#posting in the morning again?

[jazzzzzzhands]

im learning how to sketch digitally! also um animation practice!! i dont know what im doing, but im doing!!

[xxplastic-cubexx]

[right to left]

STILL thinking about drunk chess actually

stupid as hell bonus:

[mischieviem]

More ouaw stuff because I am 50 episodes in and losing sleep

[l3viat8an]

Mammon waking you up by going down on you (with prev consent ofc) or you waking Mammon up with a BJ >_<

Nsfw!

Honestly thought this posted already- cuz it was supposed to be in queue for Mams birthday jsksjsk

I feel like that would happen all the time after you start dating Mammon! I mean he just can’t get enough of you and it is a rather nice way to wake up~

And really some mornings he gets so needy and you look so sweet laying there next to him that he just can’t keep his hands or lips off of you.

At first Mammon was just planning to kiss you, a few kisses down your neck and chest wouldn’t hurt right?- then he starts going lower, moving your clothes out of the way so he can keep kissing your skin, down across your chest and tummy and somehow he ends up between your legs… oops~

You wake up slowly, your mind groggy with sleep and pleasure as your eyes open and all you can see of your boyfriend is a lump under the covers. But as soon as you wake up and start grinding your hips to meet his face a little harder Mammon grabs your hips to pin you back down. At the same time he lifts his head to look up at you, which makes the covers fall back a bit so you can see his face, (his hair is an absolute mess too but that’s not super important :D) a crooked little smirk on Mammon’s face as he sits up enough to press a few more soft and wet kiss across your tummy. Mumbling out “Mornin’ darlin’.” against your skin before he goes right back to what he was doing- making you cum on his face-

He thinks its cute how you try to prop yourself up a bit on your elbows to look down at him and enjoy the show, chuckling to himself as he sucks on your clit just right, that it has your head rolling back and you have to plop right back down onto the pillows because it felt that good.  After all he knows all your sweet spots.

Neither of you talk much but Mammon would praise you for being so good and cummin’ for him, ya should let him take care of ya more often~

Sooo of course it’s only right that you ‘repay him’ wake him up head the next morning.  

Again not hard Mammon almost always has ‘morning wood’ when you sleep in the same bed.

While you’re under the covers tease his tip a bit -trust me- before taking his cock all the way into your mouth.

As soon as you start Mammon’s awake and you can hear all his breathlessly, little moans of “Yea~” and “Oh fuck, yes darlin’, just like that” I’m telling you he can’t keep his mouth shut- “S-shit- Don’t stop fuck.” and even more, “Please- Yea, like that, faster.”

There is a special something -not quite tenderness but that’s the closest word you can think of- to Mammon in these moments. Even as you have his cock in your mouth, even as he groans under his breath and his legs tense. Even as he grabs a handful of your hair and gently pushes you down a little bit to see if you can take him even further down your throat, he’s not trying to be mean but he loves it when you gag on him. Making him moan even louder “Shit- So fuckin’ g-good treasure.” as he cums down your throat.

Maybe it’s the way he smooths over your hair as you swallow his cum. Or maybe it’s the way he starts to pull you up to lay your head on his chest and wraps his arms around you as tightly as he can immediately after. It’s all done with care, as if you’re the most precious thing in his room. And of course to him you are.

(Although if you wanna tease Mammon a little more instead- sit up before he can pull you up and let the covers pool around you as you make a show of licking the last few drops of his cum off your lips ;))

[valictini]

Loop experiences Insomnia

Yeah, Loop’s first night doesn’t go as planned. They lose consciousness for like, max 30 minutes overall. So they’re not doing great in the morning! And whoops, their filter is slipping a bit!

This very tired Loop is NOT CONVINCED that it’s just insomnia and panic attacks and is scared it might actually stick at some point! (It IS just insomnia and panic attacks)

Nille sees that and uses her tried and true strategy with the erratic stranger: treat that fella like a sad toddler! Reassure them! Give them a simple and repetitive task to complete when they insist on helping you that day! Get them to pass out in minutes!

Also you might wonder why Nille even bothers with Loop. Like. Why would she even get them in her house during these first days? She doesn’t know them, and people in the village might be better suited for the job!

Well you see, Nille is in dire need of a distraction! If she’s left alone with her thoughts, she starts thinking about Bonnie and how she doesn’t know where they are and how her best bet is to stay there in hopes they come back. And if she has to think about that for more than three seconds, she immediately combusts! So all in all, a high maintenance washed up stranger that panics at everything is the perfect excuse for her to Not Think About It.

[hallowshumour]

You could hate my guts with the bass turned up. 🔥🎤⚡️‼️

[cali]

thank you tipsilon you will keep us warm

[istillbleed]

have a good day 💋

[ottermatopoeia]

Body by pasta

[sunderberry]

and angel was so proud of himself for being able to carry mr-hollow-bones husk over here

based on the hc where husk died from falling, and that's why his demon form is an ironic mix between two animals that should not be taking fall damage

so yeah he's afraid of heights and that's why he doesn't fly

aftermath:

they'll be okay

[itty-bitty-sunshine]

Felt lil silly n couldn't decide which one i should draw so i went with both

These go with this one other wip

Yeah i kinda posted this one already. But shhh

[cametotheshowinsd]

The autumn chill that wakes me up, you loved the amber skies so much;

🍁TAYLOR SWIFT × FALL🍁

[crunchchute]

silly thing that i was too lazy to add a proper bg to. not a fan of some details so i might revisit the idea later

[911bts]

Sneak Peek | The 118 diffuse an explosive situation

[isjasz]

Babe wake up new omori game just dropped All art refs and music from this omori boss fight!!

Without overlays and other versions HAHJASHAK

[crabsnpersimmons]

This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

We'll be back to our regularly scheduled fun and games shortly!