#rambling in general tbh

[neon-in-the-night-time]

haven't kept up with miraculous ladybug in years but a fic idea that's lived rent free in my brain is a transfem!adrien lesbian!marinette reverse love square where when adrien gets the black cat miraculous her hero form is a girl and she's like "wow this is so smart, so secret identity, nobody will ever suspect i’m chat noire because chat noire is a girl and adrien agreste is a boy" and plagg, knowing that this is Not the case at all for miraculous holders and it is, in fact, a reflection of the subconscious, says nothing because Don't Crack the Egg. adrien has a crush on marinette but she feels bad about it because marinette is openly a lesbian and adrien's like "if only i could be chat noire forever so i can be with marinette", marinette has a crush on chat noire, it's great.

[xxplastic-cubexx]

Hi!! Your Cherik is so good and gorgeous 🤩🤩 If you don't mind wanna try to draw some Fall of X Cherik please?

thank you so much !!

i have a couple of ideas relating to the fall of x period specifically since theres. A Lot i wanna play with, so i hope this lil thing may be a satisfactory start :]]

and the obligatory bonus:

[sen-ya]

Still was probably reading early Dressrosa when I did this one. It’s wild looking at these drawings tbh lmao.

[ahalliance]

rapid fire french rayou strikes again (transcript below the cut)

[Video transcript:

[ENG] Etoiles: I— I’m speedrunning it [Mario Party], but it’s like—

[FR] Etoiles: The next person to bust my balls by saying, ‘he’s going to miss the Ascension [French competitive event happening this Saturday 28/10]’ even though my plane is at six PM, you bunch of morons, it’s not because ZeratoR [Ascension event organiser] said once that I’d miss my plane that I will miss my plane, because what you guys don’t understand is that a plane doesn’t get missed if you arrive three hours in advance, and the last time I missed the plane was because my corresponding flight was one hour and a half [late]!

[ENG] Etoiles: I was just saying to my chat that I love them :)

Tina: Awhhh

Foolish: See, once again I have a feeling maybe that wasn’t—

End Video Transcript.]

[dyktvideogamesfx]

You've said Ultrakill is one of your favorite games-- I'm curious what your favorite part of it is... the lore's great, the weapon pool is just. mmm, the enemies and level designs. incredible.

the way it does difficulty? has to be my favorite part. i love how i can just. go do something thats a little bit harder. get a slightly better time, get a slightly higher wave, add an additional modifier like radiance or a self-imposed weapon challenge, and p-ranks all make for the perfect difficulty curve that has lasted me over 600 hours

so with that lil infodump, i bring it around to the beginning question-- what's your favorite thing about ultrakill?

There is MANY things I enjoy about ULTRAKILL... but my favourite?

I think generally, it is the lore. I'm gunna go under a read more here just in case. But to add to it- Gameplay is incredbile, even if I'm not very good at it.

The weapons? Hilarious. Looney tunes ass shit that somehow exactly fits the games aesthetic and style. How it merges comedy perfectly with tragedy and serious moments.

But anywho! Under the read more for some ULTRAKILL spoilers.

I am... quite frankly abnormal about how V1 is not the main character. That this is a game about Gabriel, at the end of the day. How every major change, every major importance, comes from his decisions in the end.

I'm already a big lover of playing with religion. One of my TTRPG characters who I have yet to play is a priest going through some real shit. There is so much you can do with religious guilt and the things that bind and ULTRAKILL plays with that like building blocks, it fucks.

The creativity of how each of the layers of hell is depicted is also? MWAH. perfect. PERFECT. seriously, I have never seen a game just play with its concepts like this before. The enemy designs also go hard.

I just really enjoy its lore conceptually. Breaking away from something thats been chaining you is always something I find hard to be invested in- especially if the character, Gabriel in this case, is very much like "No, I can't be feeling this way, there is something wrong with me."

It's just good. ULTRAKILL is good. Fraud WHEN.

[meta-squash]

I think two of the most important things about Jack Harkness, two things that inform almost everything he does and the choices he makes, are this: that he is a soldier NOT a leader, and that his entire life since childhood has been awash in survivor's guilt (and his whole existence after becoming immortal is an even more extreme version of survivor's guilt).

Jack is not a natural leader. He can think on the fly and he's good at getting people to listen to him, but he's not good at control, or at being objective. He's a natural second in command, he's a soldier. He was brought up to do what other people told him to, and to improvise if he had to (Time Agency, etc). But I really don't think he wants to be the leader of Torchwood. Unfortunately, everything about him means that he has to be. He knows from experience that others having control over him is dangerous, others knowing about his immortality while he's a subordinate to them is dangerous, and he also knows that his own immortality gives him an advantage as a leader. But I don't think he's good at leading. He tries to be. But he's fumbling along, in a time period he's not native to and a planet he's not native to and an unfathomable lifespan, and as charming as he is I think he's often not good with people. He's detached where he should be personal and emotional where he should be detached (or at least more level-headed). He's often too extreme or not harsh enough when it comes to things like discipline or dealing with the problems/traumas/mistakes of his employees or even civilians. He can't handle his employees seeing him uncertain/vulnerable and it makes for huge problems over and over again.

But all of this does make sense because I think in the back of Jack's mind there's always this wheel spinning, these gears turning and turning and calculating the impact and trauma each of his actions or decisions or the events around him are going to have on his own emotions for far longer than normal humans tend to consider. Because the catalyst for any part of the life we see him leading is survivor's guilt. He lost his father and his brother on the same day, joined the military and lost his best friend, joined the Time Agency and lost his memories (and maybe thinks he did something terrible). Then he died, and when Rose brought him back, he was all alone on the satellite with nothing but the corpses of the people who had fought beside him and zero explanation as to why he survived, and he had lost Rose and the Doctor besides. And then all his life on earth since, he has lost coworkers and lovers and civilians he tried and failed to save and probably also aliens he tried and failed to save. And I think by the time he becomes reluctant leader of Torchwood, every action is, whether conscious or subconscious, taken with the intent of minimizing that kind of trauma and the impact of loss.

Except that I think that the survivor's guilt has another layer to it, which is that feeling of needing to sacrifice or absolve himself in some way. No one else is willing to make the difficult decisions, no one else will move forward with the painful and unpleasant actions, even if there's no other way, even though they will someday perish and no longer see the ripples of their actions. But Jack - who cannot die, who must live with the guilt or the pain or the trauma of those actions and decisions for the rest of his very very very long life - is the one who realizes that he must take on those painful responsibilities and must do certain things even though they're terrible, because it ends up being the sacrifice of one over the whole world. And every single time, he's guilty about it, and that makes him want even more to sacrifice his own hurt for the grief and loss of others.

So it's this strange cycle of wanting to protect himself from hurt and from loss and from the survivor's guilt, but being driven by guilt towards painful and/or self-sacrificing actions. Which then makes him fear being seen as vulnerable or uncertain, and he struggles to do things on a smaller scale or in a more level-headed way, because he's not supposed to be leading like this, it's not something that comes naturally, and if he makes emotional connections by being a leader, he'll end up trapped in survivor's guilt yet again each time one of his employees or friends or lovers dies.

It's just a terrible cycle and he's trapped in it for the rest of his existence. Although if he really is the Face Of Boe, then I imagine at some point he eventually finds peace with it all or something, but I think so long as he has a human-form he's stuck with this cycle of leadership and loss and sacrifice and mistakes.

I think it's really important that Jack is not good at his job as a leader. He makes a ton of mistakes, he fucks up so much and his employees or even civilians end up collateral damage, whether physically or just emotionally. He wants to be a good leader, I think, and he's trying, but he's fallible, and he's a stranger in literally every sense, and I think a really big part of his character is that he constantly is forced to live in this bizarre dichotomy where he has to be both very distant and cold and detached, and also very emotional and intense and personal. And any other person would collapse under the stress of repeating that over and over and over again for decades, but he has to figure out how to navigate this weight as an infinite existence that can't ever collapse or let it burn him up and kill him.

[creative-robot]

I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning

It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.

My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.

But

Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.

They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.

Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.

So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?

Do not watch the following material

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[nyaskitten]

Put a one in chat if you ALSO constantly fucking . Forget Arin's scars, or forget to draw his palms lighter 😭 😭 😭

[tariah23]

One of the main reasons why I used to avoid Isekai’s, and fantasy works in general, like the plague is because of how over saturated they’d become with things that didn’t feel like they even belonged to the genre to begin with… it’s not too hard to find works that stand out but so much of those works have been pushed down and forgotten, it just sucks.

[applestorms]

@jessaerys ok shit this took a while but WHATEVER. wammy's lore collection here we go :3c less analysis this time, this is mostly just to archive the main known details we have in canon about the house, and also the people from there more generally. however much you wanna accept all this/take it at face value is up to You, Dear Reader (and tbh y'all should just read all these if ur curious since they're all pretty short + have Interesting narrators. i'll include links to free versions). do whatever you want forever etc. etc. also, SPOILERS. obviously.

LABB: (listen here)

no this book isn't written by ohba. yes i'm including it. shush. anyways, most of the lore in this comes from mello's vague comments about beyond's backstory, but there's a Lot of interesting things established in this, so. here's a bunch of notable quotes. if you're not already familiar, please keep in mind that the narrator of this novel is mello, writing at some point shortly before his death.

"L. The century's greatest detective. In light of his staggering mental abilities, L died an unjust and untimely death. In the public record alone he solved over 3,500 difficult crimes, and sent three times that number of degenerates to prison. He wielded incredible power, was able to mobilize every investigative bureau in the entire world, and was applauded generously for his efforts. And during it all, he never showed his face." (pg. 10)

"So, what you're reading now are my notes about L. It's a dying message, not from me, and not directed at the world. The person who will most likely read this first will probably be that big-headed twit Near. But if that's the case, I will not tell him to shred or burn these pages. If it causes him pain to discover that I knew things about L that he did not, then that's fine." (pg. 10-11)

"I am one of the few people who ever met L as L. When and how I met him...this is the single most valuable memory I have, and I will not write it here, but on that occasion L related to me three stories of his exploits, and the episode involving Beyond Birthday was one of these." (pg. 11)

"Obviously, it never came to light that L--and more importantly, Wammy's House, which raised me until I was fifteen--was deeply connected to the matter, but in fact, they were. L, on principle, never got involved in a case unless there were more than ten victims or a million dollars at stake, and this is the real reason why he belatedly, but aggressively, involved himself in this little case, which only ever had three or four victims. I will explain further in the pages that follow, but for this reason, the case of the Los Angeles BB murders is a watershed event for L, for me, and even for Kira. It was a monumental event for all of us. Why? Because this is the case where L first introduced himself as Ryuzaki." (pg. 11)

"For any one else but those two [Near and Kira], my identity may be of no interest, but I am the old world's runner-up, the best dresser that died like a dog, Mihael Keehl. I once called myself Mello and was addressed by that name, but that was a long time ago. Good memories and nightmares." (pg. 12)

"She [Naomi Misora] briefly considered the idea that Raye Penber, or someone else, was playing a practical joke on her, but she found it hard to believe that anyone would be so bold to sign their name as such. L never revealed himself in public or in private, but Misora had heard several horror stories about what happened to detectives who tried passing themselves off as L. It was safe to say that no one would dare use his name, even in jest." (pg. 18)

"This was L, so he was undoubtedly solving several other difficult cases all at once. Cases all over the world. For him, this case was just one of many parallel investigations. How else could he maintain his reputation as the world's greatest detective? The century's greatest detective, L. The detective with no clients." (pg. 35)

"L had earned a certain degree of hostility from other detectives, and the jealous ones called him a hermit detective, or a computer detective, but neither of these is a particularly accurate representation of the truth. Naomi Misora had also tended to think of L as an armchair detective, but in fact, L was quite the opposite, a very active, aggressive individual. [swoon.] While he had absolutely no interest in social connections, he was certainly not the kind of detective to shut himself up in a dark room with the shades drawn and refuse to come out. It is now common knowledge that the three great post war detectives, L, Eraldo Coil and Danuve were all actually the same person. Certainly, anyone reading these notes is almost certain to know...though they may not know that L engaged in a war with the real Eraldo Coil, and the real Danuve, and emerged victorious, claiming their detective codes. The details of this detective war I will save for another occasion, but in addition to those three names, L possessed many other detective codes. I have no idea how many, but there were at least three digits' worth. And quite a number of those were fairly public detectives--just like, as anyone reading these notes must know, he appeared before Kira, calling himself Ryuzaki or Ryuga Hideki. Of course, Naomi Misora had no way of knowing this, but in my opinion, the name L was, for him, just one of many. He never had any direct connection to that identity, he never thought of himself as L--it was just the most famous and most powerful of the many detective codes he used during his life. The name had its uses, but lacked obscurity. L had a real name that nobody knew, and nobody will ever know, but a name which only he knew never defined him. I sometimes wonder if L himself ever knew exactly which name was written in the Death Note, which name it was that killed him. I wonder." (pg. 43-44)

"If we must discuss why L so adamantly refused to reveal himself, we can explain it very simply: doing so was dangerous. Very dangerous. While the world leaders should make efforts to ensure the safety of all the finest minds, not only for detectives, the fact is that the current societal systems do not allow for this, and L believed he had no choice but to protect his mind under his own power. By simple arithmetic, L's ability in 2002 was the equivalent of five ordinary investigative bureaus, and seven intelligence agencies (and by the time he faced off against Kira, those numbers had leapt upward several more notches). This is easy to think of as a reason to respect and admire someone, but let me say this as clearly as possible: that much ability in one human is extremely dangerous. Modern danger management techniques rely heavily on defusing risk, but his very existence was the exact opposite. In other words, if someone was planning to commit a crime, they would greatly increase their chances of getting away with it by simply killing L before they began. That was why L hid his identity. Not because he was shy, or because he never left the house. To ensure his own safety. For a detective of L's ability, self-preservation and the preservation of world peace were one and the same, and it would not be correct to describe his actions as cowardly or self-centered." (pg. 69 nice)

"So whenever L was working, he would usually have someone else as his public face--and in this particular case, the FBI agent Naomi Misora was filling that role." (pg. 70)

"Beyond Birthday had the eyes of a shinigami congenitally. It was not particularly difficult for him to track down people with the initials B.B. or find people who were fated to die on a certain day at a certain time." (pg. 94)

"Normally contact with a shinigami was a prerequisite for acquisition, but Beyond Birthday had traded nothing--he had seen through those eyes since before he could remember. He knew your name before you said it. He knew the time of death of every person he met." (pg. 94)

"You might think [the eyes] would hardly be useful without a Death Note, but that is simply not the case. The ability to see someone's remaining life is the ability to see death. Death, death, death. Beyond Birthday lived his life unceasingly reminded that all humans would eventually die. From the time he was born he knew the day his father would be attacked by a thug and die, knew the day his mother would die in a train crash. He had these eyes before he was born, which is why he called himself Beyond Birthday. Which is why a child as strange as he was taken in by our home, sweet home--Wammy's House. He was B. The second child in Wammy's House." (pg. 94-95)

"The competition between L and B. L and B's puzzle. 'If L's a genius, then B's an extreme genius. If L's a freak, then B's an extreme freak. Now it's time to get ready. There are things I must do before B can surpass L. Henh henh henh henh.' This thought was the only thing that made him laugh without needing to think about it. And those that know will recognize the laugh of the shinigami. Still grinning to himself, he faced the mirror, brushed his hair, and began applying his makeup. The reflection of himself in the mirror. Himself. As always, he could not see his own time of death. No more than he could see the death of the world." (pg. 96)

"We were raised at Wammy's House in England, in Winchester, as L's successors, as L's alternatives, but that does not mean we knew anything more about L than anyone else. Including myself, only a few of us ever met L as L, and even I knew nothing about L before he met Watari--Quillish Wammy, the genius inventor who founded Wammy's House. Nobody knows what's going on in L's head. But even so, I know how Watari felt. Looking at L's incredible talents from the perspective of an inventor--of course he wanted to make a copy, of course he wanted to create a backup. Anyone would feel the same. As I have already explained, L never appeared in public. L knew that his own death would increase the crime rate all over the world by a few dozen percentage points. But what if they could copy him? What if they could make a backup? That was us. L's children, gathered from all corners of the world.

"But even for a genius like Watari, creating a fake L was easier said than done. Even for Near and I, who were said to be the closest to L...the more we tried to be like him, the closer we got, the father away he was, like chasing a mirage. So I hardly need to tell you what it was like when Wammy's House was first founded, when he was still experimenting. The first child, A, was unable to handle the pressure of living up to L and took his own life, and the second child, Beyond Birthday, was brilliant and deviant. B stood for Backup.

"But B tried to surpass L, not become him...no, that might not be right. I have no way of knowing the inner workings of his mind. He...their generation was not like the fourth generation, with Near and I, all the children bound only to the code with the serial L. They were prototypes, never even given the L code, expected to fail. I prefer to refrain from idle speculation based on my own experiences, but, well, Beyond Birthday may have thought something like this: As long as there was L, B would never be L. As long as the original existed, the copy was always a copy." (pg. 104-105)

"The Los Angeles BB Murder Cases. L.A.B.B.--L is After Beyond Birthday. This reading is why I think this name is so much closer to the killer's intentions than the Wara Ningyo Murders, or the Los Angeles Serial Locked Room Killings. I wasn't talking about the names on a purely stylistic basis. Whether Beyond Birthday had put that much thought into it I have no idea, but if he had a specific reason for choosing to commit his murders in L.A., then that is probably why. I am sure he had a much more personal obsession with L as an individual than Near or I ever did. I can understand why someone would become a criminal in order to fight against a detective, which is why I can write something like this, but even so. What did he hope to accomplish by killing unrelated people? Or perhaps B simply wanted to meet L. Then he could use the eyes of the shinigami he'd been born with and see L's real name, see when L would die. He would be able to figure out who L was. Beyond Birthday had never told anyone that he had the eyes of a shinigami, and it would not surprise me at all if he believed himself to be some kind of shinigami." (pg. 105-106)

"Beyond Birthday challenged L. And L accepted the challenge. To put it bluntly, the Los Angeles BB Murder Cases were nothing but an internal struggle, a civil war within our home, sweet home-- Wammy's House. Unfortunate for the victims that got mixed up in it, but even if Beyond Birthday had not killed them, all those victims were fated to die that day, at that time, for some other reason, so logically and morally, their deaths were unavoidable. So in the strictest sense of the word, the only one who really got mixed up in their war was Naomi Misora." (pg. 106)

"L was said to never move on a case unless there were more than ten victims or a million dollars at stake. The only exceptions to this were cases at difficulty level L (extremely fitting), or when L had personal reasons compelling him to get involved. The Los Angeles BB Murders were both of these. I hardly need to point out the difficulty by this stage of the story, and L was essentially fighting his own dead copy. [harsh, dude.] The current head of Wammy's House had told Quillish Wammy/Watari, who had told L about B's disappearance in May, and ever since L had been looking for him even as he solved other cases. Wammy's House only knew him as B--they did not know his real name, Beyond Birthday, so this search was near impossible, but L knew who the killer was. He had not been looking for a killer so much as he was looking for a case. L had been waiting, expecting Beyond Birthday to do something to challenge him. L could move any policeman in the world, but in this case, he could not ask anyone for help except Naomi Misora...more than likely, for this reason. I don't think L really put that much stock in honor, but everyone is embarrassed by their own sins, and nobody wants those missteps to become public knowledge. L was the goal of everyone in Wammy's House. Every one of us wanted to surpass him. To step over him. To step on him. M did, N did, and B did. M as a challenger, N as a successor. B as a criminal." (pg. 116-117)

"No matter what she did, she had no way of knowing. That this killer, Beyond Birthday, could tell someone's name and time of death just by looking at their face, that he had been born with the eyes of a shinigami--she had no way of knowing that fake names were useless with him, completely and utterly pointless. How could she have known? Even Beyond Birthday himself could not explain how he had been born with the eyes of the shinigami, how he could use them with no payment, with no arrangement. Neither Misora nor L knew why, and, obviously, neither do I. The closest thing to an explanation I can offer is that there are shinigami stupid enough to drop their notebooks in our world, so there might well be shinigami stupid enough to drop their eyes." (pg. 193-140)

"'So, Naomi Misora...' said L, wrapping up. But Misora hastily stammered, 'Um, er, L...' but then she hesitated, not sure if she should ask this or not. 'You...know the killer, right?' 'Yes, as I said. He is B.' 'I don't mean like that...I mean, he's someone you know personally?' On the 16th, L had said that he had known the killer was B, and she had sort of known ever since, but two days before, L had said something that changed her guess to conviction. Whatever you do, please catch the killer. The century's greatest detective, L, would never say that about some ordinary indiscriminate serial killer. And the way his letter was just one letter long... 'Yes,' the synthetic voice agreed." (pg. 144-145)

"'I have nothing to do with him,' L said. 'To be completely accurate, I do not even know B. He is simply someone I am aware of. But none of this affects my judgement. Certainly, I was interested in this case, and began to investigate it because I knew who the killer was. But that did not alter the way I investigated it, or the manner in which my investigation proceeded. Naomi Misora, I cannot overlook evil. I cannot forgive it. It does not matter if I know the person who commits evil or not. I am only interested in justice.'" (pg. 145)

"My great and respected predecessor, the man whose actions were a strong influence on me personally, B, B.B., Beyond Birthday--obviously, I need hardly explain again that the murders themselves were not his purpose. So what was he doing? Again, I hardly need to explain--he was challenging the man he copied, the century's greatest detective L. A matter of winning or losing. A contest." (pg. 159)

"Since L could solve every case no matter how challenging, if he created a case so difficult that L as unable to solve it, B would have defeated L." (pg. 159)

"He knew that the moment he took action Wammy's House and Watari would alert L, so he did not even bother trying to stop them. He could only guess at which stage of his plan L would start to come after him, so he prepared things carefully, ready for L's entrance at any point." (pg. 159)

"B approached Naomi Misora, calling himself Rue Ryuzaki. Rue Ryuzaki--L.L. For anyone from Wammy's House, there could be no higher goal than identifying yourself with that letter--and Beyond Birthday seized this case as his chance. even Naomi Misora knew what had happened to detectives falsely identifying themselves as L, and B was from Wammy's House, so he knew this better than anyone--so this choice suggests the strength of his decision. He never once intended to survive--had had made up his mind. He was ready." (pg. 160) [trans. note: the name "Rue" in Japanese, ルエ (ru-e), is an anagram of エル (e-ru), which is how L is pronounced.]

"Naturally, his face and fingerprints would burn as well--he had always disguised himself with heavy makeup while he was with Misora, and he never left a picture behind, so even if someone directly affiliated with Wammy's House inspected the body, they would have no idea that Rue Ryuzaki/Beyond Birthday was B from Wammy's House. He had left nothing to connect Beyond Birthday to B." (pg. 162)

"B was presenting the Los Angeles BB Murder Cases to L as a case that could never be solved. That L could never solve. In other words, he had never prepared any clear solution to it--since the killer had committed suicide, disguised as the fourth victim, there was no longer a killer to catch, and no clues left to catch him with." (pg. 163)

"My poor, poor predecessor. Not only was he utterly and completely defeated, but he survived, driving home his embarrassment...he must have longed for death. Accept my condolences, B." (pg. 169-170)

"If I had space left over I had intended to carry right on into the other two stories I heard from L: the story of the detective war between the three greatest detectives, all solving that infamous bio-terror case, with guest appearances by the last of the alphabet, the first X to the first Z from Wammy's House; and the story of how the world's greatest inventor, Quillish Wammy, aka Watari, had first met L, then about eight year's old--the case that gave birth to the century's greatest detective, the Winchester Mad Bombings that occurred just after the third World War. But however objectively I look at things, I do not have the space or the time. Oh well." (pg. 170)

"She had spoken to L only once after the killer was arrested. He thanked her for helping to solve the case, and told her just a little about the background of the case. That B had been a candidate to succeed L, and that the pressure of that had driven him off track." (pg. 171)

"And a few years after his arrest, on January 21st, 2004, serving a life sentence in a California prison, Beyond Birthday died of a mysterious heart attack." (pg. 173)

C-KIRA: (read here)

near grief :pensive: pretty sure this was animated in the anime movie thing?? tbh i still need to watch that. Very interesting as some of the most recent post-main story lore we get about wammy's imo. less quotes now + more summarizing since these are just comics

near has apparently only "talked" to L once (in quotes since he didn't actually say anything, just sat in the back of the room doing a puzzle the entire time. real asf girl)

during this "conversation," roger or one of the orphanage heads set up the usual L screen + a camera/mic so that L could see all the kids and answer their questions.

notably, mello & near didn't ask any questions, just lurked in the back watching L with a "nasty look in [their] eyes," which near assumes is what made him pick them to be his top successors, considering the fact that he didn't actually look at any of their data. (somewhat seems to imply that L didn't actually give a shit about grades or anything like that when picking his main successors?)

while answering questions, near is caught off guard by one of L's answers. to transcribe it all directly here--

NEAR (NARRATING): At the time, I didn't think L would put it so bluntly. L: It's not a sense of justice. L: Figuring out difficult cases is my hobby. If you measured good and evil deeds by current laws, I would be responsible for many crimes. L: The same way you all like to solve mysteries and riddles, or clear video games more quickly... For me too, its simply prolonging something I enjoy doing. L: That's why I only take on cases that pique my interest. It's not justice at all. And if it means being able to clear a case, I don't play fair, I'm a dishonest, cheating human being, who hates losing...

not quite the monster speech, but fascinating all the same. near seems to imply that this answer sent some kids into a despair spiral, but it actually caused him to like L more and more, feeling that he was, "exactly the kind of person who wanted to achieve his own goals." kinda goes against the HTR13 ohba comment? shrug

The Wammy's House/L's One Day: (read here)

honestly i interpret these comics as like. canon crack fic. but anyways, here's the established L lore included in these two.

L was taken into wammy's as a nameless orphan at an unknown but likely quite young age

very soon after arriving he beats up all the other kids he meets--

he is "utterly incompatible," with all the other kids and monopolizes all the things he likes simply cause he's stronger than them and presumably could fight them for it-- naturally, he ends up usually just playing by himself

notably, this all establishes that L isn't the first kid at wammy's, that there was already at least one generation of older kids living there before he got there (and could eventually turn it into an L successor creating machine)

once watari realizes that L has some outstanding mental abilities, he gives him his own private room and a computer. afterwards, L spends most of his time sitting in front of the puter by himself

L requests that watari buy 1 million pounds with Japanese yen and tells him which stocks to buy, causing his assets to reach "almost 20,000 times the original amount," in two years. visually this is depicted as happening when L is still quite young

several years later, L stumbles across a serial murder case in the news, which is the first he solves, starting his new career path

-

L can stay awake for 100+ hours and then gets over it by sleeping for like 17 hours. pictures also may imply that he doesn't actually sleep in a bed, but just lies down sideways in his chair. RIP yotsuba light's perfectly designed sleep schedule

L also shits/pisses in the same position he usually sits in (frog-pose), facing the tank south park style

he is a big fan of cleanliness!! human washing machine etc. etc. honestly i think this is just another way for him to hold that same crouched position

text says he always has, "ten or so identical sets of clothes prepared for him," since he's picky about it, but the art itself shows way more than ten. also rare shirtless L moment?? (watari helps)

L does in fact go outside!! he likes roller coasters/theme parks, swinging, art galleries, live music, etc. though most of the time he just sits in his room thinking thru shit n solving cases.

[neoluca]

kiylian, my disco kyrii oc <3

[nullyetinfinite]

your honor im afraid that I need him to bully my nipples

[stormbreaker-290]

Despite my lack of recent Mal posting I assure you he has . Not left my brain. Ever .Thumbsup

[mapicccc]

nothing at this point can make me care about kab i just. eh.

[technikki]

i used to get soooo fucking embarrassed about my mario special interest which is honestly really really funny looking back. like ohhh fuck i draw fanart of one of the most popular franchises in video gaming history. i should be shot