#ralph michael
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Man in a Suitcase: No Friend of Mine (1.21, ITC, 1968)
"Mr. McGill? Let me introduce myself. I am Gombi Masuto."
"Well, I think you know me and the guy with his gun in my back."
"I owe you an apology, but would you have responded to a polite invitation?"
"Well I can't say, cos I didn't get one."
#man in a suitcase#no friend of mine#1968#itc#classic tv#charles crichton#john stanton#richard bradford#clive morton#errol john#allan cuthbertson#peter halliday#peter williams#harvey hall#ralph michael#philippa gail#danny daniels#horace james#pat connell#a kind of mirror image to 1.16 (The Whisper); where that episode had a brilliant narrative hamstrung by some regrettably dated attitudes to#racial tensions and anti colonial struggles‚ this episode is hugely more satisfying on a political front (the white land owners being#explicitly the villains and agitators‚ and even the typically reticent McGill supporting independence for the fictional African country#of Kalunga) but has one of the sloppiest scripts of the series‚ with multiple gaping plot holes that should have been picked up on during#production. in particular the murder of Bates‚ which occurs offscreen and for no apparent reason‚ is never explained‚ nor the culprit ever#even hinted at; similarly‚ Philippa Gail's sheltered wife character is present when McGill is identified as an undercover operative and yet#her sudden discovery of that same fact later in the episode is treated as a twist which sets up the final showdown. these issues bothered#me even as a kid and i long wondered about possible deleted scenes or post production issues which may have caused problems; alas Pixley is#for once no help at all‚ his bible making no mention of these narrative issues. it does tho provide a lovely little story about Peter#Halliday‚ terrified of his impending fight scene with Bradford (having heard about his tendency toward rough realism) throwing himself at#the star's feet and confessing cowardice in a (successful) attempt to break the ice and win him over
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Whoa! 👀Amazing! ❤ (tweet thread)
plus :D
Edit:
#good omens#gos2#season 2#aziraphale's bookshop#michael ralph#production design#bts#fun fact#aziraphale's sink#👀#gos3#season 3#neil gaiman
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Twin Peaks (1990-2017)
#t shirt#movie#twin peaks#agent cooper#Kyle MacLachlan#dale cooper#david lynch#Sherilyn Fenn#audrey horne#Lara Flynn Boyle#donna hayward#Mädchen Amick#shelly johnson#David Duchovny#Michael Ontkean#Peggy Lipton#Sheryl Lee#sheryl lee ralph#laura palmer#Dana Ashbrook#bobby briggs#Piper Laurie#Michael J. Anderson#Ray Wise#James Marshall#Heather Graham#Billy Zane#Kimmy Robertson#Mary Jo Deschanel#Frank Silva
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The Joseph Quinn Cinematic Universe
Which one is your favourite 💕
#joseph quinn#arthur havisham#leonard bast#ralph#enjolras#paul#billy knight#eddie munson#tom grant#michael#eric
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nothing is more humbling when you’re watching an edit of your favorite actor and then the screen goes black and you see yourself on your screen basically thirsting over them
#matt dillon#the outsiders#dallas winston#dally winston#dallas winston x reader#rusty james#rumble fish#johnny cade#sodapop curtis#ponyboy curtis#darry curtis#darrel curtis#steve randle#twobit matthews#patrick swayze#tom cruise#emilio estevez#ralph macchio#c thomas howell#rob lowe#neil perry#dead poets society#robert sean leonard#callum turner#jon bernthal#hugh grant#al pacino#michael corleone#jeremy allen white#glen powell
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some fnaf doodles
#five nights at freddy's#five nights at freddy's security breach#fnaf ralph#fnaf phone guy#william afton#henry emily#michael afton#bonnie bully#fnaf vanessa#glamrock fronnie#glamrock bonnie#glamrock freddy
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#movies#polls#tusk#tusk 2014#tusk movie#2010s movies#kevin smith#justin long#michael parks#genesis rodriguez#haley joel osment#ralph garman#requested#have you seen this movie poll
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#fnaf#ralph fnaf#fnaf ralph#fnaf twb#fnaf the week before#michael afton#mike afton#foxy the pirate#the week before#phone guy#the phone guy
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#my thoughts every morning#every afternoon#everynight#every minute#every second#every hour#every day#every week#every month#every year#every leap year#every decade#every century#every millennium#RALPH BOHNER WHO?!#peter maximoff#quicksilver#dadneto#pietro maximoff#erik lehnsherr#magneto#scarlet witch#wanda maximoff#evan peters#elizabeth olsen#michael fassbender#magnet family#wandavision#xmen apocalypse
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2023 Vanity Fair Oscar Party | Red Carpet
#2023 oscars#vanity fair#halle berry#kerry washington#ciara#megan thee stallion#sheryl lee ralph#bryan tyree henry#michael b jordan#jonathan majors#jeremy pope#cardi b#quinta brunson#angela bassett#gabrielle union#janelle monae#regé jean page#chloe bailey#halle bailey#laura harrier#teyanna taylor#ruth e. carter#antonia gentry#lucien laviscount#tessa thompson#zoe saldana#black excellence
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Michael Kovach when he hears there's an audition for an indie animated series
#michael kovach#indie animation#indie animated series#web animation#web cartoon#hazbin hotel pilot#angel dust#lackadaisy#rocky rickaby#murder drones#murder drones n#serial designation n#murder drones braiden#supermarioglitchy4#niles smg4#smg0#lumi and the great big galaxy#jax#tadc jax#the amazing digital circus jax#tadc#the amazing digital circus#angel dust hazbin hotel#hazbin angel dust#hazbin hotel angel dust#ralph wiggum#the simpsons#simpsons reference#voice auditions#simpsons meme
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Man in a Suitcase: Web with Four Spiders (1.23, ITC, 1968)
"Why me? With your name all you have to do is pick up your telephone, you'd be up to your neck in nice, keen, young Harvard-trained security boys. Probably drum and bugle corps to boot."
"Yes, and those photographs would be in the FBI dossier."
"Or a private one. I could make copies. See what they'd buy me."
"Oh no, you've already answered that. My name is Norbert; you are a discredited American agent. No one will accept your word against mine."
"Good. But I'm expensive. I call it my self-respect bonus."
#man in a suitcase#web with four spiders#classic tv#edmund ward#robert tronson#richard bradford#ray mcanally#jacqueline ellis#ralph michael#simon oates#warren stanhope#john savident#lawrence james#edward evans#philip bond#edward rhodes#robert macleod#frank forsyth#david cargill#geoffrey reed#katie fitzroy#tony doonan#douglas jones#perhaps the episode I've remembered least so far‚ the whole thing felt almost new to me. probably i didn't really understand it as a kid;#Ward's plot is unashamedly dense‚ with multiple parties vying for for intelligence and shifting allegiances throughout. watching it now#this is actually a brilliant‚ mature bit of tv: the script is blisteringly sharp‚ with Ward content not to spoofeed the answers and allow#the viewer to connect the dots. dialogue is excellent throughout‚ from a particularly flippant and darkly sarcastic McGill in act 1 through#to a bleakly downbeat wrapup. notably this is perhaps the only episode in which McGill fails his case; he failed to prevent bloodshed in#both 1.15 and 1.21‚ but at least exposed the villains. here his failure is absolute (though not really his own fault) and it's writ large#across Bradford's performance in those final scenes‚ as he quietly fumes and skulks and snarls his few lines. an excellent episode.
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SFX Magazine Issue 372 - Designing Good Omens ❤ 😊
PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON
WORDS: DAVE GOLDER
Invisible Columns And Thin Walls ���The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.
“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”
GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”
But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”
For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.
But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.
“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.
“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”
Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.
“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.
“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.
“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”
(look at the description under this, they called him 'Azi' hehehehe :D <3)
Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.
“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.
“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”
Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.
“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”
It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”
Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.
The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.
“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”
#good omens#gos2#season 2#photos#bts#bts photos#interview#sfx magazine#magazines#hq photos#neil gaiman#terry pratchett#michael sheen#david tennant#michael ralph#mickey ralph#bronwyn franklin#anansi boys#the small back room#maggie's record shop#soho#aziraphale's bookshop#dirty donkey#magic shop#aziraphale's correspondence#give me coffee or give me death#fun fact#michael ralph interview#sfx 372 magazine#s2 interview
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FML
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I just love the idea that the rest of the bullies (Bonnie bro and Freddy bro) actually grew up and have families, all the while Fazbear's still manages to taunt them XD
Michael is obvious. Chica bro? We still need lore on that one-
But what I really love is how those who did end up having families never talk about their trauma.
Freddy bro literally has his mask in the attic, and never talks about how Jeff's used to be Freddy's. You could argue that he didn't know, but Jeff doesn't really do a good job of rebranding the building. He definitely knows.
Bonnie bro-... While he does talk to his daughter about the old days, he's very vague. Not to mention HW2. The whole point of the game is literally to rediscover and remember our own memories, like for example the Bonnie mask.
Which-
Psychological fun fact! Whenever we witness very traumatic events, sometimes our brains will literally force us to forget it, and push the memory back into the subconscious, as to protect us. I just love the idea that these guys were so traumatized that they literally forgot everything lol- it just creates good storytelling.
What do you think?
Assuming that Oswald's dad is indeed the Freddy bully, it really is interesting to think about where everyone seems to have potentially ended up. And in the book, Oswald's dad definitely knew about Freddy's from what I remember lol
As for what I think, very off topic, but shout out to Ralph/Phone Guy in The Week Before for apparently sorta doing exactly that to get through his night shifts pbsljkdfsd. But yeah, it is a very interesting concept!
#fnaf#five nights at freddy's#into the pit fnaf#into the pit#fnaf into the pit#oswald's dad#michael afton#cassie's dad#help wanted 2#fnaf itp#phone guy#fnaf phone guy#fnaf ralph#the week before#fnaf the week before#answered asks
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The Justice League International in Absolute Power #1
#i don't give a crap about tis event but i was so excited to see them that i had to post these panels#JLI#justice league international#j'onn j'onzz#ted kord#booster gold#beatriz da costa#tora olafsdotter#ralph dibny#elongated man#blue beetle#martian manhunter#ice dc#fire dc#fire and ice dc#michael jon carter#absolute power#dc comics#dc spoilers#absolute power spoilers#tuesday spoilers#dan mora#mark waid#justice league
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