#really really interesting chapter of history

[agentpeggycartering]

Buck/Tommy + 💛, please! Thank you in advance.

Of course! Thank you for the prompt! Sorry this took me a bit to get finished, but I hope you enjoy it! 🥰

The prompt was: BuckTommy + Baby

Tommy and Evan were having a quiet night in tonight. They had originally planned on trying a new restaurant that had recently opened and they’d heard good things about, but both of them had been too tired after their shifts, so instead they were curled up on Tommy’s couch with the remains of their takeout strewn on the coffee table. Tommy was sitting in the corner of the couch reading his library book, a romance novel set in the 1950’s about two best friends who met at the newspaper they both work at and how they fall in love, (honestly, Tommy kind of saw himself and Evan in the characters. Nick who was desperate to stay closeted and resigned himself to never having a meaningful relationship and kept himself closed off and distant from his coworkers and family, not having many friends, and Andy, who was so open and full of life and hadn’t even thought about being attracted to men until he met Nick) while Evan was laying stretched out on the couch with his head in Tommy’s lap. He was reading about the history of typesetting, having been inspired when he’d learned that Tommy’s book was set at a newspaper. Tommy was playing absently with Evan’s curls while he read, and took immense delight in the sounds it was drawing out of his boyfriend.

“Hey, baby?” Evan asked, turning his head ever so slightly in Tommy’s direction so that he wasn’t muffled.

“Mmm?” Tommy said, pausing his reading but not looking away from his book.

“Let me know when you’re at a good place to stop, okay? I just read something really interesting.” Evan asked, making use of the system that they’d come up with for when one of them had read something that they wanted to tell the other about, because Tommy liked to tell Evan about the books he was reading as much as he liked to listen to Evan tell him about whatever he was researching.

“I have a few more pages in this chapter and then I’m all yours.” Tommy replied, and true to his word once he finished the chapter he moved his bookmark from where he’d tucked it at the back of the book to mark his spot and then placed the closed book on the arm of the couch, giving Evan his full attention.

[literaticat]

If an author writes a book not knowing the genre, will the book fit into a genre when it’s finished—or is it possible for a book to be completely genre-less?

I'm about to GO OFF, so if you just want the short answer:

I presume that if an author is writing a novel and they don't have a specific genre in mind when they are doing it, they are just writing fiction. You can get more specific after you finish the book and figure out where it belongs in the bookstore and how to describe it.

It's not really possible for a book to be "completely genre-less" because that implies that it CAN'T be categorized in a bookstore -- I bet your book can be. (I should hope so, anyway, otherwise how will it sell???) -- but also, uh -- it doesn't really matter? Everyone gets really hung up on these hyper-specific genre labels, but you don't really need to get THAT specific. If your book is just "general interest fiction" that's OK -- so call it a novel and describe what the tone is. (Funny? Realistic? Literary? Fast paced? Tearjerking? There has to be some way to describe it, no? )

Even if your book is just weird as hell rambling about things I would never read about in a hundred years -- guess what, that's a genre, Experimental Fiction. ;-)

--

Long Answer: Fun fact about the word "genre" -- it comes from the same root as genus, like what you probably heard back in school when learning about the taxonomy of animals and whatnot.

Because I am extra, I decided to do a little taxonomy of books. It's still a work in progress, I might decide to change it a bit, but this is the basic chart.

I'll assume that pretty much any book we're talking about here has the same domain, kingdom, phylum and class, and PROBABLY the same order, too, since most of you are likely writing Fiction.

Within the order FICTION, there are "families", which I here call Categories -- novels, graphic novels, plays, essay collections, short story anthologies, young adult novels, young adult anthologies, middle grade novels, middle grade graphic novels, chapter books, picture books, ETC. Categories in the order NONFICTION include Biography/Memoir, Cookbook, Reference, Religion, History, Science, etc.

Within each Category, there are different Genres -- that is, the type of [novel, or whatever] it is. Genres of novel include mystery, science fiction, horror, realistic, historical, romance, western, etc.

And within each Genre, you can get even more specific with species, which I am calling subgenre/tone. That's the type of the type, in other words. There are well-established subgenres (like Horror could be slasher, or gothic, or psychological. Romance could be historical, or realistic/contemporary, or whatever) -- but it's also acceptable to get more specific with tone or style -- "Comedic", "literary", "commercial" "upmarket" etc. (You can also have books that have both subgenre AND tone -- that's like species and sub-species)

Examples:

DRACULA: ORDER: Fiction > CATEGORY: Classic Novel > GENRE: Horror > SUBGENRE/TONE: Gothic

DON'T LET THE PIGEON DRIVE THE BUS: ORDER: Fiction > CATEGORY: Picture Book > GENRE: Meta-fiction > SUBGENRE/TONE: Comedic

LINCOLN IN THE BARDO: ORDER: Fiction > CATEGORY: Novel > GENRE: Magical Realism > SUBGENRE: Experimental > TONE: Literary

JAMES: ORDER: Fiction > CATEGORY: Novel > GENRE: Historical Fiction > SUBGRENRE: Retelling > TONE: Literary

You get it?

OK SO, in the bookstore, the books are first divided by CATEGORY. All the Cookbooks are together, because that's the Category, but if there are a lot of them, they will be broken up into categories-within-the-category ("genre" if you will). Perhaps they would be grouped by region or style (Mexican cuisine, Middle Eastern cuisine, European cuisine; Health Food; Baking; etc). Mastering the Art of French Cooking would be in Cookbooks, of course -- but in a larger bookstore with many cookbooks, it would likely be found in its region, either French or European Cuisine -- and in a store with a HUGE French cooking section, those books might even be further divided into "French > classic techniques" "French > desserts" "French > postmodern cuisine", etc. So:

MASTERING THE ART OF FRENCH COOKING: Order: Nonfiction > Category: Cookbook > Genre: French > Subgenre: Classic Technique

And so it goes with Fiction as well; the sections are divided by Category. So all the Middle Grade Novels are probably together. All the Picture Books are probably together. Etc. But for very large categories (like Fiction > Novel), there are enough books that it becomes easier to browse if they give the biggest genres their own shelving. Hence there are probably sections for Mystery, Science Fiction/Fantasy, Romance, etc.

MIND YOU: There are PLENTY of books that fall under "Fiction" and DON'T get separated out into one of those other genres. They are just categorized as fiction. The fiction section is probably the largest section in most bookstores -- it's not weird to write a book that gets filed in the "fiction" section! Those books still have a genre. That genre just might be "realistic" or "historical" or "western" or magical realism" or "postmodern/experimental" or something that doesn't neatly fall into the Mystery or Science Fiction (or whatever) genre categories.

For example: At my bookstore, we ONLY separate out Mystery, Science Fiction/Fantasy/Horror, Romance, Classics. So within the regular Fiction section you'll find a huge variety of books -- they all DO have a "genre" -- it just isn't one of those genres that gets shelved separately!

So, no, I believe there are books that just *don't have* a category or genre. ALL books have them. We might disagree a little about what they should be -- we might use slightly different words -- new species might pop up here and there -- we might be able to categorize some of them into even more minute niches -- but all books CAN be categorized in some fashion.

[sweatinghoneybee]

Just found this Ninjago Lloyd x reader fic made by @samseaaa and I am so in love with it!!! I finished reading all 65 chapters (before it got updated to 66) in like under a week and like the person I am when I became in love with a fanfic for an x reader I made an oc based of the reader in the story (disclaimer this is just my interpretation on reader in the story not how reader looks like in the story cause reader is based off of ourselves or in this case an oc made up being part of the story)

I gave the OC for this fic the name Connie Nagant when I search up first names that has the meaning curious and also for her last name I wanted to give her a name of a gun for her last name because of her relationship with guns in the fic. And mostly I gave her like a peach pink color scheme for her to relate to her powers in the story but also to have that specific color coded thing that the ninjas have going on and honestly I just gave her like a not so harsh color palettes cause I wanted her to have that contrast with Lloyd of him being in a world of dangers, actions and adventures and such while when she starts out she's living a normal life thrusted into a magical world, to put it simply I gave her the aesthetic of a magical shojo girl meeting her soulmate that's from a shounen. And since she's a bookworm and a traight A student I have this idea of her wearing something that sort of resemble uniforms eluding to her academic ambitions but I also try to sort of made her have that hint of detective look to point at her interests in history and her knowledge hungry personality. And i gave her bandages since in the story atleast in the first few chapters she’s really clumbsy but mellows out in future chapters but i thought it’ll be a fun charcter thing if she’s competant in serious scenario but is clumbsy in everyday life like she can survive falling from a 20 floors high building but she’ll be tripping on stones when in her average day (and also please don't point out about the dragon necklace and also the yin yang medallion for not being detailed cause I seriously have no skills to make such a detail piece and I'm already beating myself up cause I can't do the pendant and medallion justice with how it's described in the fic (⁠ ⁠；⁠∀⁠；⁠)) (also if anyone can read and write kanji, just a question, did I wrote Connie Nagant right cause I wanted to write her name in kanji as a homage to what happened in the fic even tho I don't actually know how to do it so I just sorta eyeballing it ╮⁠(⁠.⁠ ⁠❛⁠ ⁠ᴗ⁠ ⁠❛⁠.⁠)⁠╭)

All and all I just want to just gush about this fic cause like it's so good and still have some more drawings that I want to do for this fic! Still trying to finish up my Lloyd darwings for this fic and also an reader's best friend in the fic!

And so to those who want to read this fic here's the link!

Give them some love Kay! This work their made is amazing so give them those encouragements!

[pynkhues]

I love that you set part of the story in London. I always thought that made sense for Louis. I can really see him there. Is there a reason you chose Tokyo and London?

Thank you, anon! I can really see him there too, and there actually is kind of a funny, kind of obscure reason why I picked it.

Tokyo is more straightforward - I wanted a city that made sense for them both to be visiting, and Tokyo has a really prominent art scene, but is also a place you go when it comes to pianos (like yes, there are a few exceptions, but really you go to Japan or Germany for the best, and I already had Lestat recording in Berlin, so didn't want the latter). I did a little research and found that Kawai's pianos are both pretty unique and that they offer a luxury made-to-order range which just felt like it'd be up Lestat's alley, haha. Plus it felt like a fun place to put them (even if they don't really leave their hotel room).

I actually made the choice that Louis and Armand would've lived in London for a while when I was writing The Steady Murmur. It was really influenced by two books I read last year - one was Darryl Bullock's The Velvet Mafia: the gay men who ran the swinging sixties which is a fantastic book that looks at, well, let me just quote The Guardian article, haha:

The story of rock’n’roll in the 60s has been told countless times by the stars who sang the songs, spun the solos or thrashed the drums. In the UK at the time, that most often meant straight white men, as it did in the US. But the people who shaped and advised those artists – the ones who managed the stars of the classic rock age – were, by an outsized margin, gay men. That interwoven community included Brian Epstein (who brought the world the Beatles), Kit Lambert (who co-managed the Who), Simon Napier-Bell (the Yardbirds, and a young Marc Bolan), Robert Stigwood (Cream, the Bee Gees), Billy Gaff (Rod Stewart), Ken Pitt (David Bowie), Barry Krost (Cat Stevens), as well as Tony Stratton-Smith (who formed the visionary label Charisma for bands like Genesis). In fact, it was a gay man, Larry Parnes, who svengali-d Britain’s very first rockers, from Tommy Steele to Billy Fury to Marty Wilde.

The other book I read was actually Brian Epstein's (who I have just a personal interest in as a Beatles fan) memoir A Cellarful of Noise, which was released at the initial explosion of The Beatles fame in 1964 (and before his accidental overdose/suicide, depending on who you ask in 1967).

They're both really, really great reads, and offer this huge insight into this window of time in the 50s and 60s in London where (wealthy) gay men kind of ran the city. It was extremely dangerous for them obviously, and they were often extorted, brutalised and arrested, but they were also able to carve out a community and a high level of influence in both the art and music scene, and in the business world, that saw them both remarkably vulnerable and remarkably powerfu, and dubbed the velvet mafia. It's fascinating and I wasn't reading then with IWTV in mind at all, but as I was writing Steady Murmur and trying to think of where they could've lived, Louis in that sort of space just made a lot of sense to me. It kind of felt in a different life he even could've been a part of the Velvet Mafia really, so yeah. I kind of felt he could've had a life there in the 50s and 60s, so wrote one for him in my head. Him revisiting it now is kind of tied up in a bit of nostalgia around that part of his life in my head, even though it probably won't make it onto the page for this particular fic.

[trisshawkeye]

For entirely unrelated fic research reasons, I stumbled upon this great academic book chapter on gift giving and associated letter writing in early medieval China including letters from Cao Cao and Lady Bian to the parents of Yang Xiu, letters from Cao Pi dissing the fruit of the Shu and Wu regions, and letters from the later Liang Dynasty on the qualities of oranges (making reference to previous Three Kingdoms writings while doing so). There's also a fun little story right at the end about the possible ways of interpreting a gift of cloves from Cao Cao to Zhuge Liang.

With much appreciation to the author for having the chapter publicly available on her academic website!

[hesbuckcompton-baby]

history facts!!!!!!! yes please

ANON SO TRUE!!!!

HISTORY FACT! the Bayeux Tapestry is NOT a tapestry, nor is it from Bayeux. it's an embroidery (tapestries are made on looms - this was not), and it was created by nuns in Canterbury. it may have been commissioned by Odo of Bayeux but it's not actually from there.

Bonus since we're on the topic - that guy everyone thinks is Harold Godwinson on the Bayeux Tapestry??? that ain't him.

Beneath the name 'Harold', we can see a man with an arrow in his eye, and for a long time people have assumed this was Harold Godwinson (who was King of England at the time) but it's NOT

And we know it's not him for a couple of reasons

As a general rule, the action described in the tapestry text typically appears at the end of the sentence. The man believed to be Harold is not in the right place for this to be correct

Recent examinations of the tapestry have found that the thread used to embroider the arrow in 'Harold's' eye dates back to the 19th Century. The Bayeux Tapestry was made in the 11th Century. This was not an original addition (typical Victorians, fucking with history - but that's a rant for another post)

By looking at accounts from around the time of the Battle of Hastings, we know Harold didn't die from an arrow to the eye - dude got dismembered real bad <3

So when we consider all of this, it's much more likely that the real Harold Godwinson is actually the man on the ground to the right of the figure most people label as him👍

[wonder-worker]

Thomas Penn writes about 500 year old dead historical figures like they're celebrities in a gossip column

[a-gay-little-cat]

i really gotta go read up about space wolves too sometimes

[lildoodlecat]

Workshopping first novel chapters is actual hell. What's working? What's driving the piece dynamically? NOTHING. My advice for you is stop writing <3

If I have to read another EIGHT STRAIGHT PAGES of blunt first person exposition I'm gonna kill someone

[scarletfasinera]

Really enjoying this book I'm reading about Modern European sculpture so if you see me reblogging a bunch of photos of abstract figural sculptures from 1918-1945 mind your BUSINESS‼

[commanderantilles]

finding myself intrigued with the tower of swallows and the lady of the lake, but like academically…. we r in the fucking danger zone y’all.

[libraryleopard]

Adult standalone urban fantasy novel

In an alternate version of present-day Vancouver inhabited by the reincarnated Knights of the Round Table and other figures from myth and folklore, a college student from an Arthurian family and a valkyrie both become entangled in a murder investigation

Gay autistic main character with anxiety; bi ace main character; M/M + F/F romances; Chinese Canadian trans girl side character

[rafesapologist]

if you would've been the one ─ rafe cameron

summary: rafe gets engaged and you find out.

warnings: angst, swearing, not proof-read

author's note: if you guys didn't know, i love writing angst so enjoy!!

The Pelican Yacht Club hums with the familiar buzz of a humid summer day. You stand behind the bar, the scent of saltwater mixing with the tang of citrus as you slice limes for the afternoon rush. The air is thick, almost suffocating, but you’ve gotten used to it. It’s a typical day—until it isn’t.

You glance up when the door swings open, letting in a flash of sunlight that makes you squint. It's Sofia. She isn’t scheduled today. The sight of her here, so out of place in this moment, makes your stomach twist. You force yourself to look away, feigning interest in the drink menu as she walks past. You can’t help but feel a twinge of resentment as she greets the staff with her bright smile, as if she’s the sunshine that everyone’s been waiting for.

Part of you hates her for that smile, hates the way she effortlessly lights up the room. But it’s not really her you’re mad at—it’s what she represents. Rafe Cameron’s new girlfriend. The girl who has no idea about the summers you spent next door, about the nights you sat on the dock with him, talking about everything and nothing. The girl who has no clue about the history between you and Rafe before she ever came into the picture.

You find yourself inching closer, pretending to fix a shelf of liquor bottles while you strain to overhear her conversation with your boss. Sofia’s voice is low but excited, the kind of tone people use when they have news that’s too good to keep quiet.

You catch bits and pieces of the conversation—something about a new start, a fresh chapter. Your heart pounds as you try to piece it together. Then you hear it, clear as day.

“I’m engaged,” Sofia says, a soft, dreamy smile spreading across her face. “Rafe proposed last night.”

You freeze. The glass in your hand slips slightly, a cold splash of water running down your wrist, but you barely feel it. You’re too stunned, too caught in the moment. Engaged. She’s not just his girlfriend anymore—she’s his fiancée. And she’s leaving. You hear her tell your boss she’s quitting, planning to move in with Rafe, start their new life together.

Your heart sinks, the words echoing in your head like a tolling bell. Engaged. Moving in with him. The world blurs around the edges, your fingers gripping the counter as you try to steady yourself. You force a smile when your boss catches your eye, but it feels thin, barely there.

Your heart thuds violently against your chest, every beat echoing like a cruel joke pounding in your ears. It feels as if your very emotions are ripping at your heartstrings, tearing them apart one by one. The realization claws at you, raw and unyielding. Engaged. You can’t even say the word in your head without feeling your throat tighten, a wave of nausea creeping up as if the world itself has betrayed you.

Your lips curl, the bitterness flooding your mouth as if you’d just bitten into a sour lemon. It’s a twisted smile, one that burns with hatred and betrayal. She had no idea—how could she? How could she possibly know the history, the gravity of everything she just shattered with those simple, giddy words? Bitter tears prick at your eyes, the kind that sting and make you blink rapidly, as if you could will them away.

Without thinking, your fingers fumble at the ties of your apron, ripping it off with a sudden, violent tug. The fabric falls to the floor with a muted thud, but it feels like a thunderous crash in your ears. You don’t care who’s watching; you don’t care what they’ll say. The room seems to tilt around you, your vision narrowing as your breaths come in shallow, rapid gasps.

You place your trembling hands on the counter, feeling the cool surface beneath your fingertips as you try to steady yourself. It doesn’t help. You bow your head, squeezing your eyes shut as you suck in a ragged breath, trying to rein in the flood of emotions threatening to drown you. The noise of the yacht club fades to a dull hum, everything around you blurring as you fight to keep it together.

Suddenly, nothing around you matters anymore. The clinking glasses, the murmur of the club members, the dull chatter of your coworkers—all of it fades to a distant, meaningless buzz. Your job, your manners, your reputation—all the things you’ve been clinging to for a sense of normalcy—seem laughably small in the face of what you’re feeling. The rage and heartbreak surging inside you demand an escape, a release you can’t find standing behind this bar pretending everything is fine.

Without a second thought, you shove the door open, storming out of the yacht club. No one notices. No one even calls your name. The warm, sticky air hits you like a slap in the face as you step outside, but it does nothing to calm the storm brewing within you. You stumble forward, gasping for air, your chest heaving as if you’re drowning. You bend over, hands clutching your knees as you choke on your sobs, each tear hot and unforgiving as it spills down your cheeks.

You force yourself to look up at the sky, its bright blue taunting you. The sun burns harshly, casting long shadows over the marina, but you only feel the darkness wrapping around you. A bitter laugh escapes your lips, followed by a curse you fling at the heavens. You want to scream, to demand an answer from whatever cruel force is out there pulling the strings of your life. What about her? you think desperately, the words echoing in your mind like a broken record. What about her made her deserve a ring, Rafe’s ring?

Your hands clench into fists as you straighten up, trying to find your balance, but the ground feels like it’s shifting beneath you. The memories of Rafe slam into you like a tidal wave, overwhelming and inescapable. The late nights by the dock, the way he used to look at you when he thought no one else was watching, the soft, fleeting kisses that felt like promises he’d never actually made. They all flash before your eyes like a haunting nightmare you can’t wake up from.

It hits you then, like a punch to the gut—the realization that everything you shared, everything you held onto, meant nothing now. He’s chosen her. He’s given her everything you once dreamed he’d offer you. And in that moment, the weight of it all is too much to bear, your knees nearly buckling as you clutch your chest.

A rush of adrenaline surges through your veins, and before you can even think, your feet are moving. You take off, sprinting away from the yacht club, away from the suffocating weight of it all. Where you’re going? You have no idea. You just need to move, to run until the pain isn’t the only thing you feel. The wind pushes against you, almost as if it’s trying to slow you down, but you ignore it. You let it whip through your hair, the strands tangling into a mess of disheveled curls as you race forward.

Your feet pound against the pavement, carrying you closer into town, toward Figure 8—the gilded paradise of the wealthy, where your story with Rafe first began. The roads twist beneath you, familiar yet foreign now, each corner a sharp, painful reminder of the past. You pass the spot where he kissed you for the first time under the flickering streetlight. The bench where you once sat for hours, talking about dreams that were never meant to be. The old corner store where he’d steal glances at you when he thought you weren’t looking. It all burns a hole straight through your chest, the memories hitting you harder than the humid wind in your face.

You don’t stop. You can’t. The images flash by in a blur, each one slicing deeper into your already bleeding heart. It’s like you’re running through a living nightmare, haunted by ghosts of the life you thought you might have had. Your breath comes in ragged gasps, the tears streaming freely now, hot and unrelenting. Mascara streaks down your cheeks, black rivers tracing the contours of your face—a perfect, messy representation of where you were mentally.

You push yourself harder, faster, until your legs scream in protest and your lungs burn with every gulp of air. The world around you blurs, the people, the cars, the houses—none of it matters. You keep running, driven by the pain that won’t let you rest. Your chest heaves, a raw ache settling in as the adrenaline begins to fade, replaced by the crushing weight of exhaustion. You stumble to a halt, bent over, hands on your knees once more as you gasp for air.

You’re breathless, hair a wild halo of loose curls sticking to your tear-streaked face. Your vision swims, a cocktail of sweat and tears blinding you as you look up at the sky, feeling nothing but the hollow ache in your chest. Here you are, in the place where you once made all your memories with him. But it feels like a stranger now—empty, cold, and unwelcoming.

You stand there for what feels like an eternity, hands braced on your knees, gulping down air as if you’ve just surfaced from drowning. You can’t even process where you are—all you can feel is the tight, agonizing pressure in your chest, like your heart is being squeezed by an invisible fist. You’re vaguely aware that people are walking by, probably staring at you, but it’s like they’re part of a distant dream. Their gazes feel like nothing more than a blur on the edges of your vision.

But you don’t care. You’ve been stripped raw, exposed in a way that makes everything else fade into insignificance. You push yourself upright, your fingers digging into your waist as you take in deep, ragged breaths, trying to slow the pounding of your heart. The mascara streaks have dried, the salty residue of your tears leaving your cheeks tight and sticky. You close your eyes for a moment, just a moment, trying to pull yourself together.

Then you hear it. A voice—his voice.

"Y/N?"

The sound of your name hits you like a bolt of lightning, jolting you back to reality. You freeze, your heart skipping a beat as the familiarity of it wraps around you like a cold, clammy hand. You know that voice better than your own, and yet, hearing it now feels like a punch to the gut. It’s haunting, the way it slices through the air, so soft and unsure, as if he’s almost afraid it might actually be you standing there, looking as broken as you feel.

Slowly, you turn around, your eyes widening as you meet his gaze. Rafe Cameron stands just a few feet away, his expression a mixture of shock, concern, and something else you can’t quite place. For a second, it feels like the world stops spinning, the sounds of the town fading into the background until it’s just the two of you, standing there like the past has come back to drag you under.

He takes a hesitant step closer, his brow furrowing as he takes in your disheveled appearance—the wild curls, the streaks of makeup, the look of utter devastation in your eyes. You can see the questions forming on his lips, the confusion in his eyes. But you’re too stunned to speak, the words trapped in your throat. All you can do is stare back at him, feeling the sharp sting of fresh tears welling up again.

“What happened? Are you okay?” Rafe’s voice is laced with genuine concern, the sincerity in his tone unmistakable. His eyes scan your face, searching for answers, and for a fleeting moment, he looks like the Rafe you used to know—the one who held you close on quiet nights, the one who made you feel like you were the only person in the world.

But the sound of his words makes you feel sick to your stomach. The irony of his compassion now, when it feels like he’s the one who drove the knife into your heart, twists inside you like a dagger. You let out a bitter, humorless laugh, the sound cutting through the air like shattered glass. It’s as if he’s playing a cruel joke, and you’re the punchline.

“What do you care?” you snap, your voice raw and venomous. You can feel your top lip quiver in disgust as you shake your head, unable to look at him without the pain flaring up like a fresh wound. His expression falters, the shock evident in his eyes. It’s like he’s been slapped, his confusion deepening as he takes in the sheer hurt radiating off you.

“You don’t get to act concerned,” you spit out, each word drenched in the bitterness that’s been festering inside you. “Not after everything. Not after this.” The last word comes out almost as a whisper, your voice breaking under the weight of it.

Rafe’s expression shifts, a deep crease forming between his brows as he stares at you with wide, bewildered eyes. It’s almost laughable—the look of shock, the utter confusion twisting his features as if he genuinely has no idea why you’re standing here, mascara-streaked and heartbroken. He takes a small step closer, his voice soft and pleading.

“What did I do?” he asks, sounding clueless, like a child who doesn’t understand why they’re being scolded. His tone is so sincere, so filled with concern, that for a split second, you almost believe him. But then the truth crashes over you again, sharp and unforgiving, and it sends a fresh wave of anger coursing through your veins.

You scoff, a bitter sound that feels like acid on your tongue. His naivety, his complete obliviousness to the damage he’s caused, only fuels the fire inside you. You look up at him, your eyes blazing with the kind of betrayal that words can’t fully capture.

“I don’t know, Rafe,” you say, your voice dripping with venom as you take a step closer, your gaze piercing right through him. “You tell me. Maybe an engagement, perhaps?”

You spit the words out, practically throwing them at him, your voice cracking under the weight of your own disbelief. You watch as realization dawns on his face, his eyes widening slightly, the color draining from his cheeks. He opens his mouth to speak, but no words come out. It’s like he’s been struck dumb, caught off guard by the sheer force of your anger and the pain radiating off you in waves.

The silence between you is deafening, charged with the weight of everything left unsaid. You can see it in his eyes—the moment he pieces it together. And it’s almost satisfying, watching the horror settle in, watching him realize that the life he’s built, the future he’s promised someone else, has shattered you in ways he never anticipated.

“You didn’t think I’d find out, did you?” you whisper, your voice hoarse as the tears well up again. “You didn’t think it would matter.” The words hang in the air, heavy and accusatory, and for once, Rafe Cameron has no response. He just stands there, staring at you like you’re a mirror reflecting all the mistakes he’s made.

“I’m sorry, Y/N.”

The words fall from his lips like an empty promise, and you can’t help but scoff, the bitter laugh bubbling up uncontrollably. You know it means nothing. It can never mean anything. No apology, no amount of regret can ever take back what’s been done, what he’s taken from you. Your chest tightens as the anger swells up, hotter and sharper with each passing second.

“Oh, you’re sorry?” you spit, your voice rising in pitch with every word. You can feel your fists balling at your sides, your body shaking with the weight of everything you’ve tried to swallow down, tried to bury. “You’re sorry?”

You throw your arms up in the air, an exaggerated motion of frustration, a physical manifestation of everything inside you that’s about to break free. “You think some bullshit apology is going to make up for what you’ve put me through?” you shout, your voice rising to a scream. The words burst out of you in a raw, jagged rush, like you’re finally tearing through the wall of calm you’d built just to keep from falling apart. “You think saying ‘sorry’ is going to make me forget everything? Forget you? Forget the way you made me feel like I was the only one in the world and then turned around and chose her instead?”

Your breath is ragged, your chest heaving as your emotions spill out of you uncontrollably. You’re not even sure where the words are coming from now, but they come in a torrent, desperate and aching. "How am I supposed to wonder for the rest of my life," you continue, your voice shaking, "why you chose her instead? What was it about her that made you pick her over me, Rafe? What the hell did I do wrong?"

You step closer, not caring anymore about the distance between you. Your face feels hot, your pulse pounding in your ears, but you can't stop yourself. "You think I won’t wonder, every goddamn day, why I wasn’t enough?" you add bitterly, the weight of your words crashing down on you.

“I didn’t do it to hurt you, I… I did it because she’s stuck by my side through all of this stuff I’ve been going through.”

The words hit you like a slap, but you don’t let him see the sting. Instead, your head snaps over to him, your eyes narrowed so dangerously that if looks could kill, he’d drop right there, dead. Every ounce of frustration, anger, and betrayal gathers in the pit of your stomach, and your mouth twists into a bitter frown. It feels like your entire body is ready to explode.

“And what? I wouldn’t have?” you snap, voice raw with fury. “You didn’t give me the fucking chance to, Rafe!” Your heart is pounding now, each beat a furious reminder of everything you’ve been through—of the way he’s shattered you, piece by piece. “You gave up! The second things got a little hard between us, you gave up. We could’ve worked through it if you actually tried!”

The words fly out of you, harsh and cruel in nature, but they don’t feel like enough. You shove him, your hands landing firmly against his chest in a fit of frustration. “I love you, Rafe!” you scream, the sound of your voice trembling with the weight of everything you’ve been holding back. “I fucking love you, and it has destroyed me watching you give your all to someone else. You have ruined me!”

And that’s when it breaks. The dam cracks, the tears flood, and you’re not just crying—you’re sobbing, your body wracked with the weight of it all. Your chest aches with the sobs, your body collapsing under the strain as you stand there, shaking uncontrollably in the middle of the street. All the rage, all the hurt, all the unanswered questions spill out of you like a river that’s finally burst its banks.

Rafe stands frozen for a moment, as if unable to process the sight of you, broken and vulnerable in a way he’s never seen before. His face goes pale, his eyes wide with guilt and horror, realizing that he’s the one who’s caused all of this—he’s the one who’s done this to you. And the weight of that realization hits him harder than anything else could.

Without another word, he pulls you into his chest. The gesture is sudden, almost desperate, as if he needs to hold you as much as you need to be held. His arms wrap around you tightly, firmly, like he’s afraid you might disappear if he lets go. You can feel his body against yours, the warmth of his chest as you crumble in his arms, your sobs echoing between you both.

For a moment, you stand there in his arms, the two of you swaying slightly as if the ground beneath you is unsteady. His grip on you is firm but gentle, like he’s trying to hold together the pieces of you he’s broken, letting you cry out your frustrations, your sadness, your heartbreak. The tears flow freely, soaking into his shirt, and he just holds you tighter, his chin resting on the top of your head. He doesn’t say anything, because he knows there’s nothing he can say to make this better. So he lets you cry, lets you release everything you’ve been carrying.

For just a second, you almost let yourself lean into him. His hold feels like comfort—like a memory of what it used to be, back when you felt safe and wanted. But then the reality slams into you like a tidal wave. He’s not yours anymore. He belongs to someone else now, someone who wears his ring, someone who gets to wake up next to him every morning. The realization crashes down on you, a flood of emotions so overwhelming that you choke on your own sobs, the pain squeezing your chest until it feels like you can’t breathe.

“I can’t stand to see you like this, Y/N,” Rafe says softly, his voice trembling as he looks down at you. His eyes are filled with a deep sadness, like he’s finally seeing the full extent of the damage he’s caused. He pulls back just enough to see your face, his hands cupping your cheeks, wiping away the tears with his thumbs. The way he’s looking at you—it’s almost unbearable, like he’s mourning something he’s only just realized he lost. “This isn’t your fault,” he continues, his voice cracking slightly. “You’re right, it’s my fault. It’s my fault for not trying harder.”

His words are raw, filled with a regret you’ve never heard from him before, and it makes your heart ache even more. You want to scream at him, to push him away and tell him that it’s too late—that his apologies don’t change anything. But you’re too exhausted, too broken to fight anymore. You just stare at him, tears still streaming down your face, your lips trembling as you try to find the words to respond.

“But it doesn’t mean that I don’t… love you,” he whispers, his voice barely audible. The confession hangs between you like a fragile, broken thing. You can see the truth in his eyes, the love that’s still there, buried beneath layers of mistakes and regret. It’s there, as real as the pain in your chest, and it cuts you deeper than anything else he could have said.

The words sink into you, bittersweet and hollow. It’s what you’ve wanted to hear for so long, and yet it feels like a cruel joke now, a confession that comes far too late. You let out a shaky breath, your hands gripping the fabric of his shirt as you try to steady yourself. His love—it doesn’t change what’s happened, it doesn’t erase the hurt.

“You don’t mean that,” you whisper, your voice breaking as you shake your head, refusing to let his words sink in. It’s almost like you’re trying to shake them off, as if denying them will somehow lessen the pain. You close your eyes tightly, squeezing out the last of your tears because looking at him—seeing the raw, honest look in his eyes—will only make it hurt more. It’s too much. The truth you’ve waited so long to hear is finally being spoken, but it’s laced with the bitter sting of timing that’s all wrong.

Rafe’s grip on you tightens, his hands trembling slightly as he holds your face, desperate to make you believe him. He swallows hard, his Adam’s apple bobbing as he searches your expression, as if he’s looking for a way back to you, a way to undo everything that’s happened. “No, I do mean that,” he says, his voice thick with emotion. He pauses, the words hanging between you, heavy and filled with a regret so palpable it feels like a punch to your gut.

“I’ve known it since the day I met you,” he continues, his eyes boring into yours as if he’s trying to imprint this moment into his memory, to make you feel the weight of his confession. “But I made a mistake. Letting you go was the biggest mistake of my life, and I know that now. I’ve known it every single day since. And that—” his voice cracks, and he looks away for a brief moment, as if he can’t bear to see the pain on your face—“that is going to haunt me for the rest of my life.”

The sincerity in his voice sends a fresh wave of agony crashing through you. You want to scream at him, to tell him that it’s too late, that he’s made his choice, and there’s no going back now. But the words get caught in your throat, choking you, leaving you gasping for breath. Because as much as you want to deny it, as much as you want to hate him, there’s still a part of you—deep down—that wants to believe him. That wants to believe you’ve always been the one, that he’s just as haunted by the loss as you are.

But it doesn’t change the fact that he’s made his choice. He’s with someone else now, someone who gets to have the version of him you once dreamed of, someone who’s standing by his side while you’re left picking up the pieces of what could have been. And that reality cuts through you like a knife, leaving you reeling.

“I wish that mattered,” you manage to whisper, your voice barely audible, each word a struggle as you force yourself to look him in the eyes. The storm of emotions churning within you feels like it might tear you apart from the inside, but you need him to hear this, to understand the depth of the pain he’s caused. “But it doesn’t change anything, Rafe. It doesn’t change the fact that you’re engaged to someone else, and I’m just… supposed to accept that.” Your voice breaks on the last word, the sound coming out fractured and hollow.

Rafe’s expression drops, and for the first time, you see something close to genuine despair flicker across his face. His blue eyes, which once held a spark of recklessness and life, now look empty, consumed by a dark realization. It’s as if he’s seeing the full weight of his choices for the first time, the horrifying dread of what he’s done sinking in like a stone dropped into still water. You can see the exact moment it hits him—the gravity of the mistake he’s made.

When he proposed to Sofia, he thought he was finally getting his life together. After years of chaos and self-destruction, he believed he was taking a step towards stability, towards becoming the man he always felt he needed to be. He convinced himself that this was the right path, that Sofia was the safe choice—the one who could ground him, the one who would stand by him through thick and thin. But now, standing in front of you, seeing the devastation in your eyes and hearing the brokenness in your voice, he realizes the truth he’s been running from all along.

He’s made a grave mistake—one he can’t undo.

The realization tears through him like a knife, and his knees nearly buckle under the weight of it. He looks at you with a mix of horror and regret, his face pale, his eyes glassy as if he’s about to crumble right then and there. He reaches out a hand, hesitating, his fingers trembling as if he’s afraid to touch you, afraid that this might be the last time he ever gets the chance.

“Y/N…” he breathes out your name, his voice breaking on the syllable. He looks utterly lost, like a man standing on the edge of a cliff, staring into the abyss. “I—” His words falter, and he closes his eyes, a shaky exhale escaping his lips. When he opens them again, they’re filled with a sorrow so deep it takes your breath away. “I thought I was doing the right thing. I thought I was finally getting my life together. But I was wrong. I was so, so wrong.”

You shake your head, feeling your heart shatter into a million pieces. His confession feels like a dagger twisting in your chest, confirming what you’d feared all along—that he never truly let you go, that you weren’t just imagining the way he used to look at you, the connection that lingered despite the time and distance.

“But you chose her,” you whisper, your voice laced with a bitter sadness. “You chose her over me, Rafe. And now you’re standing here, telling me this as if it changes anything. But it doesn’t. It’s too late.”

The words hang between you like a death sentence, and you can see it in his eyes—the crushing realization that he’s lost you for good, that this is the consequence of his choices. The haunting realization that he’ll have to live with this regret, this aching emptiness, for the rest of his life.

[lost-victorian-sailor]

i read information. then i remember this information for 5 minutes. then i forgot information.

is this how it's supposed to work?

[capricorn-0mnikorn]

I have ~Thoughts~ on the Harry Potter Phenomenon that was

(Courtesy of memories prompted by this Tumblr Poll)

Back when I was a senior in college (back in the mid-to-late 1980s), I actually wrote a fantasy novel for kids aged ~8 - ~11 (in a self-designed course for a single credit, under the guidance of my Literature advisor), inspired by a series of dreams and recurring characters that showed up in them.

My advisor encouraged me to try and get it published. And so, I arranged with teachers from my old school to have a class of 30 or so 10 year-olds beta read it, and give me feedback for revisions. The kids also encouraged me to try and publish it.

So I did.

Now, back then, there was no "Self Publishing." The closest thing was "Vanity Publishing," where you would pay 100% of the publishing cost of your book, which would be printed in hard copy, for the benefit of having 500 -1,000 books shipped to your personal address, which you were then responsible for storing and selling out of the trunk of your car in a parking lot, somewhere. And if word got out that you were trying to claim credit for being a "published author" because of a Vanity Press book, actual publishers wouldn't touch you with a 40-foot pole.

If you wanted to get published, you had to buy that year's copy of Writer's Market: a listing of magazine and book publishers, and agents, with a brief description of what material they published, and what they wouldn't touch.

Guess what genre no agent or publisher was interested in handling?

That's right, Gentle Readers: Fantasy for children aged 8 - 11. I would have happily sent out a dozen queries for each story I wrote, if there were publishers and agents willing to look at them. But for three to four years of trying, in directories of two-columns of tiny print, and several [hundred]* pages long, I'd be lucky to find two or three outlets even willing to look at fantasy for kids.

The general consensus, across the publishing business, was that fantasy was a dead and obsolete genre. If it was for kids old enough to read chapter books and novels, it must also be firmly grounded in realism and actual history, because everyone knows the only people buying books for kids that age were teachers, who wanted stories with practical applications in the classroom.

***

After 3 - 4 years of trying, while I was in grad school, I finally got a rejection from the one agent who agreed to read my novel. A few days later, I received news that my mother had died from the breast cancer she'd been fighting, and my heart just went out of the project altogether.

A few years later, the first Harry Potter book was published. And it became a worldwide phenomenon. And it was the kids, themselves, who were driving the sales.

See, I think the real reason the books were such a success, even though they were never really very well written, was because they were in a genre the audience was hungry for -- a genre they'd been denied access to for all of their young lives.

Someone who is starving will think even moldy bread is delicious.

*Gosh, what a word to leave out via typo; the Writers Market rivaled the Manhattan Yellow Pages in length.

[lassify]

[Spy x Family ch. 109 spoilers]

I just finished the chapter as of two minutes ago, and I have to tell you, I am having the best time getting to use whip out my psychology degree again.

Good people of tumblr, allow me to introduce to you:

Capgras delusion

It's interesting that Melinda disclosed that she was a patient of the hospital before. It is no small feat to be admitted into psychiatric care - especially in a hospitalised setting. Psychiatric hospitals typically deal with very high-risk disorders and behaviours, with many patients being admitted to hospital either for their own safety, or for the safety of those around them.

What has this got to do with capgras delusion?

Capgras delusion is a very serious psychiatric disorder in which a person believes that someone very close to them has been replaced with an impostor.

It is not uncommon for sufferers of capgras delusion to believe that their loved ones have been replaced by aliens, a doppelganger, or a clone.

It can be from many causes: psychosis, schizophrenia, brain damage, neurodegenerative disease. In very rare cases there have even been documented unexepcted triggers such as ketamine, diabetes, migraines, and urinary cystitis.

And, crucially; it is not unheard of for sufferers of capgras delusion to be physically agressive towards the perceived impostor.

(Is that why she was sent to psychiatry before? Is that why she is estranged from Donovan and the children? Is that why she is kept under very close watch? Or is there something more sinister going on?)

From this chapter alone, I wonder if we will see a link between Melinda's delusion, and her past experiences. If Endo chooses to take the scientific route, we may see a history of physical abuse that resulted in brain damage, or a history of psychological abuse that made Melinda vulnerable to psychosis.

I would be really interested to see if Melinda's current way of thinking may have originated from having an initially loving relationship with Donovan Desmond, but she saw a sudden change in behaviour in him to become the heartless warmonger we now know him to be, which could have pushed her into this delusional belief.

After all, how could the man she fell in love with (conjecture), have turned into such a monster? The only explanation must be that Donovan Desmond is not the Donovan she knew, and just an impostor, right?

....Right?