#poor little idiot
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st-hedge · 11 months ago
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That emo guy from the sekiro game
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soufre-de-paris · 1 year ago
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everyone's tavs are gorgeous and ornate and lovely and mine's just
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valtsv · 20 days ago
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that shitty thing some people do where they compliment something about you, only to take it back and reveal that it was meant to be a joke at your expense when you sincerely thank them for it, used to bother me until i realised that you can just. keep it. refuse to hand that power back to them. they are never prepared to deal with this.
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steampoweredwerehog · 1 year ago
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Love me a villain that is tragic and sympathetic but is also shown to have 70% of their problems be their own damn fault.
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mackerel22 · 6 months ago
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Akutagawa: Atsushi hasn't text me back and it's been 15 minutes :(
*meanwhile*
Atsushi: Dazai, does "beautiful" have 3 or 4 O's?
Dazai, fully aware of how to spell beautiful: It has 4.
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bloodyfries · 3 months ago
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My personal favorite hc of mine is that sqq has a hard time falling asleep without lbh (he stresses about his husband's well-being/Binghe’s anxiety has rubbed off on him). This leads him to sometimes fall asleep in odd places.
Imagine Binghe finishes up what ever work he had to do earlier than expected and decides to surprise Shen Qingqiu. He shows up at Qing Jing Peak, exciting to see his husband.
He can't find him. Why? Sqq fell asleep against a tree while on a walk. Now, of course, like any reasonable person, Binghe freaks out.
So, eventually Sqq come back to an overturned peak and his husband looking like this:
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statementofjoespookie · 6 months ago
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chess husbands BRAINWORMS
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also tried my hand at dogs n kitties
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pastelsugar6w6 · 2 months ago
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thinking about how, when they're separated from the hobbits, between Legolas, Aragorn, and Gimli it's two bros and the third wheel. Legolas has probably known Estel since he was a child and watched him grow up. They're very close friends if not practically brothers. I can absolutely see him fucking with Gimli by speaking Elvish to Aragorn but purposefully making it sound like he's talking shit about Gimli. And Aragorn will tell him Legolas is just talking about the weather but how can Gimli know? How does he know Aragorn is telling the truth?? He can't understand what's being said and Legolas has this shit-eating grin on his face every time
and contrarily Legolas sounds dead serious, almost angry, as he asks Aragorn in Elvish if he thinks Gimli will like some flowers he found by the river and if it would be too forward of him to ask if he can braid them into his beard
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jupiterslifelessmoons · 9 months ago
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thecoolestcowboy · 1 year ago
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stede sends ed the sweetest little message in a bottle, like DOWN HORRENDOUSLY bad for this absolute beast of a man, but there’s just one minor problem. the scribe is overboard and no one on blackbeard’s crew knows how to fucking read.
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this is gonna be one hell of a season 😭
(jim does not gaf enough to read that long ass letter ☠️)
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withthewindinherfootsteps · 3 months ago
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Wei Wuxian and Narrative Agency – Part Three
For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!
(Part One | Part Two | Full version on AO3)
The Power of Agency: Shaping the Narrative
When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.
This? Linking structure to a character’s in-universe preferences?
This is where we get unhinged.
Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).
To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.
This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.
In other words, its very structure is respecting Wei Wuxian’s agency!
Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!
Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation
Which, of course, is him dwelling on…
Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation
…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:
He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation
And Wei Wuxian’s own thoughts and words:
Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 
Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:
“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR
Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.
Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:
At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR
Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!
So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.
This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!
And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.
But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?
At The End Of The Road: Summary and Final Thoughts
In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.
It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.
(Or, if an image would be preferable:)
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Thank you for reading!
(Part One | Part Two | Full version on AO3)
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*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 
#get ready for tag thoughts because there are a LOT of them#it’s for THIS reason that fanon wwx bothers me so much (didn’t want to get negative on the acual post)#bc so often all the changes are changes that woobify him!#self-sacrificial idiot wwx?? only doing things because… poor him he has so many internal issues and values himself so little-#-so of course he’d sacrifice everything before thinking of another option? woobifying#(whenever he sacrifices something it’s a deliberate choice to act on his morals because he values his morals so much – and he’s also very-#-capable and DOES often find ways for no people to get hurt!)#wasn’t aware that what happened to him at lotus pier was wrong and needs lwj to tell him that for him to have any idea if it?#woobifying (as we see in the lotus seed pod extra he KNOWS it’s unfair)#(he downplays it retroactively in his memory (links into not focusing on the bad things in his life))#(but that’s the actions themselves that are being downplayed not their fairness!)#he chooses to act! he is defined by acting! not tragedy – all the more impressive in the face of the amount of tragedy that’s happened#he could SO EASILY have been a woobie but instead he’s the opposite of one: defined BY his agency instead of the absence of it#that doesn’t mean he’s not impacted by tragedy or trauma – he is! but it’s not the most important aspect of his character (bc he doesn’t le#it’s also something that bothers me about the changes cql made#by making qq path and nightless city the fault of someone else it means he IS someone who’s more a victim of circumstance than anything els#he had no control over the tragedies of his first life at all#apart from ig his death being controlled by him? because he just leaps off the cliff during the nightless city siege?? but in THAT case it’#i watched that part recently (i’m getting through it very slowly) and yeah it reaffirmed my love for this aspect of the book even more#despite. having these exact thoughts for two years already#he also dwells on the past events a lot more than book wwx which adds to that version of him BEING defined more by tragedy rather than who#anyway over 7.3k words total (and 400 more in the tags apparently)... it'll be posted to ao3 in its completion this evening!#mdzs meta#my meta#wei wuxian#mdzs#mo dao zu shi#魔道祖师#grandmaster of demonic cultivation#gdc
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kaleenjoyer · 2 years ago
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ok so someone asked for ed and winry working out together and i posted it but without any tags accidentally and idk how tumblr works but i think nobody saw it so im posting it again
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citytogalaxy · 2 years ago
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I saw zero posts about empathy for the people dead in the Mediterranean so fuck off with your virtue signaling for the five dumbasses in the sub
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alumirp · 4 months ago
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luffy gets a girlfriend
He is blissfully unaware of this fact, however. He meets Torao at work, he's a firefighter and she's a doctor. She stitched up a cut on his arm and he gets hungry, spontaneously invites her to eat and she accepts, probably hungry too (or totally thinking that the cute guy with the stupid smile is asking her out).
They go out several times after that, usually with Luffy showing up at the hospital randomly, either injured or bringing in a patient, or simply to bother Torao because he was bored.
Luffy gets a new (girl) friend.
They're weird friends, though, because one day Torao just leaned in and kissed him. On the lips! And he liked it for some reason, so they kissed countless more times.
And sometimes things get too hot when they kiss and one thing leads to another and- well, they had sex. Several times. Which is weird, because Luffy definitely has no desire to kiss, much less have sex, with his other friends. But it works, so he just classifies them as weird friends.
He's pretty sure they're NOT lovers, because neither he nor Torao made fancy proposals, with roses, candles, fancy dinner and fancy rings, like Sanji and most TV shows tell, so, definitely weird friends.
And its okay, he likes being weird friends with Torao :D
(They're totally dating and no one believes Luffy when he says they're just friends. Because he shares his meat with Law, he actually, like, listens to her opinion instead of just doing what he wants, he takes her side in arguments no matter how obviously wrong she is, he fights with Ace, physically, when his brother says Law should get out of Luffy's life.They are totally dating, Luffy has a girlfriend, it doesn't matter that he doesn't know it.)
((law is just happy to be here, even if her boyfriend is a little slow))
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uhbasicallyjustmilex · 11 months ago
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while putting together the chronological compilation of all milex’s standing next to me antics, i’ve discovered that the longest stretch of shows (8 back to back) they had not singing it into the same mic was directly after this infamous show at bristol summer sessions where alex accidentally felt miles up 💀
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gigi-does-art · 7 days ago
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Revealing my re oc here now!!!! My little guys <333333 I LOVE THESE TWO SO MUCH THEY ARE MY CHILDREN THEY DESERVE ONLY YHE BEST 💚💚💚💚 (i actively put them through the horrors-) Their names are Reynaldo Medrano and Eliana Aguilar, they are raccoon city survivors that Leon meets are rpd and they all traverse through rpd together! I love this little trio so much and I would love to ramble about them more on here at some point!
And also! Check out this art that @residentfurry made that includes my oc reynaldo!!! It’s really adorable and deserves so much attention <333333
(Also some general facts and stuff about them under the cut!)
Reynaldo Medrano:
-24 yrs old during re2
-Pansexual and Demiromantic
-El Salvadorian, he immigrated to the U.S. with his family when he was 11
-Middle Child, he has an older brother and a younger twin sister
-Worked as RPD and was planning to quit but decided to take one more shift and now he’s in the middle of an apocalypse
-He pretty friendly and easygoing, but can be serious when needed, he gets along with mostly everyone. However, he has a major distaste for authority, he hates people bossing him around or making him feel inferior. He just wants to be treated as an equal
-His love language is teasing
-His nickname is Rey-Rey lol, given to him by his twin sister
Eliana Aguilar
-3 yrs old during re2
-AroAce
-El Salvadorian, she was taken from her parents by Umbrella tho-
-Only child
-Was found by Reynaldo wondering the streets of Raccoon City during the outbreak after she escaped from the hospital in the chaos and later taken to rpd where they hid out until Leon arrived
-Reynaldo playfully called her Eli (pronounced Ellie if that makes sense lol) once to make her feel more comfortable and the nickname just stuck
-Is mostly shy and quiet in the beginning, sticks close to Reynaldo and Leon. Overtime, she opens up to them and becomes more relaxed
-Has an unexplained ability to produce and control fire, which is why she was kidnapped by Umbrella. This is also due to the fact that her fire abilities aren’t caused by a man-made virus (don’t know how to explain it but the gist is that it’s something in her DNA LMAO)
-She has little control over it at first, but learns overtime to use it to her advantage and master her abilities fully as she gets older
-She’s baby, I can’t believe I put her in the middle of an apocalypse LMAOOOO
(And some sketches of them! The catified ones are more recent while the third one is a couple of months old 😭)
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