#raven bitches
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swampstew · 10 months ago
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Would be cool if my head would stop fucking throbbing for once in my life
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sohotthateveryonedied · 5 months ago
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popcornhee · 11 months ago
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Holding him so gently
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aabria iyengar. you agree
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spookysalem13 · 4 months ago
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larkiethings · 24 days ago
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LET THE CROSS STITCH HIT THE FLOOR
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wishchip106 · 20 days ago
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man imagine if Charles died here
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THAT BLOCK MISSED HIM BY A HAIR HIS SKULL WOULD’VE BEEN CRUSHED
hrmm Hank running over to find Charles only to see his decapitated body with his head under a cinder block
since Charles stopped Raven from killing Trask she probably shoots him before she hears Hank yelling and screaming
Erik is unconscious on the ground he doesn’t even know what’s happening ☹️
Raven runs over to see Charles’s body. Now she’s screaming and crying, trying to lift the pieces of scaffolding and beams covering his body
Hank can’t even turn beast mode and help because he took five syringes of the serum
by some miracle Erik wakes up again? (idk i just want him to also experience the sudden death of his ex husband)
he freaks out after seeing Charles, realizing this is his fault for ripping up the stadium and dropping it. Everything metal surrounding them is completely destroyed
he lifts everything off the body except the block that has fresh blood dripping off of it
completely ignoring the gaping wound in his neck, he just kills all the rest of the government officials. No real reason whatsoever he’s just extremely upset
and yeah thats all i got so far 😁👍
for some reason i can’t take writing angst seriously how do other people do it 😿
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mo-online · 2 months ago
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TSC 2 IS CALLED THE GOLDEN RAVEN AND JEAN'S BIRTHDAY IS 11/9 TO MIRROR NEIL'S 1/19 BECAUSE THEY'RE CONNECTED EVERYBODY SHUT THE FUCK UP I CAN'T HANDLE THIS AT 3 AM
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shorthaltsjester · 6 months ago
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there are literally no standouts in downfall because everyone sat down at that table and said hey you wanna see something cool and proceeded to Become their characters but idk if it’s because they’re beside each other and that aids the dynamic or just because it’s the delicious similarities and insurmountable distance between the god of death and the god of (in various ways) life but ayden and emhira’s interactions were so chewy and delicious. i’ll be thinking of their exchange fairly early on after ayden cast lesser restoration on that old man and emhira not cruelly but just simply stating “you cannot heal everything.” and ayden’s equally simple reply “we can always try.” emhira seeing the family trist has built and wondering at the presence of children, “surprised there is laughter in such a horrible place” and i know she’s speaking of hawk’s hill but i wonder if she is also speaking of exandria itself in some ways. the delicious space between in and out of character that only really happens in improv stories where as brennan is narrating and says “in this dark room” and nick interrupts and adds “it is not dark.” brennan’s incisive point in the cooldown that while the love that ayden and trist have for mortals and for exandria is warm and the kind of love someone would likely Want from gods, there is something maybe more honest or whole about emhira who says . actually these mortals are little shits that will kill you not because they fear you but because they hate you. whose very existence should be (and still often fails to be) a reminder that the gods can be usurped by mortals. the insight nick shared in the cooldown that ayden does not forget emhira’s origins but in a way dismisses them, that the god of death is a different beast. ayden wanting to find. way to save the people of aeor, insisting that the prime deities Win if they can find a way to do so. emhira reminding everyone that death is inevitable (and she does not add anything to clarify that she intends such a statement to only exist for mortals) as she argues for them to work to take down aeor and the people in it. the fact that the god with the most present connection to mortality is also the one given the most explicit clarification that she Is the god we know as SILAHA calls her the matron, brennan’s narration clarifies purvon is her champion, taliesin as asha asks for clarification on the recognition of emhira as a god and prompting the familiar spectre of a woman in a white mask.
i want to be very clear that when i say there are no standouts i Mean it because i’ve been awed and endeared and intrigued by every single character choice everyone made and as always brennan’s narration is so incredibly well suited for the mission impossible greek tragedy vibes that comes with this story and i’m so fucking delighted by the fact that laura, ashley, and taliesin are playing gods that their characters have known quite well in the past. i’m incredibly excited by what we’ve already gotten to see from abubakar, nashir, and nick and cannot imagine what other greatness is to come. i’m psyched to see the relationship between asha and the law bearer and am delighted that (perhaps for now perhaps for the whole arc) it is being seen through the lens of “my wife promised me a visit with apples and all i got was a rock ice emissary”. i also have many incoherent thoughts about the fact that, of the players who appeared as the same character in the opening and the story, taliesin’s ash and asha are the ones whose name remains the most unchanged.
i’m obsessed with the fact that this creature sent as a stand in by the god of law and duty believes his primary gift is love. while there is a certain mourning and sadness to every god we see, that SILAHA has a certain playful whimsy and jofyful curiosity about the world. that the only one of them who has been mortal before stops to steal an imp necklace from the neck of a drunk on the train (and that moment between brennan’s narration that this man will be dead by morning but, with death standing invisible in front of him, he is incapable of seeing it coming, and then laura as emhira breathing in deeply and brennan having that spark a coughing fit. they are Story Telling). asha seeing the erased image of a god, of a family member and saying “there’s a hole in all of us.” brennan narrating “this is a place where they tried to kill a story. it’s a very frightened thing to do.” (and god. the motif of fear. especially given the very present fear felt by the gods in current day exandria. they’re doing insane things in the critical role 3 part departure).
trist reminding ayden “he never tells the truth” and asha contesting “he only tells the truth, it’s just rotting.” emhira and asha both as perhaps the less Good™ much more neutral but doing so in such different ways, asha as bitter and hungry while emhira seems uncomfortable but there’s a familiarity and a certainty in her discomfort with mortality (the law bearer would also be included here but the emissary seems much more like trist and ayden (for now) than emhira or asha). something as insignificant as trist and her husband speaking to their children and affirming that little lies are okay while trist has lead a significant part of her life likely dishonest about who she is. the fact that there’s a certain childlike quality to the emissary who they’re all charged with ensuring makes it to the end of things even if they cannot. the fact that nahal (unclear which god they were, and i’m assuming it’s the first god of death but regardless still an absolutely compelling development in a short amount of time) in those opening moments is horrified by the concept of away which is unfamiliar to them only to soon after look upon their family and say. maybe away was better. Especially if those were words spoken by the god who would one day be replaced. these three episodes are going to haunt me and i’m excited to meet the ghosts.
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cabeswaterdrowned · 10 months ago
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unstoppable force (Adam’s canonical teacher kink) meets immovable object (Gansey being a professor’s soul in a teenagers body).
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(We’re gonna ignore the fact that cupid is WAY more powerful than an angel, because haha funny)
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swampstew · 1 year ago
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I’m so cold and tired. All I want is to be wrapped up in Kid’s coat and laid up on his chest for a nap
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aglionbyacademia · 22 days ago
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I believe Adam Parrish has the nastiest and cuntiest judgey face like I know he’s all ~ unknowable ~ and mysterious and shit but I think when he’s judging someone he just can’t control his features any longer
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asaethiel · 2 years ago
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*judges u as a couples bonding activity*
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adamprrishcycle · 6 months ago
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saw this and realised it applies to basically every character in the raven cycle
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vaporwavewitchbitch · 9 months ago
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No yeah I'm totally fine yeah I'm just thinking about Ronan (who has been keeping his feelings for Adam a secret for so long he can't even let himself think about it unless he's practicing conversations with him in his dreams) standing outside 300 foxway watching his best friend make heart eyes at the girl he doesn't like for the soul reason that Adam likes her and said girl making heart eyes back and how that on top of the rest of the shit storm going on around him would make anyone go absolutely fucking bananas nutty like yeah I'd start street racing too probably god damn I can't even handle a normal crush let alone something like THAT
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