#ricky/three

[thegayhimbo]

Stranger Things Into the Fire Review

WARNING: The following review contains MAJOR SPOILERS from this comic and Season 4 of Stranger Things!

If you haven't yet, be sure to check out my other Stranger Things Reviews:

Stranger Things Six

Stranger Things Halloween Special

Stranger Things The Other Side

Stranger Things Zombie Boys

Stranger Things The Bully

Stranger things Winter Special

Stranger Things Tomb of Ybwen

Synopsis: It's Spring of 1985, 7 years after Ricky/Three and Marcy broke out of Hawkins Lab. Constantly on the move for fear of being caught, the duo attempt to find closure by locating any other special kids that might have also escaped the lab. When their search bring them to Kali/Eight and her gang, they discover a dark secret: Jamie/Nine, Marcy's sister, who was presumed dead, is actually alive and locked away in an institution where she has gone insane. As Nine's powers begin to reawaken after years of suppression, Ricky and Marcy must now find and rescue her before it's too late.......

Observations:

I'm in two minds about this comic.

On the one hand, it's a big improvement from Stranger Things SIX. The artwork is vibrant, the story is more focused, the characters and their motivations are better fleshed-out, and there's more of a personal stake here compared to its predecessor.

On the other hand, the main issue I had with SIX which prevented me from fully enjoying it is unfortunately present with Into the Fire as well.

I'll start with my thoughts on the story and characters.

Unlike with SIX, where I found myself indifferent to Francine/Six due to her lack of a distinct personality and her bare-bones backstory, I was a lot more interested in Ricky and Marcy during their journey here. I enjoyed their sibling dynamic, with Ricky acting as the protective big brother to Marcy while Marcy acted as the impulsive yet supportive younger sister. Their interactions during the comic were sweet.

The plot with Ricky and Marcy discovering Jamie/Nine's survival and trying to rescue her was emotionally investing. The story is personal and smaller-scaled compared to the overarching arc of Stranger Things, but it works better than what they tried to do in the previous comic where they shoehorned in huge mytharc pieces from the show (i.e. the Demogorgon, the Upside Down, Terry Ives failed attempt to rescue El from the lab, etc) which not only screwed with the show's continuity, but also was poorly tied-in to that comic's story. Neither Ricky, Marcy, nor Jamie know about the Upside Down, and even Francine/Six who had brief visions of the Demogorgon while at the lab died before she ever found out what it all truly meant. The clumsy way those plot elements were incorporated into that comic made it feel out-of-place for a story focusing on minor characters who were never going to have a major role on the show.

Here, it's a lot easier to care because Into The Fire does a better job focusing on the relationships between the characters and how much they mean to one another. It doesn't need pieces of the mytharc to be interesting or relevant. The ending especially with Jamie and Marcy's reunion was one of the best moments, both visually and story-wise:

The core theme of Stranger Things has been about the ties that bind and finding people who will accept you for who you are. Whatever my mixed feelings about this comic are, they captured that theme well with Jamie and Marcy's reunion.

Adding onto this, the artwork is beautiful, especially in regards to Jamie/Nine's hallucinations, which convey a creepy gothic mood:

Kali is present in this story (as indicated on the cover), but unlike the previous comic where she and El were glorified cameos, she actually has a plot-related reason for being here: It's revealed she (inadvertently) served as the catalyst for Nine/Jamie's descent into madness. When Jamie/Nine became depressed after believing Ricky and Marcy abandoned her at Hawkins Lab, Brenner forced Kali to use her powers on Nine to create a fantasy world as a way of distracting Nine from what happened. Unfortunately, it worked too well, and an already mentally/emotionally fragile Nine bought into the illusion to the point she believed it was real, and any attempt to snap her out of it was met with hostility:

There's a depressing theme in Kali's arc, both in this comic, the show, and the novel Suspicious Minds, of Kali being used by other people to further their own goals. Is it any wonder she became embittered and angry later on in her life?

I am curious where Kali is currently on the show. Last time she was seen was in season 2 when her gang ran from the cops in Chicago. This comic has them hiding out in a barn elsewhere while they continue to hunt government employees who worked at the lab. At one point, Kali even offers Ricky/Three the opportunity to join them on their revenge quest. While he initially refuses, the ending of the comic where he compels Dr. Morris (the doctor who hid Jamie/Nine at a different facility) to commit suicide suggests he might end up taking Kali on her offer:

But that's in the comic's continuity. In the show...........it's unclear where Kali's story is going.

Something I've wondered about since season 4 is whether Brenner ever found out what Kali had been doing since she escaped. He was likely aware she was alive, but did he have knowledge of Kali's revenge quest against him and his colleagues from Hawkins Lab? I'm assuming he did since Brenner knew some of the orderlies and other personnel from the lab that Kali targeted and killed. On top of that, Ray Carroll (the orderly from "The Lost Sister") told El and Kali under interrogation that Brenner was alive, implying he was still in contact with him at that time. It makes me believe the top-secret silo where Brenner and Dr. Owens housed the Nina Project wasn't just off-the-grid because they were hiding it from Colonel Sullivan and his cronies, but because they were also trying to evade Kali and her gang.

However, this is just speculation. Whether or not the Duffer Brothers are going to bring back Kali for season 5 is unclear. I've expressed before in previous posts that I hope she comes back and her story gets the closure its been lacking since season 2. She's an interesting character, and I'll be sad if the writing lets her go to waste.

Speaking of Kali's story in this comic vs the show..............let's talk about the deviations in the Hawkins Lab arc.

I have mixed feelings about the way Hawkins Lab has been handled on the show vs the comics. On the one hand, I'm disappointed the show never truly expanded on any of the other psychokinetic kids besides El, Kali, and Vecna. Part of the reason I took an interest in the comics was because they did this with characters like Ricky, Francine, and Jamie. It wasn't perfect, but it was nice seeing different characters with a variety of unique powers. While I wish Kali had been given a bigger role (or even her own comic/graphic novel with a story centered on her), I am happy she wasn't completely forgotten about in supplementary materials.

On the other hand, I prefer the set-up for Hawkins Lab on the show. The backstory of Henry/One/Vecna, his imprisonment at Hawkins Lab for 20 years, his subsequent massacre of the other special kids, and his banishment by El to the Upside Down is one of the best story arcs in season 4, if not the entire show. Even before the reveal of the massacre, there had been implications that the other kids were no longer at the lab by the time El escaped. I didn't even mind the backstory of El being bullied by the other special kids when she was growing up since it's hinted at in her conversation with Mike in season 1 when she confronts him about being harassed by Troy and James:

From "Holly, Jolly" (Season 1, Episode 3):

Mike: I was tripped by this mouth breather, Troy, okay? Eleven: Mouth breather? Mike: Yeah, you know…..a dumb person. A knucklehead. Eleven: Knucklehead? Mike: I don’t know why I just didn’t tell you. Everyone at school knows. I just didn’t want you to think I was such a wastoid, you know? Eleven: Mike… Mike: Yeah? Eleven: I understand.

There was foreshadowing in the early seasons for the big reveals in season 4, which is why I accepted them when they happened.

While I'm not happy about Kali's limited screentime on the show, I still believe the Duffer Brothers plan to bring her back for the final season. Maybe my faith is misplaced and I'll be eating these words later, but considering they specifically went out of their way to spare Kali from Vecna's massacre, as well as how the Stranger Things writers recommended a few days ago that fans rewatch season 2 in preparation for season 5, it's implied she still may play a role in the final battle against Vecna.

And finally, there's the way Brenner ran the lab on the show vs the comics:

In my previous review of SIX, I mentioned there was a strong possibility that said comic wouldn't count as canon due to the way season 4 was written (as well as some major continuity problems in the comic itself). This sequel all but confirms that with the way they wrote Jamie/Nine's backstory.

In the comics, Brenner decided that because of the progress Eleven showed during her time at the lab, the other participants in the program were redundant and were straining resources. As a result, he ordered the staff at Hawkins Lab to dispose of the other special kids. One of the faculty members, Dr. Morris, worked closely with Jamie/Nine, and in an act of consciousness, had Nine transferred off the books to an institution where she was kept under a strict drug regimen to suppress her pyrokinetic abilities.

As of season 4, we know this isn't what happened on the show: Vecna is the one who killed all the special kids. Brenner was a monster and wasn't above manipulating the kids under his care to get results, but he never considered them liabilities, and he didn't "put all of his eggs in one basket" (as Dr. Morris accused him of doing) just so he could focus on Eleven. It wasn't until Vecna slaughtered everyone else and El was the only special kid left that Brenner turned his attention exclusively to her. Even then, it's later revealed that Brenner was using El to try and locate Henry/One/Vecna in the dimension El banished him to.

Personally, if it's a choice between Brenner's motivations on the show vs the comics, I prefer the show since his motivations there make more sense given the circumstances. They were also pragmatic compared to his short-sided decision in the comics to get rid of the other test subjects for not living up to Eleven's potential.

While there are things that could have been improved, I will take the Hawkins Lab arc from the show over the comics.

Overall, I would recommend this comic with some asterisks: If you're looking for something with pretty artwork and an emotionally gripping story set in the Stranger Things universe, then Into the Fire will meet your expectations. However, for reasons I've just described, the comic likely isn't canon due to how parts of its mythology differentiate from the show, and it should possibly be viewed as an alternate continuity because of that.

[real-odark]

ricky x mischa 🥺

of course Vro..... i figured since i never did this meme better late than never

[carnivalcarriondiscarded]

I Am Being Held Hostage. Send Help.

w/o text:

[samjakobo]

PUSSY-ALBUMS ATTACK!!!!

Since I only posted the previous ones on Instagram, I'm going to post the ones I did a couple of months ago here as well

Tbh I don't like how some of them turned out (cof cof the Death Cab for Cutie one and the Michael Jackson one) but there are others I really like and well, I think it doesn't hurt to also preserve the art you don't like, you learn from your mistakes 💥💥💥

That's it that's the tea, I'd post the original covers but you can only post 10 images 😞

[hikiclawd]

Toad(s) if you can hear us please, please save us Toad(s). Please.

[amateurghoul]

Nobody can convince me Mischa doesn't suck really hard at Mario Cart. He will drive off the map 50 times before he completes the first lap, all while yelling and shit taking every other player

[ginaporterr]

HIGH SCHOOL MUSICAL: THE MUSICAL: THE SERIES 1x07 – Thanksgiving → 4x07 – Night of Nights

[worstversionofme]

After spending so much time watching dimension 20 I seriously don’t think I’ll ever be able to tolerate regular tv. My little gay heart has never seen this kind of queer representation in tv and it is nourishing my soul. And queerness is never the butt of any joke and the characters experiencing and figuring out their sexualities isn’t always sad and dramatic.

I have never related to something so much. This silly show of just a bunch of cool actor friends playing D&D has probably changed my life: I feel like I know who I am better now???

I am eternally grateful to Brennan Lee Mulligan and literally every person involved in Dimension 20 for giving us this show and this outlet to figure ourselves out. Also gonna be eternally annoyed with Dimension 20 every time I have to watch a straight romcom - give me gay wizards and fairies and candy people any day

[thelesbianluthor]

Sofia, Esther and Ricky are sooooo throuple I don't care they are a polycule it's my canon now

[foolishlyzephyrus]

the girls are fighting over a man, we love to see it

[archieved-watcher-blog]

Oh my God its TMS season! And Ryan looked good in those santa outfit ! Cant wait for friday to come, so i can enjoy the chaos of it.

[thegayhimbo]

Stranger Things SIX Review

Warning: The following review contains MAJOR SPOILERS from Stranger Things Six, as well as Stranger Things Season 4.

Out of all the tie-in comics, this is the one that caught my attention just by the cover and premise. When it comes to Stranger Things, I’ve always been invested in its mythology (i.e. the Upside Down, the monsters, the secret lab, the kids with special abilities, etc). So a comic like this, which centers around Hawkins Lab and Dr. Brenner (who’s one of my favorite villains from the show) was something I was looking forward to.

And the results have been..............mixed.

The story focuses on a girl named Francine/Six who came from an abusive home where she was exploited by her parents for her gift of seeing into the future. One day, she meets a boy named Ricky (AKA Number 3) whom she ends up developing a friendship with. After finding out about Francine's situation and how her dad beats her, Ricky introduces her to Dr. Brenner, who encourages both Ricky and Francine to come to Hawkins Lab under the guise that their gifts could help countless people if they were given an environment to develop their powers. However, during their time at the Lab, they realize Brenner and the people working under him don’t have their best interests in mind, and are attempting to weaponize them and the other kids. Meanwhile, Six/Francine begins having visions of a monster (AKA the Demogorgon) from the Upside Down. While she doesn’t understand what the monster is, she fears it’s part of a dark future for her, which only motivates her desire to break out of the lab before it’s too late.

Observations:

As far as comics go, it’s adequate. The artwork is decent, and the plot moves at a brisk pace. It should be a fast read for most people.

The characters aren’t as fleshed-out as they could be, but it’s still cool to see other psychokinetic kids get expanded upon besides El, Kali, and Henry/One/Vecna. Ricky/Three is the boyfriend of Francine/Six and has the ability to emotionally manipulate others into doing what he wants them to do. Jamie/Nine is gifted in pyrokinesis/heat generation. Jamie also has a twin sister named Marcy, who isn’t gifted but was brought to the lab since she and Jamie are orphans and as another way for Brenner to keep control over Jamie.

Francine/Six’s visions about the Demogorgon turn out to be a red herring. She never physically encounters the monster, nor does she ever discover the mystery behind it or the Upside Down. It’s mostly there to serve as a call-back to the show, and as one more motivator for Six to escape the lab.

There’s an implication that Six’s powers, as well as the powers of other psychokinetic kids, may be connected to the Upside Down. This is something that’s also explored in the novel Stranger Things Suspicious Minds where Alice Johnson (one of Terry Ives’s friends) was being experimented on at Hawkins Lab and began having similar visions of the Upside Down and the Demogorgon. I’ve had a theory for a while that the Upside Down is somehow linked to the powers that individuals like El, Kali, and Henry/One/Vecna harness. I especially think it could be true in Henry’s case when he moved into the Creel House with his family and began developing his abilities. I don’t know if there was some sort of crack between the Creel House and the Upside Down (not big enough that anything like a Demogorgon could get through, but small enough that a malicious presence on the other side could have influence a young Henry) but I believe something happened that activated Henry when he was near the clock, which allowed him to start using his powers.

I also find it convenient how El later banished Henry/One/Vecna to the Upside Down of all places once she tapped into her full strength.

I don’t know whether or not the Upside Down is directly responsible for these kids having gifts, but I believe there's a link between them. I wonder if season 5 will expand on this, or if it’s just a theory that won’t come to fruition.

The comic itself takes place in 1978, about a year before Vecna’s massacre. It's mentioned in an interview by the Duffer Brothers that when they first began writing the show, they already had the idea that all of the kids with special abilities (with the exceptions of El and Kali) were dead prior to the start of season 1:

MATT DUFFER: We always knew that the other kids with the exception of Eight were dead. We always wanted to explore that and exactly what happened. It became a challenge because we knew we wanted to tell that story but it’s basically an origin flashback story. How do you keep that feeling relevant to what’s happening in the season, so when you cut to it, you feel like there’s some sort of forward progression and a connection? We knew it was going to connect ultimately to One.

There was also this tidbit regarding the comics and Henry/One/Vecna:

ROSS DUFFER: It’s funny, because there are various comic books and side merchandise and whenever they come to us with those ideas, we would say, you can take any number but you cannot take One. One is ours. So, that’s been ongoing for the seven years we’ve been working on it, that just don’t do anything with One. We’ve been protecting that [revelation]. It is a relief to finally get him out into the world.

Based on this, I assume the Duffer Brothers told Jody Houser and Dark Horse Comics that if they were going to do a story focusing on the psychokinetic kids at the lab, it had to be set before 1979.

This remark from Jamie/Nine caught my attention when I was reading:

The implication I took from her "babies" comment is there were different generations of gifted people at the lab........which makes sense. It's been mentioned Brenner founded the MK Ultra program in 1953. Henry Creel would later fall into Dr. Brenner's care in 1959, Terry Ives and her friends wouldn't be experimented on until 1969, and El wouldn't be born until a year or two later. I'm assuming there were separate age groups in the 25+ years since MK Ultra was started, and that the "babies" Jamie/Nine was referring to were a group of special kids younger than them.

On top of that, the comic presents the idea that not all of the kids at the lab were kidnapped the same way El and Kali were. Ricky was initially a willing participant in the program, Francine was persuaded by Dr. Brenner to join them, and both Jamie and Marcy were taken in after a fire destroyed their home and killed their parents.

Brenner also claims that the United States isn’t the only country developing programs like the one at Hawkins Lab:

I'm assuming Brenner was thinking about the Russians when he said this, and (incorrectly) believed they also had kids with dangerous powers who were being weaponized against the U.S. It adds another layer to his motivations for pushing the kids at Hawkins Lab beyond their limits.

There is a major continuity error that bugs me: At the end of the comic, Francine, Ricky, and Marcy attempt to escape the lab. The reason they're able to is because Terry Ives (El's mom) breaks into the lab on the same day to rescue El:

The problem is that people who’ve worked on the show, such as makeup artist Amy L. Forsythe, have confirmed that Terry's failed attempt to rescue El took place in 1974. This is also supported by the twin actresses who played El in the season 2 flashback being about 3-4 years old when they filmed that scene (which canonically lines up with how old El should have been during that year). I can't tell if this was a screw up from the comic book writers, or if it's a retcon that came from the show. Regardless, it’s still a glaring plot-hole.

There’s also the fact that in season 4, all the kids (with the exception of Kali/Eight) are accounted for. Numbers 3, 6, and 9 are different from the ones presented in the comic. This is Six from Season 4:

And these are what the other test subjects on the show look like:

So unless Brenner somehow replaced Ricky, Francine, and Jamie with other kids who would take the positions of Numbers 3, 6, and 9 within a year before Vecna’s massacre of the lab, the implication is the events in this comic (as well as its sequel Into the Fire) never happened.

And this brings me to my biggest problem with Stranger Things SIX: Because it’s likely not canon given the direction the show went in season 4 (as well as the continuity errors present in the comic itself), it makes it hard to get invested in the story. Characters like Ricky, Jamie, Marcy, and Francine aren’t going to play any important roles in the show, and it’s doubtful they’ll appear in season 5. It’s possible to view this story as some sort of existing legend surrounding the lab if you’re looking for a way to tie this comic into the overall franchise (similar to the folklore stories present in the novel Hawkins Horrors) but that’s about it.

I do think it’s important to view this comic more through the lens of what it tells us about the ideas the writers had surrounding Hawkins Lab, Dr. Brenner’s treatment of the kids at the lab (which is just as abusive in the comics as it is on the show), and whatever connection supposedly exists between the psychokinetic kids and the Upside Down. On top of that, the Duffer Brothers have stated they plan to give more insight into the MK Ultra program under Brenner in season 5:

DEADLINE: Did Dr. Martin Brenner not know that this kid killed his family and framed his father, or did this kid’s sociopathic potential offer Brenner an opportunity to really mold a weapon without a conscience?

MATT DUFFER: The second, really. He knew what this kid did and also what he was capable of when he was young. Brenner’s going, how can I mold this character, but not just into a weapon? That’s really how he sold it to the government, but for him as a scientist, it’s like, what other worlds can this kid show me about how our universe works? So, he’s really just that scientist who’s not really thinking about the consequences. He just keeps pushing, pushing, pushing, and he’s using the government’s money by saying hey we can fight the Soviets with this kid. It’s something we will get into in Season 5. What happened to that program once Henry became involved and how Brenner evolved it into including multiple kids. We’re going to go back and see some of that in Season 5.

I am definitely looking forward to that.

Overall, I’m glad I read this comic (though I wish I’d gotten it for a cheaper price), but it’s not my favorite.

[theangelcatalogue]

They are admiring their gf guys

[nikkiruncks]

big three + being playful

[joysmercer]

post-season 3

Terri will freely admit that she wasn’t overly enthusiastic about her daughter suddenly deciding (with less than a month’s notice) to spend two weeks of summer at a camp run by her boyfriend and otherwise minimal adult supervision. Yes, a lot of it was because she (selfishly) wanted her daughter to spend that time with her after not being together for half a year, but she was also concerned on a more general level: across the country with no cell phones? The summer before her junior year? Terri would much rather she stay home, focus on SAT prep if anything, and prepare for her future—not go to some theatre workshop where she’s unlikely to learn anything of value. 

It did help to find out that Gina has been cast as the lead in the first-ever stage production of a wildly popular Disney movie and will also be starring in the associated documentary. This is a novel experience, can go on her college apps and résumé, and really, who is she to judge when all expenses are paid in exchange for signing a few release forms? 

Still, she misses the days she could hear about each rehearsal straight from the source instead of random teasers dropped on the Disney+ twitter account, and she especially hates that she has to work and miss Gina’s big debut. By the time intermission is called on the livestream, Terri (ever-so-grateful for the weekend off) is already en-route to California. 

Terri pulls into the Shallow Lake parking lot and spots Gina immediately among the throng of campers checking out and saying their goodbyes. She’s grown at least an inch, Terri realizes with a jolt. Gina is nearly seventeen now, on the brink of adulthood, and the way she’s carrying herself now demonstrates a demeanor entirely different from the teenager she’d dropped off at MSY just a few months ago. Why does time always move so fast with these kids? 

Gina whips around as soon as Terri slams the car door shut, as if she was able to hear it from all the way across the yard, letting out a loud squeal of delight that sends Terri’s heart melting before launching herself straight into her mother’s arms. Terri is instantly reminded of a five-year-old Gina doing the exact same thing at kindergarten pickup.

“Hey, sweet pea,” she whispers, returning her daughter’s tight hug. Some things never change. 

“Mom? What are you even doing here? I thought you were closing on the house? Oh my god, I had no idea—"

“I finished all that yesterday, and since I have a free weekend, I thought we could take a mother-daughter road-trip back home – just like old times.” While their last few moves had been too far apart to drive, she and Gina used to spent nearly every school holiday or long weekend transporting their lives across state lines while eating their fill of fast food and pancakes, touring random obscure roadside attractions, and making some of their fondest memories. 

Gina beams. “I’d love that,” she says, bouncing on her heels excitedly. “I finished packing, actually, so I just need to take care of one thing real quick and we can head out.”

Then she smiles big and wide again, an expression she saves for truly special occasions (like, apparently, 10 hours with her mother in a car), and quickly kisses Terri’s cheek. “Love you, mommy. Be back in a bit.” 

Gina sprints off in the direction of, according to a nearby sign, a “Yurt Locker”. Strange name, Terri thinks. She doesn’t have a chance muse on it (or what the hell it even means) further, though, because someone bellows GENEVIEVE MARIE! so loudly that both Gina and Terri, now at least 20 feet apart, jump at the sound. 

The source of the voice appears a second later—or at least Terri assumes that’s who the curly-haired boy with a shit-eating grin on his face now standing in front of Gina is, given her daughter’s currently crossed arms, flushed cheeks, and, surprisingly, equally playful smile. Terri eyes the boy curiously. Gina doesn’t give out her full name to just anyone and rarely allows anyone to use it (Terri can’t remember the last time she herself even said the word Genevieve, let alone added her middle name to the mix). But Gina seems entirely unfazed now, as if having this boy yell it for all to hear is a regular occurrence. Who is he?

Then she notices the acoustic guitar he’s clutching, and it hits her. Kristoff: Ricky Bowen.

It had been a while since Gina had mentioned Ricky in their weekly FaceTimes. His name had only ever come up in relation to Ashlen’s role of Belle in the spring musical, and even then, it was mostly to complain about his two left feet. If it weren’t for a panicked text conversation on Valentine’s Day (Gina’s teddy bear got lost in transit, long story), Terri would have entirely forgotten about him.

Clearly, not only has his dancing greatly improved this summer (if yesterday was any evidence), but so has his friendship with her daughter.  

Ricky pulls out a set of keys and gestures to the parking lot, fanning his face with his free hand, and that’s when Terri realizes he’s wearing…a pink-and-blue snowsuit. Gina laughs and rolls her eyes at him, clearly teasing him about his ridiculous attire for an LA summer, but when he says something else, Gina suddenly shakes her head, pointing straight at Terri. 

Terri gives a small wave to the kids, and Ricky immediately waves back excitedly.  Okay, then. 

Turning back to Gina, Ricky says something else and Gina smiles shyly and nods. Terri watches as the pair hugs goodbye, a motion that is simultaneously so natural neither think twice about it—falling into a tight embrace that nearly lifts Gina off the ground—but so awkward when they separate that Terri can feel the tension from all the way over here. Okay, then, indeed. 

Ricky meanders toward the bright orange bug almost double-parked in the last slot of the lot. Terri recognizes the car from her driveway last fall – but also remembers Gina mentioning that Ashlen’s boyfriend also drives an orange bug that the three of them and EJ would carpool to school in, leaving Terri to wonder which possibility is weirder: that Ricky and his friend got matching ugly vehicles together, or that Ricky transported his friend’s car across state lines for two weeks and his friend actually agreed to it. 

There isn’t much she knows about Ricky Bowen, actually, except that he has an apparent penchant for nabbing lead roles out from under everyone else’s noses and—surprisingly—actually justifying those casting choices. Gina’s scene partners are often so dry she has to work double-time to make the chemistry believable. Last night, however, Ricky showed a level of talent that nearly matched her own daughter’s in the way he was able to hold the audience captive even without Gina on stage with him. There was one solo of his in particular that had actually caught Terri’s attention (she had taken the opportunity to answer some emails) when, right at the end, he suddenly directed the final line of the song away from the audience and into the wings: you’re what I know about love, he sang, straight to Ana. Straight to Gina. It was not only a genius move but one she doubted he was directed to do—he must have come up with it himself. 

Still, something about him sets Terri on edge. Questionable decisions (seriously, snowsuit?) aside, he has the demeanor of a class clown, someone who stays while it’s fun but bolts when things get hard. It makes Terri uneasy, especially since it’s clear that this is someone Gina cares deeply about. 

“Sorry about that.” Gina’s back, suitcases in hand, shaking Terri out of her reverie. “I had to tell Ricky I didn’t need a ride first.” 

“Oh, I thought EJ was giving you a ride home,” Terri says, taking one of the suitcases from Gina. 

A tense silence. “Mom, I told you we broke up, remember?” 

“I know, sweetheart,” Terri quickly assures her. Gina had called early yesterday morning from Kourtney’s phone, relating the news with a quick “it was a long time coming, we’re still friends, prom was super fun otherwise, see you soon” and hanging up before Terri could even get an I’m sorry out. “I just assumed you’d keep the same arrangement since Ashlen and your other friends are there, too.” She winces. “I see how silly that sounds out loud, though.” 

“Yeah.” More silence. 

“Do you want to talk about it?” Terri asks gently. 

Gina shakes her head no emphatically. “I told you, it wasn’t really a surprise. I’m fine.”

“Okay, okay, got the hint.” Terri laughs, sighing internally with relief when Gina gives her a (albeit watery) smile. She opens the car trunk and shoves the suitcase inside.

“So, why was Ricky wearing a snowsuit?” Terri asks as they settle in and buckle up, unable to keep the question to herself any longer. 

“Oh, he wasn’t supposed to be at camp at all, and showed up without a ton of clothes, so he mostly borrowed from others I think, and got pizza all over his laundry yesterday, too.” she giggles slightly, then continues, “plus the guys dumped ice water on themselves last night and he put is wet towel on top of his open suitcase, like an idiot.” She says all this with the nonchalance of someone explaining 1+1=2, not…whatever she just said about sudden enrollment, pizza, and ice water. 

“That doesn’t explain the snowsuit,” Terri says, now even more confused. 

“Rumor has it he was supposed to go skiing with his ex? he didn’t say, though." Gina shrugs. 

“that girl Jamie’s working with?” 

“No.” Gina doesn’t elaborate. 

“Well, regardless, he’s very talented,” Terri supplies. “I did enjoy that one ballad of his yesterday, the one with the guitar and lights.” 

“Oh.” Gina smiles softly, almost to herself. “I liked that one too.” 

Terri’s stomach twists, like they’re about to go barreling off a cliff they can’t see and can’t stop. 

“Is he doing the fall musical as well?”

“I dunno. Probably. It’s his senior year, he won’t have many more chances.” 

“I didn’t realize he’s a year ahead of you,” Terri says, surprised. “How are his college apps coming along?”

“Mom,” Gina groans. “It’s literally summer vacation, and believe it or not, I didn’t ask. He probably hasn’t even started thinking about them yet.” 

“Fair,” Terri says, although, internally, she disagrees. if Ricky were truly serious about his future, he would have had his summer plans set in place long ago, and a solid school list by now. 

I can tell you like him, Gigi, she thinks. And then, suddenly, I wish you didn’t. 

It’s a strange thought, and a foreign one—Gina has yet to make a friend that Terri straight-up disapproves of.  What Ricky does with his life is really none of her business, and Gina’s a smart girl—she won’t go rushing into poor decisions even if her friends are walking bundles of chaos. Plus, from the little she’s seen, it’s clear he cares about Gina, too. Maybe as much as she does him. 

But Gina in a relationship is…different. Gina in a relationship was more carefree, a little less focused. She begged to go to prom despite having an exam the next Monday, she shifted her summer plans around for a camp she showed no interest in before, and she prioritized FaceTimes and texting every night over reading or sleeping. there were no lasting negative repercussions for any of this, but if there was ever a time for Gina to conserve her extra energy for something worthwhile, it’s now. 

Ricky a good friend, Terri decides. As friends, he keeps her grounded—but anything more than that? She’s just not sure. 

[thecaughtsimp]

I’ve been listening to a LOT of Ricky Montgomery lately and it’s always these two songs that remind me of hannigram so much

Please let me know what you think I was thinking the first one (Mr. Loverman) is wills POV when Hannibal goes to jail or when he goes to Italy

The second one (My hearts buried in Venice) is Hannibal’s POV when he’s in Italy and missing will