#rob goldstein

[channeledhistory]

[historicalfictionenthusiast]

If you’re having a bad day I highly recommend picturing Roy Kent kicking the living shit out of James Tartt Sr

[nickandcharlie135]

Imagine a Ted Lasso special where they play against Wrexham AFC in a charity match.

Set it 6 months to a year after the series finale. Make it an hour and a half long so we have time to catch up with everyone.

Get Ryan Reynolds and Rob McElhenney to guest star. Heck bring the actual Wrexham players to star as themselves.

Thoughts?

They could even call it “Ted Lasso: The Lasso Special”.

[jamiettartt]

PHIL AND BRETT IM CRYING YALL DESERVED SO BAD

[rewritingcanon]

whoever says queenie or the scamander brothers or jude law dumbledore are the prettiest mfs in fbawtft is WRONG its eulalie

[radykalny-feminizm]

Heroine of the day - Sally McNeil

Born September 30, 1960 is an American former sergeant, professional female bodybuilder and muscle worship practitioner, who was convicted for the murder of her husband Ray McNeil, a Mr. Olympia competitor.

Her husband Ray has been physically and mentally abusing her for years, cheating on her as well. He liked to choke her, and did it multiple times during their relationship. On February 14th 1995, when he attacked her again, she had enough and she shot him. I say GOOD FOR HER.

But obviously the misogynistic society labeled her as an aggressive bully. Just because she was extremely strong physically, people didn't believe that she could be a victim of domestic violence. Even though a professional psychologist evaluated her and confirmed that she was abused, the absolute asshole of a prosecutor named Dan Goldstein kept denying this fact. He thought that a victim should be a perfect, helpless, delicate woman and Sally wasn't like this. So he did everything he could to destroy her in court and she ended up spending 25 years in prison for murder.

When watching a documentary about her (Netflix's Killer Sally) there are a couple of things worth noticing.

Sally's children confirmed that she was abused and they were 100% on her side. They SAW what was happening and knew she didn't have a choice.

As for Ray, his friends who are in the documentary are straight up ridiculous. One man said (with a smile on his face!) that Ray once gouged out some man's eyes. Then he proceeded to describe Ray as a gentle, harmless giant. And THEN he said how aggressive and dangerous Sally was 🤡 Ray's friends also found it very entertaining that he cheated on Sally. They were smiling while talking about it. They didn't give a single fuck about how hurt this woman was. And they wouldn't care if it was Ray who killed her.

Sally was not only a victim of domestic abuse. She's also a victim of misogyny, which robbed her of 25 years of her life.

But now she's free and thriving and I wish her all the best. She did NOTHING wrong. Every woman who kills her abuser is a heroine and should be praised.

[weclassybouquetfun]

Okay, what's Jason Sudeikis' finsta, because Hannah and Kola post birthday wishes to Jason on Instagram if he doesn't have an account?

Hannah even made a nice little montage set to Stevie Wonder's "As". Since I can't post more than one video, I've joined it with clips of Kola from CELEBRITY RACE AROUND THE WORLD and a post-show interview where he and his cousin (Kola confirmed elsewhere that his sister Yinka was to be his race partner, but she fell pregnant, so his cousin was the only one he could think of who wouldn't want to kill him) discuss their spending habits and Kola talks losing his father to dementia and his mixed race heritage.

My fashionable TED LASSO babies.

What are some of the other TED LASSO alums up to?

Brett Goldstein was recently at the Toronto Film Festival for his film ALL OF YOU, co-starring the recently single Imogen Poots.

Dapper Brett.

He's also still doing his comedy shows and hob-knobbing with other celebs.

Brett will be back in front of the camera soon when he pairs up with TED LASSO fan, Jennifer Lopez.

Phil Dunster is hopping back onstage - two times: one for a charity event "An Evening with Phil Dunster & Friends" which will benefits pediatric cancer. One of participants will be actor/comedian Rob Delaney who has talked about the loss of his little boy Henry from cancer.

and he will be in the play, "BRACE BRACE"

And that's not even talking about series two of DEVIL's HOUR and whenever series two of SURFACE drops.

Also doing the theater thing is Nick Mohammed who returns as Mr. Swallow for A CHRISTMAS CAROL-ISH.

-James Lance returns for THE FAMOUS FIVE. There will be two films instead of three, this time.

Uncle Quentin hair at the ready.

-Stephen Manas continues to be the most fascinating man and is just living life, coast to coast, country to country.

[johannestevans]

My Top 6 Films of 2023

Just some recommendations for my favourite new releases of last year!

Originally published on Cinemania.

2023 had a few knock-out hits as far as the cinema goes — obviously, people were very excited about the respective releases of Barbie and Oppenheimer, but my top films of the year were a bit different.

One thing I do think unites a lot of these — and a trend I hope to see from more films in the next few years — is a trend toward more earnestness and sincerity in scripts and plot lines, and I’m hoping that trend continues!

Without further ado, my top films of 2023:

They Cloned Tyrone (dir. Juel Taylor)

They Cloned Tyrone is a fucking triumph, and hands-down had my favourite costume design of the year — it at the same time feels very vintage in places, calling heavily on the Blaxploitation movies of the 1970s and their aesthetics while at the same time dragging in more modern— and dystopian — futuristic elements throughout. Teyonah Parris is a particular triumph as Yo-Yo, but the whole cast really rocks this whole flick.

This film feels in so many ways like a fever dream, layering disparate elements and tones, and for that is all the more hard-hitting with the horror and painful realism of its cynical central plot.

If you watch a single of the films recommended on this list, make it this one.

Down Low (dir. Rightor Doyle)

This film is weird as fuck, and it makes a lot out of leaning into that. Delving into the ugly reality of down-low hook-ups on gay dating apps and dialing the chaos that can arise from them up to the max, this is a surprisingly heartfelt look at gay loneliness and isolation in the white middle-class US.

It’s fast-paced and kooky with its dialogue — Lukas Gage, of Euphoria fame, co-wrote the script with Phoebe Fisher, and Gage’s particular style of verbose and down-right weird speeches are dotted through it — and while it ultimately ends in the death you know from the beginning is coming, it doesn’t feel like it’s wholly a tragedy.

Dungeons and Dragons: Honour Among Thieves (2023, dir. John Francis Daley & Jonathan Goldstein)

I don’t think I need to go into great detail about this one — Dungeons and Dragons’ newest addition to its array of canons here is a spellbinding and delightful watch. A lot of the problem with fantasy films and TV shows the past few years has been how painfully over-ironic they are, with none of them being able to just lean into their premise and accept that, yes, we’re being a bit silly, and that’s the point! But the DnD movie is just spectacularly earnest and gives itself entirely over to the wonder of its world, and that feels wonderful.

Every time I’ve watched it, which is a few times now, I’ve picked up on new fun world details or little in-jokes, and there are just so many things this film does right and has fun with, most of all making Xenk Yendar even more autistic than ever whilst also making him hot with the Regé-Jean Page casting.

And also, Hugh Grant is here playing a horrible, sleazy bastard of a wizard, and speaking of hot —

Cocaine Bear (dir. Elizabeth Banks)

Must a film be good?

Firstly, isn’t a coked-up horny female bear wreaking havoc and ripping people to shreds enough? And also, even if it wasn’t enough, aren’t so many queer characters going through the weirdest day out ever, girlbosses galore (I’m including the bear), funny as Hell dialogue, and even plot twists enough?

We saw this in the cinema on its release, and it was utterly glorious. Everyone should have the pleasure of seeing the feminist icon of 2023, the cocaine bear (sorry, Barbie), on the biggest screen imaginable, ripping into some hapless gay with full surround sound.

The Boogeyman (dir. Rob Savage)

I normally run along to see any new releases from Rob Savage as I loved Host, and The Boogeyman was so much more than I expected — bearing no resemblance at all to the original lacklustre Stephen King short story, this film really plays so creatively with light and shadow and has an honestly spine-tingling monster design that feels viscerally frightening from its introduction to its final boss battle.

I love it when a film plays with light sources, most of all when good horror does it, and this flick really delivers on that point — not knowing where light is going to come from adds extra tension when you’re trying to see into the shadowy corners, and whether it’s from the lunar nightlight, the videogame flashes, the camera, the fridge, or anywhere else, this film really has this holistic approach to light and shadow that just fucks.

The Pope’s Exorcist (dir. Julius Avery)

Again, must a film be good?

Isn’t it enough to have a coked-up bear —

Okay, I used that line already, but this time it’s Russell Crowe, and he’s doing an Italian accent, and he’s riding a little Vespa, and it’s the funniest and best thing in the world.

Much like the DnD movie, The Pope’s Exorcist really leans into its premise and just goes really earnest about it — it doesn’t take too much time to sardonically comment on the ridiculousness of its own universe, and that makes it feel really fresh compared to a lot of other big studio horror films. It’s silly and stupid and mixes more impressive scares in with the cheap ones, and it’s just a really fun movie to watch with friends.

[fuzzyhenry]

Reborn

I died, yeah, that's right. A car crash to be precise - did a number on me. Shipshape one moment, ghost the next. You see it in films, read about it in books but no one tells you about the chill, the absence of feeling. It was odd but it came with perks. Perks like slipping into the silver-haired doctor who was sitting alone in his office.

The doctor was a nice fellow - studious, portly, matured. The kind of man age hadn't robbed of a boyish charm. Silver hair, full and lush, which matched his equally silver and equally lush beard. He was sitting in his chair, a comfortable, worn piece of leather furniture that had seen better days, just like him. His eyes were squinting at the documents laid out before him on the wooden desk, his chubby fingers locked in a dance with a fountain pen. He was dressed in a clean, white coat - the kind that projected an air of 'I've got everything under control'. His ID tag dangled from his pocket, it had 'Dr. Samuel P. Goldstein' engraved on it. A well-respected, well-rounded man - just the kind I enjoyed.

As I made my way towards him, I felt the heat of his body, a stark contrast to my ethereal coldness. Sinking into him was like slipping into a warm bath after a bone-chilling winter's day. His body jerked in surprise, the pen dancing from his hand, turning the pages of the document into a splatter of bluish-black ink. His eyes rolled back, as if searching the recesses of his mind for some kind of resistance, a defense mechanism against the sudden intrusion. He released a soft groan, his limbs surrendered their strength, tumbling in a directionless descent. Papers fluttered around like misdirected butterflies as his arms lost their support. He slumped back into his office chair, his round belly pushing against the tight buttons of his coat, his head lolling back to rest against the worn leather. The light bathed his figure, highlighting his curves, throwing his face into sharp relief against the dimly lit room.  I draped myself over his consciousness, like a familiar blanket, gently nudging him into the depth of sleep. His body twitched, a futile response against the unwelcome guest, and then... tranquility. His eyes were vacant, his mind on pause, his body yielded to my control.

I looked down at my new chubby form. I felt the roundness of his belly under the coat, the softness of his skin. I moved his thick, hairy fingers, clenching and unclenching them, feeling the raw, physical sensation. I ran a hand through the lush silver hair, felt the prickling sensation of the beard against skin. I admired the chubby man in the reflection of the polished mahogany desk and felt alive once more.

[twwpress]

Weekly Press Briefing #71: October 29th to November 4th

Welcome back to the Weekly Press Briefing, where we bring you highlights from The West Wing fandom each week, including new fics, ongoing challenges, and more! This briefing covers all things posted from October 29 - November 4, 2023! Did we miss something? Let us know; you can find our contact info at the bottom of this briefing! 

Challenges/Prompts:

There are no open challenges/prompts that we know of this week. Do you have a challenge or event you’d like us to promote or know of one we’re missing? Be sure to get in touch with us! Contact info is at the bottom of this briefing.

This Week in Canon:

Welcome back to This Week in Canon, where we revisit moments in The West Wing that occurred on these dates during the show’s run.

Season 1, Episode 6: Mr. Willis of Ohio aired on November 3, 1999.

Season 2, Episode 5: And It’s Surely to Their Credit aired on November 1, 2000.

Season 3, Episode 4: On the Day Before aired on October 31, 2001.

Season 4, Episode 6: Game On aired on October 30, 2002.

Season 5, Episode 5: Constituency of One aired on October 29, 2003.

Season 6, Episode 3: Third-Day Story aired on November 3, 2004.

Season 7, Episode 6: The Al Smith Dinner aired on October 30, 2005.

Photos/Videos:

Here’s what was posted from October 29 - November 4:

Allison Janney posted a photo and touching message in memory of Matthew Perry. Amy Landecker posted in memory of Ady Barkan, sharing a photo of herself and Bradely Whitford with Ady and a thoughtful message. 

Bradley Whitord posted a video of himself and Matthew Perry, along with a moving tribute to his late friend. 

Dule Hill posted a video collage of his stay at St. Regis Mexico City with his wife Jazmyn (their first trip in 4 years!).

Josh Malina posted an infographic about a 17-year-old taken hostage by Hamas.

Kim Webster posted a photo of herself and a friend in Halloween costumes. 

Kim Webster posted photos of herself in costume as Jessica Rabbit. 

Marlee Matlin posted a birthday message for Henry Winkler and a photo of herself holding his book. 

Marlee Matlin posted a photo and message in memory of her brother-in-law Dr. Jay Goldstein, who passed away this week. 

Marlee Matlin posted a photo of herself and her “girls” at the National Association of the Deaf Breakthrough Awards. 

Melissa Fitzgerald posted a graphic promoting Dule Hill playing for All Rise on Celebrity Jeopardy on November 2nd. 

Rob Lowe posted a throwback photo of himself as a little kid. 

Donna Moss Daily: October 29 | October 30 | October 31 | November 1 | November 2 | November 3 | November 4

Daily Josh Lyman: October 29 | October 30 | October 31 | November 1 | November 2 | November 3 | November 4

No Context BWhit: October 29 | October 30 | October 31 | November 1 | November 3 | November 4

@twwarchive: October 30 | October 31 

Edits/Artwork:

#thewestwing : wE cHaNgED TiMe zOnEs by @abigailbrtlet [VIDEO EDIT]

Editors’ Choice: 

Sometimes you just need a change. This week, we’re recommending some of our favorite alternate universe fics! There are so many great ones that we had trouble narrowing it down, so be sure to share some you love as well!

darling, so it goes (some things are meant to be) by mikaylawrites | Rated M | Josh Lyman/Donna Moss | Complete | “Hey,” Josh says as he approaches his friend, gesturing in the general direction of the stage. “Who is this?” Sam rolls his eyes. “I’m doing well, thank you for asking.” When Josh doesn’t respond, Sam gives him what he wants by responding, “It’s Donna.” “Donna?” “Donna Moss.” The name sounds vaguely familiar, but Josh can’t put his finger on why. “You know, Donna? She and I were on Andy Wyatt’s tour together last fall? She’s the one who said she didn’t believe I could go shot for shot with her at a dive bar after our St. Louis show and ended up having to drag me back to the hotel and put me into bed afterward.” The story of rising country singers Josh Lyman and Donna Moss everybody talks (it started with a whisper) by JessBakesCakes | Rated T | Josh Lyman/Donna Moss | In Progress | Being the White House Press Secretary, Josh realizes, is one of the toughest jobs in the administration to begin with. But with her co-workers' propensity for going viral, CJ certainly deserves a raise. (The West Wing, set 20 years later.) Wear the Crown by sam_writes_fics | Rated M | Josh Lyman/Donna Moss | In Progress | but some knights are meant to wear the crown. and proving worthy of its power is a noble quest indeed. // royalty/fantasy au yeah, me too by smallandblueandloud | Rated G | C. J. Cregg/Andrea Wyatt/Toby Ziegler | Complete | “Josh, what is it?” He’s got his gaze firmly three inches to the left of her face. “Have you been getting the feeling that something’s going on? Something they’re not telling us?” (or, Toby knows something. CJ and Josh don't. They'll be #19 and 20, eventually.) rewrite an ending or two by jazzjo | Rated G | C.J. Cregg/Andrea Wyatt | Complete|  It didn’t do her well to dwell on the reasons why her mornings were the most peaceful part of her day.  It did her even less good to press on the bruise that was her discomfort at leaving after closing.  or, on a clear day you can see forever, and it's the first clear day in years. i think i missed the gun at the starting line by ansatz for heliotropic | Rated T | Josh Lyman/Donna Moss | Complete | "I really wanna win this thing." // After qualifying for the Olympics in 2016, but being unable to compete due to an injury, Donna Moss is back, ready to run, and completely focused on earning a medal for Team Canada. Enter Josh Lyman, reigning Olympic champion with a heart of—you guessed it—gold. Two countries, two sports: one chance to fall in love? Flour Dusted Smiles by JediAnnieScrambler | Rated T | C. J. Cregg/Toby Ziegler | Complete | “Did Sam let you in?” Toby asked, crossing the kitchen. CJ jumped between him and the oven, holding her arms out like a shield, “You can’t look in the oven.” “It’s my oven!” “You weren’t supposed to be here until later!” Butterfly is the Worst Stroke by myrmeraki for dogsbreath | Rated G | Josh Lyman/Sam Seaborn | Complete | A snapshot of swimmer Sam and his increasingly tired boyfriend. Yeah I headcanon butterfly to be Sam's favorite stroke, yeah it's also *the* worst stroke, this does not conflict.

We will be reblogging this post to add this week's fics shortly!

[why-bull-the-fashion-demon]

movies I watched in 2023

(taking a cue from @stenka-razin)

-January

The Power of the Dog (2021, dir. Jane Campion)

Love, Simon (2018, dir. Greg Berlant)

Gamer (2009, dir. Brian Taylor & Mark Neveldine)

Men (2022, dir. Alex Garland)

The Menu (2022, dir. Mark Mylod)

Only Lovers Left Alive (2013, dir. Jim Jarmusch)

The Dead Don’t Die (2019, dir. Jim Jarmusch)

-February

A Touch of Sin (2013, dir. Jia Zhangke)

Lost Girls & Love Hotels (2020, dir. William Olsson)

Nick & Norah’s Infinite Playlist (2008, dir. Peter Sollett)

In the Mood for Love (2000, dir. Wong Kar-Wai)

The Woman King (2022, dir. Gina Prince-Bythewood)

Charlie’s Angels (2000, dir. McG)

Goodbye, Dragon Inn (2003, dir. Tsai Ming-Liang)

Nope (2022, dir. Jordan Peele)

-March

Ash is Purest White (2018, dir. Jia Zhangke)

Shoplifters (2018, dir. Hirokazu Kore-eda)

Three (2016, dir. Johnnie To)

Nobody (2021, dir. Ilya Naishuller)

Charlie’s Angels (2019, dir. Elizabeth Banks)

The Wonderland (2019, dir. Keiichi Hara)

-April

Rebels of the Neon God (1992, dir. Tsai Ming-Liang)

Tetris (2023, dir. Jon S. Baird)

There’s Something About Mary (1998, dir. Bobby and Peter Farrely)

The Whale (2022, dir. Darren Aronofsky)

The Fabelmans (2022, dir. Steven Spielberg)

Throw Down (2004, dir. Johnnie To)

Tár (2022, dir. Todd Field)

Yi Yi (2000, dir. Edward Yang)

Black Panther: Wakanda Forever (2022, dir. Ryan Coogler)

Catch .44 (2011, dir. Aaron Harvey)

-May

Spaceballs (1987, dir. Mel Brooks)

Bottle Rocket (1996, dir. Wes Anderson)

An Autumn Afternoon (1962, dir. Yasujiro Ozu)

Ant Man & The Wasp: Quantumania (2023, dir. Peyton Reed)

Flight of the Red Balloon (2007, dir. Hou Hsiao-hsien)

Dungeons & Dragons: Honor Among Thieves (2023, dir. Jonathan Goldstein & John Francis Daley)

-June

Inside Llewyn Davis (2013, dir. Joel and Ethan Coen)

Good Morning (1959, dir. Yasujiro Ozu)

Casino Royale (2006, dir. Martin Campbell)

Quantum of Solace (2008, dir. Marc Forster)

Skyfall (2012, dir. Sam Mendes)

Spectre 2015, dir. Sam Mendes)

No Time To Die (2021, dir. Cary Joji Fukunaga)

Octopussy (1983, dir. John Glen)

GoldenEye (1995, dir. Martin Campbell)

First Reformed (2017, dir. Paul Schrader)

-July

Zoolander (2001, dir. Ben Stiller)

The Quintessential Quintuplets Movie (2022, dir. Masato Jinbo)

Mainstream (2020, dir. Gia Coppola)

Charlie and the Chocolate Factory (2005, dir. Tim Burton)

Equinox Flower (1958, dir. Yasujiro Ozu)

You Only Live Twice (1967, dir. Lewis Gilbert)

-August

Guardians of the Galaxy, Vol. 3 (2023, dir. James Gunn)

The Gangster, the Cop, the Devil (2019, dir. Lee Won-tae)

Leap Year (2010, dir. Anand Tucker)

The Worst Person in the World (2021, dir. Joachim Trier)

Palm Springs (2020, dir. Max Barbakow)

Days (2020, dir. Tsai Ming-liang)

Kindergarten Cop (1990, dir. Ivan Reitman)

Barbie (2023, dir. Greta Gerwig)

Babylon (2022, dir. Damien Chazelle)

Shin Godzilla (2016, dir. Hideaki Anno and Shinji Higuchi)

The Flash (2023, dir. Andy Muschietti)

-September

Asteroid City (2023, dir. Wes Anderson)

The Super Mario Bros. Movie (2023, dir. Aaron Horvath and Michael Jelenic)

The Little Mermaid (2023, dir. Rob Marshall)

Mulan (2020, dir. Niki Caro)

A Nightmare on Elm Street (1984, dir. Wes Craven)

Fitzcarraldo (1982, dir. Werner Herzog)

Bodies Bodies Bodies (2022, dir. Halina Reijn)

Frances Ha (2012, dir. Noah Baumbach)

Master and Commander: The Far Side of the World (2003, dir. Peter Weir)

A Nightmare on Elm Street, Part 2: Freddy’s Revenge (1985, dir. Jack Sholder)

A Nightmare on Elm Street 3: Dream Warriors (1987, dir. Chuck Russell)

A Nightmare on Elm Street 4: The Dream Master (1988, dir. Renny Harlin)

A Nightmare on Elm Street 5: The Dream Child (1989, dir. Stephen Hopkins)

Freddy’s Dead: The Final Nightmare (1991, dir. Rachel Talalay)

Wes Craven’s New Nightmare (1994, dir. Wes Craven)

Renfield (2023, dir. Chris McKay)

Theater Camp (2023, dir. Molly Gordon and Nick Lieberman)

Shiva Baby (2020, dir. Emma Seligman)

-October

Friday the 13th (1980, dir. Sean S. Cunningham)

Friday the 13th Part 2 (1981, dir. Steve Miner)

Friday the 13th - Part III (1982, dir. Steve Miner)

Friday the 13th: The Final Chapter (1984, dir. Joseph Zito)

Friday the 13th: A New Beginning (1985, dir. Danny Steinmann)

Friday the 13th Part VI: Jason Lives (1986, dir. Tom McLoughlin)

Friday the 13th Part VII: The New Blood (1988, dir. John Carl Beuchler)

Friday the 13th Part VIII: Jason Takes Manhattan (1989, dir. Rob Hedden)

Jason Goes to Hell: The Final Friday (1993, dir. Adam Marcus)

Jason X (2001, dir. James Isaac)

Freddy vs. Jason (2003, dir. Ronny Yu)

Friday the 13th (2009, dir. Marcus Nispel)

A Nightmare on Elm Street (2010, dir. Samuel Bayer)

Easy A (2010, dir. Will Gluck)

Saw (2004, dir. James Wan)

Saw II (2005, dir. Darren Lynn Bousman)

Saw III (2006, dir. Darren Lynn Bousman)

Saw IV (2007, dir. Darren Lynn Bousman)

Saw V (2008, dir. David Hackl)

Saw VI (2009, dir. Kevin Greutert)

Saw: The Final Chapter (2010, dir. Kevin Greutert)

A History of Violence (2005, dir. David Cronenberg)

Infinity Pool (2023, dir. Brandon Cronenberg)

Dracula 2000 (2000, dir. Patrick Lussier)

Mean Girls (2004, dir. Mark Waters)

Jennifer’s Body (2009, dir. Karyn Kusama)

Aguirre, the Wrath of God (1972, dir. Werner Herzog)

Nosferatu the Vampyre (1979, dir. Werner Herzog)

-November

Murder on the Orient Express (2017, dir. Kenneth Branagh)

Death on the Nile (2022, dir. Kenneth Branagh)

A Haunting in Venice (2023, dir. Kenneth Branagh)

The Last Voyage of the Demeter (2023, dir. André Øvredal)

Samurai Reincarnation (1981, dir. Kinji Fukasaku)

Legally Blonde (2001, dir. Robert Luketic)

Nancy Drew and the Hidden Staircase (2019, dir. Katt Shea)

The Last Duel (2021, dir. Ridley Scott)

Paint Your Wagon (1969, dir. Joshua Logan)

Thanksgiving (2023, dir. Eli Roth)

The Devil Wears Prada (2006, dir. David Frankel)

Shogun’s Shadow (1989, dir. Yasuo Furuhata)

The Conjuring (2013, dir. James Wan)

Win A Date With Tad Hamilton (2004, dir. Robert Luketic)

The Conjuring 2 (2016, dir. James Wan)

The Nun (2018, dir. Corin Hardy)

Le Samouraï (1967, dir. Jean-Pierre Melville)

-December

The Nun II (2023, dir. Michael Chaves)

Bottoms (2023, dir. Emma Seligman)

Annabelle (2014, dir. John R. Leonetti)

Gran Turismo (2023, dir. Neill Blomkamp)

Battles Without Honor And Humanity (1973, dir. Kinji Fukasaku)

Jigsaw (2017, dir. The Spierig Brothers)

Spiral: From the Book of Saw (2021, dir. Darren Lynn Bousman)

Saw X (2023, dir. Kevin Greutert)

Spider-Man: Across The Spider-Verse (2023, dir. Joaquim Dos Santos, et. al.)

Teenage Mutant Ninja Turtles: Mutant Mayhem (2023, dir. Jeff Rowe)

Indiana Jones and The Dial of Destiny (2023, dir. James Mangold)

Air Doll (2009, dir. Hirokazu Kore-eda)

The End of Summer (1961, dir. Yasujiro Ozu)

Air (2023, dir. Ben Affleck)

No Hard Feelings (2023, dir. Gene Stupnitsky)

Oppenheimer (2023, dir. Christopher Nolan)

Yakuza Wolf (1972, dir. Ryuichi Takamori)

Yakuza: Like A Dragon (2007, dir. Takashi Miike)

Spencer (2021, dir. Pablo Larraín)

Moneyball (2011, dir. Bennett Miller)

Transformers: Rise of the Beasts (2023, dir. Steve Caple, Jr.)

Knights of the Zodiac (2023, dir. Tomek Baginski)

Dragonball Evolution (2009, dir. James Wong)

[historicalfictionenthusiast]

Trying to figure out soldier/poet/king please help me out

[acaseforpencils]

Victoria Roberts Talks about Animation.

Today's interview on Case is a little bit different—I had been seeing Victoria's lovely animations on Instagram, and asked her if she might be interested in talking about them on here. She kindly obliged, so I sent her a loose list of questions to consider, and she sent me back such an incredible rumination on her experiences that I replied back to her "This is so cool! You are so cool!" because though I was expecting something incredible (Victoria being Victoria after all!), it wouldn't be dramatic for me say that I was thunderstruck! Anyways, I hope you all enjoy reading what she has to say as much as I did! —Jane

Find this print here!

On Animation

I’m so fortunate to be working on what I love.

It’s been a long haul in a way. I came to New York City from Sydney, Australia, because I wanted to run away with the Wooster Group-that is, do theatre. Or film. I was already a cartoonist, and I became one under contract to The New Yorker, an enormous privilege, thirty odd years ago.

But since last month, thanks to a software named Callipeg, I make an animated short every week, for which I do the voices, called “Axolotl Mondays.” Finally, I’m in the movies!

To be a performer and tell stories, or at least vignettes, is my passion. At nineteen, with $5000 from the Creative Development Fund of The Australia Council, we made “Goodbye Sally Goldstein”, a five minute animated film. I had three collaborators:

Rob Rogers, composer and musician, Kathryn Pentecost, and Jacqueline Field who drew and painted. From the sound recording, inking and painting, to the shoot, it took six months to complete. My favourite task in all of this was doing the sound breakdown, which consisted of manually running the soundtrack tape through a reader (not sure what the device was called) and jotting down the length of each sound so that you could animate to the soundtrack.

David Deneen founder of Film Graphics was my inspiration and coach. What I knew about animation came from time spent over the school holidays in his studio thanks to my mum, who worked in advertising and got me the gig. They were making an animated ad for Witchy Brew, an ice cream, and I remember they said it wasn’t until they boiled spaghetti that they got the right sound for the witch’s cauldron. 

Every animator had a different style, and each animator’s desk, covered in drawings, felt like a different universe. Val Udowenko and Don Mackinnon were stars in this creative shop that went on to win the Academy Award for Bruce Petty’s “Leisure” in 1976, Best Short Film. To watch David Deneen solve a problem from idea, to script, to film, was my university. 

I left school at sixteen and got a job painting cels for Hannah Barbera. The studio was run by Zoran Janjic, and his mum Zora, ran the painting department. Her “quiet girls please!” in a rich Yugoslavian accent resounded often. It was a big studio.

Sometimes we were on a network deadline so tight that Bill Hannah came to Sydney. We were paid per painted cel, working overtime, and we would try to get scenes with many mouths, as lips were very quick to paint. We stayed in over lunchtime and Mr. Hannah ordered in for us, fried chicken and coleslaw. “Would anybody like more slaw?” he offered, and the painting department cracked up at his American pronounciation of “slaaaaaaaaaaw.”

Again I had the good fortune to hear the soundtrack for a series called “Wait ‘til Your Father Comes Home,” an animated sitcom. I loved the soundtracks, and again remember the sound more than the drawings, and longed to be a creator of some sort.

Some characters come to the world with more dialogue than others. A cartoon strip though roomier than a gag cartoon with a drawing and one line of dialogue, isn’t enough space still for some characters like Nona Appleby, an Australian octogenarian character I have drawn since I was 16. Finally I started to play her on stage, and that gave Nona the opportunity to say everything that is in her heart (it’s a lot!). I maintain that I am a vessel, and the characters do all of the work. 

“Axolotl Mondays” is mid-step between the page and theatre. There is the element of time in a video, which is delicate and wonderful. A friend gave me gift of a six week editing course at MEWSHOP in New York City, which gave me a very good base for cutting and thinking about time. We learned at one of their lectures that “Annie Hall” started out as a film with a stream of consciousness dialogue, but that Diane Keaton’s performances were so extraordinary that it became another film in the editing room. I mention this to underline the malleability, possibility and difficulty of film.

These videos start out with a soundtrack usually, but I learn something new each week about how movement and time on screen works. My animation style is very basic, which fortunately suits my drawing style. It’s detail and timing, and other possibilities which I am learning about that make a piece “sing.” As with most of my work, I rarely know what I am doing. It’s the mystery, the discovery, that keep me on board. 

Callipeg is like having an old-style animation studio at your fingertips. Everything is done on the iPad. It’s so much faster than paper and cels, and cameras-and so accessible. Really a beautiful software, plus the creator’s tutorials are delivered in a native French accent!

Instagram Links:

Kathryn Pentecost is at BohemianPalaceof Art

Rob Rogers is rogers_bob

Jacqueline Field

Don Mackinnon

———-

If you enjoy this blog, and would like to contribute to labor and maintenance costs, there is a Patreon, and if you’d like to buy me a cup of coffee, there is a Ko-Fi  account as well! I do this blog for free because accessible arts education is important to me, and your support helps a lot! You can also find more posts about art supplies on Case’s Instagram and Twitter! Thank you!

[iriswestallenn]

The final season of Ted Lasso wasn't good

Long Post Warning

In my opinion of course, it was just wasn't very good and the finale was bad.

They didn't know what to do with Keeley. Her friend, Shandy, didn't add anything. Her relationship with Jack was stupid. Jack fucking with Keeley's business didn't matter because it was resolved in one episode thanks to Rebecca. Then they decided to make the love triangle a thing again. We'll come back to that later.

Nate lmao you can forgive people. They don't need to bend the knee or buy you flowers for you to forgive them or to prove they are worthy of forgiveness. All they need to do is show they've changed, grown, and learned from their mistakes. The problem with Nate is not that they ALL forgave his slimy ass. The problem is we never see the change. He cries to his dad, he gets a gf, he realizes Rupert is an asshole. We spend no time with Nate being worthy of forgiveness to THE RICHMOND TEAM. He gets the girl and he's cured of his asshole-ness. The girl in question btw? Bland. No personality, we don't know why they like each other. The end.

Sam and Zava. Nonsense. Colin's storyline was cool. I like that he didn't want to be an out player because he didn't want to be the spokesperson for that or for that to be his main identity. A good amount of time was spent on that story and I liked it (see I can like things) but the same can't be said for Sam and Zava. They gave Sam a racism storyline which resulted in his restaurant getting vandalized and the end. No, wait, I'm sorry! Sam is gonna keep shattered glass in the restaurant as a reminder of the criminal act because... believe??? Never mind that could injure the guests, we're an inspirational show people we gotta keep inspiring! All Zava did was get Jamie to want to be better. That's it. So much of Zava should have been cut, oh my god.

Ted. Who? Barely in the final season. Apparently has had panic attacks since his father passed away and his mom knew and just ignored them? Episode 3 (I think) Ted reached for alcohol and we just skated past that. I have no idea how Ted is doing lmao if he's "obviously" doing well, I couldn't tell you how he got there. We got so many fucking shots of his therapist during the finale. More than we did the entirety of season 3. Oh well I guess hope he's happier back home

Maybe I'm being dramatic but Beard and his gfs relationship came off super toxic but they're married now so who cares I guess

Rebecca spent the whole show obsessed with Rupert and when we finally got away from that, surprise! She wants kids. Okay... sure. It's not easy to get over a man you loved who treated you like shit and who you felt robbed you of so many years. I'm not saying she should have gotten over it quicker. I just feel disappointed this was her whole story. There could have been so much more for Rebecca but instead all we got was her getting back at her ex and finding a new man on a boat and kids and blah blah blah

Roy and Jamie. My favorite part of the season. Jamie's arc was excellent and the actor did a fantastic job. Brett Goldstein is also great and has been at this acting/writing thing since 2005! I am so happy he finally got this huge show. Roy is such a cool fucking character. Too bad they went to shit in ONE EPISODE. Okay, I'm being a bit dramatic, I'm glad Roy went to therapy in the end there but that bar scene irritated me. - Actually we fucked last month. - Well that video was sent to me! What the fuck??? Gross gross gross. They put Keeley back in the love triangle and then gave no real resolution? She chose herself? Okay. Can we get a scene of her realizing both these dudes need to work on themselves and she doesn't want either of them ever again or? No? We're just gonna shut the door? Oh okay.

Overall, I'm just disappointed. I know no one will read this but Ted Lasso was a comfort show for me at one point. It premiered in 2020 when we all needed something wholesome and funny. Shame it couldn't stick the landing for me.

[stenka-razin]

Every Film I Watched in 2022

The Matrix (1999, dir. Lana Wachowski & Lilly Wachowski) Bidoof’s Big Stand (2022, dir. Shaofu Zhang) Samurai Cop (1991, for. Amir Shervan) The Matrix Resurrections (2021, dir. Lana Wachowski) Citizen Kane (1941, dir. Orson Welles) Tetsuo II: Body Hammer (“鉄男II BODY HAMMER” 1992, dir. Shinya Tsukamoto) The Elephant Man (1980, dir. David Lynch) Grandma’s Boy (2006, dir. Nicholaus Goossen) Always Be My Maybe (2019, dir. Nahnatchka Khan) Game Night (2018, dir. John Francis Daley & Jonathan Goldstein) When We First Met (2018, dir. Ari Sandel) The Kid (1921, dir. Charlie Chaplin, 1972 rerelease) Menace II Society (1993, dir. Albert Hughes & Allen Hughes) Duck Soup (1933, dir. Leo McCarey) 30 Minutes or Less (2011, dir. Ruben Fleischer) Chimes at Midnight (1965, dir. Orson Welles) Money Plane (2020, dir. Andrew Lawrence) Man with a Movie Camera (“Человек с киноаппаратом” 1929, dir. Dziga Vertov, Cinematic Orchestra soundtrack) Godzilla (1998, dir. Roland Emmerich) City Lights (1931, dir. Charlie Chaplin) Krull (1983, dir. Peter Yates) Klute (1971, dir. Alan J. Paluka) The Lawnmower Man (1992, dir. Brett Leonard) Area 51: The Alien Interview (1997, dir. Jeff Broadstreet) Ratty (2020, dir. John Angus Stewart) Heavy Metal (1981, dir. Gerald Potterton) The Northman (2022, dir. Robert Eggers) Autumn Sonata (“Höstsonaten” 1978, dir. Ingmar Bergman) Battles Without Honor and Humanity (“仁義なき戦い” 1973, dir. Kinji Fukasuka) Battles Without Honor and Humanity: Deadly Fight in Hiroshima (“仁義なき戦い 広島死闘篇” 1973, dir. Kinji Fukasuka) Battles Without Honor and Humanity: Proxy War (“仁義なき戦い 代理戦争” 1973, dir. Kinji Fukusaku) Battles Without Honor and Humanity: Police Tactics (“仁義なき戦い 頂上作戦” 1974, dir. Kinji Fukusaku) Battles Without Honor and Humanity: Final Episode (“仁義なき戦い 完結篇” 1974, dir. Kinji Fukusaku) Logan’s Run (1976, dir. Michael Anderson) The Vietnam War (2017, dir. Ken Burns & Lynn Novick) The Devil Wears Prada (2006, dir. David Frankel) Best in Show (2000, dir. Christopher Guest) Shaolin and Wu Tang (“少林與武當” 1983, dir. Gordon Liu, dub) Shin Godzilla (“シン・ゴジラ” 2016, dir. Hideaki Anno & Shinji Higuchi) The Legend of the Suram Fortress (“ამბავი სურამის ციხისა” 1985, dir. Sergei Parajanov) The Six Directions of Boxing (“六合八法” 1980, dir. Hsu Tien-Yung, dub) Shaolin vs Lama (“少林鬥喇嘛” 1983, dir. Lee Tso-Nam, dub) Inside the Mind of a Cat (2022, dir. Andy Mitchell) Prey (2022, dir. Dan Trachtenberg) Marathon Man (1976, dir. John Schlesinger) Final Destination (2000, dir. James Wong) Final Destination 2 (2003, dir. David R. Ellis) Final Destination 3 (2005, dir. James Wong) The Final Destination (2009, dir. David R. Ellis) Final Destination 5 (2011, dir. Steven Quayle) Mulan (1998, dir. Tony Bancroft & Barry Cook) No Time to Die (2021, dir. Cory Joji Fukunaga) The Munsters (2022, dir. Rob Zombie) House of 1000 Corpses (2003, dir. Rob Zombie) One Night in Miami… (2020, dir. Regina King) Magnificent Obsession (1954, dir. Douglas Sirk) The Knight Before Christmas (2019, dir. Monika Mitchell) Halloween (1978, dir. John Carpenter) Noel Next Door (2022, dir. Max McGuire) Ice Sculpture Christmas (2015, dir. David Mackay) Alexander Nevsky (1938, dir. Sergei Eisenstein) Love Hard (2021, dir. Hernán Jiménez) Falling for Christmas (2022, dir. Janeen Damien) A Christmas Prince (2017, dir. Alex Zamm) Holidate (2020, dir. John Whitesell) Cyborg (1989, dir. Albert Pyun) Full Metal Jacket (1987, dir. Stanley Kubrick) Star Trek Generations (1994, dir. David Carson) Christmas Vacation (1989, dir. Jeremiah S. Chechik) Star Trek: First Contact (1996, dir. Jonathan Frakes) Bridget Jones’s Diary (2001, dir. Sharon Maguire) Teenage Mutant Ninja Turtles (1990, dir. Steve Barron) Waterworld (1995, dir. Kevin Reynolds) Elf (2003, dir. Jon Favreau) Feliz NaviDAD (2020, dir. Melissa Joan Hart) Emmet Otter's Jug-Band Christmas (1977, dir. Jim Henson)

[dear-indies]

i hope you guys have been having a lovely day! i was wondering if i could get some male fc recs for a biker type of vibe? anyone that could be 27+ would work! thanks so much!

Emilio Rivera (1961) Mexican - Mayans MC.

Benjamin Bratt (1963) Peruvian of Quechua descent / German, English.

Michael Irby (1972) African-American / Mexican - Mayans MC.

Rick Gonzalez (1979) Dominican and Puerto Rican.

JD Pardo (1980) Argentinian / Salvadorian - Mayans MC.

Ryan Gosling (1980) - The Place Beyond the Pines.

Brett Goldstein (1980) Ashkenazi Jewish.

Ricky Whittle (1981) Afro-Jamaican / English.

Joe Taslim (1981) Chinese Indonesian.

Boyd Holbrook (1981)

Riz Ahmed (1982) Pakistani - Sound of Metal.

Gabriel Luna (1982) Mexican and Lipan Apache.

Alan Ritchson (1982)

Michael Malarkey (1983) Palestinian, Italian-Maltese / Irish, German.

Chris Hemsworth (1983)

Ed Skrein (1983) Ashkenazi Jewish / possibly English.

Bobby Wilson (1984) Sisseton-Wahpeton Oyate Dakota Sioux.

Theo James (1984)

Richard Cabral (1984) Mexican - Mayans MC.

Clayton Cardenas (1985) Mexican, some Filipino - Mayans MC.

Alex Meraz (1985) Mexican of Purepecha descent.

Cooper Andrews (1985) Samoan / Hungarian Jewish.

Martin Sensmeier (1985) Tlingit, Koyukon, Eyak, German and Irish.

Roman Reigns (1985) Samoan, distant English / Italian and English.

Luke Mitchell (1985)

Peter Gadiot (1986) Mexican / Dutch, some French - Queen of the South.

Bobby Soto (1986) Mexican and Puerto Rican.

Robert Pattinson (1986)

Amar Chadha-Patel (1986) Punjabi and Gujarati Indian.

Casey Deidrick (1987)

Uraz Kaygılaroğlu (1987) Turkish - Üç Kurus.

Desmond Chiam (1987) Chinese Singaporean.

Lewis Tan (1987) Singaporean Chinese / British.

Arifin Putra (1987) Indonesian, Chinese, and German.

İlhan Şen (!987) Turkish.

Tyler Lepley (1987) African-American.

Nick Sagar (1988) Afro Jamaican and Indo Guyanese.

Daniel Kaluuya (1989) Ugandan.

Jesse Rath (1989) Goan Indian / Ashkenazi Jewish.

Chai Hansen (1989) Thai / White.

Rob Raco (1989) - Riverdale.

David Castañeda (1989) Mexican.

Kiowa Gordon (1990) Hualapai, English, Scottish, Danish, Manx - Blood Quantum.

Çağatay Ulusoy (1990) Turkish.

Serkay Tütüncü (1991) Turkish.

Alexander Hodge (1991) Chinese Singaporean / Irish.

Tyler Posey (1991) Mexican / English, Scottish, Irish, German, distant French - is queer and sexually fluid.

Danny Ramirez (1992) Mexican and Colombian.

Jordan Rodrigues (1992) Filipino.

Drew Ray Tanner (1992) Chinese, Afro-Jamaican, French-Canadian, possibly other.

Here you go!