#please feel free to ask me about stuff

[zoyo14]

Sprunki AU

i might have a serious sprunki brainrot problem, so to feed my addiction i made this "Mutated Wenda" AU

slight gore warning, also more AU information

About the AU:

basically, Wenda is doing the normal killing people because Black told her to thing, but she gets in a really nasty fight with Durple. During the fight she gets a huge wound on her stomach, the bleeding causes her to pass out, and be found by the other sprunkis.

The townspeople quickly patch her up so she doesnt die, and promptly throw her into jail. they also set up some extra security, and put her under constant 24 hour surveillance.

Black having just lost nearly all of his puppets comes up with a plan, he decides to mutate Wenda in a similar fashion to Simon, but a new and improved version.

spoiler alert, most of this AU is the remaining sprunkis watching Wenda go insane before transforming into whatever you wanna call phase 5.

if this sounds interesting to you however, i am currently writing a fic about this, if enough people want it posted ill upload it to Ao3 as i go along. currently there is a completed prologue and first chapter, each chapter being about a dif phase. the phase 2 chapter is about 70% done, and the phase 3 chapter has a good amount for it done too.

[ganondoodle]

(OC Lore and design time!)

(it got longer again ... sorry ... idk how to make things short, i just need to talk, but i guess if you can read the written stuff in the pic thats the barest bare bones of what i wrote here)

i was asked what new lore story stuff i had thought about that made me sad which i mentioned a bit ago, and while that is too hard to explain given all the missing context i thought i could at least talk about lore having to do with it :D

so, (Lord) Eadrya is one of my fav OCs (big blue lad, here a rough sketch in humanoid form) they are both one of if not THE most powerful demon alive and the most battle trained;

at the mid point of the story the demon world gets invaded by the celestials (the angel inspired things i talked about in the previous lore post with Xaror) and Shargon, as the king, should be their first and only frontline, but at this point his life is only being sustained by maschinery after being mortally wounded, he cannot fight (he realizes what is going on, rips himself off the maschinery to get at least his youngest child to safety, barely managing it before dying- the guardian, the demons god, takes over his body to attempt to fight against the celestials but cant keep itself alive long enough since its host is already dead) Eadrya takes the role of the frontline fighter (despite being very full of themselves and aggressive they care about their 'job' of protecting their own, also giving them the chance to show off just how strong they are); the fight was going well for them all things considered, but when the guardian activates it drains the power of all elemental lords (which Eadrya is one of, and since they have the most strength it also takes the most from them), so much so that they lose the fight and suffer deadly wounds (the worst being a spear through the chest made of a material that grows hard, root-like formations when in contact with demonic blood like a fungus but worse, also stopping any self healing processes) after the guardian falls apart it creates a huge shockwave of energy that stuns every living thing within a certain distance and possibly more-

Eadrya (in true demon form, so like a blue whale in size at least) was likely taken through an active gateway to the human world in a large tidal wave also created by the guardians fall; they wash up in the harbor of a small secluded village, the head of which is 'lady 13'; although never having seen a demon before and everyone being afraid (largely thinking its a strange hurt animal, only she suspected otherwise), they still gather all villagers to pull out the celestial spear, which is diffcult and brutal given that its already taken root, but the village lacked both knowledge and means to help any other way- doing so damaged their heart which is how they were able to collect samples of all three demonic blood types ('normal' -red like humans-, energy -essentially purely magic- and heartblood -highly concentrated energy only found within the heart of a demon and the only one to contain genetic material) (this is the start of Eadryas character arc, having to deal with the fact that their world is likely destroyed, them failing what they didnt think they could fail, having lost a battle so badly (even if not really their fault) for the first time and not knowing if literally anyone else has survived .. also being now stuck in the human world, which they dont like)

Lady 13 (placeholder name? stands for experiment 13) is a human that was tricked by demon hunters to enroll into a series of experiments trying to create hybrids of demons and humans, which they hoped would be powerful and easily controllable tools for their endeavours, though the two are inherently not compatible, they tried grafting body parts of demons on humans to make them compatible- all experiments failed except for her, more or less, though she never got to see the hybrid she carried and was then told it had died too, they threw her out believing she wouldnt survive much longer either and all such experiments were cancelled due to the high cost of human life, research material (demons are still rare) and upkeep with no successful results Lady 13 survived though (perhaps even via the pirates picking her up?) and she ended up living in said small village far away, hiding her half demonic body, though most know there soemthing 'wrong' with her (her being this tall when it doesnt fit the rest for one), only few know the full extent; she enjoys the life she has now, perhaps on the more poor side but safer and more loved than ever before; she largely lead the efforts to try and help Eadrya when they ended up in the harbor, though there wasnt that much anyone could do it was still enough- they leave immediately after waking up, but return after really having nowhere to go and struggling to deal with everything that has happened; over time (probably years) they start to open up towards the people there (though not .. very much) enough to get rather close with Lady 13 too- she actually falls madly in love but after Eadrya (extremely aro/ace) rejects all her attempts quite clearly she respects their boundaries

However, after hearing news of potential demon sightings Eadrya decides to leave in hopes of not being the last demon left after all; Lady 13 then decides to reveal her secret to them (though hearing and seeing what lengths hunters would go to for their experiments makes them absolutely seething with rage- she insists on not being out for revenge) and asks if they would be willing to donate a small amount of heartblood; shes always wanted to be a mother but is now incompatible with humans too- through things she picked up back at the experiments facillity, hers and her doctors research she is sure that is all that is needed, she dares to ask since she does not know when, if ever, she will meet another demon, much less one she could actually trust enough for this though Eadrya hesitates (why would she want to go through the same thing again that didnt work and threatened her life, if it does work, do they want to be involved with any of this? what if hunters find out it worked after all?) but after her ensuring that they would have no part in it other than giving up a little blood and would not be considered a parent in any way, nor made responsible for anything that might happen to her, but considering it all in the end they agree to it

only for her to reveal shes had a small bottle of it already, along with multiple samples of the other types, which she collected when Eadrya was bleeding out into the harbor not knowing if they will survive, though not wanting to make use of it without their consent either way (they are actuallly rather touched by this)

alot later the main group returns here and it turns out to have worked (though she is unable to walk/bedridden for a long while bc it did alot of damage to her body, which can heal since its demons parts, but only really slowly bc she does not have a full functioning system and no demonic blood of her own -she uses the other samples for the healing process-) though its a little awkward to explain, especially considering that 13.1 took alot after Eadrya xD (their theory as to why it worked so "well" that time is that even though the sample was already taken, them giving their consent for it still made it less likely to be rejected; demons dont need partners to have offspring, and all can do it, they just have to decide to- so them agreeing to it, even though its long been outside their body, still had an effect on the blood sample)

[catsharky]

May I ask for some details about your Tav? What do you mean by hasnt really lived as a tiefling before? Like literally has never seen another tiefling? Seems like being abducted by the mindflayers introduced major life changes to your Tav

I'm sorry this took so long to answer, but I ended up doing a whole bunch of art to answer this!

Ember has a really extensive backstory that's kind of long, but the short version of it is: she was caught in the crossfire of a deal her parents made with a devil. They couldn't have a child of their own because her mother was too severely ill, so they made the deal in the hopes of returning her health and along with it the ability to bear children. Unfortunately devil deals being what they are, they ended up with Ember who the devil stole from her birth parents.

Her mom was a high elf and her dad a half-elf, and her mom's side of the family were quite vocally anti-Tiefling. Because of her mother's health problems, however, they couldn't just sever contact with her parents because they relied on their money to cover the cost of healers, expensive potion ingredients and the like. They couldn't be trusted not to be a threat to Ember though, so the decision was made to disguise her as their biological daughter throughout her childhood.

Here's an age chart!

As a result, Ember didn't even know she was a Tiefling until she was around 4 or 5, when she began to present as a sorcerer and accidentally undid the disguise spell (she ends up a bard thanks to her mom, but her control of magic comes from sorcery).

Before the events of the game, the most time she ever spent as a Tiefling was when she was 13- when her mom died and her dad disappeared, the disguise spell having relied on her mum's magic. She went through hell for a while after that and as soon as she could learn how to cast the spell herself, she jumped at the chance and went back to living as her old half-elf self. So when she gets taken by the Nautiloid, it's her being forced to actually live as her real self and as a Tiefling for the first time. As a result she doesn't have great control over her tail, because she's just straight up not used to having one.

She also spends a lot of Act 1 jumpscaring herself whenever she walks by a mirror lmao.

I do plan to do some comics that are set earlier in the game at some point, and those ones will explore more of her backstory. What I've done so far has just happened to be set in Act 3, after she's already sorted a lot of her shit out. I just have no idea when that'll actually be!

[rosiesdisneydrama]

I am only on the fringes of this fandom but the Pre Series aus (and old man yaoi) slowly sank into me until my brain was tricked into making an au.

Behold! Witch Stanley! (I've been calling it the Witch Way Next au)

Basic idea is pretty simple, after he was kicked out, Stanley stayed with someone he found out was an actual Old Witch. Who, after hearing what happened, decided to all-but-legally adopt him and started to teach him magic. (Bc they were old and, despite being a witch, weren't immortal and have never had a family to pass on their skills to.)

They helped a lot with his mental health/internalized issues while he lived with them. Making him more stable and put together than canon.

They passed away after a few years, but gifted him basically all their tools (like a near-bottomless suitcase and dufflebag to help him carry it all without anyone noticing) to use and self-study/learn after they were gone. A lot of his work while traveling was as a Magic Fix-it/"Handyman" instead of sales work and cons. (Unless someone needed to be taken down a peg or two.)

Now some other notes (Some of which are one the drawing)

He uses the witch's surname most of the time, to denote that he was their student/succsssor. He also has their book of contacts for other magical people/shops they knew around the country (which he's been adding to)

He smokes herbal cigarettes now, which he makes himself. They can be used to cast spells since many of the ones he was taught use smoke/burned herbs as part of their ingredients!

His lighter helps him conjur/fight with fire magic.

Wears a protective talisman all the time. He sleeps with it on, even.

Every hotel/motel he's stayed in smells like lavender and sage when he leaves. (Lavender and Sage are protective/purifying and can keep malevolent and violent magic and creatures away.)

His clothes and health are better when he and Stanford meet again because he's in a better mental state than cannon. (Thanks to lots of soul-searching and identity-grappling while learning to use magic)

His messy mullet-like style is actually semi-intentional because of a spell he uses a lot when he's in a tight spot.

He actually didn't come to Gravity Falls because of his brother. He was asked to go there as a favor to someone he knows and bumped into his estranged twin by accident.

And that's the basic gist of how Stanley is different in this. As you can imagine, a lot of things probably will change from canon, if I continue adding to this.

I would actually like to talk more about it, so please send asks if you want me to ramble about anything in the au!

[psilliguykai]

Hey Jashers! So. I’ve recently seen a lot of people expressing how they feel the CJ community has been getting kinda toxic lately. It’s honestly really disheartening to see this happening, especially as this community and Chonny’s music/characters mean a lot to me. I guess this is all to say: if you feel the CJ community is getting toxic, let’s try to actually fix it. And no this doesn’t mean “make 10000 callout posts”. The Jash himself said both on Twitter/X and on the CJFS he’d rather all this (recent incident[s?]) be essentially acknowledged and dropped. If you want to keep this fandom alive and healthy (which I feel for the most part it already is! CJ is active in the discord server and is comfortable engaging with his fans and I think that alone is a really positive sign. Plus we have some incredible creativity and support !) do your best to contribute to the positivity and respectful, good content that we DO for the most part produce. You can make it clear that creeps, those looking to disrespect boundaries/privacy, etc. aren’t welcome here, but please try to do so effectively and only as needed. I know it’s kinda trite, but these people feed off attention and giving them more of it (regardless of whether it’s positive or negative) is only going to worsen the situation. In addition, if you can, please try to adopt the mindset that while flawed, this is an ultimately pretty good and respectful community. The more you express that it’s toxic and disgusting, the more it’s gonna live up to that.

[If you feel the need to distance yourself that’s totally fine and understandable too, just please do it for yourself and not as like. a statement I guess?? Idk I honestly haven’t seen anyone doing this I just thought it could be good to address]

TLDR: This community means a lot to me and I really desperately don’t want to watch it go to shit. Please for the love of whatever, let the toxicity die attention-less in the shade and just . be respectful. foster the actually positive parts of this fandom so they can prosper.

[PS: genuinely none of this is actually directed at anyone!! More just addressing a recent trend I’ve seen I guess??? Anyways uh yeah. Stay cool and stay hyped for chaos week I suppose :]]

[destiel-wings]

watching Angel (the series), I feel like is really interesting, specifically in s3 cause I think in some ways it was good but they did Cordelia SO dirty. I feel like there were some aspects where I was like yeah that was totally written by a man e.g. when Angel gives her a necklace after being away cause of Buffy’s death and she’s like it brings out my boobs 🙄.

I feel like there are some scenes that are kinda ironic considering how Joss treated Charisma like when Cordelia was doing that commercial? Like was that a dig at Joss? But also that’s 90s early 2000s writing as well.

Oh, yeah, absolutely.

I don't know if you're watching the show for the first time or not, so I won't give you direct spoilers, but what they did to Cordelia gets so much worse in season 4.

There is one storyline specifically that happens that season that we as a fandom collectively pretend never happened.

And I actually like season 4 (i love the way that it's built, the plot twists, the epic tones of the main villain coming, the way that some characters develop and the main theme/metaphor that relates to the big bad of the season), but what they did to Cordelia will always be one of the greatest faults of the show. And now that all the rumors about Joss are out, we know why that happened too. ��� That's when Charisma was pregnant and Joss threatened to fire her. And he did.

I mean, I can see the casual misogyny you're mentioning in the first three seasons as partly being due to the 90s/early 2000s writing (definitely a factor), and partly as a sad realistic depiction of what real actresses in the business like Cordelia (or generally women everywhere) had to endure at the time, when they couldn't even speak up. And i think there's a distinction to be made here, because there's two types of misogyny (or any other problematic behavior) that can be shown in media.

The scene where Cordelia is posing in a bikini and the photographer is a complete jerk for example is a harsh depiction of what society used to be (and still is), and so, in my opinion deserves to be in the show, because stuff like that is a slap in the face that should outrage us. Shows nowadays are excessively tiptoeing around real life issues. And i don't think it's helping anyone. I think we should be able to see stuff like that in fiction so we can say "this is horrible. It shouldn't happen in real life," and hopefully we can learn from it and get better as a society. In this sense, it's useful misogyny, because it exists to outrage the viewer and sensitize them to the issue. And there's tons of other examples of this in the show (I'm thinking about Lilah's storyline for example).

And then there's the pointless misogyny. Lines like "it brings out my boobs!" or other examples that i can't think of right now that won't really teach you anything if not make you cringe thinking "a woman would never say something like that", or "this is a disservice to the character for no valid reason" (like what they did to Cordy in season 4). That type of misogyny outrages us, but for different reasons, because it's gratuitous and completely unnecessary, and should be rightfully cut out.

Unfortunately the show does both. It is the product of its time, and that needs to be taken into consideration. In the end, I think the good it did outweighs the bad, and it managed to tell stories that are still strong and powerful today because it never shied away from speaking about human weakness and visceral struggles in a way that's raw. And people can relate to that (generally speaking).

And you're right, it is ironic, Joss became a feminist icon for creating Buffy, a show where strong (and yet human, flawed, imperfect) characters always stole the scene (with a few male characters exceptions)-- and then he created Angel. A different show, more adult, darker, with some noir touches, and a male lead. And I think, the vibe being so different and more focused on a male lead like Angel (who represents an anti-hero version of the knight in shining armor, which is, per se, an anti-feminist trope) the slope was slippery and so some misogyny slipped through. I'm not saying that misogyny was inherent to the basis of this show but... it kinda was. One could even say that Angel is the anti-Buffy (literally, one show being about a frisky young female lead who is a hero pledged to rid the world from evil vampires, and the other one being about a brooding 200+ year old male lead that is a former(?) evil vampire always ready to save a damsel in distress). The cool thing though, is the show itself is aware of that, and brings it out at text level (for example with Spike mocking Angel for it, in one of the very first episodes of season 1). So what I'm saying is... it's complicated. It's a show that uses its female characters to cater to its male characters' arcs sometimes. But it's also a show that gives us great female characters. Strong, powerful, intelligent, human, unapologetic. There's the good and the bad.

Back to Joss Whedon, personally, I can see him putting a lot of his own personal struggles into the show. Like, the theme of Angel season 5 is literally about the heroes trying not to get corrupted by the power, and that's kind of what Joss did. Guess he wasn't as good and righteous as most of his characters in the end.

[maraariana01]

at last.... peppino clone oc.

this is Potato, a failed WAR clone that turned out waaaaay smaller than intended (due to the desert rain frog DNA. probably)

this little guy tries SO hard to be as big and tough as all the other, bigger clones, but in reality he's all bark no bite and gets scared quite easily. he can't talk, but he can squeak just like a desert rain frog, which he usually does when angry, threatened or scared.

mostly eats bugs, because they're easier to catch, but likes any kind of food.

[erinravenseeker]

Just had a middle-of-the-night “ohhhh” moment as I just figured out that Kim Dokja needs the Fourth Wall not because of the scenarios but because it was essentially his survival mechanism for life.

Now I have only read the novel once so I could totally be forgetting stuff & way off-base but this is what I remember. Inane rambling under the cut, major spoilers included.

We know he’s generally antisocial, placing himself outside of society like a reader, and he internally smoothed over Sangah’s rough points even before the scenarios, making her into a ‘character’ (a caricature of herself) that fit into an archetype.

Dissociating from reality & viewing himself as a reader is his coping mechanism & “WoS coming to life” provides a convenient excuse to keep ignoring that fact.

This kind of ties in with an idea I’ve been forming about the Fourth Wall, which is that KDJ is fundamentally incapable of believing that “The Characters” (read: everyone) can experience growth as a result of his actions. He exists outside of the story, he is in the audience beyond the fourth wall, so he cannot affect the characters.

Hence the paradoxical nature of the Fourth Wall. For as long as he is a Reader, the Fourth Wall is maintained. And as long as the Fourth Wall is maintained, he will continue to be a Reader.

(Warning this is where it gets incoherent and messy.)

Kim Dokja fundamentally NEEDS the Fourth Wall to be maintained. Not just because of the OD stuff, but because it’s the way he’s learnt to cope with existing. It’s also why dying is so easy for him—we know he cannot deal with the guilt of making people he cares about suffer, but if he’s just a Reader, that means he can’t really have any meaningful impact on their lives, so it’s fine for him to just… disappear.

Kim Dokja is not actively suicidal, he’s just invested himself so far into the worldview of himself being a Reader that to him, his temporary deaths no longer register as dying. More like… stepping out of the theatre for a bit.

It gets complicated when we hit OD. Because then we realise the KDJ we’ve been accompanying is essentially a self-insert OC. So we can ascribe the way he thinks to OD, including all the coping mechanisms and self-distancing. But where OD manages to escape the narrative along with SP, at the same time the KimCom Crew escape the narrative, KDJ actually kind of… doubles down?

Like, OD does what any Reader does and learns from the book. When KDJ says “I, someone of no redeeming quality, could be loved by the others.” It’s not just him learning this lesson. It’s actually kind of the opposite. OD is Reading this lesson so he learns that he’s allowed to accept the mercy of SP & the 999 crew. So they escape the narrative.

KimCom also manages to escape the narrative but KDJ… can’t. He comes to the conclusion that he was actually backstage all along. But that means he’s still not ON stage. A Character can’t feel for the Script Writer or Director or Stage Manager. So he doubles down on his separation from them, stepping into that role. And then then KimCom comes banging on his door backstage because they’re not just characters, they’re the Actors now, and KDJ disappears because he can’t deal with that, because he fundamentally cannot exist on the same plane as them.

I think that’s why I’m hopeful at a post-epilogue ending. KDJ The Reader exists at essentially a higher tier than the people around him, and so he believes he cannot be loved in a way that has a lasting impact on them. But he DID spend years being affected by WoS, by Yoo Joonghyuk. If he becomes the Character, and them the Readers… maybe, just maybe, he can actually accept that love.

[fingertipsmp3]

Maybe I did this to myself but it does irk me when people see me knitting and they ask who it’s for and I say it’s for me and the immediate reaction is “you should sell it” yeah… let me spend at least a week’s worth of my free time making an item I like, want, and would wear just to sell it on etsy, making at most a £2 profit on materials and not being compensated for my time whatsoever 👍🏻

[watermelonbugs]

i just wanted to come up with headcanons and character designs wHY AM I INVENTING A LANGUAGE WITH A COMPLETELY DIFFERENT ALPHABET. IT HAS 33 LETTERS AND UNIQUE PUNCTUATION. AND THE LINGUISTIC HISTORY IN A FICTIONAL WORLD I HAVENT EVEN MADE YET. ARGHHHHHH.

[noirandchocolate]

*sipping banana whiskey on a Wednesday night*

What if…guys what if. The Yiga Clan’s Blademaster exam historically wasn’t really that easy. What if Tears of the Kingdom simplified it (Doylist explanation) or the Clan changed and simplified it over the 100 years since the start of the Calamity for some reason (Watsonian explanation)?

Because. It just feels too easy. Even if the person attempting it isn’t Link, with access to fast-travel points and sky islands to drop from. The guy at the Blademaster Station who’s apparently in charge of administering the test even marks the locations of the frog statues on Link’s map! Come on. That’s too easy. And has nothing to do with swordsmanship either! It can’t be that simple.

*pours another shot*

Yeah I think…. There’s got to be more to it. Or there was. Way back when. (My primary headcanon focus is always on AoC timeline anyway.) I think! The banana offerings are just the first part. And the statues are placed new for every candidate. And you have to journey about to find them yourself. It’s meant to test your scouting, perception, and overall survival skills, to make sure you’ll be useful on missions outside the Valley. Can you spot the statues? Climb/teleport up the cliffs? Be in the harsh wilderness of the Highlands and desert for a period of time? (Don’t worry, there’s always (more or less) someone around monitoring you, you (probably) won’t die, they’ll grab you and you’ll just fail the test attempt.)

But then if you can do it, that’s not all. I think! The exam has also got to include tests with the two-handed weapons Blademasters traditionally wield: the windcleaver and eightfold longblade. Tests on technique and form, performing certain strokes, draw speed, things like that. There would also be tests on the arcane arts like the Earthwake technique.

And then—!

You have a match with the Right Hand! Who’s the lead Blademaster teacher/mentor. You don’t have to beat them of course (and in the case of Sooga, you probably wouldn’t), you have to impress them. Hold your own. Get a hit in where you can. Show off everything you know, against the person who probably taught you a lot of it.

Oh and then if you manage to succeed at that?

You fight Master Kohga. And try to do the same. Imagine! Having to try countering all that magic, all that power! It’s a true test, to make absolutely sure you’re good enough for one of the elite martial positions in the Clan!

Afterward, the Master and Right Hand confer and make the final decision whether you pass and become a Blademaster or not. And then you get given your official blade (either type, your choice) and a lil’ feast/party to celebrate you joining the ranks.

*downs the rest of the drink*

Anyway that’s what I think.

(I also think it would’ve been fun in TotK if passing the exam earned you not just a pristine eightfold longblade (easily breakable and lost) but info on the locations of more Clan branches you could travel to to get the pieces of an actual Blademaster armor. Like you could do some kinda additional lil’ quests to get them, to make it more interesting/worthwhile. The Footsoldier-style armor gives you stealth and a set bonus nighttime speed boost for that light fast build. Maybe the Blademaster one could give stealth but the set bonus is proficiency with two-handed weapons? Either letting you swing them faster or they all get a little attack+ bonus?)

*waves glass on my way to bed* ANYWAY THAT’S WHAT I THINK.

[ace-of-hats]

Ok, after a month I think it's time for me to actually say stuff about my OCs! (be warned–this is going to be kinda long.)

I have a few stories/worlds (three I drew characters from I think–) so I'll break it up based on that. After the character’s name, I'll put a day I drew them (I don't want to write descriptions…)

1 - A fantasy world set a long time ago. Basically, the world runs parallel to our world. Set around the year range 1000-1500 (i had a really specific one but i forgor). There are significantly less people than in our world because when “wizards” (normal people who take magic from places it isn't supposed to be taken from) die, there are great natural disasters/magic related catastrophes. Along with wizards, there are naturally occurring magical creatures/people. (I’ve done a lot of worldbuilding for this over the years, so if you are confused I would be happy to elaborate! I'm not going to write it all in this paragraph because that would be. a lot.)

Dandelion (day 2): she is a shapeshifter (can be a human or a mountain lion) who comes from the forest surrounding a small kingdom. Her mom was killed when she was young and she gets separated from her siblings, but she ends up making her way to the outskirts of the small kingdom and eventually becomes some sort of royal guard thing. She wants to go back to the forest, but her best friend (Lev) isn't allowed to leave, and she wont go without him.

Leverett ‘Lev’ (day 13): he is a prince of the kingdom, but not in line for the throne (that's his older sister). He gets sick easily (and is allergic to grass and pollen and whatever), and so is not allowed to do lots of things his sister is. Despite this, he wants to go on a “grand adventure” (with Dandelion) and sneaks out to try to do that more often than people usually want him to. He is really friendly, and is well liked by pretty much everyone he meets. This sort of makes up for the fact that he was taught zero survival skills.

Pon (day 12): they are the literal shadow of the latest wizard. They were brought to life in the wizard’s attempt to live forever (it's complicated) but it didn't work. After the wizard died (old age), Pon lived with his widowed wife until she died a few years later. They inherited the house, a small cabin/cottage in the middle of the woods, and they keep up the garden and read to pass the time. Pon is solid in direct light, and can be solid in the dark, but can also become more like a shadow and also move through walls. They meet Dandelion when she breaks into their house.

2 - Platformer video game concept I've had for a while that I probably wont start for a few years, if at all. Very basic, there are five areas: ocean, volcano, clouds, forest, and mirror world.

Farris(name may change)(day 24): main character. The flower behind their ear gives them a different power/attack for each area. They are friendly/helpful to a fault, causing them to help a magic talking tree.

Briar (day 3): she is the person who gives little hints about the map and the controls. She seems to know a lot about this strange world–more than Farris, maybe more than she should…

Cat merchant(day 27): is a calico cat that sells stuff. She's real silly. Makes Farris eat cat food.

3 - set in 2024 but there's magicians and vampires and dragons etc that are kept secret from normal people. Magicians do magic with the help of a familiar. A magician’s magic is passed down through genetics. Most people have some magic in them but not enough for them to do magical stuff. Not really important but I thought it was a cool idea–vampires drink the magic that's in blood, and if you don't have any magic in you, you're immune to vampires (and some other magic stuff). Same with werewolves–you would just get chomped and have to go to the doctor probably. But I'm getting off topic here. The type of magic that magicians use is different than the type of magic that magical creatures (vampires, dragons, etc) use.

Korbin (day 7): he's a highschooler who thought for all his life that he was just a normal guy. One day he discovers that he is a slightly cooler guy (can do magic), and makes friends with a couple other magical teens. His familiar is a raven named Peanut. She likes peanuts. Korbin really likes drawing, reading and going to the library. He 100% almost immediately gets a crush on Viktor. Because of some worldbuilding that I don't think I wrote down and have mostly forgotten, he accidentally does something and gets features from his familiar (aka cool wings).

Hecate (day 23): she has known she was a magician. She really really wants to do weird necromancy shit, but it is illegal (she does it anyway)(her parents dont know). She wants to be a doctor (100% for necromancy reasons). She has a snake familiar, I forgot her name tho. Snakie is totally on board with the whole creepy bones magic stuff, and she brings hecate small animals to “practice” on, causing hecate to have a bunch of small bones on her at all times. She is a grade younger than the other three. 

Erin (day 20, dragon form day 4): she is a dragon who was secretly swapped at birth with a kid in a magical family. She can change from dragon and human forms. When she uses magic, her eyes turn from brown to a yellowie gold like they are in her dragon form. She is very silly i love her. Since she is not a magician, she has a fake familiar (pet)(a possum named Theo) to blend in more (dragon changelings are really rare and her parents let her keep the possum that she found in her garage). She doesn't like Viktor as fast as Korbin and hecate do, but she warms up to him. She likes sewing.

Viktor (day 8): he's a vampire who grew up in a cult trying to get rid of the type of magic that magical creatures have, out of the fear of it being “too powerful”. He has a cat “familiar”(as a vampire he doesnt need one) named moon. He usually wears a turtleneck to hide his bite scars from people, but his family and the leaders of the cult do know about his vampirism, and are using him as a sort of test subject to try to learn how to un-vampire someone/take away the more potent magic from a magical creature. He ends up becoming friends with the other three after they learn that he's not a crazy cultist.

aaaand as a reward for reading all that (or just scrolling through idk), heres some of my favorite pieces from oc-tober!

[jevilplush]

liddell and their emotional support clown

[seawing-vibes]

Finally finished up some oc basefills!! These are surprisingly hard pfh, but fun !! In order this is Noctilu, Acacia, and General Hail! The latter two are v old ocs of mine that have been redesigned <3

Okay heres some bonus stuff!! I really liked how some of the lineart was done so here is the raw lineart for anyone interested + a speedpaint (?) of General Hail’s design process ! These guys were really fun to work on despite it taking me so long for no good reason ,,, heres some design notes on them all <3

Noctilu has a Lancier attached to the leather holster as he is the main fisher aboard the pirate ship he is part of

Noct’s line-wing patterns arent always visible, but some nightwing seers claim that the lines help them trace future timelines. Since Noct is a Nightwing Hybrid he wonders if those claims hold any truth

Acacia is a botanist out of the Scorpion Den ! Her bag is filled with journals, loose note paper, and writing supplies.

General Hail was hard as fuck to design guh . He is purple because I want him to be <3

Although he was part of the War of Sandwing Succession, he was born without his back leg and has had a prosthetic forever! Plus he was a very skilled fighter so most of his scars were inflicted by those he let harm him for whatever reason he had in the moment

Astrolabe I gave up on trying to redesign I’m so sorry bud. Hes Married to Noctilu (they have matching earring) and is the ships cartographer / navigator, so his quiver is actually filled with maps and scrolls. He keeps his actual astrolabe and sextant in his bags.

[lux-et-astra]

wizarding fashion

clothing norms - sleeves tend to be shorter, mostly to provide access to wand holsters - this changed during the war (dark marks) - thin material - having thinner and shorter clothes is a sign of privilege because good wizarding clothes tend to be enchanted to keep the wearer at a good temperature. having to wear jumpers or other temperature-specific clothes is a signal that the wearer is poorer, however this isn't as strong an indicator as some other fashion faux pas as they're also occasionally worn for comfort rather than warmth - high waisted shirts/blouses - wizarding shirts don't tend to be tucked in, they end where the trouser waist should start - again they ought to be enchanted to remain in the right position, but there's also not as much of a modesty culture (partially because showing more skin suggests better clothing enchantments therefore more wealth rather than less) - material is also often less hardy because mending it is so easy - although this isn't true for all wizarding clothing (tunics are often made of very thick, tough fabric)

semi-casual, day to day items - loose trousers (wide legs which come to the knee at the front and mid-calf on the back, usually are a fairly plain pattern with a wide, decorated band at the ends and the (high) waist. usually a light material) - shorts (usually come in a matched set with the trousers, so also have wide decorated bands at the ends and waist - these are a much more modern twist on the loose trousers, usually only seen on young people) - skirts (a range of lengths, although not usually below mid-calf, more generally not below the knee - tend to tie with laces that go a few inches down the left side. usually a light material) - tighter trousers (these come to the ankles and are a little more formal - part of school uniform for boys usually. a heavier material and not necessarily as high a waist. typically darker colours and almost always come with a waistcoat in adults, although some might skip the waistcoat if they're wearing them with closed robes) - underwear - pants tie with one cord at the top; bras are laced down the centre of the front

robes - everyday robes are almost always black - come with sleeves and without (sleeves usually only to the elbows, although that has changed in recent years) - typically edged with colours/decorations which convey some kind of allegiance - robes are part of graduation/matriculation and are often associated with guilds. potion masters' guild uses green robes, ministry uses purple robes. children tend to wear plain black robes - graduating from any school allows you to wear white edged robes. typically prestigious family houses may wear robes where the edge colour is striped with their colour of significance - open robes have the edging along the sides and around the hood; closed robes for men have the edging along the sides down the middle, whereas closed robes for women have the edging along the exposed edge. all robes also have edging around the bottom/skirt, but closed robes do not have edging around the collar - open robes are very different from closed robes - they have hoods whereas closed robes do not, and they tend to only fall to the knee or mid-calf, whereas closed robes all fall to the ankle (excepting some more modern designs, which are sniffed upon in high society) - will ALL have good pockets - closed robes for men are a straighter silhouette, fasten at the centre of the front with buttons, and have a mandarin collar usually. buttons tend to go down to about the waist, at which point the robe falls open - closed robes for women have a fuller skirt - the top bit fastens at the left of the front with buttons, and the robe then cuts down diagonally across the skirt section. it will twirl out but the robe will not fall open. collar is less prescriptive as women tend to wear blouses underneath, so some will have high collars, but some will sit underneath the shirt collar instead. - men tend to wear closed robes with tight trousers (in the past, the buttons would go all the way down and they wouldn't wear anything underneath - this has changed) - men don't tend to wear a shirt underneath, although they may wear a shorter tunic-style top (NOT a full tunic) - women tend to wear closed robes without trousers, although they will occasionally wear shirts underneath. women don't tend to wear tunic-style tops - if the robe has a high collar, they may wear a peasant blouse instead of a collared one

footwear - usual everyday footwear are ankle boots. these can look more or less like curly elf boots - typically depending on formality/age of wearer. older wizards stick to the older style which looks a little "sillier" to those more familiar with i.e. muggle culture - can be laced but more modern ones may have zips in the side - women's duelling boots go a little higher, more like combat boots - laced - men's duelling boots are almost thigh high typically - laced - the more laces, the better - again a sign of privilege to have laces you have to use magic to do properly - laced shoes are never school uniform and children don't tend to wear them until fourteen/fifteen

practical/formal - the tunic outfit - the tunic outfit is ostensibly worn when you're duelling/expecting to have to fight. thus it's part of the hit wizard/auror uniform, is typically worn in formal situations that aren't balls, and is more common among young people. - it's also a lot more common among wizards of prominent houses because it has a heritage aspect and is more removed from muggle culture - it wouldn't raise eyebrows in the street but it puts forward the same kind of image as a leather jacket or proper combat/steeltoed boots if the whole kit is worn, especially the gambeson. just the tunic without the gambeson is very normal and just like wearing jeans in a practicality kind of sense - for men, it comprises men's duelling boots, a tunic, tunic belt, a kind of gambeson, and possibly open sleeveless robes. for a full outfit a wand holster is worn on the wand arm and a bracer on the other - for women, it comprises women's duelling boots, a tunic, tunic belt, the same gambeson, and possibly open sleeveless robes, wand holster & bracer, but also duelling leggings - the tunic has fairly wide and long sleeves that stop a little before the elbow. it's typically made of heavy fabric and is in darker colours. men's tunics are longer than women's, because they don't tend to wear duelling leggings - tunics are never worn without a tunic belt but the belt signifies something very specific about the outfit. tunic belts are always enchanted in some way. something like a thick ribbon would be worn if the tunic was being worn in an everyday sense, or cord or rope. if it's being worn with the gambeson, a metal belt is better. not everyone has a lot of tunic belts to choose from as they're quite expensive so it's also a sign of privilege. - the gambeson is quite short because it sits just above the tunic belt, which sits above the hips. it has a high collar like men's closed robes (which are meant to evoke it), and no sleeves - if worn with sleeveless robes, they should cover the edge of the gambeson where it overlaps the tunic. it's usually made of thick quilted fabric, heavily enchanted, and features a crest on the front - commonly of one's school house, family house, or guild house. a plain or simply patterned gambeson suggests someone poor or unconnected; a gambeson with a group's symbol suggests a cohesive group or militia. death eaters wore gambesons with the dark mark. - duelling leggings are fairly thin but tight (usually black) leggings that come to just above the knee. they are enchanted to deflect most spells and came into use due to concerns in the olden days about protecting women's abilities to reproduce. it's become common nowadays for women to wear shorter versions underneath loose trousers or skirts (or even shorts sometimes) where they're not visible. - part of graduation involves receiving a full tunic kit. gryff: deep red tunic, gold belt, black gambeson with red background & gold lion, open robes edged with white. huff: mustard yellow tunic, black iron belt, black gambeson with mostly white badger, open robes edged with white. sly: deep green tunic, silver belt, black gambeson with green background & silver snake, open robes edged with white. rav: dark blue tunic, bronze belt, blue gambeson with bronze eagle, open robes edged with white. - styling the kit without the gambeson and boots makes it much less formal and accessible, as the tunics require much less washing. - some tunic belts (all metal, most cord, some rope, very few ribbon) are braided in house-specific patterns - belt braiders are highly respected artisans

formal occasions - the tunic kit with gambeson is kind of like wearing full military dress - it's appropriate for some occasions and people and not for others - sometimes dress robes are appropriate - these are fancier versions of closed robes - for women, dress robes always have a high collar and shouldn't be worn with anything underneath, they basically function as a wrap dress - they can be more exciting colours, do not have edging as a general rule although some still do, are often patterned, and ALWAYS fall to the ankle - while this is occasionally flouted in everyday robes it is never flouted in dress robes. (yet) - dress robes can also be made out of lighter material and almost never have pockets - dress robes are always sleeveless and show off the wand holster. some have taken to wearing bracers as well with dress robes in order to hide the dark mark, however it's a practice that was well-accepted by a lot of people - dress robes should only be worn with ankle boots rather than duelling boots - for balls, women tend to wear proper ball-gowns, while men wear two-piece dress robes: this is a jacket shirt in the same style as the top of normal dress robes, with some kind of enchanted tails - the aim of this shirt is for the actual material of the shirt to flow as fluidly as possible into the tails - and tight trousers underneath, which shouldn't attract as much attention as the tails so normally aren't patterned, but aren't restricted to being dark colours. these are also typically of a much lighter material than everyday tight trousers - because some people only have one set of dress robes, there are some tailors who will tailor one-piece dress robes temporarily into two-piece dress robes - this is usually quite noticeable but deemed better than not making the effort at all. the quality of tailoring varies based on how much you can spend on it.

uniform - most guilds don't necessarily require a uniform besides edged robes, although for formal occasions some might have guild-specific gambesons & belts or a specific style of dress robes - some professions do have a uniform - i.e. ministry officials tend to wear closed dress robes with a ministry pin detailing their specific role - these pins, when being worn, are trackable from a central ministry office, making it easy for people to tell when officials are in work and therefore available, and where to find them. aurors/hit wizards have a full tunic kit uniform - school boys have to wear plain black sleeveless robes with a house pin, tight black trousers, white shirt - school girls have to wear plain black sleeveless robes with a house pin, grey knee-length lace-up skirt (of a heavier material than usual wizarding skirts), white shirt - sporting uniforms usually evoke the tunic kit - they will typically include an underlayer, usually leggings and a tight shirt, with a high-collared sleeveless jersey to go over, bearing a team's crest. the jersey will usually fall to the tops of an athlete's thighs and they will usually wear boots akin to duelling boots but made of more flexible material

guild colours - potion masters: green (because the herbologists' guild is technically an affiliate of the potion masters' guild, they use olive green to distinguish themselves) - enchanters: blue (due to this, alchemists tend to use teal/turquoise edging - transfiguration specialists use a royal blue whereas charms specialists use a pale blue) - ministry: purple - merchants: gold (it's not gold because a lot of members of the merchants' guild are hufflepuffs, but that's a popular misconception) - duellists: red (the duellists' guild is technically higher in the guild hierarchy than the ministry, so hit wizards and aurors who are members of the guild at journeyman level or higher wear red edged robes rather than purple) - historians: orange - smiths: silver

[apocalypticdemon]

I am so beyond ready to quit this job. Wednesday cannot come fast enough.