#kara can talk

[gfwooyo]

can someone rec me another danmei i'm slowly dying waiting for panguan updates 😭

[guhara]

check out the detailed tweets here & here or you can see full bbc documentary here.

[doodles-bi-tea]

claim your “I was a Lewis Pullman fan before Thunderbolts” ticket here! (in case he blows up in popularity any more than he might have after things like TGM and Lessons in Chemistry…)

[fictiongods]

Honestly I’ve just realized that so much of the second half of season five was just Kara and Lena being angry at each other, but they hardly were ever in the same room. Like they have maybe three? scenes together after Kara got over her guilt and were angry together? Like so much of that is just them being gay disasters and bringing each other up all the time 😭 literally:

Alex: “So how was your date with Will—”

Kara: “Awful! You know I had to lie to him just like with Lena, and my relationship with her is ruined! She hates me and won’t talk to me!! You know I was only trying to protect her and she just won’t listen to me and…”

Alex, trying very hard not to out Kara to herself: “Yes, this must be very hard for you.”

Additionally:

Lex: “So, is Non Nocere working any better yet?”

Lena: “Not really but I’m still working on it, and y’know Supergirl has such a big problem with it. She is always thinking the worst of me! She lied to me, and is mad at me for me finding out! I mean what kind of deceitful person does that. She’s just so…”

Lex, venomously: “Yes yes very deceiving can we made the damn MIND CONTROL THING WORK SO I CAN RULE THE WORLD— I mean make people less violent that’s what I want :))

[just-seeing-everything]

Actually. I wish we could see more of Kara, I don't understand why the fandom says that 1) she's boring 2) she can do no wrong

One thing I find rather interesting in dbh is that you can decide what the character will do, but none of your options aren't something the character wouldn't do

So when Kara shoots that guard, although it's "you" making the decision, she already was driven to it. She had the gun, she was scared, she needed to protect Alice. She'll steal and threaten innocent people and kill

Just... I want Kara with prey animal rage, y'know? Murderous desperation, cornered but going down fighting, that will gut you if she needs to,,

How can that this is boring? Desperation for survival and . Love which is impatient and turns into rage and blood, it's dirty and gritty

[dirty-droid]

So I played through some more dbh last night and woke up thinking, God, there is a good reason Markus and Kara, and their respective companions never got as popular as Connor and Hank. Literally The Bridge is surrounded by the most *do everything for absolutely no reason* chapters, and there's no comparison.

First the Kara chapter wastes your time, she barely gets any small talk in with Luther, then the car breaks down, then you're just doing tiny tasks, doing a shitty sum up of her story so far when Alice asks you to make one up- they could have done something interesting with that story but they chose not to, literally anything specific anything that would function as a parallel to their journey would have actually had some value. Then you barely start a conversation with Luther, where are you maybe get a hint of his personality before we're back to just talking about the plot and Alice, but then it's over again and you meet the Jerries and you learn almost nothing about them.

It is a chapter where you do nothing interesting, and you learn almost nothing about the main characters, for a downtime chapter, I expect character development and get barely a sneeze of it. There is so much room and so much time for you to really push and question your main characters but it just doesn't get used.

Honestly I think the protagonists all could have probably really benefited from the audience getting to hear their internal monologues if they weren't actually going to talk to their companion characters, but even that would just be a substitute for decent writing.

Either way, after that, we come back to Connor and Hank, who do almost no tasks in this chapter, *but spend the entire time TALKING.* They talk to each other in a constant volley back and forth for the entire length of the chapter and it's probably one of the best chapters in the game, it's certainly one of the most important in their story. You spend the entire bridge scene learning more about Hank and Connor's inner worlds, and how they think, and how they feel, you spend the whole chapter learning so much about their perspectives, this chapter is all about asking the hard questions about both of their individual characters, and the tension is high, it's a straightforward chapter to play, and it really fucking feels like your choices matter here, there will be immediate consequences, not just walking through your environment trying to find the right answer, or being dragged through an interaction. It's just plain good.

And then Markus infiltrates the Stratford Tower, and you get the most boring and useless and frustrating chapter in the game that doesn't seem to serve any purpose beyond looking cool. If Kara's last chapter was only to gain sympathy and create some soft and fuzzy feelings, this chapter is only about looking cinematic. This is probably my least favorite chapter in the game, honestly I've just gotten lost on that yellow ass office floor building too many times, even though I'm very familiar with the game now I still managed to get lost again last night.

I will admit that eventually it does become an opportunity to decide between pacifism and violence but that seems to be the only real development for Markus, and it wouldn't have been hard to make that kind of opportunity in another setting. Because we get next to nothing watching him get past the front desk, or from walking around that floor, just some outfit changes and pretending to be a machine and a little more Android hate in the background, Markus is almost completely silent yet again, there is almost no talking with North once she appears. We actually get more about North's personality here than Markus', she just feels like she has more lines somehow, because sometimes she just talks without it being connected to the plot and Markus never does.

This bit is more speculative, but my fiance and I were going off last night about whyyyy did they have to break into the tower? We're never given any reason for what the steps are and why they are important, just usually pretty important in these mission impossible type scenes, they're usually explaining in a voice-over why they are taking the steps that they are taking. But we get no explanation for why he needs to go to the 47th floor or whatever, No explanation for why he needs to change into a maintenance Android uniform, why North was in the stairwell, how Josh and Simon got in, it's all just handwaved, and whyyyyyy they couldn't have just?? Made a recording and then hacked the station's broadcast remotely and basically just posted the speech? I don't know, it's just a particularly frustrating chapter to play, personally, but it isn't strong.

Either way, you've got two chapters with next to no character development, that just have a lot of empty space and time where the characters could have been talking or could have been doing something else, but didn't because the vibes were more important, sandwiching a simple scene with ten pounds of character development and it just feels weird. And once I noticed it, it just made the Kara and Markus chapters look incredibly weak and poorly written... And conversely, make the Connor and Hank chapter look much, much stronger in comparison.

It's like Detroit become human almost needs it's own type of Bechdel Test, just to show how much they fail Markus and Kara. "Do they talk about something that isn't the plot?"

"Do Kara and Luther talk about something that isn't Alice or getting to Canada?" "Does Markus talk about anything besides his speech for this chapter?" "Does Alice talk at all beyond basic communication with Kara?" "Does Markus or his buddies talk about anything that's not the revolution or just Markus himself?"

... They don't pass a lot.

It's just hard to take these characters above simply *likeable* when they just, don't, ever, talk. There's little to no development for Markus or Kara, and because they've just become deviants, there's hardly any character establishment in the first place, they barely even get the chance to just be flat, because if they don't really know who they are, we don't really know who they are.

Connor and Hank's friendship is more functionally the main plot, more so than the deviant investigation, and for Markus and the team, and Kara with Alice, that's simply just not the case, there is hardly any relationship, they're just in the same boat. This is why Connor got astronomically more popular, and why he and Hank have the staying power that they do.

Markus and Kara just don't ever talk, and Connor does. And I'm fucking mad about it. The amount of time that was just wasted in their stories, I could probably take a damn stopwatch to all the moments where there could have been a little something-something, and nothing was put there. It's not to say Connor doesn't get some quiet moments too but he always gets the chance to make up for it.

Even at the beginning of the Stratford Tower chapter, I noticed that they could have had Simon and North talking about something maybe unrelated when Markus walks up, but there's nothing, only silence until Markus comes in with a plan. And of course we know about every time Luther tries to bring up the fact that Alice is an android, only to be shut down and walked away from. It fucking kills me how much time Mark is has the focus of the camera but it's only so he could look cool for a minute, and share no thoughts of his own, none of his new feelings, everything is only implied and then followed by the action where he is only allowed to be the leader of the revolution and never just Markus. There's a tragedy in that, but they could have driven it home harder by *pointing that out.*

[lenakluthor]

If you could choose a moment for Kara to tell Lena she's Supergirl, without considering what happened in the Super life episode... Which moment would be best?;

okay i've thought a lot about this and i think the moment in 2x15 when kara is on the phone with lena, hears her get attacked, and then catches lena when she's pushed off her office balcony would be a really good moment to tell her. she just recently spent an entire episode (so, what? a week or two?) adamantly defending lena's honor and goodness when lillian broke her out of prison and manipulated her to get into lex's vault, and kara was ultimately proven right about lena (because, duh). she's had a little bit of time to breathe and let the reality of that really sink in- she was right. she was absolutely validated and justified in putting her entire faith and trust in lena. lena came through. lena did not let her down. so, when she hears lena get attacked and doesn't really have a great excuse as to how supergirl knew the exact moment lena needed saving, i think when lena asks "how did you know?" kara could've easily been like "i was on the phone with you when it happened," or something along those lines. cue her putting on her glasses, big reveal. it's early enough that it probably wouldn't feel like a huge betrayal of lena's trust, but it's been long enough for kara to completely trust lena and feel solid in that trust. i also think this is an especially good moment in time, because then when they do have that moment in lena's office a few episodes later, the impact of "i'm not going anywhere. i will always be your friend. i will always protect you." is even greater. like yeah, she's saying that as kara but there's also the weight of supergirl behind it. i just think it would've been even more meaningful with lena having the full knowledge of who kara really is as she hears that promise.

[mamawasatesttube]

postcrisis era is my favorite for a lot of reasons but chief among them is the tangled mess of everyones relationships in the era after kon's death. can you imagine being kara and being told that one of your closest friends on earth, one of your only friends on earth, has realized she actually was just using you as a stand-in for the cousin you barely got to know before he died? the cousin you've been grieving because you didn't get to know him, but everyone around you loved him, and now you're told you're just a substitute for him in your dear friend's eyes. and she knows that's not fair to you, but what can she do? she's grieving, too. and you just have to live with that, somehow.

[sapphic-luthor]

spent all morning rereading all of my own fics from the past several years and sometimes its like . .. dang i'm kind of good at this

[sugarsnappeases]

microfic - bella killing sirius 🥰 | 1.5k words | warnings for um. death. obviously. but also for confusing narrative style ❤️

for the light of my life @quillkiller on this most auspicious day

Bellatrix laughs as Andy - the woman who looks like Andy, except for the purple hair, and the dirty blood - falls backwards away from her. She’s never going to get into the Duelling Club at Hogwarts if she keeps leaving her left side open like that; she’s lucky she has Bellatrix there to teach her.

The woman - her sister, blood-traitor, spawn of a mudblood, fighting on the side of the Order - doesn’t get back up again, limp body tumbling down the steep, stone steps. Bellatrix hasn’t lost a duel since she was thirteen, she holds the Duelling Club record for most consecutive wins - she’s the best person that Andy could have come to for help - she wasn’t going to be beaten by some filthy Auror brat.

Turning away from the unmoving body, Bellatrix runs deeper into the fray, moving towards the raised dais with its stone archway. It’s chaos, flashes of spellfire shooting across the room in all directions, red, purple, white, green, shouts and crashes and explosions as spells miss and damage the room, or as they hit their mark and damage the enemy.

She deflects a curse on instinct, swinging around to face the direction it had come from - a familiar face, her baby cousin - “Bella, will you duel me now?” - a traitor and a coward and unworthy of the name of Black.

Bellatrix returns fire. She’ll go easy on him, because Sirius is just a boy, mock-duelling with a borrowed wand and the small repertoire of spells that he had learned from her or from his parents, but he had always been quick on his feet, good at skipping out of the line of fire - she would make a proper duellist of him yet. She should kill him, for having everything and for running away from it, for turning against her, against his family, cursing their name then having the audacity to use the spells that she had taught him to fight for the wrong side of the war.

It’s the first time that she's seen him since he was disowned, in the middle of Diagon Alley, fighting with the Order of the Phoenix, and she should kill him. It’s the Yule holidays of her seventh year at Hogwarts, Sirius is nine and determinedly dodging her spells, one of their favourite games. They’re both somewhere else, screams and despair and a spinning, ungraspable whirlpool of memories, standing on the raised stone dais now, close enough to hear the whispers from the tattered veil hanging in the archway - soft, insidious, beneath the clamour of the battle.

Sirius throws a spell back at her, bouncing on the balls of his feet, “Hello cousin.”

Bellatrix grins as she dodges - Sirius is always so energetic, so eager to fight with her in a way that even Andromeda never is, let alone Narcissa or Regulus - so desperate to draw her blood, the same blood that runs through his veins, the same blood that he had forsaken, singling her out on any battlefield in the same way that she always did with him. He had run from everything that she had ever wanted - the Black heirship and the power, the esteem, which that entailed - as if it was nothing, as if she didn’t dream about commanding that level of respect, or awe, or fear, as if she hadn’t been scrambling every day of her life to try and get as close to it as she could. Sirius had run away from it, run away from her, and now he was a part of the Order of the Phoenix and she should kill him. She could kill him, the Black Heir, laughing as he narrowly avoids getting hit with a stupefy - he’s only nine, it’s not like he could really defend himself if she started firing off some of the more lethal spells she knew.

She had taught him how to perform the severing charm just the day before, lending him her wand - walnut and dragon heartstring just like the one that had chosen him when he turned eleven - he’s using Cissy’s today, struggling a little against it’s unicorn hair core, mostly relying on his ability to jump out of the trajectory of spells.

The two of them are volleying spells back and forth - ones that she had taught him and ones that the Dark Lord had taught her and ones that he had learnt without her somewhere - dodging or shielding or deflecting, spells barely grazing each other, she always knew that he would make a fine duellist - she had made him into one. They duel like this every time they see each other, during her holidays from Hogwarts, then during his holidays from Hogwarts; she had watched Sirius turn into a threat - she had taught him how to be a threat.

Bellatrix laughs as he manages to shoot off the severing charm that she had taught him - three different lethal curses in quick succession, a determined kind of acrimony about him, not surprised to see her fighting with the death eaters, in the same way that she isn’t really surprised to see him with the Order. She lets it hit her - blocks them all with a complicated shielding charm and throws back a confringo that explodes the cobblestones beneath his feet - still laughing as he cheers about how he’s fatally wounded her, feeling a sting from the shallow cut on her arm - he’s determined as ever but there’s less anger now; he’s playful, grinning when a curse singes the ends of his hair.

She knows she shouldn’t kill him - she isn’t sure if she could kill him anymore, he’s going toe to toe with her in a way that he’d never been able to when they were kids - she doesn’t think she really wants to kill him, her favourite cousin, more just the things that he represents, the signet ring on his finger that gives him an authority, aged nine, that she doesn’t have, can’t have, at nearly double his age - she thinks she wants to kill him now, though, now that he’s betrayed her, found a new family of mudbloods and blood-traitors and abandoned the role that she’s always craved. Bellatrix fires a stunner at him - puts up a hasty shield against his entrail-expelling curse, another one that she had taught him - the two of them laugh as he ducks it, the red light whizzing over his head - “Come on, you can do better than that!”

It’s loud, cacophonous with the battle raging all around them - blood on the cobblestones of Diagon Alley, some of it hers, some of it his - Cissy’s complaining that she’s bored and wants to go outside - the whispers emanating from the crumbling stone archway are getting louder, seeping their way into Bellatrix’s head - and Sirius’ voice rings in her ears, echoes around the room.

She flings another spell at him, grinning as she watches him determinedly move through the wand movements for diffindo again - he laughs as she stumbles, as her shield collapses under the force of his reducto, as he gains the upper hand - concentrating on pushing his magic through Cissy’s wand, not paying close enough attention to the spell she’s just cast - Sirius deflects the curses she hurls at him, sends a barrage of spells back at her - he’s laughing, cocky as always, as her spell hurtles directly towards him.

It hits him right in the middle of his chest.

It’s quiet, suddenly.

Quiet as Sirius’s laughter cuts off. As his eyes widen in shock. As he falls backwards, slowly, as if some invisible weight were making him heavy, as if some invisible force were gently lifting him away. She looks at him and his face is gaunt, an underlying emaciation that no amount of hearty meals can hide, she sees the same whenever she looks in a mirror, right down to the tired, but ever determined glint in silver-grey eyes.

Bellatrix watches Sirius sink into the tattered veil - watches him fall to the floor of the duelling room in Grimmauld Place, for a second she imagines that he might be dead, what it would feel like to kill him - watches the grim smile on his face as one of his spells meets its target and her vision goes black - the veil flutters, those insidious whispers seem to pause for a moment, then rise to a roaring crescendo as his body disappears.

She screams along with them, triumphant - she hasn’t lost a duel since she was thirteen, Sirius has never once beaten her, always ending their duels on the floor - she’s killed Sirius Black, and everything that he represents, even if he had spurned the signet ring and the esteem that came with it. Bellatrix walks across the room to enervate him - wakes up in Malfoy Manor, Cissy leaning over her and asking if it was true that Sirius was a part of the Order now, if he had really beaten her in a duel - turns away from the whispers and the archway and the duel that she had won, skipping back up the stone steps, laughing as she hops over Andy’s - the mudblood’s - body.

[maragarita]

This is the first time I've been able to watch an episode of maws as it airs so here's my take on S2E6!

• Clark is actually being mean and sassy and I love him for it like yes bby please wake up in a better mood next time you were kidnapped not murdered

• I didn't realize in the preview clip that aired a few days ago but Kara's eyes grey out even when she says "model citizen" at the beginning of the episode!

• the look when Clark sees Lois : (( the poor boy didn't even have time to process the breakup before he got knocked out and thrown into space but also she was the first thing he thought of when Kara asked if anyone cared for the real him :((((

• Clark says ow when he fights with Kara over the Polaroid! It's so natural that it took me a second to realize that he probably doesn't normally feel pain from playful roughhousing??

• the fact that Clark immediately clocks Kara the way Jimmy clocked him and Lois. The little shimmer in his eye when he asks if she likes him

• "what, no, what? I don't even know what that means. Stop being all weird with your stupid earth brain" this whole sequence makes me REALLY REALLY look forward to a post-brainiac maws where Clark and Kara can just be cousins in metropolis together (which I fully believe the maws crew will make happen)

• Cousin snowball fight I cryyy

• For a second I almost believed we were actually going to see space traveling and new planets but makes sense

• ok it's been lowkey before this episode but is Clark actually kryptonian super saiyan I don't know the lore

• Kara actually did genocide while brainwashed oh no

• I'm sorry I'm sorry WHAT Jimmy and Lois both 1. Found MM and the brain from the OTHER DIMENSION they traveled to and 2. WENT INTO SPACE TO FIND CLARK my joy is unending I love this show

• Clark is actually going to be used as a weapon nooo poor boy just wants to help I can't handle a world where the maws version of Clark Kent is a murderer :((((

Final thoughts, love! The maws crew is already doing such a good job of making Clark and Kara feel like cousins and I'm so happy she's in the show even though I was honestly hesitant about it at first. The next episode is called Olsen's eleven and once again I am. My joy is immeasurable. I love this show. I love that we get to experience it every week instead of all at once because now I get to comb through all the small animation details while I waitt!!! I'm just sad there were no phones in this episode because HOW will I know if it's still Monday may 9th now???

[gfwooyo]

got my mom to watch s7 with me and my sister who hadn't even heard of this show til yesterday and has never seen anything walked in at the start of 704 and i'm gonna throw up she saw buck on screen for 30 seconds and asked if he was gay DKFJFKDSKSJDJ

[rustingcat]

Desk

They were sitting back at their usual work desk, they still had work to do in regards to their new pod companion. They had a new nourishment plan to look at, development time and so much more to figure out. Stuff they were definitely going to do, if only they could focus on anything.

Sitting at their desk was suddenly not enough to get them to work, work they had to get done sooner rather than later. 

"Should we, um… tell the others?" Kara asked hesitantly, breaking the silence that had fallen between them.

"Not yet. I mean, I think we should figure some stuff out first, don't you think?" Lena felt her heart speeding up again. She still could not believe anything that just happened. The idea that their unborn child was technically growing in the machine only a few steps from them was a bizarre thought. Their child. The child Kara suggested they have together. What was even her life?

"Right! Sounds good. Important." Kara nodded in agreement. "Like what?"

"Um, well…" That was a good question. Lena was blanking. She was a smart woman, she could find a solution for any problem, build any machine, but figuring out a plan on how to raise a baby with your best friend was apparently outside her purview. 

The silence that stretched between them was somehow more tense and loud than any they had before.

"You know," Kara's impatience broke the silence once more, "the chances of failure are greater in the first three months, and it is our first test so there's a good chance we might need to try again from the start, which is even more time, so maybe we should just wait for the three month time mark and talk then?" Kara said just a bit too fast. It was comforting to know Kara was panicking just as much as she was.

"Yeah. Good plan." Pushing down her feelings and delaying difficult conversations was Lena's expertise. "Shall we get to work then?"

Read it all on AO3

[necrotic-nephilim]

Tell me why Kara Zor-L is one of my your favs! I'm been meaning to make the jump from the CW show to the comics. Any recommendations?

- @cicero-in-gotham

@cicero-in-gotham oh i would LOVE to!! Kara Zor-L is my darling beloved.

firstly for suggestions, i'll be honest Kara can be... a hard character to read for. you have to slog through a lot of really shitty "male gaze" content to get scraps of interesting stuff. the top comics i'd recommend are

Power Girl: Power Trip

Power Girl Returns

Power Girl (2023)

some people like Harley Quinn & Power Girl. i'll be honest... i did not. and Power Girl (2009) has... ups and downs, is the nicest way i'll say it. but it's also solid for what it is. certainly better than her New-52 content so i can't really complain.

anyhow, i always am enamoured by characters who are disconnected from their "family", especially due to trauma. bc no one really counts Power Girl as part of the Superfamily. and even within the Superfamily if people are talking about the "outcast" of the family, they always say Kon. (which, eh? maybe New-52!Kon but i wouldn't say the main Kon is an outcast, his issues are internal) but to me, Kara far better suites that role. it's one thing to be one of the last survivors of Krypton. it's another thing to be one of the last survivors of your entire *universe* as well. she lost everyone, *twice*.

i adore characters who feel like imposters and Kara is *peak* imposter syndrome. everything about her identity is constructed around not feeling like a "real" Super, or a "real" Zor-L. she has to live with knowing she's on an earth that has Supergirl, meaning they don't need her. she didn't wear the S crest for so long even on her own earth, because she felt like she didn't server it.the only thing she feels like she has going for her is her sexual appeal and so it's so amped up she lacks a personality outside of it. she has been isolated again and again by her trauma and she struggles to face her grief, masking with humor and oversexual appearances. i find that to be so interesting. she lost *everything*, twice. and now she's an imposter who will always hold herself at a distance from the Supers because she doesn't want to make them uncomfortable with her existence. she has to live on an Earth and know everyone is... slightly off. she has Clark, but it's not *her* Clark. she has the Justice Society of America, but it's not *her* JSA. and she doesn't have her best friend, Helena Wayne at *all*, because this earth has Helena Bertinelli as Huntress. (unless you count New Golden Age stuff but that's future timeline nonsense)

i find Kara's lack of identity interesting, and the way she just sort of drifts. she has done a lot of things, but lacks a sense of self importance bc she will never view herself as a "real" Kryptonian of this universe. she's just so neat to me. i also love the JSA personally, they're one of my favorite superhero teams, so i love any character connected to the JSA, they're always so underrated.

the Power Girl Special (which is collected in Power Girl Returns) is like, genuinely one of my favorite single issues ever. that comic just lives in my bones. it also has one of the *best* internal monologues i've ever read. something something comics are art. this is cutting some stuff out but just to show you have beautiful the writing is, this is an excerpt from that comic

people tend to think of hatred as love's opposite. but i disagree- i think hatred is just love's sharpened edge. it's the same passion. the same potency, the same intensity. just a different flavor. so no, hatred isn't love's opposite. grief is. grief is the void left behind after something you once loved was violently ripped away. grief is what happens in love's sudden absence. love is when your cup runneth over. but grief is hollow. a chasm. there is no negotiating with grief. it does what it wants to you, when it wants. you will never outgrow or outrun it. but... you can find ways to grow around it. i never got to say goodbye. i was loved, once. i was once loved so much that my life was prioritized above all else. i will never feel worthy of that love or sacrifice. but i'm realizing now that to freeze or falter in the shadow of that love is the only way to fail their sacrifice. i have to live in the light. i can step out into the sunlight, and still carry them with me.

like that is??? so Character to me. she is Everything. i'm just. so unwell over her internal struggles and how she faces the world, i cannot recommend her enough. she means the world to me and that comic has stuck with me since i read it for it's conversation about handling grief. i am begging everyone to be a Power Girl fan i know she's confusing but once you get the hang of her backstory she's so cool i swear-

[dreamsfulblues]

So I got a little more OsoSan merch but these are my highlights because duh it’s obvious why

Little Karas trying to hang/sit on my stuff

My brilliant brain came up with the idea to let one cling on Bruno’s zipper for dear life

And the other is just chilling while sporting that silly smirk

Got some more of the little guys but not all because some won’t stop falling 😭

They hanging on my Karamatsu money box (what do you mean I have too much stuff of him I don’t know what you are talking about- )

I love these stupid anime men

[forsyth-enthusiast]

Ranking Kyo Kara Maoh Characters Based on how Funny they are

Yuri:

sports shounen protag trapped in an isekai shoujo

thinks yankees fans are objectively evil

yugioh style alter-ego who is still a Detective Conan fan

married to another man with kids but thinks he’s straight??

15 year old father btw

8/10

Conrad:

has been to Massachusetts

is a red sox fan

“sure you Canada”

super seme proportions make him look like a horse sometimes

keeps trying to murder his childhood best friend

might be the first guy to meet a black person

7/10

Wolfram:

tsundere jealous girl trope

but a boy

what is an uke if not misogyny prevailing?

82. very obvious when you look at his pajamas

enjoys painting with feces

7/10

Gwendal:

voted most likely to have an aneurysm

oh shit they yaoibait him with günter

bisexual win he just lets a woman torture him for fun?

looks more like his cousin than his actual brothers

“it’s a little 𝓴𝓲𝓽𝓽𝔂 𝓬𝓪𝓽”

5/10

Günter:

obsessed with a teenage boy?

he’s obsessed with a teenage boy

heh…let’s just say…”They Not Like Us”😏

keeps getting poisoned

crashes out whenever the king leaves to do his Goddamn Job

6/10

Josak:

born to be a star on drag race forced to be a side character in a yaoi

signed yuri up for a Death Tournament within the first 5 minutes of knowing him

can always be counted on to pop up in some fuckass disguise to help out the gang

queen of the tuck??

9/10

Cäcilie:

anti-girlboss: didn’t wanna be the ruler so let her brother do everything

the bum representation we need

is always fucking off to be in a situationship

stole some priceless gem and just left a fucking IOU???

two of her kids look adopted

has a dominatrix alter ego that fights crime

9/10

Anissina:

possibly the first feminist of the great demon kingdom

tortures yaoi men to appeal to her squad of fujoshis

kind of roommate that would repurpose your room into a lab if you left for 3 weeks

voted most likely to get turned on by robots

10/10

Murata:

wise old man trapped in the body of a 15 year old

feminism win. the girls use the wise one as a maid

best friends with his best friend’s mom

might be the only straight man in the entire world

would bring his subway surfers ipad to the kingdom and cause a global catastrophe

11/10

Adalbert:

immediately squeezes yuri’s head

seething with cuckold rage because conrad was trusted with julia’s soul

race traitor

3/10