If The Alcott was on Folklore/Evermore people would’ve eaten it up.
Have I become one of your problems?
Everything that's mine is a landmine.
Did my love aid and abet you?
We moved on WAY too fast from this masterpiece.
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My apologies to the hard working, unfairly treated, writers, directors, cast and crew but I am not exaggerating when I say I am one more cancelation from not being willing to start any more new shows. I can't keep getting attached to these characters and excited to see their stories only for them to canceled after one or two seasons and never be told. Especially when most of them only get eight episodes or less. I wouldn't mind short seasons if I got a complete story but that rarely happens anymore.
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Apprentice!Dick shows up in our "normal/standard/regular" DC universe and everyone (batfam, titans, whoever) is shocked and upset by his physical and mental state. Everyone is assuming it is dimension travel and wants to try to help him get back to his dimension, while also kicking Deathstroke's ass to get Dick out of this situation. However, our Dick recognizes that it is Not, in fact, dimension travel, but rather time travel, and he just never let anyone know that the apprentice trauma had happened to him. Our Dick Grayson goes along with everyone else's reactions while trying to hide that he went through this and never let anyone find out.
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*takes a deep breath* AREYOUREALLYGONNATALKABOUTTIMINGINTIMESLIKETHESEANDLETALLYOURDAMAGEDAMAGEMEANDCARRYYOURBAGGAGEUPMYSTREETANDMAKEMEYOURFUTUREHISTORYIT’STIMEYOU’VECOMEALONGWAYOPENTHEBLINDSLETMESEEYOURFACEYOUWOULDN’TBETHEFIRSTRENEGADETONEEDSOMEBODYISITINSENSITIVEFORMETOSAYGETYOURSHITTOGETHERSOICANLOVEYOUISITREALLYYOURANXIETYTHATSTOPSYOUFROMGIVINGMEEVERYTHINGORDOYOUJUSTNOTWANT TO-
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gallifrey’s main exports are temporal imperialism and supervillains who look like this
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The thing that struck me about the bargaining playlist starting with “The Great War” and ending with “Renegade” is that it starts with her fighting with him and in the end fighting for him.
In “The Great War,” she’s lashing out at him and he’s the one reaching out for her; she takes his hand before she loses him for good and she vows that from then on she’ll stand by his side. In other words, she got angry and hurt him, he offers her help and she learns to trust him and his presence. She’s made the ultimate commitment.
“Renegade” flips the script, with him now the one firing off missiles at her, but unlike in “The Great War,” he refuses to take her hand (e.g. her offer for help and more) and instead chooses to stay in the tomb that she climbed out of in TGW. Whereas the first song ends with her waking up just in time, stopping herself before she does something she’ll regret and dropping her sword to instead join him by his side, the last one ends on a much more uncertain note; she’s all alone and is drawing a conclusion that while she vowed to always be his, he may not want to do the same for her.
It really is kind of the cliff notes version of the breakdown of a relationship.
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