#rewatched all the monster high episodes and movies because of these designs

[theomegachoc]

Did some art of @dazeddoodles Monster High Amity design because it slapped

I wanted to draw this particular frame after seeing all the people asking Dazed for Amity to drink blood for some reason even tho it’s based on Draculaura, someone who’s vegan

[carriagelamp]

Art of Aardman

I found myself a cheap copy of the Shaun the Sheep movie, so I was rewatching a bunch of Aardman films earlier this month and decided to hunt down some books too. For anyone that doesn’t know, Aardman is a British stop-motion studio that does fantastic work like Wallace and Gromit, Shaun the Sheep, Chicken Run, Early Man… tons of cool stuff. They’re always quirky and funny and warm-hearted. This was just a very nice art book for anyone that’s a fan of Aardman stop motion and wants to see a bit extra; it shows some cool concept art and blows up the neat details in Aardman work, especially in their intricate stuff like The Pirates! In an Adventure with Scientists!

Asterix and the Picts (Asterix and the Chariot Race, and How Obelix Fell Into The Magic Potion)

I decided to try a couple of the new Asterix comics that were done by the new team, just to see if they stand up to the old ones (that and How Obelix Fell Into The Magic Potion cause I’d never read that one before). They were pretty decent! Asterix and the Picts was my favourite of the two though I wouldn’t say either are going to contest for my favourite Asterix comic... but still! The art looks good and the stories felt like what I would expect, they made for a pleasant couple evenings of reading especially since it’s been so long since I’ve read a new Asterix comic. If you’ve never read Asterix it’s one of the biggest name French comic series in North America, as far as I know and very worth the read. It’s about a single Gaulish village that’s holding out against the invading Romans through sheer force of will, slapstick hijinks, and a magical super-strength potion brewed by their druid. Lots of fantastic visuals and cute wordplay, even in the English translations.

Bear

I found out about this bastion of Canadian literature via tumblr post that was losing its collective mind over the fact that some bizarre bear-based erotica novella somehow won the most prestigious literary prize available in Canada. Since I too found this hilarious and unspeakably bizarre I had to give it a read, obviously. And yes, the flat surface level summary is... a librarian moves out into rural Ontario and falls in love with a literal for-real not-supernatural-not-a-joke bear. And I have to say… it is actually worthy of an award, which I was not expecting given that I was there for a laugh. It has beautiful writing, and the subtextual story is pretty interesting… it kind of makes me think of The Haunting of Hill House actually in terms of themes. (Womanhood, personhood, independence, autonomy partially achieved through escaping the male gaze by claiming non-human lovers... listen if I were still in university I would right a paper comparing the two novels).

I dunno man, it’s fucking weird. Actually a well-written book, but sure is about a woman falling in love with a literal bear. Give it a read if you want something bonkers but like… high-brow bonkers.

Hunger Pangs: True Love Bites

Best book I have read in like… a while. A long while. I am not a fast reader, and I consumed 90% of this book over a weekend. It’s not at all like Terry Pratchett, but at the same time it scratched an itch for me that I haven’t had satisfied since Pratchett’s death. A very clever, hilariously funny poly romance between a disabled werewolf, an anxious vampire lord, and an incredibly powerful woman, with heaps of social satire, political commentary, and sinister undertones. The whole thing reads a bit like fanfiction and I say that in the most flattering way possible -- it is so easy to jump right in and be immediately taken over by the characters and the world and the plot, you never feel like you’re fighting to engage even though the world-building is fascinating and expansive. It welcomes you in right away, it was the book equivalent of a quilt and a hug which is something I sorely needed with all this pandemic bullshit. If you read any of the books on this list, go read that one while I sit here in pain waiting for the sequel.

Kid Paddle

I watched the cartoon of Kid Paddle as a kid and was thinking about it recently, so I decided to hunt down some of the original comics online. They’re fun and weird, with a cute art style and fantastic monsters designs. (My favourites are always about Kid either daydreaming or playing games that involve Midam’s weird warty troll creatures. It’s like a cross between Calvin and Hobbes and Foxtrot with the fun sort of quirks that I love in Belgian comics. Unfortunately, unlike Asterix, I’ve only come across these ones in French, but if you can read French it’s totally worth popping over to The Internet Archive and reading the ones they have available.

The Last Firehawk: The Golden Temple

The lastest Firehawk book. Despite being written for quite young readers, I did enjoy the early books in this series quite a bit. They’re about a young owl and squirrel who found an egg for a magical species that was believed to be extinct. With the newly hatched firehawk, the three of them head off on a mission to find an ancient firehawk magic that could save the entire forest. Very basic adventure story but a good intro to the tropes for children. Unfortunately the quality really feels like it drops with each subsequent book; this will probably be the last one I bother reading.

Lumberjanes: The Moon Is Up

I honestly think I enjoy these Lumberjanes novels even more than the comics just because it really gives time to delve into each story and examine how the camper are really thinking and feeling about everything. (Also I’m always weak for novelizations of anything.) The Moon Is Up is a book that focuses more on Jo, and takes place during the camp’s much anticipated Galaxy Wars, a competition between cabins that goes over several days. While the campers prepare for these challenges though, they also run into a strange little creature with a penchant for cheese and theft. Roanoke cabin needs to keep ahead in Galaxy Wars and somehow deal with the fearsome Moon Pirates that a closing in...

Lumberjanes v4 (Out Of Time)

One of the Lumberjanes comics, a cool, girl-focused, queer comic series. Honestly, this is just a fun series that I never got as into as I should have. My advice is honestly to skip book one because it gets better as it continues, and I’ve really been enjoying the later books now that I’ve given it another go. It follows five campers at Miss Qiunzella Thiskwin Penniquiqul Thistle Crumpet’s Camp for Hardcore Lady Types (Jo, April, Molly, Mal, and Ripley) as they handle all sorts of challenges, from friendship to crushes, camp activities to supernatural horrors, getting badges to not being brutally killed. Great if you liked the vibe of Gravity Falls but want it to be queer-er.

Mooncakes

Another queer graphic novel, but unfortunately not a very good one. It really looked appealing and I had high hopes, but the book itself really didn’t hold up… I actually couldn’t even finish it, the plot was just too… non-existent. The art is fairly mediocre once you actually look at it, especially backgrounds, and it feels very… placid. Not much conflict or excitement or even a very compelling reason to keep reading. If you just want a soft queer supernatural you may get more mileage out of it than me, but it didn’t really do it for me. There’s better queer graphic novels out there.

New Boy In Town

One of the worst books I have ever read. My girlfriend had ordered a very different book online but through a frankly stupendous error was sent this 1980s pulp romance instead. Absolutely nauseating on levels I couldn’t even begin to enumerate here. Naturally we read the whole thing out loud. Probably took us 10 times longer to finish than it warranted because I had to stop every two sentences to lose my mind. If you like bad decisions, baffling hetero courting rituals, built-in cultural Christianity without actually calling it that, and gold panning then boy howdy is this the book for you.

(seriously, you better have patience for gold-panning if you attempt this one, because I sure learn that I don’t)

Piggies

This was a picture book I enjoyed as a kid and had a reason to reread recently. Honestly it’s just very cute and simple, and the art is completely mesmerizing. Wonderful if you know a young child that would enjoy a simple goofy boardbook.

Shaun the Sheep: Tales From Mossy Bottom

Related to my Aardman fascination earlier this month. I tried reading a varieties of Shaun the Sheep books — most of which are mediocre at best — but the Tales From Mossy Bottom Farm series is genuinely good. Just chapter books, of course, but the illustrations match the series’ concept art and each story feels like it could have jumped directly out of an episode. They’re just cute and feel-good! Kinda like Footrot Flats but more for kids, and from the sheep’s perspective moreso than the dog’s.

[uwumessenger]

random headcanons i have for each om! character teehee

hi it's been a while since ive posted some hcs bc uni has been kicking my a$$! luckily i only have a few papers to tidy up and im done. here r some hcs for each obey me character that ive accumulated over the past few months wink wonk

most are random but some constants you'll find are what i think they smell like, languages they can speak (other than their native (demon/angel) and eng/jp), and music tastes !

lucifer

i have a strong feeling that he showers twice a day: in the morning after waking up and at night before going to bed

his cologne is probably the type that will last in an elevator for like a week after he uses it once. i dont think this mf ever smells like anything other than his cologne

has a secret folder on his phone of semi-nudes and other scandalous pics from when he felt sexy at the time omg

aside from demon language/eng/jp he can speak french and knows latin

listens to classical stuff yea but he also listens to diavolos mixtapes (re: diavolo's section)

not a fan of sweets but will eat sweet things when craving

really bland sense of humor...borderline cringey 😭✋🏻

mammon

has gone to google images and searched for "inspirational quotes tumblr" "gold aesthetic tumblr" & "relatable crush post tumblr" then reposts it onto his socials or just taps thru them and giggles bc he relates

his cologne doesnt last as long as lucifers and probably smells common. he has to reapply a lot but it's a people pleasing smell. it's cheaper hence the constant reapplying

he probably does have an expensive bottle but is the type to totally overspray...eek

he is canonically a car guy 🥲 and probably tells the one in his room good morning & good night + kisses the hood every once in a while. has tons of car magazines

he doesnt really speak other languages but has attempted to learn spanish before

listens to whatever is on the radio. doesnt rly stan anyone but he eventually will listen to mc's playlist and mc's playlist ONLY

levi

lurks on mc's socials ALL THE TIMEEEE like he will rewatch ur stories and scroll thru ur feed and overanalyze ur tweets/rts or blog posts. if ur mc isnt the type to use sns much he still googles ur name all the damn time just to find any sites u might be on fjdjdjdjskks

probably streams on whatever youtube or twitch devildom site equivalent there is, but only has like 40 or so followers. which he is okay with!

until he sees someone else who gets more attention than him. then the envy starts kicking in bad. especially if they suck 🧍🏻‍♀️

classic gamer boy smell. you know, sweat, tears, must, and (sometimes) axe deodorant. lucifer has to do a scent check before he goes out to any event & lets him use his cologne. how sweet!

kpop stan!! more girl groups than anything and his ults are probably GIRLS GENERATION, wonder girls, twice, loona, & red velvet

cried when ioi disbanded and refused to leave his room. the only thing u could hear was downpour on loop at full blast

can also speak korean & communicate in echolocation like dolphins 😏

satan

listens to country music you cant change my mind

smells like whatever environment he is in. he doesnt really have a designated smell just throws some deodorant on and goes about his day.

he's sooooo bad at driving...gets road rage way too often so his license has been REVOKED

but hes totally a backseat driver. needs to be sedated on long trips

do not let him watch finding nemo when luke asks to watch it. it's not worth it. he will cause mass destruction.

if he was a human or lived long term in the human world he totally has the ability to be a doctor

is studying as many languages as possible, but he mostly knows latin & french & german etc etc. wants to learn all the dead languages out of curiousity

asmo

dont think this mf has ever held down a relationship. ever

he doesnt compromise much & is not willing to change his lifestyle to fit an s/o into it. you keep up with how he lives or it just isnt meant to be (but dont worry! he'll eventually learn...maybe,,,,)

has the hardest time out of everyone when it comes to breaking bad habits

his smell varies bc he uses a variety of perfumes (whatever is the most popular at the time) but he probably sticks to floral and fresh scents. he never uses generic people pleaser scents like mammon

listens to electropop, mainstream pop, & some alternative rock

as for languages he too knows french, spanish, italian, etc. in general, if it's a romance language he knows it!

opposite of lucifer in the sense where he loves sweets and will refrain from eating too many bitter things

i think we all know that asmo is the biggest rockstar of the group! he's probably been in a boy band at least once, but now he makes his own music

has tried to teach mammon how to sing once. ended up in a broken piano and bleeding ears...

beel

i feel like he is SO SHY

like unless ur close to him he will not start conversations or anything

i think he listens to r&b a lot ! and jazz 😎 maybe rock as well

smells like ur typical athlete with undertones of wet wipes. he carries them around bc he likes to clean his hands before he eats & is prepared for when theres no sink nearby

he can drive and he drives really well. no rough turns, parallel parks perfectly, and never has problems with merging

driving with beel is probably really soothing. left hand is steering the other is gripping ur thigh 😫

dont think hes really fluent in any other language but hes probably semi fluent in korean because levi wanted beel to help him out

definitely know how to order food in practically every language tho HAHAHA

belphie

he reminds me of randall from monsters inc

smells kinda musty IM SORRY but not the way levi does hes more like the kind of musty u feel or smell when it's a shitty morning

but that's only because hes so lazy, when he cleans up hes like satan

has definitely murdered multiple people before. mc is not the first 😐✋🏻

with that being said belphie has been put into prison at least twice when visiting the human world, the mf had such a strong hatred for humans theres no way he never got into trouble before

lucifer probably broke him out and they used the pen thingies from men in black to erase everyones memory of that 🙄

dont think he listens to anything other than music that'll put him to sleep. really likes lazy song by bruno mars but thinks that bruno mars put too much effort into the song. should have been one acapella verse and then finish

similar to beel hes only semi fluent in one language, probably french bc of lucifer. doesnt remember much but knows a couple of lullabies and bedtime stories

the sandman used to be his bff until they drifted. they do, however, like and comment on each other's sns posts.

diavolo

once he found out who nicki minaj was he became her #1 stan

def an ariana grande stan too 😌

choreographs dances when hes stressed...idk just seems like a diavolo thing to do

also makes rly bad soundcloud rap music sometimes. turns to poetry when hes feeling emo but only lucifer knows this. barbatos is suspicious of him but doesnt have enough evidence to confirm.

his dad is like hudson abadeer from adventure time aka marceline's dad? something must have influenced him to want to unite the 3 realms + he would need the approval to do so, so his dad must be more chill than all the others before him 🧍🏻‍♀️ IDK ok anyway

currently going through his hamilton phase bc of mc. whether mc's intent was to get him hooked onto it or just to explain it bc of something he saw online, he tells everyone that he found out abt it bc of mc!

this man cannot drive his skills are only second to jumin han

not too fond of many languages but knows the widely spoken ones like spanish, mandarin, etc. if it's taught in high school he knows it

smells like a las vegas casino. not sure why but i feel like he does. but there's also an interesting & nice smell to him if he embraces you. it's a smell you cant quite identify. but it smells nostalgic, it's mysterious, and it's tempting.

barbatos

very calm demeanor but underneath hes WILD hes probably done everything at least once oof

he just has a lot of control and stability over himself (must be nice!)

on a more angsty note i feel like he might have had his heartbroken sO BAD IDK he is hurting and maybe that's why hes so willing to obey diavolo and not abuse his time lord power thingies bc he learned his lesson the hard way

mans is so smart he knows every language you could switch languages mid conversation with him and he wouldnt be thrown off. he'd probably start speaking it too.

BUT HE SPEAKS VIET P E R F E C T L Y

listens to the same stuff as lucifer but also likes eminem. likes the movie 8 mile but criticized it heavily

have you ever been to a chinese herb shop? naturally, he smells like that. his room probably smells like it too. he doesnt really have a significant smell like some of the others

when he bakes he smells like whatever hes baking tho

one of the few out of everyone listed to have been able to travel to literally everywhere

solomon

was probably on kitchen nightmares once, but only to get feedback from chef gordon ramsay. then he used his magic to prevent the episode from airing...

was in an orchestra, one of the best times of his life. played the violin. asmo watched him in the audience once, but didnt approach him until well after that performance.

he CANNOT sing. he can, however, rap.

doesnt listen to music. he listens to podcasts! but every now and then he turns on background music, but prefers it to be instrumental stuff

never wears sunglasses. also does not have a driver's license. cannot drive a regular car. could maybe fly an airplane.

due to his immortality he has learned almost every language to exist, but finds himself speaking mandarin the most. knows most dialects too

similar smell to barbatos but u can also smell some sunscreen on him too. like, generic beach day suncreen

he has a lot of pact marks, so he once had the idea to match foundation to his skin. it took him two weeks but he eventually perfected a combination. yes he will help u find ur perfect shade if u ask him to

simeon

another country music man. has also made a tiktok or two to that one song that goes "he cant even bait a hook." they are private tho

angel country music exists and simeon invented it

if he visits the human world and wears more causal clothing he probably tucks his shirt into his pants

wears a speedo at the beach i tell u, speedo at the beach

he can speak german...i can feel it

uses his pointer finger to type and holds the phone like 2 inches away from his face so sometimes his nose will push a key hence all his typos

has no signature smell. he simply smells like your favorite scent all the time. if multiple people are around him at once, everyone smells a different smell. it's pretty rad

"what does he smell like to himself?" u may be asking. hmm...a church? 💀

luke

his first pet was a goldfish and a few months before the exchange program happened, he was given a koi pond!

secretly likes hanging out with levi sometimes just to play with henry. makes him miss his pet fish back home

so his favorite movie is probably finding nemo and he threw a fit when nemo touched the butt

luke is probably learning german bc of simeon, though he'd like to learn more of the dead languages just for fun

i dont think he listens to music often or has any preferences, he just listens to whatever is playing on the radio

but he finds himself listening to the music mc listens to

smells like freshly baked goods all the time. or fresh laundry. but like, not combined. just depends on the day

[aimmyarrowshigh]

Dark Greetings this Spooky Season Ms. V. Can we get a list of your favorite Halloween movies and specials? I know you have seen *everything* and I am trying to go beyond my usual rewatches this holiday month.

V. AIMMYARROWSHIGH’S CRITERIA FOR HALLOWEEN EPISODES

Does the Halloween element combine convincingly with the usual universe of the show (ex: Lizzie McGuire 2x09 “Those Freaky McGuires” is not good as a Halloween episode because it changes the rules of the Lizzie McGuire universe, whereas Community 2x06 “Epidemiology” is a GREAT Halloween episode because it manages to logically introduce zombies to the regular Community universe)?

Does the Halloween element advance the plot of the episode/series (ex: the reason Boy Meets World 5x17 “And Then There Was Shawn” is literally the best Halloween episode ever made is that it uses the horror movie tropes it satirizes to provide a CRUCIAL turning-point to the plot of the show)?

Is the Halloween episode in the forefront enough that it’s clearly a holiday episode (ex: HAVING ONE JACK-O’LANTERN ON A DESK DOES NOT A HALLOWEEN SPECIAL MAKE, LAW & ORDER 16x03 “GHOSTS”! You gotta go ALL-IN, like Bob’s Burgers 3x02 “Full Bars”!)?

Does the Halloween theme balance well between spooky and warm-n-fuzzy (ex: Criminal Minds 11x21 “Mr. Scratch” is too fucking bleak, but Criminal Minds 12x06 “Elliott’s Pond” has a joyous/celebratory tone to the ending despite being a genuinely scary episode)?

Is it generally a well-written, acted, and designed episode of television (ex: Saved by the Bell! 3x26 “Mystery Weekend” is seriously, not exaggerating, the worst thing I’ve ever watched in my life; Psych 1x15 “Scary Sherry, Or Bianca’s Toast” is a triumph of the medium)?

THE BEST, bar none, Halloween special ever made is Boy Meets World 5x17, “And Then There Was Shawn.” Period. There can be no argument, except MAYBE Community 3x06, “Epidemiology,” but I like “And Then There Was Shawn” better because the parody and homage as less… biting? And because I think it continues and addresses the emotional core of the regular BMW season better than “Epidemiology” does for Community s3. “Epi” DOES plant the seed (…heh) for the Season 3B major plot arc of Shirley’s pregnancy and Chang Deciding To Murder, but it gets some major minus points for mocking Yvette Nicole Brown’s weight with other characters’ responses to her costume, tbh. And “And Then There Was Shawn” is just fucking iconic. It is THE Halloween episode manual, IMO, if there were to be a textbook on how to write a perfect Halloween episode for your sitcom.

HOWEVER, I also have to give major props to Bob’s Burgers and Psych, as complete series, for their CONSISTENTLY excellent Halloween episodes. A lot of series that have multiple Halloween eps really phone it in after one or two, because they don’t have any more ideas for how to incorporate Halloween pastiches while maintaining the overall feeling of the series (tbh B99, while the Halloween Heists are excellent in general, is/has been coming very close to this line, and I think that if they HADN’T had to switch out the Heist to Cinco de Mayo in s6, they would have jumped their Heist Shark [and I think they know it, too, because it was lampshaded in the episode itself]) or they just straight-up don’t have any more ideas for what or how to have the characters they’re bound to parody or pay homage to a Halloween thing after they’ve already done one or two. And let’s be real: those one or two have probably been either The Shining or Rear Window, because those are pretty much the two that every show starts with.

Bob’s manages to make every Halloween episode feel very fresh and organic to the series, which I think they do have some leeway to do because of the nature of cartoons keeping the Belchers living a kind of loop of never aging, yk, but amazingly they’ve only done the “Tina feels too old to trick or treat, maybe? Nope, she’s not 14 yet, so there’s still time!” thing in a way that felt tropey once (in 3x02 Full Bars). They’ve been able to address Tina being 13/in 8th grade, and worrying about it being almost too late for her to keep trick or treating, in ways that were in-character and added to the overall episode in 4x02 Fort Night, 5x02 Tina and the Real Ghost, and 9x04 Nightmare on Ocean Avenue Street, without me rolling my eyes at the screen and going “TINA, EVERY SINGLE SHOW WITH A TWEEN IN IT HAS ALREADY DECIDED THAT THE AGE AT WHICH YOU MUST STOP TRICK OR TREATING IS FRESHMAN YEAR OF HIGH SCHOOL, COME ON NOW” which… at this point, is a Feat. Because like, I’ve POSTED over a thousand Halloween episodes, right? But I’ve watched and screencapped ::checks folder:: 3,905 Halloween episodes since 2014. Which is, um, a. lot. The ACTUAL BEST Bob’s Burgers Halloween episode is 6x03, “The Hauntening,” which is just… achingly perfect television. I know I’ve posted about it before (probably a couple times tbh) but the way that it aired originally back-to-back with The Simpsons 27x04, “Halloween of Horror,” so that the evening of Sunday cartoons juxtaposed eight-year-old Louise whose family worked so hard to scare her like she wanted with nine-year-old Lisa’s family working so hard to keep her from being too scared and make sure that she felt safe… reader, I FUCKIN CRIED. Little girls being deeply loved while also Spoopy Things!!!!!! IS WHAT HALLOWEEN SPECIALS ARE!!! FUCKIN!!!!!! ABOUT!!!!!!!

Psych, though, has the benefit of not really having any, like… central tone to the series? Beyond “friendship” and “having fun with joking,” tbh? So it’s able to do what a lot of series get docked “points” for in my Foolproof Halloween Special Ratings System That Is Completely Subjective To My Tastes And Mood, which is really just run full-tilt into parody and homage without really worrying about overall tonal connection to the rest of the season or series. 1x15, “Scary Sherry, or, Bianca’s Toast,” while it DOES fall victim to the way-too-common Halloween episode trap of making mental hospitals into a Scary Thing (they are a medical normality and a necessary thing for health for many people and should not be feared), is delightful Spooky Fun AND has the benefit of having Shannon Woodward in it.* We all know by now that if an episode of any show has Shannon Woodward as the guest star, it will by default end up being one of the best, if not THE best, episodes of that series. It’s just how having Shannon Woodward as your guest star rolls. I also really like, with Psych’s Halloween episodes, that quite a few of them understand the underlying thematic scope of Horror, which is “The Monstrous Feminine Is A Thing And All Horror Tropes Are Actually About Women’s Interior Lives Because Men Can’t Write Women And Fear Women Always,” yk, in a way that is neither TOO Actual Horror, which I am too afraid of to Do, or too trite and demeaning, which is the other basic trap that Halloween stuff falls into A Lot. Like, Scary Sherry is very much about women villainizing other women, avenging other women, and being in very specifically-female pain, even though Shawn & Gus are still the lens through which we solve the mystery, and so are 4x04 The Devil Is In The Details And The Upstairs Bedroom and 6x03 This Episode Sucks. But they give their Monstrous Females dignity and breadth, which is impressive, ESPECIALLY since they’re one-off guest characters. Also, 3x15 Tuesday the 17th is just plain funny and well-done, like, just give it props for the title alone.

*(Speaking of Shannon Woodward, another amazingly good Halloween episode is Raising Hope 4x07, “Murder, She Hoped,” which is among my very favorite Rear Window homage episodes and has probably the funniest gag in ANY Rear Window ep, in Martha Plimpton floating across the screen in the Grace Kelly silk nightgown and peignoir and announcing that it was on sale at Walmart, can you believe?! and honestly, yes. Perfection.)

Also excellent:

• The Addams Family (1991) + Addams Family Values (1993) • Scooby-Doo and the Ghoul School (RAISE YOUR HAND IF YOU WERE GAY FOR SIBELLA AS A CHILD!) • Scooby-Doo and the Witch's Ghost (RAISE YOUR HAND IF YOU'RE GAY BECAUSE THE HEX GIRLS!) • Halloweentown + Halloweentown II: Kalabar's Revenge • Mom's Got a Date with a Vampire! • Z•O•M•B•I•E•S (to a lesser extent, Z•O•M•B•I•E•S 2) • Clue (1985) • Coraline • Corpse Bride • 6teen 2x00 Dude of the Dead • Arthur 21x00 Arthur and the Haunted Treehouse • Lamb-Chop in the Haunted Studio • Arthur 8x04A Fern-kenstein's Monster • Arthur 10x02 The Squirrels • WandaVision 1x06 The All-New Halloween Spooktacular (I KNOW YOU, SPECIFICALLY, DEAR @plavoptice, HATE MCU!WANDA AND I DON'T BLAME YOU, YOUR REASONS ARE VERY VALID! But this is a good Halloween special so I'm putting it on my list In General.) • Boy Meets World 2x06 Who's Afraid of Cory Wolf? • Ghostbusters (2016) • Gravity Falls 1x12 Summerween • Leverage 4x02 Ten L'il Grifters Job • The Loud House 2x40 Tricked! • Mockingbird Lane 1x00 Unaired Pilot • It's The Great Pumpkin, Charlie Brown! (Classic, etc.)

I'm SURE I'm forgetting some that I'll rewatch this year myself. I'm a big Halloween Baking Championship fan, tbh, which is on Discovery+ now so I recommend that if you like mostly-relaxing nice people baking cakes that look like bats and such.

I'm also IMMENSELY INTENSELY EXCITED for The Muppets' Haunted Mansion on Disney+ next week!!!

[hopeymchope]

Godzilla Singular Point

I came into Singular Point with some trepidation because Godzilla’s history in anime is both very recent and extremely bad. The three anime movies released between 2017 and 2019 are easily the worst work of famed writer Gen Urobuchi and honestly contain more bullshit than I can even get into here. Those movies and this series were both Godzilla anime properties commissioned by Netflix, which didn’t get my hopes up very much. Thankfully, Singular Point is a very different beast from the anime trilogy. One could argue it’s very different from most Godzilla media, actually — at least from my perspective. And I’m still a pretty entry-level fan of Toho’s Big G, all things considered.

Let me just warn you right up front: This smartphone-based virtual assistant is basically the breakout star of the series. 

When you think “Godzilla,” you probably don’t think “incredibly dense sci-fi concepts,” but with the big G’s first-ever anime series, the writers clearly set out to change that perception. Before the first kaiju even appears, the lead characters are plucked from obscurity and dropped into a mystery that involves fourth-dimensional time travel, physical objects that look different from all sides, theoretical math concepts, self-propagating A.I., and a whole lot more. And it’s NEVER made clear how all of it connects to the rampaging kaiju! Although we spend a lot of time investigating a red dust or sand that is very obviously tied to the monsters in SOME way, no one ever makes a connection that explains the relationship. Maybe we’re supposed to wait for a later season to connect the threads... but let’s get into the idea of “another season” later.

I like to think of myself as someone who typically enjoys hard sci-fi, but even with the characters spending loads of time trying to explain the high concepts driving the story, I was never able to fully wrap my head around what was going on in the mystery at the center of GSP. I rewound and rewatched a few explanations, but I still walked away feeling lost. I eventually settled on some vague, loose understandings of most of the ideas mentioned, but those understandings were subject to being ripped apart in subsequent scenes when I was shown or told something completely at odds with what I thought I knew. I can’t say I was ever bored with the thick, dense scientific concepts on offer — trying to find purchase with these far-out ideas kept me glued to the screen — but damn, I sure wish I was able to comprehend them.

What do we want?! DENSE SCIENTIFIC DISCUSSION AND DEBATE! When do we want it?! AFTER THOROUGH RESEARCH, TESTING, AND PEER REVIEW!

Another weird thing about this show is that the lead characters remain in separate locations and on separate tracks for the entire duration. We have Yun — a mechanical engineer and programmer who has an amazing grasp on physics and human behavior. And we have Mei — a grad student who is deeply invested in theoretical science, UMAs, cryptids and other far-flung concepts. Both of them are basically geniuses in their fields, and even though they take opposing views of just how flexible reality is, their shared ability to think “outside the box” becomes the crucial component in solving the mystery at the core of the series. Because they don’t even know one another (despite being separated by like, ONE degree), they only ever interact via text messages and behind screen names, which feels pretty damn weird. At least  I immediately liked both of them, with Yun being the standout to me because of how his lowkey reactions to crazy shit generates a lot of humor.

This soundtrack cover LIES; you will never see these characters in a room together like this. 

Alas, we don’t get to know the characters a whole lot beyond what we learned of them in the first two episodes. It’s not long before they’re trapped in a series of complicated exposition dumps, endlessly attempting to explain the high concepts of the show to other characters as well as my dumb ass in the audience. The fact that I liked them in the first couple of episodes carried me through more than half of the show, but I was always hoping to see them share more of themselves or just display more emotion. Anime as a medium excels at emotional storytelling. But despite the major, world-altering events the characters are constantly warning us about, none of them seem to have many emotions about said events. 

Further complicating matters is how, when major events finally occur in this show, they are often kept off-screen. One character shockingly dies, but the portrayal of that death is so piss-poor that I didn’t even realize it’d happened until someone mentioned their death in the next episode. After that vague death, I was particularly sensitive to anything that looked like it might possibly be lethal. Yet a later event that is played up as a tragic, fatal occurrence ends up... fine, somehow? It’s not clear how the character survives, because — even after one of our heroes is left screaming their name in despair as they seemingly die — nobody ever talks about or explains how he’s just fine a couple of scenes later. And near the end of the series, there’s a major transformation that occurs for one of the characters, and we never see it happen nor do we understand HOW it happened. It’s just that suddenly, this character is extremely different due to off-screen reasons that are only vaguely verbalized.

I guess these two really bonded at some point for some reason? And what you are seeing here is literally the height of emotion shown in the entire show.

Even though the overarching story of the series so far pretty clearly wraps up in episode 13, we then get a post-credits tease for a potential second season. So the question becomes: Would I watch that?

Well... Godzilla Singular Point is a series with a lot of issues that kept me at arms’ length from it — tons of extremely confusing dialogue, highly frustrating choices in direction that lead to baffling storytelling, characters who are mostly exposition-dumping — and yet there’s still some foundational work here that I appreciated a lot. When the action occurs, it’s pretty cool/fun. And when urban destruction occurs, it can be awe-inspiring. The human characters, though little-explored, have likable and interesting foundations to them that could be expanded upon. And I didn’t even mention the soundtrack, which features a variety of musical styles combined with the classic Ifukube theme music and an OP that is an absolute banger. (I have a weakness when it comes to music; a good soundtrack can carry me through even the blandest series sometimes.) Even the core idea of centering a Godzilla series around hard science and mathematical concepts is a compelling one, I think! I just hated the execution of it; they went waaaaay too far on poorly explaining incredibly complex, mind-bending concepts for my pea brain to handle it. They spend so much time trying to explain things, yet somehow they never succeeded for me. 

Ultimately, I’d probably give the show another chance. But if I do give another season a chance, it’ll be on probation. I wouldn’t watch the entire season unless I could see within four episodes that they’d definitely improved things.

Would I recommend that anyone watch the series as it currently stands? I mean... not really? I guess if you really dig complex math, hard theoretical science, and/or Toho’s stable of monsters, then maaaaaaaaaaybe give it a shot. But otherwise? Naaaahh. It’s not good enough at anything to make it stand out from the anime crowd. I didn’t hate it like I hated the Godzilla anime films, but Singular Point is still something that both casual viewers and most fans can comfortably ignore for the time being. It’s not a complete disaster, and it’s not without its highlights... but it’s definitely disappointing in my opinion.

OKAYOKAYOKAY, so let’s talk about the kaiju for a bit! 

Below will be SPOILERS revealing all of the kaiju that appear in Godzilla Singular Point and giving my feelings on them. 

Godzilla — It’s interesting to see a version of Godzilla that borrows some ideas from Shin Godzilla. Shin G has been incredibly unique until now, but this Godzilla manages to fold some of Shin’s distinctive aspects in with the more classic/typical versions to build a fun new depiction. Be forewarned that Godzilla doesn’t show up until the series is halfway over, and he doesn’t get a ton of screen time, either. He’s used quite sparingly and kept in hazy settings, often framed from the neck-up when they show him. It’s a little frustrating that they felt the need to shroud him so much, but I respect the fact that whenever Godzilla is shown, the destruction he causes is on a scale far beyond anything that the rest of the kaiju ever do. He is pure devastation. 

Rodan — He’s easily the biological kaiju with the most screen time in Singular Point. Rodan is first introduced as one gigantic pterosaur, but if you’ve seen ANY trailers for this show then you already know that his depiction transitions into an asston of smaller pterosaurs, all of whom are also called “Rodan.” (Apparently the word Rodan is both singular and plural, like the word “buffalo.”) Although he looks kind of cool at first, pretty soon Rodan showing up isn’t special or threatening anymore. Rodan appearances go from “a big goddamn deal” to “some bland background noise” before the series is even 1/3 finished. The design might be a little too far removed from the original for my own taste, but even if I didn’t think that, I wouldn’t be able to care for this Rodan simply because he’s rendered so unimportant and unimpressive.

If you go out in the woods today, you’re sure of a big surprise... 

Anguirus — Now check this guy out! Anguirus gets one of the coolest fights in the show and also demonstrates some powers that are well beyond anything we’ve seen him do before. Because he sticks to unpopulated areas, we never see him do much damage to Japan, but he is definitely holding all the attention when he’s on-screen. He’s a highlight for me — a total badass who is very unique in his abilities. And the stated origin for his name is goddamn adorable.

Manda — Yup, Manda is in this series... but I don’t have much to say for him. It seems like the creators of the anime didn’t have much to say about him either. His role amounts to little more than a repeated cameo, and in most of those cameos you only ever see his tail. When we finally see his full body, it’s done so briefly and kept at a distance, leaving me with no real impression. I had to look up his design online and... yup, that sure looks like Manda. Final score: MEEEEHH.

Kumonga — I definitely did not see this appearance coming! Kumonga is much smaller here than you may be used to, but she gets to star in the most suspenseful sequence in the series and easily earns the most exciting cliffhanger moment at the end of an episode. I was utterly glued to the show during her screen time, which comes with a lot of icky twists. Good ones! I honestly like Kumonga here more than I ever have previously.

NEW PHONE WHO DIS

Salunga — Uh, who? This is the one monster that isn’t based on a classic Toho kaiju but instead is a brand-new creation. I suppose that everybody who touches the Toho Kaiju franchise wants to make their own mark on it in some regard. But a big part of the fun of this series for me personally was the anticipation of seeing new interpretations and designs of classic Toho monsters. And so, given that he kind of resembles both Baragon and Gabara, I never stopped wishing they’d just used one of those guys as the basis and namesake. Taken on his own, however? He’s... pretty neat. Not unique or exciting, but solidly above par.  He resembles a cross between a lizard/dinosaur and an ape, plus his head has some nifty coloration. 

Our Jaguar!

Jet Jaguar — I guess Jet Jaguar isn’t exactly a kaiju in the traditional sense because he’s a Giant Robot. However, if you want to consider him one, then I wager he probably gets even more screen time than Rodan! We meet him almost immediately when the series begins. Initially an odd pilot-driven robot that was constructed at the whim of a quirky old factory-owner with too much disposable income, Jet Jaguar grows and changes over the course of the show, ultimately undergoing a transition in episode 7 that makes him pretty damn impossible to dislike. In fact, I utterly adored him by then. This is definitely the best Jet Jaguar I’ve ever seen. His design is recognizably similar to the original yet utterly distinct, too. Like many of the other kaiju here, he’s not nearly as big as he was when he was first introduced to the movies, but his size is ideal for battling the smaller-scale monsters that we spend most of the series on.

[sebastianshaw]

Rando Munday ramblings! For new followers, on Munday sometimes I just post a bunch of personal stuff I normally wouldn’t. Not usually anything intimately personal, more like random thoughts and news that just isn’t relevant to the blog in any way, not related to X-Men or RP or writing in general, etc. ....there’s a lot of Hannibal today, sorry, I’m rewatching it.

- I definitely wanna have a pair of critters named Hannibal and Hasdrubal at some point, maybe if there's a third I'd name him Hamilcar. I know everyone will think I named them after Hannibal Lector but actually these are really common names from Ancient Carthage. Like if you look at Carthagian history and records, everyone is Hannibal, Hasdrubal, or Hamilcar, it's like John, James, and Jim. I'd prefer the pair, though, since Hannibal and Hasdrubal were a pair of brothers and famous historical figures, so it would feel much more like a "set" that way (whereas they did not have a brother called Hamilcar) - Speaking of Hannibal Lector, I knew he was based on a real person, but I did not realize that person was a gay Mexican man. That’s...an interesting example of gay history, for sure. If you don’t know what I’m talking about, Thomas Harris (the writer of the books that the films and later the TV series were based on) based Hannibal on a surgeon he met while interviewing an inmate at prison for another novel. This surgeon was so intelligent and charismatic that Harris implicitly assumed that he was a doctor in the employ of the prison. Nope---the doctor was an inmate himself. Harris was so shaken by the encounter that it inspired him to create Hannibal Lector, who, in contrast to the typical media portrayals of serial killers as uncontrolled lunatic slashers like Michael Myers or Leatherface, is a charming, culture, charismatic intellectual. To protect the man’s identity, Harris called him “Dr. Salazar” in interviews, so that was always how I knew him. I just now learned not only was his real name Alfredo Balli Trevino, but his victim was Jesus Castillo Rangel, his male lover. Harris describes him as a small, lithe man with dark red hair and, unsurprisingly, “a certain elegance about him”. Though Trevino was given the death penalty for his crimes, his sentence was commuted to 20 years and he was released in either 1980 or 1981. He died in in 2009 when he was 81 years old. He reportedly spent the last years of his life helping the poor and elderly, and he expressed deep regret for his “dark past”---which I suppose makes sense, since his crime was that he killed a lover in a fit of rage during an argument, whereas Hannibal simply killed people in cold blood whom he had no attachment to because he liked eating them (something Trevino never did) and to punish them for rudeness. - I’ve decided to stop buying silk, unless it's from a thrift store and thus my money won't go to supporting sericulture. Ahimsa silk isn't an option either, the bugs aren't technically killed but they're not treated well either. I know it might seem weird to eat meat and wear leather and yet not want to purchase something that hurt moths and larva, but...I have to eat meat for medical reasons, and my leather purchases is limited to boots that I then keep for YEARS AND YEARS so it's very sparing. There's really no such thing as a cruelty-free diet or lifestyle, whether that cruelty is suffered by animals or by other humans, but I can still make choices that at least lesson some small aspect of harm. I need to eat meat, I don't need real silk. ...Haven only wears bamboo silk for this reason and when this came up with Shaw, he absolutely thought she was fucking with him, like even SHE can’t be THIS insane, NO ONE ACTUALLY CARES ABOUT BUGS WTF - The books nearest to me right now are “Women Who Run With The Wolves: Myths and Stories of the Wild Woman Archetype ” by Clarissa Pinkola Estes, The Norton Anthology of English Literature: The Romantic Period, “X-Men: The Legacy Quest Trilogy” by Steve Lyons, two  horror anthologies, the script for “M. Butterfly” by David Henry Hwang, “The Spanish Riding School of Vienna: Tour of America 2005″ book I got from when I went to see the Lippizanner horses perform, and a big beautiful leatherbound English translation of “The Flowers of Evil” by Charles Baudelaire. This is...this is a summary of my whole personality, sans rodents. Also god I need to clean my room. - Something I've noticed is that many sci-fi horror films that do the whole "science went too far against nature!!!" thing....don't actually have the problem result from the lack of ethics involved or because the scientists did something "unnatural", it happens because they didn't follow basic safety precautions, lab protocol, common sense, etc. "Splice" for instance, is a really good example---the problem isn't that they made a part-human hybrid, that's not why shit goes wrong, shit goes wrong because the two scientists act like idiots, adopt the creation as a child, hide it in their barn instead of a sterile controlled environment, and then one of them HAS SEX WITH IT. Or in "The Fly" the problem isn't that Brundle invented a teleporter, it's that he tested it ON HIMSELF while he was ALL ALONE. Even in "Jurassic Park" the issue is less that dinosaurs are breeding and more the result of a disgruntled worker who was given way too much power over being able to run things, and thus shut them down when he wants to. So many "science gone wrong!" movies end up not really being condemnations of science itself, so much as depicting scientists as utter dumbasses. Which, on the one hand, I do like, because I dislike the notion of condemning scientific progress just because it seems icky or creepy or "goes against nature" (so do vaccines, I still like those!) But on the other hand, the movies don't FRAME it as "this is the result of failure to practice science safely and sensibly" they frame it as "they should never have attempted such an unnatural thing and this disaster is punishment for a moral sin" even though the issue doesn't happen because what the scientists did was "wrong" it happens because they do something DUMB. - Bringing it back to Hannibal, I reached the episode where Margot Verger first appears, and if I have one big disappointment about the Hannibal series, it's Margot. In the books, she's a huge butch lesbian, literally and figuratively. In the TV series, she's a pretty femme fashionista like all the other women, and she fucks Will in order to get pregnant. At the time this came out in 2013, I tried to be all resigned and fair-minded about this. I was like "ok, well, they didn't want to be offensive with a stereotype, and I guess that's fair, I guess not hurting people matters more to me than getting the horseback-riding bulldyke hearthrob of my high school years on-screen at last" but you know what? No. Firstly, butch lesbians deserve representation too. How many have you ever seen onscreen, let alone in a mainstream media production? Sure, it's a stereotype, but it's not an inherently negative one, they just get treated that way in media because society sees it that way. But the way to handle butch lesbians and femme gay men and so on isn't to erase them from the screen, it's to start writing them as human beings and not caricatures or jokes or monsters. Margot is a fleshed-out human being, she's nuanced and twisted and hurt like everyone else in this series, she would be PERFECT for that. She wouldn't be just a butch lesbian, she'd be a CHARACTER who just also happens to be a butch lesbian. I don't really think she was changed to avoid "hurting" lesbians, I think she was changed because the director, gay man or not, clearly has a way he wants the women in his series to look (they're all fashion plates, all have long hair, all very sophisticated, etc) and book Margot didn't fit his aesthetic, his design if you will. Because god forbid we just make her a DAPPER dyke, right? Back to having sex with Will, which most certainly did NOT happen in the books...that's not bad itself in a VACUUM, fucking men to get a baby is something real-life lesbians do, I had a friend in college who was actually conceived that way, but like...no media exists in a vacuum, and there is very little depiction of lesbians in media that doesn't feature them fucking men for SOME reason or another. They want a baby, or they start the story with a boyfriend, or they're actually bisexual, or they're even raped, but there's always SOME reason we have to watch a guy fucking them and it's frankly distressing. Like, remember Irene Adler in BBC's Sherlock? It's a pattern. And I'm not saying lesbians who have had a sexual past with men, or who were the victims of sexual violence by men, don't deserve representation, I would never say that, those are very common experiences, I'm not saying "gold stars only", I'm saying that there is a strong pattern in media where it seems almost obligatory that a lesbian has to have sex with or be attracted to men at some point, while comparatively the opposite case, where a lesbian is depicted as exclusively and only attracted to and "with" other women, is seldom there. And it's just kind of a kick in the nads for me, as I think it was for a lot of other lesbians, butch or not, that a gay director took an opportunity like Margot Verger and turned her into just another attractive lipstick lesbian that is okay with having sex with the male protagonist as a treat tee hee (Spoiler: She does end up with Alana though, which I appreciate)

[recentanimenews]

FEATURE: Five Fabulous Naruto Filler Arcs and Where to Find Them

  When an anime adaptation out-paces the production of the manga that serves as its source, the dreaded “filler episode” and “filler arc” raise their ugly heads. “Filler” is so named because it's designed to fill time and space, diverting from the main story-lines until there's enough new material to adapt, but as a result, filler episodes generally can't advance the narrative or develop the characters in meaningful ways.

  There are 89 pure filler episodes in the 2002-2007 Naruto TV anime, comprising about 40 percent of the series. And while some filler tries to reproduce the same emotional and narrative beats of earlier, non-filler episodes, other filler — the finer filler, if you will — does its own thing and manages to be entertaining despite not having a canonical manga chapter to adapt.

  With that in mind, I present to you an unofficial list of the Five Best Naruto Filler Arcs and Episodes, as chosen by me.

    "Episode 97 - Kidnapped! Naruto's Hot Spring Adventure!”

  When the going gets tough, the animators head to the onsen for a hot springs episode. Aside from being the second pure filler episode in the series (after “Episode 26 - Special Report: Live from the Forest of Death!”), this one-shot story is notable for having Jiraiya behave like a complete perv and for Tsunade's crippling gambling addiction as the true antagonist of the tale. Naruto tries to help the debt-collectors, while Shizune disguises herself to try to spare Tsunade's reputation. It's a truly rocky start for the newly crowned Fifth Hokage.

    “Episode 148 - The Search for the Rare Bikochu Beetle” to “Episode 151 - Blaze Away, Byakugan! This Is My Ninja Way!”

  A bug-themed arc in which Naruto and the ninja of Team 8 (Kiba, Akamaru, Shino, and Hinata) search for an extremely rare beetle with the intent of using it to track Sasuke by scent, this arc is notable because it introduces the rival Kamizuru clan, a group of ninja that are all abuzz about wielding bees as weapons. It also gives Hinata a moment to shine when she rescues herself from mortal peril and protects the group with an awesome application of her Gentle Fist technique. It's an otherwise cool story-line that is hampered by having a fart joke for a conclusion.

    “Episode 169 - Remembrance: The Lost Page” to “Episode 173 - Battle at Sea: The Power Unleashed!”

  Something's fishy in the Land of the Sea and Anko Mitarashi, Naruto, Shino, and Ino are dispatched to stop a rampaging sea monster that turns out to be a sympathetic survivor of Orochimaru's hideous human experiments. This filler arc is notable because it delves deep into Anko's back-story as Orochimaru's former pupil, and it ends on a positive note with Anko overcoming the trauma of her past and helping to rescue a friendly fish-girl in the process.

    “Episode 186 - Laughing Shino”

  Filler doesn't have to be deep to be entertaining, and there's an undeniable appeal in watching Naruto and Shino being forced to participate in the Ninja World equivalent of “you laugh, you lose.” After Shino is hit with a poison that causes uncontrollable laughter, Naruto must tough it out in order to help determine who becomes the rightful heir to the Fugetsu family fortune, with the sole provision being that the candidates (and their hired body-guards) can't crack up during the funeral. It's fun to witness Naruto trying desperately not to chuckle when confronted with a gauntlet of goofy jokes, and it's also a rare chance to see a lighter side of the normally sullen and taciturn Shino Aburame.

    “Episode 197 - Crisis: The Hidden Leaf 11 Gather!” to “Episode 201 - Multiple Traps! Countdown to Destruction”

  One of my favorite arcs in all of Naruto — this filler arc features Naruto befriending an elderly and unassuming carpenter named Genno ... who turns out to be a master ninja infiltrator with a deadly grudge against Hidden Leaf Village. Genno blames the Leaf for the destruction of his home during the previous Great Ninja War, and he's had decades to secretly plant bombs throughout the entire town. It takes the combined efforts of three generations of Leaf ninja to foil Genno's schemes, and although the status quo is ultimately restored, this filler arc is great at conveying a nail-biting atmosphere of ticking clock tension and shinobi suspense.

    Like a nine-tailed fox sealed inside of an ambitious adolescent ninja, filler episodes in Naruto are a tricky beast. Sometimes you get cool stories and character moments, sometimes you get substitute Sasukes, knock-off Narutos, and Rock Lee turning into a Muppet while the animators scramble to evoke the same emotional highs as the Zabuza/Haku story-line. If you're willing to dig, though, there's gold to be found amidst the rubble, and the above list can help you in your excavations.

  If you'd like to see the Crunchyroll features team experience all of Naruto, filler included, be sure to check out THE GREAT CRUNCHYROLL REWATCH. Naruto is currently streaming on Crunchyroll, and if you prefer your ninja shenanigans filler-free, English language versions of the original Naruto manga are available from Viz Media.

  Did your favorite filler episodes make the list? Do you prefer to skip the filler, or do you welcome the challenge? Let us know in the comments section below!

      Paul Chapman is the host of The Greatest Movie EVER! Podcast and GME! Anime Fun Time.

  Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

By: news+feed@crunchyroll.com

[casual-eumetazoa]

mmmmmmmmmmmkay... gotta say Words about the episode, I guess

things I liked:

the show looks good, I’ll give them that - visually/aesthetically very pleasing, the music is amazing (I still miss Gold but I am starting to like this new guy a lot), everything seems modern, expensive, high quality

the theme music is wonderful and the title sequence slaps; love that shit! feels classic and brand new at the same time, and very Doctor Who; probably my favorite title sequence combo of the entire new run

the TARDIS design is gorgeous, like I cannot stress enough how much I love it; again, probably my favorite of the entire new run, and definitely top three of all that were ever made; it feels like a hybrid between Tenth’s TARDIS and Eighth’s TARDIS - bold, creative, beautiful design; on a related note, loved that “fixing the TARDIS” bit; I hope the fam will spend more time inside the TARDIS this season

the actors are giving their best; I feel like C was a huge waste of Stephen Fry, but perhaps it was a deliberate decision (because maybe Mr Fry wanted a cameo but did not have time for more scenes); 

Whittaker is good - idk if that was a move on her part or the writers/directors decision, but her Doctor feels calmer, more natural now; she is still quirky and mysterious and herself, but she feels more like a person, you know, and not a bunch of facial expressions and voice inflections thrown together

the companions are good too - Yaz is finally getting attention, and God, Graham and Ryan are like my favorite thing now! their dynamic is just a pleasure to watch; you can make a ‘comedic duo’ compilation just out of this episode alone

the new monsters are definitely my cup of tea; strange, spooky, not full on horror movie scary but still threatening... *chef’s kiss* I loved the twist of them getting through the TARDIS door - that has never happened before, I like that; I like how the Doctor quietly freaks out about it as well, cause she hates not knowing something and hates not being in charge; that scene where she keeps asking the creature and when it finally replies it is just mocking her? good shit right there; wanna see more of these guys for sure

and after some reflection, if you take it in isolation, I do love the final airplane scene; like if I just look at it as a piece of TV/storytelling, I think it is a really good scene; it’s loud, it’s chaotic, yes it is kind of all over the place but it is engaging, and the reveal was out of nowhere and predictable at the same time but I still enjoyed it; and yes it is a stupid cliffhanger but like... it’s Doctor Who! it has always had stupid cliffhangers and I for one respect that decision

things I didn’t like:

oh God... the writing; like I am sorry, okay, but that writing is bad; and it is so confusing to me cause the story overall was good in my opinion - the pace was okay, the events made sense, it has an actual plot, etc - but the writing is still bad? I think the dialogue is the worst by far, but the way the scenes were stitched together is really awkward as well; it feels like it has been written by a talented but severely inexperienced writer who understands more or less how a story is supposed to work but has no idea how to edit

specifically what annoys me is that the dialogue and, to a lesser degree, the sequence of events feels very superficial and forced; it’s not elegant, and it’s not surprising, and it doesn’t feel natural at all; the actors are giving their best but how the hell can you have a good delivery of those lines??? 

I wanna rewatch it already to give particular examples but the two things that come to mind are C explaining the whole deal with the aliens (telling instead of showing anyone? especially after you’ve already shown it???) and the interview with Lenny Henry’s character (again, telling instead of showing much?); and idk, the dialogue in general is just... eh, it annoys me that I can’t quite put my finger on why it is so bad - but it is so bad, that initially that thing alone made me dislike the episode 

and this is double annoying because I know that Chibnall is a good writer and can write excellent dialogue and put scenes together with no problem, and also because, traditionally, Doctor Who has always had great script editors that should have fixed this; like how do you give a dedication to Terrance Dicks and not fix these awkward fucking lines?? I am confusion

things I am unsure about:

the whole spy thing; initially was very excited about it, because I thought we would get a very Third Doctor era thing, but no, that was just a straight up James Bond knock-off; like, don’t get me wrong, Thirteen in a suit gives me life too - but they could, idk, Doctor-fy the whole thing a little bit? throw in some gaffs and alien words and the Doctor going “oh I was a spy so many times”; instead it felt kinda, idk, not integrated enough; like it made sense for the story, but not for the show overall

also I think that the episode had too much action; that car malfunction at the beginning? entirely unnecessary, could have replaced it with a conversation (Thirteen trying to get info out of the driver for example) and get better results; the motorbike chase? looks very cool, also unnecessary and could have been cut to twenty seconds easily; like, come on, this is Doctor Who! I want good dialogue, not Marvel-level action scenes

and now the most controversial thing... the Master; ufff, I have very complex thoughts about this

I’m not gonna lie, I do like that they are back; I think it was too early to bring them back, and it feels like a solely “for the views” decision with little to no creative thought put into it, but damn I love the character; the actor is great too - that being in disguise with no physical disguise bit? love it! like, in retrospect I can see how much he (the Master) must have enjoyed playing the sweet innocent bloke; and that switch in the final scene... that’s some good acting right there

I am kinda conflicted about his style in general, like I would have preferred for him to lean more on the Delgado side of things - more gravitas, calmness, but still with strong chaotic dumbass energy - but I do understand that the Master has to mirror and contrast the Doctor simultaneously, and this sort of more Simm-like delivery (more in the direction of bananas) works better for Thirteen, especially now that she is less awkward and more calm and collected; I like the homage to classics as well, like that tissue compressor thing, that was really good; and yeah the Master is hot again... nice

also the whole “the Doctor is still being secretive about her past” thing is really working for me - I’d love to see the Master slowly destroying whatever image she has built for herself and thus creating enough conflict between her and the fam to go on for the entire season

but having said all that, if we come back to the decision to bring them back... is Chibnall sure about that? because from what we have seen so far, it feels like we have cancelled out everything that Moffat has done with Missy; we’ve had such an amazing character arc with her in Capaldi’s era and now it’s all gone? now we’re back to blowing up planes and killing the Doctor? why? 

I am still holding on to hope that this is an earlier, pre-War incarnation of the Master that somehow slipped in to this timestream, but that seems unlikely; another way I could digest that was if the Master has lost their memory and doesn’t remember being Missy, which would make for a nice eventual reveal of the memories coming back to them and him being like “oh shit” - but if Missy’s entire character arc has been retconned, I am definitely not a fan

also, overall, I feel like Chibnall retconned one thing about the Capaldi era that I really loved - he brought Doctor Who from a proper serious drama (as one part of the show, obviously) to all cheesy, goofy, silly sci-fi nonsense; and like, has Doctor Who been cheesy in the past? definitely, and for most of its history, and I won’t complain about that; but this? this feels too cheesy, especially in contrast with Capaldi’s era; like please, Chibbers, can we please see some drama? if you’re going for the whole quality TV show feel, can we also get proper good dialogue and heightened emotion and higher stakes? cause I think you can overdose on ridiculous in Doctor Who

summary:

honestly if the writing - especially the dialogue - was actually good, this would have been a very good episode, an 9 out of 10 at least; but as it stands, those lines are spoiling it a bit too much for me, so I’ll give it a solid 6 out of 10

I know it is a part one of a two-parter so I won’t make any solid and final judgments yet, especially about the Master and the feel of the series overall; all I can say is that, again, if you ignore the dialogue (which I hope is a random fluke and will go away), this sets a benchmark for series 12 higher than series 11; so I am cautiously optimistic about it, and actually excited to see the next episode, but God do I have high standards now, having consumed a lot of Doctor Who media...

and now that I’ve said approximately 563 highly controversial things, feel free to rip me to shreds I guess - or agree with me, who knows

[creeped-out-ranked]

Creeped Out is a horror anthology series shown on CBBC in the UK and available on Netflix elsewhere. It’s an excellent show, fun for kids with loads of crossover appeal for adults. But the big entertainment sites tend not to cover it, and I haven't been able to find a definitive ranking of all the episodes anywhere. So I decided to create my own, because why not?! This list includes season 1 and season 2; I’ll add further episodes as they’re shown.

Before we get into this: there are some spoilers in here. I’ve tried to keep them to a minimum but sometimes, to describe what's good (or bad) about an episode, I need to discuss elements of the plot.

Every episode of Creeped Out, ranked from best to worst

1. ‘Slapstick’ (Season 1, Episode 1)

The first episode of a series is rarely the best, but Creeped Out bucks the trend—‘Slapstick’ hasn’t yet been bettered. It’s the perfect combination of cozy and creepy, with a quintessentially British setting (a seaside town complete with Punch & Judy shows), a puppet antagonist who’s somewhere between unnerving and amusing, and a relatable main character. Even the score is the best of the bunch: its sinister take on fairground music really adds to the atmosphere. The plot—Jessie wishes her parents were ‘normal’, and lives to regret it—is compelling, and in contrast to some of the weaker episodes, you actually understand why the characters do the things they do (even the bully is given a bit of a backstory). ‘Slapstick’ is a gem, and more than any other episode, it stands up to repeated rewatches.

2. ‘Trolled’ (Season 1, Episode 3)

Sam leads a double life: he’s secretly NoFace, an online troll who often targets his closest friends. When he ignores a message warning him to stop trolling, things start to go very wrong. This episode is set in the plush surroundings of a boarding school (one of Creeped Out’s more notable backdrops) and the contrast between Sam’s environment and his online life is both palpable and believable. The dynamic between Sam, Fitzy and Naini is established very effectively—you really feel Sam has something to lose. Extra points for the properly bleak ending, too.

3. ‘Kindlesticks’ (Season 1, Episode 9)

This episode is a fan favourite, and it’s not difficult to see why. ‘Kindlesticks’ came out of nowhere, landing in the middle of a few mediocre episodes, and doesn’t seem at first glance to have the most exciting setup: a bad babysitter getting her comeuppance. Yet you’ll likely find that the tale of Esme, her charge Ashley and his imaginary friend Kindlesticks will drag you in, spit you out and leave you reeling. It’s a simple idea executed perfectly, with what is undoubtedly Creeped Out’s best delivery of a twist. Seriously, I didn’t see that coming at all.

4. ‘Splinta Claws’ (Season 2, Episode 10)

Admittedly, it isn’t difficult to make a Christmas episode good—add lots of sparkly decorations and a bit of ‘Carol of the Bells’ and you’ve already nailed the atmosphere. ‘Splinta Claws’, in which two boys get trapped in a department store along with a possessed animatronic Santa, builds on that to create an inspired take on PG-13 seasonal horror. It’s the self-aware script that really makes this episode; the ‘frenemy’ relationship between anxious Mikey and street-smart Lawrence, plus the characters’ recognition that the slow-moving Santa isn’t that scary (despite its nightmare-fuel face). An effective combination of action, emotion and humour results in a spooky festive treat.

5. ‘Tilly Bone’ (Season 2, Episode 9)

Telling a story backwards is a bold move, and initially, it makes ‘Tilly Bone’ confusing. Some viewers might find themselves wanting to switch off as they wonder what the hell is going on. But stick with it, and a fascinating tale unfolds, with layers, details and clues to be picked apart, nods to classic horror, great performances (especially Alice Franziska Woodhouse as the disquieting Junebug) and some of the series’ most original and surprising ideas. It’s formally innovative, daring and altogether one of the most impressive pieces of work Creeped Out has yet produced.

6. ‘Marti’ (Season 1, Episode 4)

Kim is initially delighted when her new phone’s AI helps her to become more popular, but things take a turn for the sinister when ‘he’ claims to be in love with her. ‘Marti’ cleverly uses this premise as a kid-appropriate way to explore themes of coercive control and abusive relationships. I have a feeling this episode may have been inspired by the 2016 movie Bedeviled—there are lots of similarities, right down to Marti’s voice—and it says a lot that in 25 minutes it crafts a better, more meaningful story than a full-length horror movie for adults was able to manage. Often unfairly slept on, ‘Marti’ is the talented underdog of the series.

7. ‘Takedown’ (Season 2, Episode 8)

‘Takedown’ is intriguing because it departs completely from the series’ typical aesthetic—there's lots of shakycam, a grainy feel to the cinematography, a muted colour palette. It’s shot more like an indie film than an episode of a kids’ show. It focuses on Alexa, the only girl on her high school wrestling team, who uses a weird chain text to wish for more strength. Since this is Creeped Out, it’s no surprise that her ‘gift’ comes at a price. With its gritty feel and the authentic friendship between Alexa and Lucky (‘cheers to root beers’, anyone?), this episode is something really different, and all the more memorable for it.

8. ‘No Filter’ (Season 2, Episode 6)

Like ‘Trolled’, ‘No Filter’ is a thoroughly enjoyable example of what a series like this should be aiming for, which is essentially a junior version of a Twilight Zone episode. There’s a recognisable starting point—who hasn’t used filters or Facetune to make their selfies look better, and who bothers reading all the T&Cs?—and when Kiera’s eroded face is revealed, it’s one of the few moments in the series to create a genuine shock. Plus there’s a proper pantomime villain, just as it should be. The ending might be a little jumbled, but it’s entertaining enough that that can be forgiven.

9. ‘Cat Food’ (Season 1, Episode 2)

Happy-go-lucky prankster Stu pretends to be ill so he can skip school, but gets more than he bargained for when he discovers the elderly neighbour, Mrs McMurtle, is actually a shapeshifting monster. ‘Cat Food’ is a fun, comedic episode (the only one yet to make me laugh out loud) and, while there isn’t a great deal of substance to the story, it’s efficiently told and neatly resolved. Rhys Gannon is great as Stu and it’s just an all-round fun time.

10. ‘The Traveller’ (Season 1, Episode 11)

While the vast majority of Creeped Out episodes take place in a distinctly middle-class milieu, ‘The Traveller’ switches things up by focusing on Jodie and Brandon, troublemaking kids on an inner-city estate. They come across a device that can pause time, and it’s all fun and games until a blue-skinned man starts hunting them down. The plot is a bit more Doctor Who than your average episode, and the combination of urban setting and sci-fi story is surprisingly successful. There’s also an emotional gut-punch of a moment when Jodie finally understands the problems she’s been creating for her mum.

11. ‘The Call’ (Season 1, Episode 6)

‘The Call’ isn't one of the strongest stories in Creeped Out’s repertoire. An unpopular girl is drawn to an environmental activist and discovers she’s a siren, gaining powers into the bargain—interesting enough, but not enormously original, and inevitably a gateway to slightly tedious lecturing about plastic etc. It stands out mainly because of a stellar performance from Rebecca Hanssen, who reminds me of a young Olivia Colman. Hanssen really inhabits the character of Pearl, and shows how excellent acting can elevate an ordinary plot and script.

12. ‘The Many Place’ (Season 2, Episode 4)

With their holiday scuppered by torrential rain, three siblings wander a hotel and find themselves lost in a maze of realities. ‘The Many Place’ is designed as an homage to Stanley Kubrick’s The Shining, and spotting the references is part of the enjoyment here. The story takes advantage of the liminal, disconcerting nature of a large hotel to craft a series of alarmingly plausible terrors, and the ending features the best twist since ‘Kindlesticks’.

13. ‘One More Minute’ (Season 2, Episode 1)

‘One More Minute’ kicks off the second season with a pure hit of enjoyment that doesn’t take itself too seriously. When Jack can’t tear himself away from his favourite videogame, he finds time passing quickly—scarily quickly. While it may not be among the best, everything about this episode is solid: it’s (appropriately) well paced, the relationships are soundly fleshed out, and it’s all wrapped up well.

14. ‘Itchy’ (Season 2, Episode 2)

It may have one of the show's sillier premises—the villains are... head lice—but I have a soft spot for ‘Itchy’. Perhaps it’s the setting: a military academy on an English island feels fresh when you compare it to the many identikit homes and high schools in the series. Perhaps it’s the strong performance from Oliver Finnegan as protagonist Gabe. Either way, there’s something low-key charming about this episode.

15. ‘Side Show’ (Season 1, Episodes 12 and 13)

This two-part season finale is set in the early 20th century and centres on a troupe of circus performance whose ringmaster won’t allow them to venture beyond a magical barrier. Overall, ‘Side Show’ isn’t especially creepy; it’s more of a fantasy story that feels like it could have been its own separate series. The advantage of this is that there’s more space for character development and worldbuilding. The disadvantage is that it doesn’t truly feel like part of the Creeped Out universe.

16. ‘A Boy Called Red’ (Season 1, Episode 5)

Vincent and his dad aren't getting along, but when they go to stay at the latter’s childhood home, Vincent finds an unusual way to reconnect: via a time-travelling portal. The switches between past and present are handled admirably, and Boris Burnell Anderson is a standout as AJ. There’s a lot to like about ‘A Boy Called Red’; it just doesn’t stand out as especially memorable when compared to some of the stronger Creeped Out stories, perhaps because there’s no real antagonist. 

17. ‘Bravery Badge’ (Season 1, Episode 7)

A troop of Girl Guides—sorry, ‘Hedgehog Rangers’—head into the woods for a camping trip. When the girls start falling into a strange trance, it’s up to a moody, reluctant Ranger to save the day. The setting here is promising, the campfire scene is a highlight, and the urban legend about the missing troop is a great touch. Unfortunately, the good stuff is undermined by questionable acting and a somewhat ridiculous supernatural menace. Though I will admit the singing is quite creepy.

18. ‘Shed No Fear’ (Season 1, Episode 10)

Set in the 1970s, with some decent period detail, this episode follows two boys as they battle a mysterious shadow-creature inhabiting an old shed. It’s cute to see Greg and Dave rekindle their friendship and tell the smarmy football captain to get lost, but the threat of the Shade is never particularly well-developed. The title also annoys me. Outside the context of this episode, nobody has ever uttered the phrase ‘shed no fear’. It isn’t even a good pun!

19. ‘The Unfortunate Five’ (Season 2, Episode 5)

Five kids in detention meet their match in a seemingly sweet, yoga-loving teacher who pits them against each other. Establishing five protagonists and two villains within the space of 25 minutes is a tall order, and it’s one this episode doesn't meet. ‘The Unfortunate Five’ has a good concept and also boasts one of the series’ goriest images (when Faye attacks Hawkins and blood spatters across the glass—I’m kind of surprised CBBC didn’t cut that). But the flimsy, unmemorable characters doom it to the lower reaches of this list.

20. ‘Only Child’ (Season 2, Episode 7) 

This could have been great: the story of a girl being menaced by her demonic baby brother, while her parents are convinced she’s just jealous, has lots of potential. Yet ‘Only Child’ doesn't really work. The denouement is rushed and muddled (exactly how does Mia identify the link between the baby’s power and the feedback sound?) and the low-budget special effects don't help. It also suffers from being set entirely within the Tuthill family’s apartment, which looks like a cheaply decorated show home. 

21. ‘Help’ (Season 2, Episode 3)

A very meh installment about a brother and sister who are overly reliant on their family’s Amazon Alexa-like virtual assistant. It’s basically a weaker version of ‘Marti’ with a much less impactful message. The siblings are barely fleshed out, and the episode shares with ‘Only Child’ a sterile-looking set that doesn’t resemble a real family home at all.

22. ‘Spaceman’ (Season 1, Episode 8)

If episodes like ‘Trolled’ and ‘No Filter’ represent what a show like Creeped Out should be, ‘Spaceman’ is exactly what it shouldn’t be. If ‘Cat Food’ proves how well humour can work within a scary story, ‘Spaceman’ shows exactly how it can go wrong. The tale of unlikely pals Spud and Thomas finding a crashed spaceship is by far the worst thing Creeped Out has come up with—it’s implausible, unfunny and not remotely creepy. Avoid.

[crowdvscritic]

round up // OCTOBER 20

Hubie Happy Halloween, friends! I’m not sure what October’s been like for you, but here’s a quick summary of my month:

Re-acquainting myself with my collection of (mostly gray and navy blue) sweaters

Ordering an embarrassing—like, I lost count kind of embarassing—number of lattés

Alternating between enjoying the ombré of the fall trees and cozying up with the first logs in the fireplace

Revisiting all-time favorite stories like The Scarlet Pimpernel by the Baroness Orczy, the extended Lord of the Rings movie trilogy, all three seasons of Stranger Things, the 1995 Pride and Prejudice miniseries, and several Harry Potter movies

In short, this month has been all about finding joy in the little things, which is the essence of our search for coziness in autumn. Since these monthly Round Ups only focus on pop culture that’s new to me, that means this month’s list is shorter than usual, but many of the movies and shows feel like warm blankets I’ll return to again. Though, as you’ll see, a few are not…

October Crowd-Pleasers

Enola Holmes (2020)

A movie so charming, I’m on the verge of rewatching even though it’s only been a few weeks. (It’s a rare occurrence for me to return to something so quickly.) It lets a stacked cast of performers known for dramatic roles flex their comedic muscles, including Henry Cavill, Sam Claflin, and—most spectacularly—Millie Bobby Brown. You can read my full review of the new Netflix movie at ZekeFilm. Crowd: 9/10 // Critic: 8/10

Murder, She Wrote (1984-96)

This entry comes with a bit of an asterisk* because Kyla and I watched this murder mystery procedural in 2018 for our podcast, SO IT’S A SHOW? At the time, I was open to watching more episodes, but it was never so easy as with the launch of the Peacock streaming service. All 12 seasons are available in the free tier, and I never thought a show about murder—and in the procedural format, which I don’t typically love—could be so enjoyable. Angela Lansbury’s mystery writer/amateur detective Jessica Fletcher has become a non-ironic role model for me—I aspire to be as gracious, intelligent, humble, uncynical, and assertive. Also, who says I’m not aspiring to spending my 60s writing, traveling, and solving crimes while wearing a fabulous collection of cardigans?

The Return of SNL

When Saturday Night Live returns in the fall, I always squeak out during the premiere’s opening credits, “My friends are back!” It’s a silly thing to say about an ever-rotating group of people I’ll never meet, but when you’ve been watching Kenan Thompson do his thing for close to two decades, you can only be delighted to see him after months of absence. While the “At Home” episodes this spring were a treat I didn’t think possible, it’s even better to have my friends back at it in their usual environment with the high production value of Studio 8H. These were the skits that made me laugh the most month:

“VP Fly Debate Cold Open,” mostly for the Jeff Goldblum tribute (4602 with Bill Burr)

“New Normal” (4602)

“Dr. Wenowdis on Weekend Update” (4602)

“Enough Is Enough,” a bit which explains my feelings about almost all celebrity political takes (4602)

“Canadian News Show” (4603 with Issa Rae)

“Election Ad” (4604 with Adele)

“The Bachelor” (4604)

For more on how this season has come together back in the studio, you can read the Vulture interview with Lorne Michaels about it.

Coach Carter (2005)

A based-on-a-true-story movie about an unconventional basketball coach (Samuel L. Jackson) who wants his players (including a baby Channing Tatum) to succeed on more than just the court. It’s a straight-down-the-middle story that shares DNA with many of the inspiring sports movies that came out in the wake of Remember the Titans, but it’ll scratch that itch if that’s what you’re looking for. Crowd: 8.5/10 // Critic: 7.5/10

Double Feature — Early ’90s Halloween Classics: Edward Scissorhands (1990) + The Addams Family (1991)

Both of these movies start at Christmastime, but both are spooOOooky movies in their bones. Not all Halloween movies are Tim Burton movies, but all Tim Burton movies are Halloween movies, including Edward Scissorhands (Crowd: 8.5/10 // Critic: 8.5/10). Tim Burton is hit-or-miss for me, but I was pleasantly surprised at how moving this idiosyncratic fairy tale was. Johnny Depp is at his most tortured as a Frankstein’s monster whose inventor (Vincent Price) gave him scissors for hands, Dianne Wiest finds the heart and comedy in your local Avon representative, and Winona Ryder is a queen. The Addams Family (Crowd: 8.5/10 // Critic: 7/10) might be even more idiosyncratic. I’ve never watched the TV series, so it took me a minute to warm up to its twisted sense of humor (“Are they made from real Girl Scouts?”), but once I did, I started laughing as often as my nostalgic parents.

The Magic iPod

A nostalgia kick you didn’t know you wanted. I have no idea why or how this site exists, only that it brings me joy. Try mashing up “Ms. New Booty” with “A Thousand Miles,” “Get Low” with “Float On,” “Tipsy” with Bring Me to Life,” “99 Problems” with “All Star,” “Country Grammar” with “Complicated,” or any other combo that brings your favorite songs from your first iPod together.

Hubie Halloween (2020)

You know those dumb movies that just hit you in the right spot? Adam Sandler has a knack for those kind of movies, and Hubie Halloween fills the void of Halloween fun you’re probably missing this year. Sandler plays Hubie, a not-very-bright do-gooder with a very big heart whose self-proclaimed purpose is to keep everyone safe in his hometown of Salem. But there are spooOOooky threats on Halloween night this year, and only Hubie and his thermos (which rivals a Swiss army knife in all its functions) will be able to save it. Don’t miss it you’re like me and love a good celebrity cameo and a Hollywood-designed Halloween costumes. Crowd: 9/10 // Critic: 6/10

Double Feature — Are We Sure These ‘80s Movies Are for Kids? Gremlins (1984) + Who Framed Roger Rabbit (1988)

After seeing Gremlins (Crowd: 8.5/10 // Critic: 7/10), I know why parents were clamoring for the PG-13 rating—this movie may be short on the scares for adults, but I have no idea what I’d do for a tyke not expecting the cuddly Gizmo to spawn homicidal ghouls. In what may be the most ‘80s movie I’ve watched yet, we get a legit bonkers story, both in premise and execution—and it might also be a brilliant and scathing satire of consumerism? Perhaps another spoof of consumerism: Who Framed Roger Rabbit (Crowd: 8/10 // Critic: 8.5/10), which creates an impressively specific world that’s part animation, part live action. It’s a parody of classic film noir with no shortage of innuendo or just plain weirdness—its artistic achievement makes it worth watching, but since when have kids cared much about any of those things?

Double Feature — So-Bad-They’re-Good Action Flicks: Gone in Sixty Seconds (2000) + Abraham Lincoln: Vampire Hunter (2012)

If Gremlins is one of the most ‘80s movies, then Gone in Sixty Seconds (Crowd: 8/10 // Critic: 5.5/10) is one of the most Nicolas Cage movies. He’s a good guy caught on the wrong side of the law in a ridiculous plot engine where he has to steal 50 cars in less than a week. His pent-up frustration lives just below the surface, and his performance is so committed, you’re not sure if he’s knows  the dialogue and plot twists are zany—in fact, you’re not even sure he’s acting at all. Also committed to whatever the heck it’s doing is a movie that’s exactly what it sounds like, Abraham Lincoln: Vampire Hunter (Crowd: 8.5/10 // Critic: 6/10). An over-qualified cast (Mary Elizabeth Winstead, Anthony Mackie, Rufus Sewell, and more) just goes for it in a story with the premise that Abe Lincoln fought oppression caused by slavery and by immortal blood-suckers. I think my favorite part is when a vampire throws a pony at our 16th president—I couldn’t make this up if I tried.

October Critic Picks

Triple Feature — ‘60s Horror Classics: Village of the Damned (1960), The Haunting (1963), Night of the Living Dead (1968)

In Village of the Damned (Crowd: 8/10 // Critic: 8/10), everyone in a British village passes out at the same time for hours, and weird events continue for years, centering around a mysterious group of children. In The Haunting (above, Crowd: 8/10 // Critic: 9/10), a group is studying events at a haunted house, but it may be the house that’s in control. And in Night of the Living Dead (Crowd: 8.5/10 // Critic: 9/10), the zombie genre dawns with a group huddled away from the undead in a farmhouse. All of these are thoughtful, well-made films, but I recommend them with asterisks* because I’ll never watch any of these groups again. The Haunting made me scared of bumps in the night as I was falling asleep, and Night of the Living Dead gave me zombie-filled nightmares. If you’re looking for a dose of heebie jeebies, these are the movies you’ll be needing!

2001: A Space Odyssey (1968)

I’m not sure I understood any of it, but I think I liked it? If you don’t mind a film that feels more like poetry than a plot, this visual stunner is worth the long runtime and straight-up weird sequence of scenes. Fortunately, I was prepped for my viewing with the help of Turner Classic Movies host Ben Mankiewicz and writer/director Brad Bird, who selected as part of this season’s Essentials lineup. While Bird loves the film, Mankiewicz admitted it’s not one of his favorites because it’s such an obtuse head-scratcher. Both acknowledged it’s an important one to cinema, so unless The Tree of Life is still making your brain hurt almost a decade later, it’s worth trying to parse through a story that covers the dawn of man, man’s fight against machine, and, um, a lot of other things I couldn’t explain if I tried. Crowd: 5/10 // Critic: 10/10

The Trial of the Chicago 7 (2020)

If you’re a fan of Aaron Sorkin’s idealist monologues and ideological pitter-patter, then pause your latest binge of The West Wing to watch his latest writing/directing outing, now streaming on Netflix. Based on the true story of protesters who clashed with the police outside the Democratic National Convention in Chicago in 1968—which, yes, doesn’t seem to difficult to imagine these days—it captures the spirit of a wild trial about political activism, healthy debate, fairness in government, and even the importance of grammar. If you watch it and think there’s no way this really happened, be sure to read up on the real trial to see how the film toned down the judicial circus. While this Oscars season will be unusual, we can predict this film will be in the awards conversation. Crowd: 9/10 // Critic: 9/10

Also in October…

My fellow ZekeFilm writers and I collected our favorite Halloween movies and TV specials for your enjoyment. Not-a-spoiler-alert: My pick is not very scary. In fact, it’s a zom-rom-com I’ve only come to love more since reviewing it upon its release.

Though Kyla and I always talk about Gilmore Girls on our podcast, we don’t just talk about the murder mystery TV shows it references like Murder, She Wrote. This month we talked about an ‘80s prime time soap full of shoulder pads and catfights as well as a ‘70s movie starring Rocky and the Fonz. Then we decided there were so many confusing pop culture references in an episode we couldn’t pick just one, so we researched a mish mash of topics like Punk Planet magazine, workout guru Jack LaLanne, singer Blossom Dearie, Manson cult member Leslie Van Houten, and a whole lotta board games.

540 movies and counting! You can follow real-time updates in what I’m watching in quarantine on Letterboxd.

[hamaon]

IN DEPTH FANDOM QUESTIONS: Final Fantasy VII

 WHO WANTS TO READ 3000+ WORDS WORTH OF THIS STUFF

Top 5 favourite characters: Cloud’s story is very impressive for a 90s JRPG protagonist, and the glimpses of personality you get over the course of the game and towards the end especially are divine;I gave my heart to AVALANCHE early on, a moment of silence for all those who died so young;the image I have of Elmyra is a lot groovier than what there actually is in the game, but I’m hanging on to it;Tifa won me over just by her battle animations, and from these modest origins it grew and grew;

Nanaki is so serious, and also a baby.

Other characters you like: The bravest pilot-in-training who could. I believe in you, little guy.

Least favourite characters: “The hidden optional characters”, is what I was going to say, but I like Yuffie much better than Vincent. I actively dislike her character design (what is even going on there), but she’s vengeful and proud. All the characters in this game are more enjoyable if you highlight their unsavory qualities.

Vincent, though, is a miss. An unfortunate combination of things that I don’t care about. His main contribution to the story is giving more insight on Hojo and Sephiroth (and the Turks, I guess), but what I’d like to know more about are things to do with Gast, the Ancients, and Aerith’s involvement, and he has nothing to do with that. Also, Shinra by itself just isn’t interesting to me, it’s their involvement with the main characters (especially in the first areas of the game) that is fun, and again Vincent misses out.

There’s also the fact that- if there’s one mythological being that I couldn’t care less about, it’s vampires, and he shares a lot of the aesthetics, and- I don’t like using him in battle. The only time I used him during my first playthrough was when the party first crosses the mountains past Nibelheim, and taking him to the boss battle at end of the dungeon was a bad idea. It liked fire, and Vincent’s monster form whatever-beast liked producing said fire, and one thing led to another.

I love his theme, I guess, but I don’t even think of it as his theme. It’s the theme of the basement of the Shinra mansion and its fantastic, creepymonsters.

Also, Aerith, but more on that later.

Otps: I’m into Cloud/Tifa, but less for the chemistry and more for narrative reasons. I just think it makes a good story? Watching them dance around their memories of their shared past is the true heart of the game, for me.

I like that it’s romantic on Tifa’s part, but when you go back to the beginning of the game, once you know what sorts of questions the characters have been holding back on… how much of it is romantic on Tifa’s part, again?

I like that it isn’t romantic on Cloud’s part… until you get to the Lifestream, and the cause of this mess and the most honest truth at the core of it all was just a little boy crushing on the popular girl next door.

I like the idea of them deciding to stick together, the two survivors, now that they can admit out loud that they never really even knew each other.

I like how, with all of his regrets and failures, Cloud never did fail her.

(And I kind of like that the underdog in the triangle got the guy, in the end.)

I used to be passionately into Aerith/Tifa, early on – her interactions with Tifa are the best I liked Aerith – but I’ve let go of it, since. It’s okay to enjoy relationships without making them romantic, past me.

Not sure whether this is is an “otp “or a “notp” thing, or something else entirely, but I‘ve become very attached to the idea of Cid/no one as of late. Maybe the plot circumstances forcing him and Shera to stay separated helps them realize that it’s healthier this way. I want Cid to be grouchy and middle-aged and difficult to deal with on his airship, with his loyal crew and no romantic interest ever again.

And honestly, I’d be all for an AU where Cloud derails the plot by running off with some random AVALANCHE member in the early Midgar portion of the game. Jessie is the best candidate. Let Cloud and Jessie elope.

Notps: Cloud/Sephiroth. Aerith/Cloud as a reciprocal thing, because I enjoy their interactions better if Aerith isn’t serious about him (Cloud -> Aerith is fine, though).

Favourite friendships: Barret and Tifa. It was framed more as “Barret supports Tifa”, but I imagine that Tifa used to babysit Marlene quite a bit when AVALANCHE was smaller, so it evens out somewhat. They have a lot of shared history between just the two of them.

Aerith and Tifa. And listen, this isn’t pretty, but I want to think that they didn’t like each other that much, at first, even if it didn’t show – because why would they be rude towardseach other? Why wouldn’t they want to rescue innocent people? Maybe Aerith is a bit dismissive towards Tifa, unconsciously. Overrules her on things, without thought. I want Tifa putting up appearances that she enjoys Aerith’s company more than she really does, when really at times she makes her uneasy in ugly, jealous ways. All of that beingsomething they are already correcting themselves on come Kalm, quietly. On the way towards the chocobo farm you can see them walking together more often than not, and it continues that way until Aerith skedaddles.

Cloud and Yuffie. I just think that the detail of the shared motion sickness is nice and genuine. And in general, Cloud is yanked around by the story so much, it’s nice that he has someone he can be a mentor figure to. Good for the both of them.

Favourite family: Cloud’s, painfully unexplored as it was. It would benefit the game if there was just a touch more about Cloud’s mother. Just one more little scene, late in the game, to underline that she was loved, and that she’s gone, and that he doesn’t want to talk about it.

Favourite episodes: The entire Lifestream sequence where player-Tifa finally gets some answers to questions that have been left hanging since the first five minutes of the game.

Actually no, the entire game starting from where Cloud starts unraveling at the Noozupooru and the title of player character bounces back between a couple of party members as you’re putting the story together, culminating in the Lifestream sequence. But especially the Lifestream sequence.

Favourite season/book/movie: Original game? I think I liked the short animation thingy, Last Order, when I saw it ~ten years ago, but I can’t be assed to rewatch it now.

Favourite quotes: Any, as long as it comes with rustic typos in it. Absolutely beautiful.

Best musical moment: “Overworld“, as I had originally written down, like Tina’s theme, is a beautiful epic that encompasses all the highs and the lows of the narrative, but having listened to it for way too long while watching my friend play the game I’m in the “can’t stand” part of my cyclical relationship with the song. So let’s talk about Cid’s theme instead!

My first exposure to Cid’s theme was in the form of a background midi on a friend’s angelfire page, and I had no idea where the song was from. The file that I eventually managed to download on my computer was named something to the effect of ff7-cid, which told me nothing. No one in my family played video games.

As I said, I downloaded song. I used some .mid-to-sheet-music converter software on our computer to make it playable and printed it out. It wasn’t made for piano (and I definitely wasn’t good enough at notation to make an arrangement of my own), so I’d just follow along the notes as I put the midi on. I never did learn to play it. I never got a group together to try to play it – there’s nothing impressive about this story.

Fast forward several years, and I played the game. At that point it had been a long time since I had listened to the original midi, but I still remembered that I had built something way more epic around the song than what actually went down in the game. Not that Cid’s quest for the skies isn’t impressive, but it had sounded like something that would play during a last stand type of scene at the end of a story. My bad.

It’s still an impressive piece.

Moment that made you fangirl/boy the hardest: You lose control of the main character! That’s pretty metal?

When it really disappointed you: My introduction to the game was Advent Children, which I don’t think I had many strong feelings about? But I saw people online mourning the death of Aerith’s character (made even worse by Crisis Core) and how she was supposed to have been amazing in the game. So I played the game expecting something truly spectacular and… well, FF7 doesn’t have bad writing, I don’t think, but the characters definitely need you to meet them halfway before you can truly appreciate their potential. And Aerith mostly just hit on Cloud, so I was unwilling to even try. Disappointing, in the truest sense of the word.

I have a history of hating most Final Fantasy romance, and most of the characters doing most of the romance-inclined things. Edge hits on Rydia? Shit character. Locke hits on Celes? Shit character. Rinoa hits on Squall? Shit character (okay originally I liked her for that and only started hating her later in the game, adding her to the list here isn’t fair). Zidane hits on Garnet? Shit character. Yuna hitting on Tidus initially made me label her as a shit character as well, and I can actually pinpoint the very line of dialogue that made me stop thinking of her that way, but my main point is that in the beginning of FF10, I hated Yuna.

Anyway, I like to think that every time Aerith is hitting on Cloud, she’s joking! Because that’s what the root of my disinterest in engaging with her can be traced back to! Most of my headcanons are about Aerith, honestly. I make kind of half-hearted efforts to like her, occasionally, but I need to do it on my own terms – in order to enjoy her character, I need to be able to own her character. Otherwise I’m in a situation where I don’t care for the character much, and every time people point out some feature about them that makes them “perfect”, the bitterness increases. The “I was pretty neutral on this character, but everyone talking about how they’re the best thing ever made me loathe them” feeling. Yeah.

Saddest moment: I’m currentlythinking about the Nibelheim flashback where Cloud just plain refuses to talk about his mother and that’s a sad moment, isn’t it?

Most well done character death: Rufus went out gloriously. The whole scene with the multiple delayed laser beams whose projections you had to keep track of was magnificent, plus a corrupt corporation sacrificing everything for the greater good was pretty nice. Redemption in death.

Glad he wasn’t retconned into having survived or anything, that’d just ruin everything.

Favourite guest star: Cid had his moment in the spotlight, before slinking back into the shadows until XII?

Favourite cast member: Character, okay. Tifa, probably. A bunch of neutral to positive character traits, distinct nostalgia in the character theme, some half-assed writing, best animations in battle, a role that was fantastically spot-on in unravelling the main character’s labyrinthine headspace.

It’s less who Tifa is as a character, and more the good vibes surrounding her role in the story and some of the aesthetic decisions that went into creating the character. I mean, she’s a female monk. Just give her a version of the AC outfit that isn’t all black and stillhas the suspenders.

Character you wish was still alive: Nanaki’s mom.

One thing you hope really happens: Nanaki’s mom becomes an actual character in the remake. She completely drops out of everyone’s consciousness once it turns out that the Dad was the Important One. You have this rare heroic mother who is remembered for her feats in battle, only for her to disappear from the story completely. I’d like for Nanaki to remember them together. Wasn’t she supposed to have been something of a role model for him, before?

Most shocking twist: When the nameless Shinra grunt took off his helmet.

I keep thinking back to that gifset of that scene with the caption “that’s what Final Fantasy VII is all about, Charlie Brown“, and. Yeah.

When did you start watching/reading?: After Advent Children came out.

Best animal/creature: I have so many feelings about that one house in the Sector 7 slums. Primarily ”how“ and “why“. And “rocket launchers”.

Everything inside the sunken Gelnika is super cool, too. As is the Ruby Weapon, or however you capitalize that. Ruby WEAPON.

Favourite location: First visit to Nibelheim, if I’m being honest. Basement of Gold Saucer, if I’m not.

Trope you wish they would stop using: Will they?? Or… won’t they?? Let’s drag this love triangle shit on f o r e v e r.

Like please, FF10 was the best because they settled the will they won’t they thing pretty early on, just let this matter be resolved so we can have some development in some direction, please. Let him get on with his relationship with Tifa so we can have some real progress, let him break it off for real, just do something. As long as it isn’t ”he’s hung on Aerith forever“, because that goes directly against the development at the end of the game. Give him a new love interest, if you don’t want to piss anyone specific off, just stop beating this horse, it’s been dead for twenty years.

One thing this show/book/film does better than others: That’s what Final Fantasy VII is all about, Charlie Brown.

Funniest moments: When I was playing the game with a friend, and she triggered the bug where you don’t get portable save point in your inventory, and we only noticed halfway through the final dungeon. We still beat the game without any save slots. It’s not a very difficult game.

Couple you would like to see: please just fuckign Cloud/Jessie.

Actor/Actress you want to join the cast: Anyway, I’d like it if there were more female characters in the party, with more varied roles. Any of the main party members besides Barret, Reeve and Vincent could have been female, I think (I like Barret as a father, and Reeve is such a late reveal that it wouldn’t serve the intended purpose. And Vincent is optional). Cid, Nanaki, someone new? Cloud? Maybe Jessie could survive?

Actually, unpopular (?) opinion time, somewhat related, hang with me here, but I don’t think Tifa being ancillary to Cloud’s story is a bad thing at all. He’s the main character, his story is the most important story of the game, and her story supplements his story beautifully. The problem is that after the first disc, she’s the only active female character of any real importance. That’s where her propping up Cloud starts becoming a problem.

More female characters.

Favourite outfit: I love Aerith’s design, it’s spectacular. At first glance all you can see is pink, but it’s super practical, and plain, too. Some of it is probably because that’s how the game is designed in general, no one is very decorated, but still, Tifa wears earrings.

A simple dress, practical shoes. A plain bow, crude metal bracelets, and some random string around her neck. It’s like she just picked one up one day and went, why the hell not? That’s actually something I do when I’m cleaning and find pieces of string or broken rubber bands. Just tie them wherever, arm, neck, around my head.

It’s my headcanon that her dress was originally white, but it was washed with something red (that seems to be her color, no?) and was accidentally dyed in the process.

The short jacket is my favorite. I like the idea that she’d go for that big-shouldered look in other outfits, too. It looks so weird. I love it.

Favourite item: All materia. The ‘all’ materia.

Do you own anything related to this show/book/film?: Nothing official aside from the game itself. A couple of art prints. There’s one with Nanaki with his cubs looking over the ruins of Midgar that I need to get framed at some point, if I have the money.

What house/team/group/friendship group/family/race etc would you be in?: AVALANCHE all the way. The concept of bitter eco-terrorists is something that resonates closely with so much of my youth.

Most boring plotline: A lot of Barret’s stuff could have had better focus, unfortunately. Tying things back to Marlene & Elmyra & the working class more would have been appreciated.

Most laughably bad moment: I can’t decide between the kidnapping of Elena and Yuffie in Wutai, and the cannon-top slapdown between a corporate executive and a lifetime martial artist. It’s a horrible tie.

Best flashback/flashfoward if any: So much is centered around the Nibelheim flashbacks, let’s pick something else.

Cid’s Rocket Town flashback is pretty good, it makes you feel the frustration, and it manages to humanize him at the same time. Also, it isn’t a montage info-dump flashback, which FF7 falls victim to, occasionally.

Most layered character: Much of the plot is about putting different aspects of Cloud back together, sometimes more than figuratively, so, Cloud.

Most one dimensional character: Palmer. You know, because he gets run over by a… truck…

Scariest moment: The Shinra tower, after you escape from the jail. There have been just enough uncomfortable elements shown to you beforehand. There was something unnatural in that tank earlier, but it’s gone now. The soundtrack turned Silent Hill all of a sudden. Maybe you could receive comfort from the masses, now that you are facing a shared enemy of a new, strange caliber. The tower was bustling with life just moments ago.

But where is everyone.

Grossest moment: Cid yelling at Shera. Shut up, shut up, shut up.

Best looking male: Once you get past all the associations you have with white/silver-haired men in Japanese media, and the fact that it’s Sephiroth, Sephiroth is quite pleasing to the eye. The boob window is nice. Looks strong without being overbearing.

But at the end of the day, it’s still…. Sephiroth.

Best looking female: Everyone is a pile of polygons, but in my mind’s eye I always imagine Ifalna as a breathtaking beauty.

Who you’re crushing on (if any): no.

Favourite cast moment: I don’t keep up with creator commentary. I like to live dangerously.

Favourite transportation: All chocobos are beautiful in their own way. Incidentally, nothing that came after the original game counts as canon to me, and Cloud became a chocobo rancher near Corel. He goes snowboarding with Yuffie, sometimes, when she’s visiting and he’s trying to catch rare breeds in the mountains.

Most beautiful scene (scenery/shot wise): Midgar, as a whole. The dirty neon lights hiding eco-terrorists and secret flowerbeds. The ruins in the epilogue, when you end the game unsure whether most of the player characters even survived Holy. It just feels like a lot of love went into creating Midgar.

Unanswered question/continuity issue/plot error that bugs you: I was discussing Cid’s small pre-final dungeon Loveless monologue with The Friend Who Played Through My Copy Of Final Fantasy VII, and we came to the conclusion that we couldn’t come to a conclusion. It’s just… vague. Is it talking about dying? Who/what is supposed to work as a parallel to this play?Is it just a bad translation?

While we’re at this sort of thing, let’s talk about sequel stuff! and how Zack is what finally ties all the loose ends back together. About Cloud. About Aerith. He’s an explanation and a motivator, and from a story perspective, unimportant as a character with motivations of his own. Ultimately it doesn’t matter why he did what he did, only that he did them. He should never have been in the spotlight. In Final Fantasy VII, Zack would never have been in the spotlight.

Moreover, he’s gone. Aerith, the one who’d most benefit from having some answers, is gone. And it was fine that way.

Best promo: Uh. The FF4 flash ads with ostriches in them.

At what point did you fall in love with this show/book: Nibelheim.

[vivalatoons]

My Talk: Samurai Jack

Gotta get back, that’s a fact of Samurai Jack. 13 years of hiatus, Jack is back on the television screen. Yesterday was the end of Samurai Jack and it ended in the best way ever. My reflection of Samurai Jack begins now, watch out!

I didn’t watch Samurai Jack when it was on air, because I was toddler at the time. I would remember seeing Jack in CN’s short commercials. It wasn’t til years later I started to watch Samurai Jack.

It was the summer of 2012, when I saw Jack. The series started with a 3-part movie. The first part is the beginning of Aku’s terror and Jack being far away from his parents. Jack would travel far and wide to learn, train, and do other things with different people. Years later, Jack has grown up and sees that his mother and father are alive. However, they are slaves to Aku. Jack would go and finish Aku once and for all. Before Jack strike his final bow, Aku sent Jack to the future.

Part 2, Jack is in the future where the world ruled by Aku. Jack would slash and destroy some flying cars, some guys would see it, and they thought what Jack did was awesome. FYI, Jack isn’t his real name. The guys called him Jack, and the samurai went with it. Afterwards, Jack would go this bar and meet with these talking dogs. The dogs were in need of help and asked if Jack can help them. The dogs were forced to find jewels for Aku and want to stop it. He says yes and they started to plan what to do. A dog told Jack that Aku’s army of beetle drones were coming.

Part 3, it’s where Jack and the dogs plan their attack to defeat the beetle drones. They would destroy them with traps and Jack slash them. Jack would leave and this began his journey to return home.

The rest of Samurai Jack would follow Jack’s journey to get back home. Jack would go to space, deal with three blind archers, meet and befriend a Scottish man, work with gangsters, learn how to jump good, fight ultra-robots, goes inside a farting dragon’s guts not making that up, looking his clothes while he’s naked, go fight with Spartans, work on some high heels, was turned into a chicken, go inside a haunted house, was infected by Aku’s cold, face Aku again in an epic battle, fight with the four seasons, and his final adventure would be the most challenging one.

Jack’s “final” adventure was to return baby back to their mother. Jack hears a baby’s cry and discovered that the baby was about to be eaten by these ugly monsters. This would be the hardest for Jack, protecting and caring a baby. It wasn’t easy, but Jack and the baby would enjoy each other’s company. He would tell the baby the story of Momotarō. Later on, Jack would return the baby to their mother. The mother ask Jack what’s wrong with the baby, since the baby has an angry look on their face. Jack apologize and states that the baby has Sakai or The Spirit of the Samurai. Jack walks away and the baby shouts “MOMOTARO!”. Jack and the Baby was the last episode of Samurai Jack. 

The series was halted in 2004, meaning it was unofficially canceled. As Jack was off the air, Genndy would work in LucasFilms for The Clone Wars and doing other stuff. Mako Iwamatsu passed away in 2006 of esophageal cancer. It was a loss to lose a guy who voiced Aku on Samurai Jack. After watching the end of Samurai Jack, I saw that Genndy Tartakovsky would work on a Samurai Jack movie that went in pre-production. As all Samurai Jack fans, I waited and waited to see if the movie was going anywhere. It wasn’t. This didn’t stop my hope of Samurai Jack having a comeback. I trusted Tartakovsky when he said “Jack will come back.” It would just take some time for his return.

December 2015, a teaser came out on Adult Swim. This was the return of Samurai Jack. I was absolutely enthusiastic to learn the return of Jack is finally back. I would have to wait again for see when Jack was coming back.

July 1, 2016, Adult Swim released a video on YouTube. The video shows behind the scenes of making season 5. Creator Genndy Tartakovsky discussed how he and his team wanted to make a Samurai Jack movie and nothing was happening. Voice actor Phil LaMarr said how fans at conventions would tell him “What happened to Jack?”, “Is he coming back home?”. Some of the storyboard artists, animators, etc of Samurai Jack talked about returning back to Jack. Tartakovsky said how the death of Mako affected the show. Originally Tartakovsky wanted to change Aku’s voice, but decided not to. Mako brought something special in voicing Aku that couldn’t be replaced. Tartakovsky got Greg Baldwin to voice Aku. Tartakovsky states that no one can replace Mako. Everyone is really excited for season 5 and can’t wait to show the fans.

February 2017, the trailer of season 5 was out. It seems that it’s been 50 years and Jack is still in the future. Somehow, he hasn’t aged. The trailer was epic, action-packed, and AH! I WAS FLIPPING OUT WHEN I SAW THIS TRAILER! And the best part of the trailer, the premiere date was shown. Therefore, I rewatch Samurai Jack again  and missed the season premiere because I was slowly catching up on Samurai Jack and I don’t have cable so I would watch it on the Internet later.

March 11, the return of Jack is finally here. I watched it late and…MAN, ALL THOSE YEARS OF WAITING WAS FINALLY PAID OFF. Fans have been waiting for 13 years for Jack’s comeback and it was finally here. Samurai Jack started off with an epic episode and continues for following episodes. New characters, stunning animation, and AH!! IT WAS SO AWESOME!! Though it was mention, this is the final season of Samurai Jack. This season was the final ending of Jack’s long journey. I knew this, but I was still sad that it’ll be gone again. 

The final episode of Samurai Jack. All I’ll say is this...It was the best way to end Samurai Jack. So much nostalgia and a perfect ending.

Samurai Jack is more than a cartoon show. Samurai Jack is such a masterpiece of art and storytelling. The skies, backgrounds, everything about Samurai Jack was colored beautifully and I adore it so much. Genndy has broke the animation game when it comes to Samurai Jack. I want everyone to remember Genndy for his work on Samurai Jack, because it stays with you.

Samurai Jack has to be one of the greatest thing to come out of Cartoon Network. Adult Swim gets credit as well for letting Genndy finish his story with Jack and broadcasting it on their network. I will miss Samurai Jack. It’s such a great show. With the great talents of the background designers, storytellers, animators, and voice over actors, this show will be never forgotten. Genndy Tartakovsky has done an outstanding job with Samurai Jack and to bring it back for a season to end Jack properly was great. After years and years of struggling and the horror he witness, I can finally say that Samurai Jack is back in the past.