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velvet-vox · 6 days ago

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Why King Candy has been so underrated and misunderstood for a long time (Still is, but to a lesser extent)

(All the images in this post come from the video linked below)

Hi everyone; so, usually, I'm not a trend chaser, in fact, I completely missed out on the hype of the Murder Drones finale by not releasing something for the occasion, as I have been very busy this past couple of months, and still am, but I've decided to make a special, out of program post just for my new current hyper fixation, that being King Candy from Wreck-It Ralph, who, for the past couple of weeks, has slowly risen up to become my third favourite Disney movie villain of all time.

And all of that, as some of you might have guessed, happened because I watched @king-crawler 's two hour long video essay on the character and the movie that he comes from.

Needless to say, just like many others before, it inspired me to add my own two cents to the conversation, and talk about some points that I haven't seen mentioned anywhere else.

This is probably the only Wreck-It Ralph related analysis that I'm ever going to make.

I even thought about scrapping this whole analysis, because midway through development I thought that I was just spewing out nonsense, but I kept going because some of my points may give food for thought to someone who understood this character way better than me.

I may reblog some analysis/art posts of this character, but I'm not going to turn WIR into a staple of my blog; however, if I see a lot of people in the comments or the reblogs adding stuff or points to my arguments, I could always make a sequel post to this one.

But first, I need to get something out of the way immediately.

Spoilers below the cut if you never saw this movie, kind of important, as it is the movie's major plot twist:

King Candy is Turbo.

Who's Turbo? Watch the movie.

With all that said, enjoy the read, I'll now elaborate on the meaning of my title, also, here's the video in question; I highly encourage everyone to check it out, as it is a way better sequel to Wreck-It Ralph than the one who was lost in the depths of Lake Laogai:

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Clarifications:

Wreck-It Ralph is an amazing movie, but one for which I've never had much to think about.

Don't get me wrong, I always considered it to be the smartest Disney movie ever made since my first watch, but I saw it for the first time relatively late, after I had consumed other Disney movies as childhood classics and other crossover movies featuring video game characters, so it never had neither a nostalgia nor hyper fixation factor as reasons as to why I should have put the story under a microscope after that.

Also, as Rando says at the beginning of their video, it is not a movie that blew me away after my first watch. Or the second. Or the third.

Why is this section important? It is important because these are my subjective opinions of the movie, which are unfortunately going to subtly influence what I'm about to say in one way or another, regardless of me trying to speak from a place of supposed "objectivity".

I'm really passionate about this world now thanks to Randomalistic, but you won't get the same vibe from this post as you would get from one made by long time fans of this movie.

Ok?

Good.

King Candy/Turbo has always been... in a weird spot for me.

Just like the movie where he comes from, I never really cared about Turbo until a month ago, despite always feeling like I should have loved him a lot more, especially since Deltarune chapter 2 released a while ago, and the character of Spamton G Spamton is someone for whom I have very strong feelings about; and Turbo, in a technical sense, is literally the spiritual predecessor of that guy (actually, Turbo is the spiritual predecessor of a lot of similar characters, he kinda was ahead of his time).

If I had made a Disney tier list for their movie villains, a completely subjective one for that matter, I would have put him in A tier, but thinking that he should have gone in B tier... while also feeling like neither were appropriate placements for him.

Randomalistic's video finally helped me fall in love with the character; so much in fact, that it got me thinking:

"Damn, if Turbo is actually this amazing of a villain, why was(is) he so underrated and overlooked by general audiences, when he admittedly is, in my opinion, one of the best Disney villains of all time? Frollo is by and large considered the best villain out of any Disney movie, and the HOND was nowhere near as successful as Wreck-It Ralph when it first released, so it can't just be a matter of first impressions (?). Maybe there are other factors, that stop audiences from recognizing Turbo as the Magnum Opus of villainy that he truly is..."

... And that's exactly what I'm going to discuss!

Let's get right into it.

The minor stuff.

First things first:

He's ugly. I'm sorry to all of the people who ironically and unironically simp for him, but that's a design only a mother could love.

On a serious note, KC and Turbo's designs always felt... not very eye-catching to me? (The bug form is excluded from this conversation)

I'm not saying these are bad designs, far from it; but each form has on them a certain amount of design decisions that, by the authors own decisions, make them unappealing to a viewer like me (I'm using myself as reference point because the topic that I'm talking about is inherently subjective).

Starting off with King Candy, is design has to balance a lot of different aspects simultaneously: it has to be eyecatching, so that the viewer can pay attention to him as an antagonist, and believable enough so that the watchers buy the fact that he is the King of Sugar Rush and not someone else, but it also has to be generic and fake enough so that it can later on add up to the fact this is just a performance, a facade, a ruse, a costume, and not the real character, it also needs to be friendly enough so that the audience can be manipulated together with Ralph into believing that he actually is a good guy;

I could go on and on listing off all the amazing things, that the King Candy facade pulls off simultaneously, but exactly because the design has to feel real and fake at the same time, it also, by proxy, ends up feeling weird, and that inexplicable sentiment can end up alienating the viewers who are watching the movie and the ones who have finished consuming it without thinking too deeply about what the meaning of the KC's facade actually was.

In the case of Turbo's design, all the people working behind the movie did such an amazing job making him look as scary, ugly, alien, and deranged as possible, all the while keeping him relatively PG friendly; the result clearly paid off, but Turbo's ugliness is not as slick as the likes of Ratigan's, nor is it as nightmarishly horrifying as the Other Mother's.

The most nightmare fuel qualities of Turbo's design are hidden out of plain sight, which is basically a recurring theme with his character.

To put it in a funny way, his looks neither end up in the conventionally attractive territory that most other Disney villains fall into, nor do they grab the attention of the Monster Fu###rs crowd.

I have zero things to say about the Cy-bug form, but I do have a section later on where I talk about that entire scene in and of itself.

All in all, it might just be me, but the first impressions of this character's design don't really do him any favours when it comes to his popularity.

I now love both designs, but before, they just didn't click with me, and I think some other people might understand what I'm talking about.

Admittedly, I could have explained this section better, but these were mostly my personal opinions and they are not really important in the grand scheme of things, unless somebody else agrees with me, in that case I'd have to take a closer look at the situation.

Second of all:

The marketing.

To be honest, I feel like what really elevated all of the most iconic Disney villains into pop culture status was a joint push from the company and the artists to include these characters into more stories and products.

Like, sorry to all of the Oogie Boogie fans, but that character is barely in his movie and doesn't do a lot, and he wouldn't be nearly as iconic as he is if Disney didn't use him again multiple times after his first debut.

And the same can honestly be said for all of Disney's most popular villains; they got used multiple times in multiple different projects, that either kept them mostly the same, changed them with some unique twists (that change in quality, but that's up to you), expanded on their preestablished characters, or put them into unique situations that showcased just how versatile they are.

Kingdom Hearts, The House Of Mouse and Descendants are very obvious examples of what I'm talking about, but even appearances in lesser known stories like Lady Tremaine in Cinderella 3, Captain Hook in Jake and the Neverland pirates, or the entirety of Disney Twisted Wonderland help solidify these characters as pop culture icons;

All except Frollo.

Frollo is the only one whose hype and cultural recognizability wasn't built up by the company or the media in which he was featured, but by the fans of the original movie.

And despite Disney almost never used that character ever again after his debut, he, his movie, and Hellfire still get a lot of prise and are talked about classics to this very day.

Because Frollo is just that freaking awesome.

Turbo, on the other hand... is barely in anything.

Let's get the most obvious stuff out of the way first: King Candy is a relatively new character, released in an era where Disney was slowly starting to integrate the new, corporate ideals that we see today.

All of the villains that I've mentioned previously already became tried and true successes by that point, so even if the company doesn't care about having good villains anymore they still use their likeability because it has already shown in the past to bring in audiences.

It's also the main reason as to why Mother Gothel is used so rarely: King Candy, as the last truly great Disney movie villain (excluding Tamatoa, who's barely used anyway, and movies not produced by their main animation studio), arrived at a point in time when the company wasn't pushing for their villains anymore, and instead actively sanitized some of them in their new stories (you know what I'm talking about); therefore, Turbo, being actually incredibly dark on second look, and with no actual intention of tuning him down like Jafar because he hadn't already reached the iconic status by that point, had no reason to make any big appearance ever again or be paraded around as much.

There are some more reasons as to why Turbo likely doesn't have more stuff dedicated to him, like the fact that he is technically 3 characters at the same time, but I don't want to prolong this section too much.

So instead, how about we take a look at some of his other appearances outside of Wreck-It Ralph?

Let's see...

He has various cards in Lorcana, which is his most recent appearance, mind you;

He became a playable character in the 7th season of Disney Speedstorm, a game where I was hoping he would be the main villain, due to a variety of reasons, but hey, that's perfectly fine;

And he was mentioned multiple times in Disney Heroes Battle Mode, a game where he hopefully is the secret main villain, as it would pay off a large amount of story and design decisions chosen for that game, but it's probably just wishful thinking and unless the game's plug is pulled, I doubt we'll see him anytime soon.

Ok, it's more than nothing, but it's also not that special if you ask me.

But hey! At least he got a boss fight in a Kingdom Hearts game! That's more than Randall can say! He was a major boss in Union Cross... the mobile game... that you can't play anymore... and since KH adheres strictly to its own canon most of the time, it also probably means that we'll never get to play through the storyline of the first WIR in any future mainline game, and we're more likely to see a world based around the second movie instead.......

Yeah.

That seems to be it, unless I'm missing something huge (feel free to let me know).

This section is important because Cruella De Vil became one of my favourite Disney villains of all time not after seeing her in the original movie, but after I saw her in 101 Dalmatian Street, a niche show that almost nobody knows; so other medium appearances are important to these characters popularity, especially when not all of these villains are Frollo.

ALSO, PLUS 1+, I was originally going to cut this point, but I decided to add it anyway: the Italian voice actor.

After recently rewatching this movie in English, (I'm Italian, we in Italy translate the movies to our language because it's easier than learning an entirely different language for them), I have to really admit that Alan Tudik's voice performance really does a lot of heavy lifting for the character's memorability.

This is not to say that the Italian voice dub sucks or that King Candy's Italian voice actor does a bad job, in fact, the voices are actually quite similar to each other, it's just that Alan's performance has that small edge of hidden bitterness that really brings the character together; though I do prefer Turbo's Italian voice for its twist reveal: the more raspy, heavy tone of the actor really highlights the vicious, alien nature of his character, as well as the sense of dread that Vanellope is feeling in this moment; I encourage you to give it a watch.

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Again, this is extremely minor, and it really only affects me specifically, but don't worry, it's not going to have influence over the rest of this post.

These were just additional points and not the actual meat of my argument, so now I'll start discussing what I actually wanted to talk about from the very beginning:

Who is he?

I think that one of the main reasons as to why Turbo is so underrated is because we spend way less time than with most other Disney villains (before him) to know him as a person.

Think about it:

Most other Disney villains, or at least the most popular ones, all have moments where they are doing nothing to progress the plot, that are dedicated solely to get us to know them better.

Hades has several moments with his minions to show off his personality and anger, Jafar has silly little moments with Iago that show off his depravity, Maleficent has talks with her crow that make her more dynamic, Ursula has her introduction scene where she spies on Ariel and does nothing but talking, and Captain Hook... has 30% of his screen time dedicated to just that.

Heck, Hellfire, one of the most iconic sequences in all of Disney, is just a character set piece for Frollo, and it's arguably completely disposable, as it doesn't really do anything to progress the story, it just explores Frollo's character in deeper depth and that happens to make the big difference when it comes to him.

King Candy doesn't really have an obvious character centric moment, something easy for the audience to quickly latch onto: every time we see him, he is always doing something to push the plot forward.

Yeah, there's that small character interaction with the Donut cops when he gets glasses, and other small moments here and there, like the would you hit a guy with glasses joke, but nothing truly character-defying.

I also don't count King Candy's first scene as a character centric moment, as that's more of an introduction rather than an elaboration, but it is technically valid, even if it ultimately is just a facade that he puts up to serve his needs.

Speaking of which: the fact that most of what we see of Turbo throughout the story could be entirely fake is definitely something that I could use to make the argument in this section stronger, but I'd rather save it up for later.

Also, side note:

I think that the moment most dedicated to him only, to show off a different, "true" aspect of his personality, is when he is walking back and forth in the castle waiting for his cops to show up again.

This moment is so interesting on rewatch, as it is one of the few moments in the entire movie where I can safely say that Turbo is being 100% genuine and isn't putting up any facade whatsoever, as there really is no benefit to him appearing distressed in this situation.

In general, it's funny to think that Turbo's most genuine reactions are of fear.

Back to point one, do you wanna know why Maleficent was given a crow in Sleeping Beauty? The reason as to why was for her to have someone to bounce off, a way for the writers to showcase more facets of her character, and while Candy has Sour Bill, the movie never uses the relationship between the two to show off a different aspect of his character.

To be clear, I'm not saying that Turbo is a worse character than these other Disney villains, or that without these moments of calmness he doesn't work, one great example

Do you know that Calhoun in early development had a camouflage ability, meant to highlight how she hides her feelings but was scrapped because it made her harder to relate to? Well, let's just say that Turbo's entire character is a What If scenario where that idea actually went through.

It's a double edged sword: King Candy is so interesting because he is so mysterious and surprising all throughout the movie, but exactly because he has to be so mysterious, he is not a character as easy to understand as some of the other villains from the company; it's incredibly easy to miss out on just how cruel he is and the full scale of all the damage that he has done.

I, AM, .......the twist villain.

There's also something to be said about how popular to the conversation the twist that King Candy is Turbo became.

Everyone loves this reveal, am I right?

It may not be the best moment in the movie, but my god if it isn't hype, all thanks to the music, the lighting, the setup, yada yada yada....

But the identity reveal scene is to Candy what the Genocide Boss Fight is to Sans: it's the most impactful moment about his character, to the point where it becomes the entire baseline where most discussions are built around, which, more often than not, lead a lot of people to overlook other things about Turbo.

Let me explain: how many analysis videos have you seen where the person making it talks more about the setup and subtle hints present in King Candy's earlier scenes that slowly build up to the twist and less about the events happening in it?

The reveal is amazing, don't get me wrong, but if Rando's video didn't come along to dive deep into King Candy's earlier scenes with the twist already in mind, the true impact of what Candy had been doing throughout the entire movie up to this point would have been lost on me, and I can imagine someone else feeling the same, as me, casual enjoyer of WIR, have been conditioned to think of Candy more for his well planned out surprise, rather than for how that surprise makes the character more engaging (I hope this makes sense).

I also want to mention this video ranking all the different twist villains from Disney and Pixar where CellSpex says that the Turbo twist is useless, since the movie doesn't do much with it afterwards.

Now, aside from the fact that CellSpex is clearly in the wrong and she's missing the point, I think this lack of reconsideration highlights that casual viewers care more about the Turbo plot twist than they care about Turbo himself.

But honestly, I don't believe people focusing too much on the twist is that big of a problem, more so, the problem stems when you want to use the twist... to discuss something else.

Now, I think it's perfectly fine if you want to use Turbo to explain why other Disney twist villains don't work, but when the villains that King Candy is compared to the most are Hans, Yokai, and Bellwether, you kind of start to think that he is only the best of the worst, and not an actual amazing antagonist in his own right.

It may not be a message that was intended to be sent, but it is something that may subconsciously cling to someone's brain, especially when you consider that there might be a huge audience of people who watch these videos because they saw Hans in the title (wishing for the video to bash him), and have seen Frozen, Zootopia and Big Hero 6, but have never seen Wreck-It Ralph in their lives, and they get all their knowledge of Turbo from them.

It's exasperating, especially when King Candy has way more in common with renaissance Disney villains than contemporary ones.

Yes, through technicality, he is a twist villain, but he's more so a hybrid antagonist to be honest.

And even worse than people just grouping up Candy with a bunch of morons, as I've just discovered by reading a comment from this Turbo Tribute, is that some people apparently despise him for starting the Disney Twist villain trend: even if he's leagues better than his competition, the simple fact that you can attribute some of the blame for the fall of villainy onto him, is enough for someone to despise him.

King of the Cy-bugs (feat Rockotar):

Very recently, I've rewatched Rockotar's video analysis of the first Wreck-It Ralph, and when he arrived at the "Welcome, to the Boss Level!" scene, I decided to analyse all the possible reasons as to why he (and possibly many others, such as, admittedly, myself) wasn't as entranced by it as basically any other scene from the movie, who he had been praising non-stop up until this point.

And I think I understood why: aside from the fact that this scene is only a setup for Ralph's sacrifice (and I wished the actual boss fight to be longer and more creative), the Boss Fight is less of a climax for Ralph's journey and more so a character study for who Turbo/King Candy is.

In my opinion, this is the closest we ever get to a "villain at rest" moment with Turbo because in every other scene of the movie, King Candy is always doing something, he's always active and we never see him doing anything that doesn't coincide with his role.

And, paradoxically to what I've just said about this being a "villain at rest" moment, in this scene, he is still doing something and being active in the plot, only that this time, instead of advancing the story, he's holding it back from its conclusion.

This scene simplifies Turbo's character to his most bare bone essentials: he's a short-tempered jerk, a power hungry murderer, a virus; it's all pretty interesting stuff once you take a sweet moment to break it down.

However, there's a point that I briefly mentioned before that I want to bring up; this creature that we are laying your eyes upon, is now three different people all at once, King Candy (anxious, quiet and manipulative), Turbo (short-tempered, competitive and spiteful), and now this Cy-bug hybrid.

To reiterate what I've said before, if you don't think about it for long enough, you aren't going to understand who either character is exactly.

Because that's the big thing: all of his facades, implied development off screen and reactions are so well constructed that at certain points, it feels like we're following two different characters simultaneously, which fits perfectly with the narrative that so called "real" Turbo died and now he's no longer himself, but...

I'm scratching the bottom of the barrel to bring up other possible points as to why this character is so underrated, and the lack of a clear identity seems like a pretty obvious thing to me.

But that's only two out of the three characters I mentioned; we need to take a second look at the Cy-bug form, who, in many ways, is simultaneously the thesis and antithesis of his character.

In particular, there's one thing I want to consider:

There's this theory made by somebody else that says Turbo, upon getting eaten by the Cy-bug, didn't take over the animal's conscience and control his body, instead, upon eating King Candy, the Cy-bug took upon himself his mannerisms, meaning that, according to this theory, neither King Candy nor Turbo technically survived the encounter.

If we accept this theory as true, then that means that even during what is supposed to be a character study, the character that the movie is highlighting may also be just as fake as the act that was put up until this point, meaning that, in a sense, we never saw the real Turbo in the movie.

He was three people at once.

(Yes, I've been spamming this image everywhere, and I'll keep doing so because I can)

In Conclusion:

Turbo is, ironically and unironically, an incredibly subtle character, and that makes it extremely easy for a lot of people to overlook and miss out on the most subtle details and characteristics that make him truly exceptional;

Him being so deceptive and mysterious helps and hinders his popularity, as some either love the mystery surrounding him, others fail to get a good grasp on who he truly is and become disinterested.

He is, by design, a building block, a puzzle to be solved, a character to piece together, that makes him so much fun!

But also, if you aren't interested in putting the pieces together, then he may not be up everyone's alley.

I definitely feel like the best thing that @randomalistic did in her/their video on Wreck-It Ralph was create an easy jumping point for new fans/casual watchers of the movie to get insanely invested over the story and characters;

I'm sure it was incredibly easy for many other people like me to focus only on the most talked about aspect of Turbo, aka the plot twist, and overlook all the other things that were not as much in your face as that; I was blinded by the spotlight, and it made it hard to see the genius that was put everything else;

Now, thanks to Random highlighting King Candy's cruelty and repulsive behaviour, my favourite thing about Turbo is how he weaponized the "disability" of a child to marginalise and persecute her, discriminating her for it all of her life WHEN HE'S THE ONE WHO MADE HER "DISABLED" IN THE FIRST PLACE.

This man, is so HORRIBLE, and he deserves to be publicly exposed for all the heinous s##t that he did, not just for being the best of a bunch of villains who frankly he shouldn't even be attempted to be compared to.

Anyway, I hope someone had fun reading this. I definitely felt like I started to write this with some really good ideas that I wanted to share, but in the end, I feel like they weren't all that interesting to begin with.

Feel free to share your own opinions, and have a great day!

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