#rant about something i like

[qballqueue]

I haven't watched anime (or any show, really) for a while, but fuck man, Undead Girl Murder Farce really got me hooked, and I think it's mostly down to its two lead characters.

Like, yeah, the premise of the show itself is good. It's fucking excellent; a pair of Japanese yokai travel to Europe to solve Monster Crime™ is an instant grab for fans of horror, paranormal, and mystery (of which I am all three), but from episode to episode I keep finding myself drawn specifically to the main duo and their antics.

First you have Tsugaru, a man who, thanks to being half-oni, will have his life cut prematurely. But rather than him being mopey, he's decided to just have a good time while it lasts. If the candle is burning twice as fast anyways, he's going to make sure it burns twice as bright no matter the circumstance.

And on the other hand you have Aya. Unlike Tsugaru, she's immortal, but has decided--now that she's a severed head--that life isn't worth living without a body. It's a cold and logical decision that she only changes her mind about once Tsugaru convinces her that there's a chance to get her body back.

And despite their very, very different circumstances and methods of thought, what makes them the most entertaining to me is how similar they are.

Both of their perspectives give them a sort of detachment to the world, because for both of them (for different reasons) anything that happens, no matter how shocking or tragic, is only temporary. Which leaves them free to react to almost any situation however they want. This is best demonstrated through their shared interest in gallows humour.

That last one in particular is of note, because that bit they're doing happens in the middle of them questioning a man about his dead wife.

And it's not just that they make jokes in dire circumstances; they laugh at each other's jokes too, showing appreciation for the other's sense of humour.

We're only seven episodes in at the time of writing, but it also seems so far like they're both good examples of static character arcs. In other words, they're characters that don't necessarily develop a lot over the course of the story, but do develop the world around them through their actions. Another good example of a character like that is Sherlock Holmes, which is a hell of a coincidence because he's also a character in this show. But it makes sense for Tsugaru and Aya because of their detachment. They can't really be shaped by the world if they're rarely affected by anything in it.

The issue that typically arises from characters like that (at least I find) is that, without becoming interesting over the course of the story, static characters need to start their stories by being interesting, which Tsugaru and Aya both do extremely effectively. We haven't gotten a ton of their backstories yet, but it's pretty clear from everything they do and everything they say what kind of people they are and how they think, and that is fantastic character writing.

TL;DR: watch Undead Girl Murder Farce (or Undead Murder Farce? The anime seems to have dropped 'girl' from the title) because it's really fucking good.

[magnusbae]

To illustrate this post by @mayahawkse I would like to visualize to you the difference:

A post in 2023:

A post in 2014:

A zoom out of the same post:

This is what a community looks like.

See how in 2023 almost all of the reblogs come from the OP, from their few hours/days in the tag search. Meanwhile in 2014 the % of reblogs from OP is insignificant, because most of the reblogs come from the reblogs within the fandom, within the micro-communities formed there. You didn't need to rely on tags, or search, or being featured. Because the community took care of you, made sure to pass the work between themselves and onto their blog and exposed their followers to it. It kept works alive for years.

It's not JUST the reblog/like ratio that causing this issue, it's the type of interaction people have. They're content with scrolling and liking the search engine, instead of actually having a reblogging relationship with other blogs in their community.

Anyways, if you want to see more content you like, the only true way to make it happen is to reblog it. Likes do not forward content in no way but making OP feel nice. Reblogs on the other hand make content eternal. They make it relevant, they make it exist outside of a fickle tumblr search that hardly works on the best of days.

If you want more of something, reblog it.

[crumb-crumblet-s-crumbington]

"You and me, Ethan. Together we go save Rose, and then we can grind Miranda into paste!"

[aunmenosheteroenespanol]

2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered

Tommy's family arc

[moonhze]

anadius has made it so so easy and safe for people to obtain ts4 and all of its packs without paying for them and i really wish more people knew about this bc the only way to get EA to pay attention to the terrible state of the game is to literally stop giving them money, 🏴‍☠️ the packs to keep playing the game u enjoy but know they only care about appeasing their shareholders/investors/whatever they are and they're all driven by money and have very little interest in the playable state of the game in terms of bugs and features unless the game is so broken that people are actively demanding refunds in mass or just not buying the packs at all.

[k-is-for-potassium]

i feel like many people use "straight"...wrong

it's used a lot to mean cis, het, allo, perisex, etc.

basically just not lgbtq+ at all

but that's not true

trans people can be straight and lgbtq+

intersex people can be straight and lgbtq+

neopronoun users can be straight and lgbtq+

arospec people can be straight and lgbtq+

acespec people can be straight and lgbtq+

polyamorous people can be straight and lgbtq+

genderfluid, bigender, and other gender non-conforming people can be straight and lgbtq+

i know a few people who are biromantic and heterosexual or vice versa, and they are still lgbtq+

and there are so many more identities that can absolutely be both

straight does not mean not lgbtq+

[hyacinthsdiamonds]

I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️

[watmalik]

Poolverine out of context…either they have a pain kink or they just like getting tied up…or both? Let’s do both.

[qballqueue]

Bloomburrow's story is good

Having just binged the audio version of the Bloomburrow story, I can say with genuine surprise that I actually enjoyed it a lot??? I'm stunned, legitimately, that it actually delivered.

For context, I'm not an avid reader of the Magic story. It had been so reinforced from community consensus--as well as my own experience--that the story for each set was largely lacklustre, existing mostly so people could see what their favourite blorbos were up to instead of actual entertainment, that I hardly bothered reading them and stuck to story recaps on Youtube. It had always seemed to be a better use of my time.

This was echoed by my reading of the Thunder Junction story. I loved the idea of Magic Cowboys, so I actually dove in to read this one as it was being released, and it was meh at best. It was a story where most of the characters were reappearing ones instead of new, almost none of whom felt they had any reason or motivation for wanting to be there. And the climax largely centred on a cliffhanger, which left a lot of narrative tension feeling unresolved.

(For the record, absolutely no shade thrown towards author of the OTJ story articles, Akemi Dawn Bowman. I found the actually writing to be enjoyable, and I'm 80% sure most of my issues with the narrative were mandated to be there)

I went into Bloomburrow expecting more of the same, honestly. I only really started it because I needed something to listen to, but, like, holy shit. We have a mostly original cast that's simple but fun. We have a plot that's almost entirely self-contained, with no larger narrative implications so it's just allowed to be itself. We actually only have one reappearing character who joins in on the current story instead of taking it over. It's just a short, pleasant ride you can finish in an afternoon.

I do have some issues. For starters, the prophecy that happens at the end felt like a shoe-horned in way to remind people that there's supposed to be an over-arching plot. I do prefer it to the 'something interesting is going to happen soon, we promise' form of storytelling longer narratives often fall prey to, which MtG's story often does, but I would just as soon do without an over-arching story at all if I'm being honest.

The pacing also felt a bit rushed. By the time we get to chapter five, it feels like we're only at the middle of the story, but then the antagonist's introduction, their explanation, a couple climatic battles, and the ending happen all at once. It felt like I had skipped something, but this feels more like an issue with WotC only allowing five chapters per set and one set per plane.

Speaking of which, if the quality of the Bloomburrow story is doing anything, it's highlighting how shitty it is that each plane only gets one set worth of story before we have to leave again. I liked the story, so it's a shame that as soon as the set arrives it'll be gone for a while; WotC almost assuredly has the next year-or-so's worth of sets planned out already, so if there ever is more Bloomburrow story it'll be way in the future, and not because someone decided to put faith in it--it'll be because it proved profitable enough for a revisit.

So, yeah. You know the drill: artistic integrity good, capitalism bad, etc., etc.. But I will say that I think these story articles are worth a look. Kudos to the author, Valerie Valdes, and the entire story team.

[ironinkpen]

hands down one of the best pieces of subtle world building this season is the name High Five Heroes and the way it doesn't mean anything. the Bad Kids and the Maidens' names actually say something about their respective groups and what they've done/been through. meanwhile High Five Heroes is clearly a name that was handpicked by Kipperlilly long before she stepped foot in aguefort on the first day or actually met any of her party members. it's a pre-approved inside joke specifically designed in a lab to be as bland and palatable and inoffensive as possible—a middle manager's attempt at manufacturing camaraderie. the most generic, perfectly marketable name she could come up with for her Perfect, Optimal Adventuring Party.

[ohno-the-sun]

Sol

[chiisana-lion]

my ugly ass cat it has every disease

[chkn-kit]

something stupid that's been cooking in my brain for a while MOOTS LOOK AWAY

[severus-snaps]

just saw another "snape was too busy holding lily's lifeless body to comfort baby harry!!!" in the wild

but like. it's occurred to me that even if Snape HAD actually been there, and even if he HAD picked up baby Harry and attempted to comfort him, people who don't like snape would probably find something to complain about that too

like, "how creepy to pick up your dead crush's baby!!! snape was a creepy obsessive stalker and lily wanted nothing to do with him how dare he touch her child without a guardian's permission!!" or something, or that snape would only make baby Harry feel worse (fair, I don't get the impression that Snape was a naturally comforting, paternal, or cuddly young man), or that he was about to, like, kidnap harry or something and grow another lily in lab conditions 😂

[starry-bi-sky]

jason and danny childhood friends au memes (mild spoilers)

[nyxofdemons]

okay so the main criticism i've been seeing against episode 8 is that beelzebub (among other things) is "too nice" to be the sin of gluttony, because she's an attentive hostess, because she expresses worry over blitz's excess drinking, etc., and i wanna talk about it.

the thing is, i feel like this complaint is rooted in the most basic, somewhat cliche idea of the sin of gluttony, and a somewhat boring approach to bee's character in general. the idea is that, as the sin of gluttony, bee should be encouraging over-indulgence, excess, and the self-destructive aspects of party culture and drinking.

but she's the queen bee. she clearly explains that she can feel the "energy" of everyone at her party, and i think that's very important to analyzing exactly what gluttony means to her. instead of indulging in food and alcohol and drugs and being selfish (as gluttony is generally expected to be about), bee feeds on the ENERGY of the demons around her. and in order to get the best energy she can, she needs to be making sure everyone is actually having FUN and having a good time. gluttony, in this sense, is about EXTRAVAGANCE, having the best quality of everything, rather than just everything in general.

i also think this is why she was so put-off by blitz's actions. when he chugs the entire barrel of alcohol and then is absolutely wasted beyond all reason for the rest of the party, he's NOT actually engaging in her sin. he's not being gluttonous; he's not drinking to have a good time or to indulge or to have fun - he's drowning himself in alcohol because he's trying to forget and ignore all his problems, which is a sin much more akin to pride. his energy feels bad to bee because he's not having fun, he's deeply hurt and trying to distract himself by being self-destructive, which is NOT what her sin is about.

(also, remember, this is supposed to be part TWO of the finale. meaning, this episode (and the introduction of bee's character) directly goes hand-in-hand with the introduction of asmodeus, who's entire club IS about indulgence and depravity and everything you'd expect from the sin of lust. bee and the gluttony party are meant to be a direct foil to the energy of ozzie's.)