#re-dedication

[ladyleeanna]

Dedication or Rededication ceremony in it's entirity performed by our La...

[noiraph]

[corsairspade]

Halenthir but none of the Finweans believe Haleth is real because they all assume Caranthir made up a spouse so he could leverage his marriage status for tax concessions. Caranthir is extremely mad about this. Haleth thinks it’s hilarious.

[theraprism]

Class subtext thoughts on Gatsby, Flatland, and Bill.

So broadly speaking, we've had some idea of what Bill's home dimension was like since the 2015 in-character AMA, when the idea that it was nearly (if not fully) identical to the world of Flatland was first introduced. During the Weirdmaggedon 4-parter, we finally learned that Bill had obliterated his home dimension and called it liberation. (From what I recall the fan concensus on this information was that it was a malicious act of evil on Bill's part -- up until the Book's release, I don't think the idea that it was a tragedy or accident ever had much ground to stand on.) Journal 3 picked up on this again when it established the existence of Exwhylia, which (importantly!) also reinforced the hierarchical nature of existence that Flatland presents.

I'll own up to the fact I've never read Flatland myself (it is on the neverending list of classics that I still haven't gotten to yet) and will be instead be relying mainly on Wikipedia and Sparknotes clones for this analysis, but the good news is that canon Gravity Falls materials have given us the basics of how Bill's home dimension operated at this point, and so knowledge of the work seems less required and moreso recommended. Similarly to Gatsby (the book as well as the character). More on that later.

To be more specific, the important info that Hirsch has given us about Euclydia is that it was repressive in the extreme. The exact ways that it maintained this are left up to the imagination, to an extent (e.g. there is no evidence of the upper echelons of Euclydia carrying out public executions against the lower classes, as there are in Flatland), but the Book does directly pull an image from Flatland that illustrates the class hierarchy there.

Since Flatland was written originally as a satire of the stratification in Victorian society, the work goes to great lengths to specify and elaborate on the different social roles of each shape (for example, women as lines, though the gender stratification isn't relevant in Bill's case). More relevant is the way that the work considers upward mobility through generations, and the fact that isoceles triangles (working class) are considered among the lowest beings in existence, just above irregular shapes. Bill has been referred to and drawn inconsistently as both isoceles and equilateral, but based on what we learn from Exwhylia in Journal 3, it's possible that this distinction is not relevant in the GF multiverse's reinterpretation of Flatland. See:

I'm sure a part of this reduction of the hierarchy in the original Flatland has to do with the work needing to be at least somewhat accessible to younger readers, but it does textually ensure that, regardless of the specific details of Bill's geometry, he comes from a background where, in spite of his exceptional ability to see the third dimension, he saw those around him receive resources more freely. His singling out of irregular quadrilaterals reads to me as a form of internalized classism; he needs someone to punch down to.

And earlier:

He describes his regular shape as an out-and-out "power". Bill explicitly carries with him the classist ideals and values of his home dimension despite its destruction. The way he internalizes different ideas about himself and who he is is probably a subject for another post, but the point is that these qualities Bill is emphasizing aren't simply a matter of arrogance. Bill is trying to sell himself as a gentleman, a respectable individual from an upper-middle class position.

This is where Gatsby becomes relevant, because The Great Gatsby is all about a man who wants more than anything to cross the threshold of inborn greatness and become a true upperclassman. Bill appealing to his innate biological qualities as evidence for his own greatness relates back to the notion that such greatness is an ontological trait which cannot be given, but can also not be taken away. Note what he explicitly says here about the themes of class in Gatsby:

If you walk up to any college English professor and ask them what Gatsby has to say about the American Dream, I really do not think you are going to hear them say the word "bittersweet". The American Dream is a false idol and illusion; Gatsby himself is utterly miserable and meets a miserable end. There is nothing "sweet" about it.

At the same time, it makes sense that Bill would describe it as bittersweet, because for all his powers of sight, Bill cannot imagine a future where he is happy. Throwing crazy parties every night (for Gatsby at his home, for Bill on the Earth's remains), staring at an unreachable desire far out in the distance -- that's his end goal. He emerged from a position where he was repressed and since then his life has been a steady climb/crawl in the direction of power and control. Both Gatsby and Bill seek to reclaim a lost sense of fulfillment and purpose through this ascent, and both seek to become untouchable as gods are, but both are brought down in the end due to the consequences of their own actions, stemming directly from the violence they bring into their worlds of their own volition. In case you've forgotten, or if you've never read it, Gatsby's money is not clean. We may not see Bill use money, but his social currency is not clean either.

I think it's telling that Flatland can be understood as it relates to Bill's character through summary, but with Gatsby, there is so much subtle incentive to actually read the thing. From the GIF originally posted by Hirsch that I included at the top of the post to the PDF link on ThisIsNotAWebsiteDotCom.com to the fact that the gag in the Book itself goes on for multiple pages when it could have ended after one or two, the intertextuality is paramount. I think that's really cool. It's rare to see intertextuality this well-considered in genre fiction, and I think it makes the whole analytical process more fun.

[ddeck]

long lived sw races must be so extra about their hobbies. imagine you live for thousand years and a century of that time you decide to dedicate to making a single big af carpet

[laylakeating]

ALL AMERICAN FAVOURITE CHARACTER APPRECIATION WEEK DAY THREE | favourite quote → 4.01, Survival of the Fittest [insp]

[oneleggedgiraffe]

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[introspectivememories]

i know in my heart that robin spent the entirety of the two year timeskip being weirded out by sabo. and it's not like he did anything to her, he's just... uncanny, unsettling even. he stares at her a little to much and sometimes he smiles and she can just tell, that there's something dark behind those eyes. something dangerous. and sometimes he gets into fights on missions and he ends them with a ferocity that scares her or he drags it out for so long she wonders how his opponents dont see that this is a source of amusement for the chief of staff. a game of cant and mouse. and occasionally, the other leaders will give sabo a look that is just filled with sadness and regret and she wonders what it means. and he always looks like he's trying to find something. his fingers twitch sometimes and he always looks like he's missing something. and then she leaves and her chief of staff and his general weirdness get put to the backburner. it's not that important in the long run. maybe he's just weird like that. and then a year later, she's sitting in a cottage in dressrosa and she watches as her captain snuggles into sabo's chest. and she watches as sabo's arms encircle luffy into a protective hold. and she watches as the tension she didn't even know sabo was holding leeches out of him and robin thinks to herself oh. this is what you were looking for. this is what you were missing.

[connectionterminated13]

Jake and Eleanor explained

[total-drama-brainrot]

Total Drama Psycho Noah AU, how does Alejandro react to seeing Noah's true colors through the cameras?... How would Alejandro react to Chris + Chef not being surprised or shocked at all?... What if when Noah learns that everyone saw his true colors, Noah simply smirks and says: "...Whoops." 😏

Well, the cast as a whole are all sort-of introduced to Noah's 'true colours' through the screens in First Class, but I think a lot of them would struggle through the cognitive dissonance between what they 'know' about Noah (apathetic, lazy, almost pathetically harmless) and what they saw on the cameras (emotive/smiley, physically capable, decidedly not harmless), so the initial reaction would be a mixture of terror, confusion and disbelief, mostly.

When they notice that neither Chris nor Chef seem to find anything amiss with Noah's behaviour, that's when the confusion and disbelief morph into outrage (for the more confrontational contestants like Heather) because they knew? Chris and Chef were fully aware that they'd been in near-constant close proximity with the thing they just saw on the screen, and said nothing?!

Alejandro, being a composed person of more subtle displays of emotion (for the most part), masks his fear and anger behind a veneer of concern- for his castmates, for the Ripper, maybe even for Noah himself, because clearly something has happened to his dear teammate that's caused this bout of insanity, surely?

No? He's just like that? Oh. Oh.

Alejandro realises that he's spent the majority of his time on the jet playing nice* with someone who's fully capable of snapping both of his arms like toothpicks, who apparently has an affinity for sharp objects and the colour red. The one person on the jet he felt some semblance of genuine kinship with, as the 'most sane' member of Team Chris barring himself, has been an act this whole time? Has been that dangerous this whole time?!

Needless to say, Alejandro's concern quickly becomes genuine. And self-directed. He's terrified; Noah could've snapped at any moment, and Alejandro likely would've been caught in the crossfire of that thing's hysteria.

But the cast can't exactly air their displeasure with the situation, as two figures hover by the doorway to the First Class Cabin.

It's Courtney and Gwen, dragging a burlap sack behind them. A sigh of relief washes over the group; it's just those two, and not him.

-

When Noah and Owen skitter into First Class, Owen carrying the sack-captured Ripper in his arms (in a kind-hearted gesture to prevent any more damage befalling the Ripper's broken forearms), a trepid silence permeates through the cabin like fog.

Owen, ever the obtuse sort, pierces the veil of fearful anticipation with a victorious cry.

"Sweet! Everybody's okay!"

The others (barring Gwen and Courtney) hesitate to answer, their fear-blown eyes fixated on the nonchalant form of the cynic beside him. Until Heather works up enough courage to respond with her usual haughtiness- though her tone is off, embittered by the acrid taste of anxiety on her tongue.

"Yup! Everyone's fine, no worries here!" She ends her statement with a nervous giggle, ignoring the way her voice cracked mid-sentence, and her focus never drifts from the monster bookworm stood only a few meters away.

"Though it is reassuring to see everyone safe, no?" Alejandro adds sharply, peeling his attention away from Noah to send a pointed look towards the hosting duo.

"Safe? Duh, it's just a challenge. No one was ever gonna really get hurt, it'd be 'bad for ratings'."

A collective flinch tremors across the crowd as Noah speaks, his usual sardonic deadpan accompanied by finger quotes at the end of his sarcastic comment.

It's followed by an awkward pause, the others either too scared or too confused by the frigid atmosphere to talk, and Noah shoots an imploring look towards Chris- a nonverbal request for clarification. Chris wordlessly points towards the flat screen television that's hung on the wall behind the captured contestants, displaying a series of live-feed camera footage; the inside of the bus he and Owen had previously adventured through, bathed in cold moonlight but otherwise eerily gloomy, stares accusingly back at him.

That's interesting.

Owen follows his gaze, as do the rest of the competitors, and the Ripper-wrangling duo both quickly realise what's happened.

A laugh, something unnervingly shrill and breathless- more akin to the yowling of a feral cat than any human noise- rings humourlessly through the cabin, and all eyes snap back towards Noah.

Who's face has twisted into a mirthless grin, more similar to a snarl, that's far too wide for his face and bears unnaturally sharp teeth. His eyes have widened into owl-like near perfect circles, almost drowning the hickory brown of his irises in a sea of ivory sclera, making him look uncanny and deranged. Barely even human.

"Whoops."

[crimescrimson]

Resident Evil in the Eyes Of The Beholder: @stardragonsalem Edition

[ladyleeanna]

Dedication or Rededication ceremony in it's entirety performed by our La...

[formerheroeswhoquittoolate]

imagine, if you will:

dick is standing behind the couch braiding stephanie's hair.

stephanie is sitting on the back of the couch braiding barbara's hair.

barbara is sitting on the couch braiding tim's hair.

tim is sitting cris-cross applesauce on the floor with cass's head on his feet braiding her hair.

(cass is eating a cookie.)

[see-arcane]

He literally sneaked up the window when Mina went outside to moongaze by the cliff :[

What? Nooo. Surely Count Dracula of all people wouldn’t resort to skulking around waiting for one (1) blood-blocking girl to get out of the way just to chomp one (1) tasty young lady out of an entire seaside town of available victims! Surely he has better things to do! Right, Dracula?

…Right, Dracula?

Dracula, flapping his ass over to Lucy the second Mina’s out of the house: 🦇👀💦🩸

[navaleriane]

bros being dudes on a smoke break

the dynamic this duo has has been holding me in a chokehold for at least 5 month now

[omaano]

Lil Firestarter accidentally caught dad's scarf on fire. He's not having a very good day T^T

Cobb's little buddy is evolving! Here he is as Charmeleon