#rude as hell of him

[whaliiwatching]

How DO you think universe signatures work? I don't think I've seen many theories or discussions on it but I also haven't been looking for them either

HOHOOO UNIVERSE SIGNATURES. ok. as i was rewatching scenes so i could write this, my theories fucking blinked out of existence :) there is as much consistency to universe signatures as there is to the atsv timeline.

alright lets see how incoherent this gets

btw i’m not using the word ‘dimension.’ incorrect scientific terminology in an animated spider man comic movie franchise about the multiverse? couldn’t be me. i already let them keep their holograms*

itsv came out in 2018 and is reported to have taken four years to make. in 2014, we couldn’t have made atsv; the technology hadn’t been developed, because there wasn’t yet a movie to demand it. (usually when the question comes up during production, the team has to invent an answer. like animating violet’s hair in the incredibles in 2004, or water in finding nemo in 2003, or fur for sully in the monsters inc movies, or the entire animation process of 2019’s klaus, or reflections on the cars in cars—) this, combined with itsv being set entirely in miles’s own universe, means that the b team’s (noir, peni, ham) universe signatures changing between universes can be attributed to 1. less worldbuilding than atsv and 2. lack of technological ability in 2014-2018 (no diss to the og animators obviously, itsv is fucking gorgeous)

but that’s a boring doylist analysis. i wonder if we can get watsonian. atsv, which was likely produced from 2017 or so to 2023, explores four more universes, rather than sticking to miles’s. surely it’ll have more answers!

i went through the entire movie to see what changes. not gonna bore y’all with a scene to scene analysis, so i’ll summarize: the only person who substantially differs between dimensions is gwen (abstract in E-65, solid but still pastel in E-1610, slightly more painted in E-50101, abstract again in E-928 during emotional scenes). hobie’s collage changes to match the tone or color palette of the universe around him, but doesn’t take on its signature. other than that, the only effect any universe has on every character is with its light, and the only effect to overpower a universe signature is a portal.

let’s pretend that in an infinite multiverse, such a thing as a standard can be set, and that standard is Comic Style. comparing it to itsv, where peni and ham gained depth from previously 2d-esque universes, it seems as though some things don’t change—general color palette and extreme stylistic divergences from the aforementioned standard, eg when atsv peni is styled in 2d—and some change universally—like universe-specific volumetric light, eg in itsv when E-1610’s halftone-style light gives peni depth and in atsv when E-928’s holographic-style light does the same in a different way.

then portals. they distort the space around them in their style of origin: organic portals always have miles’s universe’s signature because that’s where they were born; any portal opened with an E-928 watch has miguel’s orange holographic hexagon, no matter who uses them or where they open to; portals opened with hobie’s homemade watch are always collage, though they take on the color palette of the universe they’re opened in. that means portals have to be watch-specific, prolly based on the materials’ universe of origin, but in that case, hobie’s would look a lot like miguel’s since he harvested most if not all of the parts from E-928. so it has to be specific to either the person who made it or the universe it was made in.

but neither of those make sense! the degree of separation from universe/person that apparently applies to the watches doesn’t apply to items left in other universes. E-1610’s rubik’s cube retains its color and volume in noir’s universe, but the sweater gwen leaves on miles’s bed isn’t abstract, and the shoes she nicked from E-138 aren’t scrappy. even hobie’s watch is rendered in strangely crisp 3d, brightly colored and noticeably not collage.

and of course, both universe-specific light theory and portals-overpower-all theory aren’t totally consistent. hobie’s only properly illuminated when he’s in his base colors. but maybe that’s a quirk of atsv? he doesn’t glitch like paper in the radius of a portal—renaissance vulture didn’t glitch like paper either, maybe that’s just how glitching works! maybe it’s always that tv-signal-bright blocky mess! maybe there is one concrete rule in all this!!!!!

noir’s universe (during his intro scene, at least) comprises of three solid colors: black, light gray, and white, and volume/shadow is communicated through the intensity of halftone used. in itsv and in atsv he’s always in black and white, no matter the color of the light around him. he’s also the ONLY CHARACTER who glitches differently. noir breaks down in black and white!! when the team is lit up by gwen’s portal in atsv’s final scene he’s the only one not distorting in color!!!!! what the fuck man!!!!!!!!!

there isn’t one cohesive multiversal rule for how universe signatures act and interact with different universes, much as i’d love to have one. it raises too many questions and doesn’t give quite enough evidence to study. the closest i can theorize is color/style generally sticks and lighting/spatial physics generally doesn’t, and since that’s relatively simple, i’ll use it. gwen gets her photo-booth-app watercolors and peni/pav/ham/noir get just a little more rendered.

theories i have seen floating around that i also enjoy

gwen’s universe requires people to be in tune with it, to reflect their emotions—implying that the floaty abstract art during her scene with her father is diagetic. so when she’s not in her universe, she’s not like her universe.

hobie’s universe signature necessitates that he doesn’t conform to any other style

on that note, so would ham’s, because cartoon logic defeats reality logic

hope you enjoyed!! or at least were amused by my suffering <3

*do not get me started on holograms

[iknowicanbutwhy]

Hello, do-not-make-Mirabelle-angry gang, I present to you @ksenya-and-the-artistic-cucumber being really funny with scattered context

[tswwwit]

A fact about Familiar AU that I've never gotten around to fully exploring is exactly how people see Dipper hanging around Bill. All romance aside, demons aren't really considered people, per se. More like grenades with the pins pulled. NOBODY wants to be holding onto the damn thing.

When the average person sees Dipper around Bill - and if they know he's a demon - they see it less as 'dude with cool handsome asshole' and more like 'dude with a sentient rocket launcher robot known for randomly going into frenzies. Also it deals cocaine'. Like, Dipper definitely shouldn't have that. SUPER illegal. And it's obviously going to rampage at any second and ruin everyone's day. But at the same time - what are they gonna do, stop him? How? He has a killer rocket launcher robot.

[callme-l]

Everyone is slepping on the possibility of Shinichi and Aoko friendship and I REFUSE to let that slide

[intotheelliwoods]

Here to announce that I for one love the future design for donnie in the comic ✋🥺

[rollforjackass]

look we all know that aziraphale is mr. fiddlesticks-not-fuck and dearie-me-good-gracious, but my favorite thing about him is that there is also, at all times, a fuck-shit little bastard inside of him just begging to be let loose. he's petty, he's passive aggressive, and the Second he decides that playing by heaven's rules isn't going to help anybody, it's all "i know who you are, you idiot!" and "you STUPID man" and "FUCK"

[foxy-kitsune]

oh i'm down bad for him like it's actually not funny anymore

[blue-eli]

Skuld in quantum design :)

[waitineedaname]

I love that xie lian is generally pretty outwardly polite even if he's rude in his head, but there are two people who he will just be bluntly rude to, and that's the person who's been the biggest source of traumatic torment in his whole life, and his shitty cousin

[explodingstarlight]

i did it. i drew edgy Mikey. my sacred duty as a MCR listener is complete <3

[see the OG edit and post link below!]

behold, the OG post and the edit link: X

gives immaculate chaotic vibes, he had to be drawn

[aphantimes]

do you understand how selfless knuckles is do you understand how much he gives up for the sake of others do you understand how willing he is to throw himself into danger to save people he hardly knows or were an enemy a second ago do you understand how gentle he can be and how willing he is to believe in innate goodness and give second chances do you UNDERSTAND

[dykedvonte]

See like the only reason I think the others seriously believed Curly may have crashed the ship is cause he basically had a 30 Rock "I lie to myself" momentary breakdown in front of them after one too many mocktails and like completely forgot about it.

[kaurwreck]

the blunt, all or nothing, dichotomous approach to characterizing kunikida as prim and obedient for his probity and obsessive adherence to structure as his means for kettling the parts of himself too untethered to leave unchecked IS very silly and falls apart against canon like an overworked block of dry melamine foam.

but, like, the insistence that he must be punk because he speaks colloquially, brazenly withholds deference to quite literally everyone who isn't capable of either throwing him to the ground or discerning the truth of all matters with preternatural acuity, and disdains authority is also a blunt, all or nothing, dichotomous approach to characterization.

like, punk fanon Kunikida is not a retort to staid fanon Kunikida. they are both package-dealing in the Ayn Rand use of the phrase: whether punk or prep, both fail to discriminate crucial differences between Kunikida's character and the stock characters to which fanon attaches his name.

Kunikida's rigidity in adhering to his self defined, self evaluated, and self-imposed virtues is not remotely the same as legalism. Kunikida fucking anguishes over whether he is sincere and unfaltering in his ideals. (see: Jouno taunting him + his unbridled fear that he is internally hollow and the ideals holding him aloft are not the substance of deeply held convictions but hot air fueled by his loved ones for whom he is only puffing his chest and performing someone capable of carrying them, and without whom he lacks the spirit to fill that space within him where a greater man might have cultivated a spine, such that he will sink, sink, sink to crumple shapelessly to the ground, liberated from artifice only when there isn't anyone there to lighten the weight of his leaden ego, his isolation as common as the dirt coating his tongue, his transcendence precluded by the cruelty with which reality disfigured his instinct for goodness into a desire for power and empty glory until his soul, still gnashing on the rot of those he couldn't save, starved.)

In other words: his ideals can't be performed or externally enforced. They must be internally cultivated, coaxed into bloom through introspection, their flowering petals manifestations of his deepest feelings. otherwise, he is nothing but hot air and tepid flesh.

except he's not! because while his faith is faint and his body easily crushed beneath the weight of external forces with little regard for love, sincerity, and labor; his body can't feed his ideals anymore than his ideals could feed his body. His ideals can't fill his belly like meat and potatoes or expand his hollow heart like a hot air balloon because, unlike matter, his ideals are intangible. They do not occupy any space or time, and reality can't crush or despoil what it can't grasp, and it can't grasp what doesn't exist by its own laws. It's not that Kunikida's ideals grapple with his reality; nor can his reality erode his ideals. There's nothing to contradict everything, so everything persists.

Kunikida can't trust that he isn't empty, but nothing is emptiness, and his ideals are nothing, so absent inherent faith, absent substance in the yawning void within him, Kunikida nevertheless has his ideals. He has courage, sincerity, love, truth, and labor, not despite his emptiness, but because his emptiness is as conceptual as his ideals; he can't eat concepts but nor can concepts ever be rendered inert — inertia relates only to matter and the material world, which emptiness, nothing, ideals, concepts transcend. They can't be stripped of power, and there isn't any power anyone could exert over them because power is a measure of effectiveness that a force producing a physical effect has over time — mathematically, if linear, power is the quotient of force multiplied by the displacement of an object, divided by time. There is no object, there's only nothing, and nothing is mathematically represented by zero, which, when multiplied and then divided, is unchanged. It works if power is rotational instead of linear too; there, it's the quotient of: (force multiplied by the angle of displacement) ÷ time. again, 0, unchanged.

(Keeping in mind that I have dyscalculia and I am shit at mathematical logic, zero can be both a real and imaginary number, Kunikida's skill is batshit and he doesn't really see it as anything other than convenient. He essentially renders concepts into tangible reality. Like, that's his skill: he conceptualizes something that he's seen rendered tangible before, and then by jotting down its name on a page which is matter, he assigns nothing, 0, a finite point in infinity, and it becomes matter that exists within reality. This is why his notebook can be filled and replaced or destroyed or cut to shreds. The physical notebook isn't his ideals, it's just full of ideals, which he manifests by writing down his intangible thoughts and introspection so that he might then assign them a finite point in himself as the tangible embodiment of his ideals.)

(In Osamu Dazai's Entrance Exam, Kunikida defines his skill by its limitations, which prevent it from the seemingly undefined, limitless capacity that Dazai possesses. But, like, could Kunikida theoretically create a finite time singularity— which is what happens when time is defined and divided by zero? It's cute that he was studying mathematics and sciences.)

His body can't house his ideals because emptiness, nothing, ideals, concepts, perhaps even faith do not occupy any space. They can't be created or destroyed, only conceptualized, and, when embraced and cultivated by someone grounded enough to recognize that his ideals can't be, manifested in the physical act of jumping out of a helicopter to blow up a militarized cop.

Nothing can't be confronted by everything, and everything can't suffocate nothing. Reality can't erode what its own laws have rendered nothing. his ideals, like he himself, are ungovernable.

but he buys an artisan notebook from a craftsman who only makes 100 each year; he's not punk, he's just abrasive, doesn't extend respect unearned, and his writing was marked in his use of colloquial language. he's also wildly pretentious. he's so patronizing; he is mommy, where's that aesthetic for him. he doesn't need doc martens; he needs multiple child leashes.

anyway. punk fanon Kunikida is the same overworked block of dry melamine foam as staid fanon Kunikida, just flipped over. his apparent contradictions dont need to be reconciled or discarded; nothing and everything are in unity as opposites that overlap and exist/don't exist within him, around him, and through him, regardless of him, and only because of him.

like, obviously, do what you want and have fun. I don't really care; i just like babbling about kunikida, and i crave substance. also like. strip your respect from authority figures who haven't earned it. correct your teachers/professors/mentors. disappoint your parents. contribute to the inherent tension between individual freedom and authority. it's good for you. you don't even have to join a counterculture submovenent to do it, you can argue with your therapist at any time. do it for him.

[crispycreambacon]

H. Hi everyone. Uh. You know what I don’t need to explain myself. Who needs to watermark your art when you can just draw your sona thristing over the art amirite-

The last two people featured next to me are @madamegemknight (bless her poor soul she had no idea what introducing me to Fraggle Rock would do to me) and @couchpotato1206 (aka my bULLYYYYY /lh)

Bonus images below. Fair warning: Extremely self-indulgent. Coughs.

Note: while I’m a minor as of making this post, my sona here is an adult. Please don’t be weird about this thank you!!!

[butwhatifidothis]

Harassment is horrible, it's terrible mods in this Discord aren't doing anything.

But on the other hand, what about you? You harassed a person over *fanfiction* ( to the point it's the 4th tag who shows up on your blog ). Yet, all your harassment is still there out of the open. You haven't really seriously apologized, especially to them. You're still quite active on fe3h discourse while he had to remove himself from many public online space.

How is this fair?

You're rightfully upset about harassment towards members of your community, there should be *serious* amends made... But how can you hold double standards like that?

I haven't followed the discourse closely because it's so awful, why are you all so hateful? Because you just seems like one of the "bad guy" in this story along with Raxis and the other. I'm not saying you're the same, but you're not really better than those you criticize either, and the same apply for the other blog who participed in your harassment... It's just horrible all around. You're all drowning in a cesspool of toxicity and it's making you all worst people than you actually are.

I hope you, and people around you, will at least receive amend over the harm caused to them. I hope you stop receiving troll, death threat and any other type of hate message you probably still receive. But I hope you'll sincerely recognize your faults and fully amend to them too.

Look, I know you probably mean some kind of well and that you likely spent a long time thinking over this message, so I'm going to lay it out as simply as I can:

I have never once interacted with Cap'n himself, and I have repeatedly told anyone reading my posts to do the same. This is unlike the people who have harassed me and others, who went out of their way to make sure we saw what they were saying about us. This includes publicly admitting to using alts to go around our blocks of them so that they can keep interacting with us directly

Very quickly into critiquing Cap'n's work, a primary focus became pointing out the problematic rhetoric he was spreading with his incredibly influential, incredibly popular fanfic. This includes the justification of holding racist rhetoric, the anti-miscegenation rhetoric, the infantilization of women, the demonization of men, the justification of imperialism, and more, all which appear very quickly into the story and stay prominent throughout the story. The people who have harassed me and others, meanwhile, either deny this rhetoric exists in their circles or outright hold this rhetoric themselves. This includes the use and defense of genocide apologetics.

This post is the first time I have talked about Cap'n in over a year, and the last time I posted any notes on his fic was over a year and a half ago. This is unlike the people who have harassed me and others, who have engaged in harassing behaviors as recently as this week (as of Aug 18 2024).

It has been explicitly said by those close to Cap'n that my notes, while upsetting him, had no part in him leaning away from social media more, unlike what you say here. This is unlike the people who have harassed me and others, who have driven off multiple people from social media and have openly patted themselves on the back for doing so, justifying their harassment by saying the people they've harassed off social media deserved it.

I have kept my critiques strictly on this Tumblr, as have most of the people who have talked about Cap'n's fic. This is unlike the people who have harassed me and others, who have spread their harassment on places such as Twitter, Reddit, and TVTropes.

I have refrained from ever accusing Cap'n of ever holding any bigoted views himself, and have made it a repeated point to say that his problematic writing is far more likely due to ignorance of the subjects involved rather than outright malice. This is unlike the people who have harassed me and others, who have accused many of us as people of being sexist, racist, homophobic, etc. based off of nothing. This includes accusing at least one of us of actual crimes against actual people with no proof and on multiple sites such as the popular and public Edelgard Discord and on Reddit.

People who said they were in contact with Cap'n (as in, mods of the Discord server that Cap'n was once in, the same server that has the mod that uses genocide apologetics) have been told that I was willing to remove parts of my notes that he found too attacking or harsh, and they've been told that I would outright remove all of my posts regarding Cap'n period if he would talk to me directly and we could discuss the implications and rhetoric he had accidentally written into his story. While I do understand him not wanting to do the latter (as it involves directly talking to me), he hadn't even done the former (which does not involve directly talking to me and only involves relaying messages through his friends). And with all of the above on top of that, it gives me the impression that he feels less like "this person is harassing me and that is giving my anxiety" and more "this person is critiquing me and I don't like that." While he has every right to feel the latter, we aren't going to sit here and say that's the same as the former.

So, nonnie, to answer why I am "hateful," as you put it: I don't like stories that unironically say being two races mean you don't belong to either race being influential in a fandom, as a mixed-race woman. I don't like stories that have characters of color only be used as props for the author's favorite little white girl to be influential in fandom, as a person of color. I don't like stories saying that women just want to go back to being innocent pure little girls and not be the wilted tainted flowers they are now to be influential in a fandom, as a woman. I don't like stories that lay the blame of all the world's suffering on the shoulders of a race of people who've barely survived a genocide to be influential in a fandom, as a person with a modicum of knowledge on where that rhetoric inevitably leads to. I don't like stories saying that men who don't bow down to women will almost certainly become rapist pigs or otherwise terrorizing monsters to be influential in a fandom, as someone who rejects sexism of all forms. I don't like stories that liken the violent conquests of imperialism to the blooming of flowers, or that say that imperialism is the only way for the "good" culture to help everyone - actual, genuine rhetoric used to justify actual, genuine imperialism - to be influential in a fandom, as someone who has read any history book ever.

And I don't like how all of this and more have clearly been normalized in big 3H fandom circles and how this has led to multiple people getting harassed, in no small part due to Cap'n's influence on the fandom at large.

I'm sorry if Cap'n doesn't like me pointing out the bigotry he had engraved throughout his story, and I'm sorry if I'm not going to be convinced that me doing that is the same as people's deliberate and long-standing attempts to chase people out of the fandom for saying they don't like Edelgard in the one way they allow anyone to like her, and I'm sorry that me calling out the racism people are engaging in and are hiding behind the shield of "discourse" seems to bother you so much, but I think I've explained why I'm not exactly that sorry well enough. Hope this answers your question <3

[grovesnail]

Garden snail (cornu aspersum) Scalariform freak, Spain, 2022,

// credits go to saber_animal on inaturalist and youtube :P photos not mine!

If saber_animal wants me to remove the post ill do it happily!