#point one hides point two

[summonthebats]

Edwin's magic ???

Odd thing about Edwin’s magic use is, you’d sort of think he’d be better at it?

Very smart and studious, probably at this for twenty years or more but still gets the books out for each spell? We do stan a careful wielder of supernatural fuckery but ‘gestures towards the cats’ he is not that.

So, what if he is better than he seems?

What if the first spells he learnt were in Hell, and they are cruel. They are unavoidably cruel.

And he got out and met Charles.

Charles is good. Charles is kind. Charles literally died trying to stop a hate crime. Charles would surely be shocked and destressed were Edwin to use such unnecessarily cruel spells. So Edwin does not use those spells. He can learn others. He will learn others.

But it turns out overwriting the first magic you learnt is more difficult than that. He studies and he practices and still the first spell in mind is always from Hell. It is the fire that burns souls or the ice that forms inside skin or the bindings made of thorns. It is the cruel spell.

It would upset Charles, if Edwin were cruel. And Charles has the Bag, they can bring the books. He does not have to be cruel so he won’t be. And if that means checking every spell and its context before using it so be it. That can be done. There is no need to distress Charles.

(Charles would take his best mate slapping problems with a horrifically painful hogtie over Edwin ever getting hurt any day. But Edwin doesn’t ask.)

Maybe after Port Townsend Edwin finds that he can use the painless binding spell. Maybe a reset from Hell, or a side effect of the Cat King’s binding, or even Ester using it on him even if she made it cruel. Maybe he gets one bit of magic that can be gentle.

But maybe, one day, someone makes the mistake of taking Charles.

Charles cannot be distressed if he is not here, or whole, or well enough to notice what magic Edwin has cast. And then it is discovered that Edwin Payne is really rather good at magic.

Much to his distress.

[buttercupshands]

can you even call it a warm up if I'm going to bed without drawing anything big

and a sketch I made while sitting in the park today

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[danwhobrowses]

Now that Critical Role's VOD of episode 120 is out and everyone in the fandom's had a moment to breathe, simmer, and adjust to this all. I wanna do a big talk about my favourite idiot punk rock, Ashton Greymoore.

Because over these last few episodes, I've been so proud of them.

Many people have had vocal opinions on Ashton, not all of them positive either; I've seen many berate them and say they're selfish, not a team player, or that they 'don't add anything to the group'. But over the past few episodes, I feel like Ashton has been an unsung hero in the battles with Ludinus and Predathos, with their contributions, oftentimes selfless and cooperative, ending up providing the floor for others to deliver strong and impactful actions.

While Dorian and Imogen will rightfully get the lion's share of praise for their clutch moments - Dorian's Force Cage on Ludinus saving Liliana and defeating Predathos' first stage alongside Imogen's Power Word: Stun setting up Ludinus' death and defeating Predathos' second stage - Ashton's actions were often the prelude to moments that could not have succeeded without them, including these clutch moments. Their attack on Ludinus in 117 prompted the Silvery Barbs that burned up his reaction - which allowed Dorian to successfully use Force Cage without being Counterspelled, their high-damage attack on his neck hole in 118 broke Ludinus' concentration on Ravenous Void - which somehow later got credited to Chetney - which gave Imogen the freedom and mobility to get in range for Power Word: Stun, they got the Insight check whisper on Predathogen in 119 to know that Imogen was physically inside of the body and needed to be pried out - which Imogen achieved herself thanks in part to Fearne reaching her, and recently in 120 they pulled Imogen out of Predathos' maw, abandoning the Hammer synonymous with their character (to the point that Keyleth titled them the 'Paradox Hammer') to prioritize saving their friend, which - following Dorian's healing - gave her the chance to use the Ring of Remembrance for the finishing Meteor Swarm. Not to mention all the other damage they dealt and tanked throughout the four fights, the passive d4 bonuses and advantage they gave the party (almost acting partly as a secondary paladin or a tertiary bard) to buff their damage and saving throws, and accepting the risk of disintegration when Laudna used their Hammer's spell splitter - which forced Predathos to use its final Legendary Resistance.

The Disintegrate moment itself was tense because we all know that Ashton is high among the Hells who would sacrifice themselves to save the group - a mentality most of the Hells likely shared in this fight - but fortunately they don't have to, they'll never have to, and they gained something just as if not more valuable than a heroic sacrifice: they get to live. The person who before meeting these chucklefucks believed they'd likely die face-down in a ditch in some backwater alley and thrown into an unmarked grave AT BEST gets to live, and the people that mean most to them get to live thanks to their efforts, their successes. And that's the most important part; for all the times they couldn't help or save someone because they were unconscious or out of reach, for all the times they let their imposter syndrome tell them they're just a fuckup undeserving of trust, praise, or love, and for every fear they had that one day they'd mess up and this new family of theirs will abandon them like the Nobodies did, this time they were there standing beside their people to the very end - and they helped get them out alive. No mistakes, no carelessness, and no-one left behind.

For that, I am proud of Ashton Greymoore; not Bells Hells' Weapon but their Helm, not a Blunt Instrument but a Protector, and not a Hero who needs to do 'what needs to be done' but a Friend who is saving their people no matter the odds. Under all the hardened and rugged exterior that has always been who Ashton is - the perfectly flawed character they are.

[feroluce]

Made a FANTASTIC discovery today regarding the meaning behind Boothill's fourth eidolon, I'm so happy!!! Most of it is just cowboy references, like

Eidolon 1: Dusty Trail's Lone Star- cowboy lingo, the Lone Star of Texas

Eidolon 2: Milestonemonger- more cowboy lingo, someone who roams and wanders

Eidolon 3: Marble Orchard's Guard- yet more cowboy lingo, a term for a graveyard (a fave of mine, because for me it evokes the image of a Church Grim <333)

Eidolon 4: Cold Cuts Chef- ????

Google didn't really provide much on Eidolon 4 like for the first three. Before today I had assumed it was just another movie reference of some sort, since Boothill is like entirely based on/inspired by old Western films.

"Cold cuts" are basically lunch meat/deli meat. It's precooked meat that doesn't need any kind of preparation- you can literally just eat it cold. Since it didn't seem to be a movie reference, I thought oh, maybe it's a nod to his lifestyle? Boothill is unhoused and lives on the run from the IPC with little rest, he doesn't really have the means to cook. Precooked, easy food like that would be a godsend for someone in his circumstances.

Anyway the original Chinese text gives it an entirely different, MUCH wilder meaning fjadskljfkld

love how they chose "celebrity chef" to show his expertise and/or fame in this fjkdlsja

Because no, "cold cuts" isn't cowboy lingo for anything, but cold meat specifically is.

It's how you refer to a corpse.

"Cold Cuts Chef" is not a title talking about his cooking ability, or his life's circumstances, or anything as mundane as that, IT'S ABOUT THE FACT THAT BOOTHILL SPECIALIZES IN DEALING DEATH, THIS MAN IS EXTREMELY SKILLED, AND GOOD AT WHAT HE DOES, AND WHAT HE DOES IS MURDER!!!!!

[agalychnisspranneusroseus]

Sasha using the title "Lord" in RiAAU after taking over Toad Tower and presumably killing Grime and stealing Barrel's Warhammer from him, and other political and military leaders assuming she's a man because, well, Sasha is a gender neutral name, so they hear Lord Sasha and assume they're talking about an adult male toad warrior. The second most powerful person in the known world and only real threat to the Leviathan reign!

Cue princess Marcy fleeing Newtopia and her father seeking refuge with his worst enemy hoping to offer information and political levarage in exchange for protection, perhaps even offering herself in marriage to transfer eventual inheritances and whatnot, and she finds out that Lord Sasha is not, indeed, a dark and domineering toad warlord, but a beautiful, terrifying girl her age that looks like her and oh god her poor little lesbian heart can barely take it.

[souenkun]

Judging from these panels, would it mean that there's no other yorishima exorcist that's still alive (since natori said that the yorishima family "was once" a big name, past tense) in the canon timeline, and that the yorishima we know probably ended his family's exorcism business for good by retiring himself? If so, was the reason tied to the youkai living in his left arm, or is there another cause? And when exactly did he retire— was it before or during seiji and shuuichi's high school days, which was why his left arm appeared with the thick bandages when he gave them the loquats in the anime, but he still lived in the estate during that time, or was it after the two became legal adults, which lined up somewhat with him moving into his forest home, abandoning his family estate in favor of living in isolation?

And, speaking of retirement, I wonder if we'll ever know why midorikawa told us that the takis were "famous" (which presumedly meant they were strong enough to be well-known) as occult diviners, since tooru herself only ever mentioned what their previous family business entails, and never about their status in the exorcism community? We don't really need this extra bit if she wanted to further establish how tooru has an aptitude for spell-casting, either. Again, there's another "strong" family (whose members are still alive in canon) that went into retirement, but did the taki family lost their power because the ability to see (if they were needed for diviners) disappeared for at least the last three generations (if we assumed that tooru and isamu's parents couldn't see youkai too), or was it due to another reason? How close was shinichiro (tooru and isamu's grandpa) to the matobas that even the current clan head came to pay his respects during his sixth death anniversary; was his relationship with seiji's father strictly resolved around exorcism business, or was anything else involved? Does tooru herself doesn't fully understand the prowess her family once had, hence why seiji was the one who told takashi (and us readers) about it? What would this tiny bit of lore mean for tooru with it revealed this late into the manga, when tooru herself only talked sparsely about her ancestors in previous chapters?

[lbhslefttiddie]

im so fucking mad. why did i work so hard on this. there isnt even a single gay bitch in this image all i have is latticework and osmanthus studies

[very-poorly-drawn-tgcf]

Go work off that debt Xie Lian! ....with an extra babysitting job.

Meme template for y'all under the cut + examples I made.

Anyway hopefully next episodes won't take too long. The thing is. The Ghost Groom arc is a lot longer than I remember. I'm still racking my brain over how the hell I'm gonna summarize it because I am not going every single instance

[triangular-static]

FEAR and LOVE (I'm not sure there is a difference!)

[benkaben]

I seriously can't stop thinking about it.

[ixtab]

Time traveler: *sneezes*

Chapter 62:

[tj-crochets]

Still no craft updates on account of I feel Bad* but I did get like half a beanie crocheted this weekend? I also have a bat that's haunting me. In that there's a bat design I desperately want to turn into a plushie not in that I am being literally haunted by a bat. As far as I know I am not haunted by a bat but to be fair I'm not confident I'd know? *my heart rate got high enough that made me cough but my asthma was flaring up enough that cough launched me into an asthma attack, which raised my heart rate even more, so basically I used my emergency inhaler and then was on the floor for a while. Feels bad! Do not recommend. I'm okay though just tired

[the-gayest-tree-you-ever-did-see]

finally caved and started reading all for the game. two chapters into the foxhole court and what kind of gay fucking shit is this! also did not know there were sports in here

[evild3ad]

the israeli doctor character in Emilia Pérez: look lady, I don't know who your MR. MAN CLIENT DUDE is but all I do know is that he will never be a woman even if he gets all the surgeries from your little song that you just sang about, even if I do them all at once in one go at one time, literally the same day every single surgery.

Emilia Pérez's Lawyer, Zoë Saldaña: that's where you're wrong, HE will be a woman only after you agree to give HIM all the surgeries I just sang about at once in one go at one time. You will see HIM as a woman once you give HIM a mammoplasty (yas) rhinoplasty (yas) vaginoplasty (yas) laryngoplasty (yas) chondrolaryngoplasty (yas) all at once in one go at one time. Let HIM explain to you why HE will be a woman!

Emilia Pérez (he/him): I murder thousands of people every year and you will be one of them.

the israeli doctor character in Jacques Audiard's film Emilia Pérez: okay I will do it... I will give he/him all the surgeries. He will receive every single surgery he could possibly need in one day in one go, literally the same day every single surgery mentioned.

The Academy of Motion Pictures Arts and Science:

[aphidclan-clangen]

Ok, here's an Idea I've had:

U said you coded gravel back into the game right? Well, why not code one of lilacpaw's Siblings into the game! It would Cool to see!

(btw, this is just a suggestion!)

Coding a character in seems to me like a much more involved and complicated process that id rather not bother with at all, as opposed to literally just changing “dead: true” to “dead: false” in the games files. I really don’t wanna bother lol