#rwby weiss kin

[fairytalefragments]

❥ | TEAM RWBY

— rentry graphics ; like/rb + credit if using

[dreamcrush]

*⁀➷ . . . Weiss Schnee ໒꒱

꒰ა aes board with general themes in light blue ; indulgent

[spoon]

♡ ; weiss schnee headers

[howlingday]

WINNER: TEAM JNPR!

Jaune: We did it! We won! Ha ha! Don't get too comfortable, Team RWBY, because we're still in this to win this~!

Ruby: H-Hey!

Papa Arc: (In the stands, Surrounded by kin) Ha ha! Now THAT is an Arc right there! GO, JAUNE! (Family cheers)

Jaune: ...

Pyrrha: Um, Jaune? Is that... your father?

Nora: Is that your FAMILY?!

Ren: They're taking up half of the balcony seats, and your dad is taking up more seats than any of them.

Mama Arc: Jaune~! Good luck~!

Yang: Whoa! Jaune's mom is a total babe~!

Blake: Hm... There's a lot more women than men in his family.

Weiss: That explains a lot.

Ruby: Aw~! Jaune's family came to support him! Isn't that nice of them? I'm happy for him!

Weiss: Did you completely ignore his declaration of war on you?

Ruby: Huh?! Why did you freeze him instead of me?!

[darksaiyangoku]

RWBY x DMC: Legacy

Dante and Vergil clashed their swords fiercely. Dante's sword burned gold, while Vergil's sword shone silver. On the ground, battered and beaten were their family; Nora Valkyrie, Neptune Vasilias, Sun Wukong, Pyrrha Nikos, Oscar Pine, Weiss Schnee and Blake Belladonna. The only ones who were unscathed were tied up by brambles; Lie Ren, Yang Ren and their mother, Ruby Rose-Arc.

Sun: *coughs* They're brothers. So why are they... fighting?

Blake: To see one's justice through, a man must fight for it. *coughs* Even if the one who stands before him is his kin.

Weiss: *pants* Th-That's ridiculous.

Blake: The brothers of blood disagree. On the very reason of their existence. They... must... fight..

Dante: *pants* I didn't think you'd stoop this low, Vergil. Attacking our family? You've gone too far.

Vergil: Family is a distraction. Our guard was down and now look at Remnant. Back in the hands of the Demons. *scoffs* Family weakens us. You should know that by now.

Dante: It ends here Vergil. *grips Amaterasu with both hands*

Vergil: You've been saying that for the last 4 years, you could never beat me. *smirks* Though let me make it easier for you. *stabs Tsukiyomi into the ground* You have one shof. Kill me right here and now. Go on. Do it. If you're that determined to stop me, then pierce my heart.

Dante: *powers up Amaterasu* Gladly. *breathes in* Goodbye, brother. YAAAAAAH!!!

Ruby watched in horror as she witnessed Dante charge towards Vergil. Her two boys, who brought her joy, were now ready to kill each other. Her eyes filled with tears. She remembered when they took their first steps, when they said their first words, when they crawled into her room after having nightmares, their first day at Beacon and Haven and their first mission together. Through her sobbing, she sang a song. The lullaby she sang to them many years ago.

Ruby: 🎶When those voices deep within bring you down to your knees again. Redemption calls onto all of those who persist with the strength of the few.🎶

Dante: Drive 1!

Ruby: 🎶Don't come to question all that you've known. Remember, you are not alone. I will be here, standing beside you.🎶

Dante: Angelic Flames! Amaterasu!

Ruby: 🎶There is no mountain too tall to overcome. We will be as one. You will rise again... This is your legacy!🎶

Dante was about to thrust his sword directly into Vergil's chest, ending his wrath once and for all.

SHOOM!!!

Suddenly, a pillar of light burst from the sky and knocked the twins back. When the dust settled, Dante and Vergil's jaws dropped. Standing between them was their father, Jaune Arc, adorned in white armour and with golden yellow wings.

Dante/Vergil: Dad!

Jaune: *sighs* You two sure love to make a mess, don't you?

Vergil: Stay out of this, old man. This is between me and Dante.

Jaune: Not gonna happen. Remnant's out there burning and here you two are fighting like children.

Dante: *stands up* He forced my hand. He attacked all our family.

Vergil: They were in the way in my pursuit of power. I told Dante this already, if you want to stop me, then kill me.

Jaune: I'm not gonna kill you... *clenches fists* but I can't promise not to break every bone in your body.

[rwac96]

Tolerance (Dragon Ball x RWBY Crossover)

*Pyrrha Nikos groaned, as she temporarily removed her circlet to wipe the sweat from her brow, while Shallot was gorging himself on the roasted meat of animals; as the pair were out camping*

Pyrrha: *annoyed* "Could you not eat like that?"

Shallot: *mouthful* "Emmf hmmf hmmph (Eat like what)?"

Pyrrha: *rolls her eyes* "Nevermind." *places her circlet back on*

Shallot: *blinks, swallowing his food* "Okay, I get the feeling that ya don't like me much."

Pyrrha: "Well, your demeanor is less to be desired, you idolize an arrogant, prideful, and racist war criminal, and don't get me started on your relationship with Weiss."

Shallot: *irritated* "Okay, one, it's not that bad! Two, Vegeta has reasons! Three, I could say the same about your weird relationship with your leader."

Pyrrha: *exhales* "We at least love one another, more than I could say about you and Weiss' tryst."

Shallot: *squints* "So...a fancy way of saying fuckbuddies? Wow, and I thought Weiss was judgy."

Pyrrha: *raises an eyebrow* "Maybe..."

Shallot: *scoffs* "Wanna hear what I think of you since you started this? You're a coward! And I don't mean as a fighter, I mean as someone who just constantly apologizes for shit that's not worth apologizin' for!"

Pyrrha: *turns to Shallot* "It's called being polite--!"

Shallot: "There's bein' polite, and then there's bein' a doormat! That's what you are, lady! The 'Invincible Girl', ha! What a laugh! It's easy to beat the hell outta people who use weapons all the time. Nobody's invincible, not you....or me."

Pyrrha: *furrows her brow once more* "I know that. Cinder gave me that grim reminder." *caresses the scar on her chest* "I suppose it's the pressure of being placed upon a pedestal."

Shallot: *blinks, picking up a roasted deer leg* "Duh, Miss Cereal Mascot." *takes a large bite out of the leg*

Pyrrha: "Though, I've learned to handle the pressure, while you're trying to set yourself up as a 'redeemer'."

Shallot: *stops eating* "Excuse me?"

Pyrrha: "Gohan told me about your situation, and you're trying to make up for the sins of your kin."

*The two fighters sat there silent, while Shallot chows down on his meal*

Pyrrha: "So, what if we don't hate each other as much as we used to?"

Shallot: *blinks* "You sayin' you've actually grown fond of me?"

Pyrrha: *exhales* "Don't push it. I just... tolerate you now."

Shallot: *shrugs* "I guess...I tolerate ya, too."

[itsclydebitches]

RWBY Recaps: "Rude, Red, and Royal"

Hello, everyone! Thank you all for your patience in waiting for this <3.

Time’s ‘a wastin’, so let’s dive right in. We open on the girls being escorted by the royal guards up to the palace which, as I said in my last recap, is in no way dependent on Ruby giving up Penny’s sword. They could have simply been ‘captured’ for the crime of denying His Highness a new birthday present and then, as Ruby does in a few minutes, weasel out a game by asking to cheer him up in recompense. The sword is superfluous to the plot, it doesn’t track that it exists in the Ever After, is only shakily compelling in its emotional impact on Ruby and, very soon, will literally be discarded. Though we had some genuinely good emotion last episode, what this could have been - should have been - is still far out of reach.

So they’re marching along and we get a shot of the palace as well as the... pieces? Monuments? Decorations? Embedded in the earth around them. I like the subtle nod towards a potential battle having taken place and the red stains against the white look - whether intentionally or not - like blood. It begs the question of what exactly occurred when Alyx visited. 

Yang: “Are we sure we should do this?”

Ruby: “Well, the Red King helped Alyx”

Weiss: “We’re not Alyx”

Real talk: I'm sick of team conversations consisting of the girls vaguely disagreeing with Ruby and then immediately bowing to her whim. This is, structurally, the same exchange we got in Volume 7 when Ruby decided to lie to Ironwood. Yang and Oscar go, ‘I'm not really happy with this :/’ Ruby reiterates her position, and then that’s it, everyone drops the subject. Why? Because Ruby is their leader? That doesn’t hold water anymore since Volume 8 gave us a Yang who’s upset with Ruby’s decisions and actively challenges her role as leader... at least until she’s suddenly, randomly worried about Blake instead. Now, we’re back to where we were in Volume 7 with Yang (and the others) only making token disagreements for Ruby to ignore. Why is everyone moving backwards in this show?

Never-mind that I actually agree with Ruby here. The girls have been shown plenty of evidence that they’re broadly repeating Alyx’s story, the fairy tale next depicts a King helping human girls lost in this world, and Weiss already tried - and failed - to just bypass all that and walk her way to the tree. Plus, it’s not like any of these guards pose a threat to the girls. You’re telling me they can beat the Ace Ops immediately after a major grimm battle, but we’re simultaneously supposed to believe that a bunch of foolish goons made of wood could take them out? So I legitimately don’t understand what Weiss and Yang’s hesitation is when all signs point to needing to do this, those signs imply a good outcome, they’ve failed to do anything else, and they are not - for them - in any real danger.

It honestly feels like RT is continually tossing in ‘disagreements’ so that they can claim the team still has diverse and rich relationships, but that only works if you ignore the realities of the situation and the fact that nothing ever comes of this division.

As they make their way the camera shows a bright blue butterfly following them. Given that this isn’t the last time we’ll see them, I can’t help but assume that the butterfly is another character (Alyx? Lewis?), or else is foreshadowing for someone with an association with butterflies. You know, like how we saw a crow a bunch of times when Qrow first showed up to fight Winter. Originally, I thought the butterfly was our Cat, but then the Cat just chases butterflies and tends to disappear rather than transform... so idk. We’ll see.

They arrive at the entrance to the palace and the guards start a big ta-do for His Majesty’s arrival. I'm not sure why the girls are freaking out? They’re supposedly oh so knowledgeable about fairy tales, this one in particular, they're going to see the King, but they don't realize that this is how the King is introduced? I can only assume this is an excuse to give us more absurd Weiss animations.

His Majesty arrives and, to the girls’ shock, he’s definitely not a King. He’s the Red Prince and the best thing I can say about him is that I really like the sound design. As a puppet, he clinks with every step and that consistency helps sell that this isn’t a human child. Other than that though? 

Oh my god he’s annoying. Like, he’s obviously supposed to be, but he’s annoying to the point where he’s not enjoyable to watch. I saw someone else compare him to Cordovin - an antagonist whose position and beliefs are immediately undermined because the narrative doesn't treat them seriously - but at least Cordovin was capable of holding a conversation without shrieking. Also, note that once again the girls’ conflict boils down to a joke. Why present them with a legitimately intimidating Prince they have to outwit when you can just give them a temper-tantruming child for the audience to laugh at, complete with snot bubbles?

The Prince doesn’t take kindly to them thinking he’s the King. “Well, I never! Coming to someone’s castle without even know who they are - and on my birthday!”

Eh, he’s kinda got a point lol.

As the Prince goes through his repertoire of screaming and jumping around, one of the guards angrily points out that “if it hadn’t been for your kind the King would still be here!” and everyone quickly shushes him.

Okay wait, so the girls are clearly recognizable as human then, right? I ask because that’s going to come as a huge shock to the Prince later in the episode, but here it’s treated as an obvious fact. How dare you be questioning the King’s disappearance when “your kind” are the ones who did away with him in the first place. So what are we supposed to take away from this? That this one guard is the only one to realize what the girls are and none of his buddies pick up on what he’s implied because they’re too busy keeping talk of the King quiet? That all these very obedient, desperate-to-please guards realize the girls are human and didn’t bother mentioning that to their Prince? 

That RT forgot this was supposed to be a Big Secret until the end of the episode and gave us a minor plot hole?

Regardless, Ruby curtseys to introduce herself and it’s cute enough to distract me. That's a nice shot.

The Prince continues to be annoying, to the point where I want to fast-forward through this scene, and Weiss whispers to Blake: “Ew. Did I use to be this unbearably pompous?” Weiss, I wish you were still unbearably pompous instead of unbearably ridiculous. Give me the Ice Queen over this goofy idiot any day. Still, I’m glad that she’s at least acknowledging her bad attitude from years ago, especially to Blake. It’s something... but not much. Again, this is primarily functioning as a moment of humor for the audience. We’re supposed to laugh at the Prince’s antics and Weiss’ unfounded worry - she was never that bad! Plus, the story doesn’t provide the time for an actual conversation. Like, say, Blake responding that no, you weren’t this annoying... you were just horrifically racist, which is worse.

I want everyone to remember that Weiss lost her inheritance and then deliberately escaped her abusive father. She returned to her Kingdom and was active in its destruction, leaving her without a home, without a title, and (to my ever-lasting frustration), no idea what happened to her own former ‘King,’ Jacques. She’s a princess without a throne, without a Kingdom, having spent years struggling with whether she’ll try to lead from that position of power and if so, how. What does it mean to rehabilitate the Schnee name? How does being a huntress and rejecting the 'crown' offered by her father (AKA being head of the company) accomplish that? Now she comes face-to-face with another entitled, bratty ruler who, on some level reminds her of her younger self...

... and we get a single, joke-y line about it.

If this Volume is meant to develop the characters, then actually let them develop. Next episode the girls will go through a literal seconds-long 'journey' that makes me go, "What was the point?" Each of these areas should have something that clearly ties into one of the girls' lifelong goals, acting as a sub-plot to Ruby's Volume-long depression. Visiting a palace with an annoying, abusive Prince is the PERFECT opportunity to let Weiss reflect on her own choices. Yet RWBY, as expected, has squandered it for more humor.

The guards take credit for finding Penny’s sword, despite Weiss’ protest, and present it to the eager, greedy Prince. However, he immediately kicks it away into the hedges because it’s green, not red. 

Okay, two things. One, as mentioned at the start of the recap I think this is a terrible way to (presumably) end Ruby’s journey with the sword - with the reminder that her 'journey' happened at the tail end of last episode and into the first five minutes of this one. To reiterate: what was the point of any of that? To show us that Ruby is sad about Penny? Yeah, we know that already. It’s bad enough that the story is trying to give her a grieving arc that should have happened at the end of Volume 3, but the best the story can do is tossing in a sword that shouldn't exist anymore, have Ruby immediately give it up to her enemies, and then leave it behind in the hedges somewhere, forever lost? I’m not saying the sword won’t show back up - I obviously have no idea what will occur throughout the rest of this Volume - but for now that’s a real bummer of an ending. Ruby runs to try and grab the sword and the guards block her way, so all she does is whisper, “How could you?” I don’t know, Ruby, maybe he did that because he’s a bratty, literal toy who has no idea why that hunk of aura is emotionally significant to you? The audience knows though, so how about you use that semblance of yours to fly around the guards and grab the sword? Or stay behind to snag it? Or endanger everyone by refusing to leave the palace grounds until you’ve found it because fuck everything that's a part of your friend!! Give us something to show that this last piece of Penny means something to you and that you’re willing to fight for it.

I mean, if I had lost a dear friend - twice! - and their weapon was the last reminder I had of them, and the only tether I currently had to my home, and the only means by which I had to defend myself with my scythe missing, I’d try a little harder to hold onto it. RIP to Ruby but I’m built different.

I actually really like that the Prince kicked the sword away because yeah, why would he want something green? And as established, he's a brat. But Ruby failed to do anything with that action and that remains oh so disappointing.

Also, second, why isn’t Ruby’s presence helping their cause? After all, Ruby is Little RED Riding Hood. The Prince might be mad that the sword is green, but shouldn’t he be pleased that one of the girls delivering it is dressed all in red? Take a look at this shot and how perfectly Ruby fits into the aesthetic of his Kingdom:

I kept expecting Ruby’s polite attitude and her overall look to be their key into securing a game. Or, more interestingly, for the Prince to decide that she will be his present instead: the sweet, young, ruby red girl who can play games with him forever and ever (maybe even with a Ruby who'd be tempted to stay because yes, that would be so much simpler...). Yet her coloring - a staple of RWBY's advertising, an in-world symbol of peace - has no influence whatsoever. It’s moments like that really undermine the arguments that such-and-such had to happen because this is the character’s inspiration. It clearly doesn’t have an impact the other 99% of the time, so why is that suddenly relevant? These girls are in a fairy tale, yet their own fairy tales have no bearing on how they navigate it.

For the crime of trying to present him with a green present, the two guards are taken out into the hedges and beheaded by their fellow soldiers. Now, at this point in the story it's unclear whether they've been killed (because they're clearly sentient beings), or if they're just, uh... disabled? (Because they're wooden toys that can probably lose their heads without actually dying.) Though now that I've written it like that, Option #2 doesn't sound much better, especially in a story that's supposedly exploring disability through one of our main characters. Regardless, the point is that even though the second half of our episode will clarify the guards' fate a bit - more on that later - for now the girls have a reaction like they've been killed. Or at least, they recognize that something truly awful has occurred.

So my question is this: why aren't they doing anything about it? Look, I realize that's a loaded question in the fandom given how often people want to run to the girls' defense - they're too tired, it's too dangerous, you can't possibly expect them to fix the whole world, etc. - but the fact remains that we are watching a story about heroes. So how can they just stand by and watch that happen? Or at least, given that they may not have been able to stop it, why aren't they trying to do something after the fact? Try to make a change? Ruby is grappling with the death of a friend and her own feelings of inadequacy. Weiss is, supposedly, worried about her own position as the heir to an abusive hierarchy. Yet neither of them is interested in doing something about the Prince, only playing nice so that he will help get them home. Is that the standard now? Our heroes will ignore the injustices they come across provided that this ignorance benefits them? That sounds a whole lot like Ironwood overlooking Mantle for his own greater good, something the girls went, 'We condemn wholeheartedly!' about. Toss in the fact that both Weiss and Yang just admitted that they didn't want to ask the Prince for help and you've got a recipe for them working to leave the Ever After in a better place than they arrived, rather than just playing by the harmful rules of Alyx's story in order to get what they want/need. 

Yes, you can make that 'greater good' claim given that they're trying to get back to fight Salem (and I'd be a hypocrite if I didn't weigh that given my own understanding of Ironwood's actions), but then at the very least give us a conversation where the girls debate the merits of risking a later/nonexistent return to help this world vs. ignoring injustice to help theirs. As it stands, I'm continually underwhelmed - if not outright appalled - by how the girls are depicted. What have they done since Volume 5 to actually help people? The most we've gotten is them trying to clean up messes they'd already made. Toss in the fact that there's no sense of urgency for them to get home - they're just meandering along, taking it slow, dodging the question of what they'll do about Salem when they get there, having cute romance moments on the side - and I simply can't buy that they're ignoring helping others out of a greater good necessity.

'Huntresses are heroes who help people who can't help themselves!' Blake will declare next episode and I'm like, okay, agreed... but when was the last time you helped someone? Was it when you ignored the Prince's horrible domain? Sat drinking tea while Atlas was besieged by grimm? Started a fight until you drew a Leviathan to an unsuspecting city? You've gotta put your actions behind those words, Blake.

And yeah, I get it. This is a small moment. It, like the vast majority of this Volume so far, is not meant to 100% be taken seriously. There's implied humor in the way the guards dig their nails into the path and beg for the Prince to reconsider. But at the end of the day, the story has given us a group of girls who, for the most part, already hate this Prince, watch him 'kill' two subjects due to a subpar birthday present, have a teammate who wants to be better than the caricature in front of her, and then... they do nothing with this. 

Hey, if Yang is going to be angry all the time, how about she be angry about this? Where's the fire they had back during the Mountain Glenn arc to fix the broken pieces of the world and help those who were most vulnerable? Where's the realization that this is a job and what they want - or even need - will always have to come second to the people they exist to protect?

Given some of the nice beats last episode, I was really hoping that I'd have more to praise in this one.

So Ruby watches this guy kick Penny's precious sword away and 'kill' two subjects. How does she react to that? By politely asking if they can cheer him up, of course. As said, I think Ruby is right that following in Alyx's footsteps is the best chance they've got of getting out of here (according to the information they currently have), but the writing really should have bypassed Yang and Weiss disagreeing if they wanted readers to ignore the moral implications of this. I mean, the Prince outright responds that "Beheading people does cheer me up" and Ruby's got this expression going as she suggests they play a game: 

We once again see the blue butterfly as it travels down through a tall tower of horns, straight into the chamber where the Prince's game is held. Oh, and we saw it before when the guard is distracted by it flying by and forgets to wish the Prince a happy birthday.

The Prince asks what Ruby will demand of him if she manages to win his game. "There's always a catch," he says. Actually, that's not true. Later the Prince will say, "If you win I will help you with what you ask," but initially his question is, "What exactly do you desire from me in exchange for playing my game?" As someone who loves fairy tales and constantly hopes RWBY is going to be more smartly written than it actually is, I jumped on that with an, "Ah ha! Rookie move, Prince! It doesn't matter now if you cheat to win the game, your original offer was to gift the girls something simply for playing, regardless of who comes out on top." Of course, RT didn't realize they'd written that loophole, this isn't even a cool world where loopholes matter, so absolutely nothing comes of this.

Still playing at the polite little subject, Ruby curtsey's again and tries a compliment: "Your Majesty, you are as wise as you are..." and then she stumbles, unsure of how to praise someone who's such an asshole. Little comes to the rescue - sort of - by whispering in Ruby's ear. She blurts "small" before she can think better of it.

To everyone's shock it goes over well with the Prince. I'm unsure if this is meant to imply that Little actually knew what the Prince would like to hear, or if they just chose a descriptor they were familiar with and ran with it. The latter seems a lot more likely to me, given the ongoing joke that Little is far less useful than they continually claim they are and the fact that, by their own admission, they’re an incredibly young mouse who has never traveled past their own acre. How in the world would they know about royal customs? 

Now in a better mood, the Prince agrees to take the girls to the tree if they win the game (not merely play with him). Ruby settles in and asks how they play, which sets off over-the-top laughter from the Prince and guards alike. I suppose this is just supposed to be off-putting or something? There’s no comment along the lines of, “You don’t know how to play [insert fantasy game here]? Everyone knows it! I play it with every subject who passes my way!” The Prince just starts explaining the rules, easy as you please. I can only chalk this moment up to the writers trying to get a, “They’re so weird and vaguely scary” reaction from the audience.

The actual rules are, frankly, unimportant. To the story, I mean. They have absolutely no bearing on who wins. Not just because the Prince is cheating from the get-go, but because the function of the game is to send all your pieces forward during the same turn and whichever piece wins their battle against the opposing side get to stay there. You could finish the game in two turns, tops--which is precisely what happens. Fool that I was, I had hoped that RT would put more thought into the game-battle that takes up the majority of the episode. You know, maybe hampering the girls’ combat abilities through a set of difficult rules they’re forced to follow, necessitating that Ruby step up as the team’s strategist for the first time in years and find a way to win through means other than brute force, even if the end result is still a technical loss due to cheating. I thought this might amount to something other than throwing 3/4ths of the team onto a battlefield with weak goons and letting them go to town, the trappings of rules and a game board and a puppet(tier) existing as more than just a distracting backdrop. Functionally, this is no different from the Prince angrily sending all his guards against Team RWBY, hoping to behead them for the crime of bringing him a green birthday present. We could have gotten this exact battle outside of the game, which makes the game itself superfluous. Which, you know, sucks when the girls are traversing a Wonderland-esque world where their ignorance should be their biggest weakness. But it turns out they’ve always been familiar with this fairy tale, Blake’s worry that they’re repeating Alxy’s mistakes is dismissed, and the girls don’t actually have to play the games they’re forced into. They can just punch things! 

Am I glad that we actually got some combat in the combat show this week? Absolutely. However, this has been one of the problems with Ever After from the start: designing a world governed by fairy tale logic, knowledge of stories, nonsense rules, contradictions... and then dropping a group of protagonists there who, as Yang herself says, would prefer to just solve everything with a punch. Suddenly, a core expectation of the series - that the girls will fight stuff - undermines the expectations of this specific Volume, made worse by the post-Volume 3 message that the war they fight isn’t winnable by brute force, yet, six years in, that’s all the girls have tried. As I believe I mentioned elsewhere, I think there’s a simple solution here in divvying up those expectations: force the girls to solve Ever After problems with Ever After tools, let them fight the Jabberwalker and Neo, and let them finally start the conversation about what they can do with Salem other than fight her head on... but unfortunately, none of this has occurred. Blake will later shut down Ruby’s Salem thoughts before they can begin, there’s no adherence to what Ever After is asking of them, and the girls won’t encounter the Jabberwalker again for another two episodes.

So we’re left with... this. Yang, Blake, and Weiss getting shrunk down when, narratively, that’s entirely unnecessary and the journey to get them unshrunk will take a fifth of the Volume’s entire runtime. I know we’ve already acknowledged that this Volume is filler, but given how much important stuff actually resides within that filler - discussing what happened in Volume 8, figuring out Salem, helping Ruby recover, mourning Penny, finding Crescent Rose, finding Jaune, dealing with Neo, etc. - it seems like a waste to be taking these detours when they’re so thematically unsatisfactory. Obviously in a story it’s about the journey, not the destination... but if the journey is badly written, how about we at least stop wandering from the main path so often?

Alright, enough of all that. I will say that I’m was quite pleased when the Prince revealed his ability to shrink the girls, displaying some pretty formidable magic. My first thought during the beheading scene was why the guards were obeying the Prince when, to all appearances at the time, he was just a bratty child with no way of enforcing his authority. I was afraid that this was just a case of, “They’re loyal because they’re guards and that’s just the way things are!” or that RT really hadn’t given this any thought; why hundreds of men-like beings with weapons were obeying a vulnerable child when, clearly, that wasn’t working out so well for them. Here though we see that the Prince is not vulnerable, he’s quite powerful, and that really helps to sell the fear we see permeating his Kingdom. 

Ruby is obviously concerned when her teammates are shrunk down to Little’s size, but honestly I can’t take her, “No one’s going to get hurt... right?” very seriously. Ruby is WAY past this kind of naive innocence. Girl, your friends are positioned alongside a bunch of beat-up warriors, facing a Prince who just beheaded two of his subjects. What do you think is going to happen here? More importantly, why are you worried? I’ve seen a couple of fans praise this moment because it highlights Ruby’s perspective post-Penny’s death: none of her friends are safe, anyone could die at any moment, etc. But Penny was facing off against a freaking Maiden, not a bunch of itty-bitty chess pieces with toothpick swords. (Here I point out their relative size because even if they’re now equal to WBY, Ruby is still large and could just flatten them all with one good stomp.) The point is that I’m continually unconvinced by this “So horror, much danger” characterization of the Ever After when we’ve spent the last three Volumes emphasizing how powerful, brilliant, strategic, and all-around perfect the girls supposedly are. We’re really supposed to believe that these literal pawns are worrisome to Ruby after they’ve faced down the likes of the Hound, the Ace Ops, Ironwood, Neo, Cinder, and their like? Imagine if Ruby saw a couple of Beowulfs 2/3rds of her team was about to fight, which to her were the size of mice, and she was all, “You won’t get hurt, right?” Ruby, those are literal MONSTERS out to EAT them, but that doesn’t matter because you’ve been taking out this kind of monster fodder since you were TWELVE. The show continually has it backwards, making the characters smug against legitimately powerful enemies and biting their nails over stuff they could squash in their sleep.

Which, you know, is precisely what happens. The girls have absolutely no difficulty taking out the chess pieces, further undermining Ruby’s worry.

Before that though she asks - very politely - for one of the pawns to move ahead a space, facing down the bigger, badder, meaner looking piece across from him. At first it looks like they’re pretty well-matched, but with a pointed look from the Prince, Ruby’s piece pretends to succumb to his wounds, collapsing until a magical stretcher appears to carry him away. He kicks back with a yawn, happy to be off the battlefield and, presumably, off His Majesty’s shit list.

Three other pieces meet the same end until Ruby gets to Weiss.

Ruby: “Weiss, do you think you could take that space?”

Weiss: “Have some faith!”

Again, I feel like the Volume is going for a total decimation of Ruby’s confidence, to the point where she’s entirely disengaged from reality (AKA, obviously Weiss can take out these talent-less pieces). Ruby can no longer summon up enough hope to fill a jar, she’s oh so worried that her elite team will fall to these grunts... but she’s also constantly telling people that yeah, they can handle this, and of course they’ll get back, and look now she’s acting like she always does with smiles and jokes - a part of the endless gags. There’s also no relief when Weiss does win her fight. I think Ruby’s smile is super cute there

but it doesn’t piggyback off of that worry at all. There’s no sigh and maybe a comment whispered to bring herself back to reality, “Come on, Ruby, of course Weiss was gonna win” - something to alert the viewer that Ruby is actually struggling with this kind of irrational anxiety and attempting to fight against it. As it stands, we keep seeing Ruby’s depression introduced and then it slips away again, unacknowledged until it randomly pops back up. “Have some faith!” Weiss says, which is clearly a callback to Ruby’s lack of it last episode, but nothing that happens either confirms or denies Ruby’s struggle. That shot of her smiling, while adorable, could have been taken from any moment where Weiss is being a badass. It’s entirely disconnected from the extreme of, “Omg can a full-fledged Huntress take out a toy in a fight what if another one of my teammates DIE?” Ruby has two completely separate personalities going this Volume and they don’t mesh at all.

The pawns are also super impressed with Weiss’ victory, same with Yang’s, and that feels... wrong to me? I mean, I’ve got nothing against a team that’s been beaten for who knows how long re-discovering faith (like Ruby) and rising to the occasion. (C'mon. I’m a Ted Lasso fan. I eat that shit up.) However, that’s not the conflict here. The conflict the white pieces are facing is not that they think they can’t win, it’s that they’re being told they can’t win. By the Prince. That was the entire point of the Look™ the white piece bowed to: Either you pretend to fall and deliberately lose this game, or I’ll ensure you suffer something so much worse.

Why then would the pieces suddenly rise to the occasion and try to help Team RWBY win? What have the girls done that convinces them to go against the Prince, risking who knows what - beheading, probably - in the process? Now, if I were writing Volume 9 I’d have had the girls trying and failing to save the guards, or at least arguing forcefully about whether they can risk losing a route to the tree in order to help others. Then, during the game, let Ruby realize not only that her pieces are deliberately losing, but that they’re doing so out of fear. Weiss and Yang’s success can be used as a rallying cry and a promise of safety. You help us win this game, securing our necessary prize, and we’ll use our incredible power to protect you from the Prince. The game dissolves into an actual battle, Team RWBY wins, the Cat arrives with an escape route, Ruby gathers up all the pieces using her semblance, and she sets them free once they escape the castle. Maybe they return at the end of the Volume to help in some final battle.

The point of this is not to do an actual re-write in 30 seconds, but rather to acknowledge that there’s no development here. We know the pieces’ initial motivation, but not what makes them change their minds. Really, this micro plot is representative of the entire show, with characters just suddenly doing things that make the audience go, “Wait, what? Where did that come from?” 

“Hey, hey, what about us?” The white chess pieces cry, suddenly eager to try and beat the Prince. “What do you want us to do?” This question shouldn’t even be on the table because you all are clearly terrified of what will happen if you fight for real and Team RWBY has done nothing to persuade you to their side. Indeed, once it’s revealed that the girls are human the red and white pieces start attacking them, the entire board eager to defend their Prince. This feels like a round robin Volume where every episode - every scene - has different characterizations.

As said though, Weiss, Blake, and Yang all take out their pieces easy-peasy and that produces some super cute interactions between the girls. My fluff-obsessed ass if kicking my feet and twirling my hair at those screenshots. At the time of this writing, I’m a couple episodes behind in Recaps (RIP I tried), which means that I’ve already experienced the less than stellar support Ruby receives in "The Parfait Predicament.” So I was pleased to return here and see strong moments of companionship - and romance. Yang works the crowd while Blake politely claps for her. In return, Yang cheers exuberantly while Blake blushes beet red. Putting aside that this is our bumblebee moment for the episode, I legitimately love that they’re supporting each other in this way, even during - perhaps especially during - such a comparatively easy fight. Combined with Weiss’ bow, it feels like they’re actually friends in this moment, playfully showing off for one another and providing unconditional support. This feels like old school RWBY, back when Ruby would cheer for Weiss during class, or Yang would bask in the Vacuo crowd. It was nice to see this dynamic again.

The Prince gets more and more frustrated as his pieces fall while simultaneously becoming suspicious of Ruby. Wanting to get to the tree is weird enough - especially to creatures who, as far as we’ve seen, never leave the safety of their own acres. Little who does not yet possess a purpose is the exception - so when Ruby reveals that they know someone who also used the tree to leave this world, the Prince really starts to lose it. He leaves the game table and... well...

Opinions about his character aside, are non-RWDE folks starting to see why we labeled Volume 8 Ironwood a “cartoon villain”? No, he doesn’t strike such an overblown pose like the Prince, but that kind of spotlight is (usually) used to showcase a drama worthy of ridicule - as we’re seeing here. RT obviously recognizes this, so the fact that Ironwood is given a similar spotlight to reveal his totally rational plan of bombing civilians heavily implies that the writers wanted him to look ridiculous; exaggerated to the point of dismissive humor. By the end of Volume 8 Ironwood was not a complex, fallen hero whose journey showcases RT’s writing chops, he was very close to another Prince: nonsensical, over-the-top, unworthy of respect not because of his actions, but because the environment is going out of its way to say, “Look how ridiculous this guy is.”

So in the grand scheme of RWBY the spotlight is a #choice. Within just this scene it’s fine, simply another way to show us how spoiled the Prince is and, potentially, that this world doesn’t follow the rules of Remnant (though it is harder to argue that the spotlight is real-real in a Volume making use of markers like sweatdrops, angry speech bubbles, etc.) The Prince finally asks the right question: “What type of creatures did you say you are again?”

Now, I get why some fans are upset with Ruby differentiating among humans, mice, and faunus. The line leaves a sour taste in my mouth too, if only because it severely undermines the allegory Blake represents in a Volume where she will (so far) compare herself to a literal cat three times. The point of giving the faunus animal traits and having others discriminate against them on the basis of that is to mirror the Civil Rights movement and, to a lesser extent, other minorities with visible differences. They’re all “human” in the sense of being bipedal primates with intelligence - emotional and logical - equal to others around them... they just happen to have an extra set of ears, or a tail, or the ability to change colors. It’s obvious why RT meant to equate that with the real life social issue of, “They’re human, they just happen to have dark skin,” or were born without a leg (disability), or can curl their tongue (a biological “talent” that not everyone shares). The point is that the faunus have been going, “We are your equals! We’re not a different, lesser species just because we have minor, biological and cultural differences!” the same way social justice movements have said the same about skin color. There’s such a variety within the definition of “humanity” as to make separate categories not just horrifically dangerous, but ultimately meaningless too.

However... RT doesn’t know how to write a racial allegory, which means that the faunus have been treated as a separate species from the get-go, in direct opposition to what their story is meant to represent. They’ve always been separated verbally like Ruby is doing now - “Humans and faunus” - and if you’ve engaged with RWBY’s supplemental content at all you’ll know that the faunus have a separate origin story, though one that does include humanity as a common ancestor.

It’s a mess of contradictions, but that means that Ruby canonically does have the wiggle room to make such statements. According to the rules of her world - generously helped along by being sci-fi fantasy - she is not in the wrong to describe Blake as a separate “creature” from the rest of her team... but that doesn’t erase the discomfort for the viewer as we go, ‘Wait? What happened to Blake being treated as an equal, not a literal animal and all that represents within her allegory?’

Of course, all this culminates in Ruby ignorantly admitting that the rest of them are human. I LOVE the first shot of the Cat’s eyes. They’re just like, ‘Oh, girl... you didn’t smh.’

Legit, there are so many fantastic shots this episode. The animators are working so hard, god bless.

As I mentioned earlier though, it’s weird to me that this moment is treated as a huge revelation for the Prince, especially since his entire guard seems to realize that they’re human from the get-go. Given what we learn later about Ascension, it makes sense that the Prince wouldn’t remember what humans look like, but none of his super loyal subjects were going to bring him up to date? Especially after what happened when Alyx visited?

So much of RWBY just feels unnecessarily contrived. Characters don’t react to the information they have, or work under their motivations, or remain consistent in their personalities. Things just #happen to move the plot along, regardless of how that sits within the story as a whole. At least it's all pretty this season.

But that’s hardly news to anyone reading this. Regardless, the revelation shocks the Prince and in his fury his face literally cracks down the middle. Frankly, I would have liked if this moment heralded a turn in the Prince’s attitude, moving from bratty and mostly harmless to terrifyingly cold... but that’s just me. I like characters that appear embarrassingly incompetent on the surface, only to reveal how dangerous they truly are when push comes to shove.

Weiss remembers that she can use her glyphs to steady herself - yay! - and a jazz-y soundtrack starts up that I really dig. All in all, I think this fight is solid. Nothing to write home about, but not a failure by any means, either. Though I fully expect the combat to get backloaded to the end of the Volume, it is notable that this is our only true battle so far. There’s a brief skirmish against the Jabberwalker in “The Parfait Predicament,” but to my mind it’s so short and easily won as to not really “count” - not in a combat-focused show, anyway. So this is the highlight battle of the first half of this Volume and though, as said, it’s by no means bad... it’s not exactly carrying the weight of those expectations either.

First, I stand by what I said earlier that it’s downright weird how Team RWBY treats these toys as a legitimate threat, especially after they just demonstrated how easily they are to beat. And again, Ruby could say screw the rules and help out by flattening them with her comparatively giant size. Blake gets thrown into the side of the game board and Ruby acts like she’s been stabbed--“You’re going to hurt them!” Ruby... honey... they have aura. You literally slammed your friends against a wall for FUNSIES during a food fight. The show (and the fandom) has always been weirdly unclear about which attacks are emotionally significant and which are not. These little nobodies shoving Blake is cause for great concern, but everyone should shrug off Qrow punching Oscar because duh, any huntsmen can take a hit. (Never mind that he wasn’t a huntsmen.) Yang losing her arm is a multi-Volume tragedy, but Weiss nearly dying from a stab wound isn’t worth a second mention. I feel like every scene I’m trying to find my bearings again - is this supposed to be a moment when the girls are legitimately scared? Confidently smug in their skills? Why is there not an obvious difference between when we get one over the other?

I’m not buying into the stakes here, is my point, which means that Ruby’s moment of doubt really fails to land. Yeah, I get that she lacks hope right now and is likely working under a very warped perception of their strength post-Fall of Atlas, but why not have her briefly crumble against something that truly tests her, either in skills or via trauma: the Prince’s magic, the Jabberwalker, Neo? A mere three episodes into the Volume, against a collection of low level grunts, does not feel like the time to put Ruby in this state:

Plus, it doesn’t last. Volume 9 continually proves to be very good at introducing Ruby’s hopelessness, but not doing anything with it. What’s the point if, literal seconds after she’s given up, she rediscovers her faith - WITHOUT EXTERNAL HELP! - and yells that they’re going to “Kick their wooden butts!!” Ruby doesn’t lack the hope to fill a jar, her hope supply is just fluctuating radically, depending on when the show is sick of her being a downer. This doesn’t feel like Ruby on an arc, it feels like Ruby continually edging into one and them immediately getting yanked backwards.

That aside, there are definitely some high points to the fight. It has a good flow to it, especially in the second half. It makes complete sense that the whole board would turn against the girls once they learn that they’re human, red teaming up with white, and I suppose that helps sell the danger a little more. I enjoyed how happy Yang was at the start, using Blake’s ribbon to plough through the crowd like one of the old-school team fights, even if she’s unexpectedly angry just a second later.

I’ve come across a lot of criticism of Weiss’ wing shot and... yeah, I can see where that’s coming from. It’s in pretty bad taste to keep giving the racist billionaire’s daughter angel imagery, especially during a Volume when she’s supposedly grappling with the guilt of destroying a Kingdom. RWBY has never been any good at picking up on the implications of its “cool” style. That being said, it is an awesome shot and I love the Yang was able to make use of the Knight’s sword. I mean, it would have been even cooler if we had scenes devoted to the girls’ training/character development and they’d discovered that this was even possible before enacting it with full confidence during a fight... but again, still cool. It’s another nice not provided you don’t think about it too much.

Also, I had to laugh at that epic image transitioning to Ruby, showing us just how tiny Yang actually is...

Yeah, that undermines the awesomeness a bit lol.

We’re given the shot from our trailer as the Prince looses his temper and does what I wanted Ruby to do the moment she was supposedly frantic over the safety of her team: upset the game board. Blake, Weiss, and Yang are thrown across the room and Ruby activates her semblance, catching them right before they go over the ledge.

...

.......

OH, SO YOU CAN INSTANTLY KICK-START THAT ABILITY AND SNAG SOMEONE MOMENTS BEFORE THEY PLUNGE TO THEIR DEATH. FUNNY, THAT.

Okay, obviously there are differences between Yang’s fall and this one, including that a) Little helps Ruby out and b) on the bridge Ruby would have been trying to snag a fully grown woman. But I’m not here to debate the details. I’m not here to quibble over whether Ruby would have been able to save Yang. I only care that she (and the others) didn’t try. The fandom has bent over backwards to explain that moment, how all these fighters with various forms of flight and well-honed instincts just stood there, leaving only Blake to make the attempt. Fans are so desperate to praise RWBY that they’re consistently overlooking the simple explanation of bad writing: RT made the characters stupid so that Yang could “die” and there could be a bees moment as a result. That’s it. Now that there’s nothing attached to the outcome, Ruby is free to remember that she has super-speed and grabs her friends like she always should have.

Man, what a detail to include just a few episodes later...

The Curious Cat finally reveals themselves, distracting the Prince with some ambiguously authentic sympathy. It’s just so sad that he’s failing to do “the one thing you were put on this acre to do.” AKA, win games. They warn the Prince that beheading Team RWBY would be a far more permanent consequence than taking the heads of his soldiers - implying that the guards are “fine” but, again, Team RWBY couldn’t have known that when they were being “killed” - and they slip a little bit of themselves into the Prince’s chest, helping him to calm down.

The Prince dissolves into crying instead of screaming and... weeps jeweled tears? I don’t understand how that fits his aesthetic - what does that have to do with being a wooden toy? - but far more importantly, Yukina did it better:

Ruby takes the Cat’s advice and high-tails it out of there, getting chased by the guards all the while. The castle is a bit labyrinth-like, so she has no choice but to trust the Cat’s directions - which turn out to be sound. That’s potentially an important thing to keep in mind as the Volume continues and we learn more about the Cat’s personality and motivations.

“I don’t know how that went so wrong,” Ruby says when they finally have a moment to breathe. Really? You met a temper-tanruming toy that beheaded his guards and threw Penny’s sword away without a second thought, but you’re surprised that he wasn’t eager to help you after you beat him at this own game? I get that they’re going for a ‘Ruby is vulnerable and tentative in her depression’ vibe, but these moments read so strangely after her hubris of Volumes 6-8, to say nothing of her experience in the wider, morally gray world. Ruby doesn’t trust established allies, but is surprised when an asshole who owes her nothing doesn’t come through? Consistency, consistency, my kingdom for some consistency.

I do like that Ruby thanks the Cat for their assistance though. This episode is the most polite we’ve seen Ruby in years, even if part of it is a manipulation tactic to get on the Prince’s good side, and honestly I’m digging it. This feels like a kindhearted huntress who understands the importance of unifying to succeed. Not, you know, the Ruby we saw with Cordovin, Qrow, Ozpin, Ironwood, and the Ace Ops.

As a minor point, I’d like to note that throughout this whole escape Little has been completely quiet about the Cat’s appearance. They were awake to help catch the girls and the Cat showed up just seconds later. They then flee through the castle and have a conversation in the hallways, yet not once does Little react to a Cat getting up in their face.

This is notable only because at the very end of the episode we’re going to get another, “Cat? What cat??” joke, because heaven forbid we let Ruby sit with their failure for a moment without interrupting it with a bit of humor that doesn’t even track.

Finally outside, the girls realize that getting a Prince instead of a King and his lack of help means that they’re not really following Alyx’s story. Weiss complains that they’re in the “stupid sequel” instead. Despite this revelation, the next thing Blake notes is that Alyx met the Curious Cat... so they should get their help!

So which is it? Are you following the story or not? I’ve got nothing against the girls still heading for the tree because that’s the only lead they’ve got, but we just established that an assumed ally is actually quite dangerous, so why would the Cat be any different? Again, not saying they shouldn't ask for their help given that the only other option is wandering aimlessly towards the tree (and that's if the world let's them go any farther), but maybe at least acknowledge the problem here?

I'd chalk it up to a "Wonderland-esque worlds are inherently contradictory" vibe if I actually thought RT was deliberately going for that.

We end this episode with the return of the Jabberwalker. It runs across an ~evil~ looking acre--kinda similar to Salem's continent, actually. Will we establish a historical tether between Remnant and Ever After?--and it leaves a trail of blood on a group of razor-sharp leaves, which is a cool detail. It comes across Neo, presumably having just arrived, cycling through various illusions in her fury. As the Jabberwalker closes in Neo's semblance...

*Sigh*

It evolves.

Look, outside of RWBY's larger context having Neo power up post-Fall of Atlas is a good choice. She's certainly at her lowest here, not just lost in a new world, but having just been betrayed by Cinder (again). Plus, it raises the stakes for when our heroes next meet her. No, my issue is that RWBY's semblance upgrades as a whole are fairly random and we've long lost the ability to distinguish a true evolution from incremental change due to growth. Harriet simply announced in Volume 7 that Ruby's semblance has hidden depths, but is splitting into three red blurs the upgrade? Is Nora handling that level of charge meant to be indicative of a change, or did she simply push herself to an already known limit? On the surface it seems obvious that an evolution is when the actual function of the semblance changes - Ren can now mask emotions and track them - but we've still got wrinkles like Weiss' semblance where, apparently, learning to summon instead of just producing glyphs isn't a distinct, evolved ability, it's just the standard end-goal. (And don't get me started on how she remains the only one with an inherited semblance, but no one seems interested in that.) Are we supposed to understand that Qrow's semblance changed on the airship when the bomb didn't drop? How do we measure Blake's abilities when she's stopped using them? I can't help but continually compare RWBY to other shows with power ups, ones where the characters have to work hard to unlock them, train anew to control them, deal with significant downsides that come with this power, or go through horrific emotional arcs in order to unlock them. RWBY- with the small exception of Neo for the last one- has none of this. Evolution simply happens, unprompted, the character can immediately use this new skill perfectly, and unfortunately it's rarely a strong reflection of their growth.

Ren can magically track his friend smack dab in the arc where he's supposedly being the worst friend ever? Right.

So Neo's semblance evolves, make of that what you will. Rather than simply changing herself or something she's touched with illusions, she can now create a large number of copies with (as we'll see later) their own morphing abilities. Wow, wow, wow, that's super op!!! I can't wait to see Neo fall to some generic Team RWBY attack.

I'm kidding. Actually I'm not, but I do hope I'm wrong 🤦‍♀️

For now though there's only the Jabberwalker in her way. Neo's clones close in as the Jabberwalker screams "No!" in true fear. Kudos to the voice acting there. This creature remains one of the few things I'm legitimately interested in this Volume.

And thus ends episode three! In lieu of flowers, please send prayers that I can eventually catch up on this project :3

[battlecouplesoulmates]

A tribute video to some of my favourite female characters. Here's a list of everyone included:

1) Kara Danvers & Cat Grant – Supergirl 2) Clarke Griffin & Lexa Woods – The 100 3) Gabrielle & Xena – Xena Warrior Princess 4) Buffy Summers & Dawn Summers – Buffy the Vampire Slayer 5) Dina & Ellie Williams – The Last of Us 6) Sara Lance (& Ava Sharpe & Zari Tarazi) – Legends of Tomorrow 7) Wednesday Addams & Enid Sinclair – Wednesday 8) Amy Pond – Doctor Who 9) Ryan Wilder (& Mary Hamilton) – Batwoman 10) Regina Mills (& Snow White) – Once Upon a Time 11) Dinah Lance – Birds of Prey 12) Emma Swan (&Regina Mills) – Once Upon a Time 13) Chloe Fraser & Nadine Ross – Uncharted the Lost Legacy 14) Octavia Blake – The 100 15) Sarah Alder (& Tally Craven) – Motherland Fort Salem 16) Root & Shaw – Person of Interest 17) Alice (& Claire Redfield) – Resident Evil 18) Poison Ivy (& Harley Quinn) – Harley Quinn 19) Harley Quinn – Birds of Prey 20) Jack & Miranda Lawson – Mass Effect 21) Ava Sharpe – Legends of Tomorrow 22) Natasha Romanov & Yelena Belova – Black Widow 23) Karolina Dean (& Nico Minoru) – Runaways 24) Hilda, Sabrina & Zelda – The Chilling Adventures of Sabrina 25) Clara Oswald – Doctor Who 26) Ashildr/Me – Doctor Who 27) Eve – Xena Warrior Princess 28) Anne Wheeler – The Greatest Showman 29) Korra & Asami – Legend of Korra 30) Rose Noble & Donna Noble – Doctor Who 31) Rose Tyler – Doctor Who 32) Imogen Temult & Laudna – Critical Role 33) Melinda May – Agents of Shield 34) Aneela Kin Rit – Killjoys 35) Lena Luthor – Supergirl 36) Liara T'Soni – Mass Effect 37) Michonne Grimes – Walking Dead the Tell Tale Series 38) Clementine (& Violet) - Walking Dead the Tell Tale Series 39) Yasmin Khan & 13th Doctor – Doctor Who 40) Aria T'Loak – Mass Effect 41) Commander Shepard – Mass Effect 42) Monica Rambeau – Wandavision 43) Yang Xiao Long – RWBY 44) Daisy Johnson – Agents of Shield 45) Waverly Earp – Wynonna Earp 46) Dutch – Killjoys 47) River Song – Doctor Who 48) Aloy – Horizon Forbidden West 49) Naoe - Assassin's Creed Shadows 50) Wynonna Earp – Wynonna Earp 51) Martha Jones – Doctor Who 52) Wanda Maximoff – Wandavision 53) Hope Mikaelson – Legacies 54) Willow Rosenberg – Buffy the Vampire Slayer 55) Faith Lehane (& Buffy Summers) – Buffy the Vampire Slayer 56) Regina George – Mean Girls 2024 57) Grace (& Freddie) – Stray Gods 58) Alex Danvers – Supergirl 59) Neytiri – Avatar the Way of Water 60) Ruby Sunday – Doctor Who 61) Elodie – Damsel 62) Moana – Moana 2 63) Isabela – Encanto 64) Mirabel – Encanto 65) Keelin (& Freya) – The Originals 66) Luisa – Encanto 67) Ruby – RWBY 68) Weiss – RWBY 69) Blake – RWBY 70) Isabela – Dragon Age 2 71) Azula – Avatar the Last Air Bender 72) Raya – Raya and the Last Dragon 73) Mulan – Mulan 74) Raffi (& Seven) – Star Trek Picard 75) Delle Seyah Kendry – Killjoys 76) Callisto – Xena 77) Namaari (& Raya) – Raya and the Last Dragon 78) Bill Potts – Doctor Who 79) Iris West-Allen – The Flash 80) Michael Burnham & Emperor Georgio – Star Trek Discovery

Anyone who can't see it on youtube can watch it here

[agentalysswolf]

OKAY---"KIN" LIST (im defining kin as a fictional character i feel i embody in some major way and makes me feel seen by others. Also through which I can see myself as I have a difficult time with that as I have bpd among other things.

DEEP BREATH ...Okay. This might seem "cringe" or stupid but idc. It's a big deal for me to come out and release this list even to strangers.

IN NO PARTICULAR ORDER:

Fox Mulder✨--The X Files

(Purest and parts of me I most strive to lean into. Also transboy. my crazy puppy dreamer energy to someone's skeptic down to earth anchor. ready to kill god and anyone who'd dare to hurt the ones i love and cant live without)

Tony Stark✨--You know who I am

(Aware of sins and ready to constantly improve and be better. Heroes are self made!! (built) He loathes himself AND loves himself. The cluster b is strong with this one. as well as cptsd and ocd. Specifically Sun armor. Blazing sunshine energy BOTTOMING AND SUB SPACE IS A NEED TO HEAL. DADDY ISSUES)

Will Graham✨ --Hannibal

(Hyper sensitive "empath" who struggles with mental illness and harmful urges. morally grey. morally good. morally bad. confused/hurt/gentle.)

Quentin Compson (male) --The Sound and The Fury✨

(first book character through whom i felt SEEN. he has MASSIVE ocd issues and the writing style for his chapters resonates with my soul. i was watching tokyo ghoul at the same time and "White Silence" the song makes me think of Quentin in a coffin covered in white flowers with white hair and I break down)

Naruto Uzumaki✨--Naruto/Naruto Shippuden

(hero's hero. he grew up with me and we are most alike in sunshine blazing personalities. Feel VERY DEEPLY and have deep trauma. anyone can change for the better--BELIEVE IT! Childish and loud. hyper with FEELINGS that sometimes get out of control and make us go ninetails mode. (intermittent explosive disorder) Which always end up hurting those around us even though we get that way in emotional responses to freak situations. "THERE ARE NO SHORTCUTS TO BECOMING HOKAGE"

Lestat de Lioncourt✨--The Vampire Lestat (book)/ AMC's show Interview With The Vampire

(The villain in me. The wretched creature. The lover. Absolute chaos. cluster B diva. The trauma. Needing to feel SEEN and fucking everything up over and over. Obsession. Self harm. Suicidal and homicidal ideation.)

Nora (with Weiss' trauma) (team JNPR) --RWBY

(Bright eyed. Motormouth. Random and hyper AF but like actually. Living your entire life with/for someone and needing to figure out who you are without them. Hitting things with a massive hammer. A hero. Lightning blaze heart. Will do anything for those she loves. just add in the song "The Path To Isolation" )

Spinell--Steven Universe Movie

(oh god. the villain origin story. worst fears being imagined. the annoying love bombing and wanting NEEDING others approval and constant attention. bpd. the scythe. the HEALING.)

Asuka --Evangelion/Rebuild

((MOMMY ISSUES TO THE EXTREME) bpd again. need to be seen by others in order to exist. without praise or what you crave from others you are nothing. you only exist through the eyes of others. self harm/ suicide attempt (bathtub scene) mind rape scene. trauma driving your entire life and still...still wanting happiness for people and yourself. not knowing how to express love. coming off as annoying and loud and weird and narcissistic and then laying there alone in bed crying about how much you hate yourself. and yet STILL being able to grow at the end and save the world)

[fairytalefragments]

❄️ | WEISS SCHNEE

— lesbian aesthetic with themes of repression and coming to terms with it in the lesbian flag colours for anonymous

[civilight-eterna]

Fanfic Writing Questions

1. How many works do you have on AO3?

Looks like 17, incidentally my lucky number!

2. What's your total AO3 word count?

204,980 so far!

3. What fandoms do you write for?

Right now, Arknights. If Ex Astris gets any more content though I'll probably lunge for it again. I'm also always open to writing Vocaloid stuff even though I'm a little embarrassed looking back at some of my earlier works. I don't write for RWBY or Danganronpa anymore. I've been kinda hurt by people in those fandoms and I'm baby (or was baby) so it kinda killed my heart for it.

4. What are your top 5 fics by kudos? 1. From Hell to the Moon - 953 kudos My gigantic Touko/Komaru fic from back when Ultra Despair Girls had me in an absolute chokehold. I still love them but I kinda fell off from updating because I got a lot of comments like 'ughh i'm so sad this will never get updated' and the pressure got to me. 2. Between the Li[n]es - 425 kudos Another one I left on a massive cliffhanger for Danganronpa V3, my Miu/Kokichi/K1-B0 fic. I appreciate the support it received so much. I do enjoy writing robot sex. I fell off of updating because I made a friend in the fandom that kinned Kokichi pretty hard and seemed to feel like he was a much 'softer boi' than the way I wrote him and implied that my Kokichi was OOC and even though I didn't really believe it...well, you become your actions, so, by kind of, tolerating their interpretation it kind of neutered my own. We haven't talked in years. Sometimes I think about writing a quickie update chapter but I'm too into my other writing. As one comment put it: "came to nut, stayed for the feels", so I felt pretty damn good about the naughty scenes in this one. One of the more vulgar things I've published.

3. Other Side - 288 kudos My first fic for the RWBY fandom! I wrote it right after the Weiss trailer came out and we knew nothing, so a lot of the story is nothing like how the characters act now. I look back on it pretty fondly because it got me out of a pretty bad writing rut, but it's kinda bittersweet because I've moved on from RWBY. Still a sucker for Ruby/Weiss and I was overjoyed when Ice Queendom came out and gave them some spotlight. 4. Amor fati - 188 kudos My beloved golden child chenmiya fic. It makes me so happy to see this one climbing high into the list even though it's the most recent. A lot of tender love and care went into writing this and reading this is the key to my heart. Nothing excites me more than comments on this or any of my other chenmiya fics. It's basically my love letter to the ship. 5. Secondhand Smoke - 177 kudos One of my early entries into the ~problematic yuri~ genre from when Cinder/Ruby from RWBY had me by the throat. I got a lot of much-appreciated appreciation for writing these two and I remember this being the year that a bunch of my artist friends drew me Cinder/Ruby for my birthday! I'd never had anything like that happen before and I felt so loved.

5. Do you respond to comments? Sometimes! If you leave a lengthy comment I try to at least pop in and cry about how much it means to me haha.

6. What is the fic you wrote with the angstiest ending? Sour Grapes, easily. But is anyone surprised?

7. What's the fic you wrote with the happiest ending? Definitely dodecatheon meadia. If ever I've written something I can consider to have a true fairytale ending, this is the one. This one really healed my heart too! I felt like I had a real fire under me while writing it and these girls have deeply affected me. I don't want to say too too much about it since some people are very likely still finishing the game. But it's also a new feeling to be the first fic in a tag!

8. Do you get hate on fics? Thankfully not really.

9. Do you write smut? If so, what kind? Yeah, I sure do, almost exclusively-but I tend to have myself in this hostage situation of, "please make a 50k-100k epic to perfectly justify the characters having sex" that I occasionally escape containment from. I've gotten a little better at just laying the foundations quickly and getting to what I like to write, but it can still be a struggle because I get a little perfectionist with it. Which is funny because to me the 'perfect' smut doesn't exist, and it's made 'perfect' through the imperfections. I think the little bumps and hiccups and misunderstandings along the way are a lot more compelling to me than having everything go without a hitch, but there's definitely exceptions and different circumstances! Like when that's a big part of the story-like a character really really in control for another character's safety. When I write robot sex or medfet there tends to be a bit more detail about the safety side of things because I like to take the reader through the experience of safety too. I never turn right to the camera and go 'and now the safe way to do it is x' but I rely on the characters to express their expertise to each other, and their reassurance, and for the trust of the other character to speak for itself. haha, i rambled.

this is why for the lin/chen/amiya bondage i'm working on writing that i have a notebook with several pages of questions that lin goes through before tying people up. things like 'if you start to cry, does that mean you need to stop, or is that just what you need?'

10. Do you write crossovers? What's the craziest one you've written?

Not really, the only one I've kind of written was the Ex Astris/Arknights one in dodecatheon meadia, based lightly off the fact that the games did a collab and I wanted to acknowledge them with the outfits of those girls from another world that they didn't quite get to know.

11. Have you ever had a fic stolen? Oh, just once. But it was SO long ago and the person was pretty young I think and they were ashamed and took it down right away, so live and let live.

12. Have you ever had a fic translated? Some kind folks translated Sour Grapes into Chinese! I asked them for a link to where it ended up but I don't think they totally understood what I was asking. I was flattered nonetheless.

13. Have you ever co-written a fic before? No, I haven't. I do a lot of rping though still, though less publicly than I used to. I think if I co-wrote anything and published it it would have to be with @lanymme because she's my most trusted peer! When we talk about writing things and whenever she gives me feedback, she is so kind and spirited about it in a way that pushes me to do my best. Her encouragement is truly so earnest and even though I can be a little protective of my writing she has a really nice way about her of discussing how to make it stronger without making me ever feel like I'm not 'enough' as an author. I can't overstate how much I value her companionship; as an editor and a good friend and just lovely person overall. And when she leaves huge comments on my fics spotting all the little painstaking details I put in and mentioning them-what better satisfaction can there be as a writer? I always intend to do the same back but I am always just so floored and wiped out by the quality of her writing that I atomize before I can form cohesive thoughts. It just makes it all the more impressive that she can put together a fucking. bibliography of the story's moments and her reactions. So lanymme I hope you know how much I adore your style. /)///(\

14. What's your all time favorite ship? Chenmiya. I sort of felt inklings of it all throughout the beginning of the story and then chapters 7 and 8 sealed my coffin shut. Amiya sort of represents, I think, the idealism that Ch'en had wanted to believe in growing up. The world was really cruel and Ch'en adapted in her own ways, but she...rejects Amiya a bit because I feel like in her heart she can't let herself get too attached. She knows-or thinks she knows-that Amiya will lose hope and she'll feel that heartbreak all over. But slowly, her optimism and continued efforts to just...keep going, in a world that is cold, a world that shows her cruelty-it reaches Ch'en. And even though Ch'en puts up her front at first, Amiya's ultra-high empathy helps her understand who Ch'en really is, and she has the maturity to not begrudge her for the way she's processed things up to the events of chapter 7 and 8. As she puts it, "I saw the color of her heart", when talking about how Ch'en interacted with the kids in the slums that didn't have anyone else. And then she launches a rescue for Ch'en, and ends up so linked up with her memories and emotions that she just like. Becomes the other half of her soul in that fight. Amiya arrives with her optimism and hopes on the sheer chance that Ch'en is still alive and still needs her help and goes up the tower alone to find her and she does even against all odds. She talks about how she wants to cry when she sees her. In Ch'en's hour of need, Amiya arrives carrying the hopes of what she wanted to be herself, and they fight a battle where they are alone, saving each other, promising each other that they can do it, and they come out alive.

There are so, so so many more details about them. Ch'en's wishes for Amiya to call her by first name in a closer way, the way that Amiya shyly, obstinately continues to add some form of honorific for her. The way Ch'en inherited her abusive father's rhetoric and echoed his lines to Amiya to try to get her to distance herself from her in the beginning, only to apologize at the top of the tower and tell her she wishes she'd met her earlier.

But the main thing I always think about, at the top of the tower, is where black-snake-controlled Talulah puts Amiya in a prison of fire specifically to goad Ch'en. She wraps her in flames and says "I wonder how her melting flesh will smell"/something akin to that and Ch'en loses her mind and yells as her to "don't touch her!" and says "I'm the one you want, let her go!" etc., you know, all the good shit. So my interpretation of the scene is this: since the black snake can't make Talulah do something she doesn't actually want to do, I've always felt that the feelings behind that scene were of Talulah wanting someone close to her to really, truly understand how it feels to lose someone you love, and she saw Amiya to Ch'en as being someone analogous to what Alina was to herself. I think even if you read Ch'en's feelings for Amiya as non-romantic, Amiya was still so so dearly important to her to make her react that way, and that the black snake being cruel enough to try to leverage their relationship to, ultimately, kill Ch'en, who was Talulah's last tether to not losing control of herself fully-was so outrageously heinous. Ch'en could have killed herself trying to get Amiya out, which would have been what the black snake wanted most of all, since it couldn't quite urge Talulah to kill Ch'en directly, and it would have done so by preying on both Talulah's love/sorrow for Alina and Ch'en's love for Amiya.

scrolling up and seeing the wall of text i wrote and. yeah. there's still so much more.

15. What's a WIP you want to finish but doubt you ever will? Between the Li[e]s. Danganronpa fandom just hurts too much.

16. What are your writing strengths? Aside from dialogue, I think my other big strength is that I'm not afraid to write what I want even if and especially if it's fucked up. I also feel like another strength of mine is that the characters will take over for me, and get me to write them truly as they are without letting me change them. Even if that results in me writing things I'm very embarrassed and shy about writing.

17. What are your writing weaknesses? I lack discipline. I need to get myself consistently writing more, but it's hard for me to make time to do it.

18. Thoughts on writing dialogue in another language in fic?

I don't tend to do more than a few phrases, and only then if it's a character's native language and I want them to call someone a cute nickname or something.

19. First fandom you wrote for?

Princess Tutu. I was 13. it was the 4th of July. I was supposed to be in bed asleep. But I was using the string lights illumination to light up my journal and it was then for the very first time I felt the feeling of realizing that I could make anything happen that I wanted.

It was not very good at all! But I treasure the memories of having boundless energy to write with because I was just so excited to see something become real from something that had only till then been inside of me.

20. Favorite fic you've written?

dodecatheon meadia. maybe it's surprising because it's not one of my headliner chenmiya fics, but-it's a secret chenmiya fic if you squint!

and honestly even though the story of ex astris is a little patchy at times, by the end you feel just...gripped by the world building and by yan and vi in particular. so i remember writing for them, desperate to see the happiest ending i could make, weaving it in with the canon with as many of my favorite details as possible, and it felt so good. i wrote pretty much nonstop for a week straight and finished it. the feeling of just-DYING to write was burning under my skin after finishing the game and the satisfaction of finishing the fic was magical, even if it came with the usual...idk, 'fanfic post-partum' of sending your writing out into the world when it's all done.

tagging: @lanymme, @annierosaart, and anyone else who wants to do it!

[battlecouplesoulmates]

Here's 80 of them.

1) Kara Danvers & Cat Grant – Supergirl 2) Clarke Griffin & Lexa Woods – The 100 3) Gabrielle & Xena – Xena Warrior Princess 4) Buffy Summers & Dawn Summers – Buffy the Vampire Slayer 5) Dina & Ellie Williams – The Last of Us 6) Sara Lance (& Ava Sharpe & Zari Tarazi) – Legends of Tomorrow 7) Wednesday Addams & Enid Sinclair – Wednesday 8) Amy Pond – Doctor Who 9) Ryan Wilder (& Mary Hamilton) – Batwoman 10) Regina Mills (& Snow White) – Once Upon a Time 11) Dinah Lance – Birds of Prey 12) Emma Swan (&Regina Mills) – Once Upon a Time 13) Chloe Fraser & Nadine Ross – Uncharted the Lost Legacy 14) Octavia Blake – The 100 15) Sarah Alder (& Tally Craven) – Motherland Fort Salem 16) Root & Shaw – Person of Interest 17) Alice (& Claire Redfield) – Resident Evil 18) Poison Ivy (& Harley Quinn) – Harley Quinn 19) Harley Quinn – Birds of Prey 20) Jack & Miranda Lawson – Mass Effect 21) Ava Sharpe – Legends of Tomorrow 22) Natasha Romanov & Yelena Belova – Black Widow 23) Karolina Dean (& Nico Minoru) – Runaways 24) Hilda, Sabrina & Zelda – The Chilling Adventures of Sabrina 25) Clara Oswald – Doctor Who 26) Ashildr/Me – Doctor Who 27) Eve – Xena Warrior Princess 28) Anne Wheeler – The Greatest Showman 29) Korra & Asami – Legend of Korra 30) Rose Noble & Donna Noble – Doctor Who 31) Rose Tyler – Doctor Who 32) Imogen Temult & Laudna – Critical Role 33) Melinda May – Agents of Shield 34) Aneela Kin Rit – Killjoys 35) Lena Luthor – Supergirl 36) Liara T'Soni – Mass Effect 37) Michonne Grimes – Walking Dead the Tell Tale Series 38) Clementine (& Violet) - Walking Dead the Tell Tale Series 39) Yasmin Khan & 13th Doctor – Doctor Who 40) Aria T'Loak – Mass Effect 41) Commander Shepard – Mass Effect 42) Monica Rambeau – Wandavision 43) Yang Xiao Long – RWBY 44) Daisy Johnson – Agents of Shield 45) Waverly Earp – Wynonna Earp 46) Dutch – Killjoys 47) River Song – Doctor Who 48) Aloy – Horizon Forbidden West 49) Naoe - Assassin's Creed Shadows 50) Wynonna Earp – Wynonna Earp 51) Martha Jones – Doctor Who 52) Wanda Maximoff – Wandavision 53) Hope Mikaelson – Legacies 54) Willow Rosenberg – Buffy the Vampire Slayer 55) Faith Lehane (& Buffy Summers) – Buffy the Vampire Slayer 56) Regina George – Mean Girls 2024 57) Grace (& Freddie) – Stray Gods 58) Alex Danvers – Supergirl 59) Neytiri – Avatar the Way of Water 60) Ruby Sunday – Doctor Who 61) Elodie – Damsel 62) Moana – Moana 2 63) Isabela – Encanto 64) Mirabel – Encanto 65) Keelin (& Freya) – The Originals 66) Luisa – Encanto 67) Ruby – RWBY 68) Weiss – RWBY 69) Blake – RWBY 70) Isabela – Dragon Age 2 71) Azula – Avatar the Last Air Bender 72) Raya – Raya and the Last Dragon 73) Mulan – Mulan 74) Raffi (& Seven) – Star Trek Picard 75) Delle Seyah Kendry – Killjoys 76) Callisto – Xena 77) Namaari (& Raya) – Raya and the Last Dragon 78) Bill Potts – Doctor Who 79) Iris West-Allen – The Flash 80) Michael Burnham & Emperor Georgiou – Star Trek Discovery

Good evening, Tumblr user.

In front of you is a post asking everyone to list their favorite female Blorbos in the tags, stating that OP is tired of the focus on men in fandom.

You must participate and tag all of your favorite female characters.

If you include any characters who were canonically written as male in your tags regardless of reason, the reverse bear trap attached to your head will activate.

Begin.

[xxdollie-vomitxx]

About me post 🩷 ---------- Tearzah/Teaz

THEY/SHE

Currently I'm into minecraft story mode and FAITH: the unholy trinity

AFAB nonbinary + Bisexual (women pref.)

I make art sometimes. The tag for my art is #Tearzah

Big KMFDM fan🎵❤️ (the albums Symbols and WWIII are amazing) -------------

fiction kins: Petra (MCSM), Ethan Winters (RE), John Ward (FAITH), Rouxls Kaard (Deltarune), Weiss Schnee (RWBY), Emily (Co09), Nicole (Co09), Arthur Morgan (RDR2), Clay Puppington (Moral Orel), and Nagito Komaeda (Danganronpa 2). ------- general kins: Demonkin, Angelkin, and Dollkin.

[shittykinaesthetics]

Shitty Weiss Schnee aesthetic: alright be honest how many of the character playlists for this girl heavily feature primadonna girl by marina. i’ll wait

[rwbybutincorrect]

Weiss: Seriously, you have to stop joking about your traumas!

Yang: Haha, and what are you going to do? Tell my mom??

Weiss: Yang...

Ruby, whispering: ...which one?

[yangscowlick]

Of course these two would be the ones ignoring the conversation to play with the baby.