#actually she lets me down a lot

[booasaur]

Renegade Nell (2024) - 1x06

[sacchiri]

r/malelivingspace

[kirby-the-gorb]

[bmpmp3]

finding out ur coworker is way older than you thought and having to very quickly reorient how you talk to them

[sea-jello]

hong kong miku,,,

[haunted-xander]

So. Fatebreaker, right? Ryne's biggest fears made manifest, daddy issues personified, yes?

He's an amalgamation of Thancred and Ran'jit, his face, his voice and his weapon is Thancred's, but his body, his fighting style and his words are Ran'jit's.

Throughout the fight Fatebreaker constantly makes comments about how only he can protect Ryne, only he can provide for her, only he has even the right to so much as stand beside her, to be in her general presence. He's possessive and obsessive, repeatedly asserting that she is HIS and his only. Which is exactly what Ran'jit says basically every time we encounter him.

But this time it's in Thancred's voice. This time it's with the voice and face of a man she actually cares about.

Ryne isn't scared of Thancred, she never has been. Even when she first met him she was barely even nervous (as clearly shown in Thancred's short story). There's a lot of different feelings happening between those two, but fear has never been one of them.

But now, after things have gotten so much better, she is scared of Thancred becoming like Ran'jit. Because if Thancred was just a little further gone, if he was just a little less compassionate, he would've. It wouldn't be hard for him to go down the same path as Ran'jit did, to be incapable of letting go of the ghost of that girl he loved so so much to the point he'd stubbornly grip anything close to her he could. He didn't, but the fact he could've is terrifying.

It makes his final words, words that are Thancred's, so very important. This is her deepest fears made manifest, but he still says he wants her to be happy. Her happiness not only matters, but is important to him.

[raionmimi]

Mom said his siblings could come on his date with Satya

[theimpossiblescheme]

Staging concept: Ophelia carries around a book that she uses to press different flowers and plants. At one point we see her actually pressing one of the flowers Hamlet's given her before, and we get the impression that she wouldn't part with this book for the world. During the "Get thee to a nunnery" scene, Hamlet rips the book out of her hands, and she goes diving after it to make sure he didn't damage it. And during her final "mad scene", she starts tearing out the relevant pages (rosemary, pansies, fennel, columbines, etc.) to give to everyone present. Laertes is the only one to get the significance of his sister giving away parts of her prized possession, and it adds an extra layer to his grief.

[swinging-stars-from-satellites]

with a few minutes' reflection and a second conversation with my parents I have realized that I may have overblown things and overreacted a bit and also in some ways they're correct even if I think they're also harsh about it

[harryjpotter-shitpost]

I hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate HATE hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate hate people who try to justify Petunia Dursley or say she was a good or “misguided” person.

[salty-dracon]

the mere existence of harue shigima paranormasight absolutely flies in the face of every piece of 2012-2016 feminist discourse arguing that “you can’t write a compelling self-sacrificial housewife character” or that “housewives are antifeminist” because it subverts 0 tropes and relegates women away from the public eye and makes them only child managers. and i LOVE that about her

not only is she an important character within the narrative of paranormasight, including the most important character in her side of the story because you’re playing from her point of view, but it is HER choice to resurrect her son, no matter the cost. it is 100% her choice, and you hear that from her point of view. in fact both ayame and richter argue it at the end of her route, and they’re totally right that harue is ultimately being selfish. harue may be driven by grief and anger, but it’s 100% her grief and anger, not given to her by anyone else.

she doesn’t lack agency because she’s a housewife either. she’s more than willing to commit murder under her own set of conditions, if that’s what you call agency, and her movements aren’t restricted by anyone. richter himself pretty much does whatever she tells him to, with his role being the investigation ability needed for the operation.

and there is so much depth to her. there’s a total apathy for everything, and a dislike for her own home. wouldn’t you be hollow inside if there was only one person in the world you truly loved, and it was taken away from you by a murderer? beyond that apathy is grief for her loss, and anger for the one who killed her son, and selfishness and yes, her choice to sacrifice herself if necessary for the sake of her son. still, it’s not all negative. she has fun watching richter horse around with kids, for instance. her point of view shows you so much about her personality, and it reflects the thoughts of a person, not the thoughts of a throwaway housewife.

basically, i support women’s wrongs, but there’s so much depth to those wrongs and i’d be doing a disservice if i didn’t point out that she is an amazing character before those wrongs.

[shannonsketches]

He said "Fuck this shit, I'm out" I'm crying. Toriyama's Vegeta was so top shelf 🤌

(From Neko Majin Z Chapter 5!)

[lunarharp]

Very important conferences.

[quietwingsinthesky]

in the amelia pond au, amelia’s aunt does still send her to therapy between doctor adventures, but since amelia is now secure in the fact that he’s Definitely Real since both rory and mels have also met him and because she lost a tooth last week from tripping on the stairs of the tardis, she doesn’t bite any therapists this time around. and besides, her therapist is a very funny lady. she reminds amelia of her doctor, with how her voice will flip and jump in volume and accent and tone on a whim, with how she’ll talk to amelia like they’re conspiring together. she keeps the pictures amelia draws of the doctor and their adventures for her, even hangs one or two on the walls. she listens very intently to every detail, which no adults in amelia’s life do save the doctor himself and river song, whenever she’s around. and best of all, whenever she tells amelia’s aunt that amelia is doing just fine, don’t you worry, she’ll grow out of this, she winks at amelia so that amelia will know her therapist is only playing along to wave away her aunt’s suspicion.

it is a little odd, though, that she insists on only being called Missy. but amelia is quite used to odd by now.

[tea-cat-arts]

Two wolves: one thinks Madam Yu shouldn't get married to anyone ever and that she would be unhappy in any long term romantic relationship no matter who she was with, the other is gay and wants to be Madam Yu's lame ass wife

[waywardsalt]

with my phantom hourglass replay, there are two things i noticed;

a possible theme you could glean from the game is action vs inaction, and i think it's especially prevalent before you even leave mercay the first time, with oshus frequently urging link to not go after the ghost ship, then to just wait until the broken bridge is fixed, and seems reluctant at every turn while link and ciela are more than eager to go and do something about this problem, and the people of mercay in general talking about things and their problems but never seeming to act on their fears or desires, as well as the mention that due to the ghost ship, very very few people are still sailing around, while linebeck is one of the only people we see in the game actively going after the ghost ship and still sailing around. i might make a longer post just talking more about the action vs inaction in phantom hourglass but i just noticed it a bit and thought it was a bit of an interesting sort of theme you could find in the game.

linebeck moves so fucking much. i think he moves more than any npc in the rest of the game. not just in his intro cutscene where he is very animated, just in how much he moves when just standing in his little idle post, it's damn near distracting when the camera is focused on him, he moves a lot. i don't think i've really acknowledged how much he moves, and it really gives the impression that he's antsy or eager to get going, both of which fit him pretty well with how he acts.