#read june 2019

[nguyenfinity]

Here’s a. Very real dream I had last year. Happy pride.

[eliotquillon]

just finished the rwrb movie and although i really enjoyed it (and was kicking my feet giggling the whole time) i do have a couple of major criticisms, some of which i think aren’t really the movie’s fault because they had to fit a whole book into 2 hours, but some of which left me kind of disappointed:

-i feel slightly icky that bea and nora got their screentime SIGNIFICANTLY reduced even after june got cut entirely (which i was upset about, but did understand). i loved zahra and adored her on screen but i do think it’s very odd that she is pretty much the only major female character in this movie since bea was nonexistent and nora got permanently spirited away to pez’s bed or something sometime during the second act

-it felt like a lot of the internal conflict in alex and henry’s relationship was very unbalanced and henry heavy - alex’s neurodivergence was erased, his bi epiphany was barely even an epiphany, and him not being explicitly kicked off the campaign after ellen finds out about him and henry essentially killed his whole subplot about realising he doesn’t need to have everything achieved at thirty and deciding he wants to apply to law school instead. which wouldn’t have been terrible but on the flipside it felt weird that we didn’t see very much of henry’s family considering how much they affect and shape his fear of being outed and his feeling of being in a glass cage - e.g bea’s treatment by the media during her active addiction (which was entirely erased), the extent of the tension between him and philip. felt like henry’s pov scenes were a super wasted opportunity for that and we were mostly just being Told about all of these things

-i am not actually that mad about oscar and ellen still being together lol but i felt like in the scene with oscar smoking the cigar on the balcony they were kinda building up to there being significant strain in his and ellen’s relationship that just wasn’t explored. especially since it’s clear oscar would never be able to be president because he’s not a natural born citizen + the sacrifice of his career for ellen’s is so much bigger now that he’s first gentleman in this version

-pacing in general was a bit off but the worst offender was the fact that there was a complete time skip between the alex henry confrontation/reconciliation and the outing. so much of the tension and desperation from that outing scene comes from the fact that the risk of it happening was slowly increasing throughout the book and it felt almost inevitable (the elevator cctv being leaked, henry having to fake date june) and honestly making it so abrupt weirdly reduced a lot of its impact for me

-similarly i actually completely understand why the richards plot / rafael luna plot was cut (i suspect republican election interference hits a bit too close to home after 2020) but my god was miguel a lame fucking villain and him being queer and hispanic erased a lot of the original commentary about racism and homophobia that the richards plot lent itself to. like in general this movie was a lot lighter than the book which is fine! but for a movie where the main subplot is a presidential election So Much of the political themes were heavily neutered or cut to the point that it seemed like the pressure on henry and alex’s relationship was disproportionately coming from henry’s side when in the book it was more balanced

again on the whole i really really loved this movie and i knew going in that certain changed were going to be made. and i hope more movies get made like it! these r just my Thots and i may change my mind when i rewatch it with my friend tomorrow

[eggmeralda]

that period of time between south park post covid being announced in 2021 to summer 2022 when everyone got obsessed with truffula flu was moderately heavenly

[thislovintime]

Peter Tork and June Millington (one of the founders of the rock group Fanny), 2012.

Janis Ian and June Millington on Peter...

“In mourning for Peter Tork, one of the kindest people I’ve ever known, who was so gracious and so good to me when I was starting out. It’s testimony to the man that his family asks donations to be made to Institute for the Musical Arts, founded by June Millington and Ann Hackler to support women and girls in music. Lovely man, and a sad day to know he’s gone.” - Janis Ian, Facebook, February 22, 2019

“Thank you Peter Tork and family for your incredibly powerful gesture in suggesting that people make a donation to IMA’s ‘In the Names of Our Mothers’ fund, in support women and girls in music. Especially in these times, so meaningful ~ you will be remembered here for generations! Thing is, you’ve been such a good friend to me (us) over the years, and continue to give. That is a true testament to your soul, and your spirit. Love you always, xx June” - June Millington, Facebook, February 23, 2019

“I met him [Peter] here in Massachusetts through our really great friend Leah Kunkel. […] And they were really good friends since Peter and John Sebastian and Leah, Mama Cass… were in the Village […] And Peter did a benefit for us once […], for IMA. […] And he did record here as well. […] Peter was here a few months before he died, he came to actually record that last song that he put out with The Monkees [‘Angels We Have Heard On High,’ from Christmas Party; the instrumental track, featuring Peter on banjo, was originally from A Beachwood Christmas, 2003]. […] I wish I could have recorded him for my podcast because he told me a few stories which I love so much. [...] He played a great piano, which I didn’t know until the last time he was here. He swung by the piano and he — even though he was sick and he didn’t have much energy — he sat down and he played some brilliant classical piece. I’m like, ‘Peter, I didn’t know you played the piano!’ And he said, ‘Oh. Yeah.’ And I said, ‘How did that come about?’ He said, ‘Oh, I took lessons.’ So his parents definitely wanted him to be, shall we say, cultured, and have… you know, to play piano, the have a college degree and all of that. […] He was such a smart guy, he was so funny, he was so funny, he would be quipping all the time, you know. And it was, the last couple of years were a little bit of a slog for him because the cancer was coming back and it was really trying to get him. But he — he kept his humor intact the whole time. He was really a very generous, and he was a super-funny guy. That’s my biggest impression of him, is how giving he was. And he wanted to support IMA, the Institute for the Musical Arts, which is a nonprofit that supports women and girls in music by passing on what we know. So we do rock ‘n’ roll girls camp […], lessons — everything is being passed on to future generations. So it’s the only organization of its kind in the world where we are really hands on passing it on. And he just loved that. Like, he sent his daughter here — his wife had, you know, had a daughter, so they sent her here to one of our rock ‘n’ roll girl camps. So he put his money and his time where his mouth was, you know. […] So he was always trying to think of ways that he could help. He recorded here. You know, as I said, he was super-generous. He had a heart of gold, I gotta say. Super heart of gold. And he and Leah remained really good friends, really good friends until, you know, the last days. […] He was so smart. He was on top of current affairs, you know; he had so many jokes at the top of his fingers. […] He was a super-talented guy. […] Go to IMA dot org to take a look at this place. Peter realized the value. He loved passing it on. And he loved being around women and working with women, there’s no, you know (laughs), there’s no other way I could say it: he loved women. And he wanted to help, you know. And he let us know that, boy, he wanted to help and he did help.” - Plastic EP, 2021

[coconut530]

some songs by The Score that I’ve been coming back to and loving ❤️🖤💙🩵

[mogai-sunflowers]

this will be a bit of a long post but i ask that you please please read the full thing if you want to know more about Sudan- i feel like not enough people ACTUALLY know what's going on in Sudan. a lot of people have a vague idea that a 'war' and genocide is going on, but it's important to know the specifics as well.

there is extremely little coverage of Sudan from non-Sudanese sources, and even those that DO cover it often paint it as a war between two different generals for power over a country- and to a certain extent, without context, that IS what's happening. for those unaware, the two 'warring factions' in Sudan are the official Sudanese military- the SAF (Sudanese Armed Forces) and the RSF (Rapid Support Forces).

in April 2019, during the Sudanese Revolution, Islamist dictator Omar al-Bashir was deposed by the SAF in response to a mass wave of revolutionary organizing, protests, and sit-ins. Immediately after, the TMC (Transitionary Military Council) was established, with SAF general inspector Abdel Fattah al-Burhan being appointed as the chairman. for a brief time, protestors engaged in negotiations with Burhan, and many believed that he was being ernest in his promises of a true civilian democratic government- but it soon became clear to protestors that he was not actually taking their demands seriously, so demonstrations once again intensified. on June 3, 2019, it was under Burhan's command that the Khartoum Massacre was committed, killing 118 protestors while they were participating in a sit-in at the military headquarters in Khartoum.

as the next few months went by, agreements came about to dissolve the TMC and form a Transitional Sovereignty Council based on a draft of a constitutional declaration. it was supposed to be that a military official would be the chairman for 21 months, then transitioning to a civilian chairman for the next 18 months- but Burhan staged a coup in October of 2021, and dissolved the council and effectively turned the Sudanese government back into a military junta, which was the cause of further protesting.

i want to emphasize the crimes and horrors of the SAF because they are often forgotten in these discussions due to the absolute atrocities committed by the RSF. there is no good guy here- both the SAF and the RSF are vying for dictatorial power. so let's talk about the RSF.

headed by genocidal war criminal Mohamed Hamdan Dagalo, known more widely as "Hemedti", the RSF formed around 2014 due to reorginization of the Janjaweed militias- which were the militias that formed across the Darfuri regions of southwestern Sudan to suppress demonstrations against Bashir's oppressive and racist regime which carried out the first genocide of Massalit and other ethnically non-Arab peoples across Darfur in the early 2000s. so to be succinct- the RSF has direct roots in dictatorial suppression of Sudanis protesting against ethnic cleansing, genocide, and oppression.

for around a decade, the RSF and SAF were different factions of the Sudanese military- both have their roots and a pattern of supporting dictatorial violence and anti-Black genocide. and, on April 15, 2023, these two dictatorial Arab-colonialist powers began fighting out of the blue. fighting has been most intense around Khartoum, the central state and capital city of Sudan, where now an estimated 35% of its residents have been forced to flee, with the rest trapped in the middle of an active war zone.

the RSF has been actively continuing the genocide of non-Arab Darfuri Sudanis that its predecessor the Janjaweed committed 20 years prior. they have been consistently launching attacks against Massalit villages in Darfur and El Geneina. Recently, they have completely ethnically cleansed several Massalit villages, killing hundreds in each one of them. in addition, they are committing so many other war crimes, like sexual violence, blocking access to humanitarian aid, occupying civilian homes and kicking the residents out, along with blatant ethnic cleansing campaigns, mass murder, and targeting of civilians.

but don't think that this is a 'civil war' as many are calling it. a civil war is an internal dispute, but this is far from that. both the SAF and the RSF are supported by external powers, namely the UAE, Saudi Arabia, and Russia, who all provide funding to these groups IN EXCHANGE FOR SUDANESE RESOURCES LIKE GOLD AND OIL. this is, ultimately, not just some random war between two different military groups- it is a war funded by and for foreign colonial powers who have a vested interest in colonizing Sudan for its resources. as an example- the UAE's- and especially Dubai's- infamous gold and jewelry industry, is only made possible by the fact that the UAE illegally smuggles 80% of Sudan's gold- they fund this by sending weapons AND SOLDIERS to the RSF. Several of the gold mines in Sudan are owned and operated by the Russian government.

all of this, both the 'internal' AND the external, colonial aspects of this war and genocide, has led to the world's current WORST humanitarian crisis. not only do LOW estimates place the total murdered in the past year at 150,000, but out of Sudan's population of nearly 47 million, over half (25 million) are in severe need of humanitarian aid, and of those 25 million, over half are children. fighting between the RSF and SAF has lead to severe blockage of aid, and the UN's initial proposed budget of $1.5 billion in April of 2023 has not only not increased to accommodate the severe worsening of the crisis, but ALSO has not even been funded 20%.

2.5 MILLION PEOPLE ARE EXPECTED TO STARVE TO DEATH IN SUDAN BY THIS FUCKING SEPTEMBER. THAT IS LESS THAN 2 MONTHS AWAY.

additionally, due to both western colonization and the Sudanese governments' deliberate cutting of internet access across the entirety of Sudan, there is a huge lack of the proper infrastructure for generating awareness and spreading videos and info from on the ground in Sudan. this means that not only are people unable to effectively crowdfund support to leave, but they are also barred from accessing social media to spread awareness, and they're unable to contact loved ones outside of Sudan most of the time.

also, Sudan is HUGE- in order for displaced people to escape fighting, they usually have to walk, on foot, for hundreds of miles, often across literal deserts, with extremely little access to water. there has also been a surge of internally displaced people dying due to illness and scorpion stings in displacement camps. 70% of Sudan's hospitals have stopped functioning entirely. and even if they DO make it to a neighboring country, most of the options there are just as bad, if not worse- Egypt is extremely anti-Black, and doesn't allow work permits to most Black refugees, meaning they are relegated to being houseless and jobless if they go to Egypt- and westward in Chad, there is also crisis with food and resources, so the government of Chad quite literally can not materially support anymore Sudanese refugees. In South Sudan, there is also conflict, war, and crisis, and in Ethiopia, where the genocide is taking place in Tigray, the government is extremely hostile to Sudanese refugees. there are currently more than 6,000 Sudanese refugees stranded in the forests because of the hostilities they faced while in UNHCR camps.

and everyday that we're not doing something, this genocide, war, and humanitarian crisis is getting worse. doing something starts with being educated. i urge y'all to look more into this, don't just take what i'm saying and roll with it- truly learn and listen to Sudanese activists on this. i highly recommend following these accounts on Instagram:

@/red_maat , @/bsonblast , @/sudansolidaritycollective, @/forsudaneseliberation, @/darfurwomenaction, @/liberatesudan, @/zzeirra, @/yousraelbagir, @/modathirzainalabdeen, @/sdn.world, @/nasalsudan, @/sudanuntold, @/kandakamagazine, and @/almigdadhassan0

IF ANYTHING I'VE SAID IS INACCURATE, PLEASE LET ME KNOW!

i'd like to spread this post for some education. could you reblog this @decolonize-the-left @incorrectmadrigalfamilyquotes @homoidiotic @heritageposts @el-shab-hussein

@fairuzfan @palipunk @silicacid @sissa-arrows @apollos-olives @

@northgazaupdates @our-queer-experience @intersexfairy @genderqueerdykes

[redgoldsparks]

My very last comic for The Nib! End of an era! Transcription below the cut. instagram / patreon / portfolio / etsy / my book / redbubble

The first event I went to with GENDER QUEER was in NYC in 2019 at the Javits Center.

So many of the people who came to my signing were librarians, and so many of them said the same thing: "I know exactly who I want to give this to!" Maia: "Thank you for helping readers find my book!" While working on the book, I was genuinely unsure if anyone outside of my family and close friends would read it. But the early support of librarians and two American Library Association awards helped sell two print runs in first year.

Since then, GENDER QUEER been published in 8 languages, with more on the way: Spanish, Czech, Polish, French, Italian, Norwegian, Portugese and Dutch.

It has also been the most banned book in the United States for the past two years. The American Library Association has tracked an astronomical increase in book challenges over the past few years. Most of these challenges are to books with diverse characters and LGBTQ themes. These challenges are coming unevenly across the US, in a pattern that mirrors the legislative attacks on LGBTQ people. The Brooklyn Public Library offered free eCards to anyone in the US aged 13-21, in an effort to make banned books more available to young readers. A teacher in Norman, Oklahoma gave her students the QR code for the free eCard and lost her job. Summer Boismeir is now working for the Brooklyn Public Library. Hoopla and Libby/Overdrive, apps used to access digital library books, are now banned in Mississippi to anyone under 18. Some libraries won’t allow anyone under 18 to get any kind of library card without parental permission. When librarians in Jamestown, Michigan refused to remove GENDER QUEER and several other books, the citizens of the town voted down the library’s funding in the fall 2022 election. Without funding, the library is due to close in mid-2024. My first event since covid hit was the American Library Association conference in June 2022 in Washington, DC. Once again, the librarians in my signing line all had similar stories for me: “Your book was challenged in our district" "It was returned to the shelf!" "It was removed from the shelf..." "It was moved to the adult section."

Over and over I said: "Thank you. Thank you for working so hard to keep my book in your library. I’m sorry you had to defend it, but thank you for trying, even if it didn't work." We are at a crossroads of freedom of speech and censorship. The future of libraries, both publicly funded and in schools, are at stake. This is massively impacting the daily lives of librarians, teachers, students, booksellers, and authors around the country. In May 2023, I read an article from the Washington Post analyzing nearly 1000 of the book challenges from the 2021-2022 school year. I was literally on route to a festival to talk about book bans when I read a startling statistic. 60% of the 1000 book challenges were submitted by just 11 people. One man alone was responsible for 92 challenges. These 11 people seem to have made submitting copy-cat book challenges their full-time hobby and their opinions are having an outsized ripple effect across the nation. WE NEED TO MAKE THE VOICES SUPPORTING DIVERSE BOOKS AND OPPOSING BOOK BANS EVEN LOUDER. If you are able too, show up for your library and school board meetings when book challenges are debated. Send supportive comments and emails about the Pride book display and Drag Queen story hours. If you see a display you like– for Banned Book Week, AAPI Month, Black History Month, Disability Awareness Month, Jewish holidays, Trans Day of Remembrance– compliment a librarian! Make sure they feel the love stronger than the hate <3

Maia Kobabe, 2023

The Nib

[the-quiet-fire-of-defiance]

The Māori tino rangatiratanga [sovereignty, self-determination] flag flying alongside Palestinian flags. The tino rangatiratanga flag is black at the top and red at the bottom, the two colours separated by white lines forming a koru (spiral). The Palestinian flag has three horizontal stripes (black, white and green) with a red triangle on the left.

"Pro-Palestine protest at Pacific Islands Forum meeting in Rarotonga"

A young child holding an ili (Samoan woven fan) that says Samoa for Palestine

A young boy holds a sign reading Justice the seed, peace the flower / Ko te mana whakaaiko hei kākano, kia puawai mai te maungarongo. Beneath is artwork of a fist breaking free from chains below blooming flowers.

Left: the 1975 Māori Land March. Right: the 2018-2019 Palestinian Great March of Return.

If we want to free Hawai'i... [Hawaiian flag] we must also free Palestine [Palestinian flag]. Credit to @ainamomona

A young Māori boy holding a sign that reads MANA MOTUHAKE [independence/autonomy] 4 PALESTINE

A Fijian woman holding a sign that reads Food is not a weapon of war! Stop starving Palestinians! Behind are two more signs. One says CEASEFIRE NOW and the other says DON'T STOP TALKING ABOUT GAZA

A group of Fijians holding candles and wearing shirts that read STOP THE GENOCIDE

Left: a diagram of Palestinian land loss between 1946 and 2009. Right: a diagram of Māori land loss in the North Island of Aotearoa between 1860 and 2000.

A sign reading TANGATA WHENUA [indigenous people] FOR PALESTINE [tino rangatiratanga symbol, Palestine flag symbol]

Three Pasifika people holding signs. The first says MAI LE VAITAFE AGA'I I LE SAMI! [Samoan: from the river to the sea] FREE PALESTINE! The second sign says FROM OUR PASIFIKA OCEAN TO THE RIVER TO THE SEA FREE PALESTINE. The final sign shows the Palestinian and Tongan flags and says 'OFA KI PALESITAINE [Tongan: Love to Palestine]

A group of Pasifika holding signs and banners. They say "HOW MANY MORE KILLINGS IS ENOUGH FOR YOU?" "KŪ'E! KŪ'E! [Hawaiian: Resist! Resist!] PASIFIKA STANDS WITH PALESTINE" "'OFA KI PALESTINE" "FROM THE PACIFIC TO THE RIVER TO THE SEA, PALESTINE WILL BE FREE" "WHERE IS YOUR HUMANITY?" "SAMOANS FOR PALESTINE" "FROM THE RIVER TO THE SEA" "KŪ'E KŪ'E KANAKA WITH PALESTINE" "FREE PALESTINE CEASEFIRE NOW"

A West Papuan man holding two signs. The first says WEST PAPUA STAND WITH MYANMAR. The second says WEST PAPUA STAND WITH PALESTINE

Two signs. The first says PACIFIC ISLANDERS FOR PALESTINE. The second says #FREE PALESTINE #FREE WEST PAPUA #FREE CONGO #FREE SUDAN

A Palestinian flag decorated with Samoan patterns. Words say 'AGA'I MAI LE VAITAFE E O'O ATU I LE SAMI FROM THE RIVER TO THE SEA #Sāmoans4Palestine

A tweet from Tamatha Paul (Waikato-Tainui, Ngāti Awa) on 29 June 2023. Another big win this week, courtesy of @Just4Pal and @nikau4poneke, we [Pōneke Wellington] will be Sister Cities with the Palestinian city of Ramallah 😍 Free Palestine!!!

A Pasifika woman holding two signs. The first says FREE PALESTINE FREE PALESTINE END THE APARTHEID! END THE BLOCKADE! END THE ETHNIC CLEANSING! CEASE STATE SANCTIONED VIOLENCE! CEASE COLONIALISM! BOYCOTT ISRAEL! From the river to the sea, Palestine will be free! The second sign has pictures of Palestinian and West Papuan flags. It says pacific islanders stand in solidarity with Palestine! #FREEWESTPAPUA #FREEPALESTINE CEASE COLONIALISM

A sign that has the tino rangatiratanga flag at the top and Palestinian flag at the bottom. It says Mai te awa ki te moana [from the river to the sea] MĀORI LAW STUDENTS For a FREE PALESTINE

A Pasifika woman holding a sign decorated with Pacific symbols. It says LONG LIVE PALESTINE - PASIFIKA 4 PALESTINE - FROM THE RIVER TO THE SEA PALESTINE WILL BE FREE

Another Samoan fan. This one says PALESTINE WILL BE FREE

[nolita-fairytale]

carmen 'carmy' berzatto masterlist

Thee Carmy x Reader 'Make My Heart Surrender' Universe (In Chronological Order):

comfort & chaos (prequel to make my heart surrender)

a series of vignettes: the five times carmen berzatto fell in love with you a little and the one time he finally told you. (completed)

october 2019 | covid & carbonara | heat waves | 2/22/22** | called you again | home**

the phone call (blurb - the phone call that gets reader to chicago in the first place)

make my heart surrender

after quitting your job at the restaurant you both used to work at, carmy asks you to come in and work with his pastry chef at his new spot, the bear. only, the longer you stick around, it becomes clear that you have unfinished business. will one week in chicago change your life, and his, forever? (completed)

tuesday | wednesday | thursday | friday (**18+ for smut) | saturday/sunday | monday | tuesday, again | the playlist

home (final chapter from comfort & chaos - **smut)

try a little tenderness (fluff & angst blurb)

cigarettes & coffee (fluffy blurb)

strawberries & cigarettes (fluffy blurb)

j is for james beard... and for jealousy (**smut oneshot | 18+ only)

your past and mine are parallel lines (fluff oneshot)

pov: carmy makes people magazine's sexiest chef alive list (fluff blurb)

bad moon rising (what if/angst-shot -- guest starring mikey berzatto)

sister-in-law (fluff oneshot -- guest starring natalie berzatto)

still into you (sequel to make my heart surrender)

you, syd, marcus, and carmy return to where it all began: new york city, prompting you and carmy to think a lot about your past... and your future together. (completed)

thursday | **bonus smut scene | friday | saturday | sunday | it's perfect, chef (**bonus smut scene)

don't want to walk alone

the long awaited wedding fic for carmy x reader in the make my heart surrender universe. this six part series chronicles the wedding planning, your (not) bachelorette party, the wedding, and the honeymoon as you build a life with your husband-to-be. (completed)

june/july | august | september | the honeymoon pt 1 | the honeymoon pt 2 | epilogue: november

granola blurb

carmy as your baby daddy

a social media au & headcanon series detailing your first pregnancy with carmy. created for the make my heart surrender universe, but can be read as a standalone work. this has been created in collaboration with @carmensberzattos & @allthefandomstogether , the graphic goddess. (completed)

part one | part two | part three | part four | give you my wild, give you a child (**smut-shot) | part five | part six | part seven

the social media au

scenes from the relationship & this story depicted as social media posts. won't always align with my other social media/moodboards.

part one | part two: first year of dating | part three |

extras/moodboards/headcanons/imagines:

your life as a pastry chef in chicago while dating carmy (moodboard & headcanon)

meeting mikey in another lifetime (headcanon)

pov: you're marrying carmen berzatto (moodboard)

honeymoon lingerie moodboard

christmas with carmy moodboard & blurb

The Bear: Unrelated to Make My Heart Surrender:

(nothing here YET but working on it)

so my darling | sydney adamu x male!chef oc

jealous!carmy & jealous!luca headcanon

stargazing with marcus brooks (blurb)

sneaking around with carmy (blurb)

[theghostofdash]

"If you can't beat the odds, change the game" from the book series "Six of Crows" by Leigh Bardugo. A fantastic read I highly recommend. a sticker design I made inspired by the character Kaz Brekker. (yes I'm aware that for most of the story he's a fan of gloves) It was interesting trying to work with a simpler style than I'm used to.

June 14 2019

[teriri-sayes]

History of “Lout of Count’s Family”

This compilation lists all real-life events related to the Korean novel, 백작가의 망나니가 되었다 (Lout of Count’s Family), in chronological order, but limited to the Korean and English-reading audiences.

==========

2018

April 9, 2018

The novel was first released as a free-to-read series on Munpia, a Korean web novel platform, under the title, 백작가의 망나니가 되었다 (I Became the Trash of the Count’s Family) by the author, Yoo Ryeo Han, under the Korean publisher, Chungeoram. It had a Mon-Sat release schedule of 6 chapters per week.

May 29, 2018

The novel became a pay-to-read series, owing to its popularity, as announced by the author on May 25. Its first cover illustration featured Cale and Raon.

Image 1. The first cover illustration of the novel.

July 26, 2018

The novel won both the Grand Prize and the Popularity Award at the 4th Korean Web Novel Contest co-hosted by Munpia and the Korean Popular Literature Writers Association. The author received a total of 105 million KRW (~$76,000), a plaque, and other special benefits.

Image 2. Yoo Ryeo Han (right) posing for the Grand Prize winner photo. The old woman in the left is either the author's relative or a contest holder representative.

“When I first started writing, it was a very difficult time for me, both physically and mentally, so when I heard about this contest, I decided to participate,” said Yoo Ryeo Han, the author of “I Became the Trash of the Count’s Family”, the grand prize-winning story, ”I won a great prize through this contest and it was a turning point in my life. I am grateful to Munpia for providing such a great opportunity.” Source: Munpia. (2018, July 31). Munpia Holds the 4th South Korean Web Novel Contest Award Ceremony. NewsWire.co.kr.https://www.newswire.co.kr/newsRead.php?no=873212

July 30, 2018

The novel was serialized on Naver Series, a Korean web novel platform.

September ??, 2018

WuxiaWorld, an English web novel translation publisher, began an English fan translation of the novel under the title “Trash of the Count’s Family” with MiracleRifle as the translator.

October 2, 2018

The novel was serialized on RIDI, a Korean web novel and ebook publisher.

October 15, 2018

The novel was serialized on KakaoPage, a Korean web novel platform.

October 18, 2018

The author announced a temporary hiatus because her mother had an accident, so she had to take care of her mother who would be undergoing surgery.

October 26, 2018

The novel was serialized on Joara, a Korean web novel platform.

October 29, 2018

The author announced a temporary change of the release schedule from 6 chapters per week (Mon-Sat) to 5 chapters per week (Mon-Fri) for 3 weeks. This was because she wanted to devote more time to taking care of her mother whose surgery went well. She also thanked her readers who left well wishes for her and her mother.

November 29, 2018

The author announced a 1-day hiatus because she had to take care of her mother’s hospital paperwork and stuff.

2019

January 2, 2019

The author announced a 1-day hiatus because she caught a cold. She also wished her fans a Happy New Year.

January 22, 2019

The author announced a temporary change of the release schedule from 6 chapters per week (Mon-Sat) to 5 chapters per week (Mon-Fri) for the next 2-3 months. She stated it was because of a temporary change in her work environment.

March 8, 2019

The author posted a brief character profile on Munpia.

Link: https://novel.munpia.com/113612/page/1/neSrl/2290020

April 1, 2019

The author announced that she would maintain the 5 chapters per week release schedule. She said that her mother’s full recovery and rehabilitation kept getting delayed, and there were also some personal matters, so she needed 2 days off a week.

May 29, 2019

The author announced a 1-day hiatus because of health reasons.

June 14, 2019

The author announced a 5-day hiatus because of headache and fever. She went to the hospital to get herself checked, and was diagnosed with meningitis. 

July 4, 2019

The release schedule was permanently changed from 6 chapters per week (Mon-Sat) to 5 chapters per week (Mon-Fri). The author said that she wanted to improve her health as the previous release schedule tired her out.

August 13, 2019

The author announced a 1-day hiatus because of health reasons.

September 16, 2019

The author announced a 4-day hiatus because of health reasons.

November 11, 2019

The author announced a 3-day hiatus because of personal reasons and body aches.

December 17, 2019

The 2nd cover illustration of the novel was released, featuring Cale, Choi Han, Raon, Ohn, and Hong.

Image 3. The second cover illustration of the novel.

December 31, 2019

The author greeted her readers a happy new year, and also joked about her wrong estimation of the novel ending soon in 500 chapters.

2020

January 17, 2020

The author posted a note in celebration of the novel’s 500th chapter. She answered a few fan questions, and insisted that her dream was not to be a slacker.

January 29, 2020

The author announced a 1-day hiatus because of a stomach ache. She also greeted her readers who recently celebrated the Lunar New Year holiday.

February 19, 2020

The author announced a 1-day hiatus because of health reasons.

April 17, 2020

The author announced a 1-day hiatus because of difficulty in writing. She said that she was suffering from pain in her lower back, wrist, and fingers, making it hard for her to type on her right hand.

April 24, 2020

The author announced a 5-day hiatus because of health reasons.

June 2, 2020

The author announced a month-long hiatus because of family circumstances, which left her in not a good mood for writing.

June 29, 2020

The author announced a 1-month hiatus because of family circumstances. She stated that one of her family members was sick, and this was a very long-term battle, so she wanted to stay by their side until they had fully recovered.

August 5, 2020

The release schedule was permanently changed from 5 chapters per week (Mon-Fri) to 3 chapters per week (MWF). This was in relation to her sick family member’s situation last June 29.

August 26, 2020

Copin Comics, a Korean webtoon publisher and studio, first announced its webtoon adaptation of the novel.

August 31, 2020

Season 1 of the webtoon adaptation of the novel was released on KakaoPage and Copin Comics’s own website, with PAN4 as the artist.

October 28, 2020

The official English title, “Lout of Count’s Family”, made its first appearance in the event prizes given by RIDI. These prizes were stickers and cell phone ring holders featuring Raon, Ohn, and Hong. One needed to purchase 30,000 KRW worth of chapters to qualify for the event.

Image 4. The stickers and cell phone ring holders given in the event.

November 5, 2020

WuxiaWorld announced that it would cease its fan translations of the novel because the author herself turned down their offer to officially translate the novel in English, despite the fact that WuxiaWorld and Chungeoram were in the middle of negotiations.

Eat Apple Pies, a fan translation site, continued the English fan translation of the novel, with permission from MiracleRifle to host in their site the already-translated chapters that were in WuxiaWorld.

November 6, 2020

Adar Terra, a personal blog, began posting English chapter summaries of the novel starting from Part 1 Chapter 630.

December 15, 2020

Copin Comics released the official English translation of the webtoon adaptation under the title, “Lout of Count’s Family” on its English website.

2021

January 4, 2021

The author announced a 1-day hiatus because of personal reasons.

January 11, 2021

The novel won 2nd place in the 2020 Best Awards of Munpia.

Link: https://www.munpia.com/page/bestawards2020f

January 26, 2021

The author announced a month-long hiatus because of family, health, and personal reasons. 

April 4, 2021

TappyToon, an English webtoon publisher, also released the official English translation of the webtoon adaptation on their website.

April 30, 2021

The author announced a 1-day hiatus because of personal reasons.

May 3, 2021

The author announced a 1-day hiatus because of personal reasons.

May 14, 2021

The 3rd cover illustration was released for the novel, featuring Cale and Kim Rok Soo.

Image 5. The third cover illustration of the novel.

May 28, 2021

Season 1 of the webtoon adaptation of the novel ended.

May 31, 2021

The author posted a note in celebration of the novel’s 700th chapter. She also hinted that she was working on a paperback version of the novel.

June 14, 2021

COWON started a crowdfunding event on Tumblbug, a Korean crowdfunding platform, for a Korean mobile game adaptation of the novel, with the game title of “Plop”. Various official merchandise could also be obtained, depending on which item set the sponsor would purchase. Merchandise included in-game coupons and items, stickers, postcards, and acrylic stands.

Image 6. Preview of the mobile game adaptation.

Image 7. Acrylic stands of Alberu, Cale, and Choi Han given to sponsors who sponsored more than 65,000 KRW ($47.10).

Link: https://tumblbug.com/plop_story

June 15, 2021

The author announced a 3-day hiatus because of health reasons.

July 26, 2021

The crowdfunding event ended with 376 sponsors, raising 33,763,000 KRW (~$25,500) and surpassing its funding goal of 20,000,000 KRW.

September 17, 2021

Season 2 of the webtoon adaptation of the novel began.

October 7, 2021

The author announced a 4-day hiatus because she lost her laptop while outside and spent her time looking for it. Fortunately, she recovered her laptop back.

November 1, 2021

The Korean mobile game “Plop” was released by COWON. It followed a Visual Novel (VN) approach with dating simulation elements. Players could select different stories to play with, and these stories were mobile game adaptations of popular Korean novels. Lout of Count’s Family was one of the stories a player could select. Plop could only be downloaded on QooApp, and was Korean-only.

November 29, 2021

Part 1 of the novel ended at Chapter 776. It was also announced that 7 side stories would be released at the end of every month, and Part 2 of the novel would begin on July 1, 2022.

December 31, 2021

The 1st of 7 side stories of the novel was released.

The novel won the Grand Prize in the Fantasy Web Novel category at the 2021 RIDI Web Novel Awards. Link: https://ridibooks.com/event/37133 

2022

February 2, 2022

An English version of the mobile game “Plop” was released under the title, “IFyou:episodes-love stories”, by PIER Corporation. The English mobile game adaptation of the novel could be played if one selected the “Lout of Count’s Family” story.

Image 8. Promotional image of the game showing the multiple stories one could play with.

February 4, 2022

Pocket Comics, an English webtoon publisher, released the official English translation of the webtoon adaptation on their website.

February ??, 2022

Bilibili Comics, an English webtoon publisher, released the official English translation of the webtoon adaptation on their website.

April 9, 2022

A special side story was released to celebrate the 4th anniversary of the novel’s serialization.

May 11, 2022

Chungeoram announced a crowdfunding event for the Korean hardcover books of the novel, beginning on June 13 and covering Part 1 Chapters 1-200 in 5 volumes. 

Link: https://blog.naver.com/chungeoram_book/222726296248

June 13, 2022

The crowdfunding event began on Tumblbug. Various official merchandise could also be obtained, depending on which item set the sponsor would purchase. Merchandise included posters, postcards, washi tapes, etc.

Image 9. Preview of the hardcover versions of the novel, and two posters featuring Cale and Choi Han.

Link: https://tumblbug.com/henituse

July 1, 2022

Part 2 of the novel began.

July 15, 2022

The crowdfunding event ended with 4,785 sponsors, raising 788,666,000 KRW (~$596,000) and surpassing its funding goal of 15,000,000 KRW.

July 19, 2022

Copin Comics renamed itself as Terapin Studios. Their English branch continued to be called Copin Comics.

August 4, 2022

Season 2 of the webtoon adaptation of the novel ended.

August 31, 2022

Sponsors of the crowdfunding event began to receive their hardcover books and official merchandise.

October 14, 2022

Copin Comics, the English branch of Terapin Studios, announced that it would be shut down by November 30. The official English translation of the webtoon adaptation would be continued by TappyToons.

November 30, 2022

Copin Comics officially shut down. Terapin Studios continued its service as the Korean webtoon publisher and studio for the webtoon adaptation of the novel.

December 20, 2022

The author announced a week-long hiatus because of health reasons.

December ??, 2022

Plop, the Korean mobile game adaptation of the novel, was terminated.

2023

January 27, 2023

LaLatoon, an English webtoon publisher, released the official English translation of the webtoon adaptation on their website.

March 29, 2023

The author announced an almost 2-weeks long hiatus because of personal reasons.

March 31, 2023

IFyou:episodes-love stories, the English mobile game adaptation of the novel, was terminated. PIER Corporation stated that it was because they could no longer afford to pay server maintenance and labor costs.

April 18, 2023

Adar Terra announced that it would discontinue posting summaries for the novel after receiving a DMCA notice from RIDI who asserted that writing summaries itself was illegal.

June 5, 2023

The author announced a week-long hiatus because of personal reasons.

July 13, 2023

Season 3 of the webtoon adaptation of the novel began.

July 31, 2023

RIDI announced that it would release a Korean ebook adaptation of the novel on August 21. They also held a RIDI-exclusive event on July 31 to August 2 where fans could ask the author their questions.

Link: https://ridibooks.com/event/57453

August 21, 2023

RIDI released Volumes 1-5 of the Korean ebook adaptation, covering chapters 1-117 of Part 1. They also had a limited-time event where those who purchased Volumes 1-5 as a set would get discounts plus an Author Q&A as exclusive content. The Author Q&A had 26 questions answered by the author, and was based on the fan questions they gathered in their past event on July 31.

Image 10. Cover of the Author Q&A released as a RIDI-only exclusive content.

August 31, 2023

The author announced a 1-day hiatus because she caught COVID-19.

September 3, 2023

Tapas, an English webtoon publisher, released their official English translation of the webtoon adaptation on their website.

September 15, 2023

RIDI released Volumes 6-9 of the Korean ebook adaptation, covering chapters 118-200 of Part 1. They also had a limited-time event where those who purchased Volumes 6-9 as a set would get discounts.

October 20, 2023

The author posted a note in celebration of the novel’s 1000th chapter. She thanked her readers and also joked about the novel reaching 2000 chapters.

December 29, 2023

The Korean ebook adaptation of the novel won the Grand Prize in the Fantasy ebook category at the 2023 RIDI Awards.

2024

January 24, 2024

Bilibili Comics announced that it would be shut down by February 29. 

February 29, 2024

Bilibili Comics officially shut down. The official English translation of the webtoon adaptation remained on the other webtoon publishers.

March 3, 2024

DAYcomics, an English webtoon publisher, released the official English translation of the webtoon adaptation on their website.

March 8, 2024

Lezhin, an English webtoon publisher, released the official English translation of the webtoon adaptation on their website.

March 18, 2024

RIDI released Volumes 10-18 of the Korean ebook adaptation, covering chapters 201-398 of Part 1. They also had a limited-time event where those who purchased Volumes 10-18 as a set would get discounts plus an LCF Modern AU Character Checklist as exclusive content. The checklist had 39 situations that described which character would likely be fit or do something in that situation, but in a modern alternate universe (AU) setting. Two new cover illustrations for the ebook adaptation were also included.

Images 11 and 12. On the left is the new cover illustration for ebook volumes 1-9, featuring Cale alone. On the right is the cover illustration for ebook volumes 10-18, featuring Cale and Raon.

March 27, 2024

Seven Seas Entertainment, an English novel publisher, announced that it had acquired the license to officially translate the novel in English, under the title, “Lout of Count’s Family”. It would be released in September of 2024 in paperback and ebook versions.

July 11, 2024

Season 3 of the webtoon adaptation of the novel ended.

August 24, 2024

Seven Seas Entertainment announced that it would release an English audiobook version of the official English translation of the novel. No release date had been given.

September 3, 2024

Seven Seas Entertainment released volume 1 of the novel's official English translation in paperback and ebook versions. It was also revealed that Seven Seas bought MiracleRifle’s fan translation to use in their official translation, and credited MiracleRifle in their print details.

Image 13. Cover illustration for volume 1 of the English adaptation of the novel.

November 7, 2024

Seven Seas Entertainment released Volume 1 of the official English audio book. It was narrated by Nick Martineau and produced by John Marshall Media.

==========

Coming Soon:

December 3, 2024

Volume 2 of the official English novel translation will be released on this date.

March 4, 2025

Volume 3 of the official English novel translation would be released on this date.

==========

Personal Remarks:

Creating this list was quite a huge task for me. It also made me appreciate the author's hard work, given that she had to write the novel while having family and health problems.

This list was limited to the Korean and English-speaking audiences because finding information about official translations of the novel or webtoon adaptation in other languages was difficult, especially researching the exact dates.

Some personal bias was also involved in the creation of this list. Adar Terra should actually not be included here because it was a fandom thing and not an official one. Unless you count me getting the DMCA notice from the official publisher as an "official" thing. 😂

And that's it. This list will continue to be updated as more official events happen. If you know of other official events related to the novel that I missed, please share it in the comments! Thank you! 🥰

[empty-movement]

Empty Movement's 2023 Revolutionary Girl Utena UPDATE

Fashionably late? As always. 2023 was a HUGE year for Empty Movement, so much so that to confess, we did a big fail in actually keeping up with sharing the stuff we did! OOPS. So finally, we proudly bring you: all the Revolutionary Girl Utena content we dropped in 2023. Essays, artbooks, CD information, you name it. Click below for the entire site update, or get it at the source, as always, at ohtori.nu.

In Analysis (Fan Essays): • seebee's essay The Power of Living an Embodying Narrative is about more than Utena, it's about the fandom--including us. We were both interviewed for this piece, and the result is an absolutely beautiful essay that has helped inform how we do Utena stuff going forward. Thank you so much for letting us be part of this! • seebee's VIDEO essay FILM CUTS BACK | transfeminism in utena absolutely blew our minds and it's so good we're listing it. Look at the title. Just go watch it, it rules. • Nicole Winchester's essay No Choice But To Become Witches: The Bishōjo-Demonic Phallic Mother Dichotomy in Revolutionary Girl Utena catches you up to speed on the academic discussion around what might best be described as the shoujo manga iteration of the Madonna-Whore complex. Then, naturally, it finds plenty to say about Utena. Great work that was well worth the coding!

------------

In From the Mouths of Babes (Translated Meta/Creator Content): • Cross X Talk, A Round Table Discussion Commemorating the Second Musical Utena GOGAI FUCKIN' GOGAI. Nagumo and friends bring us the final untranslated part of the 2019 Black Rose Musical's program guide: the monster interview with Ikuhara and the director of the musicals, Yoshitani. INCREDIBLE content here that 100% lives up to the first musical's similar encounter! A must read!! • The Rose Apocalypse's Ei Takatori Interview The director of the mysterious 1999 musical (yes the machine gun one, and YES WE HAVE MORE INFORMATION ABOUT IT COMING) interviewed in The Rose Apocalypse book. This...is that. Thank you so much to iris hahn for translating, and I can't wait to bring you more of this mythology!!! • The Utena Dossier Animage Magazine's June 1997 supplemental, this 36-page Utena tome has ben translated by Nagumo with editing by Ayu Ohseki. Because so much of the content is in its visual presentation, I worked the translation into the original scans! Check it out! (PS. Yes that is an entirely different gallery on the emptymovement.com domain, no this won't stay there, yes it has been a weird couple years.) The Dossier includes two long interviews that are also worked into html pages for easy viewing! The Auspicious Joining of Manga and Anime: Saito and Hasegawa For Whom the Director Smiles: Ikuhara and Kitakubo

-------------

In Historia Arcana & The Bibliothèque (Untranslated Resources): • There are a lot of changes happening in this arena!!! How and where to place different materials has been a moving target, so I'll do my best! The sites don't quite reflect this yet, but Historia Arcana will be for cover to cover Utena media, including special magazine publications. Something Eternal's gallery, the Bibliothèque, will be for magazine articles, clippings, and other things. Major artbooks will likely be in both places, cross referenced. New books in Historia Arcana: • The Rose Spiral: Reflections on the Mythology of Utena While not strictly official, this is a fan published book of in depth analysis of Utena, circa 1998! Yep, cover to cover. • Revolution Dictionary (OST 1 First Press Bonus) Cross-referenced from Audiology, this is the bonus dictionary you only got if you grabbed it early! Cool! • Revolutionary Girl Utena Making of Visuals Book Art of UTENA I am mentioning this for completions sake and because I already uploaded it, but this is a cover to cover high resolution, uncleaned scan of the 1999 Art of Utena artbook. I am going to clean the scans, and ultimately be posting the official artbooks elsewhere. • Revolutionary Girl Utena Photobook: Rose Memories This special Animage bonus could be purchased for 700 yen, and back then, was probably a great way to keep the anime in your pocket! It's entirely shots from the TV series, though, so there's nothing specifically new. But I scan it all, baby. New books in the Bibliothèque: • Chiho Saito's 1999 Revolutionary Girl Utena Original Illustration Collection HI THIS IS A VERY BIG DEAL. Read more about why when you visit! TLDR? Here's some of the best artwork of Utena, rescanned and remastered by yours truly to be the best big big scans of big big beautiful Chiho Saito Art. This is a feast. I even made myself a calendar! (Note that the price is such that I don't make a profit on these, so if you're looking to donate, definitely go by other routes, haha.) You will find multiple ways to obtain the scans, and in more than one size. Either way you soak up the rays, enjoy 'em! New articles and clips in the Bibliothèque: • H! Rockin' on Japan Magazine Saito X Oikawa This fashion music magazine's July 1999 article has ALREADY BEEN TRANSLATED? Like, I am going to add the translation officially to the site of course, but holy hell Nagumo is amazing!! This article is actually the origin of a Saito art piece that uh, well. Now we know she went to a love hotel with movie Akio's VA. Cool! Anyway check it out! • Comickers Magazine, August 1997 This absolute monster find is an industry-focused magazine with this gorgeous spread and interview with Chiho Saito. It gets into how she does things. The making of Utena. All kinds of stuff. I'd LOVE to know more about this one!! • Comickers Magazine, June 1998 Again, an industry-focused publication, this time it's exploring the manga and the anime and how they compare. Again looks like a tasty meal!! • Volks Magazine, Spring 2022 YEP SCANS OF THE BOOK OF THE DOLLFIES. For a lot of us, this is at close as we get to these ludicrously gorgeous dolls. I included a few extra pages because they were just fuckin' cool and felt relevant. • Sega Saturn Magazine, December 1997 One of two grabs I got recently on Yahoo! Japan! This appears to be the first look announcement of the 1998 Utena video game! (Yes we have more on it, yes we will eventually post links.) • Sega Saturn Magazine, April 1998 This feature brings attention to the voice actors, who are all returning for the game! • Dengeki G's Magazine, January 1998 Another gaming focused magazine, with frankly a more adult edge, cheaply lets the readers know about Utena. These three game magazine moments are just a bizarre reminder of how we did things before the internet, LMAO

---------------

In Audiology (Music and CD Information): • Complete information about the STAR CHILD - Girls Character Song Best album! You also definitely can't grab the two new remix tracks there. • Did you know there was a first press bonus dictionary for the first OST? I DIDN'T UNTIL RECENTLY. Now I know all about it, and so can you. Check it out! Obviously, scans available, both here and in Historia Arcana. • I FINALLY acquired a complete set of the Utena CD singles!! Check out complete track lists, scans, and information for ALL FIVE Utena singles. Yes. Including the movie Akio guy's one.

----------------

In The Doujinshi Gallery: • Several dozen dounjinshi were uploaded earlier in the year, and can be found listed on the Site Update archive here.

---------------

That's all for now, folks! There's so so so much coming. I have the episode 18 and 20 (!!!!) storyboards to scan, as well as a fully translated scanlation of The Duelist Bible. We're planning to do something for Anthy's rare LEAP YEAR birthday coming up, probably a musical stream or something! Love!

[catastrophicalcat]

Gotham is getting better and is safer than US cities

One of my pet peeves in comics is the notion that Gotham is cursed eternally; that Batman hasn't made an impact; that things aren't getting better. If you read the comics, this is not true:

In Detective Comics #999, Batman says that there were 182 people murdered in Gotham that year; and that the previous years' stats were 214 and 231: a downward trend. (His stated goal is to get it to 0).

That issue came out in 2019. In 2019, NYC had 319 homicides, Chicago had 490, and Detroit had 273. Which are all numbers bigger than 182.

Violent crime, including homicide, also shot up a lot in the US in 2020, and hasn't totally come down since. For example, through June, NYC had 236 homicides and Chicago had 343. I don't know whether Gotham had a similar homicide uptick since 2019, but if it didn't, it totally has less murder today than comparable real world U.S. cities.

[medievalandfantasymelee]

We are now just a few days away from the end of the submission period for the Hot Medieval and Fantasy Men Melee, and our Entrants stand numbered at 250!!!

Submissions will close on the 27th of June, so if you have a hot medieval/medieval fantasy guy (or multiple of them) you'd like to see compete, send them in!

Here is a list of our Noble and Worthy Contenders so far.

If your man isn't here, that means he has not been submitted.

The Contenders

So Far…

Adhemar, Count of Anjou [Rufus Sewell], A Knight's Tale (2001)

Prince Aemond Targaryen [Ewan Mitchell], House of the Dragon (2022-)

Alessandro Farnese [Diarmuid Noyes], Borgia: Faith and Fear (2011-2014)

King Alfred the Great [David Dawson], The Last Kingdom (2015-2022)

Ahmed Ibn Fahdlan [Antonio Banderas], The 13th Warrior (1999)

Antonius Block [Max von Sydow], The Seventh Seal (1957)

Aragorn, Son of Arathorn [Viggo Mortensen], The Lord of the Rings Trilogy (2001-2003)

King Arthur Pendragon [Alexandre Astier], Kaamelott (2004-2009)

King Arthur Pendragon [Bradley James], BBC’s Merlin (2008-2012)

Athelstan [George Blagden], Vikings (2013-2020)

Ash Williams [Bruce Campbell], Army of Darkness (1992)

Brian de Bois-Guilbert [Ciaran Hinds], Ivanhoe (1997)

 Brother Cadfael [Derek Jacobi], Cadfael (1994-1998)

Carlos I [Álvaro Cervantes], Carlos Rey Emperador (2015-2016)

Prince Caspian [Ben Barnes], The Chronicles of Narnia (2010)

Cesare Borgia [Mark Ryder], Borgia: Faith and Fear (2011-2014)

Cesare Borgia [Francois Arnaud], The Borgias (2011-2013)

Prince Chauncley [Daniel Radcliffe], Miracle Workers: The Dark Ages (2020)

Prince Daemon Targaryen [Matt Smith], House of the Dragon (2022-)

Khal Drogo [Jason Momoa], Game of Thrones (2011-2019)

Lord Eddard Stark [Sean Bean], Game of Thrones (2011-2019)

Edgin [Chris Pine], Dungeons & Dragons: Honour Among Thieves (2023)

Éomer, Son of Éomund [Karl Urban], The Lord of the Rings Trilogy (2001-2003)

Étienne de Navarre [Rutger Hauer], Ladyhawke (1985)

Faramir, Son of Denethor [David Wenham], The Lord of the Rings Trilogy (2001-2003)

Finan [Mark Rowley], The Last Kingdom (2015-2022)

Sir Galahad [Michael Palin], Monty Python and the Holy Grail (1975)

Galavant [Joshua Sasse], Galavant (2015-2016)

Gawain [Dev Patel], The Green Knight (2021)

Geralt z Rivii [Michał Żebrowski], The Witcher (2002)

Geralt of Rivia [Henry Cavill], The Witcher (2019-)

Sir Guy of Gisborne [Basil Rathbone], The Adventures of Robin Hood (1938)

Sir Guy of Gisborne [Richard Armitage], BBC’s Robin Hood (2006-2009)

Prince Hamlet [Laurence Olivier], Hamlet (1948)

Hubert Hawkins [Danny Kaye], The Court Jester (1955)

King Henry II Plantagenet [Peter O’Toole], The Lion in Winter (1968)

King Henry V Plantagenet [Tom Hiddleston], The Hollow Crown (2012-2016)

Prince Henry [Dougray Scott], Ever After (1998)

Hugh Beringar [Sean Pertwee], Cadfael (1994-1998)

Inigo Montoya [Mandy Patinkin], The Princess Bride (1987)

Jareth [David Bowie], the Goblin King, Labyrinth (1986)

Jaskier [Joey Batey], The Witcher (2019-)

Prince John Plantagenet [Claude Rains], The Adventures of Robin Hood (1938)

Lancelot [Santiago Cabrera], BBC’s Merlin (2008-2012)

Legolas Greenleaf [Orlando Bloom], The Lord of the Rings Trilogy (2001-2003)

Madmartigan [Val Kilmer], Willow (1988)

King Mark of Cornwall [Rufus Sewell], Tristan and Isolde (2006)

Mikoláš Kozlík [František Velecký], Marketa Lazarová (1967)

Merlin [Colin Morgan], BBC’s Merlin (2008-2012)

Niccolo Machiavelli [Thibaut Evrard], Borgia: Faith and Fear (2011-2014)

Prince Oberyn Martell [Pedro Pascal], Game of Thrones (2011-2019)

Peregrin “Pippin” Took [Billy Boyd], The Lord of the Rings Trilogy (2001-2003)

Pero Tovar [Pedro Pascal], The Great Wall (2016)

Ragnar Lothbrook [Travis Fimmel], Vikings (2013-2020)

Ravenhurst [Basil Rathbone], The Court Jester (1955)

Richard Cypher [Craig Horner], Legend of the Seeker (2008-2010)

King Richard [Timothy Omundson], Galavant (2015-2016)

Richard III Plantagenet [Aneurin Barnard], The White Queen (2013)

Robin Hood [Errol Flynn], The Adventures of Robin Hood (1938)

Robin Hood [Michael Praed], Robin of Sherwood (1984)

Robin Hood [Cary Elwes], Robin Hood: Men in Tights (1993)

Robin Hood [Tom Riley], Doctor Who: “The Robot of Sherwood” (2014)

Rodrigo Borgia [Jeremy Irons], The Borgias (2011-2013)

Rollo [Clive Standen], Vikings (2013-2020)

Samwise Gamgee [Sean Astin], The Lord of the Rings Trilogy (2001-2003)

Sandor Clegane [Rory McCann], Game of Thrones (2011-2019)

Sid [Luke Youngblood], Galavant (2015-2016)

Sihtric Kjartansson [Arnas Fedaravicius], The Last Kingdom (2015-2022)

Thorin Oakenshield [Richard Armitage], The Hobbit Trilogy (2012-2014)

Tom Builder [Rufus Sewell], The Pillars of the Earth (2010)

Mr. Tumnus [James McAvoy], The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Vlad III Dracula [Luke Evans], Dracula Untold (2014)

Westley [Cary Elwes], The Princess Bride (1987)

William Thatcher [Heath Ledger], A Knight’s Tale (2001)

Will Scarlet O’Hara [Matthew Porretta], Robin Hood: Men in Tights (1993)

Will Scarlett [Patrick Knowles], The Adventures of Robin Hood (1938)

Will Scarlett [Christian Slater], Robin Hood: Prince of Thieves (1991)

[mostlysignssomeportents]

Microsoft pinky swears that THIS TIME they’ll make security a priority

One June 20, I'm live onstage in LOS ANGELES for a recording of the GO FACT YOURSELF podcast. On June 21, I'm doing an ONLINE READING for the LOCUS AWARDS at 16hPT. On June 22, I'll be in OAKLAND, CA for a panel and a keynote at the LOCUS AWARDS.

As the old saying goes, "When someone tells you who they are and you get fooled again, shame on you." That goes double for Microsoft, especially when it comes to security promises.

Microsoft is, was, always has been, and always will be a rotten company. At every turn, throughout their history, they have learned the wrong lessons, over and over again.

That starts from the very earliest days, when the company was still called "Micro-Soft." Young Bill Gates was given a sweetheart deal to supply the operating system for IBM's PC, thanks to his mother's connection. The nepo-baby enlisted his pal, Paul Allen (whom he'd later rip off for billions) and together, they bought someone else's OS (and took credit for creating it – AKA, the "Musk gambit").

Microsoft then proceeded to make a fortune by monopolizing the OS market through illegal, collusive arrangements with the PC clone industry – an industry that only existed because they could source third-party PC ROMs from Phoenix:

https://www.eff.org/deeplinks/2019/08/ibm-pc-compatible-how-adversarial-interoperability-saved-pcs-monopolization

Bill Gates didn't become one of the richest people on earth simply by emerging from a lucky orifice; he also owed his success to vigorous antitrust enforcement. The IBM PC was the company's first major initiative after it was targeted by the DOJ for a 12-year antitrust enforcement action. IBM tapped its vast monopoly profits to fight the DOJ, spending more on outside counsel to fight the DOJ antitrust division than the DOJ spent on all its antitrust lawyers, every year, for 12 years.

IBM's delaying tactic paid off. When Reagan took the White House, he let IBM off the hook. But the company was still seriously scarred by its ordeal, and when the PC project kicked off, the company kept the OS separate from the hardware (one of the DOJ's major issues with IBM's previous behavior was its vertical monopoly on hardware and software). IBM didn't hire Gates and Allen to provide it with DOS because it was incapable of writing a PC operating system: they did it to keep the DOJ from kicking down their door again.

The post-antitrust, gunshy IBM kept delivering dividends for Microsoft. When IBM turned a blind eye to the cloned PC-ROM and allowed companies like Compaq, Dell and Gateway to compete directly with Big Blue, this produced a whole cohort of customers for Microsoft – customers Microsoft could play off on each other, ensuring that every PC sold generated income for Microsoft, creating a wide moat around the OS business that kept other OS vendors out of the market. Why invest in making an OS when every hardware company already had an exclusive arrangement with Microsoft?

The IBM PC story teaches us two things: stronger antitrust enforcement spurs innovation and opens markets for scrappy startups to grow to big, important firms; as do weaker IP protections.

Microsoft learned the opposite: monopolies are wildly profitable; expansive IP protects monopolies; you can violate antitrust laws so long as you have enough monopoly profits rolling in to outspend the government until a Republican bootlicker takes the White House (Microsoft's antitrust ordeal ended after GW Bush stole the 2000 election and dropped the charges against them). Microsoft embodies the idea that you either die a rebel hero or live long enough to become the evil emperor you dethroned.

From the first, Microsoft has pursued three goals:

Get too big to fail;

Get too big to jail;

Get too big to care.

It has succeeded on all three counts. Much of Microsoft's enduring power comes from succeeded IBM as the company that mediocre IT managers can safely buy from without being blamed for the poor quality of Microsoft's products: "Nobody ever got fired for buying Microsoft" is 2024's answer to "Nobody ever got fired for buying IBM."

Microsoft's secret sauce is impunity. The PC companies that bundle Windows with their hardware are held blameless for the glaring defects in Windows. The IT managers who buy company-wide Windows licenses are likewise insulated from the rage of the workers who have to use Windows and other Microsoft products.

Microsoft doesn't have to care if you hate it because, for the most part, it's not selling to you. It's selling to a few decision-makers who can be wined and dined and flattered. And since we all have to use its products, developers have to target its platform if they want to sell us their software.

This rarified position has afforded Microsoft enormous freedom to roll out harebrained "features" that made things briefly attractive for some group of developers it was hoping to tempt into its sticky-trap. Remember when it put a Turing-complete scripting environment into Microsoft Office and unleashed a plague of macro viruses that wiped out years worth of work for entire businesses?

https://web.archive.org/web/20060325224147/http://www3.ca.com/securityadvisor/newsinfo/collateral.aspx?cid=33338

It wasn't just Office; Microsoft's operating systems have harbored festering swamps of godawful defects that were weaponized by trolls, script kiddies, and nation-states:

https://en.wikipedia.org/wiki/EternalBlue

Microsoft blamed everyone except themselves for these defects, claiming that their poor code quality was no worse than others, insisting that the bulging arsenal of Windows-specific malware was the result of being the juiciest target and thus the subject of the most malicious attention.

Even if you take them at their word here, that's still no excuse. Microsoft didn't slip and accidentally become an operating system monopolist. They relentlessly, deliberately, illegally pursued the goal of extinguishing every OS except their own. It's completely foreseeable that this dominance would make their products the subject of continuous attacks.

There's an implicit bargain that every monopolist makes: allow me to dominate my market and I will be a benevolent dictator who spends his windfall profits on maintaining product quality and security. Indeed, if we permit "wasteful competition" to erode the margins of operating system vendors, who will have a surplus sufficient to meet the security investment demands of the digital world?

But monopolists always violate this bargain. When faced with the decision to either invest in quality and security, or hand billions of dollars to their shareholders, they'll always take the latter. Why wouldn't they? Once they have a monopoly, they don't have to worry about losing customers to a competitor, so why invest in customer satisfaction? That's how Google can piss away $80b on a stock buyback and fire 12,000 technical employees at the same time as its flagship search product (with a 90% market-share) is turning into an unusable pile of shit:

https://pluralistic.net/2024/02/21/im-feeling-unlucky/#not-up-to-the-task

Microsoft reneged on this bargain from day one, and they never stopped. When the company moved Office to the cloud, it added an "analytics" suite that lets bosses spy on and stack-rank their employees ("Sorry, fella, Office365 says you're the slowest typist in the company, so you're fired"). Microsoft will also sell you internal data on the Office365 usage of your industry competitors (they'll sell your data to your competitors, too, natch). But most of all, Microsoft harvest, analyzes and sells this data for its own purposes:

https://pluralistic.net/2020/11/25/the-peoples-amazon/#clippys-revenge

Leave aside how creepy, gross and exploitative this is – it's also incredibly reckless. Microsoft is creating a two-way conduit into the majority of the world's businesses that insider threats, security services and hackers can exploit to spy on and wreck Microsoft's customers' business. You don't get more "too big to care" than this.

Or at least, not until now. Microsoft recently announced a product called "Recall" that would record every keystroke, click and screen element, nominally in the name of helping you figure out what you've done and either do it again, or go back and fix it. The problem here is that anyone who gains access to your system – your boss, a spy, a cop, a Microsoft insider, a stalker, an abusive partner or a hacker – now has access to everything, on a platter. Naturally, this system – which Microsoft billed as ultra-secure – was wildly insecure and after a series of blockbuster exploits, the company was forced to hit pause on the rollout:

https://arstechnica.com/gadgets/2024/06/microsoft-delays-data-scraping-recall-feature-again-commits-to-public-beta-test/

For years, Microsoft waged a war on the single most important security practice in software development: transparency. This is the company that branded the GPL Free Software license a "virus" and called open source "a cancer." The company argued that allowing public scrutiny of code would be a disaster because bad guys would spot and weaponize defects.

This is "security through obscurity" and it's an idea that was discredited nearly 500 years ago with the advent of the scientific method. The crux of that method: we are so good at bullshiting ourselves into thinking that our experiment was successful that the only way to make sure we know anything is to tell our enemies what we think we've proved so they can try to tear us down.

Or, as Bruce Schneier puts it: "Anyone can design a security system that you yourself can't think of a way of breaking. That doesn't mean it works, it just means that it works against people stupider than you."

And yet, Microsoft – whose made more widely and consequentially exploited software than anyone else in the history of the human race – claimed that free and open code was insecure, and spent millions on deceptive PR campaigns intended to discredit the scientific method in favor of a kind of software alchemy, in which every coder toils in secret, assuring themselves that drinking mercury is the secret to eternal life.

Access to source code isn't sufficient to make software secure – nothing about access to code guarantees that anyone will review that code and repair its defects. Indeed, there've been some high profile examples of "supply chain attacks" in the free/open source software world:

https://www.securityweek.com/supply-chain-attack-major-linux-distributions-impacted-by-xz-utils-backdoor/

But there's no good argument that this code would have been more secure if it had been harder for the good guys to spot its bugs. When it comes to secure code, transparency is an essential, but it's not a sufficency.

The architects of that campaign are genuinely awful people, and yet they're revered as heroes by Microsoft's current leadership. There's Steve "Linux Is Cancer" Ballmer, star of Propublica's IRS Files, where he is shown to be the king of "tax loss harvesting":

https://pluralistic.net/2023/04/24/tax-loss-harvesting/#mego

And also the most prominent example of the disgusting tax cheats practiced by rich sports-team owners:

https://pluralistic.net/2021/07/08/tuyul-apps/#economic-substance-doctrine

Microsoft may give lip service to open source these days (mostly through buying, stripmining and enclosing Github) but Ballmer's legacy lives on within the company, through its wildly illegal tax-evasion tactics:

https://pluralistic.net/2023/10/13/pour-encoragez-les-autres/#micros-tilde-one

But Ballmer is an angel compared to his boss, Bill Gates, last seen some paragraphs above, stealing the credit for MS DOS from Tim Paterson and billions of dollars from his co-founder Paul Allen. Gates is an odious creep who made billions through corrupt tech industry practices, then used them to wield influence over the world's politics and policy. The Gates Foundation (and Gates personally) invented vaccine apartheid, helped kill access to AIDS vaccines in Sub-Saharan Africa, then repeated the trick to keep covid vaccines out of reach of the Global South:

https://pluralistic.net/2021/04/13/public-interest-pharma/#gates-foundation

The Gates Foundation wants us to think of it as malaria-fighting heroes, but they're also the leaders of the war against public education, and have been key to the replacement of public schools with charter schools, where the poorest kids in America serve as experimental subjects for the failed pet theories of billionaire dilettantes:

https://www.ineteconomics.org/perspectives/blog/millionaire-driven-education-reform-has-failed-heres-what-works

(On a personal level, Gates is also a serial sexual abuser who harassed multiple subordinates into having sexual affairs with him:)

https://www.nytimes.com/2022/01/13/technology/microsoft-sexual-harassment-policy-review.html

The management culture of Microsoft started rotten and never improved. It's a company with corruption and monopoly in its blood, a firm that would always rather build market power to insulate itself from the consequences of making defective products than actually make good products. This is true of every division, from cloud computing:

https://pluralistic.net/2022/09/28/other-peoples-computers/#clouded-over

To gaming:

https://pluralistic.net/2023/04/27/convicted-monopolist/#microsquish

No one should ever trust Microsoft to do anything that benefits anyone except Microsoft. One of the low points in the otherwise wonderful surge of tech worker labor organizing was when the Communications Workers of America endorsed Microsoft's acquisition of Activision because Microsoft promised not to union-bust Activision employees. They lied:

https://80.lv/articles/qa-workers-contracted-by-microsoft-say-they-were-fired-for-trying-to-unionize/

Repeatedly:

https://www.reuters.com/technology/activision-fired-staff-using-strong-language-about-remote-work-policy-union-2023-03-01/

Why wouldn't they lie? They've never faced any consequences for lying in the past. Remember: the secret to Microsoft's billions is impunity.

Which brings me to Solarwinds. Solarwinds is an enterprise management tool that allows IT managers to see, patch and control the computers they oversee. Foreign spies hacked Solarwinds and accessed a variety of US federal agencies, including National Nuclear Security Administration (who oversee nuclear weapons stockpiles), the NIH, and the Treasury Department.

When the Solarwinds story broke, Microsoft strenuously denied that the Solarwinds hack relied on exploiting defects in Microsoft software. They said this to everyone: the press, the Pentagon, and Congress.

This was a lie. As Renee Dudley and Doris Burke reported for Propublica, the Solarwinds attack relied on defects in the SAML authentication system that Microsoft's own senior security staff had identified and repeatedly warned management about. Microsoft's leadership ignored these warnings, buried the research, prohibited anyone from warning Microsoft customers, and sidelined Andrew Harris, the researcher who discovered the defect:

https://www.propublica.org/article/microsoft-solarwinds-golden-saml-data-breach-russian-hackers

The single most consequential cyberattack on the US government was only possible because Microsoft decided not to fix a profound and dangerous bug in its code, and declined to warn anyone who relied on this defective software.

Yesterday, Microsoft president Brad Smith testified about this to Congress, and promised that the company would henceforth prioritize security over gimmicks like AI:

https://arstechnica.com/tech-policy/2024/06/microsoft-in-damage-control-mode-says-it-will-prioritize-security-over-ai/

Despite all the reasons to mistrust this promise, the company is hoping Congress will believe it. More importantly, it's hoping that the Pentagon will believe it, because the Pentagon is about to award billions in free no-bid military contract profits to Microsoft:

https://www.axios.com/2024/05/17/pentagon-weighs-microsoft-licensing-upgrades

You know what? I bet they'll sell this lie. It won't be the first time they've convinced Serious People in charge of billions of dollars and/or lives to ignore that all-important maxim, "When someone tells you who they are and you get fooled again, shame on you."

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/06/14/patch-tuesday/#fool-me-twice-we-dont-get-fooled-again

[squeakygeeky]

Calling all BL academics! You should check out Intersections: Gender and Sexuality in Asia and the Pacific Issue 49, June 2023. It's devoted to Thai BL and it's Thai scholars, publishing in English, and available free. So basically everything I ever wanted.

Thai Boys Love (BL)/Y(aoi) in Literary and Media Industries: Political and Transnational Practices - This is the introductory article. One interesting takeaway is that there's a market for western M/M romance in Thailand and I'm dying to know what sort of titles have gotten Thai releases.

Chinese Historical BL by Thai Writers: The Thai BL Polysystem in the Age of Media Convergence - I didn't read this one. It's about the phenomenon of Thai writers writing danmei set in ancient China.

Authorial Revisions of Boys Love/Y Novels: The Dialogue between Activism and the Literary Industry in Thailand - This one was super intersting. It was about how the backlash to certain problematic tropes affected both revisions to Y novels and their tv adaptations. It uses Jittirain as a case study and includes passages from 2gether that were rewritten.

Boys Love (Yaoi) Fandom and Political Activism in Thailand - This article has a lot about Not Me, both about the backlash to the novle due to it being originally a GOT7 fanfic (allegedly) and the political context for the series. It also discusses a few other series related to the youth movement and marriage equality.

Heterosexual Reading vs. Queering Thai Boys' Love Dramas among Chinese and Filipino Audiences -This really only covers up to 2019 and as we all know everything is changing fast. I'll be interested in future scholarship that covers the current period. Basically expands on some of Baudinette's work.

Provincialising Thai Boys Love: Queer Desire and the Aesthetics of Rural Cosmopolitanism -I just skimmed this since I'm not familiar with either series mentioned or the rural culture of Isan.