#poseidons biggest fan

[turbobyakuren]

OOMFIETOBER DAY 11

HESIONE

[gabichanwrites]

Just realized that if only Poseidon went straight to Ithaca and asked for Odysseus, Penelope could do the biggest gamble of them all and get one of the suitors in SUCH DEEP SHIT.

Poseidon: "Odysseus of Ithaca! Tell me this instant where is this mortal who dared to hurt my son and try to lie about his name!

Penelope: ...

Suitors: ....

Penelope: *stops weaving*

Penelope: *pointing right at Antonius* There he is! This one is Odysseus, my husband and king of Ithaca! Please don't sink us, almighty god of the sea!

Antonius: What? I'm not Odysseus, I--

Penelope: Of course he would say that! He's a liar!

Poseidon: *has no reason to not believe her, wipes him out effortlessly*

Then Odysseus comes back like "It's me, Penelope! Your husband!"

Penelope: "No, you're not. From now on your name is Agamemnon the Greater and the new lover I marry to make king."

Odysseus: *grumbling* why after Agamemnon though...

AND HOW WOULD POSEIDON EVER KNOW?!

[wildissylupus]

More on Epic!Ares cause "The Lovers" section of God Games will not get out of my head. The thing I don't think fans are recognizing is that Ares's last line "pathetic and weak like his son" is very deliberately meant to provoke Athena, it's meant to test why she's doing this.

Consider how Telemachus went into the fight with Antinous, he didn't have a plan, only a goal, and he stood his ground, no cunning techniques only fists. Which is something Ares would agree with doing, not only that but remember what Antinous and the suitors want to do to Penelope, why Telemachus was fighting in the first place. Ares is a god known to be a defender of women, one of his biggest myths is about him killing a son of Poseidon because he assaulted his daughter. Considering that he likely wouldn't call Telemachus weak unless it was to get to Athena.

Which it did and that show of love and protectiveness over Telemachus is what convinced both Ares and Aphrodite to let Odysseus go. They are not ruled by logic and objectivity, which is what prepared her for Hera and Zeus, with Hera, Odysseus never cheating isn't a logical argument but it's what would work on Hera. With Zeus it was more important, Athena showing emotion and showing that vulnerability gave her the ability to sacrifice her pride. At the end of the song she begs Zeus to let Odysseus go, not longer being the "selfish, prideful and vain" Goddess that she was when her and Odysseus parted ways.

[bluecrocss]

Yes. You are racist. (Buckle up, this is gonna be a long one)

So approximately half a year since the premier of the Disney+ Percy Jackson show, and almost two years since the announcement of the Trio's casting, I would like to take this moment to look back at the insane, racist and anti-black backlash that was launched at Leah Sava Jeffries and a few other cast members from the PJO fandom.

I'm not concerned with the trolls who are openly racist, who resorted to racist slurs and outright threats, everyone agrees that they "took it too far". I want to talk about the rest of you, the "I'm not racist, but.." people, the "What's wrong with wanting book accuracy?" people. Just to let you know, for the unasked question... yes, yes you are.

I've noticed the Percy Jackson fandom has been lording some weird superiority complex over a certain *unnamed* fandom that has fallen out of grace due to their recently outed bigot of an author. But honestly, y'all are not much different. The amount of vitriol and anti-blackness I have seen from this fandom (beyond just bullying a 12 year old girl), y'all don't have a leg to stand on.

Below is a breakdown of the most common arguments I have seen used to justify y'alls absolutely insane bigotry. I am going to explain why none of these justify the amount of anger and vitriol y'all have sent towards Leah, Rick or any of the cast.

I am not here to argue, and this is not a democracy. I am giving you a chance for some self-reflection and to understand that this pattern of violence directed towards POC actors (mostly black women) has never been justified in the name of "book accuracy"/"comic book accuracy"/"ending forced diversity" or whatever other excuses y'all try to make up.

If you still try to justify or argue further for any of these points, I will just block you. I am not coddling you through your racism. If anyone has seen any other dumb arguments floating around that I might've missed, feel free to sound off in the comments.

She's not book accurate:

Neither is Percy, Luke, Grover, Dionysus, Poseidon, and just about every other named character.

Rick already made it clear that physical features were not the priority with casting, rather it was actors that embodied the role. So why are the biggest complaints about Annabeth and Zeus? 🤔

What? You're gonna say everyone else got backlash too? I see you trying to obscure the main issue by playing dumb 😉

See my friend, yes, there were one or two comments about how Percy's hair should be black or how Luke is supposed to be blonde, but as soon as Leah was cast, none of those actors got any significant backlash. In fact, Walker and Charlie literally have an army of fan girls at their beck and call, calling them the perfect Percy and Luke, despite neither being "Book accurate". But then again, have we not observed the pattern of White boy of the month vs WOC to hate for the year? (Yes, I know Charlie isn't white. Further adds to the irony, doesn't it).

Why include character descriptions if you won't stay true to them, you cry? Well, my dear sweet moron, see, books and TV are two different mediums. Because in literature, you can't *Literally* SEE the characters, the author has to add descriptions to paint a picture in your mind, in TV... that's not an issue. So unless the character's appearance is necessary to the plot (like Luke's scar, or Nico being Italian) the show runners can actually focus on more important things.. Like ACTING and PERSONALITY.

2. It's just not how I imagined her:

News flash, babe! ANNABETH ISN'T REAL. None of these character are. They are concepts that originated from the brain of Mr. Rick Riordan. It doesn't matter how YOU imagined her. There are millions of people who read these books that imagined her several different ways. When the creator of the character watched Leah's audition and said, 'Yes! She embodies the character I created!", your imagined version of Annabeth ceased to matter. And guess what? The books still exist... they have not been burned. Your version of Annabeth has not disappeared. Go read the books.

3. Zeus can't be black/Gods have to be Greek/*Insert Character* can't be black:

Y'all did not read the books, I swear. You have to be fake fans looking to troll atp.

The gods move based off the center of western civilization. They change their forms/environment to reflect the culture they are occupying (they did it with Rome, now they're doing it with America). The gods change forms all the time. How we see them is not their true form as a mortal would disintegrate if they were to see their true form.

America is a cultural melting pot (specifically NY where Mount Olympus is now based). If the god's choose forms that reflect the current society they inhabit, they could literally be any race (keep in mind NYC is only 33% white).

All of this is literally SPELLED OUT in the Lightning Thief.

Furthermore, if you're going to push the ethnically Greek thing... Poseidon is British with a British accent and Hermes is Latino. The only ethnically Greek actor is Dionysus (who still doesn't look book accurate). Y'all are sounding like some white supremacists because do you forget that race is a social construct?

Before the advent of the transatlantic slave trade, I can promise you that the Greeks and the Anglo-Saxons did NOT view themselves as the same people. Why are y'all not taking issue with Poseidon's actor then?

Also, Percy Jackson has canonically had a slew of explicitly black demigods since the second book (including Harriet Tubman, which I have mixed feelings about 😭), so I genuinely have no idea where some of y'all are going with this point.

4. She was our smart blonde representation:

Don't pmo. I swear to God!

White, blonde women have NEVER been excluded from Hollywood. Representation is not something you lacked. The dumb blonde stereotype was a simple branch off of a larger misogynistic "dumb woman" stereotype. It has not truly been relevant since the mid 2000s outside of childish jokes.

This iteration of Percy Jackson will probably not go beyond the first 5 books, based off pacing and the age of the actors. So here's a fun game: 5 bucks to the first person who can find me a quote in the first 5 Percy Jackson books, where Annabeth laments her insecurities about being blonde (hint: there aren't any).

Also, her blonde hair does not hold her back at Camp because she is head of the Athena Cabin who are highly respected (and guess what?), ARE ALL BLONDE!

Her insecurities about her hair color are two or three lines at most in the later books, not this fundamental, core part of her character y'all all of a sudden wanna pretend it was. And guess what, as a non-blonde black girl, I was able to read those scenes of Annabeth feeling undervalued because of her looks and relate to her even if she didn't look like me at the time.

Why all of a sudden can y'all not do that with a black Annabeth? By every metric black girls are undervalued for their intelligence in academia more than white girls are, regardless of hair color. So your little representation of a woman undervalued by her looks would still hold. Do y'all dehumanize black women so much, that you are incapable of empathizing with show!Annabeth's plight in the way I could with Book!Annabeth simply because she doesn't look exactly like you?

Your issue isn't that she isn't blonde, it's that she is NOT WHITE.

Furthermore, Becky Riordan had tweeted previously (before the show was even cast) that Annabeth never needed to be blonde (probably recalling the BS y'all put Alexandra Daddario through), so even if they cast a white Annabeth, the blonde hair was never a guarantee. the author and producers all agree that it was not a significant part of her character. It's been a non-issue since day one.

Also, stop acting like smart blondes are rare in media... If you don't go watch some Legally blonde, Iron Man (Pepper Potts), Zack and Cody (Maddie), Liv and Maddie, FMAB (Winry), Captain Marvel, She-Ra, Buffy, The boys (starlight) etc. etc., and go sit down somewhere 🙄🙄🙄 (those were literally all things I've watched recently, off the top of my head, btw 💀)

5. It's not about race, but...:

Yes it is. It was always bout race. No other actors got as much hate as Leah. Her grandmother and other family members on IG had to mute their comments because they were getting so many threats.

Alexandra Daddario had to come to her defense on Twitter. Rick had to put out an official statement on his website. This girl has endured years of psychological torment for simply having the best audition. No one else is book accurate, no one else is ethnically Greek (except Jason Mantzoukas). Walker literally has British and German ancestry.

Why was she being called racial slurs on reddit and in youtube comments?

I know what you're gonna say, "I actually had problems with the entire cast", "I actually had a bigger issue with Walker's hair color", blah blah blah. Then why aren't you in Walker's comment sections? Why are you only making your displeasure known on posts defending/advocating for Leah? Why is she always your first example of 'wrong casting"?

Well, she "looks the most different"... Look up the term "scapegoating".

"Oh, I don't agree with the harassment. I just don't like the casting." Guess what? She's already been cast. They are not going to uncast her. What do you get out of still complaining about it.

All the vitriol you're stirring about her when you complain about her on Social media, it is directing people to send her hate, even if you're not writing it directly. It's is not enough to "not agree" with the racism, it is your duty to actively prevent it. And btw, these are young gen z actors, they are active on social media. They see the edits of themselves (even comment on it) and they most likely see these little "harmless" complaints you're posting. Are your upset feelings really worth contributing to the racist dogpile on this poor girl?

6. Why couldn't they atleast give her blonde braids?:

Why should they? Y'all wanted blonde because of the "dumb blonde" trope... that doesn't apply to POC.

A blonde black girl is gonna be viewed the same as a non-blonde black girl (or at worst, someone might decide she's "ratchet" or some shit for wearing colored hair). What difference would it make?

Why shouldn't Walker dye his hair, then?

7. Annabeth has Gray eyes:

Less than 3% of the global population has "gray eyes". Even if they cast a white actor, they would've needed contacts. Her being black is not the reason Annabeth's eyes aren't gray. Simply put, it is a plot element they removed, like the whole "names have power" element, or Ares having flames for eyes, or Dionysus using his powers to grow strawberries at Camp.

That's how adaptations work. Unnecessary plot elements are cut to save time and budget. This has nothing to do with her casting. They probably also didn't want to make child actors wear contacts (not a new practice).

8. Even if Rick chose her, he was wrong/Disney is forcing him to be okay with it:

Where do I start? Rick created the character. He can't be wrong. Do y'all have no self-awareness? Death of the author has no place here, because y'all are hung up on an aspect of the character that is not relevant to her arc or development.

Y'all's justification for wanting a "book accurate" Annabeth is that she was such an inspirational and important character growing up, and yet your behavior is so in conflict with the character you claim means so much to you. You're narrow minded, dismissive of bigotry and injustice, and disrespectful to the wishes of the creator of your favorite character; everything that Annabeth would never be. Y'all were never genuine fans of the books. You're bigots that needed an outlet for your rage.

Keep in mind, Rick has said countless times that PercaBeth directly mirrors his relationship with his wife. Y'all think he would have allowed them to cast someone who doesn't live up to the woman who has been by his side for decades? The mother of his children?

Regarding Disney forcing him, show me one piece of direct evidence that proves Disney in anyway pressured Rick to cast her. Cuz if you can't, that's baseless speculation. And if you have to resort to baseless speculation, maybe try to examine why it's so important to you to hold on to this belief.

9. So, I'm racist because I hate "race swapping"?:

To start, there is a difference between "race swapping" and "color blind casting". Often times, when y'all complain about the former, you're actually mad about the latter.

It would be "race swapping" if Rick and the team decided ahead of time that they wanted a black Annabeth and ONLY allowed black actors to audition. But the actual reality was that they accepted auditions from everyone (there were white actors and non-black poc that also auditioned for the role) and chose the best person who embodied the role. They didn't "make Annabeth black" and they didn't "make Zeus black", they cast black actors for those roles.

Y'all think you're being slick with your wording. Dismissing that is implying that they did not earn their roles fair and square. Which is racist. It's the equivalent of going up to a black college student and telling them they only got in because of affirmative action. You're dismissing the achievements of a person solely because of their racial background.

For all you people complaining about "unfairness" and "forced diversity", I would think hiring based on merit would appeal to you 🤔

71% of theatrical Hollywood leads were white in 2024 in comparison to 29% POC and you still think "black washing" is a thing? You still get this angry over a black person fairly earning a role because you think in a time where Hollywood only knows to do remakes and adaptations, that the majority of lead roles still *have* to be reserved for white actors?

Once again, white people have never been excluded from Hollywood for being white. Representation has never been something you lacked nor is it something you can lose. Your anger comes from seeing a black face where you think they don't belong. Because you feel you are owed a disproportion of representation in Hollywood.

10. Woke agenda/DEI/Forced Diversity:

If you are unironically using any of these terms in a negative light, it's already too late for me to reason with you. Look up the term "dog whistle". If you are sharing the same terminology with Elon Musk and his fanboys, maybe reevaluate some things.

POC are objectively underrepresented and have been historically excluded through actual laws and policies in Hollywood. There is no such thing as "forced diversity", you have bought in to a right wing conspiracy theory.

"Woke" is a term that was intentionally appropriated from the black community. It originally meant being aware of injustice and systematic threats to the community and is now being weaponized by bigots. Good job.

Diversity and inclusion is a good thing.

11. But POC deserve to have their own stories told:

We do. And we have been fighting for it for over a century now, and we've made great strides, no thanks to y'all.

No thanks to y'all gaslighting us about how little representation we get or that representation matters at all. No thanks to y'all pushing the idea that POC can't sell globally and obscuring POC actors in international promos. No thanks to y'all continuing to whitewash even to this day (Bullet train, the beguiled, gods of Egypt, atla, every portrayal of Jesus ever, etc.). No thanks to y'all calling every piece of media that has more than one black lead and more than one queer couple "woke". No thanks to y'all throwing a fit every time a black person in a fantasy setting isn't a slave.

Fact of the matter is, y'all never cared about POC "getting their own stories", you're only parroting our own words back to us now as a politically correct way of saying, "leave white roles alone" lmao

Well fun fact, actors of color getting opportunities to play lead roles and allowing poc to "tell their own stories" are not mutually exclusive. If y'all cared that much, instead of bullying a 12 year old actress, you could actually support up and coming independent POC writers, directors, and studios 😱

12. Studios need to stop "setting up" actors of color:

Do me a favor and google the term DARVO.

Your racism is not the fault of the studios for giving a POC actor a role that they earned. It is not up to the rest of society to tiptoe around racists to avoid their vitriol. It is our responsibility to hold them accountable and protect minorities from unwarranted hate. At most, you can say it's the responsibility of the studios to provide adequate support to POC actors who face this backlash.

At the end of the day, Hollywood only allows very few spots for POC actors (especially WOC), while simultaneously pushing a new white boy every month to put in everything. Putting minorities in these roles that are usually closed to them, usually opens the door to more actors of color than before.

Brandy being cast as Cinderella did a lot to push her into the mainstream (yes, she was already extremely famous in the black community atp), Halle Berry being the first, black, bond girl literally shot her to icon status, and even going as far back to what Anna Mae Wong did for Asian American actresses with her "femme fatale" roles.

At the end of the day, even with the backlash, *some* rep does more good for POC actors than *no* rep. The solution to racist backlash isn't to take away those opportunities, but rather to not be racist??? 🙄

Also, for everyone that claims that "POC race-swapping" is just as bad as "white-washing", despite white washing having a longer history and objectively causing more harm, note how the backlash to white washing never lasts as long as the harassment that POC get.

Like, no one brings up Scarlett Johansson's ghost in the shell role anymore, but you can best believe Candace Patton is still fending off racist trolls. As much as people hated the atla movie, people moved on quick from Nicola Peltz playing Katara since she was just a kid that accepted the role (re: daddy bought her the role), but y'all would not have any of that consideration for Leah Sava Jeffries.

But I digress...

13. What if we made Tiana white? Wakanda white? Hazel white...:

Ah, my favorite inane point. I was so excited to get here :)

See, I could start out by pointing out how "White washing" and casting a POC actor as a traditionally white character are not equivalent.

I could point out the history of hollywood ACTIVELY excluding POC actors and POC stories. I could point out how grossly over represented white people are in hollywood. I could point out that POC characters are so few in comparison that whitewashing them causes actual harm, where white people have never lacked rep.

I could point out how, because poc characters and stories are so often tokenized that their racial/cultural background is often directly tied to their character's identity, in opposition to a lot of white characters, since hollywood treats white as the "Default".

See, I could make all those points, but the thing is, the people who make this argument already know all that. They are trying to waste time by drawing me into a pointless circular argument that will sum up to "fair is fair", while ignoring all the context and nuance I previously provided.

So you know what? Forget it. Let me play your game.

I am actually fine with a white Tiana. Would it make sense, for her and her family to experience Jim Crow era racism, in the south while white? No. But we can look past it. Disney was never known for historical accuracy anyway 🤷🏿‍♀️

However, in exchange, the live action frozen will have a black Elsa and Anna, live action Rapunzel will be black, live action Merida will be black, we're re-filming Cinderella and Beauty and the beast to cast a black belle and Cindy, snow white will need to be recast as black, and we also get aurora whenever the live action sleeping beauty is announced. But then y'all can keep Tiana, deal?

You want a white T'Challa? Fine! (I'm partial to Ryan gosling), in the meantime, we'll be recasting Iron man, Captain America (Steve version), Bruce banner, Thor, Loki, hawk eye, black widow, ant man, captain marvel, Bucky, Peter Parker etc. All the avengers and their side characters, then y'all can have Sam Wilson, war machine and the whole of Wakanda (will it make sense that a sole, hidden, African nation is randomly made up of white people? Who cares? We get the avengers!).

You want white Hazel? You got her! I hope you have no problem with us taking Percy, Nico, Will, Poseidon, Jason, calypso, Rachel, Tyson, Silena, the stoll brothers, Sally Jackson, Hades, Hepheastus, ares, etc. But y'all can have Hazel and Beckendorf.

If we're gonna do this, let's commit all the way. Fair is fair, after all.

14. Leah isn't as "pretty" as Book Annabeth/Movie Annabeth:

I wish I could say this wasn't a genuine point I had read, but when all else fails, they will always go for a woman's appearance.

Now first of all, as a rule, I will never hold black women to white beauty standards. Our hair will never be long and silky enough, our nose will never be narrow enough, our skin will never be fair enough and our eyes will never be light enough (Might I recommend Toni Morrison, when you get the chance?). But Leah is unfairly gorgeous idc what any of you say, and you're not gonna have me use my defense of Leah as an opportunity to bash Alexandra either because she is also beautiful. These two queens slayed to the best of their abilities within this toxic ass fandom.

I find it funny, however, that so many of you harped on the "blonde" issue because you thought it was important that Annabeth be seen beyond just her looks, but quickly devolve to bashing an actress's looks when it comes to why she's not right for this role 🤔

I would also like to sincerely apologize that the 13 year old girl they cast in the show, wasn't as sexually attractive to you as the 24 year old woman they cast in the movie and sexualized through like 25% of her screen time (I'm actually not sorry. You're very weird if this is an actual point for you).

15. I don't agree with sending hate to the actor, but she's just not right for the role:

Once again, what are you doing by complaining about her casting on no other basis than her race?

The creator of the character said she embodied the role. She has already been cast, and Disney would be in a legal/production hell to recast her atp. Just because you're not directly leaving comments on her social media doesn't mean you're not part of the hate mob.

No matter how you look at it, your issues with her casting come from a very entitled and narrow-minded place. When you join in on these dialogues you are bolstering a sentiment that pushes more people to harass this teenage girl. When you leave these "harmless" complaints, on show content, fan posts or posts defending her, she's liable to read them because the cast regularly interact with fans online.

What do you have to say that is so important that it trumps protecting a young girl from the long-staying trauma of racism, of being told she doesn't deserve something she worked for because of how she was born?

16. I can't even criticize the show without being called racist:

Get. Over. Yourself.

Y'all are not the victim. Have fans of the show gotten protective of Leah and the young cast? Yes.

With good reason. This fandom is unbearably toxic.

Racism outweighs your need for a "perfect adaptation", sorry.

If you explain yourself properly and keep your critiques fair (like, even I don't think this was a perfect season, and will be sharing my thoughts shortly), no one is gonna call you racist.

You're preempting with that because in all honesty, you're probably planning to use your "critiques" of the show to pivot to one of the many points that I just outlined, and you want to pre-empt the criticism.

If a black Annabeth is the end all be all for you, just don't watch the show, no one's holding a gun to your head. Geez.

17. I'm Black/POC and I don't agree...:

Hey, Candace Owens... No one gives a shit.

First of all, for all the "I'm POC and I don't agree" people, you don't speak for us. Anti-blackness is rampant in just about every culture globally. You being not-white doesn't somehow make you less prone to hating black people.

But for the "I'm black and I don't agree" leftovers (assuming you're not just a 👩🏼‍💻 behind a keyboard). Black people are not a monolith. You're not obligated to think a certain way because you're black.

But consider why you're putting yourself up as a barrier to protect this hate mob. It's one thing to just state why you don't like Leah's casting, but to start off your spiel with "I'm actually black" as a way to weaponize the very identity politics you're critiquing... very strange. Not to mention, what are you defending?

The black community is coming together to defend one of our own, a kid who has been receiving death threats since she was 12, and this is when you feel the need to back the opposition?

I mean whatever... sometimes the house slaves would snitch to the master. There will always be some of y'all in the woodwork. It is what it is.

But when the exact ideology you defend is turned against you, when a Baltimore elected official is being accused of getting his job through "DEI", when conservatives are claiming that they wouldn't "trust a black pilot", don't decide that's where you'll finally draw your line in the sand.

All that being said, This is my Annabeth:

May every tongue that rose against Leah Sava Jeffries Shrivel and die in 2025 🙏🏿 My girl will keep winning ❤️

(video by @/waleahhasmyheart on TikTok)

[theoceansluvr]

Percy Jackson x Marnie Biologist! Reader

warnings; none !

author's notes; this is pure self indulgence bc marnie biology has my whole heart <9 i tried to set this in New Rome but it might not read that way so bear with me. . .

right off the bat he was your biggest fan

both because he loves you and because of your major !

who better to date the son of the god of the sea than a marnie biologist right ?

talks to the fish about you none stop

they love him but gods does he talk too much

will literally go to the twilight zone just so you can research some

until he found it just then..

undiscovered fish for your essay or project

your professor doesn't even asks asks how you did it they just go with it

calls you a bunch of ocean related petnames ?

starfish, seashell (<9), killer whale

you know, cute stuff !

talks to his dad about you a lot because.. Poseidon-

his mom LOVES you

makes the the world famous blue cookies everytime you come over

she thinks the blue suits you

Percy would take you to the aquarium just so you can talk about all the ocean facts you know

even though he probably knows most of them already. . .

he can't help himself ! he likes how passionate you are about this, he likes it's cute

matching shark bracelets that are also those tracking ones ?( i think Fahlo ????)

yeah you guys have those

he begged his dad to help you start your own business

whether it was just research or a clinic, he was going to make sure you got whatever you wanted

has so SO many pictures of you with the animals

he keeps them in his wallet and shows random kids walking to class if they happen to start up a conversation with him

"Oh, you major in marine biology ? Yeah my partner's in there too..." followed by a long speech about why he loves you so much and how you're better at it than that kid

Grover is also a victim of seeing all the pictures

he secretly thinks it's very cute !

anyways my favorite barnacle boy and i miss him everyday !!

[cynthiav06]

Listen, I read your post about Percy's strategic genius and I thought something.

Percy, Sally, and the entire Jackson family are descendants of Odysseus.

Sally is also damn smart, just look at how she competently got rid of Gabe and remained in full advantage.

And that is why how Athena treats Percy in this way.

He is a descendant of her beloved mortal, so similar to him in his mind and the son of her sworn rival, who tormented this very mortal and prevented him from returning home.

You seriously have no idea how GENIUS that headcanon is like holy hell the sheer depth it adds to everything is insane.

1. Athena begrudgingly guiding Percy in Titan's Curse, getting extreme deja vu (God's probably get that a lot) from the situation and how conflicting she gets over the mortal that is Perseus Jackson for his uncanny resemblance to Odysseus when it comes to his wit and his personality minus strangely the hubris.

Despite her disdain for him out of some strange loyalty, she tells him of his fatal flaw and how it would endanger him.

She let's her loathing for Poseidon get the best of her in Titan's Curse and votes to kill Percy and Thalia but Percy like Odysseus has both the wit and achievements she can't overlook despite her desperate intentions to and hence in the Last Olympian she acknowledges in her own subtle way that Percy is the greatest demigod of this age. That he's saved both the world and his friends.

2. Annabeth proud and confident as ever would be flabbergasted that Percy who she despite her supposed love for him undermines him almost always when it comes to his intelligence finds out that her mother has acknowledged Percy for his strategic mind and that he is the descendant of her mother's most favored mortal ever. (Maybe just maybe it will tone her hubris down a notch and then some, and if we are really lucky, a reality check)

3. Percy would laugh, probably shrug at the revelation. After all, stuff like that makes no difference to him.

4. But I can imagine if Sally knew beforehand about it, then how much hell must she have given Poseidon over it and probably still finds it to be a hilarious coincidence .

5. To Poseidon himself, it must have struck as an agonizing coincidence, but for the better, because for all of Poseidon's flaws, he loves his own intensely. His godly children, his monstrous children, his demigod children, and Percy, he loves most out of them all by his own words and he loves him so in some strange manner for the same humanity he scorned Odysseus for having.

Sally must have made him see the error of his ways, and even Poseidon for his quick temper would be loathe to not change his opinions on mercy then. (If the Queen among mortals tells you, you listen)

All in all, everything that happened in the Odyssey with Poseidon Odysseus and Athena would have come to a good closure with this.

That a millenia later by strange set of circumstances Athena and Poseidon begrudgingly acknowledged the folly in their perspectives from the times of Odyssey all because Poseidon met Sally Jackson and sired a demigod child who by a twist only the fates could make up turned out to be the descendant of Odysseus himself. (I reckon the fates must be cackling in glee at the whole thing)

PS: Hermes is having a blast with this news of Percy's ancestry.

No, but seriously, you have given me more pjo brainrot. (Now I hope this keeps you awake like it does me)

And on that note, Percy would totally canonly be the biggest fan of Epic the Musical, lol.

I have a feeling I am not going to stop talking about this now.

[teawiththegods]

I just saw a post about how Hera, Demeter, and Hestia should be the Big 3 instead of Zeus, Poseidon, and Hades. And while I understand the sentiment (✨Feminism✨🖕🏻Fuck the Patriarchy 🖕🏻✌🏻Girl Power✌🏻 etc) I personally think Hera, Demeter, and Hestia are not only quite content with their positions, they very likely helped orchestrated it to be that way.

One of the biggest mistakes worshipers, witches, and mythology fans make is thinking the 3 sisters are not powerful enough to take the thrones if they wanted them.

Demeter alone forced 2 out of the 3 Kings (1 of them being THE King) to bend to her will. One of those thrones could have easily been hers if she wanted it.

Hestia paved the way for Athena and Artemis, by CHOOSING her own path. She didn’t ask Zeus, she told him by swearing an oath that she would remain a virgin. And of course, Hestia gets offerings first and last. Pretty sure the one thing all the Gods can agree on is that Hestia is the best and that by itself is power.

As for Hera, she knows her position is actually far better than Zeus’ bc she has more freedom. I always compare them to the King and Queen in chess. The King is important enough to be the entire purpose of the game however he’s extremely limited. The Queen, on the other hand, is limitless which makes her the most dangerous piece on the board. You can see this in action in the Iliad. Hera is able to release her anger and fury for not being chosen by Paris and aids in the destruction of an entire city. Zeus, with all his power as King, can’t even prevent his beloved son’s death because his position of King does not allow it. And it was Hera who reminded Zeus that as their leader, he couldn’t save his son. So she knows the limits that come with that role. Why would she choose a position that only lets her move one space at a time when she can move whenever and however she wants? And she still has a crown on her head.

I get because of how patriarchal Ancient Greece was it’s easy to look at the hierarchy of the Gods as a reflection of that. But personally, I think the structure actually makes sense when you take into account the personalities of the Gods and what each position requires.

And as I said before, if Hera, Demeter, and Hestia weren’t happy with the current structure, it wouldn’t be the current structure. 😂

Also, we haven’t even talked about the wildcard that is, Aphrodite! As if that hot sexy bitch couldn’t take the whole thing down with just one boob.

Like come on, I thought we all already knew that our Goddesses are the ones who truly run the entire show?

[gotstabbedbyapen]

I have very complicated feelings for the Vengeance Saga (after the first listen)

Disclaimer: I will only criticize Epic the Vengeance Saga as a work on its own, not for its inaccuracy or deviation from mythology and The Odyssey. There are more knowledgable people who can point out and analyze the changes in Epic the Musical, but that is not what I'll be tackling here.

To put it bluntly, I'm not being angsty about it as I should. The whole saga just... didn't feel right with me.

Now, first off all, I'm a big fan of Epic and had been following it since the Cyclops saga (first version). I've been in love with many songs and hyperfixed it for months on end. But when the Vengeance saga came along, I didn't feel that same bubbling love rise in me.

Even as a fan, this isn't my first time having peeves with Epic. I didn't jam with the re-release sagas for a while, I'm underwhelmed with the Circe VS Odysseus fight and other issues, very unpopular opinion but "Monster" wasn't too impactful to me, and also the God Games (especially Zeus' attack).

The Vengeance Saga though? Well, they say we gotta do the Bun-Meat-Bun (or whatever the hell its name really is) technique when giving criticism, so I'll start with the good parts.

I love that Odysseus looked so done with Calypso in "Not Sorry For Loving You". They're basically this meme:

Like sorry you're a sad but you're still an abuser 😒

Then Odysseus starts singing the reprise for "Full Speed Ahead" but there's no one to back him up. That one hits me hard. To whoever on Tumblr said that after the Thunder Saga we will never hear the crew's back-up again and Odysseus' singing will be answered with silence, Apollo really blessed you with the red ball.

Hermes and the Winions' part was really cool too! I really like them being mischievous helper! The warning about the wind bag and the changing scene of Odysseus fighting off sea monsters while Hermes just vibing with the beats is 👌👌👌

But after that the hype started to sizzle out for me. You might want to skip this part if you're not comfortable with harsh criticism because I WON'T hold back.

It's really backward but I like the Odysseus VS Charybdis draft more than the final production. Charybdis' roars and music are somehow less intimidating, which is a shame because I thought this would be one of the biggest struggles Odysseus will face. Even with awesome illustrative animatics, the scene wasn't as thrilling as I've expected.

The other songs got massive improvement from its draft version (on top of my mind I can think of "Thunder Bringer", "There Are Other Ways", "Little Wolf"), but I don't get why "Charybdis" didn't get up-graded as much like them. It's like a cake that was throughly baked but half decorated and it just didn't taste as good as I've hoped.

Then we have the Odysseus VS Poseidon part in "Get In The Water" and "Six Hundred Strikes". The first thought I had for GITW is this song sounds like all the draft snippets were mashed together without a smooth transition/connection between them. Jorge and Steven's performance is great, but there's not enough tension for me to dread for Odysseus. When Poseidon first met Odysseus in "Ruthlessness", the whole opening was terrifyingly good! And we didn't even have any illustration animatic back then! (that's not to say the GITW animatics were bad, they just can't salvage much when the song itself was already weak)

I wasn't impressed with Poseidon's Shatter The Ocean move either. It's supposed to be the Strongest AttackTM but it's less scary than when he and the Laestrygonians destroyed Odysseus' eleven ships with probably 1% of their power. It didn't even help when Poseidon looked like he's having a seizure with lights pouring out of his eyes and mouth during the transformation.

Odysseus being literally on the brink of death with the souls of his loved ones pulling him into the abyss is a gem in the rough, but because we've seen Odysseus almost drowning before in the end of the Thunder Saga, it's not as shocking as it should be. Furthermore, Poseidon could have instant-killed Odysseus right then and there but didn't really annoyed me. But I guess he just wanted Odysseus to slowly suffer while dying.

Right when I thought the progress will get better, it... gets down. I can go with Odysseus using wind to escape the water, but him wearing it like a jetpack is so comical it ruined the drastic of the situation. And I'm officially let down when Odysseus FUCKING ATTACKED Poseidon in "Six Hundred Strike".

What? Just... why with that choice?

Look, I'm not gonna fault Epic for making creative liberties from the source material (as said in the disclaimer), but I will criticize if that change contradict itself in the transformative work. And this is one of them.

Poseidon and the gods have been proven time and time again in the musical just how powerful they are. Their ominous and grandiose entrances, them striking fear and inferiority in our hearts just by singing. Even Circe, a low-level goddess, poses a constant threat to the crew and Odysseus had to get help from Hermes just to get a chance to corner her (and Hermes even joked that he can still die!)

Poseidon easily destroyed almost all of Odysseus' fleet. Odysseus was very avoidant of him, opting to go to the literal Underworld to find instruction on how to dodge him and sailing through Scylla's lair + willing to sacrifice six men for safe passage. And when Poseidon said he can drown all of Ithaca, it's not just bluffing, he would and could have done that. Yeah, the King of the Sea is THAT BIG of a treat.

So no, Odysseus isn't cool to attack Poseidon, he's being stupid. I'm not even cheering for him the whole him he fight, just groaning at how ridiculous the whole thing is. If Epic is more believable and sticks to WHAT IT HAD ESTABLISHED BEFORE, having a sudden burst of anger and choosing ruthlessness won't save Odysseus from one swipe of Poseidon's trident. Odysseus stood no chance against a one of the most powerful deity, even if he's the protagonist and love his family.

Not only that, Poseidon didn't even defend himself and was wounded by a mere human! And he just sat there and took all the blows and insults from Odysseus??? And he actually begged Odysseus to stop and agree to quell the storm to let him get home??? I'm not buy that bullshit. I'm more upset that a literal Olympian god was nerfed down than Odysseus having a Gary Stu moment. Give me a break, that try-hard moment to be cool and edgy just show how badly written the scene is.

What's the fucking point of hyping up how dangerous the gods are if a human can take one down? Tell me this isn't some Wattpad-y Greek myth retelling fanfic where the teenage Y/N sass her way to defeat an entire pantheon. Epic really traded its opportunity to be better for some cheap and out-of-the-blue dramas in this saga, dare I say it's even worse than Zeus' OOC attack on Athena. I'm very disappointed with that decision.

On an end note, the saga did have one saving point with the "After everything you've done, how will you sleep at night?" - "Next to my wife" lines. Odysseus knew he could be the most horrendous man ever and Penelope would still choose his side, that just show how powerful their love and faith in each other are.

But not enough to excuse all the terrible cinematic choices.

[audreyscribes]

What do you think of the idea of a demigod child of Rhea? How would Mr D, Chiron and the campers react to them? Would their Olympian siblings acknowlegde them in any specific way or just be indifferent to them?

I have a headcanon that while Mr D, isn’t the biggest fan of demigods he’d have a soft-spot for the child of Rhea. Because she in some myths raised him, cured him of madness brought on by Hera and also joins him and his followers in their parties.

Love your blog so much btw❤️

Immediately everyone paused to stare at the demigod of Rhea. Not because the child of Rhea is anything wrong but it’s more so the fact that Rhea hasn’t been seen for a millennia by anyone aside from her direct 6 Olympian children maybe, so for her to go out and have a child with a mortal in that time is mind-boggling; almost unfathomable. 

The appearance of the demigod of Rhea would be the few times and everyone’s waking realization that Mr.D’s behaviour and attitude to them was all a lie, when he breaks for the Rhea demigod because yeah, not only she cured him of the curse of madness by Hera, but also taught him in religious rites which helped solidify him as a god. So there’s a sense of responsibility to take care of this demigod but also it’s a child of Rhea. So who knows what’s going to happen; especially when he will technically be in charge of you. 

It’s pretty hard for the Olympians to not notice the child of Rhea, especially the first 6 Major Olympians, that they have a new baby-sibling who is also a demigod. A squishy, half-mortal, half sibling. However, it’s very hard to criticize when the child of Rhea is basically just like her, which is very hard to argue against. 

There would be questioning of who the mortal parent is, how they were worthy of Rhea’s attention. But the bar is low for whoever the mortal parent is cause clearly they didn’t eat the child as soon as they were born unlike Kronos. The most important thing to happen is that Zeus isn’t the youngest sibling. Which isn’t good, because Zeus despite being born the youngest, will probably not be happy losing his very, long, youngest sibling rank and all the attention it came with it, especially with how he defeated Kronos.

Especially if the child of Rhea is a boy. 

Much to the glee of Poseidon and Hades, who is overjoyed but is hit with despair when he realizes he will have to see to his half-sibling when their time runs out. 

If the child of Rhea is a girl, there’s less reaction from Zeus but he will still not be happy. In return, Hestia and Demeter just cooing and coddling their youngest sibling and I think Hera might actually enjoy being an older sister; that is still motherly in a way. Hopefully.

As for the immortal grandchildren of Rhea are confused because technically the demigod of Rhea is their aunt/uncle but they’re so young, small, and weak (cough Ares), but take it in stride when eventually that is a good thing…

Cause I have a feeling because this child is their mother’s child but is also a demigod…they have complete ability to call out their behaviour when one of the gods do something, and they can’t really do anything because Rhea would not be happy. You’ve heard, “I’m not angry, I’m disappointed”, now imagine Rhea being THE QUEEN of that, delivering that statement this demigod child also able to make the gods feel that.  Much to the delight of a rotating number of gods. 

{ Thanks for asking and have a nice day! ヾ(•ω•`)o }

[mer-acle]

do you have any headcanons about the other gods?

Lol naturally hehe (that's also so much lmao)

I think I'll just try to add one for each Olympian besides Athena and add links if I already made bigger posts about them. (The non-EPIC gods might get a little shorter)

Zeus: Makes the biggest gestures, in debate, at dinner, just whenever he's talking. It's great for who's sitting next to him (usually Hera and Athena respectively) bc who doesn't love being almost hit in the face every two seconds?

Poseidon: Involves himself in arguments all. the. time. Nobody cared, nobody asked, he knows like half of the facts and has no idea what the problem is but SURE shout along.

Hades: A lot more measured and chill than his brothers, but lets himself be drawn into debates and he CAN get pretty heated if the arguments get too nonsensical.

Hera: Has a massive garden and tends to it herself. It has a peacock fountain and stuff, it's really beautiful.

Demeter: Will 100% cry if she gets a gift from one of the kids.

Hestia: The best. Gives people a bit too much space sometimes. Like, yes, all her nieces and nephews are stubborn but some of them really could need a venting session or a hug down the line, but she just leaves them be. (It is not her responsibility but she wouldn't mind them venting, she just assumes they'll come themselves)

Athena post here.

Hephaestus: Is actually a really good singer (we're not talking musical world rules where everyone can sing, normal world) Like mostly it's too loud in the forge but he sings to himself anyway and he has a good voice.

Aphrodite: Is an amazing swimmer. Basing this on her ocean-born creation myth even though I am more of a fan of her being Zeus' kid for my own version. For the same reason, I always picture her with pearls

Ares post here.

Artemis: In council, I believe she's the most confrontational actually. Yes, more than Athena. Athena lies to get what she wants. Artemis doesn't live on Olympus, she just comes for the council meetings so she might as well speak her mind even if it means the meeting is even more chaos than normal. In general, she never backs down from what she believes in.

Apollo post here.

Hermes: God of eavesdropping and gossip. Seriously. Do you really have to know every single thing that's going on? Also I think his funny persona is a coping mechanism but it's so deeply ingrained it would be literally impossible to shed.

Dionysus: Randomly says the most insightful shit you've ever heard. Like, Athena is speechless levels of deep stuff. Like... is it because of the drugs or is he on drugs because otherwise his being would transcend the universe, we will never know.

__________________________________

Okay that was fun hope you enjoyed :D

[starlitvick]

Okay okay okay. Hear me out: Apollo x Telemachus.

I know I sound mental rn but it would be REALLY funny, and honestly kinda cute. Like you cannot deny that Telemachus would be Apollo’s type. I fear local pretty young prince is exactly the kinda person Apollo would be like “yeah I’d hit” and Tel would honestly probably go from “why is this god talking to me so often?” to “wait is he flirting with me?” to “wait but I don’t like men… but like Apollo’s kinda cute… wait no!” to “okay so maybe I like men but do I wanna get involved with a god?” pipeline of self discovery era all because the god of archery and music came down and started flirting one day

Athena is VERY unimpressed with her half brother for this one of course 😔 she is in fact their biggest hater (Ody is close in second he wants Apollo AWAY from his child)

Penelope and Hermes are very supportive of the relationship though. Penelope more in a “as long as you’re happy and he doesn’t hurt you or get you hurt I’m fine with it” way. Hermes though, he actively encouraged Apollo to start flirting with Telemachus to begin with (great grandpa being a wingman to get you set up with a god? More likely than you think)

As for the rest of the Olympians? Zeus is wondering why his existence is haunted by Odysseus and his family, same with Poseidon. Artemis is entirely unsurprised her twin brother has decided to start dating a mortal prince, it’s very on brand for him. Ares couldn’t care less, same with Hephaestus. Aphrodite is actually a big fan only because she can tell that Apollo genuinely likes Telemachus. Hera is indifferent about it but I like to imagine that after God Games she’s a slightly better step mom so she’s relatively supportive of Apollo’s prince rizzing endeavors.

The relationship itself is surprisingly highly functional and really normal despite Apollo being a god. For a long time Telemachus makes an internal vow to himself not to fall in love too much because he’s aware that Apollo tends to switch up on how much he loves his lovers sometimes and doesn’t wanna get hurt but after a very long discussion and Apollo swearing he’s serious about this (like Hyacinth levels of serious about this. Bro is LOCKED IN) and after staying up literally all night thinking about it Telemachus decides to seriously give this a chance and stop acting weird and it goes extremely well actually. They hang out daily, usually in like the woods or something or down by the shore where there isn’t anybody around simply because neither of them really wanna deal with other people knowing they’re together. It isn’t because either one is ashamed of the other or anything, just simply wanting privacy and knowing they wouldn’t get that with Telemachus being prince and Apollo being a literal god so people would probably just be staring the whole time.

Apollo also gives Telemachus gifts like crazy. He’ll write him love poems and songs all the time and is always equally as excited to show him every time (Telemachus is always just as excited to hear it because he’s never had anyone love him like this before)

Now the funniest part of this whole thing: the era where Apollo is trying to woo Telemachus. He 100% used serenading but stopped after Odysseus tried to shoot him with an arrow (to be fair it was the 10th time Apollo was outside the palace singing so the attempted shooting was pretty valid. Ody wanted his sleep)

Then Apollo started bugging Athena and tagging along with her whenever she’d visit the royal family (she knew what he was trying to do but there’s no stopping Apollo once he wants to woo somebody. Not for a lack of obvious hating though. Very actively hates on his flirting. Apollo is extremely un-subtle with his flirting too which makes it even funnier because 9/10 Telemachus just runs away because he’s never been flirted with before

Then after the flirting just turns into Telemachus avoiding Apollo at all costs (Telemachus is in his questioning his romantic attraction era during this but ofc Apollo doesn’t know this) Apollo just starts leaving love poems once a week (this goes on for about a month so four poems in total).

Then yk as I said before Telemachus decides to give it a shot blah blah blah gay people real they kiss the end 🥳

So yeah there’s me explaining my crackship. It’s essentially just: “Apollo likes pretty boys and Telemachus is a (very awkward) pretty boy”

[twinsarekeepers]

I’m curious as to your honest thoughts on the show? Like I love pjo and all but the show was a bit of a let down writing wise. There’s always the point of “it’s an adaptation, not a carbon copy�� like yes but this new writing isn’t exemplary better than the book just because it’s rewritten by the author himself

I think the show is well-written not because Rick is attached to it, but because I actually like the way the writers are approaching adapting the source material. I have a lot of issues with the original books in terms of writing quality because frankly speaking, I don’t think Rick is a very good writer. He has a lot of interesting things in those books that he never explores or drops within the first two and this fandom gives him and the books too much credit imo.

This is why I’m not very moved when people try to ascribe meaning to a certain scene or choice he made in the books to get mad at the show for changing. As an example, one of the main things people were upset about was the kids “knowing everything” in the show when they were getting tricked left and right in the book. Many posts were dedicated to how the book version is superior because it illustrates how they’re just twelve years old kids so of course they’ll make mistakes and get tricked by monsters.

That’s a perfectly fine interpretation but I was twelve years old when I first read tlt and I was able to anticipate almost every single trap, despite being pretty gullible and naive at that age. My knowledge of Greek mythology consisted of Disney’s Hercules, maybe two Google searches, and my second grade teacher’s reading of the kid friendly version of the Odyssey. No where near the level of Percy who’d been learning for a whole year in an established class on the topic with Chiron or Grover who was literally a satry born into the world or Annabeth, who spent the majority of her life dedicated to studying specifically quests and Greek mythology and was also on the run fighting monsters for a good portion of her childhood. Like twelve year olds can be dumb but those three stumbling into every trap was asking me to suspend my disbelief too far. I remember being upset that they weren’t able to figure it out because it was obvious that Rick wasn’t making that choice to show any personality flaws or character dynamics (because he would’ve had them learn and grow but they never did they just kept being not smart), he just wasn’t able to figure out a way for them to fall into those traps organically so he had to dumb them down.

I think the show was able to get across the characters’ childishness without compromising their established backstories. Yes, Annabeth knew it was Medusa right away because that makes sense for a kid who has experience with running into monsters. But, she still acted very much like a child in her interactions with her (and throughout the episode and season). She lashed out and called her a liar and wouldn’t listen to her side of the story because it painted her mother in a bad light. That’s peak twelve year old behavior.

Yes, Percy figured out Kronos was behind everything, but it makes sense because Percy knows Greek mythology and where Kronos resides. He still very much acts like a child when he asks Hades to give him back his mom in exchange for nothing because it’s the right thing to do.

There are dozens of examples like this for a lot of complaints of the show. And this is not me saying that the show is perfect: every single show has flaws. For me, I wasn’t the biggest fan of the dialogue or the exposition dumping. It didn’t hinder my enjoyment though because I don’t think it was egregious (and wrt the exposition dumping, I expected it because the book did it and there’s really no way to “show not tell” Greek myths). I also didn’t like that we didn’t get to really see the huge clashes between Zeus and Poseidon in the weather (we got references to it through news reports but I would’ve liked something more). I was able to look past it because I really liked the storytelling and the themes the show was pulling out of the original source material.

I loved Medusa-Sally parallels and Medusa-Annabeth parallels. I loved the juxtaposition of Pan’s quest to manifest density. I loved Percy and Annabeth’s opposite trajectory in respect to their relationships with their godly parents. I loved exploring Sally’s choice to send Percy to school instead of camp. I loved explicitly coding Annabeth as autistic. I loved Luke’s backstory being brought earlier into the story. I loved the deadline passing and Poseidon surrendering to save Percy. I loved Persues-Andromeda and percabeth parallels. I loved fleshing Grover out. I loved glory vs home seeking being the central theme of the show.

And lastly, I was able to understand that with a limited number of episodes and run time (due to the nature of child labor laws!), they did the best they could and I feel like they did a pretty good job for a first season.

These are not ALL of my thoughts on the show because that would be a very long post. I gave one detailed example of why I think the show succeeded in something the fandom tries to ascribe the books and it was like three paragraphs lol. Anyway this is not the post to try and convince me that the show is bad for whatever reason you have cooked up. I’m not going to change my mind and I doubt I’ll change yours. Here’s to a season 2 that builds on a solid season 1!

[loreiiiiiiiii]

The discourse surrounding Eurlychous and Odysseus in the thunder saga is so fascinating because extremely valid points can be made as to which one of them is in the right and which one is in the wrong.

Eurlychous' reason for staging a mutiny is perfectly understandable imo, but a lot of people call it hypocritical for two reasons:

1) Eurlychous' behavior in Circe saga. In that saga Eurlychous was perfectly willing to abandon the men on the island, while Odysseus wanted to save them, but like.. what was Ody's actual plan here? From any rational POV this was a completely unwinnable situation for them, and Odysseus probably would've got turned into a pig too if it weren't for Grandpa Hermes showing up and giving his grandson some handy performance enhancing drugs.

2) Eurlychous opening the bag of wind, more or less directly causing the death of the vast majority of Odysseus' fleet. Now, opening the bag was a pretty fuckin stupid move on all accounts, but I think also somewhat understandable given Ody's behavior earlier in the sage. In 'luck runs out', Eurlychous rightfully asks Ody if he actually has a plan on surviving the wind god's island, to which Ody replies 'nah bro just trust me lol' and shuts down any attempt Eurlychous makes for discussion. This is a HUGE redflag from a leader, especially considering Eurlychous is Odysseus' second in command. He, out of anyone, needs to be the one to challenge his captain, but Odysseus doesn't want that. He wants absolute devotion.

This is why Eurlychous says 'if you want all the power, you must carry ALL THE BLAME' during mutiny, which is a pretty damning line...but it also makes Eurlychous a hypocrite, because Odysseus never actually has 100% of the power, as evidenced by the crew opening the bag of wind, or Eurlychous asking to just fuck off from Circe's island. And when Eurlychous actually DOES have the power? He hands the reins back to Odysseus the second shit hits the fan. Where's all that accountability now, Eurlychous?

I have less to say about Ody, considering he's our central POV character, but there's still a few things to unpack. While his decision to go through the lair of Scylla is undoubtedly a shitty one, it was either that or die to Poseidon (or a raging whirlpool in the original poem.), so it was either gamble the lives of all your men or sacrifice 6 to preserve the rest. What else was Ody supposed to do?

The biggest mistake Ody makes here isn't the decision to sacrifice these men- it's not giving his crew the headsup about it. Had Odyssues actually TALKED to his men and warned them of their choice, maybe he'd even have volunteers. But Odysseus cannot fathom this, because he requires absolute obedience from his crew, and nothing less. My way or the highway. The viewer knows Odysseus is objectively correct here, but the crew don't. All they know is their captain just threw away the lives of 6 of their friends without any sort of headsup or discussion, so why the hell would they trust him?

That being said...I don't really blame Ody for his decision to sacrifice his crew in thunderbringer. Because he wasn't the one to make the decision to kill the cattle. That was PURELY Eurlychous and the crew's choice. Odysseus tries to warn them several times, but they don't heed that warning. Had Odyssues made a better effort to build trust and rapor maybe they would've, but still. If you want all the power, you must carry all the blame.

[enehana]

Jason Grace with the cabins

Cabin 1: Zeus. It's just him and Thalia because of the oath. Probably. Hopefully. Jason would be very protective of any younger siblings. He'd use his status as Champion of Juno to try and protect them from her wrath. It would work, for the most part.

Cabin 2: Hera. There isn't any children of Hera. He'd absolutely be chill with the 'adopted' children of Hera, though. Like the Iris cabin.

Cabin 3: Poseidon. Percy Jackson, baby. I don't believe they really compete over much unless its an actual competition or game. They work together just fine. Good friends, only gay sex as a joke. Any other children of Poseidon (that aren't supposed to exist either), Jason wouldn't really talk to. Percy would probably be too protective of them for Jason to have much to do with them.

Cabin 4: Demeter. The Demeter kids would always be asking him if he could change the weather for their gardens. He doesn't. He's too worried that if he tried it would get too out of hand and ruin their gardens. Some of them think the gesture is sweet. Others are more annoyed that he won't try. Cause he's literally the son of Jupiter, he should be able to control his powers. And he can. But he isn't risking it. They probably get along pretty well.

Cabin 5: Ares. The Ares kids are always challenging him to duels and asking to spar. He usually agrees, granted it's a friendly thing. They want to make their dad proud by defeating the son of Jupiter. They don't. Jason wins, and then gives them pointers. This makes them want to fight him more. If he thought it wasn't a friendly thing, he wouldn't fight them unless they actually attacked him. He'd always try to talk through the issue. Jason fully believes he isn't anyone special because his dad is the king of the gods. He thinks they want to spar with him because he genuinely is one of the best and most experienced fighters. Cause that's how Camp Jupiter is. Overall, they probably wouldn't get along well naturally. Zeus wasn't the biggest fan of Ares, so their kids wouldn't be inclined to be playmates or anything. But Jason would always try to work well with them.

Cabin 6: Athena. One of the best combinations. Jason and the Athena kids would be working together constantly. Sparring tips, doing research, teaching younger campers. Jason is built for leadership despite how much he never wanted it. Athena kids want to lead and earn their glory. He would absolutely support them on anything they decided.

Cabin 7: Apollo. I refuse to believe Jason died in TOA. It all happened, but he didn't die. Just no. The Apollo kids would be incredibly grateful for Jason not letting their dad die, especially after he actually started being a good dad. Jason would try to relax with the Apollo kids if he ever got a break. They'd all definitely be great friends.

Cabin 8: Artemis. Thalia Grace. Need I say more?

Cabin 9: Hephaestus. They'd love each other. Hephaestus was not treated great by Zeus and Hera at all. Jason would 100% try to make up for that. AND Jason always tried to befriend the outcasted kids. Hephaestus was one. Leo certainly loved Jason. The potential for Valgrace to be canon was insane. And the electricity. He could charge anything they made. He's strong too. Definitely able to hold up heavy machinery while they worked. He'd be amazing with the Hephaestus cabin.

Cabin 10: Aphrodite. Piper Mclean. Her siblings would love him. The younger Aphrodite kids would look up to Piper so much, so the fact that things ended 'amicably' between them would mean so much. Jason would be caught up on Piper for a long time, and would avoid the Aphrodite cabin for a while. But once he came around, he was there to stay. They were his siblings too, in his eyes. He'd steer them away from the whole rite of passage thing and encourage them to find the person they want to spend the rest of their life with. And he'd understand if they didn't. Jason was so sweet to them, but I can't image that he would date another child of Aphrodite.

Cabin 11: Hermes. Probably a pretty neutral thing. The Hermes kids tend to be tricksters and rule breakers, which Jason is not. He'd try to keep them in line, but he'd also want to maintain a good impression with them. He'd love to make friends with them. He had heard about Luke from Thalia, and he wouldn't forget that. Thalia did throw him off a cliff. But he would never hold Luke's betrayal against them.

Cabin 12: Dionysus. Jason wouldn't be a fan of the Dionysus cabin parties that were definitely against the rules. Dionysus let them happen anyway. The Dionysus kids would try to get Jason to let loose and forget about his responsibilities for a while. It didn't work, but he did appreciate their effort.

Cabin 13: Hades. NICO MOTHERFUCKING DI ANGELO. They're besties of course. If Bianca lived, she would like Jason purely because Nico liked Jason. I don't remember a lot about canon Bianca, but I can't imagine she would really be friends with Jason. Hazel and Jason were absolutely friends. She missed him when he went missing. And Jason always tried to befriend outcasts, and Hades wasn't considered an Olympian despite literally being the king of the underworld, and Nico was outcasted too much for literally no reason. (I love Nico.) Jason would be great with the Hades cabin.

Cabin 14: Iris. Jason briefly met Butch Walker. It wasn't much of anything. The Iris cabin would love Jason. Hera absolutely adores children of Iris because their mother is her personal messenger. Jason is the champion of Juno. So of course being loved by the queen of the gods would put them together too often. They would make pride flags and hold them up to him, silently asking if he's queer. He doesn't understand what they're doing. Genuinely clueless. He just praises their work. Awesome pride flags.

Cabin 15: Hypnos. Jason and the Hypnos kids. With Jason's PTSD induced insomnia, what better combination? They would absolutely be willing to help him sleep at night. The problem isn't even nightmares, he just cannot fall asleep. The Hypnos cabin would let him sleep in there at any time. And Jason would do anything in return. He takes any gesture of kindness towards him very very seriously. He would do anything for the Hypnos kids.

Cabin 16: Nemesis. Mutual respect. The Nemesis kids respect Jason so much. They can sense that he's done so much good and so many bad things have happened to him AND HE'S STILL A GOOD PERSON. They look up to him so much. They have a lot of adoration or maybe even obsession with this man. Jason respects them in turn. He appreciates how they want justice, they want everyone to be equal, and everyone has to follow the rules. They work incredibly well together. The Nemesis kids can link up their powers with an ally so they're in perfect balance during a fight, and holy shit do they do that with Jason. Jason and the Nemesis cabin is unstoppable. Jason by himself is unstoppable (HE DID NOT DIE I SWEAR), so the Nemesis kids being able to put themselves on par with him is insane. But they cannot spar with each other. The Nemesis kids know that Jason deserves to get revenge more than anybody they've ever met (and Percy, Annabeth, Leo, etc.). They just cannot fight against him under any circumstances. They would let him beat them every single time. He would get very frustrated that they wouldn't even try.

Cabin 17: Nike. Honestly, not the best relationship at camp. Definitely not the worst though. Nike kids tend to believe there can only be one victor and that life is an individual game, no teams. Jason wants everyone to win together. Equality amongst everyone. And the Nike kids 100% stand a chance against Jason. They can influence the outcome of any competition, so the chances of them beating Jason in anything skyrocket. But they also know that when it comes to survival they have to work together. They do tend to push in favor of Jason then. But usually, it's the Nike kids VS. Jason Grace. And Jason just wants peace between them.

Cabin 18: Hebe. The Hebe cabin practically worships Jason. They always wanted a relationship with someone like their mother's husband. And Hebe married Heracles, son of Zeus. So when Jason showed up to camp, they got all fancy and fawned over him. Though they did the same thing with Thalia. Jason was not a fan of the attention. He never wanted to be a leader. So when all these attractive, young demigods start begging for his attention, he felt really awkward. And he was raised at Camp Jupiter, where they value skill over parentage greatly. He did not like getting attention because of who his dad was. He wanted to prove himself through his skill. He did not want to be his father. He spends a lot of time avoiding the Hebe cabin, but he is always polite when he can't.

Cabin 19: Tyche. Jason is on relatively good terms with the Tyche cabin. The Tyche kids do have an illegal gambling room set up in their cabin, which Jason is not very happy about. He doesn't try to stop them though. Their ability to give people chronic bad luck stops people from reporting it. And Mr. D doesn't care anyways. If Chiron shut it down, he'd just help them set it back up. The Tyche kids do admire Jason because somehow he's managed to survive for so long. Abandoned by his mother, raised by wolves, was a child soldier his entire life. They figured their mother must like him if he's survived that long, so they like him too.

Cabin 20: Hecate. Half of the Hecate kids like him, and the other half don't. It's mostly the judgey ones that don't like him. The ones that do like him look up to his power and skill and status. They are the Hecate kids that accept Hazel as their own sibling. The ones that don't like him think he isn't very powerful for a son of Jupiter and is weaker than them. They also typically are the ones that are jealous of Hazel for being their mother's favorite. Hecate kids typically use their powers to enhance other camper's powers. They can lend their magic to others to have a greater effect. They do this with Jason. He works well with the Hecate kids when they're willing to.

[genericpuff]

The Mishandling of LO’s S3 Mi(n)season Hiatus - Part 3 1/2

Here we go, Part 3 of my analysis of the current FP episodes - a three-parter episode set leading up to the midseason finale of LO.

Part 1

Part 2

Truth is, I had actually forgotten a lot of the weird (and very stupid) shit that happened in this episode, that I thought Episodes 251 and 252 had already offered up the worst that this three parter set could dish out. Boy, was I wrong, because when I went back to check out Episode 253, I was reminded of a reality that my brain had wiped out in an attempt to protect my withering psyche-

I also forgot just how long this episode is. It's so long that I frankly can't even fit it all into this post, so this is gonna be part 3 1/2.

Anyways, let's just get on with it. This is the final stop on our trip into absolute nonsense.

CAUTION: THIS IS PART 3 OF A 3 PART SERIES IN WHICH I WILL BE SPOILING MUCH OF EPISODES 251-253. THIS WILL BE A LONG POST. BRACE YOURSELF.

Well, it's the midseason finale, and what better way to open it up than with the final title card-

Typo and all. It wouldn't be an LO episode without one. Granted, IIRC this typo has been edited out, but the version of the screenshots I have from it feature it in all its original unedited glory. So enjoy that.

And yes, just like the last two times, the title itself only applies to the final cliffhanger, which is an absolute doozy especially for those who were there to experience it in real time.

This is already a bit of a wild opening compared to the last two episodes, but it's quickly revealed that this is laying the foundation for the prophecy that Psyche gave to Apollo back in Episode 252. In true LO fashion, the story can't actually be linear in any regard, we're always segmented from pieces of information at a time. Loyal fans will call this a "writing style", I call it Rachel just trying to get another 70 cents out of me.

That said, I will say the art here is fairly decent, but I think that just goes to show that LO's one of worst features these days - ironically enough - is its coloring. What began as its strongest feature has now become one of its biggest weaknesses due to the sheer laziness in its rendering and the colors become more and more saturated into the grotesque over time. So at this point, you pretty much have to rob these characters of their colors to make them look decent, and of course at that point it just further highlights Rachel's same-face problems. She definitely tried to make them look distinguishable here, at least, with Hestia and Poseidon being the most unique.

Now, this isn't the first time that we've heard of this herb being referenced - it was stated by Hades that Hera was the one to originally poison Kronos with the herb after gaining his trust - but to see it suddenly just pop up and play a role again out of nowhere already gives me a bad feeling in my stomach. It feels like yet another plot device - especially when presented in this type of format - that Rachel is suddenly using to try and seem "unique" in her writing, much like the strange narration we got back during the "Run For Your Life" sequence. It's just once again LO lacking any specific identity, it's always trying to be a million other things at once.

I will say, much of this in and of itself is panel filler. Why? Because the location of the herb doesn't matter. You'll see what I mean in a moment, but the mentioning of Anthedon plays no role here, it's just yet another obligatory "see, I know how to Google things!" lip service moment from Rachel "self-proclaimed folklorist" Smythe.

Anyways, Eros is perplexed by this but Psyche immediately catches on, knowing right away that Apollo is going for Zeus. And this is where we get yet another one of the dumbest sequences in this comic.

(see what I mean that the location of the herb doesn't matter? Because Apollo already got it and laced it into the cupcake).

Now, first of all, the fact that Eros and Psyche believe Kassandra's prophecy is already hilarious in and of itself, because ... well, because it literally defeats the point of her establishing it as a curse in the previous episode. Unless it only works on mortals? It never stated as such, so we literally just have to go with it and pretend not to notice that.

But most of all, of course LO had to play this off as some joke. Like, "hahaha how awkward! I've already eaten the cupcake!" and he still doesn't seem to really be in shock. Zeus has seen what this herb has done to gods before him, and yet his reaction to this is akin to a dad getting upset that he stepped LEGO's that he asked his kid 20 times to pick up off the floor. The whole "record scratch" style formatting of this followed by Zeus' lack of reaction just really makes me not care about any of this, because clearly the story doesn't care either.

But we don't see who he makes these calls to because the comic, of course, can't spend any longer than 10 panels on a single scene, so we cut to Hades and Persephone.

Again, I don't know what the point was of having Hera relay this information to Persephone for her to relay to Hades, aside from the fact that Rachel needed to act smart with Therapy Speak that didn't even apply to Hera's situation (as we talked about in the last part). They gotta make Persephone the center of everyone's world though, so it's Persephone who's delivering this info and trying to come up with the solution.

Hades, though, wants to focus on his wife's birthday the commemoration of spring.

SIR. THE WOMAN YOU WERE IN AN AFFAIR WITH SINCE BEFORE YOUR WIFE WAS BORN IS CURRENTLY GRAPPLING WITH YOUR FATHER WHO ABUSED HER AND IS NOW HAUNTING HER. THIS IS NOT THE TIME FOR FLUFFY ROMANCE TIME. THERE IS A CHILD BEING HELD CAPTIVE IN TARTARUS AND LITERALLY NO ONE SEEMS TO CARE.

Anyways, apparently (for some reason) Hades is the one who has to go meet Demeter out front. Even though Hades has literally NOTHING to do with this ceremony, it's not his domain, but Persephone literally says "yep, that's correct" when he asks if he needs to go out to meet Demeter.

This just feels like such a pointless conversation and I don't get what the point of this exact exchange is. Again, this isn't Hades' domain, so I don't see why he needs to be the one to go meet with Demeter.

But then, of course, to make matters worse, this man has the absolute audacity to pretend like he's never done anything wrong to Demeter. As if she should be obligated to be cool with sharing a bench with this man who literally terrorized her for years and then essentially groomed her daughter.

I hate him so fucking much and I can't believe we're supposed to be rooting for him. He has not undergone ANY of the character development necessary for me to want to care about him.

Anyways, Hades has a seat with Demeter, and the conversation is very brief before Hades says that he has a gift for her. And what is it, exactly?

Oh great, Hades. Sure wish you would have had this consideration hundreds of years ago. I fail to see what good this does for her now because it doesn't change the fact that he still cost her the role of Queen of the Mortal Realm and treated her like shit for hundreds of years. This comes across as such a shallow and empty "apology" because it's barely even a "gift", rather something she was OWED back then that he didn't want to hand over for his own selfish reasons. He still comes out the winner here because he's gotten to spend thousands of years being a rich slave-driving oligarch while Demeter has had to maintain the Mortal Realm on her own even without the glory of having a title.

I especially detest this "twist" because it's less of a twist and Rachel finally accepting the fact she couldn't come up with anything better than what her fans had to come up with for her. If this had been the fact the whole time, we would have seen it established back when we first got those flashbacks showing Hades being a total prick to her over the volcanoes. Instead, Rachel dragged it out for weeks and weeks until finally dumping this "twist" that her fans had been talking about all that time. This is yet another one of those "Rachel used her fanbase to come up with her ideas" moments. I know that that seems a little mean and presumptuous, but the fact of the matter is that the writing in this story is such an absolute mess that you just know Rachel's writing by the seat of her pants and has to rely on her audience's headcanons to actually fill in the gaps of her story. Most of the time when people commend her for the "great storytelling" in LO, what they're referring to are things they came up with entirely on their own because of how easy it is to just make assumptions about LO's storyline. Rachel benefits off the story being as vague as possible because then her fanbase will fill in the gaps with their own assumptions and give her all the credit for an idea they came up with.

By the way, to the "self-proclaimed folklorist" who wrote this, the volcanoes were really just entrances into the Underworld. Hades did not own them. They were owned by Hephaestus. And I would argue that the volcanoes were only seen as "entrances" into the Underworld because, fun fact - if you jump into a volcano, you die!

Hades frames his reasoning as feeling like Demeter was pushing him out of the Mortal Realm, but this makes no sense because none of that is on her. He claims that he felt like an "outsider" but the reality is that he made himself that way. He resigned himself to being King of the Underworld, he ate the pomegranate and made the deal with Erebus, and even he stated that he could still actually leave the Underworld, just not for long periods of time. So he was the only one keeping himself away from the Mortal Realm, not Demeter. We even see that in the VHS tape flashbacks where Hades stumbles onto Demeter's property and she lets him sleep it off in her home. So this whole sob story about how he felt "pushed out" by Demeter is such a bad take from someone who's routinely known to make himself out to be the victim. Because Hades can't have an actual reputation for a reason, no, this is a "retelling" told by someone who got all their Greek myth info off Tumblr circa 2016 and the front page of Google, so Hades has to be the misunderstood uwu sad underdog. Even though he routinely does things that reinforce the reputation he has within the comic, like being a slave driver, abusing lower class nymphs, and grooming teenagers.

Minthe showing up for a split second in the background is the best this comic has been since S2. We stan our girl Minthe, fucking run girl, do what Persephone couldn't do. She's the real hero of this story (｡･∀･)ﾉﾞ

And honestly, I'm sorry, but Demeter really SHOULDN'T be taking the high ground on this. She has more than enough reason to be upset. For a comic that tries to celebrate feminism and holding abusive men accountable, it sure is willing to make the women - often victims of the men - the real villains who have to "do better". Except for Persephone of course. Persephone is married into the system now, she doesn't have to "do better", she's a "boss babe" for being abusive and petty and undeserving of her status because she's the self-insert Y/N character.

So the ceremony for commencing Spring begins. I gotta say, for the final major scene of the mi(n)season finale, the art is severely underwhelming. You can really tell the difference between S3 and S1 art here, there's barely anything extra done to make this scene even half as impactful as the most basic of scenes from S1.

Like, it's fine, but it still feels so half-baked and rushed to attempt to replicate the kind of art that's been gone from the series for years now. The full sequence itself is actually quite lengthy, with a lot of nymph hands just moving around and playing instruments, but it's about as bland as any other panel, so it makes the sequence itself feel dragged out and boring.

This is about as pretty as the sequence gets and it's still not even as good as the original Dread Queen transformation. There's barely any rendering in the skin, and they couldn't even be bothered to make the hands look normal. It's like it's trying so hard to be "original LO" but is fundamentally missing the point of what made the original LO so captivating.

But oh noooo, looks like Persephone did a bad!

Are they actually gonna give her some kind of flaw? Are we gonna FINALLY gonna find out what she traded to Erebus?

No. We're just gonna make her the cause of winter.

Spaghettios.

And that's where I'm leaving this review for now because, as mentioned in the beginning, this episode is a LOT longer than I remember it being. There's still a whole ass segment with Apollo that we need to cover and I don't want to leave it out but I also don't want to do it entirely in text format and I've hit that pesky image limit. So I'll be posting that second part as soon as I can!

That said, I really can't stand this "subversion" by making Persephone the reason for winter.

First of all, because this is a common problem in a lot of H x P "retellings", as many of them fundamentally miss the point of why Persephone is the "Goddess of Spring".

Persephone was not born the "Goddess of Spring". She was born Kore (Κόρη), a maiden born from Demeter. It wasn't until after she was taken by Hades that Demeter, in her grief, took away the harvest and created winter. It was the return of Persephone every six months that brought about the spring, hence, she earned the name, "Goddess of Spring". What these retellings COMPLETELY MISUNDERSTAND is that the gods aren't 'born' with their titles, they're granted these titles by the mortals who comprehend them and write of them as harbingers of their respective elements, stories, and messages. Zeus wasn't "born" the God of the Sky and Heavens, he was granted that title after he overthrew Kronos and took the Heavens for himself. Hades wasn't "born" the God of the Underworld and the Dead, he was granted that title after he became the ruler of the domain of death.

Where these retellings really fuck up is constantly trying to "subvert" the H x P myth in an attempt to romanticize it, thus undoing the point of why Persephone is called "The Goddess of Spring". A Touch of Darkness also made this mistake by putting a "twist" on Persephone's character by having her start out as someone who couldn't make things grow. But if she sucks at making things grow, then why is she still referred to as The Goddess of Spring? In LO, Hades is referred to as "Grandpa Winter" and the seasons already seem to exist as we saw in this episode through the ceremony, so why has she been called "The Goddess of Spring" this whole time?

But I also can't stand this "subversion" because it fundamentally misunderstands the very myth it's trying to "retell". By giving Persephone the "curse" of creating winter, it further robs Demeter of her own agency in this story, more than it already has. It wasn't enough to make Demeter a helicopter mom, it wasn't enough to drive an actual rift between her and her daughter, they had to take away Demeter's entire role in the story and the creation of the seasons and give it to Persephone.

And this is, surprisingly enough, NOT the first time the comic has done this. There are many traits associated with different gods that have been given to Persephone and Hades. The volcanoes belong to Hades rather than Hephaestus, Persephone is "more beautiful than Aphrodite", Thanatos' and Psyche's butterfly symbolism is given to both Hades and Persephone, Aphrodite's symbolism of roses is given to Persephone, the list goes on. Every single plotline has to involve Persephone as the hero, and every single attribute that's commonly associated with other gods has to be granted to H x P in some way to make them better and more interesting than every other cast member in the comic, and yet they still come across as vapid and boring protagonists with nothing to show for themselves.

So to give the ONE thing from the source material that made LO what it is, it comes across as so unbearably cruel.

But then again, we should have seen this coming. After all, Rachel does not cite this as a retelling of The Hymn to Demeter. She simply refers to it as its more unofficial name: The Taking of Persephone.

Look, I get it, the story is meant to be told from Persephone's POV (or at least through the lens of her being the main character) so I can understand why Rachel may have chosen to reword this to make it more clear. But it's really depressing that she went to such an extent with making it about Persephone that she had to rob one of the most integral character of her moment and retribution. Especially when one of the only books in her cited "research" that's primarily about Persephone is, shocked, The Hymn to Demeter, which is listed at the very bottom of every "research" list you can find in LO's history.

LO should have just stayed as self-indulgent fluff. This isn't "subversion", this isn't a "twist", it's just yet another item on the list of making Persephone the most Important One of all. Even when it attempts to be a 'flaw', it fails tremendously by acting as yet another aspect of her being a Mary Sue, because her 'flaw' has come at the cost of another character's story, identity, and strengths. What was originally a tale of grief, retribution, and standing up against a patriarchal system, has now been warped into a consequence of a muddied plot that doesn't have anywhere left to go. For a story that claims to be "feminist", it has ironically missed the original point of its source material entirely, and completely robbed itself of the feminine strength it could have had if it hadn't tried to be "subversive".

I don't really have anything much more to say than that. I could leave it here for good, but we do still have that extra segment to talk about that covers the actual final cliffhanger in this episode, so... we'll see you on the other side.

[goldierey]

˚˖𓍢ִִ໋🌊 🫧 ˚˖𓍢ִ✧˚⋆｡𖦹 °🐋⋆｡˚♡⋆｡𖦹 °.🐚⋆❀˖°

MASTERLIST

𝐫𝐢𝐨𝐫𝐝𝐚𝐧𝐯𝐞𝐫𝐬𝐞…

⌨︎︎ percy jackson ᰔᩚ baby, i'm your biggest fan! ⌨︎︎ leo valdez ᰔᩚ i'm talking nonsense! ᰔᩚ i adore you, enough to get dizzy ᡣ𐭩 leo valdez x child of poseidon headcanons ⌨︎︎ jason grace ᰔᩚ my life is waiting for you ⌨︎︎ annabeth chase ⌨︎︎ reyna avila ramirez-arellano

𝐨𝐮𝐭𝐞𝐫 𝐛𝐚𝐧𝐤𝐬…

⌨︎︎ jj maybank ᰔᩚ i can fix him, no, really, i can.

𝐡𝐬𝐦𝐭𝐦𝐭𝐬…

⌨︎︎ ricky bowen ⌨︎︎ gina porter

𝐝𝐜𝐮…

⌨︎︎ dick grayson ⌨︎︎ jason todd ᡣ𐭩 dating headcanons

𝐦𝐜𝐮…

⌨︎︎ peter parker

𝐚𝐬𝐨𝐢𝐚𝐟…

⌨︎︎ jon snow ᰔᩚ i can't help falling in love with you ⌨︎︎ sansa stark ⌨︎︎ robb stark ⌨︎︎ daenerys targaryen ⌨︎︎ aegon ii targaryen ⌨︎︎ jacaerys velaryon