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hayatheauthor · 20 days ago
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10 Non-Lethal Injuries to Add Pain to Your Writing
New Part: 10 Lethal Injury Ideas
If you need a simple way to make your characters feel pain, here are some ideas: 
1. Sprained Ankle
A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.
2. Rib Contusion
A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.
3. Concussions
This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.
I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.
4. Fractured Finger
A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.
5. Road Rash
Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.
6. Shoulder Dislocation
This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.
7. Deep Laceration
A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.
This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.
8. Burns
Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.
If you want to explore writing burns, read here.
9. Pulled Muscle
This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.
10. Tendonitis
Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.
This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)
Looking For More Writing Tips And Tricks? 
Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!
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katarinazurar · 5 months ago
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“you’re a writer, right?”
me, staring at the one sentence i’ve managed to add in the last hour and the 12 open tabs on the specifics of shoes in 1845 Ireland: In theory.
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january-summers · 8 months ago
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"AO3 doesn't need a "dislike" button"
Um, actually, it already has one. Depending on your specs, it might look a little different but over all it looks kinda like this:
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You can find it at the corner of your screen, which corner is dependent on your layout.
Anyway, if you dislike a fic, you can hit this Dislike Button until the fic goes away. It really is pretty amazing actually.
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gigireece16 · 3 months ago
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“how do you plot / plan your book?” very bold of you to assume i do that.
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peaceishim · 6 months ago
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stealingyourbones · 3 months ago
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Danny is gravely injured by the GIW, his voice box is severely damaged.
Making use of his own voice is impossible, but through some ghostly means Danny doesn’t quite understand, he can mimic others voices he hears just fine.
It’s a ghostly ability he found out he had a few years ago, with just a sentence or two heard he can do a flawless impression of that person. Now it’s not so flawless. The mimicked voice warps and fluctuates pitch, it’s crackly and he has a hard time not switching between multiple voices with every sentence he speaks.
His voice is reduced to an uncanny frankenstined attempt at speech that activates the average persons fight or flight response.
It’s no surprise that Superman is startled when he calls out for survivors while freeing the ghostly captives and a “not a deer” version of his own voice responds back.
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writing-with-sophia · 1 year ago
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Poison list
While it's important to approach writing with creativity and imagination, it's crucial to prioritize responsible and ethical storytelling. That being said, if you're looking for information on poisons for the purpose of writing fiction, it's essential to handle the subject matter with care and accuracy. Here is a list of some common poisons that you can use in your stories:
Hemlock: Hemlock is a highly poisonous plant that has been used as a poison in various works of literature. It can cause paralysis and respiratory failure.
Arsenic: Arsenic is a toxic element that has been historically used as a poison. It can be lethal in high doses and can cause symptoms such as vomiting, abdominal pain, and organ failure.
Cyanide: Cyanide is a fast-acting poison that affects the body's ability to use oxygen. It can cause rapid loss of consciousness and cardiac arrest.
Nightshade: Nightshade plants, such as Belladonna or Deadly Nightshade, contain toxic compounds that can cause hallucinations, respiratory distress, blurred vision, dizziness, an increased heart rate, and even death when ingested.
Ricin: Ricin is a potent poison derived from the castor bean plant. It can cause organ failure and has been used as a plot device in various fictional works.
Strychnine: Strychnine is a highly toxic alkaloid that affects the nervous system, leading to muscle spasms, convulsions, and respiratory failure.
Snake Venom: Various snake venoms can be used in fiction as deadly poisons. Different snake species have different types of venom, each with its own effects on the body.
Digitalis: Digitalis, derived from the foxglove plant, contains cardiac glycosides. It has been historically used to treat heart conditions, but in high doses, it can be toxic. Overdosing on digitalis can cause irregular heart rhythms, nausea, vomiting, and visual disturbances.
Lead: Lead poisoning, often resulting from the ingestion or inhalation of lead-based substances, has been a concern throughout history. Lead is a heavy metal that can affect the nervous system, leading to symptoms such as abdominal pain, cognitive impairment, anemia, and developmental issues, particularly in children.
Mercury: Mercury is a toxic heavy metal that has been used in various forms throughout history. Ingesting or inhaling mercury vapors can lead to mercury poisoning, causing symptoms like neurological impairment, kidney damage, respiratory issues, and gastrointestinal problems.
Aconite: Also known as Wolfsbane or Monkshood, aconite is a highly toxic plant. Its roots and leaves contain aconitine alkaloids, which can affect the heart and nervous system. Ingesting aconite can lead to symptoms like numbness, tingling, paralysis, cardiac arrhythmias, and respiratory failure.
Thallium: Thallium is a toxic heavy metal that can cause severe poisoning. It has been used as a poison due to its tastelessness and ability to mimic other substances. Thallium poisoning can lead to symptoms like hair loss, neurological issues, gastrointestinal disturbances, and damage to the kidneys and liver.
When incorporating poisons into your writing, it is essential to research and accurately portray the effects and symptoms associated with them. Additionally, be mindful of the potential impact your writing may have on readers and the importance of providing appropriate context and warnings if necessary.
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hypewinter · 6 months ago
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So the Ghost Zone counts as its own domain right? Then I propose foreign exchange student Danny Fenton.
He's very quiet and very smart but more importantly, he's pretty dodgy about his country or origin. He's never given a straight answer about where he comes from. Only saying things like "oh we're big on combat sports" or "technically we're a monarchy but there hasn't been a king since the last one was locked away for being a tyrant". It's to the point where students have made a running bet to see who can figure out Danny's country of origin first. And Tim plans to win that bet.
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druid-for-hire · 11 months ago
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[images ID: three images of a comic titled "one must imagine sisyphus happy" by druid-for-hire. it is a visual narrative beginning with someone with wrist pain (depicted by bright orange nerves) working at a drafting table. the reader is shown the same wrist as the person uses it for many everyday tasks such as carrying a grocery basket, pushing elevator buttons, typing, and doing dishes, until the pain dissolves all the panels into chaos. the person then performs several physical therapy exercises until the pain subsides. they sit back down at a desk with their laptop, sigh, and begin typing. a small spark of pain reappears. end id]
a fun little piece i made during the semester and submitted into our school comic anthology! (which you can buy at the Static Fish table at MoCCAFest in NYC ;] ). it's about artists and injury
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writers-potion · 6 months ago
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Let's Talk About Pacing Our Fight Scenes.
For Fast-Paced Parts:
Short words with single syllables. Immediately > at once/ endeavour > try/ indicate > point at/ investigate > check out.
Short sentences, the shorter the better.
Partial sentences to blaze through multiple senses and actions within a few lines.
Short paragraphs
Lots of verbs.
Few adjectives and adverbs.
Cut down on -ing form of verbs, as it can make words longer
Use simple past tense
Avoid conjunctions and link words.
Avoid internal thought - your characters are irrational, ruthless and in the flow of pure action.
For Slow-Paced Parts:
Use medium/long sentences
the paragraphs are longer: three lines minimum
Include longer words with more syllables
Use adjectives and maybe a couple of adverbs.
Insert the thoughts of the PoV character.
Words for Action Scenes
act, alter, attack, avert, back, block, bang, bash, battle, beat, beg, belt, bend, best, bite, blacken, bleed, blind, blister, blow, blunt, boil, bolt, boot, bore, bow, box, brace, brag, brash, brawl, break, breathe, brush, buck, bulgde, burn, burst, cackle, call, can, carry, cart, carve, catch, check, chop, chuck, clack, clank, clap, clash, claw, clear, cleave, click, cliff, cling, clip, close, club, cock, coil, cold, collar, come, con, connect, corner, cost, count, counter, cover, cower, crack, crackle, cram, crash, crawl, creep, crinkle, cross, crouch, rush, cry, cuff, cull, cup, curl, curse, curve, cusp, cut, dart, dash, deepen, dig, deep, dip, ditch, drive, drop, duck, dump, ede, effect, erect, escape, exert, expect, feint, fight, fire fist, fit, flag, flare, flash, flick, fling, flip, flock, force, gash, gasp, get, gore, grab, grasp, grip, grope, group, hack, harden, heat, help, hit, hop, hurl, hurry, impale, jab, jar, jerk, join, jolt, jump, keep, kick, kill, knee, knock, knot, knuckle, leak, leap, let, lever, lick, lift, lock, loop, lop, plunge, mask, nick, nip, open, oppose, pace, pack, pain, pair, pale, palm, pan, pant, parry, part, pass, paste, pat, peak, peck, pelt, pick, pierce, pile, ping, piss, pit, pivot, plot, pluck, plug, plunge, ply, point, pool, pop, pose, pot, pound, pour, powder, pray, preen, prepare, prey, prick, prickle, print, probe, pry, pull, pulp, pulse, pump, punch, pursue, push, quarry, quarter, quest, race, raise, rake, ram, rap, rasp, rear, retreat, rip, riposte, rivert, roar, rock, roll, rope, round, rouse, run, rush, sap, scale, scalp, scan, score,scream, seek, seep, shake, shape, sharpen, shock, shoot, shop, slap, slap, slash, slice, slick, slip, slit, smash, snap, snare, snatch, snipe, sock, space, spar, spark, speed, spike, spill, spin, spit, splash, spoil, spring, spur, spurt, spy, squirm, stand, steert, step, stick, strap, strike, stuff, suck, support, swat, sweat, sweep, swingm tack, tag, take, target, taste, team, tear, tent, test, thrash, throw, thrust, thud, tick, tide, tilt, time, tire, top, toss, tower, toy, trap, trick, trigger, trip, triumph, trouble, trump, try, tuck, tug, twril, twitch, weaken, wet, whip, whirl, whirr, whoop, whoosh, whop, work, zap, zip.
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hayatheauthor · 1 month ago
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10 Flaws to Give Your Perfect Characters to Make Them Human
If you're tired of the usual vices like arrogance or impatience, here are some unique (or at least less basic) character flaws to give your perfect characters: 
Pathological Altruism
A character so obsessed with helping others that they end up doing more harm than good. Their inability to let others grow or face consequences creates tension.
2. Moral Narcissism
A character who sees themselves as morally superior to others, constantly justifying selfish or harmful actions because they believe they have the moral high ground.
3. Chronic Self-Sabotage
A character who intentionally undermines their own success, perhaps due to deep-seated feelings of unworthiness, pushing them into frustrating, cyclical failures.
4. Emotional Numbness
Rather than feeling too much, this character feels too little. Their lack of emotional response to critical moments creates isolation and makes it difficult for them to connect with others.
5. Fixation on Legacy
This character is obsessed with how they’ll be remembered after death, often sacrificing present relationships and happiness for a future that’s uncertain.
6. Fear of Irrelevance
A character-driven by the fear that they no longer matter, constantly seeking validation or pursuing extreme measures to stay important in their social or professional circles.
7. Addiction to Novelty
Someone who needs constant newness in their life, whether it’s experiences, relationships, or goals. They may abandon projects, people, or causes once the excitement fades, leaving destruction in their wake.
8. Compulsive Truth-Telling
A character who refuses to lie, even in situations where a lie or omission would be the kinder or more pragmatic choice. This flaw causes unnecessary conflict and social alienation.
9. Over-Identification with Others' Pain
Instead of empathy, this character feels others' pain too intensely, to the point that they can’t function properly in their own life. They’re paralyzed by the suffering of others and fail to act effectively.
10. Reluctant Power
A character who fears their own strength, talent, or influence and is constantly trying to shrink themselves to avoid the responsibility or consequences of wielding it.
Looking For More Writing Tips And Tricks? 
Looking for writing tips and tricks to better your manuscript? Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors! Instagram Tiktok
PS: This is my first short-form blog post! Lmk if you liked it and want to see more (I already have them scheduled you don't have a choice)
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katarinazurar · 5 months ago
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me while writing: ah yes, this character should do this, it feels so natural with what they're saying
me while editing: why the FUCK does he lean on the doorway SEVENTEEN TIMES IN THIS CHAPTER
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pedrasacorn · 5 months ago
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Imagine hanging out with Jason (as friends) and he lets you rummage through the pockets of the leather jacket he’s wearing
He watches you with a soft gaze. You reaching into his pockets, is the closest he’s had to nonviolent physical touch in so long.
You pull out a pocket knife, he’s already confiscating it
Some random bullets, a scrap of a shopping list, a receipt, cherry chapstick, and one of your hair ties (the one he’s not wearing on his wrist)
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whump-or-whatever · 7 months ago
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I absolutely love when a character is trying to hide injuries or just how sore they are by moving around like normal. They’ve perfected walking without wincing, ignoring the pain as they sit down or stand up, maybe even running.
But then as soon as they’re out of sight, the second they make it home and the door closes behind them, they just collapse to the floor in tears.
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greenglowinspooks · 1 year ago
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To be honest. DCxDP where the reason Danny meets the bats is Ace the Bat-hound
Like, just think about it for a second. Danny is in Gotham for college, or maybe he just moved out to find a city where having mad scientist parents isn’t actually that unusual.
He can see ghosts.
The ghosts know this.
Now he’s getting harassed left and right by spirits trying to get closure. Fine, whatever, most of them are a one-and-done type deal, and the amount of ghosts trying to get his help steadily decreases.
Except for this one very stubborn dog.
It just keeps showing up and leading him to crime scenes! He doesn’t know how many “anonymous tips” he can call in to the cops before they trace his phone! And this dog, this incredibly good boy, will not stop trying to help the city. He’s never met anyone with such a strong sense of justice, let alone a dog. Can dogs even have a moral compass?
And so Danny just accepts the fact that Ace isn’t going anywhere and becomes his reluctant sidekick/dedicated medium. He leans into the whole thing, dressing up in a mix of traditional magic-user attire and accessories that pay homage to the ghost dog.
He becomes somewhat well known. The psychopomp detective following around the shadowy figure of a German Shepard? That’s unusual! That’s weird! I mean, it’s not the weirdest thing in Gotham, sure, but he’s a new vigilante and he’s got a ghost dog that people can only see when it’s around him. Someone’s gonna notice.
Damian, as Robin, is the first to reach out to him.
Ace doesn’t know Damian but he does know a Robin, and while this isn’t his Robin, he’s still friendlier than usual. Danny’s panicking because oh god the bats are here and also is this kid gonna steal my ghost dog, Damian is absolutely delighted by Ace, and Ace is just happy to see a Robin again.
Damian decides that the psychopomp isn’t a danger to anyone, and there’s no reason to put this encounter into his reports, really, and perhaps Danny can help with some of his cases in the future.
Danny is sweating bullets because Damian basically tells him that he’ll keep him secret as long as he gets to play with Ace. Ace is happy that he’s finally getting some bat affiliated crime-fighting assistance.
And so, Danny is now both Ace AND Damian’s reluctant assistant. At least whenever he’s in trouble, he can always call a middle schooler to help him.
(Is Robin even in school? He’s out patrolling damn near every night, and he stays out late as hell. Does he have a bedtime? He should.)
Eventually it gets to the point where Damian is going over to Danny’s house. When he first sees it, he has a damn bitch you live like this moment, to which Danny responds that not everyone has the money to afford a nice place. Damian counters that he could at least take the time to clean up, and Danny replies that he’s working, going to school, and being a vigilante assistant to a ghost dog, something’s got to give.
Danny nearly has a heart attack when he checks his bank account the next day and sees that someone transferred him 10,000 dollars.
And so they get into a routine. Danny and Damian fight crime with Ace at night, and occasionally Damian stops by during the day to play with Ace and have Danny help with his homework.
(Damian is smart enough to do it on his own, but some of the instructions are written incredibly confusingly, and he would never admit to needing help to his family. Danny is just glad that the kid is in school and cares about his education, blissfully unaware that he’s basically emotionally adopted him.)
Damian is used to being in Danny’s company.
Eventually, when going over a case with the family, Damian absentmindedly remarks that he’ll have to ask Danny about some of the clues that they might be missing. Nightwing asks who he means and Damian makes a face like he just swallowed a lemon.
Cue shitstorm.
Who is “Danny?” Why is Damian willing to ask for help from anyone, much less someone outside of the family? Does he know who Damian is? Has Damian been compromised? What the hell is going on?
Damian now has to explain that Danny is the psychopomp with the ghost dog who he might have met hunted down while on patrol and conveniently not mentioned, but he’s not a bad person, really, and he lets him play with Ace, and he’s been quite helpful on certain cases due to his ability to talk to ghosts.
Bruce insists that the family meet Danny. Damian, hoping that he won’t just skip town the second he hears the news, relents.
Danny is surprisingly eager to meet the bats, considering his earlier fears.
Damian, blissfully unaware of what’s coming, sets a time and place to meet.
Once everyone is there, he gives Bruce the earful of a lifetime.
Robin is in middle school! Danny knows that there’s no way to stop the boy from going on patrol, but you could at least shift his schedule so he gets enough sleep on school nights! Does the Bat even know where he is half the time?! (No) And why isn’t he comfortable asking his family for help with both cases and homework? Did they ever even notice how much time he was spending at Danny’s house? If Danny was a bad person, he could have seriously hurt the poor boy! Shame on you!
Nightwing is mortified that Damian didn’t trust him enough to tell him about any of this. Red Hood is laughing his ass off, because yeah Danny is making good points but he’s also chewing out the literal Batman. Tim is recording the whole thing. Steph is delighted by the absolute gall of this Danger Twink™️, and already planning to add him to several groupchats. Damian is more embarrassed than he’s ever been in his entire life.
You, he points to Nightwing, did your academic life feel supported when you were a Robin? Nightwing is too stunned to speak. Red Hood, eternal shit-stirrer, says that oh, we all prioritized patrol over our education, that’s just how it is. Red Robin actually dropped out of high school to avoid distractions, did you know that?
Danny honest-to-god shrieks at this.
He finishes his angry rant and leaves, everyone too stunned to stop him.
And as it turns out, Tim wasn’t the only person recording the whole thing.
The entire internet is blowing up with Psychopomp The Danger Twink™️’s rant. People are taking sides. Things are getting messy. Red Hood literally admitting on-camera to previously being a Robin is somehow not the main focus here.
Eventually someone connects some dots from the video, as well as stories circling the internet about the psychopomp. A ghost dog named Ace, who is the literal only reason that the psychopomp is fighting crime at all, which seems incredibly fond of Nightwing and Robin.
A crime-fighting dog who wants constant attention from both the current and original Robin.
Oh my god, Ace the Bat-hound died and became a crime-fighting ghost.
And, somehow, that’s still not the strangest thing going on in Gotham.
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puppetmaster13u · 15 days ago
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Prompt 352
“Mother, I crave violence,” a small child interrupts the video call, practically clambering up into Nightingale’s chair. They look around five or so, with white hair and red eyes. Albino perhaps? 
“Ah, apologies, let me take care of this real quick,” Nightingale turns the microphone off when he gets a few acknowledging noises, picking the small child up and moving them from the room. 
“Cute kid,” Barry acknowledged from behind his coworker’s head, having been helping move things. Actually, the kid looked kind of familiar, though from where, who knew. Hard to remember everything with how fast his thoughts usually went. “I didn’t know Nightingale was a father…” 
Then again the specialist was notoriously private, and set most meetings online thanks to some sort of medical conditions. So he supposed it would make it easier to be a stay at home dad if he was there already…
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