#but then be completely missing the point of their original stories and characters

[blumyng]

The narrative is losing cohesion. At this point, Epic should be called very loosely inspired by Odyssey and we should ignore all reference to the greek myths altogether.

And for people arguing that it's not weird that a mere mortal defeated a god... gods, specifically Olympians always win in the end. Non-Olympian gods like Scamander or Thanatos may lose temporarily but what happened to the winners? Achilles dies (although his death is complicated and not really about Scamander and he was a particularly divine demigod). Sisyphus is condemned to an eternal torture. Diomedes wounds Ares and Aphrodite but with the backing of Athena. Neither were "defeated" and since they were technically not allowed to interfere in the war he got off lightly but that's an exception. Certainly no one escaped divine retribution from their attempts to one-up and humiliate the (Olympian) gods. So many Greek myths warn people from that hubris. No one just suddenly, with no divine help, gets powerful enough to completely defeat, humiliate, and torture an Olympian god and actually get away with it. Even if they did at the moment, the gods WILL take their revenge. Just like Poseidon claims, what's to stop him from creating a tsunami to drown Ithaca after that defeat? He can even do it far away from Ithaca. What's to stop other gods from taking umbrage to Odysseus' actions? And how will Odysseus stop them? This "power-up" certainly cant make him stop a literal tsunami or concentrated thunder or any myriad of ways gods can fuck up mortals. If he could, well then, why did we bother so much about the power of the gods in the previous sagas? Why did Odysseus and his crew suffer what felt like inescapable pain? Why did Astyanax have to die?

Because why now? If Odysseus can suddenly become powerful through powers of anger, madness, love, friendship(?) or whatever why not before? Why not when his crew died to the Cyclops, when first attacked by Poseidon, when faced with Zeus? Why does Odysseus gets to suddenly break the rules? If there are reasons to it, it's not told in the songs. The logic of the world suddenly collapses.

And dont even talk about that ridiculous power-up. I dont care if it's animation and game influenced. The title says "the musical". It's published first and foremost as songs, advertised as a musical. If people are confused about the sudden turn of events after listening to the songs, the story is not properly explaining itself.

The narrative simply does not match the genre nor respect its original sources. I felt it concerning that Athena's character seemingly collapsed in the Wisdom saga. She was a cool, calculating and exacting strategist in the earlier sagas, Odysseus and she parted on explicitly bad terms and then in the Wisdom Saga she suddenly turns into this worried, friendship-cherishing quasi family friend who stakes her life trying to rescue her "friend". Some crucial character development is missing from the end of the Cyclops saga and the Wisdom saga. Yes, she turns back time to see what Odysseus suffered. But again, why his suffering post-My Goodbye softens Athena when his previous hardships didnt move her?

Zeus too becomes a caricature of himself. In his previous appearances, he was a self-assured judge of both men and gods and he delivers fate and divine judgements to Odysseus (though he does comes off as cruel). Yet in the God Games, he is like an angry toddler, mad that his daughter dare win the game he proposed. He promised to grant her wish if she win his game but then he gets so mad?? I'm not saying that Zeus can't be both majestic and petty but the jump from one character to another with no explanation is jarring.

The songs still sound great, the singers did a super job and Act 1 raised some genuinely deep questions about morality, monsters, and fate. But the recent sagas are quickly losing that strongly compelling narrative that I believe was the backbone of this musical.

[idiosyncraticrednebula]

The more "empowered" Disney tries to write their heroines as, the less interesting and charismatic they become, ironically.

[seithr]

Randomly remembered the half-reason i call my oc-verse by the name it has while laying in bed. One-half of the reason i still knew, but I had forgotten what had truly, really cemented it jointly until now

(it was a song from my favourite band I haven't listened to in a while.)

(the song fit so well at the time, still does, that i needed to hold onto it for the main protagonists forever, by partially naming their story in reference.)

Does this explanation make any sense? Does anyone know why I'm tearing up remembering this. Aahh

[paganinpurple]

AO3 Etiquette -UPDATED

Based on both decent and not so decent replies, I have made some changes to my original post below.

It would seem a whole new kind of AO3 reader/writer is emerging and it is becoming clear not everyone quite understands how the website community works. Here is some basic guidance on how most people expect you to go about using AO3 to keep this a fun community archive that funtions correctly:

As well as likes, kudos is for when the story was interesting enough to make you finish reading. If it sucked or was badly written, you probably left. If you finished it, you liked it - so kudos.

If you really liked it, you should try to comment. It can be long and detailed or a literal keysmash. Writers don't care, we just love comments.

No critisism unless the author has specifically asked or agreed to hear it (so use your notes to say if you want some constructive feedback). Even constructive critisism is a no-no unless an author note tells you it's okay. No, posting it online is not an open invitation for that. Many people write as a fun hobby or a way to cope with, among other things, insecurity and just want to share. Don't ruin that for them. I've seen so many authors just stop writing coz they can't handle the negative emotions the critism brings, and it's only meant to be a fun thing shared for free (pointing out tagging errors is not included in this).

Do not comment to ask the author to write/update something else. It's tacky and off-putting and will probably have the opposite effect than the one you want.

There is no algorithm, it's an archive. Use the search and filter function to add/remove the pairings/characters/tropes etc. you want to read about and it will find you the fics that fit the bill.

For this to work, writers must tag and rate stories. This avoids readers finding the wrong things and missing the stuff they want. I don't care how cringy that trope is in your eyes - it gets tagged.

The tag exception is if you don't want to tag a million things or spoil your story, you can rate it as "chose not to use warnings," and maybe tag the bare minimum.

Don't censor tags. How can someone exclude a tag if the word isn't typed out correctly? There are no content bans for terms so don't censor them.

If the tags are mostly content/trigger warnings, especially if they are things considered very fucked up or graphic, you might want to use "dead dove - do not eat" to ensure people know that you're not messing around with tags and what they get is exactly what you've warned them about.

Character A/Character B means a ROMANTIC or SEXUAL relationship of some kind. Character A&Character B is PLATONIC, like friendship or family.

Nothing is banned. This is an rule because banning one thing is a slipperly slope to banning another and another, until nothing is allowed anymore. Do not expect anyone to censor for you. Because of the tags system, you are responsible for your own reading experience.

People can create new chapters and sequels/fic series any time after they "complete" a story. So it's considered perfectly normal to subscribe, even to a finished story. You can even subscribe to the author instead just to cover your bases.

Do not repost stories or change the publishing date without an extremely good reason (like a complete top to bottom rewrite or an exchange youve written for going public). It's an archive, not social media. No one cares what's the most recent, only what fits their tag needs.

Instead of deleting a story you wrote if you hate it - consider making it anonymous or orphaning it so others can still enjoy it, without it being connected to your name anymore. If you still want to delete it, fair enough.

It's come to my attention that metaworks ARE allowed on AO3, which is something I wasn't aware of. So if you do post an essay or theory, please tag it as such so others can choose to search for it or exclude it. Art is also allowed.

The only reason this archive works is because NON ONE PROFITS. Do not link to your ko-fi or patreon or mention monetary gain in any way or you violate the terms and risk having your account removed. If anyone does link, it leaves the archive open to people claiming it's for profit and having the whole thing removed.

I KNOW there's plenty more I missed but I'm trying to cover most of the basics that people seem to be struggling with.

I invite anyone to add to this, but please explain, don't berate.

[aangarchy]

Ok now we're just taking the piss right? Right?

Once again this sort of thinking is removing a fundamental character arc that makes this story what it is. A big part of Aang's journey, especially in season 1, but tbh it does return in later seasons too, is accepting that he is the Avatar, and that he's the only one who can end this war. During the whole first season he is in complete denial about who he is and what he's supposed to do, which is why in most of this season there's no sense of urgency, and then once Aang gets faced with a very real, very close deadline he panics. This makes it even more brutal when in season 3, after accepting this responsibility, he gets faced with the reality of failure. He runs away again, this time not because he doesn't want responsibility, but because he knows how heavy his responsibility is and he doesn't want to burden anyone else with it. Removing the first aspect, aka running away and denying responsibility, it in turn also removes the heavy emotion from his later arc.

It keeps surprising me that people who claim to be such fans of the original seem to completely miss the point of most of this story? Like how could you look at Sokka learning about women's rights, Aang learning to accept responsibility, and Katara's motherly warmth which happened because how young she was when she had to step into a motherly role, and think "well we should remove that." You're taking out all of character development and going purely off of plot (which isn't gonna be nearly as good without the character development!)

Atla is probably one of the most analyzed and picked apart story, has one of the most long running loyal fanbases, people are STILL making thinkpieces about this show, and you manage to still misunderstand so much???

[performativezippers]

here is a masterpost that i'll try to keep updated with all of my writing advice posts. if i missed one, please let me know!

How to create chemistry between characters so the reader feels the romance?

What makes a story feel lifeless?

Balancing character backstory: how much is too much, or too little?

How do you build up tension?

What are writing beats and how do I use them?

How do I keep character behavior consistent in longer fics?

How to finish a long project when you're not an outline person?

Using transitions instead of line breaks to move things forward when you don't want to write them

Some random little pieces of writing advice

What comes first: the story or the genre?

How do you plan what you write enough that you don't have to keep going back and changing things?

Fanfic writer habits I've had to unlearn when writing original novels for traditional publishing -- this post breached containment

How to get from point A to point B without skipping ahead but also without losing motivation?

What should characters do between plot points?

What does changing a book from adult to YA actually mean? What changes?

A longform analysis on thought strands, beat changes, and action beats/dialogue tags, aka: how to write so that it feels like a complete, acted scene.

[lenny-link]

In regards to the SU x TF2 AU:

I have been racking my brain over here trying to understand the decision to make RED Spy a ruby and BLU Spy a sapphire. Nothing about his portrayal seemed to line up with canon depictions of rubies or sapphires, and RED Spy's gem isn't even faceted like a ruby. Also the obvious joke of making him a Bixbite, like the corrupted gem who was a giant crab, seemed obvious. Then it dawned on me.

He's a color-change sapphire, isn't he? That's why his RED version has a sapphire cut despite supposedly being a ruby? And also potentially why he's the only one we've seen RED and BLU variations of (though I get the impression that's also so one can be paired with Scout's Ma and the other with Engie) when all the others have been RED(-ish) isn't it? Or am I completely off base with this theory?

i LOVE your theory i wish you shared your thoughts before i elaborated the ‘lore’ of the au

but since ive had lots of questions about details id like to mention that:

1. i originally had not planned to make any story behind the su au, so if there’s things that dont make sense, don’t align with canon and stuff, it was not planned soo im working with what i have :p

2. i was hoping no one notices the mistake i made of swapping the gems ruby/sapphire lol its because at first i had drawn Blu(sapphire) Spy in that page, but i thought it was confusing since there was RedSpy x Scout’sMa and Scout next to him, so i just changed the colors and i didnt change the gem bc i was lazy :P

3. the main reason i put both Blu/Red Spy was to create fusion, i thought to add an extra merc with a blu color would be cool for the fusions that isnt from ClassicTeam, and idk i couldn’t think of a better merc to have as a pair than Spy and i thought there is more potential with 2 Spies to work on a story than any other merc idk

(yes i didnt put garnet as the fusion so as not to make confusion with Demoman being a Garnet, and we don’t have an Amethyst anyways so ¯\_(ツ)_/¯ )

4. it is IMPOSSIBLE to align each TF2 character with a SU character, there’s nothing in common between the two medias whatsoever, so the dynamics that im gonna be making for the TF2 au are gonna be a bit mixed, for example: RedSpy and BluSpy having Ruby/Sapphire’s dynamic (kinda), but also they have the same dynamic as Rose/Pearl, for the part where Red would go with a human (Scout’s Ma) and Blu would be jealous (just like pearl), HeavyMedic also would be having Ruby/Sapphire dynamic (the part where they fuse for the first time just like Ruby/Sapphire in the show, im still working on comic about this btw)

5. also im mixing with well TF2 canon story + trying really to make an original story too, soo its a whole mess ik :p im trying just bear with me ^^"

but thank you for pointing that out, it makes me happy knowing people actually pay attention to details thats super fun! ill make sure to not miss any details next time! :D

[rappaccini]

do we need to like. talk. about how grrm taking so long to complete asoiaf means the original subversion of daenerys targaryen's character has been basically lost.

because aside from the show massively fucking the ending up, you also have to consider the seismic shift of the perception of fantasy as a whole since asoiaf hit the mainstream and since more intersectional perspectives and deconstructions of white saviorism have risen in prominence.

like it's a good thing that we're collectively critiquing and sideeying dany's storyline for the questionable, orientalist and often outright racist elements, and that the girlboss dany idea is being challenged. but uh guys. take a look at grrm. do you really think he was setting out to write a paul atreides style deconstruction of white saviorism with dany. or is it not more likely that he put those things into his story by mistake and didn't realize those problematic elements were there until decades later-- especially since girlboss feminism didn't fucking exist when he started writing asoiaf. is it not more likely that he missed the points he was trying to make about dany being a foreigner interfering in eastern politics and the white savior vibe her story sometimes puts off is completely accidental.

people do not seem to realize what the climate of fantasy was when grrm was writing asoiaf in the 90s-00s. the moral grays and grimdark elements of modern fantasy were in part popularized by asoiaf. grrm wasn't subverting the idea of dany being a good ruler. dany being a good ruler was the subversion.

daenerys targaryen is a deconstruction and subversion of the almost comically evil sorceress-queen antagonist of a fantasy novel that would never be written today.

think through what dany looks like from the outside:

she's the daughter of the mad incestuous king who terrorized westeros only a generation ago, and she's back to get his throne for herself.

she's going to make her arrival by invading from the Savage East and killing the one true lost heir, the son of the prince everyone loves and wishes were king, who was raised among the people, who's a boy, who practices the faith of the seven and will marry a westerosi lady. and she's going to destroy the shining city that he's going to rule from.

she rides a black and red dragon that spits black and red fire. she has two other dragons with her and used blood magic to hatch them. she killed a house full of warlocks, has prophetic dreams, talks to mysterious sorcerers and witches and is linked with magic.

she comes from a family of incestuous, weird-looking, magic-using, dragon-riding conquerors who are the last survivors of an empire that conquered half the world and decimated and enslaved an entire continent by using dark magic, dragons and horrifying experiments. and her family in particular is infamous for having a tendency to go insane.

she's so beautiful men are throwing themselves at her. she dominated one husband and killed another. her dragon set poor sweet quentyn martell on fire when all he was doing was trying to honor a betrothal agreement. she has sex with both men and women where she's in control of the encounters. she had a sexual relationship with her brother. she 'bewitched' the most powerful warlord in essos with her sexuality, convinced him to kill her brother for her, took over his following, and will come to westeros with control of the most deadly cavalry in the world who are already considered to be 'savages' -- and her association with them has already started rumors that she fucks horses because she's so insatiable.

she's infertile and sacrificed her one pregnancy (gasp, the Firstborn Son!) to hatch her dragons.

kinslayer allegations: her brother, her son, and her (fake) nephew. even her mother, to an extent.

she has very tanned skin, spooky silver hair (that's very short) and purple eyes, a tyroshi accent and wears revealing clothing that would scandalize westerosis.

she's the savior figure for a Foreign Religion that's spreading in westeros and competing with the faith of the seven.

she's either the savior figure for the 'barbarian' nomadic raiders, or the mother of their prophesized savior.

she's leading an army of foreign (brown) slave soldiers, sellswords and 'barbarians.' she's being advised by foreigners. her handmaids aren't Nice Noble Girls-- they're nomadic horsewomen who are stereotyped as unmannered and promiscuous.

and the westerosis in her camp are the ones westeros hates: pirates that just destroyed oldtown, westeros's beloved center of trade, faith and knowledge. specifically euron, who wants to marry her. the dwarf that killed king joffrey and escaped and is now back because he wants to burn down king's landing. an ugly westerosi lord from backwater bear isle who was banished for selling slaves. a westerosi knight who refused to accept the king's wishes for him to retire and ran off to serve the opposition... and probably marwyn, a controversial maester.

she destroyed the essosi economy, has sacked multiple cities, turned the ruling class out of their homes, crucified a bunch of nobles, and will probably burn the volantene tower full of nobles on her way west.

she's a woman, specifically a teenage girl, who has power in her own right, who wants to claim more of it. and who has no more powerful man to answer to.

daenerys is the embodiment of everything westeros hates and fears to such an extent that even if she does everything right, or doesn't do anything at all, westeros will never accept her.

we spent five books following dany off on her own in essos because that plotline's all about giving you context before she arrives: here's the Evil Queen's backstory, so by the time she does what she does, the reader completely understands and empathizes with her, even if they disagree with her actions. and when all our heroes hate her, and she decides to strip them of their power like she did in essos with the slavers, we don't know what to do.

the subversion is: what if our view of this evil antagonist is xenophobic and sexist, and all the things we're scared of her for were taken out of context or twisted to villainize her. what if the foreign culture she's from isn't evil, and what if her slave army is actually freedmen who chose to follow her, and she opposes the legacy of slavery her family sources their power from. what if she's 'mad' because she's understandably angry and upset, and not ~craaazy~. what if the nobles she was killing deserved it, what if the system they depend on was evil and deserved to be destroyed. what if our system that we've been fighting to preserve isn't much better and needs to go too, even if People We Like are in charge of it. what if she's a teenager who doesn't always make the right decisions, especially when much older adults with their own motives are manipulating her.

the subversion is: what if the evil sorceress-queen who's going to invade our wonderful fantasy realm and bring all her big bad scary changes with it is a complex person with good intentions who actually has a completely legitimate reason to burn it all down.

so if dany genuinely does go evil when she gets to westeros... there's no subversion anymore because the trope is played straight. therefore, she won't. but it won't even matter. we'll know that dany isn't a monster, but nobody else will see her that way.

[lovelyyandereaddictionpoint]

A Changed Future (2) | Yandere Isekai

Part 1

It’s so irritating for Haruko 

He remembers how he used to try and make noise in the beginning, when the same thing happened to him

But even without your struggling, he’s got more obstacles than he thought

“Tch all these guys getting in our way, maybe I should just kill them.”

“Haru no!”

“Why not, I'm sure you did it when I was trapped.”

“That…that doesn’t make it right!”

“So? Who cares about right when we’re in love? I think it was you who said that.”

Either way with or without your approval he’s figuring out a way to take down his newfound rivals

He kind of hopes they are as ambitious as the friends who recently abandoned him

Too bad they aren’t

In the original story, the crazy thing about the protagonist was that despite their obsessive love for Haruko and general disregard for those who got in the way of that was otherwise really inspiring

Breaking away from their elitist family for their violent morals ironic right

Joining the workforce, easily rising because of their work ethic and intelligence

And all that while beautifully evading a less-than-clean detective trying to pin the blame of random crimes on them

Which of course got them their own male leads attempting to pursue their affections

Always doomed to fall short because of circumstance or the protagonist suavely crushing their hopes to gush about their love

It was a uniquely terrible tragedy for their characters to be written this way

That’s what the random reviewers would say

Which is why you did feel inclined to maybe entertain them a bit more than the original protagonist would have ever done

“Since you are quitting….I hope you’ll let me treat you to dinner. For all your hard work of course.”

“Uh sure but I have to be home by sunset.”

“That’s a shame then we’ll have to—Wait. Did you say you would?”

“Yeah, are you okay?”

“YES! Ahem I mean yes I’m fine! I look forward to a nice evening together!”

Unknowingly furthering the obsession the protagonist was barely keeping at bay

“So mind telling me what you ordered that day at the restaurant?”

“I think it was my favorite dish there called the berry delight but I’m not sure. I think they changed the menu since I was there.”

“Why not confirm it later today? That way you can tell me if you did see the missing classmate of yours.”

“But I don’t remember exactly where I sat–”

“Then we’ll just have to sit in every spot until it rings a bell.”

“I don’t know if that’s–”

“Don’t fret. I’ll be paying but there's no way we’ll get to try every table. We’ll have to come back multiple times.”

“Okay…”

“No worries I’m sure you’ll get tired of eating there so we’ll go to some other places to give you a rest. Anywhere you wanted to try?”

You’d be foolish to think you could escape them by agreeing to Haruko’s entrapping of you 

It only takes a day of you not responding to messages that they both eagerly awaiting you at your door

And after the first few times, Haruko shooing them away they begin to get resourceful

“Yeah bud nice try their still out.”

“Hm well say that to my lovely warrant right here.”

“Wait! H-h-hold on! Geez I-i’ll go get them now but they are not going to be happy with you!”

It really doesn’t get better as the guard against the protagonist’s secrets begins to be let down as interested parties slowly make their way in

You don’t have the same ruthlessness or ability to deceive as the protagonist you took over for 

On top of that you never actually read the webtoon so you’ll be left trying to piece together whatever few weak points the protag has

Where if you hadn’t already started to make your pursuers interested all those faults are fuel for their agenda

“It’s so unfortunate that the company can sign off on your absence during this suspicious crime but I don’t mind editing records if you wouldn’t mind spending time with me. That way I can vet your personality myself. Over wine of course!”

It’s overwhelming constantly being pulled in 3 directions 

What’s worse you’re completely oblivious when the latest obstacle in the protag’s perfect life finally makes themselves known

“Hello darling, it took us years to find you but we did it!”

“Don’t look like that come give your Mama a hug!”

Part 3: Coming Soon

[amnestria-the-elf]

So we're all just supposed to be fucking grateful that Larian gave us "new Wyll content" (evil ending for a man who is canonically incorruptible, what the fuck) and simultaneously broke him again (giving low approval greetings to a romanced PC, what the fuck).

I... I just... the simultaneous feelings of rage and utter hopelessness are overwhelming.

Listen, if you've read any of my posts you know I have a pretty clear "Don't yuck anyone's yum" policy. If you think an evil Wyll ending is interesting, fine. But here's why it falls flat for me.

First, like I said above, Wyll is canonically incorruptible. It's literally the entire basis of his character. He is a man who was coerced into making an infernal contract to save a city and had to pay a horrible price for doing so, then spent seven fucking years alone in the wilderness doing his damned best to protect the people of the Sword Coast, while all along telling his horrible, abusive patron to just fuck off already.

Now, could you argue that during the events of the game, Wyll develops a taste for evil? Sure. There are plenty of opportunities for his villain origin story to unfold. But they never do. His moral compass never wavers. Turned into a devil? He feels shame, because it's an outward sign that he was doing things for Mizora that were morally wrong, and he didn't see it before. His approval rating for the PC shoots through the roof if you save Karlach, a sure indicator of his true moral compass. His father kidnapped? Fuck that noise, we're gonna save him. Rescue Zariel's "asset"? Ugh, fine, but don't get distracted from the real reason we're here. His father gets tadpoled? Oh hells no, we're gonna take down these assholes and save the godsdamned world. His father accuses him of being an agent of a devil and is super pissy about it? "Everything I did, I did for the people of the Sword Coast."

For fuck's sake, he will leave the party if the PC gets too evil, even knowing it means he'll probably turn into a mindflayer immediately. Even if he's romancing the PC. Unwavering moral compass. So giving him an evil ending without also going back and changing everything about his character just feels like lazy writing to me.

Which brings me to the second reason all of this rubs the wrong way. Wyll deserves so much more content. More romanced greetings, more reactions to other characters' choices, a final boss battle that is actually about him, a default ending that actually makes fucking sense (I have another post cooking about the Avernus ending, so I will leave it for now.)

And please, spare me your "But Wyll was rewritten after early access" bullshit. That's Larian's problem. They chose to listen to feedback and do a late-stage rewrite. They then chose to implement it poorly and never fucking fix it. Other characters, who already have far more content than Wyll, have had even more added over the course of the seven released patches. Wyll, on the other hand, has been sitting around completely ignored until now when we get this evil ending.

Many have rightfully pointed out the inherent racism steeped in all of this. I want Larian to be better. But as Maya Angelou said, "When someone shows you who they are, believe them." I already didn't have much hope about Patch 7 for Wyll, but this... honestly, this is worse than him just being ignored again.

The thing that kills me the most is that this is just going to be more fodder for the fandom to completely mischaracterize Wyll, for those who already haven't bothered to think critically about his character at all to just be like, oh, cool, Wyll is evil now. Nope. You've completely missed the point.

I'm just... so tired. I've worked very hard to put this little bubble of Wyll enthusiasts around me (hi friends I love you all!) so that I can hold on to some shred of sanity in this fandom. The world needs heroes of color. Just let Wyll be the hero in peace.

[tomoeskiss]

the main problem people have with this reboot is that making it is just plain disrespectful. brandon lee literally put his heart and soul into this role and ended up dying because of it. for all his life he had been in his father’s shadow and this movie was supposed to be his breakout role and help him step into the light, but it ended up being his final act due to negligence.

the whole setting of the movie based on the trailer just doesn’t look right. the original had this unique 90’s gothic setting and i get that it’s a remake and they’re trying to go for something modern but that just takes away from the crow’s entire charm. even the soundtrack sounds horrible and don’t even mention the character designs… there’s no soul in the movie.

then there’s also the fact that in the original, eric and shelly are completely innocent, they fought for what was wrong and ended up being killed for it. in the reboot trailer it seems like they both were inmates and met in prison?? huh???? the whole point is that they’re completely normal people that get something terrible done to them. that’s why the crow brought eric back in the first place.

there’s also supposed to be a clear distinction between eric before he died and after. in the original it’s very obvious how much he has changed. he went from a normal guy to a man mad with grief. but in this reboot he just kinda… looks and acts the same? he goes from a wannabe soundcloud rapper to a wannabe soundcloud rapper with bad makeup on, there seems to be no personality change. there's plenty of examples like these where they've completely missed the mark. in the comics there’s multiple people that become a crow, not just eric draven. they could’ve used one of those characters to continue the story.

i know you can’t judge an entire movie based on a short trailer but just the circumstances surrounding the first movie is enough of a reason to not like it. even the author of the comic didn’t want to remake it cause he himself thought it was unnecessary and disrespectful but he ended up working with them anyway so they didn’t completely butcher it. many reboots have been made throughout the years of various films but there’s a reason people are SO pissed off with this specific one. because, unlike other reboots, this movie had it’s lead actor die on set while filming. the crow is like a memorial to brandon lee, they weren’t even planning on releasing it but his family and fiancé encouraged them. brandon died only a few weeks before his wedding, similar to how his character died only a day before his. the movie is literally dedicated to him and his fiancé and it states that at the end of the movie.

the original crow is a constant reminder of the tragedy and what could’ve been which is why it’s so bittersweet, which further adds to the setting and overall mood of the film. the creator, actors of the original movie and even brandon lee’s friends and family didn’t want the reboot to be made and if that’s not telling then i don’t know what is. i do feel for bill skarsgård and the rest of the cast, they must’ve worked so hard only to be criticized but this reboot should never have been made in the first place, because it’ll never live up to the original.

[absolutebl]

This Week in BL - Weird Strange Warmth, Thailand

Organized, in each category, with ones I'm enjoying most at the top.

Sept 2024 Week 2

Ongoing Series - Thai

Jack & Joker (Thai Mon IQIYI) ep 1 of 12 - Oh it’s fucking great. What a fantastic start! It’s a fun cast too. I adore seeing all of the familiar faces. This is a lot more fun than Kidnap (sorry GMMTV, do better). I mean both shows are serving the same kind of concept but with completely different energy. I love that War is playing phi in this series. I think it suits him much better. In fact. I really like these rolls for this pair. I think they’re gonna knock it outta the park. I am so happy this is good. I wanted it to be good. And it’s good!

Monster Next Door (Thai Thurs Gaga ) ep 8 of 12 - Oh no! He read the journal. No snooping! Well I guess they needed to get some tension for these 2 from somewhere, otherwise they are too good to each other. Meanwhile, I’m not sure about the sides in this particular series. I don’t hate them. The laundry jealousy moment was pretty well done. But I'm not sold, either.

Addicted Heroin (Thai Tues WeTV) ep 5 of 10 - I forgot that we were already on the ICONIC kidnapping section of the narrative. I miss Gu Hai's OBEY sweatshirt from the original. (Someday I will own that sweatshirt.) Hero should at least be wearing an OBEY T-shirt. Frankly I miss the harshness of the original too. Johnny Huang was just so massive, August doesn't have the physicality to carry this scene off. Nor does Thailand have the guts to push it into the creepy obsessive territory that made the first version so thrilling to watch.

The thing about the original kidnapping bit was we could feel Gu Hai's vibrating need to possess overriding everything else (including his sense of humor and frustration with himself). Gu Hai KNOWS kidnapping was an over reaction, he KNOWS he is being absurd, he just doesn't care. Because he doesn't just want to fuck Bai Luo Yin he wants to consume him.

We didn't get any of that from Hero. Hero, as a character, just isn't edgy enough to carry off a kidnapping, he's been softened too much in this new Thai form.

And then... An around the back of head not-kiss? Interesting choice. (Checks to see if BoomPeak are hanging out nearby.) Is that because the actor is under age? We in that head space for this whole show? (Pun intended.) Not sure how I feel about any of it.

It’s a much milder confession this time around, because it’s Thailand, but it’s still warped. So I’m still here for the weird strange warmth of this damn show. I did laugh a lot during this episode. 

Kidnap (Fri YT) ep 2 of 12 - Oh I am very much enjoying this.

"You’re the worst kidnapper I ever ever met" is an apt accusation.

Battle of the Writers (Sun YT) ep 7 of 12 - I kinda enjoyed the little side romance story (wealthy writer intellectual + poor local salt-of-the-earth boy = Love Seaing all over my damn screen). It came outta nowhere but... okay.

I honestly have no idea what’s going on with this show. But the kisses are nice. And I pretty much like all of the couples. It’s wild how disjointed it is but simultaneously how pretty. It’s like Star Hunter got hold of Mame’s budget and aesthetic. 

I Saw You in My Dream (Weds Gaga) ep 9 of 12 - Boyfriend era to the max. Production is still ignoring the whole "dreaming the future" POINT OF THIS SHOW.

The Trainee (Sun YT) ep 11 of 12 - Jane is VERY COOL. Like tay-style cool… as it were. I like their dynamic when they're given one to play with. It’s the rest of this show I don’t enjoy. 

Live in Love (Sun Gaga) ep 2 of 5 - It cute. Bit odd but cute. I like the language play, of course. It’s an interesting pair to watch flirt because it’s all language play so that's fun but otherwise, I'm not convinced.

Ongoing Series - Not Thai

The On1y One (Taiwan Thurs Gaga) eps 7-8 of 12 - This BL doesn’t drink from the water bottle to show off its neck. It quietly hands you the water bottle and expects you to understand that is not an act of generosity but of polite distancing. It's about the delicacy of the messaging, and the way themes are conveyed with such nuance.

This story is entirely about the two of them figuring out about each other, and then trying to be what the other person needs based on that information. It means they (and therefore we) are on this journey of discovering affection together. It's brilliant.

I must talk about the physical acting of these two for a second. That scene where they’re fighting over the book and then fall into the pool. That was one take. That’s amazing. These two are really fucking stellar not only at acting but hitting their marks. And let's be clear, that is NOT the same thing. I bet they both have stage training.

Define irony: watching two abandoned kids counsel their respective parents through abandonment issues.

Sugar Dog Life (Japan Sun grey) ep 6 of 10 - It is stupid cute and utterly charming. They are total boyfriends. It’s just that one of them wants to be and one of them assumes they already are. Actually, nevermind boyfriends, they’re married.

I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) ep 12fin - It made me whimper a lot because they’re both hurting so much. But in the end it was... fine.

Summation

The compassionate story of a college kid going deaf and the one boy he can hear. I love this manga and was let down by the first adaptation (Silhouette of Your Voice), so I was expecting a lot from this BL. I expected the soundscapes in this one to be fantastic, and the were, but I didn’t expect the filming to be something special too. But it really is. The acting is great too. But the story? It was just fine. They spent far too much time on the build to a relationship, then wallowed in their separation and a problematic girl character, when they should have been showcasing Taichi's character arc and his capacity for connection. Perhaps Japan should pass this one off to Thailand, It's a soft story centering on "food as love" so they might do better with it. I am, yet again, disappointed. 8/10 but I want to give it a 7/10

First Note Of Love (Taiwan Mon Gaga) eps 9-10 of 12 - It’s fine. it’s cute. I enjoyed getting some backstory. More of the sides, please.

Seoul Blues (Korea Fri? YouTube) ep 7 - Honestly, why don’t they just call this entire series The Cheating Diaries and have done with it? I’m only watching it because there’s basically nothing else from Korea right now. But I’m generally mad about it. Including the fact that everybody is so pretty and the acting is so good in the series, but the stories are so terrible.

It's airing but...

The Hidden Moon (Sat WeTV) ep 1 of 10 - This is a supernatural romance (my ghost boyfriend trope) by Violet Rain (I Feel You Linger). A man is hired to write an article about an old mansion in Chiang Mai being converted into a café. He sees the ghosts of people who died at the mansion, falls in love with one of them. Was substantially recast. I loved IFYLITA except the ending so I think I'll let this one run it's course you can tell me if it's work tracking down... if they managed to land it. I have my doubts.

Happy of the End (Japan Tues Gaga) - A boy is disowned for being gay, dumped by his boyfriend, and ends up in a dysfunctional co-dependant relationship with his would-be kidnapper. We were due for another messy JBL and it's exactly as expected. I do not like it at all. And ya know what? There is plenty airing. DNF 

In case you missed it

The Time of Fever (Korea iQIYI & Viki) 6 eps - Side couple from Unintentional Love Story, HoTae & DongHee, return for a spin off backstory show.

It started out fantastic. And it was a relief to have a good Korean BL finally back on my screen, even a high angst one. But I did spend a lot of time trying trying to figure out whether they’re going to rehash or reboot from the previous series. Are we in Between Us territory or Don't Say No or (heaven forbid) To My Star 2?

None of the above, it turns out.

This was a pure prequel about lost first love. As such, it has no real finale beyond what we got in ULS. Which, for this pair, wasn't satisfying. Putting my disappointment over this aspect aside, it is enjoyable on the strength of the characters, actors, and chemistry (if not story). Yes I said chemistry, the kissing is fantastic, sometimes KBL can do that. This one featured the "teach me to kiss trope"!!!! Plus language play. Both favorites of mine. It is all angst, ache, repression, and miles of subtext. It did fudge the ending by not skipping forward and over the events in ULS to depict what happened next (what, no year long time jump when we actually need it, Korea?) It's a worthy companion piece, but should be watched BEFORE ULS for maximum satisfaction, and even then you're going to be left feeling like HoTae & DongHee's relationship was never adequately discussed or depicted in order to achieve resolution.

The little cameo of my baby in ep 5 was much appreciated. But the motorcycle should’ve been set up a little bit more. Of course I wanted it to be about them getting together after the events in the first series. But this was all backstory from start to finish. And while it was good backstory, it wasn’t ultimately satisfying for these characters. Still it’s a good little series. 8/10 

Meet You at the Blossom (China) - I'm eating crow, binging the fucker, and live blogging. It's just taking me some time. This isn't really a bingable show, not for me anyway. It's A LOT to take all at once. No new one this week.

4 Minutes (Gaga) Ended - Spies reported in to say the ending was not-exactly-unhappy and mostly lackluster. I'm torn over whether to watch. My natural disinclination to binge, meets my dissatisfaction with wishy-washy, is going up against my love for fabulous high heat and pretty pretty men.

Mitsuya-sensei no keimakutekina ezuke finished and it’s reported to be solid. Age gap treated with respect. I'm curious, so I'll check it out. Not doing very well on binging and catching up but it's on the docket...

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Still Coming Sept 2024:

9/15 Love Sick 2024 (Thai Sun iQIYI) 15 eps - Remake of the original. I'm scared too.

9/15 Bad Guy My Boss (Thai Sun Gaga) 10 eps - Assistant to a player boss who is in love with that boss decides to quit to save himself. The boss then makes a move. (A gay What's up with Secretary Kim?)

9/17 Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues Netflix?) 10 eps - Lawyer and a con artist meet at a bar, pair up, fall in love.

9/28 Teenager Judge (Vietnam Sat YouTube) ?? eps - oh I don't know just Ba Vinh doing his thing with pretty boys again.

THIS WEEK’S BEST MOMENTS

Love a teach me to kiss, teach me to fuck, whatever moment. (I Saw You In My Dreams sides)

Not gonna lie. I laughed. Addicted.

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many at-ings.

[doumadono]

ANNOUNCEMENT

This is a turning point for me. I've been silent for too long, but I can't stay quiet anymore.

I'm going through writer's burnout, and it has hit me hard. I've been writing on Tumblr and Ao3 for nearly eight years now (with about 1.5 years on my private blog, doumadono). Over that time, I've written more than 400 stories across various fandoms, created the Sinful Sunday event and a series that many people like, helped many with numerous emergency requests — so many that one masterlist wasn't enough to cover them all.

But all of this has brought me to a place where writing no longer feels like a joy, but rather a duty. In my effort to make everyone happy, I lost myself and took on too much, accepting even the most twisted and difficult requests. It made me anxious and unwell whenever I thought about writing. This is why I haven't been posting much these past few weeks. I missed the breaking point and let myself reach a place where I was seriously considering quitting writing altogether and closing both my Tumblr and Ao3 accounts.

There's something else I need to address. I feel completely detached from Jujutsu Kaisen and Demon Slayer. I no longer feel comfortable writing for those fandoms. From now on, I'll be focusing mostly on My Hero Academia. Even though the manga recently ended, both the manga and the anime hold a special place in my heart. I’ve fallen in love with the story and its amazing characters. This is what feels right to me at this moment. That doesn't mean I'll never write for Demon Slayer or other fandoms again, but not now, not at this time. Maybe in the future — who knows?

Some of you might know that I've been dealing with a flood of hateful anonymous messages. Even though I’ve grown stronger and no longer consider them relevant, it still hurts to read such nasty words. This is another factor why I need to take a break.

So, what's going to change?

Sinful Sunday will no longer cover requests, and the event won't be as regular as it used to be. From now on, I'll post some sinful pieces specifically written for this event whenever I feel it's right. I'll write only for the characters I feel attached too.

Emergency requests will be limited to two slots and will no longer have a 48-hour window to be fulfilled. Once both slots are taken, emergency requests will be closed until I manage to clear the current asks in my inbox.

As of today, my ask box has been completely cleared. I won't be replying to any past asks, regardless of their origin or topic.

Commissions will remain open, as nearly all the requests have been fulfilled.

Regarding the following projects:

The Kvitravn series will be completed this year, but I can't provide a specific date just yet as I'm still working hard to bring everything together.

There's also a new series on the horizon featuring Dabi in the lead role, with a psychiatrist!Reader as the other main character.

As for Kinktober, I made a hard decision it will not be held as an event on my blog this year at all.

As of now, I want to focus on my own little My Hero Academia based AU that I created with my best friend @crystalwolfblog , and this is something that brings me a lot of comfort nowadays, and it's what I want to focus on. I’ll likely create another blog to post everything related to this AU, to keep things organized (the blog will be linked to my pinned post). This little AU was and is my safe haven for the past year and half, and since it contains all of my favourite characters, I want to focus on it fully.

The time for purification has come. I need to rediscover my purpose and find joy in writing again. To those who understand and have stuck with me since the ThePaperPanda days — you’re amazing and adorable, and I can never express how much I appreciate you, guys 💞

I want to share one last thought. This isn’t a statement, but rather a plea to readers: please respect writers, no matter the content they choose to explore. Writing is not as easy as it may seem; it requires a significant amount of time and effort, often taking up our personal time to craft a story. Don't send anon hate. Spread love instead! The least you can do to show your appreciation is to leave a comment, even if it’s just a word or two. For you, it’s a small gesture that takes less than a minute, but for the writer on the other side, it may be a much-needed sign that their work is meaningful. So if you enjoy an author’s work, don’t hesitate to leave a comment. It truly makes us writers feel like we’re on cloud nine.

Love you all, Marcianna

[sylusheart]

`sylus: a character study

finally here with the sylus post as promised <3 if you haven't already, do check out my caleb post. in this post i'll summarise the current theories/speculations regarding sylus, however with all the new confirmations and reveals a lot of the previous theories have been debunked so i'm only going to include whats still relevant as of now. and don't worry, even in the future if most of these theories are complete waffle i'll still leave this post up, as well as my caleb one and any other upcoming lnds theory posts. as always, if i miss anything or if you want to correct anything please fill free to mention it in the comments <3 also this includes spoilers for love and deepspace veresion 2 so if you haven't finished the new updates yet and don't want to get spoiled pls look away!!! but if you're thirsty for more sylus content buckle up and keep reading, let's start... ໒꒰ྀི´ ˘ ` ꒱ྀིა

ᰔ the meaning of sylus' name

starting things off simple let's look into the meaning of his name. 'sylus' can mean "from/of the woods", or more specifically the name sylus/silas originally comes from the short form of 'silvanus' which means "protector" or "guardian" (of the forest). funnily enough, this has clearly been depicted throughout he main story so far as he's been watching over mc from the very beginning. it's also said that silvanus can appear as someone who is unfazed and daring with a rebellious soul and is willing to explore the darkest woodlands - which sort of links back to how sylus is so comfortable in the N109 zone despite it being a terrifying place to others and outsiders.

ᰔ the flower in his trailer represents mc

i've seen a few people point out that the untouched flower in his trailer represents mc. seeing as sylus is the ruthless leader of onychinus he's clearly meant to be seen as someone who is unforgiving and rather rash. but amongst all of the deadliness shown in his trailer, a lone flower sits unharmed as he walks past, suggesting a softer side to him. we can assume that him avoiding to trample over the flower was intentional because he steps over his wanted poster, this small detail in general shows how he holds a tender and respectful side that he reserves for mc. ultimately, it shows how sylus is a multifaceted character - he voluntarily avoids the flower, willingly choosing to be tender even when no one was there to witness so. not to mention, on the recent stream one of the kitties (blurple) said that sylus had rescued it when it found itself on top of one of the buildings (probably in the N109 zone) and he gently set it down to a safer place on the ground after telling it that "kitties don't belong here". to me, he comes off as a man that is unforgiving when need be, he's not going to start terrorising everyone because of how he tends to behave. he seems like someone who prefers not to cross over lines unless someone has crossed his first - that's to say, he won't act hostile or irrational unless he has been wronged first. but of course, many people who know of him can find that difficult to believe because all of the stories they hear about him don't tend to have a civil ending. it's sort of like he only shows his softer side in private, which makes sense if you think about it as he probably has an endless list of enemies and the last thing he needs is having someone/something close to him used against him for blackmail or whatnot.

ᰔ sylus' heartbeat, is he actually human? i remember that before sylus came out a lot of us seemed to think that raising his heartbeat would be worse than how it already is to try and raise zayne's, although if you've tried to do it you'll notice his heartbeat tends to be very fast almost all the time. his heartbeat in game is about 90-105 in the morning and then in the afternoon/evening time it ranges between 100-164. even though it varies, it's still a faster heartbeat than the norm. but why is it more faster later on in the day? i mean it could be because he has a preference for doing things at night which explains why his heartbeat seems to be more active during those later times of the day - but regardless, it's still overly fast.

a resting heartbeat usually ranges between 60-100bpm, unless of course excercise becomes a factor - but even then sylus doesn't go red or show any physical signs that can explain why his heartbeat is so high. so the only explanation as to how his heartbeat is so fast is because he simply isn't human. but to be fair, a crow's heartbeat is usually between 150 to 200 on average when awake and can rise up to 600 when resting, but then again just because his familiar/pet is a crow and he's associated with crows it doesn't exactly confirm that he himself is a crow-human... hybrid. so... then what is he? well, there's a part in the main chapter, a flashback of some sort, where mc is reliving a memory for a bit. she's seen to be holding a hand - a hand that doesn't look very human - and called it "sylus". the creature seems to look like a wanderer, and if it really is sylus but in wanderer form, i presume he''s stuck in the transition stages (if you're familiar with zayne's dawnbreaker lore, this'll make more sense) from human to wanderer as mc can still recognise him (?) as she's holding his hand (we assume) it might be that she's resonating with him? perhaps this halted the transition process or something... but it's not clear enough to indicate what exactly is happening, from what we can tell mc appears to be covered in blood and they both seem to be injured but other than that the whole ordeal looks quite bizarre.

within the main story chapter we also see the little girl describe sylus as a monster with horns and huge wings who can never die. from what we've seen of sylus' regeneration ability (his self-healing) during that part when mc shot him (actually, it was sylus who pushed down the trigger, using mc's finger but i'll go more indepth on that below), and he healed only moments later - further proving the little girls rumor that sylus is invincible. the other attributes in her description (horns, big wings and being a monster) seems like she's just describing a devillish like wanderer, which sort of sounds like how sylus would be if he were to be one...

if we go back to the experiments involving core fragments, the people who participated in the experiment said that one is to "implant a core in a person't heart" and the other is to "implant a consciousness in a high level wanderer body" and so from here we know that mc is the former and sylus could possibly be the latter, that is - if he truly was one of the test subjects.

also, in the destiny cafe he has an interaction that says he likes observing humans and also says that things without heart are more loyal.

going back to that main story scene where there's a memory/flashback of mc and the wanderer-like being, we see the creature hand over something to mc which looks like a sword with his claw-like hands. the bottom looked like it was inlaid with a red core a red ruby, so if this wanderer thingy isn't sylus himself perhaps it was sent by sylus (?) somehow… which could be why mc says his name. the wanderer asks mc to hold it tightly and at this point (if this wanderer really is sylus) he hasn't completely transitioned into a wanderer yet as he can still talk to mc.

so if the creature/wanderer really is sylus, from what we can gather - sylus was turned into a wanderer. if mc didn't kill him, then he might've completely turned into a wanderer, which is why he said "because if you don't, there's no going back", and so sylus in his wanderer form handed mc the weapon when he was still conscious so that mc could pierce his heart and prevent him from becoming a wanderer and losing consciousness. though it doesn't look like she chose to kill him and instead opted to resonate with sylus which ultimately made his self-healing ability increase/double in power. at the same time this pulled on the energy from mc's aether core and altered the heart in sylus body, reshaping it in such way that he can now regenerate/self-heal. it also paused his transition into become a wanderer. as pointed out, this only happened because of mc resonating with sylus - which is why the voice in mc's head tells her "it's your power", because without her sylus wouldn't of gained such abilities and be able to manipulate with his evol as much as he can now. maybe the real reason why he wants to resonate with her so badly is because he wants to give mc her power back so that she can be as strong and as powerful as she once was. i'm not saying he feels 'guilty' for mc choosing to use her abilities to save sylus' life but i feel like he feels as if its his time to pay his debt to her and give her back what was rightfully hers, even if that meant he'd die in the process (which most likely will happen if he were successful). the part in the main story where sylus is on a throne and he uses his evol to pull her onto his lap and then allows her to point a gun at him and shoot him, he notes her hesitation and clasps his own hand around hers - and if you look closely in that scene he pushes down the trigger himself (pressing down on her finger) so that the shot goes through his chest. maybe he thought her power would restore to her if he was killed by her hand. when she realises whats happened, she feels immense guilt and regret, believing she was the cause of this. mc says something like "you can't die yet" in a way as if she's known him forever and not for the few hours/days we are shown in the story so far. he makes a remark, and talks a little smug over mc feeling bad for what happened. at this point, he's probably realised that his evol was beginning to take effect because of the failure to resonate with mc - meaning he was going to regenerate and not die like he assumed he would.

going back to that wanderer memory/flashback, after mc resonates with the sylus-wanderer it must've reversed the wanderers body back to human. the use of her evol in all of this must've altered fate and went beyond the rules of the unprecendented and unparalleled, sylus has also said "someone has already overcome fate" and that people have done it/conquered fate before him (source: abyssal chaos) most likely referring to how mc changed his fate so that he wouldn't turn into a wanderer. he also says something about being told a blood-soaked disaster would be waiting for him, but he twisted fate by bringing a blood-soaked disaster to other people. it seems like to me, that there is a possibility for loopholes and changes of destiny in the deepspace but it's not something that can happen so easily.

sort of like how zayne was punished for defying astra, mc must've payed a price for going against the laws of fate to save sylus. i guess this means her paid price was the result of her death as she must've been overly exhausted from the loss of energy spent to save sylus.

sylus also said mc owed him a "farewell ceremony bigger than death" because the love-hate story between them has not come to an end yet, even if she died first. i haven't read his anecdotes yet but i've heard that he searched in all the galaxies across time and space to find the mc again, only to find her in linkon city (similar to xavier's situation with mc really).

ᰔ the significance of sylus giving mc wine someone pointed out that when sylus gave mc the wine it was somewhat similar to hades giving persephone the pomegranate seeds. if you're unfamiliar with hades and persephone's story to put it short, when persephone was going to leave hades gave her pomegranate seeds and she consumed them without much thought only to later realise that she was now unable to leave now that she had consumed food from the underworld, ultimately meaning she had to stay with hades forever. i really like this theory because it does really amplify sylus' possessiveness. not to mention one of his chat bubbles is literally a pomegranate... if that doesn't solidify this theory i don't know what else will.

ᰔ so was sylus also experimented on? a lot of the scenery associated with sylus seems to show much about cages/being restricted/tamed/tied up, it could possibly nod towards being experimented on (like how mc was) which is why sylus tells mc that they are the same and true kindred spirits. even if he didn't go through the exact same experiments mc was put through its possible he went through something similar. he does have aether core inside of him after all, just like mc, and i highly doubt he was just 'born' with it, it must've been planted there by something or someone or maybe it has something to do with one of his past lives (?).

ᰔ sylus and astra, what's the extent of sylus' evol? now onto some juicy stuff, i've seen some talk about sylus being astra personified and although sylus being astra might be a little far-fetched, i do think there's some sort of connection. in zayne's foreseer myth, there's a part that says “astra gifted one of his eyes to the foreseer. by walking the winding path of time did the foreseer understand its passing.” since zayne still sees his alternate lives when he’s dreaming, it’s safe to assume that he’s still connected to that foreseer eye, but what about the other eye? isn't it strange that it's only one of sylus' eyes that glow... when mc asks sylus if his eye is an aether core he doesn’t say yes, he responds with “something like that”. if the foreseer’s eye sees one’s fate then sylus’ eye sees one’s true desires - as evident through what we see in the main story. there's also a part in zayne's last myth that sort of links back to this: “it’s said the god wields the power of yin and yang, governing life and death.”

we know astra granted his eye to zayne, but what about sylus? was it a gift too or did he steal it? and again, it's possible he was a victim of one of the experiments that happened all those years ago.

now this brings attention to rafayel's heart. was that astra's too, the aether core? if mc has an aether core, and sylus and rafayel have one too… perhaps these are all just fragments of the real aether, and maybe there's 5 fragments in total meaning xavier and caleb may have one too... mc is also heavily affected by sylus' evol which is probably due to her playing a part in how strong it has become or because his evol in general can mess with anyone regardless if they're an ordinary evolver or not. it's pretty obvious at this point that his evol is most probably the strongest we've witnessed yet, not only does he has multiple abilities and an aether core, but some of mc's power too (if the wanderer = sylus theory is correct). it's also important to note that sylus' self-healing ability which essentially allows him to survive death is similar to how mc could come back to life after the many experiments she was put through that killed her each time, i guess this confirms that the only reason sylus obtained this ability in the first place was when mc chose to save him and resonate with him once upon a time. unlike mc, he remembers everything - or so it seems. to mc his words may seem cryptic, but he probably does know more than he lets on and he just chooses to be very vague with what he says (probably out of protection, it seems he wants answers - perhaps after he gets his answers he will be more open with mc and trying to get her to remember).

ᰔ sylus and caleb/ever group (?) in the main story, when speaking about ever group sylus seems to regard them in distaste. of course, as onychinus and ever are two different groups entirely, we can assume they're also on two sides and are potential enemies. sylus makes it seem as if he's quite familiar with them, probably having dealt with them on a few occasions, but with the way he speaks of them i presume they weren't very delightful occasions. there is a part where sylus says to mc, "the people closest to you might be the ones who want to kill you the most.” which could refer to josephine and how she quite literally participated in the experiments that repetitively killed mc. but i primarily think this line has everything to do with caleb. i get the sense that the only reason sylus can know caleb is through ever group and we all can tell caleb is associated with something bigger than the aerospace academy. so if caleb truly is part of ever group, then we know one potential reason as to why sylus dislikes them, or more specifically caleb. there's also an official artwork (see below) that has a white, red-eyed snake wrapped around caleb's arm. the snake could very much represent sylus in a way. the art itself can allude to when mc went into the no hunt zone. she takes on the role as a sinner by pretending to betray the hunters, and as caleb is speculated to be the guy in the shadows in chapter 8, there's a possibility that sylus might be forcing caleb to pretend to be dead/betray mc which is why he is maintaining a low profile. as sylus is the snake and has control over caleb like a puppet with strings, in the art we can also see that both caleb and mc are tempted to eat the forbidden fruit - however, mc is able to freely do so whereas with caleb’s side of the art it looks like he will get bitten by the snake if he even dares to, it's as if there are consequences if mc ever finds out that caleb is actually alive.

that's all i've gathered for now <3 i'll update as i find more and read more of his cards (as well as the new world underneath stories... i haven't read those yet) but it might take a while for me to update because i'm swamped with work :T but anywho, thank you for reading :3 pls let me know your thoughts! (⭒•͈ 𓎺 •͈ )

[myhyperfixationisiforgot]

Young Justice was such a wild show. Like. It's based off a 90's comic by the same name. It contains exactly 1 (one) character from the source media, who they immediately change beyond recognition. It used Dick Grayson's Robin and Wally West's Kid Flash, but made Roy Harper the old jaded one. Instead of Wondergirl, they gave Martian Manhunter a niece. They invented a brand new Aqualad. A random 90's villain gets shunted into Arrowette's role, arguably gets the most compelling emotional story of the entire show, and turns out to be related to half the villains they ever meet.

They're a secret black ops team made entirely of teenagers. At one point several of them die onscreen. The martian almost murders several people. There's kind of a pseudo incest plot. There is an episode that takes place almost entirely through mandated therapy sessions.

The show does actually bring in a second character from the original Young Justice, in an episode where Artemis almost dies only to be saved by Secret, the ghost of the villain's sister (who was a member of the original comics team). In the same episode, Superboy and Miss Martian trick a classmate into thinking there's an alien invasion using a Loony Tunes character. Neither of these events are ever mentioned again.

The timeline of the show means that Dick Grayson became Nightwing at 15. They accidentally create Beast Boy because Miss Martian has been impersonating his mom. Aqualad ends up as the leader of the Justice League.

Five years go by between seasons, resulting in a completely different show. I could make the argument that Young Justice was Weisman's OC fanfiction of the comic series. Everything after season 2 is unwatchable. This is the show that got me into fandom. I adore it.

[thechekhov]

Hey Chekhov! How do you start converting an AU idea from character sheets and mini comics into a plot outline for a full, continuous comic? Especially if the series you're basing it on isn't complete?

I've been following your white diamond Steven comics for years, and frankly, I love how it builds and continues the scaffolding canon laid to be something that is thematically still the same but also very unique. And I never thought I'll ever say this, but now I'm working on a canon-divergent AU with someone that's I think aiming to do something similar(continue the themes of canon but different). So I'll just like some advice, I suppose!

You might've answered something like this before, honestly, but I tried to dig a little and couldn't really find it.

Thanks, if you do answer this! I just want take the opportunity as well to say also that your comic and blog accompanied me through parts of my late teens, and I'm very grateful for you being a stabilizing influence during that time.

Thank you! I really appreciate you saying that, and I appreciate you respecting me enough to ask for advice.

As for your question...

Well, to be frank, I don't START with character sheets and mini-comics. In fact, for WD!AU, I didn't have any character sheets until I started season 2.

Think of your story as an aquarium. Your characters are fish.

Yes, they're important, but having a whole bunch of fish without any substrate, tanks, feed and WATER..... will not really make for a memorable aquarium experience.

The reality is that all stories should start with an end.

That's my personal approach, anyway.

What I mean is - you need to know the general idea for your story before you begin to write or plan it.

Let's try this:

1.Tell me about your story in THREE sentences!

Just three. Not long ones, just regular ones.

For my AU, @ask-whitepearl-and-steven, it would be:

"A young orphan runs away from home with a mysterious lady who seems more cryptid than human. He realizes that he's not human either - he used to be the ruler of an alien planet! He and the other aliens he meets decide to (REDACTED) (REDACTED) (REDACTED) and he (REDACTED) (REDACTED) (READACTED) (READ ANDCTED) (READ AND FIND OUT)."

YOU should know how YOUR story ends too! Even vaguely.

It helps if you know at what point you plan to lay down the pencil. Because if you DO know, you are always going to know which direction to walk in, even if the end is so far away it's beyond your line of sight.

It's true that when I began WDAU, I didn't have much information about White Diamond and white Pearl, because they had literally ONLY been introduced. I had to guess a lot of the details (like WP being Pink's originally) and what White would be capable of. And thankfully, my original intent for the story's end fit pretty well with what was later revealed!

But don't forget - you could also just fuck around with stuff! It's your story, after all.

And don't forget... to also look back!

2.Tell me WHY the story is happening in the first place.

There's a reason that the beginning of your story happens when it does. If there is no reason to start somewhere, then find a different place to start.

You should be able to tell me "We're picking up the story here because something significant has happened... and that significant thing happened BECAUSE...."

That 'because' is your main background information that should be revealed slowly throughout the story. In WDAU's case, we only have a few pieces of the puzzle. We know Greg's side. He know Earl's side. But there are still little bits and pieces missing! And they're all important for finding out WHY Steven ended up an orphan and WHY he is being followed by White Pearl (Earl) at the very start of the comic!

3.Tell me what the coolest and most interesting things to happen would be....and then write them!

I think this may be something that's rarely said out loud, but I will speak on the behalf of the people...

We should write the scenes we want to read. If you don't want to read the scene you're writing, then DON'T write it!

If you feel like you "have to" do a page and a half of 'lore' because you think it's traditional to have that 'explanation' about the location of your story, or the history of the species or whatever, you're simply wrong. There are other ways to reveal information aside from just forced paragraphs upon paragraphs of information that would make an SAT Reading Section sweat.

Instead, I recommend that you find the most exciting or hilarious way for the characters to discover the most important bits of info. Find a dramatic twist. Shove it into the narrative. Then, figure out what needs to happen to get there.

Ultimately, though, remember this: When you're taking advice from me or from others, don't forget to take advice from yourself, too! It's your story, after all. You know it best, and only YOU can figure out how to get it written.

I hope that helps at least a little bit! Writing it never easy, but it should still be enjoyable!