#review guide

[stemmmm]

if you havent read my wife's gf fanfic WHAT ARE YOU DOING!!

(no sound)

[mostlysignssomeportents]

Sandra Newman’s “Julia”

The first chapter of Orwell's Nineteen Eighty-Four has a fantastic joke that nearly everyone misses: when Julia, Winston Smith's love interest, is introduced, she has oily hands and a giant wrench, which she uses in her "mechanical job on one of the novel-writing machines":

https://gutenberg.net.au/ebooks01/0100021.txt

That line just kills me every time I re-read the book – Orwell, a novelist, writing a dystopian future in which novels are written by giant, clanking mechanisms. Later on, when Winston and Julia begin their illicit affair, we get more detail:

She could describe the whole process of composing a novel, from the general directive issued by the Planning Committee down to the final touching-up by the Rewrite Squad. But she was not interested in the finished product. She 'didn't much care for reading,' she said. Books were just a commodity that had to be produced, like jam or bootlaces.

I always assumed Orwell was subtweeting his publishers and editors here, and you can only imagine that the editor who asked Orwell to tweak the 1984 manuscript must have felt an uncomfortable parallel between their requests and the notional Planning Committee and Rewrite Squad at the Ministry of Truth.

I first read 1984 in the early winter of, well, 1984, when I was thirteen years old. I was on a family trip that included as visit to my relatives in Leningrad, and the novel made a significant impact on me. I immediately connected it to the canon of dystopian science fiction that I was already avidly consuming, and to the geopolitics of a world that seemed on the brink of nuclear devastation. I also connected it to my own hopes for the nascent field of personal computing, which I'd gotten an early start on, when my father – then a computer science student – started bringing home dumb terminals and acoustic couplers from his university in the mid-1970s. Orwell crystallized my nascent horror at the oppressive uses of technology (such as the automated Mutually Assured Destruction nuclear systems that haunted my nightmares) and my dreams of the better worlds we could have with computers.

It's not an overstatement to say that the rest of my life has been about this tension. It's no coincidence that I wrote a series of "Little Brother" novels whose protagonist calls himself w1n5t0n:

https://craphound.com/littlebrother/Cory_Doctorow_-_Little_Brother.htm

I didn't stop with Orwell, of course. I wrote a whole series of widely read, award-winning stories with the same titles as famous sf tales, starting with "Anda's Game" ("Ender's Game"):

https://www.salon.com/2004/11/15/andas_game/

And "I, Robot":

https://craphound.com/overclocked/Cory_Doctorow_-_Overclocked_-_I_Robot.html

"The Martian Chronicles":

https://escapepod.org/2019/10/03/escape-pod-700-martian-chronicles-part-1/

"True Names":

https://archive.org/details/TrueNames

"The Man Who Sold the Moon":

https://memex.craphound.com/2015/05/22/the-man-who-sold-the-moon/

and "The Brave Little Toaster":

https://archive.org/details/Cory_Doctorow_Podcast_212

Writing stories about other stories that you hate or love or just can't get out of your head is a very old and important literary tradition. As EL Doctorow (no relation) writes in his essay "Genesis," the Hebrews stole their Genesis story from the Babylonians, rewriting it to their specifications:

https://www.penguinrandomhouse.com/books/41520/creationists-by-e-l-doctorow/

As my "famous title" stories and Little Brother books show, this work needn't be confined to antiquity. Modern copyright may be draconian, but it contains exceptions ("fair use" in the US, "fair dealing" in many other places) that allow for this kind of creative reworking. One of the most important fair use cases concerns The Wind Done Gone, Alice Randall's 2001 retelling of Margaret Mitchell's Gone With the Wind from the perspective of the enslaved characters, which was judged to be fair use after Mitchell's heirs tried to censor the book:

https://en.wikipedia.org/wiki/Suntrust_Bank_v._Houghton_Mifflin_Co.

In ruling for Randall, the Eleventh Circuit Court of Appeals emphasized that she had "fully employed those conscripted elements from Gone With the Wind to make war against it." Randall used several of Mitchell's most famous lines, "but vest[ed] them with a completely new significance":

https://law.justia.com/cases/federal/appellate-courts/F3/268/1257/608446/

The Wind Done Gone is an excellent book, and both its text and its legal controversy kept springing to mind as I read Sandra Newman's wonderful novel Julia, which retells 1984 from the perspective of Julia, she of the oily hands the novel-writing machine:

https://www.harpercollins.com/products/julia-sandra-newman?variant=41467936636962

Julia is the kind of fanfic that I love, in the tradition of both Wind Done gone and Rosenkrantz and Gildenstern Are Dead, in which a follow-on author takes on the original author's throwaway world-building with deadly seriousness, elucidating the weird implications and buried subtexts of all the stuff and people moving around in the wings and background of the original.

For Newman, the starting point here is Julia, an enigmatic lover who comes to Winston with all kinds of rebellious secrets – tradecraft for planning and executing dirty little assignations and acquiring black market goods. Julia embodies a common contradiction in the depiction of young women (she is some twenty years younger than Winston): on the one hand, she is a "native" of the world, while Winston is a late arrival, carrying around all his "oldthink" baggage that leaves him perennially baffled, terrified and angry; on the other hand, she's a naive "girl," who "doesn't much care for reading," and lacks the intellectual curiosity that propels Winston through the text.

This contradiction is the cleavage line that Newman drives her chisel into, fracturing Orwell's world in useful, fascinating, engrossing ways. For Winston, the world of 1984 is totalitarian: the Party knows all, controls all and misses nothing. To merely think a disloyal thought is to be doomed, because the omnipotent, omniscient, and omnicompetent Party will sense the thought and mark you for torture and "vaporization."

Orwell's readers experience all of 1984 through Winston's eyes and are encouraged to trust his assessment of his situation. But Newman brings in a second point of view, that of Julia, who is indeed far more worldly than Winston. But that's not because she's younger than him – it's because she's more provincial. Julia, we learn, grew up outside of the Home Counties, where the revolution was incomplete and where dissidents – like her parents – were sent into exile. Julia has experienced the periphery of the Party's power, the places where it is frayed and incomplete. For Julia, the Party may be ruthless and powerful, but it's hardly omnicompetent. Indeed, it's rather fumbling.

Which makes sense. After all, if we take Winston at his word and assume that every disloyal citizen of Oceania is arrested, tortured and murdered, where would that leave Oceania? Even Kim Jong Un can't murder everyone who hates him, or he'd get awfully lonely, and then awfully hungry.

Through Julia's eyes, we experience Oceania as a paranoid autocracy, corrupt and twitchy. We witness the obvious corollary of a culture of denunciation and arrest: the ruling Party of such an institution must be riddled with internecine struggle and backstabbing, to the point of paralyzed dysfunction. The Orwellian trick of switching from being at war with Eastasia to Eurasia and back again is actually driven by real military setbacks – not just faked battles designed to stir up patriotic fervor. The Party doesn't merely claim to be under assault from internal and external enemies – it actually is.

Julia is also perfectly positioned to uncover the vast blank spots in Winston's supposed intellectual curiosity, all the questions he doesn't ask – about her, about the Party, and about the world. I love this trope and used it myself, in Attack Surface, the third "Little Brother" book, which is told from the point of view of Marcus's frenemy Masha:

https://us.macmillan.com/books/9781250757531/attacksurface

Through Julia, we come to understand the seemingly omniscient, omnipotent Party as fumbling sadists. The Thought Police are like MI5, an Island of Misfit Toys where the paranoid, the stupid, the vicious and the thuggish come together to ruin the lives of thousands, in such a chaotic and pointless manner that their victims find themselves spinning devastatingly clever explanations for their behavior:

https://www.bbc.co.uk/blogs/adamcurtis/entries/3662a707-0af9-3149-963f-47bea720b460

And, as with Nineteen Eighty-Four, Julia is a first-rate novel, expertly plotted, with fantastic, nail-biting suspense and many smart turns and clever phrases. Newman is doing Orwell, and, at times, outdoing him. In her hands, Orwell – like Winston – is revealed as a kind of overly credulous romantic who can't believe that anyone as obviously stupid and deranged as the state's representatives could be kicking his ass so very thoroughly.

This was, in many ways, the defining trauma and problem of Orwell's life, from his origin story, in which he is shot through the throat by a fascist: sniper during the Spanish Civil War:

https://www.rjgeib.com/thoughts/soldiers/george-orwell-shot.html

To his final days, when he developed a foolish crush on a British state spy and tried to impress her by turning his erstwhile comrades in to her:

https://en.wikipedia.org/wiki/Orwell%27s_list

Newman's feminist retelling of Orwell is as much about puncturing the myth of male competence as it is about revealing the inner life, agency, and personhood of swooning love-interests. As someone who loves Orwell – but not unconditionally – I was moved, impressed, and delighted by Julia.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/09/28/novel-writing-machines/#fanfic

[sugaredrhubarb]

A QUICK GUIDE TO AO3 CUSTOMIZATION FROM SOMEONE WHO KNOWS NOTHING ABOUT CODING

ft adding pink to everything and my secret to writing long comments

note: I originally posted this to twt but if that place burns in a fiery pit I spent too long on this for it to disappear, so I'm putting it here too :)

so many people know way more about this than I do, but this is a step-by-step walkthrough of the changes *I've* made, and hopefully it works as an introduction people can build from for whatever they'd like to do

There are a lot of images in this post! (click to enlarge)

to start, AO3 skins

site skins change how the AO3 website appears when logged in (even on mobile), mine is pink and blue!

I'll have my skin turned off throughout the post so the guides appear as they will for you

to create, edit, and view skins, go to the "skins" tab from the left-hand menu. you can also view public site skins from there or from the button in the preferences.

public site skins are made by other users. i would really encourage previewing and exploring them to become familiar with the possibilities (maybe you just want to use one of them and now you're done!)

to create your own skin

on the skins page, click "create site skin"

if you don't know CSS (same), use the wizard! clicking on the "?" will give more information about each option

I only use the colours section you'll see a link right there for hex codes I use pink as a header colour and bue for accent but lots of people change the background colour and that looks really cool!

submit

The next step is to add CSS from a public skin to your own. I use "ByLine" by Branch. this separates the tag categories and adds spacing to make them easier to read.

here is a before and after using the fic "Landslide" by @roosterbruiser as an example

to see the CSS of a skin, click the title

copy all the text below the CSS heading

in the skin creator/editor press the custom CSS option and paste all the text into the CSS box

you can have both wizard and custom CSS settings, in mine you can see the header and accent colours as well as the CSS

level up: USERSCRIPTS

userscripts are small pieces of code that modify a website. for AO3, this may involve adding shortcuts and buttons or even advanced tagging functions (computer people, I'm so sorry if this is wrong, I'm trying). I use Greasy Fork and Tampermonkey.

This is how I write long and formatted comments!

Greasy Fork is an archive of userscripts and Tampermonkey is a browser extension and userscript manager. You don't need to use these two in particular. please use your common sense when downloading anything or adding permissions to your browser.

Greasy Fork guide on installing fics

Install Tampermonkey on Chrome

there are TONS of user scripts for AO3. This is another good opportunity to explore all the possibilities. there are lots of more complicated options I haven't explored.

scripts for AO3

i use this floaty review box

and this comment formatting

EDIT: if you use chrome you might need to turn on developer mode in your chrome extension manager - you can google "tampermonkey developer mode" and it should explain that :)

to install (once you have Tampermonkey installed):

open the script you want in Greasy Fork and press install

Tampermonkey will open, press install again

clicking the Tampermonkey extension will let you toggle scripts on and off, and opening the dashboard will let you view, edit, and delete scripts

i find i can only have a few turned on at a time before they cancel each other out, but that depends on which ones you're using and someone more savvy might be able to fix that

how to use the floaty review box - write more comments!

there will now be a "floaty review box" button at the top of the work, it will open a floating text box you can move anywhere on the page. highlighting any text and pressing the insert button will paste the text with italics into the box

anything you type in the review box will appear in your comment at the bottom of the page!

if you have also installed the comment formatting script, you'll be able to highlight any text in your comment and use the new buttons above the comment box to format it

thats all ive got! Hopefully this is a good starting point to get familiar with some of the terms and basics for skins and scripts <3

if you want some inspo for how to comment on fics i made a whole fic rec list on twitter based on comments I've left, it's here. i have a masterlist of recs there mostly for darklina/reylo and similar ships.

the tag #reading with ru has cod recs and me talking about books

:)

[osakateto]

My take on lotr and the hobbit

[willowcrowned]

unironically howell movingcastle had it all figured out. I never get anything done unless I trick myself into it say what you will but his methods work

[thelailasblog]

[thefangirlphenomenon]

the validation i get from seeing my goodreads tracker say "you're 2 books ahead" is rivaled only by the endorphin rush i get from actually reading

[fictionalmenmistress]

On my second watch, I realized that "Its Raining Men" was still playing, as Nandor literally crashed from the sky in front of Guillermo at his first pride parade.

Guys. Guys. Its raining men. Hallelujah.

[talknerdytome18]

Ranking All Books by Holly Jackson

Since I've read all of Holly's books, I'm going to rank them! Disclaimer: This is my opinion. If we don't have the same opinion, then respect that. Let's go!

Warning: this may contain spoilers for all books published by Holly Jackson. If you don't want to be spoiled, then scroll away.

6. Killjoy (2021)

I found this story cute! Very fun and fast-paced. I loved seeing how it all started and loved seeing the friend group's dynamic again. I just found this to not be the best out of all of Holly's books (granted this is a novella, but it's not my fave). Also, too much Ant Lowe in my opinion. I would have preferred more Jamie Reynolds. Also, I personally think Connor and Zach should've kissed but oh well.

Overall, fun book! If you wanna go back to where it all started, then this novella is worth it.

5. Five Survive (2022)

Guys... I have a reason why this book is ranked so low. I'm going to start by saying that I did not hate this book. I found the story intriguing and was engaged once the action started. For her first standalone, this book was really good and exceeded my expectations. My main problem with this book was that I found that I could care less about the characters. Personally, I found Red Kenny to be a weak protagonist in comparison to Pip and Bel and, not to mention how I could care less about Red and Arthur. Red and Arthur are cute, but honestly, I could care less if they got together or not.

Again, I don't hate this book. For Holly's first standalone, it was really good. However, I found that I didn't really care for any of the characters.

Overall, good book! Wish I connected more to the characters because the premise is incredible.

4. Good Girl, Bad Blood (2020)

All books in the AGGGTM series are five star reads in my opinion, but I find this the weakest book in the trilogy. Honestly, I love this book with my whole heart. Coming from being Connor Reynolds's biggest fan, I love how much he appeared in this book and how he aided in finding Jamie.

I think this book suffers from what I've dubbed "Sequel Slump" - meaning that the first book is so good that the sequel "slumps" in comparison. In this case, A Good Girl's Guide to Murder is so good that this book just "slumps" in comparison, and I think it's because it takes a while for the mystery to officially begin, since we're taken through a quick recap over the previous book's events and then the memorial.

Also, I personally think that Connor and Zach should've kissed. Connor going to Zach's house to play Fortnite after the memorial? Very fruity to me (joking... or am I?)

Overall, love this book. Wish it got more recognition in the fandom.

3. A Good Girl's Guide to Murder (2019)

LOVE THIS BOOK. This book is fast-paced, thrilling and mysterious. It has a healthy dose of mystery and romance, along with characters I truly felt interested in. Pip's an amazing protagonist who fought hard to prove Sal innocent and find the real killer under the guise of her EPQ, all as she got the guy (Ravi Singh) in the end.

I loved that this book kept me guessing until the very end. I was suspecting everyone (Max, Jason, Naomi, Elliot, etc) and was genuinely surprised finding out Elliot killed Sal. Holly had written him to be such a likeable person that I couldn't believe he would kill Sal just so he could frame him as Andie's killer. AND BECCA? Never would've guessed it. Holly Jackson knows how to write compelling thrillers and I love that for her.

My only real complaint is again, Zach and Connor should've kissed. Connor honey I get that you liked Pip, but Zach Chen is literally right there. You boys are soulmates and I pray that the show recognises that (along with LauCara).

Overall, AMAZING BOOK. Deserves all the hype!

2. As Good as Dead (2021)

AHHHHH I LOVE THIS BOOK SO MUCH. THIS BOOK IS HOW YOU END A TRILOGY GUYS. From the beginning, I was hooked by the mystery of Pip's stalker. This book broke my heart with Andie's email - poor girl was so scared of her father and died trying to escape him. I really like how this book doesn't give Andie a full redemption arc, rather it explains her actions. It really humanises Andie - a girl who grew up in a toxic environment and died trying to save herself and her sister.

My heart shattered when Pip broke up with Ravi. AND HIS SUGGESTION WAS TO MARRY SO THEY COULD GET SPOUSAL PRIVILEDGE??? RAVI FUCKING SINGH WHY DO YOU DO THIS TO ME???

The ending? EVIL. FUCKING EVILLLL BUT I LOVE HOLLY EITHER WAY. In my heart, I believe Pip got back together with him and they married. They also got another golden retriever in my mind after they got married.

Only complaint was WHERE WAS ZACH CHEN? CONNOR AND HIM SHOULD'VE KISSED WTF. Not to mention Lauren and Cara... Love my girl Steph though. Hoping that Lauren and Cara are a thing in the show though since we don't know much about Steph.

Overall, BEST BOOK IN THE TRILOGY GUYS.

The Reappearance of Rachel Price (2024)

HOLY FUCKING SHIT.

THIS BOOK... I WILL ONLY SAY ONE WORD: BRILLIANT.

When Holly Jackson said that this book was her favourite, I can see why it is. While I struggled to get into it from the beginning, once I read past 100 pages, I was hooked. Bel Price is such a complex protagonist that I could find myself relating to. All the characters were just so complex and you truly don't know who's lying until the very end, when we find out (spoiler alert) that Charlie (Bel's dad) had ordered his father to kill Rachel.

Not to mention how insane the sibling plotline was??? I NEVER WOULD HAVE SUSPECTED THAT CARTER WAS RACHEL'S BIOLOGICAL DAUGHTER. My heart broke when Rachel spoke about how Patrick took Carter away from her when Carter was only two weeks old. The Price family are truly disgusting - Rachel, Bel and Carter deserved so much better.

Also, I preferred the romance between Ash and Bel over Arthur and Red. Ash is such a fun character and I was genuinely sad when him and Bel weren't endgame. I believe that one day, in the near future, they reunite and get together officially.

Overall, LOVE THIS BOOK. If you haven't picked this up yet, then do so now!

~~~~

That's it! If you wanna talk, then my inbox is open :) - Em

[charlie-old-one]

I’ve just finished the first book of A good girl’s guide to murder by Holly Jackson and I’m obsessed with these characters.

I’ve already bought the second book!

If you haven’t read it yet, get on it! You won’t be disappointed!

[neosatsuma]

Aubreyad as Troubled Birds

Martin:

Diana:

Wray:

Jack:

And last but NOT least...

Stephen:

[aintevenchillin]

Gif I made it’s on tenor now https://tenor.com/ezpTJT27Z3W.gif

[mostlysignssomeportents]

Christopher Brown’s ‘A Natural History of Empty Lots’

On SEPTEMBER 24th, I'll be speaking IN PERSON at the BOSTON PUBLIC LIBRARY!

Christopher Brown is an accomplished post-cyberpunk sf writer, a tech lawyer with a sideline in public interest environmental law, the proud owner of one of the most striking homes I have ever seen, and an urban pastoralist who writes about wildlife in ways I've never seen and can't get enough of:

https://fieldnotes.christopherbrown.com/

All of these facets of Brown's identity come together today with the launch of A Natural History of Empty Lots: Field Notes from Urban Edgelands, Back Alleys and other Wild Places:

https://christopherbrown.com/a-natural-history-of-empty-lots/

This is a frustratingly hard to summarize book, because it requires a lot of backstory and explanation, and one of the things that makes this book so! fucking! great! is how skillfully Brown weaves all that stuff into his telling. Which makes me feel self-conscious as I try to summarize things, because there's no way I'll do this as well as he did, but whatever, here goes.

Brown is a transplant from rural Iowa to Austin, where he set out to start a family, practice tech law during the dotcom boom, and write science fiction, as part of a circle of writers loosely associated with cyberpunk icon @brucesterling. After both the economy and his marriage collapsed, Brown started his restless perambulations around Austin's abandoned places, sacrifice zones, the bones of failed housing starts and abandoned dot-crash office parks.

When he did, something changed in him. Slowly, his eyes learned to see things that they had just skipped over. Plants, animals, and spoor and carapaces and dens of all description, all around him, a secret world. These were not pockets of "wilderness" in the city, but they were pockets of wildness. Birds' nests woven with plastic fibers scavenged from nearby industrial dumpsters; trees taking root in half-submerged tires rolled into a creekbed, foxes and rodents playing out a real-life version of the classic ecosystem simulation exercise on the edge of an elevated highway that fills the same function as the edge of a woodland where predator and prey meet.

As Brown fell in love again – with the artist and architect Agustina Rodriguez – he conceived of a genuinely weird and amazing plan to build a house. A very weird house, in a very weird place. He bought a plot of wasteland that had once housed the head-end of an oil pipeline (connected to a nearby oil-storage facility that poisoned the people who lived near it, in an act of wanton environmental racism) and had been used as a construction-waste dump for years.

After securing an extremely unlikely loan, Brown remediated the plot, excavating the oil pipeline, then building the most striking home you have ever seen in the resulting trench. Brown is a pal of mine, and this is where I stay when I'm in Austin, and I can promise you, the pictures don't do it justice:

https://www.texasmonthly.com/style/christopher-brown-edgeland-house-austin/

Formally, A Natural History of Empty Lots is a memoir that explains all of this. But not really. Like I say, this is just the back story. What Natural History really is, is a series of loosely connected essays that explains how everything fits together: colonial conquest, Brown's failed marriage, his experience as a lawyer learning property law, what he learned by mobilizing that learning to help his neighbors defend the pockets of wildness that refuse to budge.

It's an erudite book, skipping back through millennia of history, sidewise through the ecology of Texas, all while somehow serving as a kind of spotter's guide to the wild things you can see in Austin – and maybe, in your town – if you know how to look. It's a book about how people change the land, and how the land changes people. It is filled with pastoral writing that summons Kim Stanley Robinson by way of Thoreau, and it sometimes frames its philosophical points the way a cyberpunk writer would – like Neal Stephenson writing a cyberpunk trilogy that is also the story of Leibniz and Newton fighting over credit for inventing calculus:

https://memex.craphound.com/2004/11/20/neal-stephensons-system-of-the-world-concludes-the-baroque-trilogy/

Brown is a stupendous post-cyberpunk writer, and also a post-cyberpunk person, which I've known for sure since I happened upon him one morning, thoughtfully mowing his roof with a scythe:

https://www.flickr.com/photos/doctorow/46433979075/

You can get a sense of what that means in this lockdown-era joint presentation that Chris, Bruce Sterling and I did on "cyberpunk and post-cyberpunk":

https://archive.org/details/asl-cyberpunk

Brown is a spectacular novelist. His ecofascist civil war trilogy that opens with Tropic of Kansas got so much right about the politics of American demagoguery and was perfectly timed with the Trump presidency:

https://memex.craphound.com/2017/07/11/tropic-of-kansas-making-america-great-again-considered-harmful/

The sequel, Rule of Capture, uses the device of courtroom drama in a way that comes uncomfortably close to the Orwell/Kafka mashup that the authorities have created to deal with environmental protesters:

https://memex.craphound.com/2019/08/12/rule-of-capture-inside-the-martial-law-tribunals-that-will-come-when-climate-deniers-become-climate-looters-and-start-rendering-environmentalists-for-offshore-torture/

And the final volume, Failed State, is one of the most complicated complicated utopias you could ask for. This is what people mean by "thrilling conclusion":

https://pluralistic.net/2020/08/12/failed-state/#chris-brown

As brilliant as Brown is in fiction mode, his nonfiction is unclassifiably, unforgettably brilliant. A Natural History of Empty Lots is the kind of book that challenges how you feel about the crossroads we're at, the place you live, and the place you want to be.

The paperback edition of The Lost Cause, my nationally bestselling, hopeful solarpunk novel is out this month!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/09/17/cyberpunk-pastoralism/#time-to-mow-the-roof

[sincerelyyadere]

B-class guide review (no spoilers)

8/10

Yandere, guides x esper, office romance, trust issues x clingy, nsfw, kinda wholesome

To be honest, this series would’ve had even higher score, if not for the ending. The whole series was so cute and comfy, and of course we loooove a cute yandere so there was that. The only “BUT” i have is that some parts of the manhwa were written in such manner, that made sense only when you finally got the big picture. For example mc is very sensitive to rumours abt him, and we, as viewers, dont really understand why, which was explained eventually, but…. Some episodes were written kind of messily, and i think if not for the cute characters and how in love i was w/ them i would be more bothered.

There, of course, were some parts with sexual abuse (f.e. Sexual acts when one of the characters is blacked out) that were NOT MENTIONED IN THE TW, but i am not even surprised at this point, manhwa authors kinda lost a meaning of the word “consent”. Its kinda frustrating.

And, of course we have the ending, which left me like:

It was as if the plot was cut in half, and they called it a day, which was very unsatisfying, and left me feeling like the author did not have an idea how the ending should look, so they just messily ended the series just so. To say it was very unsatisfying is an understatement, i couldnt believe they ended the series like that🫠

Anyways, very cute, yandere enjoyer approved!

[kittensandforeheadkisses]

I am NOT going to let a one star review on goodreads ruin the emotional euphoria I got after finishing one of the best trilogies ever

[atellrie]

Is it just me or some drawings from the Adventurer's Guide to Dragonwatch doesn't actually match to their description in books?

I've finally received my copy of the Adventurer's Guide to Dragonwatch and as I was leafing through the pages I was a little confused while looking at some of the pictures.

Of course, I adore drawings by Brandon Dorman (especially the dragon ones) but when I saw the Fairy Queen and Underking I was... I don't know, a bit disappointed..?

They just don't look anything alike like I pictured them nor either like it was said in the books. Fairy Queen looks just like some old Polish woman in heavy make-up and folk dress. (no offense to old folk women but I don't think that one of the most beautiful and powerful magic monarch should look like that) And Underking... Why is he so purple?

Also I was a bit triggered by the colors of those illustrations. Compared to other pictures from the book, they have to strong color. Colors from the rest of the drawings were more... subdued..? (I have no idea how to say it in different way in English - it's not my native language so, please, forgive me my bad grammar and everything else.. )

However, I'm amazed by that new book and I really appreciate other things included in it, like the cover or drawings of dragons, buildings, swords and etc. (admiring the look of Mizarine <33) I can't wait to read it whole!

And what are your thoughts about new Dragonwatch book?

PS. I think, that the original cover looks much better than the Polish one, what do you think? For me it somehow has better font or sth..