#They could talk on the third person TOGETHER

[lizzieolseniskinda]

LOGAN HOWLETT - furrgiveness

x FEM!reader (POC!friendly)

SUMMARY: a furry animal gets your plans cancelled.

WORD COUNT: ?

GENRE: fluff

CONTENT WARNING: english is not my first language and i absolutely hate this

it was a friday night at the mansion, and it was unnervingly quiet for a school. logan leaned against his doorframe, and stared at the clock, waiting for you but you never came. the two of you had planned to grab a drink at his favorite bar - nothing fancy, but it was at least something. something you both enjoyed.

except, you once again, cancelled. no reason or explanation, just a short, “sorry, can’t make it tonight.” and with that you were gone.

this was the third time that week. heck, the seventh time in two weeks that you'd bailed and logan started to notice a pattern. you weren't just ditching him, jean, storm, even scott had mentioned your sudden disappearances. but logan took it a little more personally. you didn't have to spend every waking minute with him, but the lack of explanation? that ate him from the inside out. he wasn't even sure why he kept making plans for the both of you.

now, instead of staying at the mansion like a love sick fool, waiting for another canceled plan. logan grabbed his jacket and headed out. the bar in the next upcoming town had become his escape for nights like this - when things didn't make sense, and whiskey could at least dull a smart part of his irritation.

saturday morning passed, and logan still hadn't returned.

you hadn't meant for things to happen like this, guilt had been gnawing at you for weeks, but it come to a point where it was almost unbearable. you knew logan was frustrated, just like your friends. he never did say much, but the way hs expression tightened with each cancellation told you enough.

you didn't want to cancel - not on logan, or on girl's day with jean or storm, and certainly not on scott - who always made you watch scary movies with him. scott started giving you side eyes and stern look during your training together. there was something you couldn't tell them, not yet anyway.

besides, it wasn’t even that bad.

and logan… well, he hadn't come home last night. when you canceled on him for the millionth time. not that it was unusual for him to disappear every now and then to blow off steam. but something about this time felt different. it wasn't just frustration on his part. you could see it - the hurt beneath his facade that he put up.

you decided to put the facts straight.

by saturday afternoon, you decided to make up your mind and find him. you knew where he'd be. the bar wasn't far from the mansion, a ten minute drive and 30 minutes if you walked. it was a place logan went when he needed space.

walking into the bar, you spotted him immediately, he was hunched over the counter, nursing a glass of whiskey. he didn't seem as tense as the night before, but there was still a slight shadow of frustration hanging over him.

you walked up to him quietly, sliding onto the stool next to him, he reeked of liquor and cigarettes. "logan?"

he didn't look at you right away, just took another sip from his glass. on the bar was a cigar that was halfway done. "what're you doin' here?" his voice low, gruff.

you fiddled with your fingers. "i came to talk, i thought i'd owe you an explanation."

logan finally turned to look at you, his eyes scanning your face. "yeah, you do. been bailin' on everyone, 'specially me. kinda makes a guy wonder what the hell's goin' on."

"yeah.." you replied softly, biting the inside of your cheek. "i'm sorry logan. i didn't mean to keep canceling like that. i just.. i didn't know how to explain it to you."

logan raised his eyebrow, waiting to hear your explanation.

you sighed, feeling the weight of the past few weeks pressing down on you. "there's a reason i've been avoiding plans. not that i don’t want to hang out with you - or jean or scott or anyone.”

“then what the hell is goin’ on?” logan asked, his voice laced with confusion.

you swallowed, “i’ve been taking care of something.”

logan frowned. his brows knitting together. “takin’ care of what? don’t tell me you’re dealin’-“

“no! oh my gosh, no!” you stopped him before he could finish his sentence. “it’s a kitten,” you admitted. “i found her outside the mansion a few weeks ago. she was sick and alone, and i couldn’t just leave her out there.”

logan blinked, i mean it was better than what he thought at first. “a kitten?”

you nodded. “yeah, she’s been needing a lot of attention- feeding, medicine, litter box you know. that’s why i’ve been cancelling everything. i didn’t mean to blow you off, logan, i just had to take care of her.”

logan stared at you, his expression softened just a bit. "why didn't you tell anyone? why keep it a secret?"

you sighed, "because animals aren't allowed in the mansion, logan. you know how strict xavier is about that. the furniture, the old wood - they don't want anything getting ruined. and i don't want anyone to get in trouble because of me."

logan let out a breath, setting his glass down with a soft thud on the bar. "so you've been sneaking around, just to take care a kitten?"

you nodded, "yeah. i thought if i could just keep it a secret it’d be okay. but… i didn’t think about how it would look for you. i didn’t mean for it to come off like i was avoiding you.”

logan was quiet for a long moment, his eyes still on you. then, after what felt like an eternity, he shook his head, a small, dry smile tugging at the corner of his mouth. “you’re an idiot, y’know that?”

you blinked, surprised. “what?”

logan let out a low chuckle, the tension finally breaking. “you think i give a damn about some furniture or old wood? if you’ve got somethin’ goin’ on, you tell me. i can handle it- i can handle charles. you hidin’ stuff — that’s what pisses me off.”

you felt the relief wash over you, your shoulders finally relaxing. “i’m sorry, logan. i really didn’t mean to hurt you.”

logan grunted, taking another sip of his drink. “yeah, well. you did. but i get it now.”

you nodded, giving him a small, apologetic smile. “i’ll make it up to you. no more secrets, i swear.”

logan’s smirk widened slightly. “damn right, no more secrets.”

for a moment, the two of you just sat there in silence, the weight of the past few weeks finally lifting. logan’s frustration had faded, replaced by the familiar ease you usually shared.

“so,” he said, glancing at you with a raised eyebrow. “what’re you gonna do with the kitten?”

you smiled, a genuine warmth spreading through you. “i don’t know yet. i’ll figure something out. maybe i should find her a home. but… for now, i’ll keep her out of trouble. away from the furniture.”

logan chuckled again, shaking his head. “you’re somethin’ else, kid.”

as the two of you sat in the bar, the tension and frustration finally fading. no more secrets, no more cancellations.

just you, logan, and maybe a kitten (or two).

“also, i’m pretty sure charles already knows. being a mindreader and all.”

[vi-arcanes-left-bicep]

Spoilers for Arcane S2 Finale❗❗

So, i keep thinking about Arcane's last pieces of dialogue and though they sounded kinda funny when I watched the end at the first time (in a 'really? This took 27h to write?' way), the more I think about it, the more I like it.

I think it has a ton of layers to interpret and I'm still missing a few of them.

Please forgive my multiple tangents while I try to gather my thoughts.

First, how Caitlyn finds Vi: no bandages, a glass of alcohol in her hands.

No bandages means many things for Vi: she's vulnerable -both because of what she's going through and beacuse she can allow herself to be vulnerable for the first time in the show, with Caitlyn-, and her fight is over, she doesn't have to fight anymore (Re: Ep7 Powder saying Vi fights because she's scared of losing everyone, and she has lost everyone). (Everyone but Ekko and Caitlyn, who have repeatedly proven they can fend for themselves and are leaders on their own right, I'd love to say Vi is in a point where she's able not to feel responsible for them too, though this is something I'm not so sure about). Bandages were also an important part of her character design, of herself, so this gives a sensation that she's lost a part of her identity too. Who is she, if not the big sister, the protector, the brawler?

Alcohol is another small details that just says she's not okay. We've seen her drink herself senseless for, presumably, months, in Act II, to cope with all that happened in S1 and particularly S2 Act I: accepting the loss of her sister after the attack on the council, becoming an enforcer even though she was completely against it because she still feels responsible for ending Jinx, recognising her sister again for just a glimpse and gaining faith that Powder is still there (with the realisation that she almost killed her sister -not the monster she convinced herself jinx was, her sister) falling in love with Cait and seeing her become a completely different person out of grief.... So after everything that just happened in Act III, where she saw that many people die, either strangers or friends, and where she lost her sister and father AGAIN, of course she's considering getting back to drinking. So much happened to her in the span of few months that she's considering drowning the pain away again.

Caitlyn's question: "Are you still in this fight, Violet?"

The line delivery is incredibly soft and intimate, and Cait calling her Violet is the cherry on top. She's knows Vi is not okay. She's knows she's going through a lot right now.

Caitlyn's question seeing this is really, at least, three questions:

First and clearest is a check-in: "How are you?" "Will you be okay?" "Do you want to talk about this?"

Second is "Are you staying?" Vi could leave to be alone as she did at the beginning of Act II, could go with Ekko to Zaun... I can also see an "Are you staying with me?" After everything that happens, after the little time that they've had to be together and to solve the many things between them, her asking "Are you still in this fight" can mean both "hey, are you holding up" and "Are we still together in this?"

Third would be "So, are you up to face this, solving things between Piltover and Zaun?". I know some people have criticized the lack of resolution in the Zaun/Piltover conflict. I'd argue, as much as I'd love for the class conflict to be expanded, it is not the core of the series, and both the writers and the characters know that a conflict like this cannot be solved in such little time. The series was not going to solve it. What it does is solve it's main plot and character arcs, and leave a space for this theme to have the start of a resolution. Piltover an Zaun joined against Ambessa's army, and the ending gives us a glimpse of the will to change the relationship between topside and bottom (e.g. having Zaunites in the council). It's not a perfect ending nor it is a resolution for Zaun's class struggle -I'm pretty sure that was never the intent, though I would have liked for both cities' relationship to be more comented upon in this season-, it's the opportunity to advance towards a resolution. So Cait is asking Vi if she is willing to deal with that too. "Are you still in this fight?" can also have an implication to mean fighting to make things better. This also means fighting for them to be together.

Then, Vi's answer: "I am the dirt underneath your fingernails, Cupcake. Nothing's gonna clean me out".

Now, I like this because it sums up to Vi saying "I'm not going anywhere" but the line itself and the delivery gives it a few more layers of meaning.

First of all, Vi is clearly not okay. She's very emotionaly scarred and considering an unhealthy coping mechanism. She looks incredibly sad. And she's deflecting with humour to the question because she's probably not ready to talk about it. So her delivery here, plus the strange joke/comparison and calling Caitlyn "Cupcake" (which she's only done when she's teasing her in a flirty or funny way or deflecting the conversation by doing so) is telling Caitlyn that she's not okay right now, but that she isn't going to leave. "

I interpret "Nothing's gonna clean me out" as her basically saying "I'm tough, I'll get through this" to Caitlyn's "How are you?" and saying "You're not getting rid of me" to Caitlyn's "Are you going to stay?"

Furthermore, calling herself "The dirt underneath your fingernails" has an obvious implication about her being a Zaunite and Caitlyn being from Pilotover. I've seen some people saying this is insulting to Vi's character and to Zaun's storyline.... I don't think so at all. Yeah, I can get to see a layer of self-depreciating humor, but for me this is Vi using her humour as well to reinforce herself and her identity as a Zaunite (which arguably she left aside/lost sight of during Act I) while also teasing Caitlyn for being a topsider. I like to interpret this as Vi saying "Yeah, Piltie, I'm sticking with you and I will keep bothering you". The tone and calling Cait "Cupcake" reinforces this as a tease as well. Reinstating her identity as a Zaunite also gives insight on Vi's position on the Zaun-Piltover new relationship: yes, she's willing to help out manage this, always from the position of a kid from the Lanes.

Zaun and Piltover are also stuck together after the ending - they've fought together against a common enemy and that has also forced Piltover's elite to sit and listen to Zaun's demands. For sure Piltover's aristocracy still has to get their heads out of their asses but this is how I like to read the phrase in regards to Zaun-Piltover, layered upon what Vi is saying: I am the dirt underneath you = I (Zaun's state and problems) am a consequence of your (Piltover's) actions and I am not going anywhere. (You will have to listen).

Anyways, lots of rambling and I'll still be missing stuff!

Another thing is, native spanish speakers as I am use the phrase "Nail and flesh" to say that two people are inseparable, and this has enough similarity to that for it to feel like Vi is also saying they are inseparable. So yeah

[cosmicalily]

"written by the aces" - a mini series by @cosmicalily. view series masterlist, and outline here

8. "younger" | yang jeongin x fem!reader

It all will work out, you're not gonna feel this way, not forever, and you'll lie awake in tears til the morning, you're not gonna know everything when you're 14, you don't even know at 25, and that's alright

author's note: there's just something about childhood sweetheart to best friends to lovers yang jeongin that gets me freaky (in a wholesome way trust). also this is like an entire love story seperated into chunks of the important bits bc otherwise it would be a full series (which i'm actually considering writing based on this fic would you guys fw that?)

warnings: implied sex (no actual smut, you nasties)

Yang Jeongin was the boy at kindergarten who played with the kids in the year below. He liked looking after people, especially people who couldn’t manage to do certain things on their own. He’d teach them everything he knew and play their games with them, hold their hands as they walked around the playground and smile and wave to them when they were in their separate classrooms.

Yang Jeongin became the boy who was friends with the older kids in school, namely the group of boys in third grade, consisting of Jisung, Seungmin, Felix and Hyunjin. He preferred sitting with them at lunch to sitting with people in his own grade, and frequently sat by himself in his year level. He didn’t mind not having any best friends in his own second grade class; people still talked to him, and he had friends, but none he could talk to deeply in class, or offer snacks to.

When you moved into town during the summer, you were unsure of how you’d make friends. Your parents encouraged you to go outside and meet the other kids in the neighbourhood, but you much preferred to sit inside and colour in while the kids kicked soccer balls along the quiet streets.

One day, there was a knock at the door. Your parents were out, and had told you to go next door if you needed anything. You reluctantly opened the door, to find a boy with dimpled cheeks and fox-like eyes staring at you. You’d seen him before, playing soccer, wrestling, running around with a group of older looking boys. However, you hadn’t seen him or the group of boys recently.

“I saw them bringing a trampoline into your backyard when you moved. Can I play on it with you?”

You nodded without realising, feeling a strange amount of warmth towards him.

He smiled widely, his eyes forming into crescents. “I’ve always wanted a trampoline. Are they fun?”

“I guess so. It’s probably more fun when you have someone else to play with,” you replied, opening the back door for him.

“Don’t you have siblings or friends to play with?” he asked.

“No. I don’t have any siblings, and I don’t want any since they seem annoying, but I want a pet dog. And I don’t really have any friends here. My best friend lives where I used to live,” you explained as you climbed up the ladder to the trampoline.

He nodded thoughtfully. “Siblings are annoying. I have a dog, and he’s very cute but a bit slobbery. And friends can also be annoying. Han Jisung stole my ball once and he still won’t give it back.”

“Who’s Han Jisung?”

“The boy with puffy cheeks. He looks like a squirrel, but he doesn’t like it when we call him that.”

He experimentally let himself fall onto the trampoline, squealing when he was propelled back up. “This is so much fun!”

You smiled. “I don’t like jumping on it by myself, but it's more fun with another person.”

“We should be trampoline buddies,” he announced, sticking a finger up. “I can knock at your door and say a special word, maybe I’ll say bounce, and then we can go on the trampoline together.”

“We should also be dog buddies,” you added. “I can knock at your door and say puppy, and then I can come in and we can play with your dog.”

“Yes!” he beamed, grabbing hold of your hand suddenly. “And we should do this forever, even if I don’t have a dog and you don’t have a trampoline when we’re older.”

“Are you trying to ask to be friends?” you giggled.

“Not just friends. I think we should be special friends. Best friends,” he explained.

“Well, best friends know each other's names. I’m Puppy Queen Y/N,” you introduced yourself, doing a little twirl.

“I’m Trampoline Best Boy Jeongin,” he decided, doing a big jump as if to prove a point and landing in an uncoordinated pile. You snorted with laughter and then squealed as he pulled you down by your leg beside him.

“Are you going to school here, too?” he asked, suddenly very seriously.

“I’m in second grade,” you replied.

He smiled, wider than you’d seen before.

“We should go somewhere,” Jeongin said suddenly as you rode your bikes home from Jisung’s house.

“It’s too hot,” you whined, tugging at the back of your shirt, which was stuck to your back with sweat. Even though the end of summer was nearing, the days were still long and the weather didn’t seem to be changing anytime soon.

“That’s my point. What if we went to the beach?” 

You side eyed him. “The beach is an hour’s drive. We can’t get our parents to take us, they’ll be working till late.”

Jeongin wouldn’t give up easily; he never did. “You’re so boring and logical. You never want to do anything fun,” he whined playfully, knowing it would frustrate you.

“I’m not boring, Yang Jeongin, you’re just a dreamer,” you retaliated, tossing a braid over your shoulder. You suddenly thought of something, your eyes sparkling. “We should sneak into the school’s pool.”

“Isn’t it closed, since we’re on summer break?”

“Now who’s being boring? We can climb through the gates easily enough, and I’m sure there will be a window or something we can climb through. We’ll hide our bikes and backpacks in this bush here and sneak inside. It’ll be fun, and the water’s going to be so nice,” you sighed wistfully.

Jeongin pressed on the brakes and shifted his bicycle, shoving it behind the shrub you’d pointed out. “Let’s go then.”

“Really?” you unbuckled your helmet and pushed your bike beside his.

“Yeah,” he smiled, grabbing hold of your hand and leading you towards the school grounds.

You laid on your bed, bodies half-covered by rumpled sheets and pillows strewn across the mattress. 

The window was open, and a warm breeze blew through the curtains. Your bedroom was hot, despite the fan being on full blast, and you felt as if you were going to melt into a puddle.

Jeongin laid beside you, your leg on top of his. His bare torso was warm against your shoulder and had a glowy sheen to it, and you suddenly felt very aware of your body in its pale blue underwear and loose white t-shirt. You definitely hadn’t been this aware of yourself five minutes ago. You didn’t know how or why you’d let yourself go, not like this, not this fast.

Jeongin rolled over to look at you. He opened his mouth to say something.

“Don’t say it,” you whispered, staring at him. “It’ll make it all more real.”

Jeongin took a deep breath and nodded.

You stayed where you were, bodies entangled, the heat of a summer afternoon and the glow of the midday sun filling the room.

Yang Jeongin glanced out the window, noticing you waiting by his car. He sprinted downstairs and grabbed his keys, running to his car and flinging open the door, letting you in before jumping in himself.

You were both nineteen now. Your parents were going to move houses again, to be closer to the university they wanted you to attend.

You were leaving tomorrow.

Well, you weren’t anymore.

A room booked in a motel four hours away, money saved up for the past year, and a duffle bag with only your favourite belongings was all you’d prepared. You didn’t know what would happen next. All you knew was that you trusted Jeongin with your life, which was exactly what you were doing.

You drove along an empty road, his hand in yours, listening to a playlist you’d made together on your phone.

“Pull over,” you said suddenly, breathing deeply as you looked out the front windscreen.

Jeongin turned his head to you. “What? We’ve only been driving for twenty minutes. What if they catc-”

“I said, pull the fucking car over, Yang Jeongin,” you repeated, louder, looking him straight in the eyes now.

He did as he was told and pulled the car. He turned to face you. “What is it?”

You unbuckled your seatbelt and hauled yourself across the console, settling yourself on his lap, forehead against his.

“I want you to say what I didn’t let you say two years ago. What I was too scared to hear you say,” you whispered.

Jeongin’s eyes widened, and he took a deep breath, then cupped your face and crashed your lips against his. You let yourself let go, reciprocating and pulling yourself closer to him. He suddenly pulled away, eyes sparkling.

“I love you, Puppy Queen Y/N.”

“I love you so fucking much, Trampoline Best Boy.”

[callme-l]

Everyone is slepping on the possibility of Shinichi and Aoko friendship and I REFUSE to let that slide

[i-am-church-the-cat]

Okay no one talk to me bc I haven’t watched the race yet but I just finished Nightbane by Alex Aster and am currently Losing It. I need the third book rn.

[kinard-buckley]

a truly terrible idea has latched hold of my gremlin brain which is, buck and tommy do break up so that buck can pursue eddie because either tommy thinks buck is in love with eddie or buck feels like he should be with eddie because everyone else keeps suggesting there's something more there BUT buck/eddie getting together changes their dynamic so much that neither of them are enjoying themselves (and they're worrying about losing what made their friendship so special because of all the changes to the dynamic) AND buck and tommy keep hooking up [air quotes] platonically (with tommy stumbling into inconvenient feelings and pining pathetically for buck while fucking him) while buck struggles to sort out intense feelings toward eddie (which obviously have to be romantic of course) vs. his calm, more settled feelings toward tommy (they're not as intense as his feelings about eddie so they can't possibly be romantic) blah blah long story slightly less long but buck realizes he's been in love with tommy the whole time and was having trouble separating strong but platonic feelings for eddie from his romantic feelings toward tommy and then tommy's like "newsflash asshole i've been in love with you the whole goddamn time"

i'll never write it because it's irredeemably stupid and i value my peace but it IS sitting in my hindbrain tormenting me right now

[gfwooyo]

cannot stop thinking about yungi youth mv

[talkorsomething]

Too [insert adjective here] for guard ...................

Well, it's only half related.

We "hit a pothole", "had a slipup", whatever you want to call it — sunday. Aka: for the sake of my sanity we are not labeling it a relapse but good god does it feel as though I have invited the demons back in.

I know why, but I don't really know why. Because, I mean... I never have, to begin with. So: when I decided i was doing it sunday, i accepted it. "Let it happen", as someone would probably say to me. It's not...

I've been thinking about it for a while now. It's like anything - it comes and goes, a few times a year, and no matter what, I always ignore it.

Except, maybe there's something I'm not paying attention to? Or, ignoring, is the better word for it?

Of course it would be the one thing I have happening in my life.

November, I was burnt out for unrelated reasons. It was a lot to take in. That made sense. Now? ... why now?

There's not really any pressure on me. Yes, I have to do things, yes, it will be noticed if they're bad, but ...... it's not important. We don't spend time on it. I'm coming back next year, but it might be at the cost of ... all of this. I think it's progress. I haven't touched my guitar in any serious capacity in over a year. I think it's progress.

I don't take compliments well. I can't tell if that's why I don't get them, but I'm not being corrected much either. Only when I drift too far from what the work is supposed to be, only after weeks of it going, I can only assume, unnoticed. I keep getting stuck.

...push it back down.

Telling me I'm doing good isn't telling me what I know I have to be getting wrong. I could take it, at the cost of... all of this. I'm anticipating, and I know it can come. This is not where I was when I started.

It's been said, I haven't been told, that not starting it means you're more of a burden, by making the other person have to do it first. I know that. I do. And still it doesn't help. I'm not drowning. It wasn't an accident, but it wasn't planned, either. I don't know you.

I don't know you.

I'm not a good person. I'm not a nice person. Every week I tell myself this is really it, and every week I come back, and ... what? Forget I ever said anything? Forget we're not friends?

Well, we're not, huh? Nobody is, with me. What you see I swear you misunderstand. You don't ask. If you do, well, I can't answer. We're at an impasse.

It's not even my fault we didn't make it. I shouldn't feel like this over nothing. I don't do anything. You will, correctly, not let me do anything, because potential doesn't matter if you can't back it up. If you won't back it up. I let things happen to me.

I don't even feel better. And, actually, ironically, i think i know what would let me feel better. If I can't be upset with anyone else, at least I can be with myself.

... but, well, not even that. Your heart in my hands, but I mean it diegetically. And metaphorically. I hate putting myself out there, I hate having to actually perform, and yet every time, no matter what, I do it. I'm fine. I only cared at the start, and even then not very.

I don't feel anything. Not a lot, anyways. I don't let it happen. I can't. I don't know what it'll mean if I start being honest with myself.

...

I've pulled myself out of this before. A few times, now. Different circumstances, but I've done it all the same. Seasonal depression notwithstanding.

I'm only here because I did things I was scared to. And still, I'm the same. No progress made. The only way out is to do it again but I feel like I can't. I can't.

Will someone just let me say that?

Will someone just fucking help for once?

[thriftedtchotchkes]

how do you sleep?

pairing: joel miller x f!reader

summary: joel's always there to comfort you with his words and a warm bed after a nightmare, but tonight, you need a little more

warnings: 18+ MDNI, jackson era, soft!joel, comfort, undefined relationship, getting together, mentions of nightmares & insomnia, smut, unprotected piv, slow/intimate sex, creampie

word count: 3.3k

“Whas’wrong?”

You didn't mean to end up here again. It's the third night this week you swiped Joel's key from under the doormat and found yourself standing in his bedroom doorway.

"Can't sleep," you reply, barely above a whisper. Exhaustion seeps into your voice, permeating your limbs the longer you remain standing.

He already knows why you're here. Ever since you, Joel, and Ellie arrived in Jackson and were offered homes of your own, rest evades you more than it ever did on the road. It's too quiet here, and your racing mind fills the silence with the horrors of a life lived in constant fear.

You know you're safe now. You know that, but it's not enough to convince your body or quell the ever-present tightness in your chest telling you to run, to hide. Your fears are more potent in the dark, and the shadows creeping from wall to wall have sharper edges. Teeth that threaten to tear you apart and rip away everything and everyone you've fought so hard to protect.

The walls and floorboards creak with life that shouldn't be present in an empty, two-story home—too big for a single person, and yet still yours—and quickly begin to sound like impending death.

Nowadays, more often than not, you seek out a different kind of shelter. The familiar, comforting embrace of the man who kept you warm and protected through harsh winters and from monsters prowling in the night. That's where you belong.

Crisp bedsheets rustle in the dark and then you hear Joel pat the mattress twice—an invitation to occupy the space beside him, the one he always leaves empty just in case.

"Well, c'mon then. Hurry up," he grumbles, still half-asleep. But he isn’t frustrated. He's tired, just like you, and he'll probably sleep a lot better knowing both of his girls are resting soundly under his roof.

You trudge over and waste no time burying your face in his bare chest, breathing in pine and cedar wood shavings before exhaling a heavy sigh of relief. Throwing a leg over his thighs, you mold into him, rubbing your cheek into coarse curls and marveling at the calm, steady rhythm beneath you.

It feels good to be home. You're not sure why you let Maria give you an entire house to yourself when everything you could ever want or need was right across the street. Every time you end up back here, you wonder. And every time you leave, you wish you'd stayed.

He wraps you up in his arms and tugs you into his side, murmuring your name with soft lips that tenderly caress your forehead. They're so warm, just like the rest of him, and you find yourself aching to feel them on yours. It's a line neither of you have ever crossed, but tonight's been rough.

For what felt like days, you were forced to watch as your worst nightmares came to bloody fruition. You were dragged through the most brutal outcomes of events you already survived and could do nothing more than pray you'd wake up soon. When you finally came to and checked the clock, it had only been an hour and a half since you'd passed out. The moon was still high in the sky, taunting you with the promise of more. More dread, endless brutality.

Joel can make all of that go away, if only for a few hours. He always does, but tonight...you don't want to talk about it tonight. You don't want to think about it, about anything at all. You just want him.

You'd feel selfish asking for more if there wasn't already something between you. Something nurtured and gradual that's been building for months, beginning on your travels across the country and coming to an unignorable head here in Jackson.

Back then, it was stolen glances while you bathed together in streams and fleeting touches in your shared sleeping bag under star-filled skies. It's more intimate these days. He holds your hand when you're anxious, and you kiss away the frown lines and frustrated wrinkles that mar his skin.

Every day, you skirt the line between platonic companionship and whatever's starting to simmer below the surface. You're scared to hope he feels it too, but the thought of remaining in this undefined middle ground scares you even more.

The furnace drifting in and out of consciousness next to you radiates with an addictive heat you've told yourself to ignore for a long time, but it's quickly becoming an impossible feat. Pressed into his side, you're trying and failing not to writhe against him. But he's starting to notice.

His hips jerk every time your core drags against his bare thigh, a slow, repetitive grind you really shouldn't continue, but feels so fucking good combined with the slick pooling between your legs. You should stop—really, you should—but his breathing's changing and hitching, catching in his throat every time the growing tent in his boxers meets the friction of your inner thigh.

Then, he gasps something cognizant and urgent, and you know you've been caught. His hand snakes down to your ass and traps you against his side with a grip so firm, plush skin spills between his fingers.

“Woah, hold on there," he breathes out heavily, and his gaze drops to yours curiously. His eyes are wide open and alert, shining with the faint reflection of moonlight streaming through an adjacent window. Bright and yet pitch black as his sleep-addled brain struggles to catch up with his body. "What's goin' on with you tonight?"

You worry your bottom lip between your teeth, debating whether or not to ask for his help. His expression is gentle but otherwise unreadable, and there's a chance this could go very, very badly. Maybe you'd be better off apologizing, but you don't want to. You're not sorry for needing him.

And the longer he waits for an answer, the more his body convinces you that he wants the same things you do. His hand is still on your ass, kneading as he urges you to rock into him, but he doesn't seem to realize he's doing it. Then, his thigh flexes and a rush of wetness coats your already soaked underwear. His expression falters, and you know he can feel it.

His voice is tighter when he speaks again, but that tinge of concern is still there. He wants to make it all better, but he can't unless you tell him how. Your hand tenses where it lies on his chest, and he covers it with his own.

"What can I do? Just tell me how to help you—whatever it is, I'll do it," he murmurs, brushing his thumb reassuringly across your skin. You tilt your chin up and suddenly you're close enough to breathe his air. Closer than you've ever been and yet still not close enough.

"I need you to...," Fuck me. But it sounds too crude. A quick fuck isn't what you need right now. You need to be full of him, to hold him deep inside you and keep him there for as long as this night will allow. "...make me feel safe again."

"Tell me how," he repeats as you struggle to bite back a moan. He's working you against him intentionally now, encouraging you up and down his leg, and it's making your brain go a little haywire. "What do you need, baby?"

"Joel," you whine at the endearment, an intense heat building at the apex of your thighs. That's new. You want to hear him say it again, to devour every word as he buries himself inside you over and over. You will him to understand. "I need you."

He sucks in a harsh breath through his teeth, steeling himself before nosing into the hairs at your temple. The gesture is so tender and affectionate even as he bucks into your thigh, and it's painfully obvious how hard you're making him. He nods slowly and plants a soft kiss on your forehead, his chest rising and falling more rapidly than before.

"Okay, baby. I got you," he murmurs, his lips trailing down to your eyelids, then the apple of your cheek. "I'll make it all go away, alright? M'gonna take care of you."

And you believe him. He rolls you onto your back and you gasp as his entire weight presses you into the mattress. It's more than just comforting. You feel protected. He's shielding you from this horrible, broken world, somehow managing to prove that there's still goodness to be found. And it's on top of you, broad and strong, and wanting you just as badly as you want him.

Big hands cup your cheeks and his lips meet yours, so much different than the familiar press against your forehead or the top of your head. You're in unknown territory, but he guides you carefully and moves slowly, taking the time to explore and savor. The taste of spearmint begins to overwhelm your senses as the kiss deepens, and you lick into his mouth impatiently, already craving more.

But after years of quiet observation, Joel knows better than anyone how to temper you. Ducking down to bury his face in your neck, he kisses along the underside of your jaw, regaining control of the pace with a sharp, halting suck. And while he refuses to let your urgency rush him, he still allows your hands to roam his skin and tug at his boxers, letting you take what you want—like his only goal is to make sure this lasts long enough for him to fulfill his promise.

A disgruntled groan bubbles in your throat, and you feel him chuckle. "Y'know, patience is supposed to be a virtue," he mumbles, amused, his beard scratchy and grounding against your skin. You huff in response.

Tonight doesn't feel like a night for virtues. Not when things are finally changing in your favor. After so much time, so much running, you actually have somewhere to go—and stay. You're not running away anymore. You're moving towards something that feels real, and dependable, and safe, and you're doing it together. And now that you're so close you can taste it, you're done waiting.

"You're really gonna start caring about virtues now?" you ask skeptically, slipping your hands past the waistband of his boxers to grab his ass.

He hesitates, then huffs out a quiet laugh. "Fair enough."

And with that, you both know the time for talking is over. Something shifts and you're on the same page, ready to take as much as the other is willing to give.

Joel begins to drag your shirt up to reveal more, but suddenly feeling stifled, you take over and remove it completely. The look on his face makes it more than worth it. It's not the first time he's seen you naked, but as his eyes rake over your bare curves, it feels like it could be. Reverently, he returns his lips to yours, kissing you deeply before charting a path lower.

His mouth feels hot as he laves and nips across your collarbone, and he shimmies further down the bed until he's just barely ghosting the swell of your breasts. You gasp, burying your fingers in his hair as he sucks a bruise below your nipple and soothes the sting with his tongue. Licking a wide stripe past the darkening mark, he captures the bud between his teeth, another hand sliding up your stomach to cup your other breast while he alternates between swirling and sucking.

Your entire body feels like it's on fire. The ache between your thighs worsens the longer he continues, but instead of squeezing them together for relief, you wrap your legs around his waist and tug him onto you. By now, you're so wet, there's no way you're not soaking right through your underwear and into his boxers, and you hope he can feel it. If your increasing volume isn't enough of an indication that you need him inside you, then maybe this will be.

He lets out a pained groan into your chest, and you clench in satisfaction. He immediately grinds down, thrusting into you like he's forgotten about the layers of clothing still separating you. You don't bother to remind him.

Bucking him off, you quickly wrench down your underwear then reach for his, yanking them off while he sheds his t-shirt. Your fingers close around his cock before his shirt hits the floor and he startles before melting into your grip, eyes fluttering shut and lips parting around a cross between a sigh and the neediest whine you've ever heard.

You feel that telltale whoosh between your legs again, and after pumping him a few times, you guide him toward your entrance. In the back of your mind, you know you're taking a risk without a condom. You should be safer, more responsible. But it's Joel. It's always been Joel.

His eyes shoot open once he realizes where you're leading him, but you only bite your lip and nod, your expression uncharacteristically vulnerable. An unspoken agreement passes between you, a quiet understanding cultivated through years of friendship and now something more. Then, he presses inside and your mind goes blissfully blank.

No more horrors, no more fear. Just Joel keeping his promise and doing exactly what you trusted him to do. He encompasses you entirely, pressing the length of his body flush against yours as he works himself into you. The stretch was nothing you ever could've anticipated, but it grounds you in the present moment. It's everything you told yourself not to hope for when you showed up on his doorstep tonight.

His movements are slow but powerful, and he rests his forehead on yours, eyes alert and acutely aware of every change in expression. The intensity of his gaze and the slick sound of him burying himself to the hilt should make you self-conscious—it's all you can see and hear, but that's the point, isn't it? To get lost in the way he drags so perfectly against your walls and grinds his hips into yours on every thrust, slow and steady.

He's attentive, cataloging whenever he makes you moan a little louder or your eyes roll, and repeats it again and again until you're writhing underneath him. Your nails rake down his back and scratch at his scalp, and he jerks forward whenever you're a little too rough, hitting so deep, it feels like he's grazing your cervix. But the longer he continues to give you everything you want, the more his body trembles with the effort of holding himself back.

You know Joel, and you can tell when he's resisting an urge. His biceps tense where he's propped on his forearms, bracketing your head, and there's so little space between you, you can feel his abs flexing every time he plunges back inside you. He needs more and you want to give it to him.

Lifting your head, you bridge the tiny gap to meet his lips. "Joel, c'mon. You can fuck me harder than that, I'm not gonna break," you mumble between open-mouthed kisses. That catches him off guard.

He accidentally lets himself go for a thrust or two, and you're cut off by a moan, your walls squeezing him so hard, it's painful. Somehow, you manage to recover just long enough to gasp out the rest. "It's okay if you need something from me, too. Just take it. I trust you."

For an agonizing moment, Joel pauses to observe you, waiting for something in your eyes to contradict the permission you just gave him. But when he doesn't find it, he shakily exhales the breath he'd been holding and his head drops to your shoulder. The groan that follows rumbles so deeply in his chest, it makes your stomach drop. Then, without warning, his hands are gripping your thighs and he's rutting into you like a caged animal finally set free.

There he is. The man who never hesitated to gun down anyone who threatened the safety of his loved ones and did whatever it took to bring his girls home.

Recognition washes over you and fills you with a familiar feeling of security. It's something only Joel has ever been able to give you. You wrap your arms around his neck and bury your face into his hair, hoping to return even a fraction of that feeling.

As he gives into his body, he starts to ramble, his words muffled and lost to your delicate skin. But you don't need to hear him to know what he's saying. With every thrust, the bed frame rattles and gets the message across loud and clear. Your heels dig into his back, encouraging him forward, begging him to keep going, and he obliges, quickly reduced to helpless grunts and curses.

The room gets increasingly hotter and more humid, and the cool air flowing through the window isn't nearly enough to provide relief, but neither of you seems to care. You're a little in love with the way your bodies slip together, sweat and slick intermingling seamlessly.

Everything is so wet, and it feels incredible—your skin against his, your walls pulsing around his cock. He's molding into you, so close that you can't do much more than swivel your hips into his, and it's sending you hurtling toward the edge faster than you can fully process. The coarse hair at the base of his cock rubs your clit just right, and when he adjusts the angle to fuck you deeper than before, you hit your peak.

You dissolve into a whimpering mess beneath him, desperately riding out your orgasm as he groans and abruptly bites down on your shoulder. Releasing your legs to grab your waist, he forces himself impossibly further inside you and grinds into your spasming walls until he's coming with you. He gasps his way through it, stilling while he lets you milk him dry, then collapses on top of you and gathers you in his arms.

For a while, you both struggle to catch your breath. The mattress is bare save for the fitted sheet, your clothes, pillows, and blankets having been kicked or tossed onto the floor. It feels nice like this—to savor the winter air cooling your bodies and to just be held. Without letting you go, Joel lifts his head to kiss the teeth marks he left on your shoulder apologetically and then shifts higher to press his lips against the underside of your jaw.

"You alright?" he asks gently, his voice a little gruffer than usual from the exertion.

"Mhm," you hum, nosing into his temple. "More than." He sighs and almost sounds relieved.

The thought makes your heart ache. If he's worried he crossed a line, well. He did. You both did, but it was a long time coming and you don't regret a thing. You squeeze him a little tighter as if to tell him, and he allows himself to melt into you briefly. Then, he draws back to cup your cheek and guide your lips to his.

He kisses you slowly, taking the time to appreciate the sensation of your mouth against his without any urgency. "Feel better?" he murmurs after reluctantly parting from you. You keep him close.

"I don't think we have to worry about any more nightmares tonight," you reply with a small smile. He returns it, eyes crinkling fondly, then rolls you onto your sides to settle in for a good night's sleep.

As you start to drift off, you hear him chuckle and mutter something under his breath that you don't quite catch. But it sounds a lot like, "Might be time for you to finally move in."

thanks for reading!

[onskepa]

Hi how are you? If you want, could you tell us what your headcanons would be for what the Sully children's relationship would be like with a human/avatar mother who was mated with Jake and Neytiri? Thank you very much, have a great day!

I can see a lot of possible outcomes for this one! So here ya go! Enjoy!

P.S: Reader will not be given a name in this one, instead she will be called "small mama"

Pinnacle protection

-------------------------------

Pinnacle motherhood

Right off the bat, the whole family loves their third mother, second mate. Jake sully couldn't ask for a better family, and better mates. Especially his little human mate. Neytiri will agree with him, while yes she has her children to hug, her little mate is just what she needs. Something small yet full of love just for her. 

Now like any trio, there is a balance between the parents. Jake is the head of the family, the brains with his clever ideas. Neytiri at times can be the brains but most muscle due to her skills in fighting and hunting. And their beloved human is the heart of the family. Keeping everyone together. 

And like any child, the sully kids will have favorites. And their favorite is their amazing human mother. She is the most fun, loving parent any child could ever ask for. Are they not getting their way with Jake or neytiri? To mama it is! And mama will always fold by the simple look of her kids. 

Another thing about their favorite mama, they all believe she has the power to read their minds. How else would it explain she knows their next move? 

Lo’ak and tuk can recall so many instances where they were barely forming an idea only for their mama to say “dont even think about it” or “it is not worth the trouble”. 

For neteyam, as he is the oldest he does try to be a good example for his mischievous siblings, along with holding so many responsibilities, but he can always count on his small mama for anything. Small mama consoles him, talking about anything neteyam has his mind about. 

Unlike Jake or neytiri who neteyam has to put up a strong warrior face, with a small mama he can revert back to being a baby with her. He feels safe and be a kid again with her. And small mama always called him her “little baby boy”. Neteyam won't admit it but he likes it when she calls him that. 

For kiri, she definitely adores her small mama. She is closer to her third parent than she is with neytiri. Not to be mean or anything. But with Jake, Kiri can talk about what odd things happen around her, ask her about her mother and stuff but with her small mama. Well, she can express far more with her, be free to say anything not be judged upon. Kiri can dare say small mama understands her more than anyone in the world.

With tuk, the baby of the family. Why, she loves to be the taller one, it makes her happy. Of course she would never tease her small mama that she is taller, but small mama would call her “tiny tuk”. A name tuk loves and will glady flex it for some reason. 

If tuk can't go somewhere with her older siblings, small mama would personally take her anywhere she wants to go. As long as it is safe. With small mama, everything is fun and never boring. Tuk loves the times where her hair is braided or she braids small mama’s hair. 

Now, if small mama would use her avatar, nothing much would change. Except that now the kids will demand piggy back rides. Tuk or lo’ak would be front of the line for that.  

Hunting would be easier and much more fun with jake and neytiri, running, riding their ikrans, less risk overall. 

Even with her avatar, she is still short compared to her two mates. She is smaller than Neytiri by 9 ½ inches. Not something she is super thrilled about. No matter what body, she is still small mama through and through. 

Small mama is forever grateful to live her best life with her family, loving them and saying her thanks to Eywa for blessing her to be the best of her two worlds. Through hardships, through trials, small mama has a mighty heart and a roar of an ikran. Yes sometimes she might be stressed or frustrated but life is not perfect. Small mama knows that all too well. But there is nothing better than what she has. 

[romanticintheory]

Hello!!!! I was wondering if you could write an angst with Ghost/Simon where the reader was too clingy after having a bad day and he lashed out on her but he didn't think anything of it because the next day the reader was acting normal. He only noticed after a few weeks when reader became more distant and quiet. Feel free to ignore if it's too weird or you don't like it!!! ♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡

this one is dedicated to all the ones who were hurt and never got that apology. hope this alleviates the pain.

simon "ghost" riley x gn!reader || masterlist || request rules

-there was no one specific reason as to why today turned out to be a bad day. it just was.

-from accidentally burning yourself trying to make breakfast after waking up late to having to deal with the most insufferable customers, it just wasn't your day today.

-but it was okay, because you had simon to return to when everything was said and done.

-the frown on your face immediately softens the moment you see him walk through the door to your shared home. as soon as he pulls his mask and boots off, you make your way toward him and engulf him in a tight hug.

-you are painfully (but understandably) unaware of the thin veil of his patience and the frustration that had been brewing within him in the past few hours. he half-heartedly returns the embrace.

-"how was your day, si?" you ask him gently.

-"fine," he responds shortly, hoping there isn't more to the conversation.

-even after you pull away from him, you trail behind him as he moves around the house. this wasn't irregular behavior from either of you. simon wasn't usually the most talkative person in the room, anyway, but he loved to hear your voice. that was one of the things he loved about the two of you together; you filled the space he couldn't.

-today, though, was different. he was pissed off at all different kinds of people. for some reason, couldn't bring himself to tell you that he was having a bad day and needed some space, especially because it was evident you were having a bad one yourself.

-so when he turned on his heel after listening to your rambles for as much as he could take and lashed out at you, he tried not to think about the unbearable amount of guilt seeping into his veins.

-"would you just stop clinging to me for five minutes? god, 's like i can't get away from you or your constant fucking talking!"

-you had heard stories, mostly from simon, about the kind of man he could be when pushed to his limit. mostly, it was of violent, physical acts when it came to work or protecting the ones he loved. other times, he would tell you about when he'd lash out at others just like he did to you, now, and he always told it to you with a quiet fear. there was an unspoken meaning to him telling you about the times he's acted out: i don't want to do the same to you. i don't want to hurt you.

-but here he was, towering over you with a coldness in his eyes and a dryness in his throat from the sheer volume of his words.

-averting your gaze from his, you let out a meek, "'m sorry," and watch as he slams the door in front of your face.

-when he slinks into bed next to your sleeping form later that night, ridden with shame and guilt, he misses the tear-stained face hidden from him. after his outburst, you felt like all of the energy in your body had been taken away from you and retreated to bed early. you cried on and off for hours.

-you always thought you had a clinging problem. it was an insecurity you carried with you starting from childhood. friends would become acquaintances and family would keep you at arms-length. after years of believing the issue was you, simon walked into your life and told you different.

-if you stopped talking because you thought he stopped listening and was uninterested, he'd always turn back to you and genuinely ask why you stopped talking. whenever you apologized for hugging him for too long or asking to spend time with him for the third time that week, he'd always tilt his head at you and say in that low, sincere voice, "but i love you?"

-for all those reasons, you tried to give him the benefit of the doubt despite how much he hurt you. so, when he tries to bring it up the next morning, you do your best to brush it off. he was having a bad day. that was all. no need to make a fuss.

-"listen, love," he calls to you as you pop your piece of toast out of the toaster. "about last night-"

-completely disregarding his words, you look at the clock and stuff your phone into your pocket. "it's fine. honestly, simon," you tell him with the best smile you could muster. "i'm gonna be late. i'll see you tonight."

-you were so adamant on getting out as quick as possible that simon had no time to respond. he thought to himself that maybe he was making a bigger deal out of it than you. maybe there were no hard feelings and you were completely fine. after all, he was always overly worried for you, anyway.

-so, when you came home, he didn't mention it. it was as if last night didn't happen, and the two of you were perfectly fine. there were times where simon thought you were being a bit more restrained in your movements or words, but he tried to chalk it up to just him being overly paranoid. you said it was fine, so it was better not to push you on it, right?

-at first, you were doing really good at keeping yourself from overthinking the situation. however, as time went on and you paid more attention to how you acted around your boyfriend, you began to wonder if you were really that clingy.

-as the week progressed, your state of mind would deteriorate. what if it wasn't just a bad day? what if that was what he thought the entire time and was just waiting for the right moment to tell you? had he just been trying to cheer you up about your insecurities the entire time? and if he was, how much of this relationship was even real, then?

-the more you thought about it, the more distant you became. the last thing you wanted to do was make simon feel like he was being suffocated by you. you slowly stopped initiating physical affection with him, restricted talking about your day to a few sentences, and tried to answer simon's questions in one word when possible.

-he notices. of course he notices, it was like a stranger was living where you were supposed to be, and he missed it. he missed you.

-he asks you about your change when you're getting ready for bed, pulling the rest of your nightshirt over your head. despite being exhausted from work and looking like you were sitting out in the wind, he thought you never looked more ethereal than you did now.

-"(y/n)," he said.

-"hm?" you hummed to him, not turning toward his direction. you sat down on the edge of your side of the bed, turning off the lamp at the same time.

-your lack of emotional presence was starting to eat at him. he sat down next to you, the mattress dipping beneath his weight and forcing you to lean toward him.

-"you alright?"

-"yes. why?"

-"i dunno, you just seem..." his eyes tried to find yours, but you couldn't bring yourself to meet his gaze. "quiet."

-it was then that you looked at him, and it was scary to simon because he couldn't make out the emotion in your expression. there was nothing he could read.

-"isn't that-" you had to pause to try and stabilize your wavering voice. "isn't that what you wanted?"

-there was a tension-filled silence that settled in the room, and for a second you were worried that what you said was somehow incredibly offensive.

-finally, he chokes out, "i'm sorry."

-again, you try to muster up a smile. "it's fine, i already told you. i should've known you wanted space."

-"no."

-"no?"

-"it was my fault," he explains. "how could you 'ave known? i didn't tell you i wasn't in the mood that day, and that's not even considering the way i talked to you. i shouldn't have- nothing excuses what i said to you."

-still, you were convinced you were to blame. "well, i have a history of being clingy, so," you were trying to come up with more excuses for him. for most of your life, you had decided that you were the issue. it couldn't be any other way, right?

-"i know. it's one of the things i love you for," he says quietly. "not to sound cheesy but it's what makes you you, and i don't want you to lose that jus' 'cause i'm still shitty at communication."

-you knew in some capacity he was right. there was no excuse for how he talked to you, but the next words you wanted to say evaded you.

-simon thought about talking some more. instead, he grasped your back with one hand and slid his other underneath your legs, repositioning you on his lap. it was like a silent plea from him, a way of proving that he wanted to be close to you just as much as you wanted to be close to him.

-"you're sure i'm not too clingy?" you ask tentatively.

-"positive," he reassures you, rubbing small circles on your back with his thumb. "you wanna know something?"

-"what?"

-"if i wasn't so fucked up-"

-"you're not fucked up."

-"right." you never let him talk badly about himself. that was something he was still getting used to after all this time. being loved and learning to love himself. "well, if i didn't grow up the way i did and became the person i am, i'd probably be way clingier than you."

-"that's impossible," you deny, unconsciously letting yourself lean into his touch.

-"you don't know how much i want you. if my mind and body would let me, i'd be close to you all the time, showing you the attention you deserve."

-"you give me plenty."

-"agree to disagree," he stops with the circles and pulls you impossibly closer to his body. "but 'm trying. 'm trying to learn to let you love me and to not be afraid to love you. 'm sorry, love. i stopped trying that night, and i think it'll be the death of me."

-you let his words sink in, a thoughtful look on your face.

-"next time you'll tell me, right? what you're thinking?"

-"pinkie promise," he agrees, letting the hand under your legs slide out and raise his pinkie finger toward you.

-in return, you link your pinkie with his to seal the promise, and it feels as though the heavy tension in the air has cleared away.

-"i love you," he says, feeling bold from his previous admission.

-"i love you, too." there's that smile on your face. he never realized until now how he probably couldn't live without it.

-he kisses you on the lips, and for a moment the two of you just stay there in each other's arms, forgiving the past, healing the present, and dreaming of the future together.

[endearng]

Third time's the charm

Pairing: virgin!Spencer Reid x fem!reader Summary: During one of your movie nights with Spencer, you decide to, once again, take the lead. Or, you got cockblocked so often that you almost thought it wouldn't happen. WC: 3.1k Warnings: smut (nipple play and dry humping); reader thinks spencer might be asexual but he's just a shy puppy; they are desperate for each other; "ruined" movie night; virgin!Spencer my beloved. (I guess that's it. If I forgot something, please let me know!) A/N: Aaaand here it is! I didn't think I'd write smut so soon, hehe. I hope you guys enjoy this as much as I enjoyed writing it - it's actually a sequel to Dearest friend, but can be read as a stand-alone. Feedbacks are highly welcomed and appreciated. <3 Masterlist

"It’s nice we finally have some time for each other," you hummed in agreement. "Thanks for coming over," Spencer said.

"You don't have to thank me," you said, sitting down on his couch after placing the drinks you chose from his fridge on the coffee table. "I wouldn't want to be anywhere else," you confessed. It got him blushing.

Spencer started one of your movies. It was your choice: you usually took turns picking out a movie to watch together whenever you had the chance, since neither of you were keen of going out that often and you didn't have much time outside of work. It was a fun opportunity to know more of each other through your personal taste, since he often chose foreign films about humanities and you, well, you made him watch Easy A, which got him talking about Nathaniel Hawthorne’s The Scarlet Letter.

After the movies, you would talk to each other about it, maybe mentioning a personal experience that you remembered thanks to a particular scene or a character's arch. Maybe you would kiss.

Which was a problem. Well, not a problem, but, you see, you didn't have much time together other than going to each other's houses and out on a few dates, which were your favorite: Spencer often found the most beautiful, cozy places to take you, like coffee shops, museums, bookshops and libraries, followed by a nice dinner at a local restaurant. It was during one of those dates that something gave him the nerve to touch your hand. Holding hands quickly escalated to having his hands around you at all times possible, and it got to the point where you nearly had to peel off of him when he got too comfortable and you sadly had to leave to do something. These moments of physical touch were making you go insane, thinking about making a bolder move on him, but you thought that maybe he wasn't ready. Plus the fact that you seemed to be interrupted whenever things got too heated.

If you had a nickel for everytime you and Spencer had to stop right before you got intimate (in any way, really), you'd have two nickels, which isn't much, but it's weird that it happened twice. It was like the universe (more like Hotch and the gore that surrounded the team) were set on a mission for you to never have sex again. Besides that, more extreme thoughts plagued your mind and told you that maybe he wasn’t attracted to you like that. It often made you go home feeling a little bit insecure.

You knew that it was better to assume, but you were only human. After some pep talk with yourself on the way to his place, you convinced yourself that you would have to have this conversation with him, sooner or later. You thought so hard about this that you even came up with the possibility that he was asexual — you were fine with it if he was, obviously, because being with him made you feel whole. Still, you wanted, you needed to get this off your chest before you exploded with assumptions and unrequited feelings. Unrequited desire.

You decided to try to be subtle. Scratching the back of his head with your nails lovingly, you both watched the movie. "What are you doing?" He asked, looking at you. You could see the goosebumps on his arm, that must have been the trigger for the question coming out of his lips. You gave him a soft smile.

"It's called affection, pretty boy," you kissed the tip of his nose. "And I don't intend on stopping anytime soon."

You kissed his left cheek when he turned to look at the TV screen.

Then, you turned his head gently to kiss the right one. He glanced between your eyes and your lips, so of fucking course you were about to kiss him, but you decided to tease him a little and pecked the tip of his nose and gently kissed his forehead instead. He breathed out a laugh. Ticklish. It made you wonder where else he would be sensitive.

Stop, you slut of a brain.

When you were about to kiss his lips, you withdrew your face from his, smooching his cheek instead. He sighed, oblivious to your real intentions, impatient and utterly, stupidly in love with you.

Oops. There goes your heart. Out the window. Taking your judgment with it.

"Spence?"

"Yes?"

"Can I do something?"

"Yes," he answered. "You know can do anything, baby."

"This is a very dangerous thing to say to a girl who has the feelings I have for you," you said, grinning. His expression morphed into one that almost looked like sheer panick.

You slowly moved to straddle his lap, giving him plenty of time to stop you if he wanted to, his legs trapped between yours. You sat yourself on the top of his thighs. He watched every movement feeling like the world stopped and there were the both of you, moving in slow motion, movie long forgotten behind you. His breath hitched when he came to his senses and noticed the position you were in, now that you've done what you had. "Is this okay? It's more comfortable than kissing you like… well, that," you laughed softly.

"Yes. I-It's perfect," he breathed out, hands finding your waist.

You lips finally met his in a kiss that had both of you sighing. You found out that Spencer was a really good kisser — and you were proud to be the one with whom he practiced kissing to perfection —, your lips easily falling into a passionate rhythm. Gasping for air, you pecked him on those perfect lips that were red and puffy from all the assaulting you were doing, but he quickly pulled you in for another, this time, sloppier than ever, encouraged by your own boldness. He was french kissing you. Fairly used to it, but not with the intensity of it, you groaned in welcomed surprise, hands finding the nape of his neck and getting a grip on them, not so gently as you normally did. You pulled his hair down, breaking the kiss, lips tingling and lungs screaming for air. He smirked, feeling smug at the state he left you in.

You rose slightly from his lap, still holding his head and looking straight into his eyes. By holding yourself slightly above him, the pendant of your necklace grazed his chin, like he had imagined many times after watching you fiddle with it. God, it was finally coming true, having you in his arms and intending to let you do whatever you wanted to him and him only, the way that it should be ever since the day you met. You nearly made him go insane, pulling you closer to his body than you ever were, acting like a desperate madman. You smiled down at him and kissed him again, more feverishly than before, trying to tell him through that kiss that you were his. Biting his lower lip and earning a fucking moan, you sat yourself down on him again. You felt his bulge against your clothed core and the light contact made you feel lightheaded.

You were so caught up on him that it almost made you forget you needed to talk to him first. Unfortunately, as you tried to catch your breath and to find the right words to speak, Spencer felt his insecurities creeping up on him. Despite knowing it would be best to talk to you, he felt like voicing it out loud would push you away from him — which he didn't want. He was very comfortable with the indecent small distance between your bodies.

He was fidgety. You knew you needed to address this because your boyfriend wasn't the best at voicing his needs — you remember and giggled internally at how you had been the one to knock on Spencer's door asking him to put an end to your suffering by telling him how you felt. Heh. Kudos to you.

"I wanted to talk about this with you," you murmured, now feeling his kisses peppering the skin of your neck. You knew how much he was hiding from you because he wouldn't stop moving and it was very distracting, but if you didn't speak, it would be the end of you. "I'd ask if you were okay with me and you like this, about taking further steps, shit." You moaned when he fucking bit you and kissed you right after.

He pulled away from you, hands flying up to the back of your head. Foreheads touching, eyes locked in yours. "I want it. I want you, I mean. Been wanting you for some time now—a very long time, yes." He strongly shut his eyes closed, most likely working up the courage to say something. "But I don't want to... disappoint you," he finished, sounding insecure.

Not on your watch.

"Me too, Spence. God, I want you so bad," you answered, unable to look away from him, who now looked down, paying close attention to the rising and falling of your chest. "Hey, look at me, please," you pleaded. His eyes met yours. Oh, those maddening eyes... "Believe me when I tell you, baby, I want you. And if you don't want to do anything, you don't have to. I won't push you, of course. I just wanted to have a conversation with you before, because setting boundaries is important and consent is hot—" he laughed quietly. Making jokes was your go-to way of making situations lighter and he was glad for it then. You smiled when you noticed the sound he made. "And I'm also positively certain that you wouldn't like to have our first time on your couch."

"My first time," he revealed. softly. Eyes not meeting yours.

Oh.

You didn’t falter. "It doesn't change much, baby. I still stand for what I just told you," you assured him, "I want you to enjoy yourself, Spence."

Looking back into your eyes, he declared, "And I want you."

"You can have me," you answered, "You already have."

"You'd need to guide me. You know, hands-on activity. Because I’ve never done it before…" he trailed off.

"Lucky for you, I'm great at teaching."

His grip finds your waist, lips anxiously waiting for yours — and when they touched to mold perfectly in another breathtaking kiss, he felt complete. Like nothing bad could ever happen in the world just because you were in it. His past, his insecurities, the awful things you both saw on the field, nothing mattered. Looking at you, touching you, was a nearly an out of body experience. The things you got him thinking by just kissing him. And he thought his insecurities would get the best of him. Jokes on them, you exist.

You look at him through hooded eyes. "I've never felt like this before. I feel... tingly," he confessed, lovely smile on his face, eyes blinking.

"You're feeling good, handsome," you answered, glancing at his dazed eyes.

A beat of silence. Swallowing second thoughts. "Can you make it better?"

"Is that a request or a challenge?" You asked, grinning.

"A request." He answered shyly, hiding his face on your neck, peppering kisses on your skin. You were going to explode.

"Oh, don't talk to me like that," you shivered, feeling absolutely lost, "I might spoil you and give you everything you want," you sighed.

"Let me have it, then," he answered, voice muffled by your skin.

"I'm all yours, Spencer."

He had the audacity of blushing as his fingers played with the hem of your shirt. You smiled at him. In this state, if he asked for you to run naked around town, you probably would. It was dangerous, to say the least. Softly, yet desperate, the words left his lips. "Can I take this off?" He sucked in a breath. "Please?"

"Yes, pretty boy, you can," you answered. "You can have anything. I thought I already said that."

"Yes—You did. You did," he breathed out between needy kisses across your skin, getting rid of your shirt in no time.

At first, he was mesmerized by the sight in front of him. He hadn't seen many naked (or semi-naked) women in front of him, but you were something out of this world. The bra you were wearing matched your skin tone and pushed your breasts together and there was the fucking necklace, almost mocking him by being constantly so close, too close to the most beautiful sight he had ever seen. The view was almost overwhelming by itself. You looked at him, but he couldn't possibly come up with the words that would describe you in that moment. Words had failed him, nothing else in his mind but you. The tool he used to communicate, to access the world and how it shaped reality, to comprehend the mind of another person, to get to know others... He had nothing left. Except from the pulsing of his boner against your clothed pussy, that is.

Just like that, IQ of 187 slashed to 60, Emily Prentiss said, once. Funnily enough, when you passed by wearing a sundress.

Unable to talk but, oh, so able to use his hands, they traveled up to your breasts with a featherlight touch, which didn't stop him from feeling your heartbeat. He let his hands trail over the soft and sheer fabric of the bra you were wearing. Finding your nipples, his touch got more intense. He licked his lips. His actions made you shudder and sent a spark of excitement to your sex. "Pretty," he said. "So, so pretty, my girl."

"Do you like it?" You asked, breathless from a little touching. Pathetic. "I got these thinking of you. Wanna look pretty for you, Spence."

"You are," he said, looking into your eyes, his own foggy, hands reaching to touch your neck. "You're pretty all the time, it's so unfair to me," he murmured. "I really like them on you, but… can I take ‘em off?"

"Yes. You can do anything, Spence."

Spencer wanted to burn the sight of you, in that slightly disheveled state, in the back of his mind so he could remember it forever — not that he would have a hard time trying to remember anything. Nevertheless, he did everything so slowly, almost as if trying to tattoo on the tip of his fingers the softness and temperature of your skin. He inhaled deeply, consumed by your floral-scented perfume and lifted his hands to unclasp your bra. His fingers curiously, but unhurriedly, lowered each of the straps. Like opening a gift that had been so carefully wrapped he didn't want to ruin.

But did he wanted to be ruined by you.

The sight of your bare chest was marvelous, to say the least, and he timidly grazed his fingertips against the exposed area, eliciting goosebumps and a soft whine. His mouth watered, thoughts simply reduced to the need of having you in his mouth. The striped pattern on the soft skin of your breasts around your nipples were faint, barely there, unless if you took a close look at it. It goes without saying that he was blatantly gazing at your bosom at this point.

Pupils dilated, he looked up at you, hungrily, drawing his face closer to you, curls tickling the skin of your collarbone. He inhaled your scent, mind blanking. Tortuously dragging his lips on your skin (and unintentionally smearing some of his saliva on you, he was drooling, after all) as a silent request, the necklace brushing his forehead slightly. The grind of your hips against his answered his plead to taste you.

"Oh—you're so, so good to me, princess," you moaned when he finally wrapped his lips against the nub, playing with the other.

You felt almost overwhelmed with the attention you were getting and the reaction you were having to said attention. Your underwear was sticking almost uncomfortably against your core and you felt yourself aching for some relief, aching for him. So, as Spencer worked his hot tongue on your tits, licking, softly biting, sucking, making a mess on and of you, you busied yourself by chasing the relief you both desperately wanted. The solace it provided you both with was exhilarating and made you feel dazed.

Steadily rocking yourself against him, you earned a few grunts. "You're making a mess of me, pretty boy," you murmured as he switched his attention to the other boob.

"Give it t'me—I want it, I deserve it," he breathed out, body aching with lust, cock pulsing against your covered clit. His words only fueled the fire inside you, the coil in your lower stomach threatening to snap at anytime now.

"Yeah, you do, my boy," you breathed out, pulling the hair on the nape of his neck, nearly tasting your orgasm, "gonna look so pretty when you come for me, won't you, baby?" Both hands gripping your hips, mouth never leaving your skin. You sure would be bruised by tomorrow, but this, this was definitely worth it.

"Yes—Yes, I will," He whined. He fucking whined.

"Tell, me—ah—where do you want to cum, baby?"

"Shit—" until then, you were sure that was a word you'd never hear him saying, let alone that freely. "Gonna—Shitshitshit," moaning out your name.

That's when it hit you that he had cummed his pants. It was such a fat load that it had seeped through both his underwear and his slacks — which prompted you to reach your own high with a moan of his name directly into his ear.

Both of you feeling dizzy, you slump against him, feeling his arms wrapping your frame as you rested your head on his shoulder. You both took deep breaths, the only sound in the room. Well, besides the movie you both totally ignored.

"I can't get up right now... My legs feel wobbly," you chuckled. "Are you okay, Spence?" You asked, looking at him when you didn't get an answer.

"Yeah, 'm fine," he answered, "I mean, I'll be fine as soon as I recover from you."

You laughed sincerely, "From me? What have I done to you?"

"You gave me what I wanted, you spoiled me, you broke me," he said, a silly smile adorning his pretty face. You pushed him playfully. "I can't even explain what I'm feeling right now. My brain has stopped working ever since you straddled me. Are you trying to kill me?"

"No, babe."

"Wrong answer. You're so gonna keep doing that to me, so you'll definitely be trying to killing me from now on." He pressed a kiss to the top of your head.

[catsaurofmagiccomedy]

I runned out of tags,, i will compile all of this and reblog it as text, i guess

Please put your logic in the tags I’m genuinely interested in this cause I’ve seen a few good takes already, even if I think something different.

Please remember that avatar and victim are two different things and while there are certainly overlaps in some instances mostly an avatar is a manifestation of a power that gains energy from feeding off of victims of the power that they belong to. They can still suffer from a power, but they aren’t it’s main prey, more of a mouth piece. Or living snare.

[captainfantasticalright]

In 1985, one of the only persons interested in an interview with a “new” writer called Terry Pratchett, after his publication of the Colour of Magic, was one Neil Gaiman. Neil Gaiman was writing for Space Voyager at the time. "The Colour of Pratchett" was the name given here:

It ran exactly one page inside the June/July issue of that year. The interview took place in a Chinese restaurant in London.

Here is Neil many years later holding that issue. You can see it here if you want. Warning: extremely emotional video.

Neil arrived wearing a grey homburg hat. “Sort of like the ones Humphrey Bogart wears in movies” he later wrote. (Before saying that in fact he did not look like him, but like someone wearing a grown-up’s hat). Terry Pratchett, photo courtesy of one @neil-gaiman, was in a Lenin-style leather cap and a harlequin-patterned pullover. At this point, Terry was already a hat person, although not that hat.

Terry offered Neil this : "An interview needn't last more than 15 minutes. A good quote for the beginning, a good quote for the end, and the rest you make up back at the office"*. (Terry Pratchett had worked many years in journalism by this point ).

But the meeting went terribly well. The two of them realized they had "the same sort of brains". So well indeed, that in 1985, Neil had shown Terry a file containing 5282 words, exploring a scenario in which Richmal Crompton's William Brown had somehow become the Antichrist. Was a collaboration in the cards as of that moment? Not really. But Terry found in Neil someone to whom he could send disks of work in progress and to whom he could pick up the phone sometimes when he hit a brick in the road of his writing.

Terry loved it and the concept stayed in his mind. A couple of years later, he rang Neil to ask him if he had done any more work on it. Neil had been busy with The Sandman, he had not really given it another thought. Terry said, "Well I know what happens next, so either you sell me the idea or we can write it together". **

On collaborating together:

Here is a video of Sir Terry saying why he chose to collaborate with Neil, another video talking about the technical difficulties of writing a book when the two of them where miles apart ,and some pages from Interzone Magazine Issue 207 published December 2006:

An Interview with Sir Terry Pratchett and his works- and Neil Gaiman, where he shortly addresses the process of writing Good Omens.

Terry shortly mentions,

“Neil doesn't rule out another book with me and he was good to write with...yep, it could happen. With anyone else? I don't know, but probably not.?”

Neil says,

"Terry took that initial 5,000 words of mine and ran it through the computer (because I’d lost the files in a computer crash) and made it the first 10,000 words, and it was definitely Good Omens at that point. Neither one thing nor the other, but a third thing.”

"I think Terry could do a very good impersonation of me if he needed to, and I could do a very good impersonation of him; so we knew the area of the Venn diagram in which we were working. But mostly the book found its own voice very quickly. It helped that we were both scarred by the William books when we were kids...”

And as you know, unless you’ve been living in Alpha Centauri, the rest is history. That was the beginning of what would become William the Antichrist and later would get the name Good Omens:The Nice and Accurate Prophecies of Agnes Nutter, Witch. (Title provided by Neil Gaiman and subtitle by Terry Pratchett).

More about the writing process:

Terry took the first 5,000 words and typed them into his word processor, and by the time he had finished they were the first 10,000 words. Terry had borrowed all the things about me that he thought were amusing, like my tendency back then to wear sunglasses even when it wasn't sunny, and given them, along with a vintage Bentley, to Crawleigh, who had now become Crowley. The Satanic Nurses were Satanic Nuns.

The book was under way.

We wrote the first draft in about nine weeks. Nine weeks of gloriously long phone calls, in which we would read each other what we'd written, and try to make the other one laugh. We'd plot, delightedly, and then hurry off the phone, determined to get to the next good bit before the other one could. We'd rewrite each other, footnote each other's pages, sometimes even footnote each other's footnotes. We would throw characters in, hand them off when we got stuck. We finished the book and decided we would only tell people a little about the writing process - we would tell them that Agnes Nutter was Terry's, and the Four Horsemen (and the Other Four Motorcyclists) were mine.

From the introduction to William the Antichrist:

“In the summer of 1987 several odd ideas came together: (..)I found myself imagining a book called William the Antichrist, in which a hapless demon was going to be responsible for swapping the wrong baby over, and the son of the US Ambassador would be completely undemonic, while William Brown would grow up to be the Antichrist, and the demon would need to stop him ending the world. The unfortunate demon, whom I called Crawleigh, because Crawley was a nearby town with an unfortunate name, would have to sort it all out as best he could.

It felt like a story with legs.

Terry took the 5,000 words, and rewrote them, calling me to tell me what he was doing and what he was planning to do. The biggest thing he was going to do, he told me, was split the hapless demon into two characters – a would-be-cool demon in dark glasses (which was, I think, Terry’s way of making fun of me, a never-actually- cool journalist in dark glasses) who had renamed himself Crowley, and a rare-book dealer and angel called Aziraphale, who would embody all the English awkwardness that either of us could conceive.”

William the Antichrist being a direct inspiration of the 1976 film The Omen. If the baby swap had just been a little bit messier and the kid had gone off somewhere else he would have grown up as somebody else. “And then there was a beat and I thought, I should write it, it will be called William the Antichrist” says Neil. ***

“The first draft of Good Omens was a William-book. It was absolutely in every way it could be a William book. It had Violet Elizabeth Bott, it had William and the Outlaws, it had Mr. Brown”.

Over time they realized that they would have more creative freedom if they in their own words filed off the serial numbers. William and the Outlaws becoming Adam and the Them.

But the spirit of Just William was never far away.

The joy for Neil was to construct “perfectly William sentences”. The one when Anathema tells Adam that she has lost the Book, and he tells her that he has written a book about a pirate who became a famous detective and it is 8 pages long… that’s “a William sentence”.

If you want to read more details about William The Antichrist, here are some slides I made.

Good Omens was also inspired by a particularly antisemitic moment in The Jew of Malta and John le Carre's spy novels. (Neil’s ask)

 Then I was reading The Jew of Malta by Kit Marlowe, and it has a bit where the three (cartoonishly evil) Jews compare notes on all the well-poisoning and suchlike they’d done that day, and as a Jew who never quite gets his act together, it occurred to me that if I were the third Jew I’d just be apologizing for having failed to poison a well… And suddenly I had the opening of a book. It would be called William the Antichrist. And it would begin with three Demons in a graveyard… (x).

“When we finished the book we estimated that the words were 60% Terry’s and 40% mine, and the plot, such as it was, was entirely ours.” -Neil Gaiman

"Neil and I had known each other since early 1985. Doing it was our idea, not a publisher's deal." "I think this is an honest account of the process of writing Good Omens. It was fairly easy to keep track of because of the way we sent discs to one another, and because I was Keeper of the Official Master Copy I can say that I wrote a bit over two thirds of Good Omens. However, we were on the phone to each other every day, at least once. If you have an idea during a brainstorming session with another guy, whose idea is it? One guy goes and writes 2,000 words after thirty minutes on the phone, what exactly is the process that's happening? I did most of the physical writing because: 1) I had to. Neil had to keep Sandman going -- I could take time off from the DW; 2) One person has to be overall editor, and do all the stitching and filling and slicing and, as I've said before, it was me by agreement -- if it had been a graphic novel, it would have been Neil taking the chair for exactly the same reasons it was me for a novel; 3) I'm a selfish bastard and tried to write ahead to get to the good bits before Neil. Initially, I did most of Adam and the Them and Neil did most of the Four Horsemen, and everything else kind of got done by whoever -- by the end, large sections were being done by a composite creature called Terryandneil, whoever was actually hitting the keys. By agreement, I am allowed to say that Agnes Nutter, her life and death, was completely and utterly mine. And Neil proudly claims responsibility for the maggots. Neil's had a major influence on the opening scenes, me on the ending. In the end, it was this book done by two guys, who shared the money equally and did it for fun and wouldn't do it again for a big clock." "Yes, the maggot reversal was by me, with a gun to Neil's head (although he understood the reasons, it's just that he likes maggots). There couldn't be blood on Adam's hands, even blood spilled by third parties. No-one should die because he was alive." -("Terry Pratchett : His World”)

(Here are some slides of mine where I go into some other details concerning the origins of Good Omens).

Another wonderful insight with Rob Wilkins in "The Worlds of Terry Pratchett".

*Quote: from Terry Pratchett A Life With Footnotes by Rob Wilkins, but said by Terry of course.

** All the quotes, facts listed here : see above.

***all other quotes by Neil Gaiman from various interviews and asks I’ll link.

[ghostfacd]

IN A WORLD FULL OF BOYS, HE’S A GENTLEMAN ! | TOM BLYTH

PAIRING. tom blyth x fem!actress!reader

SUMMARY. despite being in a world filled of childish boys, your boyfriend was definitely a gentleman, always putting you before him

AUTHORS NOTE. the third installment because we love tom blyth and yn avocot. I recommend reading part 1 and 2 for more context!

tomblyth “babe, do you think we’re together in every universe?” is that even a question?

tagged @/ynuser

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ynuser stoppp i didn’t know youd actually take the question seriously

user1 get you a man like tom blyth bc oh my god

user2 idk what yn did to manifest him but i need her ways

user3 ugh idk what he’s doing with her lol he could do so much better

➥ user4 well someone had to say it..

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

You didn’t understand how some people on the internet can be so . . . mean. Although there have been countless of fans cheering you and Tom on, it didn’t make it any less hurtful that there were still a ton who weren’t scared to be open about how much your boyfriend could do better.

It’s ironic; you think. They’re claiming they’re looking out for Tom, yet totally disregarding him and his girlfriend as human beings? Those weren’t real fans.

The reason for them hating you so much? Just for simply being with Tom. Everybody wanted him, that was your crime.

Everytime you got lost in your thoughts about this topic, Tom knew. Boyfriend instincts, he called them, but really, he was just a caring and observant person.

You tried not to break down over it, you really did, but a girl could only go on for so long before it all bursts out. Luckily, Tom pulls you right in, telling you to let it all out.

Although the world was filled with childish and hurtful beings, Tom Blyth was still who he was, a gentleman, attending to your every needs.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

tomblyth really dgaf if you like my girlfriend or not cause i do and that’s all that matters

view all comments

user5 im cryinf the polaroid he has of her

user6 YES REAL MEN STAND UP FOR THEIR GFS

user7 ALL THE PICS HE HAS OF HER 🥹🥹

tomblythswife oh to be yn avocot and be loved by tom blyth

rachelzegler tell ‘em 🙊

user8 she doesn’t even comment on the posts he makes abt her, so self centered lol

➥ ynuser I’m right next to him rn?? cant say the same thing about you “lol”

➥ user9 OH SHE ATE YOU UP @/user8

tomblyth_daily here are some clips of tom talking about his relationship in his new interview! GET YOU A MAN THATS LIKE TOM BLYTH 🗣️🗣️🗣️

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user10 the way he’s so passionate when talking about her and being a good boyfriend, God I hate being single

user11 “they’re not even that cute” STFU AND GO WATCH THIS INTERVIEW CAUSE ??

user12 tom blyth said put aside your nonchalant attitudes, im looking at YOU MEN 🫵🫵

ilovetomblyth he’s so boyfriend it actually hurts

user13 yn must’ve saved a continent in her past life to be dating tom blyth omg

ynuser girls, before you have a meltdown over a boy: think of what balleona laurent would do. kiss and manipulate coriolanus!

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tomblyth you kiss and manipulate me too

➥ ynuser you’re gonna get me CANCELLED

user14 literal unbothered icon i love her

user15 if i were her id post a tiktok with that audio “he chose me he don’t want you”

iloveyn SHES SO FUNNY

lionsgate us when behind the scenes photo of balleona 😻

➥ user16 lmao stop who’s the admin of lionsgate

user17 balleona is such a bad person but oh is she hot

tomblyth she was like a shot of espresso

tagged @/ynuser

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ynuser i love u more than words can describe blyth

user18 ok who’s cutting onions

user19 GIRLS, GUYS, THEY THEMS, STOP SETTLING FOR BARE MINIMUM WHEN TOM BLYTH LITERALLY CALLED HIS GF A SHOT OF ESPRESSO, GIVES HER FLOWERS EVERYDAY, AND TALKS ABT HER ALL THE TIME IN HIS INTERVIEWS

➥ user20 YELL IT HARDER SISTER 👐👐👐

user21 this is so dark academica im inlove with u guys

user22 parentssss

rachelzegler my favorites

ynuser SNOW LANDS ON TOP LOSERS

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tomblyth yn, i love you but

➥ user23 LMFAOO when he doesn’t finish his sentence

user24 the second pic thank u yn

joshandresrivera on top of u maybe

➥ user25 IM DYING OML

user26 thank you to lionsgate for casting the most hottest villain couple ever

[yesokayiknow]

they try, honestly they do, but the doctor isn't a stationary creature and never has been, especially not when they know there's something they could help with. which is to say, it takes a week of soft quiet life before he starts begging kate for a job. kate in turn withstands three weeks of the doctor's incessant begging and big puppy dog eyes while donna noble stands right behind him and mouths don't you fucking dare before she makes a counteroffer: he can work in a lab (the 'very far away from active duty' is implied) as long as he meets with unit's therapist.

and he refuses, of course, loudly and profusely, right up until donna very gently but very firmly tells him that it really could help, actually.

so. therapy. the doctor assumes it won't do anything. the unit therapist is no nonsense and unflinching and very very bright, and twenty minutes later the doctor sits outside the room hyperventilating while kate finishes paperwork and kindly doesn't mention the way he's all but curled into her.

the second session ends much like the first, and the third, and then the fourth he walks out with dry eyes and a tremulous smile. the fifth, kate calls donna and she takes him home and they drink hot chocolate and he doesn't start talking again until the next day. it takes him seven sessions to be able to stay in the room for the full hour; kate pats him on the back and then finally allows him to build a shield for her office as a reward. she sits outside the therapist's office every time he has a session, even though she has to have better things to do. they don't talk about it.

unit only has files on things the doctor's done on earth, and even then, only sometimes, which means that when the doctor talks about some things he just. edits, a little. talks about two weeks in a confession dial and a month in prison, because maybe then he doesn't have to think about the enormity of it all. and every single time he does this, the therapist looks at him and very kindly calls bullshit. it's weird, being known. it's different with donna. he is donna and donna is him, in ways they will probably never talk about. but he sits in that cluttered little office for an hour a week (sometimes two or three times, if he's doing particularly badly) and he feels seen.

after four months, there are memories he can touch without flinching, and people he can talk about without crying. he starts spending a couple of hours just sitting in the vortex, not because he's hiding or running but just because he likes the way it feels against his skin. he cooks dinner every other night and washes up when he doesn't. he takes out the bin every week even though it's rose's job, because he loves her. and he can say that now, and he doesn't think about her short lifespan or about all the other people they've loved and lost. he can say that and just mean it.

part of his contract is an agreement to never offer a trip to a member of unit unless it's actual life or death (the small chemical leak in the lab doesn't count; he takes shirley to new mars anyway) but he finds himself toying with the idea of asking for a session in the tardis. just once, just to see. the therapist looks at him and sees him and it is monstrous and they keep looking anyway and now the doctor can sit through a family dinner without wanting to tear his skin off and he doesn't know any other way to say thank you.

it's funny, almost, how quickly he grows attached to this person who picks through his hurts and rifles through his traumas and holds direct eye contact while doing so. the doctor talks about their deaths and their crimes and their cowardice and the therapist nods and asks him how he feels and it's. it's terrifying. it's beautiful. it's the worst thing he's ever ever been through, and the best. he feels ripped apart and put back together in a way that few people have ever been able to— huh.

after his sixty eighth session (he's unable to not keep count) the doctor walks outside to where kate is annotating a schematic and says, thoughtfully, they're the master in disguise, aren't they. and kate says oh 100% and please don't let them know that you know because they will definitely go to the second stage of whatever long con they've been hatching and they're too good at this for us to let them go