#proclaimable

[lonepower]

yes i Am paying real money to make you all look at our new dog. we've had her for 3 hours and if anything happened to her I'd kill everyone in this room and then myself. her name is Tater Tot

[jesusdeadbeatdaughter]

In what world is taylor swift considered a tortured poet? Tortured is burroughs on heroin, is sylvia's head in the oven, is hunter s thompsons sheer lunacy, is lynch saying he'll shoot himself if he forgets a good idea, is bukowski being a deadbeat misogynist fuck up, is a beat poet in psychosis, is 27 club, is junkie scholar, is manic depressive diagnoses, is active drug dependency, is suicidal ideations. For a beloved world famous white girl popstar to take on the title of the tortured poet is the ultimate bastardization of the tortured poet...

[chemicalarospec]

I love how Phil is the passenger princess in everything in their relationship, except dnp's finances, which he completely controls. Capital £ester knows one thing and one thing only: the bank.

[ditzybat]

Everything is the same AU except - Tim is a ‘psychic’, but in actuality he’s just been amazing at picking up patterns from a young age, it was a useful tool for the few times his parents brought him to their archeology digs and one of the few things Jack and Janet acknowledged and praised him for. Imagine Tim realizing that Jason isn’t actually dead - how you may ask? He visits his grave just to talk sometimes and notices disturbances in the soil and takes initiative to dig up Jason’s grave - he runs to Bruce who thinks Tim is a little unnerved stalker freak for digging up his sons grave… but, Tim claims to be psychic to get out of seeming like a creep desecrating a dead child’s grave for no reason. And in the midst of Bruce’s grief the man never fact checks Tim on this lie, so everything happens the same as in canon except Tim has to bullshit his way through investigations and major life events.

[l0verseyes]

YOUR MATH IS NO MATCH FOR MY GUN, YOU IDIOT!

[itstimetodrew]

I love seeing characters make the wrong choice. Like logically, morally, whatever. It should be so easy, so obvious, to do something right for once! But they don’t see it or they don’t care. Their instincts always lead them to choose poorly. Bad for them but great for me because it’s so interesting and I like to watch the suffering. ^_^

[amiinkles]

Touch of God('s will)

Idk if this is OOC but i think Gabriel is at least a bit kind with the virtues, maybe treat them as his fans maybe

At the very least praise them whenever they do their jobs... just anything kinder than the council would be considering Gabriel's popularity

[fluffyblue-multifandommess]

"Yagami Light as a youtuber would probably plagiarise" WRONG Yagami Light is insanely intelligent and looks down on literally every single other human person, he would rather stab himself in the eye than using the works of someone else - someone who can't be anything but beneath him. Pre-Death Note youtuber!Light would make long-ass videos about Everything Wrong With Society with completely unhinged takes about how xyz small innocuous thing is responsible for gang violence with numbers* to back it up.

"Light would plagiarise" get the fuck out of here.

*numbers which he completely twists to his own bias - without even knowing it because he thinks way too highly of himself

[call-me-strega]

Dc x Dp prompt #13: Hell to Pay

They say there are only two things certain in life: death and taxes. That’s why even the Joker doesn’t fuck with the IRS.

However, unfortunately for the Joker the other certainty is death and he has yet to pay his dues. Just like how he could only get away with tax evasion for so long, there are only so many times the Joker can dodge death.

Death is coming to collect, with interest.

And the Joker will have hell to pay.

~ A dark green cloud swirls over the city. From it, emerge three oppressive figures:

The one on the far left with flowing hair like white-hot fire. His vambraces made of (what appeared to be) molten glass stopped under his fingers, which then extend into into claws that seemed to drip lava. He had spiked obsidian pauldrons on his shoulders, fastening a luminous, stark-white cape to his shoulders. He wore a coronet of lightning and wielded a flail that appeared to be made of coal chains and a shrunken Red Giant star.

The second on the far right had a helm of dark iron wreathed in a plume of purple flame. His gauntlets and sword flamed with green hellfire. A pure black sheath seemingly made of void and a silver hunting horn were tied to his waist. He wore an armor forged of shadows and proofed with fear. He rode atop a mighty stead. An inky dark stallion with a curved horn and bat-like wings. His form was constantly slightly shifting depending on the angle which you viewed him making him appear larger and more slippery than he was, enhancing his disquieting nature.

The third stood in the middle, smaller but no less terrifying than her companions. Her hair was wild with movement, only just visible because it appeared as if someone had bound the winds to her head. She wore a tiara made of storm clouds and pearls. She carried with her a spear, the shaft crafted of amazonite and the tip of a clear quartz, almost reminiscent of sea salt. At her hip lay a whip made of a restrained gale and a sea glass knife. She wore armor that appeared to be Greco-Roman in origin: a chest plate made of some sort of coral-like material and a battle skirt decorated with metallic bronze feathers.

They slowly descent on the city, bringing down a sense of power and dread. They paused at the top of Wayne Tower, where the city's vigilantes had all gathered in an attempt to create and feasible plan of action to discern what these beings want. The young woman in the middle speaks and the wind carries her voice. She is not loud but it the whole of Gotham hears her words.

"Greetings, Heroes of Gotham. It is a pleasure to meet you. I am Spirit, Princess and Head Diplomat of the Infinite Realms. This is Samhain, the Fright Knight, loyal knight to the king,” she gestured to her right before switching to her left “and this is Prince Wraith, current General in Chief of the Realms. We come to you as the King’s Guard and entourage. We have official business in your city and wish to civilly notify you of our presence. The King will be arriving shortly and your cooperation would be great fully received.”

Batman moved forward to shake her hand and address the situation.

“I’m afraid that we prefer not to have unknowns operating within the city. Would you be able to tell us what business you have here? Perhaps we could reach an agreement?” Batman tried to negotiate as politely as he could. He did not want to risk offending the evidently powerful beings.

Princess Spirit’s smile sharpened as she thrummed her finger against her knife. She spoke again with an unnervingly pleasant tone.

“It appears you do not understand. We are not asking for your permission.” Her grip around his hand tightened. “ We are informing you.” She finished releasing his hand.

Batman withdrew his aching hand and regarded her with the beginnings of a protest on his lips. She didn’t allow him to speak.

“ This is out of your jurisdiction Batman. This is a matter of the Realms and the Afterlife. Whatever worldly rules or morals you wish to impose on those who enter this city do not apply to us. We will do our best to work within them, so as to appease you and to attempt to maintain a friendly relationship but in the macrocosm of the multiverse and afterlives you have no official power over us. Additionally, we have direct permission to operate here however we see fit from the City Spirit herself, Lady Gotham.”

Batman’s shadow seemed to fluctuated. His and his team's shadows moved from beneath them, closer to the Princess. Lady Gotham, though not manifesting, was making her presence and approval known. Batman could not deny what he was seeing. His team shifted uncomfortably behind him. He appealed to her once more.

“ I see that we can’t stop you. We don’t want to get in your way either. Could you at least tell us why you are here?”

She smiled as if telling a joke, “All will be revealed in time”

Suddenly, there was a loud noise that sounded like tearing fabric. The green clouds mixed with purples and blues and began to churn faster. The cyclone emitted a flashes of bright light. In unison all three of the King’s Guard lifted up from the roof and took place underneath the eye of the wind storm.

Spirit holds her spear aloft. With one swift, commanding move she slams the butt of her spear down, creating a platform out of solidified air.

Wraith bellows out smoke and ash onto the platform to discolor it. With ferocious and precise movements his claws to carve in a sigil, leaving a soft orange glow against the black and gray.

Samhain sheathes his sword and pulls his horn from his waist. He wills his dark stead to rear up as he blows the horn, letting out one loud prolonged cry.

The three warriors stand at attention and Princess Spirit calls the winds to project her voice once more.

“ Now introducing the Ruler of the Infinite Realms, High King of the In-Between, The Great One, The Benevolent King, The Peace Maker, The Guardian of Souls, The One with the Cloak of Stars and the Crown of Frozen Light, The Perfect Balance, Ancient of Space and Reality, The Infinite King: Phantom!”

With a flash of white light a figure appear in the center of the platform. Simultaneously, the three knights bow in reverence.

The King has arrived.

As the Heroes of Gotham regain clear vision they are met with a striking figure.

There stood a toned young man appearing both boyishly young, yet wisened and weathered. He had side swept hair the creeped to the bottom of his neck. His skin was pale with an icy blue tint. He opened his eyes to reveal they shone an electric green. Upon his head rest a crown made of a crystalline material, reminiscent of an aurora. He wore a navy blue cloak that had a rich purple hood lined with stark white fur. The underside displayed a shifting galaxy pattern. His under suit was the same midnight black as Samhain’s. He donned golden arm bands and a gold chest plate in style quite similar to Spirit’s. His hand were covered in snow white gauntlets that matched Wraith’s vambraces.

They all stood in awe, beholden to the almost divine figure.

The king sent them a gentle smile. It was warm and comforting yet sent a chill down their shoulders.

King Phantom began to fly down toward the center of the city, his entourage fell into step behind him. He hovered several hundred feet over Wayne tower and looked down at the city. He then spoke in a booming voice, his tone kind but commanding.

“ I humbly greet the Lady Gotham, her champions, and her citizens,” the shadows curled toward him appreciatively. “ I am grateful for your cooperation in our effort to rectify a great injustice. As High King of the Infinite Realms it is one of my duties to preside over the afterlife. To bring guidance, peace, and justice to the souls under my jurisdiction. Recently, it has been brought to my attention that there is a soul among you who has not only dodged death, but caused great strife to a vast number of souls who call for justice.”

On the roof of Wayne Enterprises Jason and Damian both stiffen, but remain firm in their gaze toward the king. The king looks out at the city and sparing them the quickest of glances. He continues onward.

“ The man formerly know as Jack Napier, now called The Joker. He has avoided death on many an occasion but his life should have ended moment he fell into a vat of chemicals. Since then he has sent hundreds more to the afterlife. He has long yet to pay his dues. That is why on the behalf of justice, restoring balance, and of my subjects I officially condemn Jack Napier.”

“Jack Napier, you have been allowed 24 hours turn yourself into our custody in order to be put on trial for your crimes in the Infinite Realms. Should you fail to turn youself in, we shall take that as an admission of guilt and acceptance to be punished for your actions. After the 24 hours are up, Samhain shall use his horn to summon The Hunt and we shall track you down.”

His gaze passed specifically over Red Hood, one of the Oracle’s drones, Nightwing, Signal, Red Robin, and Batman before he spoke his next words.

“All those souls who have been wronged by the Joker, both living and deceased, who wish to have a hand in their justice have been invited to join The Hunt if they so choose.”

The king lifted his hand, calling the swirling green clouds to his gather in his palm. The clouds swiftly rearranged themselves into a smokey timer hanging in the sky.

An impish smirk graced King Phantom’s face as he let out a malicious laugh and gave his final decree.

“ Your time begins now!”

[bluerosefox]

Saying Sorry Will Never Be Enough

Feeling a bit angsty so I had this idea.

Danny is dating one of the Bats/Birds, and everything is going great, amazing even! They know each other secrets (from powers to everything etc), they have a wonderful place to live (even if its in Gotham), Danny is in college on the way to becoming a space engineer (and he does side jobs for unrestful ghosts), he's actually getting sleep again since leaving Amity Park, gets along with their friends and family (those who Danny or his partner still talk to, up to the writer), there is even talk about marriage and perhaps adoption/kids in the future between Danny and the Bat/Bird he's dating!

Everything is setting up for a good life in his future, something Danny didn't think could have after his accident. He was happy finally, and currently packing up his old apartment because he's moving in with his partner in a few days.

So he felt like his core was being pulled out of him when he opens his apartment door one day receiving a knock to find his parents, who had hadn't seen since they kicked him out of the house after coming clean about being Phantom (their words of anger and denial that their son was 'dead' and now a monster, still hurt)

Sure they didn't attack him or proclaim he's dead but still their last words and anger HURT.

Danny didn't give them a chance to open their mouths, both looking nervous and guilty, before he slams the door close and turns invisible, grabs his phone, and fly's out of his apartment to his partner's place in a panic attack.

His partner, isn't happy.

[idolomantises]

Chappell Roan has done nothing wrong and its really funny how mad she makes people

[fure-dcmk]

a story where kid and heiji gets along (and conan gets jealous)

[trailerheaven]

strawberry switchblade filet crochet banner (118cm by 12,5cm / 46 inches by 5 inches) mine, do not repost

[11vein]

commissioned art for 1 mil view celebration of self-proclaimed angel by kat :J

[yesokayiknow]

okay but how long does it take before someone sees a northern blonde step out of the tardis and is like !!!! it's the doctor!!! she's come back after all these years!!! while ruby's standing there like wait what

[ecoterrorist-katara]

The tragedy of Katara’s parentification

Sokka and Katara were both parentified, and it’s a profoundly life-changing thing for both of them. One of the saddest things in ATLA, though, is how Sokka sort of got to outgrow parentification, but Katara never did.

Sokka’s told to be the man. The provider, the protector. He’s not so good at the former (his hunting failures are a consistent source of comic relief), and he takes failures of the latter very, very hard. He doesn’t manage to save Yue, and that wrecks him. After Yue, he becomes extremely protective of Suki in a way that’s borderline offensive to her. He’s willing to do anything to protect his friends and his family, including something as irresponsible as breaking into the Boiling Rock. I don’t think it’s a coincidence that Sokka is the only one of the Gaang who unambiguously kills. The rest of them may technically have clean hands because of cartoon logic, but Combustion Man is very dead, and Sokka is the one who killed him. We don’t know how he feels about it, because the show never goes there, but I have a pet theory that Sokka is so uncharacteristically (remember he was team “leave Zuko to freeze to death”) against Katara confronting Yon Rha in The Southern Raiders because he’s the only who knows what killing feels like and wants to protect Katara from it.

But by the end of the show, Sokka’s in a place where he can start to let go of his need to protect. Objectively, all his friends are unbelievably powerful and can take care of themselves, including his sister and his girlfriend. Suki is the one who saves him in the final battle, representing not only a reversal of his initial cartoonish misogyny, but also demonstrating that he is worthy of protection. And of course, he and his friends saved the world, so there isn’t really an enemy that he has to protect them from anymore. Sokka’s loved ones create the conditions under which his parentified behaviour is no longer necessary. Sokka would still have to take the first step to stop seeing himself as the one who has to lay his life on the line, but at least it’s possible for him.

But not Katara.

Katara had to take on the mom role after their mother was murdered, which meant she was responsible for domestic labour and emotional support. Sokka says in The Runaway that her role was to keep the family together. Unlike protection, that’s always a full time job regardless of the war. We see Katara spending more screen time than anybody cooking, getting food, mending, and generally doing women’s work. We see Katara giving everyone emotional support, including strangers and her enemy. We see Katara putting aside her own discomfort and her own hurt in The Desert because if she falls apart, they all die. Nobody ever showed her that she doesn’t need to be the only one who cooks, or that somebody else can be responsible for the emotional wellbeing of her friends, or that — god forbid — someone else can actually be responsible for her emotional wellbeing.

That’s why I never cared for the Ka/taang argument of “he teaches her to be a kid again!” Putting aside the fact that Katara ends up taking care of Aang a lot more as the series goes on, the whole tragedy of parentification is that you can never again be a child. That part of your childhood, your god-given right, is robbed from you. It is extremely precious and important to still be able to be a kid, but breaking free of parentification is not about seeing yourself as a kid. It’s about breaking free of being responsible for everyone’s feelings and behaviours.

For Katara, that responsibility is not problem of perception, but of reality. Unlike Sokka, who was told and shown that his loved ones are capable of protecting themselves, Katara has zero reason to believe that her loved ones are able to feed and clothe themselves and not fall apart emotionally. Between Toph and Sokka who emphatically don’t want to do this work, it all falls on Katara. Telling a parentified child that they just need to loosen up is akin to telling an overworked mother that she needs to just relax (“happy Mother’s Day! You get a break from chores, which you will catch up on tomorrow because nobody else is doing them”). It doesn’t accomplish anything if nobody creates the circumstances under which it’s possible to let go of responsibilities. A lot of Zutara fans, spanning all the way back to the early days of the fandom, like the “Momtara and Dadko” trope where Zuko also does chores. Why? Because even without the concept and language of parentification, many fans recognized that Katara’s performance of domestic and emotional labour is inequitable and probably very taxing.

Growing out of parentification is about more than just letting go of old expectations: it’s also about finding a new way to value yourself beyond the role you grew up with. I’ve said this before, but it’s very important to acknowledge that just because a kid is parentified doesn’t mean they’re actually good at being a parent. In fact, it’s probably a given that they’re not, because they’re kids performing roles that are developmentally inappropriate! Sokka remains a shit hunter; he becomes a decent fighter but he’s still miles behind his friends. A big part of healing from his parentification is finding another area — strategy, engineering, project management (what else do you call that schedule) — where he actually excels, to which he can dedicate his time and from which he can derive satisfaction and a sense of identity. For Katara, fighting for the oppressed and combat waterbending give her that. Crucially, however, Katara does not stop being a girl when she becomes a warrior. She’s still responsible for domestic and emotional labour. Unlike Sokka, whose protector duties were more or less relieved as the series went on and he found new ways to contribute to the group, Katara continued to perform her old role in addition to her new one (which is depressingly realistic btw, look up feminist theory around the concept of the second shift). Still, it’s important that she found these new ways to value herself and her contributions…

…which disappear in her adult life. Where’s adult Katara fighting for the oppressed? Where’s adult Katara enjoying her status as a master waterbender? Where’s Mighty Katara? Where’s the Painted Lady? Where’s the person who vanquished a whole Fire Lord?

What do we know about adult Katara? She’s no longer a rabblerouser or an ecoterrorist. She did not translate her desire to help the downtrodden into a political role, like being Chief or on the United Republic Council. She’s not known as the best waterbender in the world, only the best healer, even though her combat abilities are what she took the most pride in. Even as a healer, she established no hospitals, trained no widespread acolytes (except Korra, I guess?), and made no known contributions to the field.

What Katara is known for…is being a wife and a mother. The same role she was forced to take on at age 8. One which she performed for the next 80+ years.