#protective christine

[jessfandrawer]

I created a simple art prompt generator. For Raoul and Christine it gave me: Protective, Formalwear, and Sleepy.

I don't know about the colors, they were a struggle. I did the book version of Christine this time because I don't draw blonde hair very much. *shrugs*

[footnoteinhistory]

Night Court writers you will never convince me they should’ve been anything other than siblings who annoy the shit out of each other

[operas-phantom]

You guys can come “vibe” with me. Am I saying that correctly? Sometimes I’m lonely and I want to make sure the Tumblr people who were nice to me aren’t.

[kimwexlers-brownhair]

Bombshell (1933) -- Lola's beautiful rant.

I would forgive a lot in LND if Meg's breakdown went like this instead.

[quotesengage]

Sometimes, all you need to do is pull back a little to protect your heart, not turn your back entirely.

– Christine Caine

[deeneedsaname]

I want what they have. Specifically what she has. I want him I want Raoul

[hemmerourbeloved]

Pov you are a klingon warrior who hurt the head nurse of the starfleet medical base on j'gal.

You are about to die

[mikereads]

Chris Cagney aka the original gentlewoman.

[nursc]

finishing bg3 mood

[unhxngxd]

[christinered]

You put your chainmail where you need protecting...In a world of wolves..I know where I need mine.

Naughty Puppies.

~Red

This is a chainmail loincloth I made out of anodized aluminum. I don't have one for sale right now, but I am always happy to make one upon request.

[semisolidmind]

figured id post one of my projects from my online comics class

wasn’t given a particular prompt, so i just went with something i had been thinking about; mascot horror and phantom of the opera

so, phantom-coded cat mascot in a weird liminal space theater stalking the christine-coded protag, I guess? he’s not actually trying to hurt her, but it’s hard to protect someone who runs every time they see you

[khaoala]

❝You guys are so protective. Are you related? Sibling? Cousin? Sister from another mother? Daughter of a legitimate wife?❞

CHRISTINE GULASATREE as FOUR SIMESA, MAE METHAKARN as JATTAWA and HLINGHLINH MONIEJAYA as KIE episode 4 of REVERSE 4 YOU

+ Four literally 30 seconds before:

[hgracieeees]

my thoughts on the australian hadestown cast!

n.b. these are MY thoughts on how i felt and percieved the australian cast's takes on characters that i've seen many versions of. personally, i felt this show presented similtaneously very fresh and very accurate versions of these beautiful characters <3 in this post, i focused more on the differences rather than the similarities to previous performances.

noah mullins' orpheus is very awkward but in such a sweet way. he's clearly autistic-coded - he fully jumped when he turned around during 'road to hell' to 'see' the audience (+ his wave is so sweetly shy rather than over-earnest) and at one point during 'wait for me (reprise)' he started stimming out of stress & overstimulation. he has less of the socially-inept earnestness than maybe reeve carney's oprheus had (more of a socially-inept awkwardness), but it came out properly in 'come home with me' towards eurydice - it seems like he's terrified of socialising with everyone except her. noah is incredibly lanky, and so their orpheus very much has the vibe of his legs and arms being so long that he never quite learned how to use them properly, which suits his orpheus perfectly. their 'is it true' is powerful not because of an extreme emotional performance (see donal finn's) but because he seemed comfortable and in control for the first time. his neurodivergency also feels a lot more pronounced during 'doubt comes in' - the loss of confidence and increased anxiety feels very natural for his orpheus, as devestating as it is. his awkwardness being said, he is very physically comfortable with eurydice - they and abigail were so adorable during 'way down hadestown', the two of them feel like teenagers who have just gotten into their first relationship. i've heard noah talk about how much they wanted to work with abi, and i'm so glad they got that chance!

abigail adriano's eurydice is a tough little thing. abigail is quite small in stature, especially next to noah, and so she seems to be twice as thick-skinned and aggressive during the opening couple of songs to make up for it. at the beginning she is flighty and quick with the way she runs away from the fates, hades & even orpheus at the beginning of their relationship, super determined to protect herself, but she's got a real baby face which makes you just ache for her and the pain she's clearly already experienced. it also means that when eurydice gets more comfortable during the summer (during 'way down' and 'all i've ever known'), this sweetness just blooms out of her. her and noah have incredible chemistry, and she just turns into a little schoolgirl with a first crush during 'way down'. her 'wait for me (reprise)' is INCREDIBLE, such a powerful voice out of this small girl, and her 'flowers' is SO emotional. also just before the turn, she is like swinging along the set, as if she has so much trust in orpheus and is so excited to leave hadestown and spend the rest of her life with him, which just makes the turn 100x more painful.

christine anu is just the perfect choice for an australian hermes. she has a brilliant Aboriginal aunty vibe about her (we love seeing First Nations people in australian theatre!) - especially as some of the more spoken lines, she really leans into the aussie vowels (e.g. 'we're gonna sing it again' and 'don't come on too strong'). she's got an incredible voice & stage presence, and even though the way she holds herself onstage felt at times as if she perhaps has less musical theatre experience and more experience performing as a singer in her own right (i haven't looked at her resume), that seems to work pefectly for the narrator character, who straddles the fourth wall the entire show. it really has the vibe of her telling all of us a story around the campfire, and she really milked the beginning of 'road to hell (reprise)' for all it's worth. this hermes seems to LOVE telling this story, as painful it is - she's joyful & hopeful in her telling, it's much less of a tortured narrator and much more of a 'this is an important story to tell and it's a story of HOPE despite tragedy' type of vibe. her and elenoa's persephone are girl besties, and she has a real aunty type of love & care (like the aunty who you're not related to, but has always been there) for all the workers + orphy & eury (as noah & abi call them). she honestly feels like the oldest and most mature presence on the stage - older than hades & persephone (read on for my thoughts on a slightly younger-feeling seph & hades), and so able to tell this story from a more mature & knowledgeable position.

elenoa rokobaro's persephone is so much fun. she plays persephone a lot drunker (during 'our lady' and the other underworld scenes) than i'd seen before, which made her alcoholism a lot more obvious and powerful, especially the 'i've had enough' line in 'how long'. she feels a lot younger than amber gray's persephone, which i think makes her story a lot more powerful - almost like a younger sister to christine's hermes at times, and similarly, i felt more of a big sister vibe to eurydice rather than the aunty vibe which i get from amber gray's persephone. i think her overt drunkeness represents her take on the character well - she's a lot looser with her movements, less of the awkward jerkiness of amber's persephone and more of a free, all-encompassing movement (in my opinion). i loved it - her 'our lady' is so much fun, but also a lot more confronting (due to how clear her alcohol-induced numbness is covering up a pain). her and adrian seem almost playful during 'epic III - they danced', which i think contributed to the fun, younger vibe.

adrian tamburini's hades has a similarly younger vibe to him - almost sleazy but not quite (and by younger, i mean compared to patrick page, not to the rest of the characters - him and persephone are still clearly older than orpheus & eurydice). he gave real business ceo vibes at times. this hades really struck me with that insecurity leading to immaturity that every hades textually has, but the immaturity of his behaviour really comes out in adrian's choices. he seems really petty in the way he treats the workers & persephone while he's upset about her being away from him. also, his 'hey little songbird' is much more melodic than patrick page's, which is super powerful when you're used to the low growl, and is very alluring in a different way - a much more similar allure to orpheus'. his 'why we build the wall' and 'chant (reprise)' were SO powerful, though, a real power and anger present in that low voice. they were also slightly more explicit about the subtle sexual connotations of 'he closed the door behind' in 'why we build the wall' and 'the girl means nothing to me' in 'how long' which just made you the right amount of uneasy. i think overall, the younger vibe that adrian and elenoa both have leads to a real pettiness in their anger at each other and a real playfulness in their reunion (e.g. when he grows the flower in 'epic III'). they don't so much have that 'ancient' vibe that patrick & amber had, but i think it upholds the insecurity & immaturity in their actions rather than undermines it (which it absolutely could have if done wrong). i feel like instead of it saying 'here's this ancient couple who are failing at communicating and caring for each other in the way they should, an ancient couple who are still insecure and immature', they are an incredibly powerful couple who are still figuring out how to love each other, despite the length of their relationship and their ultimate power over the workers & the seasons.

conclusion: GO SEE THIS CAST. like i said at the top, these performances felt both new, as well as true to the text and to the original concepts for these characters. they didn't make a single choice that i felt undermined the characters or any other interpretation of them, and they all perfectly enhanced the themes & narrative of the story. by comparing this cast to the original broadway or to the west end casts, i feel like i just understand the chraracters and the text even more then i already did, bringing out new nuances or new ways of representing the same experiences within the same story. i'm going to see it again in april, so if i see these guys again (i would also love to see any of the swing's takes on the roles) then i might add to the post <3

professional photos of this cast: 1 | 2 b-roll: 1

[garnet-xx-rose]

Update: They had a threesome with Meg and she gave the both of them an STD…

I want everyone to know that my Erik and Christine sims were running circles around each other for weeks, each too afraid to make a move.

And then as soon as they went on a date, within 5 minutes, Christine asked to move into Erik’s penthouse, ditching Meg, and then tried to fuck him in the bathroom.

[gallavichsreddie1128]

OverProtective (Spock TOS)

Description: After Y/N hurts herself on a mission, Spock becomes overprotective

Word Count: 1,257

Request:Could you please do a Data x Reader or Spock x Reader fan ficm. Preferably where he is protective of the reader. Smut or no smut is fine just have fun with it! But if you don't want to that's totally understandable, thank you!

Y/N sat on the bed as Bones examined her broken arm. “You’re gonna need surgery.” He tells her and she sighs. Great. The mission couldn’t have gone worse…well she could be dead. Bones had given her a lot of sprays to numb the pain and she was very thankful that but if she even looks at her arm she feels the pain. Spock was through the door moments later. Y/N couldn’t even look at him as she could tell that in his own way he was glaring at her for not being more careful. “It uh it wasn’t my fault.” She told him and she knew that if he allowed himself he would have rolled his eyes. “You are going to need surgery for that.” He tells her as if Bones didn’t already. “She knows that you pointy eared hobgoblin. Now go.” He tells Spock so he can fix her arm. 

It’s been awhile since that had happened and Spock would not let her out of his sight. Even with her arm better she hasn’t been on a mission in so long and couldn’t understand why. Did the Captain think that this would happen again? Kirk actually assigned her to a few missions but Spock removed her from them and assigned someone else. Y/N had no idea about this until she went to talk to Kirk about it. “I assigned you to a few missions Y/N but Spock took you off them for your safety.” Her eyes widened and she couldn’t believe that her boyfriend would do such a thing. She was mad and the look on her face said so, so when Kirk left the room with an awkward goodbye Y/N ran to their quarters. Spock had the day off but he was gonna wish he hadn’t. “So you’re the reason why I haven’t gone on any missions?” Y/N accused him. “I reassigned you from them for your safety.” He tells her not bothered by her outbursts. “What the fuck, Spock. That is not okay. Why would you do that?” It was like she had missed the part about being concerned for her safety. “I want you to be safe and on missions you do not seem to be.” Her eyes widened. “One mission goes wrong and you do this?” “Y/N it is not my intention to make you mad at me but you must understand that your life was on the line.” “Your life is on the line all the time Spock” “Yes but I am Vulcan so it is much harder for me to be harmed.” She laughed. A sarcastic and unbelievable laugh. “So this is what this is about? You view me as a weak human and you think you are better than me.” “I did not say that.” “Spock you say it all the time to Kirk and Bones in your own twisted way!” She yelled at him. “You aren’t my mother, you don’t get to tell me what to do and take away opportunities from me!” She goes on. “I am your superior, I am above you in the line of work.” Oh wow. “Okay Spock I don’t care. You are not to reassign me from missions or else.” “If that is how you feel then maybe we should.” But before he could finish his sentence she held up a hand. “Don’t. Don’t try that on me because you think it is illogical to argue. It is illogical for you to mess with your girlfriend’s work.” 

Christine and Y/N sat in her quarters as they ate and talked about what happened. “Like he thinks that’s okay and for what? He has no right to do that and it’s like everytime we get in to an argument he tries to end the relationship.” Christine listens as Y/N rants about him. “Spock is just like that. But I do know this. He loves you very much.” Y/N rolled her eyes at that. She started to not believe that. “Think about it. He doesn’t want you getting hurt and yes he’s going about it the wrong way but still.” Y/N sighed. Christine was right Spock was being overprotective but he was going overboard with it. 

Y/N decided to spend the night in Christine’s quarters not wanting to deal with Spock. She forgot to tell him about it since she was so mad at him. In the morning, she had gotten up and Christine was already gone. So she left her quarters and returned to hers to see that Spock was also already gone. She yawned and decided to take a shower before her shift. She headed to the bridge where everyone was and Spock noticed her. She didn’t even look in his direction. Spock had no idea where she was and he couldn’t even think until he saw that she was okay. “Morning Y/N.” “Morning Kirk.” She said and got to her station that was unfortunately right by Spock’s. “You did not attend our quarters last night. I was worried.” She thought about ignoring him but he never admits his emotions. “I was sleeping at Christine’s.” She said without looking at him. “I would like to be notified when you decide you would not like to sleep in our quarters.” That just made her more angry. “And I would like a boyfriend that isn’t up my ass about everything and ruins my opportunity to go on missions.” She growled at him. “It is not my attempt to stop you from going to work but with your recent injury it is logical that you do not go on any.” “Spock my arm is healed, you can stop with that bullshit.” “It is not bullshit. It is me loving you!” The Bridge stared at the Vulcan. Y/N stared at her boyfriend in shock. He had never had an outbursts or even yelled let alone at work. Without asking Kirk if he could be excused he left. “Sure Spock you are excused.” Kirk mumbled. Y/N shook her head and got back to work. 

It never left her mind. His outburst and the fact that he admitted to loving her in public. He rarely ever said it. It never bothered her that he didn’t say it she knew that he loved her. She loved him but she was getting sick of him babying her. She sighed and opened their quarters door. “Spock are you in here?” She asked. She saw him at his desk and he looked tired. “Spock are you okay?” She asked and walked closer to him. “I do not know.” He said and truthfully that worried her. “Spock you’ve never done that before.” She said and sat next to him. “I know and that is why I had to leave my station. I think I am sick.” Y/N held back a laugh. He wasn’t sick. He just wasn’t used to having that much emotion. “Spock you’re not sick. We both are just frustrated with the situation. I love you Spock and I don’t want us leaving each other but you have to let me be me and go on missions and do my job.” She said. “I apologize for holding you back.” He said and looked at her. “You don’t hold me back Spock but this was a little annoying.” She said and he understood that this job was never promised to be easy. “Now how about you relax the rest of the night and maybe take Tomorrow off. You need rest.” She tells him. He looks at her and smirks. “Now who’s being overprotective?”