Satoru’s figure moving to the kitchen. You think Suguru mentions something about a date but you don’t pay much attention, not feeling all that bad as you drown out his voice. “Yeah. I’m fine. What were you saying?”
“I was asking if you wanted to go to dinner with me tomorrow. I’ll pick you up at 7 and we can–”
“Sure,” you say, trying to ignore the way your body lurches at your response–as if it didn’t want this. “Sure. I’ll see you at 7.”
You don’t catch what he says when he hangs up, only thinking of how Satoru looked at you when he was leaning closer. The thought doesn’t horrify you as much as it should but you think that if he had kissed you, you probably would’ve kissed him back.
If someone told you a month ago that you were going on a date with Suguru, you would’ve cried tears of joy and celebrated. But now, you’re almost undeniably feeling a wave of indifference hit you and it feels awful. Suguru’s perfect–his sharp features and his charming smile that’d send anyone into a frenzied mess. Or maybe most tend to fixate on how suave he is with his words–mixing the subtlest of flirtations with simple compliments.
He’s everything you could’ve asked for. Yet, you find yourself missing the ruthless beauty you saw in Satoru–the striking blue of his eyes and the rare color of his hair. You find yourself missing the rasp of his voice, how it’d soften that night when he comforted you; you find yourself missing his warm and strong embrace as he took care of you in your inebriated state; you find yourself missing how close he was that night on his couch and how he looked at you.
At some point, you found yourself replaying that scene over and over again. The first few times, you were giddy with hormones as you imagined him leaning closer and kissing you. After a while, you wanted the image gone because it didn’t happen. He pulled away. He let you pick up the call from Suguru. He acted like nothing happened when in reality, a lot did happen. You two were finally breaching the line of friends and he knew that.
So why? That question plagued your mind for days after and every time you think you forgot about it, the memory of him would remind you all over again. And when he only congratulated you when you told him about your date with Suguru you felt betrayed. Why don’t you care? You almost blurted out but technically he did care. After all, he was the one who was trying to set you guys up so why did you suddenly want to change your mind?
You think you might hate him a little for being so good at acting like everything’s normal and you think you might hate more for making your heart beat so fast. Things weren’t supposed to end up like this. You weren’t supposed to imagine your best friend kissing you breathless or taking you on a date.
Everything’s going to fall into place, you tell yourself. You’ve already dolled up and were in the middle of spraying your perfume when Getou messaged you that he was already here. He’s relaxed in the car as you enter the car. This scene feels the same, you think to yourself, recalling the way Gojo greeted you the last time he picked you up.
“You’re wearing the shirt you wore to the party,” Getou points out and you look down at your shirt, gaping at the revelation that you’re wearing the same top Gojo told you to wear. Even with the company of another man, your subconscious still wishes he was here.
“I didn’t even notice,” you mumble, smiling at the brown-haired male as he drives. The small talk is all natural as you two make your way to the restaurant and you’re grateful that Suguru’s such an easy person to talk with. He’s nice. Really nice and you feel almost guilty for not being as enthusiastic as you wanted to be.
It’s only when you’re midway through the meal that he mentions it. “You’re not here.”
“What?”
“Here,” he shrugs, glancing at you with an empty smile. “You’re thinking about something else aren’t you?”
“I’m not–”
“Don’t worry I’m not mad,” he says and you know he’s telling the truth. “I’m curious. What are you thinking about?”
This makes you squirm in discomfort, a bit uneasy at how perfectly he read you. Satoru’s always made comments about Getou’s intuitive feeling for emotions and you’re starting to think he wasn’t exaggerating. “What if I don’t wanna tell you?” You joke.
“Then you’d leave me to assume,” he answers easily, the corner of his lips curling upwards. “I’m not an idiot (Name). I know when a lady’s thinking about someone else in my presence.”
When you try to protest, he only smiles. “Is it Satoru?”
Your silence is enough said. You want to deny him–want to shake your head and utter a firm “no.” But something about the question makes you lose your sense of thought and Suguru understands that too. “Are you in love with him?”
This catches your attention. “No. I like you not him.”
“Aren’t we well past the point of lying now?” He gives a good-natured chuckle. “If you liked me then you wouldn’t have looked at your phone so many times as if you were expecting a call.”
You widen your eyes. “I’m sorry I didn’t mean to–”
“Nah I’m really not mad,” he sighs. “But I’m interested in why you didn’t decline my offer for a date.”
You’re silent for a while, musing over his words. “When you called me, Satoru and I were about to kiss. Or well–at least I think we were about to kiss.
“So why’d you pick it up? I know Satoru enough to know that a call from me isn’t enough to make him stop with whatever he’s doing,” he raises a brow and you catch a roll of his eyes as he remembers something.
“It’s because he was the one who was setting us up together.”
Suguru makes a sound of confusion, nodding at you to continue. You take a big breath. “I asked Satoru to help me get with you.”
Getou makes a “o’ with his mouth, nodding in consideration as he processes your words. His pity makes you feel small and you’re finally experiencing the impact tenfold. “Oh (Name).”
“Yeah,” you shrug. “So now I’m pretty sure I messed up the friendship because I was stupid and he’s never gonna like me back–”
“That’s not true,” he stops you, taking a sip from his wine. “Satoru’s different around you.”
“Well that’s because I’ve known him for a while now.”
“Maybe. But he doesn’t go out of his way to help people like he does with you. Even an idiot could notice that.”
“That doesn’t mean he likes me back–”
“You don’t know that yet,” he retorts, that smile of his returning again. “Just like I didn’t know you were in love with my best friend the entire time.”
You wince, swallowing as you peer up at him. You know he didn’t intend for the comment to burn but a small part of you thinks he did it on purpose. The sight of you sulking brings a wider grin to play on his face. “Relax. I’m only playing with you,” he pauses. “I’m a bit jealous that Satoru's got such a cute girl in love with him though.”
His teasing makes you laugh. “What if he doesn’t love her back?”
“Then he’d be an idiot,” he says, giving you a look as he asks for the bill. “If he breaks your heart you know who to go to. I’d be happy to have you for myself.”
You roll your eyes, smiling softly when he coyly smiles. Suguru was kind enough to offer to drop you off at your place but you told him you wanted to see Satoru—bringing a surprised look on the brown-haired male’s face. You’re not sure how apparent it was, but you reeked of anxiety and Suguru was quick to point it out.
“I’ll wait for you,” he says nonchalantly, shooing you with his hand once you stare at him in bewilderment. “Go. Just do me a favor and message me when you guys are gonna get uh intimate.”
“We’re not—“ you click your tongue at his grin. You thank him, rushing to Satoru’s flat—the sound of your heels clicking against the floor.
If you were in a movie, there would be dramatic music playing in the background—perhaps orchestra or a sappy love song. The scene was so cliche but you’re understanding why the protagonists always ran: it was love. You were in love with Gojo Satoru.
You ring his doorbell, fixing your hair as you ready yourself to see him—mentally preparing the script of your confession. Please be home, please be home, please—
The door opens and a plethora of blue looks back at you, the surprise evident in them. You visibly brighten, smiling as you see him. “Satoru I—“
“Satoru?” another voice says from behind him—the voice evidently female. You freeze, feeling as if this image was in slow motion as you see a glimpse of a girl behind Satoru. Your eyes flit to both of them, the speech you prepared in your head drying up like a sore. “Who’s this?”
You hate that you can only watch. “It’s just a friend. Why don’t you go back inside for a bit, yeah?”
She’s so pretty, it hurts. There wasn’t a speck of imperfection on her and the need to curl up in a ball never felt stronger. The girl nods at Satoru, glancing at you in curiosity as she leaves you two alone.
You think you might hate a little bit for looking at you in concern. “Is there something wrong? Are you okay? If something—“
“No. Nothing’s wrong I’m just—“ you say, wishing your voice was louder at this moment. You avoid his eyes, fearing that you’d end up crying in front of him if you continued to stare at him. “I need to go.”
“What? But you just got here—“
“I don’t know why I came here. This was a mistake and I—“ you sigh shakily, turning on your heel to leave.
Satoru grabs you by the wrist, his gaze soft as he shakes his head when he sees you try to pry his hand off of you. “Just tell me what I can do—“
“Suguru’s waiting for me,” you say quickly, ignoring the way his face drops. “He’s outside right now.”
You hold your breath the moment his hand slowly slips off your wrist, taking a few steps back as you make your way outside. Not once do you turn back as you try your best to hold the tears in—ultimately failing as they fall as quickly as they appear.
By the time you reach Suguru’s car, your make-up is already ruined. At first, he snaps his head back at you with a smile, the curve of lips quickly disappearing as he sees your lip trembling. “No?”
“No,” you confirm, sitting back into the car and wiping your tears with a tissue he hands you. There’s no words spoken between you two as he starts the car, a heavy sigh escaping his lips. Ironically, you listen to the soundtrack of “The Other Woman” playing in his car and he’s quick to change the song. He clears his throat.
“I didn’t think he was that stupid,” he says after some time, signaling right as he reaches the stop light.
“He wasn’t,” you murmur. “I was the stupid one for thinking that we could be more than friends.”
After the ordeal a couple nights ago, you’re not even ashamed that you’re blatantly avoiding Gojo like the plague. You even turned off your read receipts for him which you would’ve found so petty if you didn’t feel so frantic at the sound of his name. Originally, you thought he’d put up more of a fight and be more persistent in getting your attention–only you were proven wrong when you didn’t see any of his attempts increasing.
Disappointed, you were caught in a dilemma. You wanted this distance but craved his presence. At some point, your thoughts ran dry and you were in a slump. Were you always this bad at making up your mind?
No. You weren’t. You didn’t think excessively hard when you decided you liked Getou and when you stopped liking him. Nor did you think super hard about your other crushes. Gojo made your brain hurt and if this was love, you’re not sure you really liked it; but it felt so nice to think about how it would feel to be loved by him–to have him kiss you.
Which is why you thought it was a great idea to avoid him because surely time makes the feelings fade. And you hope they fade fast–especially after you saw him with that girl. You bite back your jealousy at the thought of what they did together. Today was supposed to be a mental health day. It was if fate allowed you to have little to nothing to do and you were going to take advantage of it.
The coffee house was ambient with the occasional loud laughter from groups of friends. You were halfway through your book, taking a sip from your drink as you flipped the pages. This was what you were meant for: reading novels in a cafe, keeping a low profile, and protecting your peace.
You’re about midway through the big plot twist until you hear the sound of a chair scraping and your heart freezes in your chest when you see Gojo stare back at you. Only this time, he looks serious and even annoyed.
“I knew I’d find you here,” he begins, tapping his finger nails on the wooden table. You don’t miss the way a few people take a few double-takes when they walk past him. So much for keeping a low profile.
“Gojo,” you acknowledge him awkwardly, fidgeting with the pages of your book.
Your stomach does a flip when his jaw twitches and his eyes cross your face. He sighs, leaning back and adjusting his seating position. “Are you mad at me?”
“Why would I be mad at you?”
“You literally just called me Gojo,” he said and if you were more rational, you would’ve laughed at how childish he sounded over you not using his first name.
“A lot of people call you Gojo,” you point out, still not meeting his eyes.
“You’re not just ‘a lot of people.’ And you always call me Satoru,” he murmurs.
You tense up. There he goes again: treating you like you’re special. It makes you confused and makes your heartbeat skip. You clear your throat. “I’m not mad at you.”
“Then why are you avoiding me?” He says, a bit loudly at that. It was unlike Gojo to attract attention to personal matters in public and the guilt hits you. You were so caught up in your own feelings that you completely ignored how he would’ve felt. Even if he only thought of you as a friend, anyone would’ve felt mad if put in the situation you put Gojo in.
You glance at the curious gazes in the cafe, grabbing him by the hand as you pull him outside to a secluded area. You quickly drop his hand, a bit surprised that he let you even hold it. “What are you talking about?” You ask, not sure why you’re playing dumb.
“You’re avoiding me,” he says, staring down at you. Sometimes, you forget how tall Satoru really is and how his gaze can make anyone feel small. “Did I do something to make you mad?”
You think back to him and the girl. “No you didn’t do anything.”
“Then what the hell is it?” He says, sounding more mad than you initially thought. His eyes scan over your face–observing your pursed lips and aversion from his eyes. He clicks his tongue. “Is this about the other night?”
You really wish you didn’t snap your head so fast to meet his eyes. The other night could’ve meant many things but you knew he was referring to a specific one. “No,” you say and you already know he doesn’t believe you.
“(Name),” he says softly. “Were you jealous?” Hearing him saying it out loud makes you cringe. You shake your head adamantly, trying to muster up the courage to not break eye-contact with him. You wonder if he could hear how loud your heartbeat was. “I’m not jealous. Why would I be jealous?”
“You tell me,” he voices in that tone that tells you that he’s already figured it out. For all the years you’ve known Gojo, you’ve become well-acquainted with his habits and his mannerisms. And you knew him well enough to realize that he wasn’t going to stop with the questions until you told him the truth.
He always did this. Always made sure to pummel the truth out of you and it didn’t matter how dirty he played. “Then why did you go to me in the first place? Didn’t you have Suguru outside waiting for you?”
“I–”
“What was so important about what you wanted to tell me that you left Suguru waiting for you? What was it and why are you so scared that you’re avoiding me?”
“It’s because I like you!” You finally say, knowing that he bested you in this game of his. The regret hits you so hard you feel like running away again. Only this, he doesn’t let you when he pulls you by the shoulder.
“What?” He says breathlessly, his eyes wide with wonder. It’s over, you think to yourself. He’s going to hate you after this because you ruined the friendship.
“I avoided you because I like you,” you admit quietly. “And because I saw you with that girl the other night.”
“(Name)...”
“Stop,” you murmur, feeling the tears form. “Stop. I already know what you’re gonna say, okay? It doesn’t matter anymore.”
You shrug him off, wiping your tears with your sleeve. The plans for “protecting your peace” almost seemed silly now because you couldn’t rewind time and undo all of this. You don’t bother saying goodbye to Gojo as you take your chances in leaving. And you desperately wonder how you were going to move on from this.
Gojo thinks he’s in a fever dream. Your confession stunned him into oblivion and if it weren’t for your tears, he thinks he might’ve stayed in one spot for hours on end. The night you came over, Gojo already had enough on his mind. Seeing you in the flesh made him lose the logical side of his brain and his mind just replayed that night you two nearly kissed.
He remembered being able to taste how nervous you were–how you found purchase on his shoulders as he tried his hardest not to pin you to the couch and kiss you stupid. He remembered how soft you were and how that thought would torture him for days on.
Gojo knew what he did after was an asshole move but he thought the phone call from Suguru served as a reminder that he couldn’t have you. You two were best friends and to ruin that because he wanted you was selfish of him. He was already selfish enough to want to keep you for himself but you wanted Suguru.
That’s why when you came to his place, he was confused. Gojo did something stupid and didn’t want the thoughts of you to keep popping up. He recalled dialing the number of some girl he stopped talking to ages ago just to not have you occupy his mind.
When he saw your brows furrow at the sight of her, he was surprised to say the least. He ruled out the possibility of jealousy early on and just kept it as that. But now, on this chilly afternoon and in some secluded corner, you were confessing to him.
You like him. You like him back. Sure, you didn’t love him like he loves you (or at least he thinks so) but that's besides the point. He collects himself the moment he sees the tears forming in your eyes, panic coursing through him.
Did his silence make you misunderstand? Did you know that he was ready to scream and tell the whole world that he finally got the girl of his dreams? How he was prepared to pull you into a crushing hug and hold you like he had heaven in his arms?
He forgot you weren’t a mind reader and it dawned on him that he caused your tears. He doesn’t want to be the guy who lets misunderstandings marinate nor does he want to be the cause of your fallout. He was going to fix this.
If you thought he was going to let you go that easily then you severely underestimate him. Because Gojo Satoru was willing to fight for your love.
You think you’re in some sappy k-drama when he grabs you by the wrist the second time. If you weren’t crying your eyes out, you would’ve laughed at him and he would’ve laughed with you. But there’s only a wave of frustration when he doesn’t let go. “Satoru let me go–”
“No,” he says with a deadpan and you almost think he sounds desperate. You’re about to say something but he only steps closer. “You can’t run away like you did before. That’s the easy way out–”
“I’m not–”
“You are,” he interrupts. “And I’m not gonna let you because you’re gonna listen to what I have to say.”
You’re almost reluctant to stay silent but you give in when he squeezes your wrist–as if begging you to stay. You sigh. “Fine.”
“Good,” he whispers, racking his brain for what to say. He takes a deep breath. “A while back, I said I didn’t understand how the characters from romance movies always knew what to say in moments like these. You know those super long speeches? It seemed unrealistic to me but I think I understand now.”
You let him continue, clinging onto every word that falls from his lips. “It’s so easy to say stuff like this. When you’re in love with someone, you notice the little things about them. I noticed you and you were the only thing on my mind. You still are the only thing on my mind. Do you get what I mean?”
You watch in awe as he continues, stuttering over some of his words which was so rare for him. “The night you told me you liked Suguru I was so annoyed. I’ve never gotten jealous of Suguru or anyone but I wanted to be the one that you liked. I wanted to be the one that you dressed up for and the one you smiled at. It drove me insane when you went on a date with him and I hate that I didn’t just say fuck it and steal you away sooner.”
He takes a chance to catch his breath, ruffling his hair as he finally flashes you a crooked grin–a mix of embarrassed and boyish. “That girl you saw me with…I never did anything with her,” he admits and you think you might fall over from shock. “I couldn’t. I just kept thinking about you and I wanted you on my mind all the time. I didn’t want to think about anyone else and didn’t want anyone to take your place–”
“What I’m trying to say is that I’m in love with you,” he finally says. “I already said that earlier but I want to say it again. I think I’ve always loved you–even when we were kids. I think little kid me always wanted your attention. I just never knew what I felt until I realized that you weren’t mine–not mine to love. And I don’t think there’s nothing in the world that I want more than you.”
At this point, your mouth is already ready to catch flies as you listen to his ramblings about his affections. You think you might cry. Gojo’s usually not good with words but you can tell how genuine he is–how much he meant this. “Then all those times you helped me with Suguru?”
“I hated doing that,” he huffs. “I swear I was about to punch Suguru every time he called you cute.”
You laugh, feeling jittery all over. “Would you?”
“I’m a bit worried that you like that idea a bit too much.”
You grin, shrugging. “Maybe a little. I guess I should tell you that I really wanted you to kiss me when we were on the couch.”
“You did?” He practically beams, cupping your face with his hand. You feel your stomach do twists when his thumb grazes the skin of your cheek softly, as if this was always normal.
“And I should probably tell you that I love you too,” you say firmly, gaining a rush of confidence. “And you should probably kiss me right now.”
The smile on his face might just be the prettiest thing you’ve seen in the world. He leans in, cupping your face as he presses his lips against yours. The way he holds you makes you feel safe and you think you might love him a little more when he moves his hand to your neck.
You break the kiss. “Does this mean we’re dating now?”
He laughs. “Do I need to kiss you again for you to say yes?”
When you nod, he pulls you in again and again. And if this was his way of asking, you’d say yes each time.
#niniblogs#nini recs jjk!#seriously!!!!#this combined all my fav tropes#scenes like??? did you read my mind??#the character dynamics and style of writing is out of this world#r u kidding me op??????#‘good girl’#i am on my knees#the angst kept angsting#you are a legend#this is genuinely the best thing ever#very important to me#this motivated me but also wtf it’s so good#IM TAMBLING#THANK YOU OP<3
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The one piece reread only makes the hardest moments hit even harder,,,, even when you’re rereading it poorly in portugese
Or AKA, i found out today that HINATA SHOYO reads one piece and I haven’t recovered since
#one piece#haikyuu#hinata shoyo#roronoa zoro#(kinda)#omfg okay time for my entirely SEPERATE POST IN THE TAGS#i only got into one piece at the end of last year... but ive been in the anime and manga scene for like. my entire life#i cannot understate how WILD it is that I havent noticed how everywhere one piece is....#like once i read it... i started finding it EVERYWHERE#my sister gifted me an issue of shonen jump ages ago cause i liked act age and kimetsu no yaiba chainsaw man promised neverland etc#and it doesnt have like a one piece chapter in it actually (to my disappointment)#but IT DOES HAVE A LIL ADVERTISING SEGMENT AT THE FRONT TALKING ABOUT OKIKU FIGURINES AND OTHER ONE PIECE CRAP#AND IDK IT LITERALLY JUST BLEW MY MIND#ONE PIECE DIDNT EXIST IN MY LIFE BUT.... IT DID????#I HAD ONE PIECE MERCH BEFORE I EVEN BECAME OBSESSED WITH IT??? (hahah if you can consider a tiny segment mentioning okiku op merch XD)#just imagine suddenly being obsessed with a piece of media. and then you look around ur room and U SUDDENLY RECOGNISE A CHARACTER MERCH???#ITS BEEN IN UR ROOM FOR YEARS BUT YOUVE NEVER REALLY EVEN NOTICED IT OR JUST BRUSHED IT OFF WHENEVR U SAW IT#BUT ITS THAT CHARACTER!!!! ITS THAT MEDIA THAT UR MADLY IN LOVE WITH????#also im being 100 percent legit when i say that the sense of comeraderie i feel when someone says theyve ALSO read one piece#is insane#discovering that domics and worthiikids and all these other big youtubers that ive known for years have loved one piece like me?#it makes my heart clench and my eyes water man#ive never felt so connected to the world... one piece really is peak fiction.....#i love one piece's community sm....
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Blyke and John: Parallel Characters
I’ve written multiple entries about this,
[x] [x] [x]
But I’m back to make a comprehensive analysis about the glaring similarities between these two. I’ll try not to repeat myself here.
‼️SPOILER WARNING for the whole series‼️ but this mostly focuses on the story before John’s suspension.
Firstly, this scene:
ch. 121
This conversation takes place near the beginning of the Joker arc. It’s after John targets Zeke, after he targets Juni, and the day before he goes after Seraphina’s kidnappers. The timing is important.
“If someone hit your best friend, would you let it slide?”
That question is supposed to remind us what John does to people who hurt Seraphina: hunting them down and sending them to the hospital. Blyke shooting a destructive beam really close to John was an example of a trait they share: they both blow up violently when people mistreat their friends.
John’s downward spiral carries strong themes of hypocrisy. He’s angry at the world, he’s angry at himself, and as a coping mechanism, he chooses to believe that everyone else is as bad as he is. That means that most of the traits he hates others for are the same things he hates about himself. In this scene, Blyke is unintentionally calling out this hypocrisy: “What I did is no different from what you do”.
But Blyke’s just trying to connect with John here, he has no idea what John’s been doing. And John, of course, doesn’t give a shit about what Blyke has to say. This line was here for the audience to notice.
They’re both so similar, but their similarity immediately causes tension between them because, well, John was on the wrong end of Blyke’s protectiveness.
I really love the way this was written— there are so many flashbacks to this scene, but they remember it differently. John remembers the part that hurt him— he’d describe it as “the time that jackass shot a beam at me”. Blyke remembers the part that hurt him, or rather, hurt Remi: “the time that jackass hit Remi for no reason”.
Blyke and John are both hotheaded characters with strong ideals. They’re similar enough that Seraphina points it out:
(ch. 80)
As Blyke grows as a character, he becomes more like John: sticking up for low tiers and speaking out against the injustice in the world. But while Blyke is doing that more, John is going in the opposite direction, until they are fully opposed to each other.
Speaking of Blyke’s character arc, it took me a few rereads to actually understand what part of him changed. His kindness, selflessness, bravery— all of those things were there from the start. Blyke’s character arc was about becoming more aware of his surroundings, and how his carelessness can harm others. Blyke was never malicious, but after X-Rei and integrating more with the school, he becomes aware of people suffering around him and how he unintentionally contributes to it. He becomes less reckless, privy to the flaws in the system he grew up not questioning, and uses his power more responsibly. He even comes up with a more controlled way to wield his ability. The part of Blyke that changes is his maturity.
Part of John’s character arc is also about being careful. It’s not as close of a parallel as other things are, but one of the things that John works on during his redemption arc is holding back. Both of them learn self-control throughout the series, and for John, that means acting early before his emotions spiral out of hand.
Adding onto my first point about the two of them wanting to protect their friends— the fact that they can’t do that makes them both angry and desperate. For most of the story, the “block” that prevents John from protecting Seraphina is in his head. It’s his own trauma that holds him back. The block that prevents Blyke from protecting his friends is, guess what? Also John’s trauma! Parallels abound.
Another thing I noticed in Episode 80 is this:
Notice that when Seraphina says “I’d take that over strength any day,” John is looking at the camera. He’s avoiding Sera’s gaze. Seraphina is saying she prefers honesty over strength. John is very strong, and very dishonest, but Seraphina thinks the opposite because John is so dishonest. John appears to be reflecting on this disconnect.
In relation to this analysis, Seraphina is actually pointing out a major difference between Blyke and John. Beyond that, she’s praising Blyke’s traits, (less strong but very open) above John’s traits, (strong as fuck but a liar with his pants on fire). Furthermore, John really cares what Seraphina thinks of him. Knowing that she would think less of him is the main reason why he spent so much time and effort preventing her from catching his lies.
This leads into my main point here: Blyke is the “goody-two-shoes” version of John. Or, more accurately, the person that John wants to be. Blyke has a clean track record and doesn’t really get into trouble. He is respected and left alone by the school without being hated and feared, he de-escalates conflicts without taking things too far, he doesn’t lose control, he’s someone Seraphina thinks highly of, hell, even his grades are better! Blyke represents everything that John wants to be, and the person that he could have been if he’d gone down a different path.
But, crucially, John is also what Blyke wants to be. Well, not wholly, but his ability? His strength? It’s one of the things John hates about himself, but Blyke wants that strength so desperately that he risks his life for it over and over again.
They’re both desperate to be like each other, even when they hate each other the most. Neither of them have any idea how alike they already are.
I don’t know what Season 3 holds in store for us, but I do hope that John realizes that Blyke embodies who he wants to be, because mutual jealousy would be a very interesting dynamic to explore in my opinion. I also hope that it ends up being something they can bond over, by helping each other accomplish their personal goals. (Blyke being another helper in John’s character arc, and John helping Blyke train.)
A side note: John beat up Blyke four separate times. That’s more than any other character, which is interesting because John’s main rival is supposed to be Arlo. For reference, John has beaten Arlo twice, three times if you count the time when Seraphina intervened, and he only beat him unconscious once. But John beat Blyke to the point of passing out all four times, the worst of which being a shot clean through his chest. (shoulder? Unclear. S1 finale).
It’s odd, isn’t it? Out of everyone, Blyke is the one who John physically hurt the most. John’s only grudge against him is an old memory from episode 33, of an event that didn’t actually harm him. John’s grudge against Arlo is much more serious and again— that’s his main rival. So why is it that he’s so much more violent towards Blyke?
The problem here is that I’ve been thinking about these fights as “John picking on Blyke”. And that’s… kind of true? But while Blyke didn’t start any of these fights, they were all consensual in a way. He didn’t seek to fight John, nor was he ever happy about fighting John, but he was always a willing participant.
(138, 153, 206, & 211)
In three out of these four fights, John didn’t even expect to be fighting Blyke going into it. This is significant because while Arlo is John’s main rival, John absolutely fills that role for Blyke. Blyke’s own agency is what leads to most of these events. The reason, narratively speaking, why they fight so much is not for John’s character, but for Blyke.
For John, his reason for fighting Blyke so much is not narrative but moreso symbolic. John is angry at everyone and everything, but ultimately the person he hates the most is himself. It’s only fitting that the character most like him would bear the brunt of his wrath.
As John is having his positive character arc (suspension and post-suspension), he is becoming more like Blyke, and the two of them reach a point where they’re even more similar than they were at the start of the series.
In the Rowden amusement park, John does start to realize how similar they are:
(249)
Additionally, I want to draw your attention to the parallels between this scene:
Blyke and John’s argument in chapter 249
(which the image limit won’t let me add, scroll until you see red hair.)
And this scene:
Argument in ch. 121 (it’s at the beginning)
Two sides of the same coin.
Furthermore, in the S2 finale, Blyke is shown being taken to Keon. There is an implication that by Season 3, Blyke and John will share Keon-related trauma as well. Despite my pessimistic predictions, I do hope that this is a similarity that can bring them together rather than tear them apart.
#unordinary#I had another point that i had to cut#because it was about the john slaps remi scene#and how like blyke knew he wasn’t gonna miss and hit john by accident but john doesn’t necessarily know that#and that john assumes the worst (blyke was aiming for his head) bc he’s mad#and blyke also assumes the worst (that john hit remi for no reason). But when i was looking for screenshots to back it up#and i was looking for the one panel where john referred to blyke as “that idiotic redhead who tried to blow my brains out”#as proof of john assuming the worst#But then i found it and it doesn’t even say what i thought it said#it says “THREATENED to blow my brains out”#Smh john didn’t even assume the worst. He knew it was jyst a threatening shot even thogh he was mad#And then my whole thing kinda falls apart because blyke assuming the worst is actually just the logical conclusion since he can’t read mind#Like how was he gonna know john was having trauma issues#Yargh okay so i think i cut all the parts that don’t really make sense but it’s late so this is a low quality proofread#Gonna be honest this is NOT structured very well#Theres more to be said about john hating other people for the same reasons he hates himself#and I didn’t quite hit it#but it’s lateeeeeee#something about how Blyke is so similar to john but lacks most of what John hates about himself so John projects his insecurities—#back onto him anyway#Something about in ch 249 when he says something something “because I couldn’t cope with the fact that you guys weren’t actually bad people#Yeah idk im too tired to get into it#blyke unordinary#john unordinary#oh also has something to do with when john says “i may have deserved those classes but they sure as hell don’t” about keon#i think that’s significant#analysis#i have a bad feeling that someone in my notes is gonna purposely misinterpret my “goody two shoes” blyke statement ngl#”did you say that blyke is perfect and john is evil”#like something like that
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why are you, as an adult in 2024, still hung up on reylo. why are you still mocking the shippers. why do you believe yourself to be superior only because you dislike a stupid ship from a fucking space fairytale. girl (gnc) get a grip
#it's ridiculous. this ship is... stupidly cliché. like if you know fandoms at all#you could easily guess why people would be into it. hello?? have you tried to watch tfa without your hate-on-kyle-ron goggles?#did you watch their scenes together? you don't have to like something to recognize the hints#hell. at the time i didn't really like jonerys but i realized they were going to be a thing when i read agot in 2011#like folks. it's been nearly TEN LONG YEARS. let it go. LET IT FUCKING GOOOO#and for the lucy/cooper shippers out there who think reylos are (again) delusional when they compare the two ships:#no. *you* are being delusional only because you think reylo is unsexy and uncool (which is your right to think btw. obv)#if you can't see why someone would like both of these pairings for similar reasons... idk what to say honestly#people compared it to hannigram... honestly. again i see why they would appeal to anyone who's into both ships#i really do. but... unpopular opinion (since i'm more of a clannibal fan than i could ever be of reylo):#they are more similar to reylo than will/hannibal. there i said it#i'm not talking about the writing (admittedly the quality of it was questionable). i'm talking about tropes#never mind that imo the ghoul is more akin to vader than kylo but whatever#hannibal is an unapologetic kind of villain. he's not gonna have a redemption arc and that's okay#cooper is an antivillain who used to be a good man and became a disfigured cruel bastard. a parody of himself#lucy is him. him before the bombs dropped before he discovered the person he trusted the most wanted to commit genocide#nice. moral. polite. infused with the Good Old American Values™. he's basically her dark side#all of this is very hannigram/clannibal. i'm not denying it at all#but what'll likely happen is that lucy's actions will have a positive influence on the ghoul and remind him of what it means to be a man#and that's way more reylo-like. sorry.#beauty&thebeast/villain with some hidden good in him+morally righteous heroine/enemies to lovers etc.#i mean. hello??..... having said that. i'm not so much of a reylo shipper anymore and tbh never was. i really liked it at the time#but i was never fond of the st era. my fav characters are vader and leia and revan from the old eu. just saying#*and* it's also not impossible lucy gets darker with the ghoul as her traveling companion. in fact i wouldn't dislike it at all#if done well i mean#but i would still like for people to be intellectually honest and less puerile. god knows i have my notps#but i really don't give a fuck about the shippers. good for them i guess? i have better taste lmao but that's heavily subjective#val rambles in the tags#val speaks#txt
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btw todd’s reluctance to join the dps because he doesn’t want to read (which is then accommodated for) and is scared to put himself out there (which is also worked through) being read as todd not wanting to go AT ALL, and thus neil making the proper accommodations (“todd anderson, who prefers not to read, will keep the minutes of the meetings”) and encouraging him to step out of the box that stifles him being seen as ‘forceful’ or like he can’t take no for an answer makes me insane with rage
#and him trying to stop neil from asking if todd not reading at the meetings is okay isn’t him wanting not to go#its him not wanting neil to ask because (as someone with social anxiety) it’s EMBARRASSING ASF for someone to ask for things on your behalf#literally just think about it as the meme of ‘when i tell my friend im hungry and he tells his mom that *i* want food instead of both of us’#and the whole ‘neil not knowing how to take no for an answer’ thing…… dont get me fucking started#the kid who’s had to take no for an answer his whole life? the kid whose first proper scene IS him taking no for an answer? are you serious?#being encouraging and accommodating and (admittedly) a little pushy when he’s got his mind set on something—#—is NAWT the same as not being able to take no for an answer or bulldozing through conversations with people#he and todd DO listen to each other in those conversations theyre just on opposing sides—#—because their understandings of the world don’t fully align at that point in time/the movie#which is totally fucking normal?????? because later on they DO properly align?????????#i feel so crazy about this every time i see someone say todd didn’t want to go the dead poets meetings because it’s so obvious he DID#he was just scared#and you know what maybe it IS a little forceful#but given how dedicated todd is to shutting off and hating and isolating himself he NEEDS a little forceful to be broken through to#if no one ever pushed me to do things when i was scared (as irritated as it can make me) i’d never do SHIT dude#and obviously todd is the same way because he ALL BUT OUTRIGHT SAYS AS MUCH#‘i appreciate this concern but i’m not like you’ IS about neil’s voice and opinions mattering to people but it’s ALSO about—#—him being outgoing and trying new things and putting himself out there#WHICH TODD WANTS TO BE ABLE TO DO!!!!!!!!#the moral you take away from todds growth is NOT that he has to change to be accepted because he DOESNT#its that he has to gain the confidence and belief in himself to grow and become the version of himself he WANTS to be#he NEVER changes on a fundamental level to make others happy (although his growth does make others happy) he just opens up more#and i dont know WHY some people think his arc is becoming a completely different person#like yall PLEASE#this isnt even an anderperry thing this is an issue even if you read them completely platonic#i blame the FUCKASS novelization…. dps book you will always be hated by ME#dps#dead poets society#neil perry#todd anderson
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“But just now an intelligent and I must admit, very attractive young woman had just chosen Lord Golden’s companionship over mine.
‘There’s no accounting for tastes,’ I told Whitecap, who was looking after his departing mistress with an aggrieved air.”
*****
“‘Good. And now we must all try to get what rest we can before tomorrow’s hunt. Good night,Tom.’
‘Good night, Lord Golden, huntswoman Laurel.’
After a moment or two of silence, I realized something. I had been expecting Laurel to leave so that I could secure the door behind her. I had wanted to tell the Fool about the basket and the dead rabbit, but Laurel and Lord Golden were waiting for me to leave. She was studying a tapestry on a wall with an intensity it did not merit, while Lord Golden contentedly contemplated the gleaming fall of Laurel’s hair.
I wondered if I should lock the outer door for them, then decided that would be an oafish act. If lord golden wanted it locked, he would do it. ‘Good night,’ I repeated, trying to sound sleepy and not awkward. I took a candle and went to my own chamber, shutting the connecting door gently behind me. I undressed and got into bed, refusing to let my mind wander beyond that closed door. I felt no envy, I told myself, only the sharper bite of my loneliness in contrast to what they might be sharing.”
*******
“I turned and found the Fool regarding me sleepily. He lay on his side in his bed, his chin propped on his fist. He looked weary, but insufferably pleased about something. The effect made him look years younger.
‘I didn’t expect to see you in your bed this morning,’ I greeted him, and then, ‘How did you get in? I latched that door last night.’
‘Did you? Interesting. But you can scarcely be more surprised to see me in my own bed than I am to see you in yours.’
*****
“Was my friend honestly losing his heart to her? I considered her silent profile as she rode alongside me. He could do far worse. She was healthy and young and a good hunter.”
- Fool’s Errand (Tawny Man #1) by Robin Hobb
Presented with no comment
#rote#fitzloved#fool's errand#tawny man trilogy#laurel#did you notice I am clearing my drafts?#what was this even doing in there still?#this is from the first time I read the books haha#I can't get over fitz and the fool being happy to see that the other wasn't out banging someone else in the night#'there's no accounting for taste' he says as if he trully believes he is better looking than the fool and his mind isn't thinking#how hot lord golden is 24/7#the scene where fitz is waiting for laurel to leave is so funny ahahahah#meanwhile fool and laurel are just like 'ffff go to bed tom'
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Assembling my Mosura brainrot here...
So, Godzilla would be flabbergasted because this Mothra he meet in Egypt was actually the KOTM Mothra's mother. I mean, right.
In the epilogue of GxK...
His Queen, the KOTM Mothra would've been really shocked after Godzilla talked to her about missing her so much, and it really confused the hell out of Mothra. However, another Mothra? And then she demands him to travel beyond the Hollow Earth, with the assistance of Kong of course (they're friends now).
And guess what, KOTM Mothra did cry out for the love of Kaiju, this Mothra in Hollow is actually her MOTHER.
What's even embarassing is that Godzilla realizing that this was his mother-in-law. Oh boy, he will be having more questions to Mothra Prime (if that's what I had intended to say that name); judging by the fact that he almost flirted at her and she was unfazed in the Egypt fighy scene. 😐
Give Mothra and her mum some time to talk, while Godzilla and Kong are just...chilling right there...
#MY MENTAL BRAINROT OF GODZILLA MEETING MOTHRA'S MOTHER FOR THE FIRST TIME WAS SUPPOSED TO BE A SERIOUS ONE#AND THEN AFTER I READ WINGARD'S THEORY OF THE HOLLOW EARTH MOTHRA...#BOY I SURE DID LAUGH THE SHIT OUT OF MY MIND#SO MOTHER-IN-LAW MEETING HER SON-IN-LAW WHO'S ACTUALLY BELIEVING THIS WAS HIS QUEEN#AND MOTHRA PRIME WAS LIKE “DID YOU KILL MY DAUGHTER?!?!”#AND YES GODZILLA DID SPILL THE BEANS ON THE SCENE OF KOTM#SORRY IF THIS MAKES NO SENSE#godzilla#mothra#monsterverse#kaiju#godzilla x kong: the new empire#godzilla king of the monsters#godzilla kotm#gxk
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less a continuation and more of a thought bubble but ghost would hate price in this au
when he pulls him out of the gulag, so many of soap’s new behaviours click into place. things that never made sense to him as a natural progression of who soap was, that aren't just a product of walling himself off and turning his heart to stone
his soap never smoked. always complained when ghost lit up about the damage it did to the lungs, how it would slow him down in the long run
his john, always trying to be the best soldier
that's why seeing him suck on a cigar like it's second nature is so jarring. even more so when he'd only take a few puffs; enough for a taste and to make smoke coil through the air around him. always the same brand, always left to burn down in his fingers
then ghost sees him gift his cigar box to price, something that took pride of place on his desk practically before the man clears medical and seeing the way they both relax as he sets a match to one makes him realise
in an effort to run away from soap, john had tried to mould himself into price
god forbid ghost ever reads soap's journal. he's heard the "what the hell kind of name is soap” story from him, of the first time he'd ever met the captain and if he ever saw his words echoed in john's hand? saw just how far the man had wormed his way, so deep into him that he was speaking with his tongue?
price's monologues, making himself larger than life all in an effort to make this shitstorm feel more grand than just another war they're all trying to live through, acting like he’s being profound when he’s really just dodging anyone that questions him
letting price take roach out from under his wing like soap didn't identify with the kid the second he saw him, all of his self-deprecative habits hitting tenfold as he blames himself for every stray bullet; as if price could've plucked them from the very sky
the way soap steps back without a word of protest to let price command the team he handpicked and price just accepting? like his years of leadership mean nothing, like john means nothing after trying so hard to follow in his footsteps, just to be tossed aside
the rage ghost would feel at his indifference, as if soap’s behaviour is to be expected and not a series of red flags. add the nuke mission and his actions during and after shepherd’s betrayal? ghost would despise him
#this instalment brought to you by mactavishs journal bc holy shit#his obsessive hyper perfectionism is heartbreaking#he sees literally everything as his fault#every failure every mistake every accident he always looks for something he couldve done better#then increases his training to /make/ himsef better#the way he sees himself in roach and wants to help him become a better soldier like price did for him#only to immediately give him to price bc who better to turn him into a better soldier than price#there is so much characterisation in this thing and it blows my mind that it wasnt an ingame easter egg you could find and read#its an actual journal you could buy#it completely changes his dynamic with price from mentor and mentee to this godlike hero worship#and ghost finding out that soaps changed himself so much for this insane guy who almost nuked america?#that he cant see beyond his thirst for vengeance that soap would do literally anything for him#the shepherd betrayal and prices ‘you have to trust someone to be betrayed. i never did’ and you never thought to warn soap??#the rest of the 141 you can understand but hes so callous in that scene#and since ghost and roach live through it i just know ghost would go apeshit for treating soap like hes not worth the dirt under his boots#coming out of my cage and ive been doing just fine.txt#talk to me ghost#09 soapghost#09 soap#09 ghost#captain mactavish#ghoap#soapghost#ghostsoap#cod mw2#ghost cod#soap cod#captain price#we’re a team. ghost team#save post
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man... rhoam's "redemption" in aoc really sucked, huh?
like botw SHOWED us, several times, how much pressure rhoam put on zelda to unlock her powers, despite her telling him, several times, that it wasn't working. he got angry and banned her from doing not only something she saw as useful, but something that she was clearly very interested in and passionate about because she "wasn't dedicating enough time to her prayers." yes, his diary expresses regret for it, but at the end of the day, if zelda saw that it wouldn't mean much to her. the actions rhoam took, and the way zelda grew up under so much pressure that she nearly died as a child in one of the springs (this is in urbosa's diary, iirc) mean so much more than his regrets and his intentions. it took him nearly 10 years to realize that he fucked up, and by that point it was too late. the calamity had returned, and rhoam had lost any chance he had at making things right with zelda.
meanwhile, in aoc, all that's there is some half-hearted scene in the temple of time that's supposed to make everything better? yes, aoc had a very different and arguably better outcome than the calamity that led to botw, but the damage was still done by rhoam. it's still the same hurts and abuse and trauma that he put his daughter through all because of the prophesized calamity.
#legend of zelda#breath of the wild#hyrule warriors age of calamity#sorry i just. i don't know what nintendo meant to do with rhoam#i guess they were trying to make him into a guy who did bad things for a good reason but still#i think the action matters more than the reason because the action is what impacts others the most#when someone is hurting and they lash out what people remember most is them lashing out#that scene in aoc really felt kinda empty and half-hearted (even kohga crying during the scene kinda felt forced)#yeah i guess they were trying to make him into a stern father who we were meant to sympathize with because he didn't want to do#what he had to do. but it kinda... fell flat?#i don't think he was a good king either. he wasn't a tyrant for sure but also what kinda king puts the fate of his entire kingdom#on the back of like 6 people. 4 of whom are considered kids or young adults by their society's standards#(urbosa also mentions this in her diary and she hates that she and daruk are the only seasoned warriors of the champions)#(her diary is full of worldbuilding gems because of her relationship with zelda and its worth a read if you have the DLC)#don't think i forgot about link in all of this either. he was like 12 when he pulled the master sword and he wasn't much older than zelda#if he was older at all. and he was already a knight as a teenager. he was a child soldier who rhoam personally appointed#because he was able to wield the master sword#and maybe revali has a point there. maybe he didn't deserve any of it but not in the way that revali thinks#i don't think that's a writing mistake. revali is a very flawed character and he's young and brash and impulsive. he's very harsh on link#because he thinks he's being overlooked for his skills while link gets all of the pomp for doing the bare minimum#which isn't true but there's also not really anyone proving otherwise to him. link himself doesn't talk a lot#BUT I DIGRESS this post is about rhoam not link and revali#yes i have sat on this for 3 and a half years. what of it#i think rhoam could have had a redemption if he didn't like. deliberately lie to link at the beginning of botw. several times.#like.... these are flawed characters and it would take a LOT for rhoam to shift his world view like that#if he had come to the conclusion he did earlier and listened to zelda maybe things would have been a bit different#but he didn't. he missed his chance to speak with his daughter and tbh the fact that it took him about 10 years to realize this#says a lot about his character i think#post brought to you by the copious amounts of hades i've been playing (zagreus and zelda are an interesting point of comparison in my mind)#(like yeah rhoam and hades are two completely different parents but they both had similar outcomes with their children)
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an issue i'm finding myself (or, my elf, eeyyyy) running into is that as their relationship progresses, Astarion and Iona become progressively harder to write together, because I'm kind of finding that the closer they are, the less they express themselves verbally.
like, for the earlier scenes, there is a lot of semi-clever back-and-forth which I enjoy writing, I love silly banter and teasing/flirting/bonding, and since they don't touch much early on, most of the relationship development happens in dialogue. but act 3?????? a lot of the emotional sludge that is between them feels most natural to, idk, leave unsaid, and have them rely on the understanding that they had been kind of hesitantly fostering since early act 2.
i know this is a stupid fucking thing to be gnawing on, especially considering that nobody has ever read a word of this damn fic, it's just.
it's a lot easier to write fun dialogue, than to somehow communicate, clearly and without headhopping or getting overly flowery/sanctimonious about it,
"aight chucklefucks, in this scene, he's climbing wordlessly under the covers with her both by way of an unwarranted apology that wasn't actually his to give (y'know, for the whole 'attacked in the middle of the night, bit to shit by his sibling while he stood by uselessly' deal that happened the previous night and is making him feel rotten and guilty for some reason), and as an acknowledgement that he's rattled, scared, and feeling vulnerable, which is why him actively seeking comfort in her instead of slinking off to lick his wounds alone is a big fuckin' deal."
"on the flipside, her not saying anything or asking why he's standing at the foot of her bed but just opening her arms to receive that silent request, invite him in (like one would a vampire, geddit), and giving him the affection with no preamble or caveat, is simultaneously an acceptance of that apology, a confirmation that despite all that's been going on during the daytime she still purposefully elects to trust him, and a reassurance that she is there, she's alive, unhurt, and her feelings haven't changed because of all this either."
"this cuddle is emotionally significant, it intentionally mirrors the one from which they were spurned by the vampire attack as a way to show that regardless of what happens, this undercurrent of tenderness still exists, but nobody is going to say a goddamn word about it, because not only would putting any of this into words be far, far beyond both of them in terms of emotional intelligence, acknowledging that he views her as a point of security and that her anxiety is eased by easing his would also feel wrong and like whoever mentions it is speaking fluent therapese. plus, breaking the silence with lengthy internal monologues would also fucking ruin the simplicity and the impact of the whole goddamn thing, even though all that actually bloody happens is 1.) she flips the covers back, 2.) he climbs in and nuzzles her chest, and 3.) she pulls the covers over his shoulder."
meanwhile i'm just looking at the maybe two actual paragraphs that i've written like
#squirrel plays bg3#oc: iona raedir#they're just!!!!!!!!!!!!!!!!!!!!!#early on they're a huge miscommunication in every scene; both operating on false premises in the way they approach one another#but as they get onto the same page emotionally they apparently just.... shut the fuck up for some reason#the two pretenders learning to read one another to the degree that they no longer need words is important to me#and it gets even worse once Iona gets over her shit and allows him into her head post-personal quest#like they won't do that often ofc but I imagine that joining minds like that#deliberately mutually profoundly and for a solid couple minutes#would give you a downright odd level of insight into a person yknow#in the “I know exactly what it's like to be you just like how you know what it's like to be me and we still love each other” sense#like “no masks no lies nothing in the way; i allowed you into the deepest; ugliest parts of myself where you found me”#“and all you did was reach out to hold my hand”#yknow that sort of deal
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I’m not gonna lie, I just don’t see what people are hating about Artrem’s characterization in the second anniversary. I thought it was pretty true to form.
My only real beef is that it felt shorter and off theme compared to the other 3 cards which is a huge shame and feels gross considering it’s such a momentous canon card.
BUT
Artem in the 2nd anniversary doesn’t feel super out of character.
He’s putting off engagement because he feels paralyzed by the act of telling Rosa what he feels/wants because he doesn’t know how to convey his feelings or propose in a way that matches his own expectations.
He’s being distant and aloof as a result, and Rosa is doing what she does best and hyper analyzing his behavior with wrong conclusions (that reflect more on outward situations than internal, since Artem still isn’t great at being open up about that stuff unlike Vyn who knows how to communicate well but withholds as a concerted choice, for example).
All of his background cards see him bobbing and weaving not just how Neil and his parents have affected him in front of Rosa, but also when Rosa or anyone else hurts his feelings/comes to a wrong conclusion about him/his intentions, with fleeting exceptions.
Master of deflecting further questions or the topic at hand with (mostly work) segues.
He’s still being cheered on and brought to reality by his work big sis Celestine, who is so invested in Artem and Rosa that she views it as a cherry on top to see them engaged after her wedding. Which is so lovely. And very in character for her—she loves to see the fruits of her labor happen front and center and now she can hold this memory close not just in regards to her wedding but in regards to Artem and Rosa, who she cherishes. Especially Artem! (Also the fact that Mr. Rodriguez is so on board….busy body power couple)
This in particular is where I feel people are just beefing to beef. Celestine has ALWAYS meddled. And this feels very in character for her to guide Artem where he needs to go in a way she likes. She does it in almost every card she’s in!
And he is still struggling with his abandonment issues from Neil being gone and his parents not being around as much. He feels SO hard for Rosa and in a moment of high emotion and still a bit tipsy off alcohol he makes possessive comments which is also not out of character.
To me, it’s Artem feeling comfortable and going to the next step physically (and emotionally) by REALLY admitting that he’s insecure and his fears are manifesting as possessiveness ie YEARNING for Rosa and for more with her. He feels secure with Rosa. And he fears losing her just like he’s lost others. And he wants it to feel real. He doesn’t want to lose her to a case (Neil) or a career (his mother and father) or anything else!
He wants to feel like it isn’t a dream. He wants it to be solid, fully grounded in reality, in a way a lot of his personal relationships never get to be. No one could know about NXX and the full extent of his relationship with Neil (or the other members). He actively hid who his mother is and by extension who he is to her. Despite his relationships with Celestine and Rosa, he feels leagues away from his co-workers at large.
He wants people to KNOW that he has a truly personal relationship. He doesn’t want to for others or himself to see a large distance between himself and Rosa—like they’re strangers attached by business (like others in his life have been). Rosa is his partner, in all senses of the word.
Not just that, but it’s been a full year since Artem and Rosa started dating. In what world is it out of character for them to be familiar with intimacy. I kept seeing a lot of people saying Artem was too sexual and all he did was hold her and kiss her which he’s done……a lot, probably. They’ve been dating a year by now! The ending implies what we see is something they’ve done before but Artem would like to go farther. And Rosa is all for that but has never heard him say that before now! Because the repressed guy has been giving her repression.
Is the expectation truly that Artem’s first time making out and feeling up Rosa is this card? For real?
I have no idea what future cards will bring and I’m not interested in knowing until I can pull them in Global, but personally it feels like frustration toward future events is bleeding onto this card. Because what was presented does not feel disconnected from Artem’s side story, cards, or characterization as a whole.
There was just less time allowed to expand on what was presented which I agree is not ideal or even acceptable, especially for the 2nd anniversary. It should have been on par with the 1st in that regard, full stop.
But acting like this card pulled away from his established characterization in other cards in a huge way feels disingenuous. It did not! It was just rushed which I HATE SO MUCH. Like Rosa and Artem felt like they had the least time actually interacting within these 2nd anni cards!
And among these 2nd anni cards a big theme was family. Artem’s parents are certainly not dead so their exclusion from this proposal warranted at least some form of explanation. ESPECIALLY since his mother is someone Rosa knows and thinks fondly of and it certainly would have been interesting to see Celestine and Artem’s mother interact together.
His card lacked time to explore what he was feeling and cohesion to the 2nd anni theme, for sure. Which is really sad considering he is one of my favorite NXX guys. Like there are criticisms for sure but mine are more toward the structure of the card
#tears of themis#Artem shows a modicum of assurance in intimacy and suddenly it’s Too Out of Character#he’s a square not totally incompetent#I think it’s so funny Artem keeps getting knocked for being possessive when he is like far from alone in that behavior#EVEN ROSA HER SELF WAS PULLING IT IN THE 2ND ANNI#very directly with Vyn for example#like part of a repressed character is that when emotions do come out they’re often immature#this happens even in his highly praised cards like The Weeds/Gufeng#in fact the ending was just a more intense version of the The Weed’s main scene but since Rosa and Artem are actually in a relationship#it wasn’t just half hearted mumbling it was Artem full on SAYING his immature desires#also the proposing thing….people literally had me thinking he did it without permission like#I even re read some of my favorite cards to see if I was going crazy but NO#he mumbles or says never mind when he gets close to being open A LOT#and now that he’s being open but it sounds immature is Bad like???? repression in my repressed workaholic? it’s more likely than you think!
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very very personal, just insight into where im at w my family and things that bother me/have encouraged me to move out
"i know youre moving out so im just gonna say no ones kicking you out and if you feel like this is something you have to do then ok"
thanks! i know im not being kicked out! but yknow i kinda yet a weird vibe when your out of touch husband takes me to a cemetery to yell at me, tell me im just like my father/dont give my father "the time of day", and that im "mean to people who care about me" in front of his dead mother's grave in a poor attempt at guilting me out of speaking my mind. but no yeah thanks for stating the fucking obvious that im leaving on my own terms
#problems!#people seem to underestimate how quick i am to make moves#the job market is piss. cant believe yall two would blame me for being unemployed when all i do from rise to slumber is hound ppl for jobs#im not going to stay in a house where i will be 'scared straight'. that shit doesnt work on me. in fact it has the opposite effect#i respect yall even LESS now#and youre so so fucking lucky one of my goals for next year is to make things right with you it would be easy to cut you off forever#same way i did with my abusive transphobic dad.#my mom is someone i know can do better and can actually listen to reason instead of being stuck in her generation's mentality of#'x is easy if you just do y. you kids have it so easy the world is at your fingertips' blah blah fucking blah#i am autistic i do not keep jobs easily. i am trans jobs do not want me. i am black and perceived as a woman. every customer at all of my#past jobs thinks i am rude or mean or have an attitude when i do nothing but treat others the exact way i would want to be treated#customers dont like what i say? i stop talking. customers dont like when i dont talk? i talk to them. rinse repeat#like i know im the problem here but all of my problems circle back to my autism and the fact that because im not a supergenius or#someone whose special interest is capitalism i fail at every avenue i try to jam myself in.#but yeah no i need to work harder i need to be taken to a FUCKING CEMETERY and yelled at by YOUR HUSBAND for wanting to go to the bathroom#in front of his mothers grave. god rest her soul and yall know im no christian so i actually mean that shit#because in his mind all i want to do is smoke and party. when i smoke because i have fucking migraines and g to shows#(two out of three of them being free and for the purpose of their willingness to 'get me out of the house')#bc i like music and i like engaging w my scene. but no its all violent noise theres no actual purpose or activism behind moshing. nope#its just one big party right. im just wasting my time right. because i like sleepin on a couch every night with no doors to close. yep ok#anyway heres to me getting my meds getting the fuck out and being somewhat far from my scene now that im moving#hows that for smoking and partying all the time huh?#if any of yall read this i am so so sorry. bitching about my stepdad will become a thing i think#hes one of those bible thumpers that are totally boring and indifferent to differences around them and thinks my mom is just like him#in some ways? she is. but she is a people pleaser and will never take her wants or her feelings seriously#because she had the unfortunate upbringing in being brainwashed into thinking her feelings/wants are sinful#shoutout to my christian or catholic mutuals who are fucking normal and dont let some old fantasy novel control your life. peace#religion mention
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why did my boromir post get notes i'm scared
#my roommate requested Boromir Tags Rant in the replies of that post so i suppose i will put that here#BASICALLY it all boils down (in my brain) to people hating this dude for like. getting mind controlled. like it was NOT HIS FAULT‼️#local man tries to take and use an object that specifically influences people to want to take and use it; mord at 5#like ?????#thats the whole POINT of the ring that's the whole reason FRODO had to carry it. he was one of the few people who was super resistant to th#thrall and influence of it#boromir is Just Some Guy (i mean he's like royalty sorta-kinda or whatever but he's just human he doesnt have any special Ring Resistance)#it's NATURAL that he would be tempted#like we SAW what it did to bilbo. we saw him being possessive of it and using it more than he should etc. but when it's bilbo then#apparently people suddenly gain thinking skills and realize that he was being influenced by an outside force#but when it's boromir suddenly its a moral failing???? america explain#plus also like. he was overcome for all of 2 minutes. and as soon as he realized what happened he CRIED bc he was so disgusted w his action#NOT TO MENTION SACRIFICING HIS LIFE FOR MERRY AND PIPPIN#NOT TO MENTION THAT EVEN WHILE INFLUENCED BY EVIL RING 5000 HE STILL ONLY EVER WANTED TO USE THE POWER FOR THE GOOD OF HIS PEOPLE#NOT TO MENTION [gestures at everything to do with faramir]#like. think for 4 seconds. use your brain. would an evil man cry after realizing he was influenced into doing something bad#would an selfish evil man sacrifice his life to save 2 funny hobbits#anyway i like him#also from like an out-of-universe perspective boromir trying to take the ring shows the power of the ring. it shows that it was able to#overcome even this Good Guy Character. you are not supposed to read/see that scene and take away from it ''boromir is bad''#you are supposed to take away from it ''wow the ring is SO POWERFUL that it could even influence such a good guy as boromir''#THATS MY OPINION ANYWAY#OH ALSO WE SAW FRODO GET INFLUENCED BY IT. ngl i forgot that happened for a minute. but EVEN FRODO caved for a bit#theres a reason why boromir's death is framed as a tragedy. it's not a bad guy getting what he deserved#it's a good man who will be missed and who died too soon#do you Really think aragorn would have kissed his forehead if he was evil. come on.#AND LIKE PIPPIN SWEARING FEALTY TO DENETHOR OVER IT??? that's a whole other can of worms but AUGH. pippin..........#Absolutely Agonizing.#can't be bothered to fix the grammar mistakes in this sowwy#my post
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Finally watched Goncharov (1973) and while I’m not generally into mafia movies... the Fruit Stand Scene???!!!
THIS LIVES RENT-FREE IN MY MIND NOW.
Katya gives Sofia the apple. Sofia hands Katya the pomegranate. The Eve-Persephone parallels (women whose destinies changed irrevocably after being tricked into eating a piece of fruit) are SPECIFICALLY invoked. But the real question is, which one is which?
The framing of the scene suggests that Sofia is Eve (about to lose her sense of innocence and be inducted into the knowledge of evil), and that Katya is Persephone (trapped by a marriage that binds her forever to the (criminal) underworld). Except, that also makes no sense because we don't see them eat the fruit. How could they reap the consequences for an action they didn't actually take?
I would argue that it's not about the fruits they RECEIVE... it's about the ones they OFFER. The fruits they have already eaten, and been doomed by.
Sofia doesn't need to learn about evil. She lost her whole family. She knows enough about evil already. And Katya doesn't need to be bound to anything, when her own choices have left her so deeply entrenched.
"That’s the first lesson. Always blame the Devil for your crimes." (0:15:24)
Katya is Eve. Katya got roped into this mess a long time ago and has so many regrets now that she understands what it all means. Katya plays her piano in the room next to a murder, not because she doesn't know what's going on, but because she DOES. Katya wishes more than anything that she could turn back the clock to some idyllic time before her daughter died, before she joined the mafia, before she ever had to steal a purse or put a gun to a man's head. She tries so hard to end that cycle of violence... and it doesn't work. It was never going to work. The Apple of Eden isn't part of a cycle; it's just the beginning of the story.
"Don’t you dare speak to me about Cosenza." (1:20:41)
Sofia is Persephone. Sofia is constantly arguing that murder isn't necessary- but she also nearly drowns Katya, and shows a bizarre fascination with death when Katya threatens her with the knife. Sofia is linked to nature (the green dress, the sunset motif, the vase of flowers in her first scene) but in paltry, disconnected ways (her dress has metal buttons, the sunsets are over the city, the flowers are halfway to wilting). Sofia is part of a cycle; moments of happiness and joy, interspersed and defined by recurring instances of death and violence. Her childhood in WW2. The incident where she lost her leg. Whatever happened that made her learn how to use a gun. Her whole bloodied dynamic with Katya now. But Sofia CAN escape... for a time. She can walk away from the violence and have her summer in the sunlight. At least until tragedy strikes again.
Which makes the ending of the movie really bittersweet. Sofia sails away on the boat (Charon's Ferry, making a reverse trip across the River Styx). And the scene closes as the first snowflakes start to fall. Winter comes to Naples, because spring follows Persephone when she leaves.
How long until she comes back?
#goncharov#haven't seen any other scorsese films so idk if he's into deep mythology takes or if i'm reading too much into this#i think a whole other essay could be written on the symbolism that happens when you start shipping them#and wondering why they were trying to SHARE the fruits#but i am not qualified to write that#katya may understand evil but i don't think she comprehends good#like girl really. shooting paolo and then yourself isn't going to break the cycle#classic revenge plot mistake#did anyone else think it was a little unclear whether she actually died or not???#i think it's more thematic if she survives but i can see the counterpoints#so maybe it was meant to be ambiguous idk#this feels like a stretch but... could her iconic scarf represent a serpent whispering into her ear?#i think there's also a lot to be read into the 'trusting your husband' sermon and why katya's really off-balance but sofia isn't#if you contrast eve-adam and persephone-hades relationships#and that's not even getting INTO the second fruit stand scene oh my is that a lot to unpack#have not reached any solid conclusions on that meta#sofia is the best character change my mind
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don carlos by friedrich schiller is the most wild thing i've read all year and i'm only in act 2
#this is giving me flashbacks to when i read the winter's tale and i was literally slamming my fists and emphatically shaking the book#because i just could not believe the level of DRAMA i was reading (and the craft with which it was written)#i just closed act 2 scene 3 and im like GIRRRRLLLLL#princess of eboli im rooting for you#nobody tell me if something shitty happens w her im having a good time right now#tales from diana#up until act 2 scene 2 i was getting phaedra-meets-prince hal (of the henry iv plays) vibes#but then those next two scenes were CRAAAAZY#and i should mention phaedra by racine is one of my favorite plays#schiller also has a beautiful skill at language if the translations are doing him any justice#i dont know german so im not reading the originals naturally but just. the edition i have. the verse is so beautiful#i also read his mary stuart this year and it was also great but im losing my mind at don carlos#i was intimidated by this play too though bc it's nearly 200 pages in my copy of his works! which is a p big book#but OOOHHHHH my god#im just over 1/3rd through the play and i cant imagine how it gets any wilder#but wooooow. WOWWWW#schiller might be the first non-anglophone writer ive read who ive seen called 'the shakespeare of his culture'#and i actually felt that the comparison like. did justice.#the intensity ive felt reading these 2 schiller plays are very much how i feel reading the greatest shakespeare plays#not that the greatest/most acclaimed writers of other languages ive read arent AS GREAT as shakespeare#but like. molière i'll use as an example bc i love what i've read of him.#he's the most globally well-known french writer of verse plays but that doesn't make him like shakespeare.#he's very much in his own camp of artistic genius. his craft is also very different. the resulting products are super unique#from what is typical of a shakespeare play.#schiller's style AT LEAST FROM THE TWO PLAYS IVE READ very much have the same depth of character#complexity of plot#and grace of verse.#im obsessed! king!
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Warning- this is a very petty post, but I think I'm entitled to at least one petty, pissed-off reaction every time I finish a classic novel that hit harder than I expected so take this as my quota for the year.
Also spoiler warning for a book that came out over a century ago but still, I didn't know the plot going in so don't want to ruin it for anyone else, if you haven't read it shut your eyes. (Also Local Tumblr User Going Wild Over Book Published a Hundred Years Ago That Everybody Else Already Read should probably be categorised as akey part of indigenous tumblr culture at this point).
Anyway I just finished the War of the Worlds and in between studying I've thinking about Themes and Motifs as you do, and idly looking for further analysis. I then accidentally ran into an article called 'A Quiet Place II Succeeds Where the War of the Worlds Failed' and:
Now I haven't seen any of the Quiet Place films, this is not a rant against them and of course everyone is entitled to their own opinions. But re: the ending of The War of the Worlds, I have to ask, did this guy somehow miss, uh, the entire point of the book or am I just utterly insane?
#You're right it's not very satisfying for humanity that the invaders are foiled by a bacteria and not human action! Maybe that's the point!#Maybe it's supposed to be FRIGHTENING and make you ask questions about what humans will do under extreme stress#Not be a morally uplifting tale about Humanity Heroically Defeating the Martians in a Glorious Hollywood Ending#Maybe it's MEANT to be unsatisfying because this is not a straightforward fairytale#I mean I've only read it once and don't know much about Wells' work so I might have misunderstood the point of the book too#But at places it is a very pessimistic view of the human condition and that's partly WHY IT'S SO POWERFUL#That doesn't mean there aren't moments of individual acts of heroism (the Thunderchild for example)#But the question is not just 'how will humanity beat the Martians and prove that we're still the masters of the universe'#Rather 'a) why is humanity so confident that it's ultimately in control of its own destiny#And b) here's lots of scenes of societal collapse and of people pushed to the brink and what would YOU do in those circumstances?#Would YOU feel remorse about silencing the curate even if it did lead to his death?#What if it rather than a foolish adult it had been a small child?#And even if they were weak did they DESERVE it? Yes it might have been necessary but should it be policy going forward?#Would you also be attracted briefly by the certainties that the artilleryman's (rather fascist) plan seems to offer so humanity survives?#But what sort of humanity would that be if it DID survive and is it worth it? The narrator feels he needs to justify the curate's death#The artilleryman would have probably never have thought it was anything OTHER than justifiable or indeed laudable#Under strain and stress would you start to turn against even your loved ones and become brutal?#Is that the only hope for human survival beyond complete surrender? And was the destruction of London maybe even 'cleansing'#In the eugenics sense or in the sense of a natural horror of dirt and germs?#And the vast exodus of six million people fleeing headlong in panic - we might not have seen that exact phenomenon#But didn't the twentieth century subsequently go on to show us unprecedented scale of slaughter and refugee movements and communal strife?#At the end of the day what really separates humanity from other animals? And what separates us from the Martians?#It's not an uncontroversial book- it was written over a hundred years ago for goodness sake and there are questions worth asking#about the way imperialism and arguments about eugenics and population control and all sorts of other dodgy areas operated on Wells' mind#But dear God I really don't think the problem with the book is that 'Humanity didn't save the day!'#Unsatisfying ending? Yes. A FAILURE? No not in my opinion- looks like it was exactly what Wells set out to do#Humanity didn't win the war of the worlds they had a narrow escape and though it might not be martians next time#Why wouldn't disaster return in the future? Sure we've studied their flying machines and even preserved a martian in a jar#But for all our science what have we ACTUALLY learned that will enable us to avert future human catastrophes? Ethically or socially?#Alright rant over- as usual my opinion is not universal nor necessarily well-informed this take just really got my goat
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