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graysoncritic · 8 months ago

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A (Negative) Review of Tom Taylor's Nightwing Run - What Went Wrong? Barbara Gordon

Introduction Who is Dick Grayson? What Went Wrong? Dick's Characterization What Went Wrong? Barbara Gordon What Went Wrong? Bludhaven (Part 1, Part 2) What Went Wrong? Melinda Lin Grayson What Went Wrong? Bea Bennett What Went Wrong? Villains Conclusion Bibliography

Out of this entire essay, this was the section that I considered cutting entirely. After all, in the past there have been instances when Barbara Gordon and her romance with Dick Grayson have been weaponized by Taylor and his fans against his critics.

The example that comes to mind was when Taylor and Redondo were criticized for not including Duke in a Nightwing cover that parodied The Brady Bunch.

(Taylor, Tom, writer. Redondo, Bruno, illustrator. Battle for Bludhaven’s Heart Finale. Nightwing: Rebirth. 96, e-book ed. DC Comics, 2022)

Personally, I believe that, while discussions of how Duke’s positioning in the Bat Family is warranted, the matter was blown out of proportion, and many of the attempts to cancel Taylor crossed the line into harassment (make no mistake, while I believe him to be a terrible writer, I do not wish him any ill-will). That being said, Taylor also escalated the matters when attempting to pin said negative comments onto DickKory shippers who did not like that he wrote DickBabs.

(While the original Tweet has since been deleted, the screenshot used is available in this tweet

Neb | 🏳️‍🌈 [@NebsGoodTakes]. Twitter, 20 June 2022, https://twitter.com/NebsGoodTakes/status/1538939571789934593)

For this reason and this reason alone, I considered removing this part of the essay. While I have no idea if anyone will read this monstrosity, I did not want my arguments to be invalidated simply because I did not have a favorable opinion on the DickBabs.

However, after much consideration and numerous discussions with other Dick Grayson fans, I found that the subject of Barbara Gordon’s portrayal in this run (as well as in many recent DC media), and her romance with Dick perfectly embodies many of ideas I wish to explore in this essay — mainly, how shallow approaches to progress ideals create deeply problematic narratives that not only undermines the themes of a story, but they also destroy characterization.

I will start by once again stating that I do not believe this is a problem unique to Taylor’s writing. As I alluded to above, I believe DC’s modern portrayal of Babs does a great disservice to her wonderful, empowering, complex character. This is but the analysis of one of the stories she appears in. It is my hope to prove that in Taylor’s Nightwing, Barbara Gordon is not written as a woman with a strong sense of self and an internal life, but rather idealized girl whose existence revolves around the men in her life, and whose perfect yet shimmering depiction serves only to make her into the reader’s proxy-girlriend.

Barbara Gordon in the late 90s and early 2000s was a mature and confident woman in her late-20s to early-30s. She had her own job, her own friends, team, villains, and the type of confidence that can only come with age and experience. She was serious while still having a sense of humor, pragmatic, and she knew exactly what she wanted for herself.

(Gail, Simone, writer. Bennett, Joe; Barrows, Eddy, illustrator. Perfect Pitch: Part One. Birds of Prey. 87, e-book ed. DC Comics, 2005. pp. 22)

She was also flawed. She could get angry at people for little reason, she could be too cold or too straightforward without considering the other person’s feelings, she could be purposefully petty and selfish, she could get unreasonably jealous, she was impatient, she could be too proud to admit when she was wrong. It was all of these factors which allowed Barbara Gordon to be her own person — to be a fleshed out, well-rounded woman.

(Dixon, Chuck, writer. Leonardi, Rick, illustrator. The Gun. Birds of Prey. 39, e-book ed. DC Comics, 2002. pp. 16)

Babs’ life did not revolve around Dick. Yes, she loved him, but she still had some interiority. She had a life outside of Dick Grayson, outside of Bludhaven, outside of Batman, and outside of Oracle. She had her own goals, her own dreams, her own likes and dislikes that worked independently of the men around her. She had her own history that informed her decisions, she had both positive and negative relationships with other women and those relationships were not dependent on her connections with Dick or Bruce.

(Gail, Simone, writer. Timm, Bruce; Lopez, David; Melo, Adriana, illustrators. A Wakeful Time. Birds of Prey. 86, e-book ed. DC Comics, 2005. pp. 02)

By comparison, Taylor’s Barbara is not a woman, but a girl. She is very young and very immature. If Dick is written like a young man who just left home and is experiencing adulthood for the first time, then Babs is written as his girlfriend who is still in college and does not have concrete plans for her future.

Note that when referring to Taylor’s Babs, I mainly characterize her through her relationship with Dick. That was intentional. While writing this essay, I struggled to think of Barbara having any meaningful interactions with characters who were not Dick or Dick’s friends, the Titans. I also struggled to think of her doing something for herself rather than for Dick and the Titans. I struggled to define her goals independent of Dick, I struggled to describe the plans she has for her future that do not revolve around her relationship with Dick, and I struggled to give an account of what she does in her spare time when she is not helping Dick, Nightwing, the Titans, or Batman. That is because everything in Barbara Gordon’s life, as written by Taylor, is constructed around Dick (As many may know, it is really hard to prove a negative. How can I get supporting evidence from the comics that Babs does not have a life outside of Dick Grayson when my argument comes from those factors not existing? For this, though I hate to do so, I’m afraid I’ll have to rely on the reader’s familiarity with the run being discussed).

Barbara is a constant presence in Taylor’s Nightwing run. She is a secondary protagonist, and she is often portraying helping Dick Grayson behind the scenes,

(Taylor, Tom, illustrator. Redondo, Bruno The Battle for Bludhaven’s Heart Part Two. Nightwing: Rebirth. 93, e-book ed. DC Comics, 2022 pp)

Helping Nightwing as Oracle,

(Taylor, Tom, writer. Redondo, Bruno, illustrator Leaping into the Light Part 4. Nightwing: Rebirth. 81, e-book ed. DC Comics, 2021. pp 19)

Or fighting by Nightwing’s side as Batgirl.

(Taylor, Tom, writer. Redondo, Bruno, illustrator. You are Nightwing. Nightwing: Rebirth. 105, e-book ed. DC Comics, 2023. pp. 05)

She is always present, she is always doing something… But all of that is in the service of the men around her rather than for herself.

As Dick Grayson Fan A pointed out during a discussion, “Modern Babsgirl is forced to be perfect at everything. She's never allowed postcrisis Babs' edges, her flaws and intrinsic motivations. Taylor's Babsgirl is designed to be the perfect girlfriend for his blank self insert Nightwing. There's no meat to her bones, she's just shimmer and gloss.” (The subject of Babs came up when DC announced the lineup for Birds of Prey (2023) and Babs was not included on the roster.)

In other words, Babs as portrayed in Taylor’s run lacks any bite, edge, and maturity that would make her feel like a woman with her own sense of self and with a life that is not dependent on her boyfriend. Babs’ portrayal is a shallow girlboss-type of feminism, where though Babs is powerful and intelligent, she is not allowed to be a real person for she serves no purpose other than to be the perfect, understanding, badass girlfriend.

As a result, Dick and Barbara’s relationship becomes hollow. Because Babs lacks interiority, individuality, and agency, she becomes a flat character. This, in turn, makes it so it is hard to understand why Dick and Barbara are together other than for the fact that DC mandates it. The over reliance on the childhood friends-to-lovers trope only increases this hollowness rather than fleshing out their relationship. While Taylor includes flashbacks of Dick and Babs as friends when children, growing up together as teenagers, and fighting together as Robin and Batgirl, those instances feel removed from their individual histories. These moments exist in isolation, removed from the context of the rest of their lives, be it together or separately.

(Taylor, Tom, writer. Redondo, Bruno, illustrator The Battle for Bludhaven’s Heart. Nightwing: Rebirth. 92, e-book ed. DC Comics, 2022. pp 06 - 07)

DC currently treats Dick and Babs as a foregone conclusion. As a result, Taylor does not make an effort to get his readers on board with the relationship because he assumes that they should already support it. Dick and Babs are portrayed as getting along great, never having had any conflict, tension, or disagreements. This idealized romance would not necessarily be a problem if it didn’t come at the expense of developing Dick and Barbara as individuals outside of their relationship. They are not one being, but two separate people coming together. They should be written as such, but in trying to create the perfect relationship, Taylor robs Dick and Babs of their identity outside of their romance.

Not only does this inseparability that Taylor attempts to portray as “charming” destroy Dick and Babs’ individuality, it can also be downright insulting. In #106 Taylor infantilizes Dick when making it so Babs needs to be the one to wake him up so he can start his work as Nightwing.

As I mentioned previously, Dick is known for his toxic perfectionism, his obsessive tendencies that often come at the cost of his health. Making Dick laze around in bed while people need his help and having his girlfriend tell him to get ready for the day, as if she was his mother and he was a teenager who did not want to go to school in the morning, is not only out of character, it also diminishes Dick’s competence. It makes it seem like he cannot function as a responsible adult without Babs being there to hold his hand through everyday difficulties.

Not only that, the scene also plays into incredibly sexist dynamics where women are expected to carry the domestic labor in a relationship — the man cannot keep track of his own schedule, and so it becomes the woman’s responsibility to attend to his needs. What was intended to be a “cute” scene portrays Dick as being immature and irresponsible, and portrays Babs spend her time keeping track of an adult man’s responsibilities.

(Taylor, Tom, writer. Byrne, Stephen, illustrator. The Crew of the Crossed Part One. Nightwing: Rebirth. 106, e-book ed. DC Comics, 2023. pp 08)

This unhealthy codependency further insults Dick when, in #107, Babs demands Dick come back home as he is about to help his ex, Bea. Rather than believing Dick’s capability as a vigilante who has been operating in the field for far longer than she has, Babs shows her complete lack of faith in Dick’s ability to get anything done by himself by telling him that she “wants him home now.”

(Taylor, Tom; Byrne, Stephen The Crew of the Crossed Part Two. Nightwing: Rebirth. 107 e-book ed. DC Comics, 2023. pp. 19)

This is a great contrast to Nightwing (1996) #66, where Babs encouraged Dick’s independence and had full trust in his abilities to take on such difficult challenges on his own. When Lockhaven goes up in flames, Babs trusts Dick to be able to handle the situation by himself, even though she also knows that Dick’s mind is greatly preoccupied with Bruce and the murder of Vesper Fairchild. Indeed, in the next issue (not part of Murderer/Fugitive, but happening simultaneously to it), Dick does handle the Lockhaven fire by himself, without requiring any assistance, before returning to Gotham to help with the investigation that should clear Bruce’s name.

(Dixon, Chuck, writer. Burchett, Rick, illustrator. The Unusual Suspects. Nightwing. 66, e-book ed. DC Comics, 2002. pp 18 - 19)

This healthy separation and this unconditional trust not only portrayed Dick and Babs as both trusting each other’s abilities as heroes — Dick did not worry about Babs’ capability of taking care of herself, and Babs knew Dick could handle his own — it also portrayed them as being more secure in their relationship. They were individuals first. They had their own independent lives and personalities outside of their romance. They trusted the other’s ability to win on their own and handle their own cases without help. And that, in turn, made it so that they could stand on their own, and so that their relationship did not feel so vulnerable.

That being said, it wasn’t as if previous depictions of Dick and Babs didn’t present them with hardships, or demonstrated how, at times, they could bring out the worst in each other. As much as they could compliment one another, Dick and Babs could also disagree, get into arguments, and even fights. That is because they were individuals first, with their own opinions, preferred way of doing things, and their own background that would sometimes come in conflict.

Taylor avoids having meaningful conflicts in his story. While this negatively affects his narrative in a myriad of ways, the lack of the conflict in the plot also affects the relationship between Dick and Babs. It is fine to have a wholesome, sweet romance, so long as it is balanced with a plot containing other forms of tension. This way, the relationship can be a safe harbor for the main characters, the one space in their lives where they can be safe, and the one source of strength they can draw upon when facing the challenges ahead. By balancing a conflict-filled plot with a wholesome romance, the stakes of the plot feel higher while the romance feels sweeter. They foil one another to create a cohesive and unified story.

In Taylor’s Nightwing, all major plot beats take a backseat to the sitcom-like relationship between Dick and Babs. The lack of conflict in the plot and the lack of conflict in the romance makes it so everything is stagnant.

I do believe that Taylor thought he was writing a “Will-they-won’t-they” style romance in the beginning of his run. In Nightwing #95, for example, Batwoman implies that the reason Dick and Babs aren’t together is because Dick and Babs are scared of crossing that line.

(Taylor, Tom, writer. Redondo, Bruno The Battle for Bludhaven’s Heart Part Four. Nightwing: Rebirth. 95, e-book ed. DC Comics, 2022. pp 17)

Wally also played into that idea when, in #91, he pointed out that Dick and Babs were already together and just needed to make it official.

(Taylor, Tom, writer. Redondo, Bruno, illustrator. Get Grayson Act Three. Nightwing: Rebirth. 91, e-book ed. DC Comics, 2022. pp 19)

More than that, I believe Taylor attempted to make a commentary on comics imposing needless conflicts in relationships to keep two characters apart. In Taylor’s view, Dick and Babs were always in love, always meant to be together, and never had a complicated history that prevented them from rekindling their romance when Dick is trying to regain some control over his life after recovering his memories. This shows a lack of understanding as to why Dick and Babs often break up and does a disservice to both their characters.

Now, to explain this, I’ll borrow heavily from a private discussion I had with a Dick Grayson Fan A once distinguishing the difference between external and internal conflicts in a romantic plot. While we were not talking Dick and Barbara then, much of what we said still applies to their relationship.

External conflicts, as the name suggests, involve external forces that keep the couple from being able to develop their relationship despite their mutual feelings for each other. This is the case with a romance like Clark and Lois. Given Babs’ laugh at Dick’s condescendingly sexist claim that Babs shouldn’t be with him because it is too dangerous (as if he doesn’t know very well that Babs can easily take care of herself), it seemed that Taylor believed that this was the conflict that has been keeping Dick and Babs apart. And so, with one panel, he dismissed the idea that external forces could keep Dick and Babs apart because they are able to face their enemies together.

(Taylor, Tom, writer. Redondo, Bruno, illustrator Battle for Bludhaven’s Heart Finale. Nightwing: Rebirth. 96, e-book ed. DC Comics, 2022. pp. 17 - 18)

But in the past, what broke Dick and Babs up were not external conflicts, but internal ones. If external conflicts are created due to external forces, internal conflicts preventing a couple from being together come from the characters not yet being who they need to be in order to be happy together. This can be due to a clash of personalities, worldviews, needs, wants, or goals. To prove my point, I want to look at Dick and Bab’s break up in Nightwing (1996) #87 and the Nightwing Annual #02. (I’ll be honest in saying that it pains me to cite Nightwing Annual #02 in this essay, for I absolutely detest it. I believe Dick is written incredibly out of character and it, quite frankly, captures one of my major problems with how some writers choose to depict DickBabs. In trying to prop Babs up, Dick gets knocked down and ridiculed, and often burdened with the full responsibility as to why Dick and Babs haven’t been able to get together due to timing and Dick’s immaturity. As such, writers make it so Dick and Dick alone must change in order to become a partner worthy of Babs. They greatly mischaracterize him, fault the failures of Dick and Babs’ relationships on those mischaracterizations, and then portray Babs as the patient woman waiting for her immature soulmate to grow up. This is both an insult to Dick’s character and a propagation of sexist tropes where a woman must put her life on hold in order for the man to “catch up” to her maturely. Not only that, it unfairly requires that only one party makes changes for another. It is not Dick and Babs that must change for each other, but Dick who must change for Babs.)

Just as Taylor uses Dick and Babs’ shared history to bring them together, their breakup explores how shared history can make being together so difficult.

In Devin Grayson’s run, their shared history can be painful to Babs. Not because she doesn’t look back on their time growing up together fondly, but because it was such a happy time in her life that it makes her feel bitter about what she lost. While she is incredible as Oracle, she is still frustrated that she can't be Batgirl anymore. The past, no matter how good, is a reminder of what she can no longer be, and Babs wants to move forward. So Dick bringing up their time as Robin and Batgirl, however fondly, is painful for it makes her feel like they are stuck in the past they shared rather than moving forward together.

(Grayson, Devin, writer. Zitcher, Path, illustrator The Calm Before. Nightwing. 86, e-book ed. DC Comics, 2003. pp 21 - 22)

But to Dick, the past you share with someone is what makes your relationship in the present special. The past informs the present and the future. Dick, much like Bruce, doesn’t move forward by disconnecting himself from the past. His parents are part of his past. So is Robin. His childhood with Bruce. The past is something good to Dick, even when it's also so filled with pain. Dick is not shackled by his past the way Bruce is because he does not see it as something that needs to hold him back. You can move forward while still embracing who you once were and honoring the legacy you carry on your shoulders. The past informed who Dick is now, the relationships he has, and the person he wants to be. The past is where much of what he loves exists. So when he brings up their shared history when talking to Babs, he is not doing it because he loved Batgirl but cannot love Oracle, and he is not doing so because he is just focused on who they were then and not who they are now; he does it it's because to Dick, there's no such distinction between Batgirl and Oracle. They are both Babs, and he loves both of them.

(Grayson, Devin, writer. Zitcher, Patch, illustrator. Snowball. Nightwing. 87, e-book ed. DC Comics, 2003. pp 16)

The way Babs copes with trauma is by divorcing herself from the hurt, by letting go of who she was and embracing who she wants to be. Dick, on the other hand, merges who he was then with who he is now. He doesn't see those people as separate entities, but rather as extensions of him. And that makes sense when you consider that Babs' main trauma relates to something that was taken away from her, and for Dick, the only way he can remain connected to his parents is through the past. It's a great example of incompatibility. Neither one is "at fault" for how they view this issue, neither of them is more correct than the other. They are just different. They care for each other, but the way they understand and interact with the world prevents them from being happy together at this moment. For that to work, internal change is needed.

In portraying Dick and Barbara as complex individuals first, who have different attitudes towards looking back at the past and looking forward to the future, Grayson managed to make their relationship feel real. There’s a weight to their breakup, you can see why they care for each other and why this decision is painful and not taken lightly. They love each other, but they are not in a place where they can be themselves and be happy together yet. It is not danger that keeps them apart — it is the very same differences which they admire most about each other which pushes them away.

In Nightwing Annual #02, we see other reasons why Dick and Babs failed to come together so often. These included Babs being scared of Dick eventually leaving her due to tensions between Dick and Bruce

(Andreyko, Marc, writer. Bennett, Joe, illustrator Hero’s Journey. Nightwing Annual. 2, e-book ed. DC Comics, 2007. pp 22 - 23)

Timing,

(Andreyko, Marc, writer. Bennett, Joe, illustrator Hero’s Journey. Nightwing Annual. 2, e-book ed. DC Comics, 2007. pp 25)

And, perhaps most importantly, the way in which Dick devalues his own life.

(Andreyko, Marc, writer. Bennett, Joe, illustrator Hero’s Journey. Nightwing Annual. 2, e-book ed. DC Comics, 2007. pp 37 - 38)

This is something Grayson also alludes to during her run, when she often portrays Babs being both worried and frustrated at Dick’s tendencies to push himself too far.

(Grayson, Devin, writer. Zitcher, Patch, illustrator Snowball. Nightwing. 87, e-book ed. DC Comics, 2003. pp 13)

In both Grayson’s run and the aftermath of Infinite Crisis, the toxic perfectionism referred to many times during this essay led Babs to break off their relationship despite their mutual love.

Having lost the mobility of her legs due to the Joker, Babs sees her life as Oracle as a second chance, and one which she will use to its fullest by putting herself first. It makes sense, then, that she sees Dick’s self-sacrificing tendencies and his desire for approval as both concerning and irritating. As Dick constantly puts himself in near-death scenarios for even the smallest of things, Babs decides that she would rather wait for a time when Dick learns to value himself more rather than to continue in a relationship where she is the only one who cares about whether Dick lives or dies.

Whether this is the right solution to their relationship is up for debate. Personally, it irks me that stories will often frame this as Dick having to mature to be with Babs and not place an equal burden on Babs having to learn to accept that this is just who Dick is. But that is irrelevant to this discussion, for what matters is that there have been plenty of reasons why Dick and Babs did not work out in the past, and those are almost always rooted in who they are as individuals struggling to perfectly fit together as a unit. Dick and Babs have a messy history, both as individual characters with their own stories, and together as friends and romantic interests. They are two different people who, although their morals align, approach life differently. The development in their romance, then, comes with how willing they are to change for the other, and how willing they are to accept the things that cannot — and should not — be changed. It is about a balance of give and take, and when Babs and Dick broke up in the past, it was because they were not able to find that balance. It is because they, as individuals, clashed. As Fernando Gabriel Pagnoni Berns and Cesar Alfonso Marino put in their essay analyzing Dick’s portrayal in the Batman Family (1975-1978) series, Dick and Babs will often find themselves in “point[s] of inflection which marks that both heroes must go their separate ways to avoid further tensions (developed by sexual attraction and/or problems about leadership).” (Pagnoni Berns, Fernando Gabriel and Marino, Cesar Alfonso “Outlining the Future Robin: The Seventies in the Batman Family.”Dick Grayson, Boy Wonder: Scholars and Creators on 75 years of Robin, Nightwing, and Batman edited by Kristen L. Geaman, McFarland & Company, Inc., Publishers, 2015, pp. 32)

In other words, it was about interior conflicts, not exterior ones.

When taking this into consideration, one can see how Taylor’s portrayal of Dick and Babs’ relationship is not only incredibly hollow, but incredibly cynical. Because Taylor removed Dick’s self-destructive, toxic perfectionism, that is no longer a point of friction in their relationship. Because Babs is no longer the pragmatic woman who doses out tough love, that is also no longer a point of friction in their relationship. But as a result, Dick and Babs are no longer themselves, and their relationship is no longer representative of their shared history. Instead, we are left with an insulting and purposeful misrepresentation of their past relationship, with Taylor displaying a blatant disrespect and disregard for anything his predecessors contributed to these characters. Dick and Babs were never apart because of danger. Dick would never condescend to Barbara in this manner, and Barbara would never let something so trivial go unchallenged or get in the way of what she wants. What got in their way was a matter of compatibility. They may compliment each other in the field, be great friends, get along well, but in previous attempts to make their relationship work, they found that they were simply too different to share a life together, their goals did not align, and their approaches to life did not work together. Getting and staying together was not a matter of external factors, but rather whether they could do the difficult internal work necessary to make their romance last.

I want to make it clear that I actually love the childhood-friends-to-lovers trope. But what makes friends-to-lovers interesting is the fact that it creates inherently messy romances. If you two characters who have loved each other for so long, then they naturally have a history. They have seen each other at their best and at their worst. Yet, insecurities, timing, and compatibility keep them from being able to get their happily-ever-after. That creates a messiness that adds weight and meaning to the relationship. Seeing them overcome these challenges, become better individuals, and then finally come together is what makes the narrative so effective.

Dick’s and Babs’ romance, as currently portrayed, lacks that weight. Taylor and DC want that history, that “true love” aspect of their relationship without acknowledging the complications that come from having lived so many years in close proximity. In other words, they want the appearance of a long shared history without acknowledging the contents of said history. This robs both Dick and Babs of their individual personalities and backstories, for it is there where the source of their conflicts lie. All of the things that make them interesting individuals are sacrificed for the heteronormative DickBabs amalgamation. There is no Dick Grayson. There is no Barbara Gordon. There is only a happy, wholesome, smiling couple of nothingness — as it was put earlier it is all “shimmer, gloss, and no substance.”

And this does not affect only them.

In making Dick and Babs inseparable, Babs has become heavily involved with the Titans. This leads to the majority of Babs’s interactions in the current canon to be with Dick’s friends. And because, once more, Taylor skirts away from conflict, that means that all of Dick’s friends have become Babs’ friends. However, by making Babs friends with all of Dick’s female friends, Taylor created a shallow girlboss feminist narrative where all of these women’s individual personhoods are reduced their relationship to one man. He does not take into account who they are, only their gender and their mutual connection to Dick. In trying to do a girl-boss feminist empowerment, Taylor instead creates a deeply misogynistic narrative.

Kory and Babs, for example, should be allowed to dislike each other despite being on the same team. They are, after all, supposedly fully realized women with their own personalities, values, and goals. Their existence is not dependent on Dick Grayson or their romance with him. Real world women dislike one another for various reasons that are unrelated to men. Male characters often hate each other without it being because of a woman. So why can’t the same be true for female characters?

To attempt to make Kory and Babs friends simply to undermine expectations because one of them is Dick’s ex and the other one is Dick’s girlfriend is not empowering. It sacrifices characterization for the purposes of subversion.To think of the dynamic between these two characters in terms of their relationship with Dick reduces their existence to a man by implying that the only possible reason they could dislike one another is because of said man. It is not due to different value systems (which would be incredibly reasonable given their different background and cultures), it is not because their personalities clash (as they are two different people), it is not because their likes and dislikes may contradict (once more, because they are two different people). All the things that would make them realized individuals with agency are ignored in favor of focusing on their relationship with Dick.

Babs is a cisgender, straight, middle-class white woman from New Jersey. Kory is a warrior Princess from a different galaxy. It would not be unreasonable to expect their opinions to conflict when their backgrounds, upbringings, and experiences also differ. After all, those are things that shape our value system, dictating our perspectives.

Having different values or different ways to express your opinion does not mean that one is right and the other is wrong. It does not mean one is superior to the other. It only means they are different. Diverse. To believe one must be correct and the other must be wrong is to fall into the traps of ethnocentrism. By making Kory and Babs values indistinguishable, the story implies that there is only one correct way to interact with the world. This eliminates diverse perspectives in favor of a monolithic one. The fact that Kory's culture is the one that is ignored so that they are compatible with Babs implies that Babs – the cisgender, straight, middle-class white woman from New Jersey – is the one whose culture and world views are correct and, therefore, superior.

Dick’s relationship platonic relationship with Donna is also devalued and watered down in favor of Dick and Barbara’s romance. Because Dick and Barbara are depicted as having been each other’s best friends since childhood — when, in reality, Dick was closer to Donna during his preteen and teenage years, and Donna is often portrayed as his best friend — Donna’s place in Dick’s life is replaced by Babs. Babs must be everything to Dick — his true love, his longest childhood friend, his one female best friend.

This creates a narrative in which Dick cannot have a significant interaction with another woman without it being a threat to his relationship with Babs. Needless to say, this is an incredibly heteronormative worldview which implies that men and women who are not related cannot share deep and significant platonic intimacy without some underlying romantic tension. So naturally, Donna cannot he Dick’s longest friend, his best friend, because in the heteronormative world portrayed in Taylor’s run, that would mean that she is a rival to Babs.

Perhaps it is for this reason that Melinda was revealed to be Dick’s sister so soon into her introduction. If Melinda and Dick were not related but were still meant to interact with each other, that would create a bond that some might see as romantic or sexual. So by presenting Melinda as Dick’s biological sibling within moments of the two first interacting, Taylor strips Melinda of any romantic or sexual appeal. In this heteronormative world, only by being related can Dick and Melinda share intimacy without threatening Babs’ position in Dick’s life.

Needless to say, this heteronormative worldview which only allows for the relationship between non-biologically related men and women to be seen through lenses of romance and sex is also a misogynistic, male-centric worldview. In this story, women are not treated as people and are instead perceived solely through their relationship to Dick Grayson.

#nightwing #anti tom taylor #anti dickbabs

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mirandyficlists · 7 months ago

Note

Hi hi! I’d like to know what your Top 10 Holy Grail fics are? Like I’m talking about fics you would reccommend in a heart beat, fics that you feel are written extremely well that they feel like they should be published or something, fics that have really good pacing, right amount of fluff, angst, or smut. Or even ones that are just silly and fun. It would be cool to read some of your favs!

Hey Nonnie

First my standard answer to the top ten query...10!!! 10!!! You think i can narrow it down to 10!! LOLOLOL

Secondly, I'm flattered you want to know my preferences as a guide...but then that's what my spreadsheet is all about I guess. lol

Okay I did manage to keep myself to 30 fics and I will say I would live quite happily if the first 10 were all I was ever allowed to read for the ret of my life. Just saying. Heh

I've also included my reviews of each fic from my Spreadsheet of 2250+ Mirandy fics to explain my love for the fics.

If you want the fics that are no longer online just message me privately with your email and I'll send my zipped file of deleted Mirandy fics your way.

Happy Reading Nonnie

All the Breast

XVNot15

Top ten and why?

The Lady And Her Dragons by Bearblue https://archiveofourown.org/works/21738811/chapters/51860098

(WIP) OMG!!!!!!!!!! So amazingly wonderful and magical and well just damned hot! Full of myth and magic, Miranda and Cruella are real Dragons and Andy is their Lady. Magical machinations and battles ensue. The story is compelling and Bearblue controls the content of magical information absolutely beautifully, you're interest is captured, but you're not over whelmed with more information than what is required for the story she is telling. Again it has to be said. OMG!!! I have now read this fic over 500 times…and I mean that! Have read it once a week and sometimes 2 or 3 times a week for more than a decade.

Truth and Measure by Telanu https://archiveofourown.org/works/779826/chapters/1468543

The downfall of my anti Mirandy life that dragged me kicking and cursing into the heart of the Mirandyverse. This is what I call a Simchat Torah story. Much like the holiday in which the last chapter of Torah is read and then the first chapter immediately afterward to start the cycle again. And that's just what I did with this one. Miranda discovers after the separation with Stephen that she is pregnant and as she copes with that Andy helps her and eventually Miranda proposes a mutually beneficial relationship...which Andy then proceeds to turn on its head almost immediately. Excellently written and adored the characterisations of both women.

It’s All Relative by Hawkbehere https://archiveofourown.org/works/5884348/chapters/13561771

OMFG!! This is an amazing story. Well written and excellently paced as well. Post Paris H/C piece where Miranda is shot and Andy runs to her side to help and care for her.. A very complex and interesting characterisation of both M and A. The hints at Sub/dom with true love and respect were pitched absolutely meltingly perfect And the passion of Miranda's need for Andy is mind blowing.

Small Favors Series by Chillyflame https://archiveofourown.org/works/2793701/chapters/6270377

Andy wins a press award and sees Miranda. They talk and Andy acknowledges her feelings to herself. Andy sends a lily as a thank you. Hot first kiss in the conference room at the Mirror. The girls are very supportive as the relationship develops. INTERLUDE - Hot late night quickie in Miranda's office. BEAUTIFUL THINGS - sees the development of the relationship through some early rough spots. They're outed by Miranda's PR firm. Loved the twins with their pudding balloon bombs. HERE TO STAY - GOOD FORTUNE –

Fur No Thanks I’d Rather Go Naked by Writtensword (Deleted but I have the fic and can send it.)

Ooooooooooo so totally wonderful this story read it 3 times one after the other. Miranda is magically turned into a Mink and only Andrea can hear her speak and she takes care of her as they try to undo the spell. The characterisation of Mink Miranda is sooooooooooooooo terrific I want more Mink tales. heh Lovely denoument when Miranda turns back to her human form.

Like Andrea Series by Ginstan https://archiveofourown.org/series/1940092

Ooooooooooooooo romance, mystery, intrigue and damn fine writing! Loved this fic! Andy is alerted to the fact that Miranda needs help when Runway does an edition where every single model looks like her. She comes to Miranda's rescue and their relationship develops super fast and super beautifully.. And beautiful mini FOL crossover! heheh I adore the characterisations of a vulnerable Miranda and a very soft butch Andy.

A Failure to Communicate by thelastgoodname https://archiveofourown.org/works/5300144

Miranda decides to Marry Andy and is busy dictating the plans to Andy just one problem... She hasn't actually asked Andy out on a date yet or anything else. Cue a very confused Andy and a backpeddling Miranda. Ohhh my aching sides!!!! This is just soooooooooooo funny and sooooo well written.It's just brilliant!

Admiration by Punky_96 https://archiveofourown.org/works/14936337

Swooooooooooon!! Total romance and way HOT sex too! Miranda has a secret (not to us though) admirer who is leaving her daily gifts and notes. She becomes smitten and isn't quite sure until the big reveal. Beautifully written and I loved it, but it ends rather abruptly.

The Brutal Truth by Redcharcoal (Removed as it was published…both are AWESOME! FF is available in the FB Mirandy Group and in my deleted fic file.)

Wonderfully well written piece. Miranda claims to only want the Brutal truth and ends up having a bet with Andrea that she can't get an exclusive interview with a famous designer and the stakes are one day of absolute honesty for Andrea and one week for Miranda. Andy outs Stephen as a predator and Miranda fires her...but then she gets the exclusive interview with the Deuchamps and they become her friends.

Miranda’s Runway series by Jehc https://archiveofourown.org/works/1242412/chapters/2552452

Oh the joy of a well written and well crafted characterisation piece. Love this 4 years post Paris piece with Andy having a daughter she has actually named Miranda but who she calls Mandy who is somehting of an artistic prodigy. Andy has written a series of amazingly successful books on fashion but remains anonymous until she trades her privacy to foil Irvs latest almost successful coups against Miranda. Things follow on from there, when little Mandy meets Randa and they fall for each other as hard as Miranda falls for Andrea. Amazing fic.

The Fall and the Landing & 90 Days to Glory by Brithna/Ash_Mountain https://archiveofourown.org/works/481161

Warning: Character Death. My God almighty what a powerful piece of writing! This is not fanfiction, this is life, this is the most skillful playing of all that it is to be human, fragile, and to hold friendship and love as the reward for the pain and challenge that those prizes intrinsically bring with them. Have tissues ready, and be prepared to read with your heart and know that love is the force that truly connects all life.

On a Tractor by Bearblue https://archiveofourown.org/works/11696331/chapters/26333922

OMG! Absolutely brilliantly written long post Paris piece. Andy lends up inheriting a farm which she decides to run and she becomes quite the nature photographer as well. Miranda wants her farm for a photoshoot and goes out to visit and things take their natural course. Bear's writing is incredibly fluid and tinglingly evocative. Love the characterisation of Andy in this one. A Simchat Torah - immediate re-reader.

Break it Down With Joy by Winter156 https://archiveofourown.org/works/1394080

A drabble that is sheer perfection. A and M are friends, Andy has declared her love but Miranda has stated that they will never have a physical relationship, Andy stays anyway, suffering the pain of incompleteness, until that moment of decision. Excellently written, and soooo poignant.

By Heart by Chillyflame https://archiveofourown.org/works/2673044/chapters/5976851

Swooooooooooon, mushfest!! With lovely hot sexiness too. A H/C tale where Andy ends up with a broken leg on a ski weekend and Miranda cares for her in their cabin as they get snowed in for a couple of days and the heating fails heheh. But there is a fireplace and while 'keeping warm' one thing leads to another.

Basic Black by Beachbum https://archiveofourown.org/works/29045490

Brava BB, a lovely piece set post Paris. Nigel who has stayed friends with Andy decides to play matchmaker for the two women in his life. The description of Andy's suit was totally droolsome. And the love scene, wow, took my breath away. Loooooooooved the ending, god Miranda in nothing but a white dress shirt, but still so totally confident and in control of the situation. Yowsa!!

Disarming Athena by Politic X https://archiveofourown.org/works/11921940/chapters/26942895

Wonderful but sometimes distressing psychological exploration that occurs between Miranda and Andy. Many of the interactions take place in the elevator. Miranda appears to be torturing Andy with invitations and demands for her to touch her clothes but not her. Then she fires Andy and this behaviour continues as Andy works her notice. Eventual happy ending.

Hidden Yet Bright by needled_ink https://archiveofourown.org/works/97340

Swoooooooooooooon, a beautiful and well written short of a developing friendship gently shifting into more but without strings. Loved the chartacterisations of both Andy and Miranda.

In Some Quite Casual Way by Winter156 https://archiveofourown.org/works/621060/chapters/1120824

Holy mother of mountains what a fic. From a request for a story that involved a character with wings. Miranda is a fallen angel of sorts and saves Andy when she falls out a skyscraper window. Declarations of love, and serious sweaty snugglebunnies followed by major storyline and escellent denouement. Gret writing, amazing story, just amazing.

Lost Treasures by Jazwriter (Removed as it was published…both are AWESOME! FF is available in the FB Mirandy Group and in my deleted fic file.)

Wow! Andy works as a sales clerk and then a Window dresser in a small boutique. Her window designs cpature Miranda's attention and fascination. She takes Andy under her wing and mutual attraction sparks. Great little fic.

Objects and Space by Stormashke https://archiveofourown.org/works/15126698

Absolutely Stunning!!!! Compellingly written with just the right meter and timing. Wonderful internal dialogue from Miranda's pov in an established relationship. She travels through the different rooms of the house noting the evidence of Andy's presence that still bug her…but also noting their indications of Andy's space in her heart and the twins heart and the things she will live with in that space of love.

Rebellious Lock & When Locks Get Locked by Quiethearted http://ralst.com/RebelliousLock.HTM

Ohh soooooooo funny!!!! Miranda's hair has a mind of it's own and it's concentrating on one particular brunette. This is comic writing at it's best. I'm still chuckling.

Weeeeeeeeeeeeee, sequel! Woohoo, Miranda's hair has awakened an interest from Andy's hair and all is set for the clash of the tresses. Oh soooo wonderfully funny, I so hope this series continues, I want postcoital follicle frolics. Heheh

Sharp Relief by chillyflame https://archiveofourown.org/works/2672990/chapters/5976701

AMAZING fic!!!!! Wow Andy gets a call reporting that Miranda has died in a car crash on her way to her weekend cabin. She goes into shock and faces the fact of how much she loved her. She helps with the twins and stays at the townhouse until there is another call that send her and the girls out into the night chasing a hope agaisnt hope. So amazing this.

The Lily and the Crown by Telanu (now published) https://archiveofourown.org/works/750438/chapters/1400746

Andren is the reclusive daughter of one of the Empires most capable Station Masters. Assistant - her new slave is the dread space Pirate Queen Mir. Seduction, debauchery, abandonment and redemption in this Space Swashbuckler.Oh. Oh. Oh. Oh. Oh. Gaaawwwwwwwwwwwwwwdddddddddd!!!!!!!!! Wow!!!! Fluids!!!!!!! This is just soooooooooooo wonderfully hot and romantic and hot and well good god I loved it. Okay, perhaps the Andren character was a little bit tooo clueless, but perhaps wonderfully evocative of another time. Still it was a great story and really interesting.

Unexpected Grace by Silverie https://www.fanfiction.net/s/9092005/1/Unexpected-Grace

Amazingly well written fic starting with amazing dream sequances of ancient days and a Goddess/priestess Miranda, perfectly mirrored in a waking world of events. Andy expands her life into music when she comes to own a beautiful guitar decorated with a dragon...linking to her desire for a certain dragon lady. Lyrically written. Brilliant!!!!

A not exactly storybook romance by writetherest https://archiveofourown.org/works/923207/chapters/1793725

An AU where Andy is independently wealthy and owns a book store which Cassidy starts to visit daily as Andy befriends her. Eventually Miranda and she meet and after a bad decision it's a wonderfully sweet love story. Absolutely wonderful romance done here, adore the shier sweeter Andy.

Farsighted by emeraldorchids https://archiveofourown.org/works/6129537/chapters/14047437

Excellent mid length piece. All from Miranda's pov, chronicling how she and Andrea slip into a wonderful and easy friendship after Paris, that several months later morphs into more. What I love is the realness of Miranda in this fic as a full fledged human being all balance and counter balance with strengths and weaknesses. And I enjoyed the reality check and stunned Miranda after Andy kisses her. As well as the gradual exploration afterward. The upshot with the page six comment picture in bed is a perfect ending.

Four Corners by Chillyflame https://archiveofourown.org/works/1039309/chapters/2073686

Truth be told, this is a ten star effort. I looooved it! A phenomonally wonderful piece, well written and amazingly characterised. All told from Cassidy's pov as she lives her parents divorce, the advent and demise of Stephen and the new and wonderful inclusion of Andy in her mother's and the twins lives.

Caught Between the Moon and New York City Series by Punky_96 https://archiveofourown.org/series/1027544

Brilliant story of Miranda as a werewolf and pack leadercaptured by a secret research facility that captures and studies paranormal creatures where Andy works. Grat adventure unfolds as they escape and Andy's true nature is discovered. Excellently written and intriguing backstory.

After Dark by LiteraryAssasin https://archiveofourown.org/works/20560673/chapters/48807857

A wonderfully characterised slow burn, friends to lovers fic. Well written and engaging of course, from an excellent bard. Andy grows a backbone in the best and most proactive way…almost swapping some of her softness for some of Miranda’s firmness so that they can both balance themselves and each other. I adored Miranda’s oh so careful way of helping Andy while trying also not to overwhelm her with that help. A nifty little sub pairing of a mirrored couple is so seamlessly done it’s just amazing. Also touches on an idea I’ve had for quite some time…may have to dust that one off.

If and When by Kamuraskan https://archiveofourown.org/works/12821418/chapters/29271045

WOOT!!! No greater love hath a Bard for another Bard than to make an offering in a completely unfamiliar fandom. (Thanks Gin.) Most wonderfully well written and amazing Disaster/survival fic. Andy uncovers a terrorist plot to blow up the EC building the night the VP is attending a party there. She isn't believed by Homeland security so she approaches the new CEO of EC...Miranda they manage to evacuate the building but are still on the 20th floor when the bombs go off....suspense, love and amazingness commence.

#mirandy fic searches #mirandy fic search #mirandy fanfiction #mirandy

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murfpersonalblog · 1 month ago

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My 2 cents on the Critics Choice Nomination

I think everyone's been confusing Fan Favorite & Better Actor. YES, we love Sam as Lestat. And YES, we love Lestat. But fake-blonde white man to fake-blonde white man, who REALLY did a better job in S2: Ben Daniels as Santiago, or Sam Reid as Lestat?

Cuz what's interesting is that Ben Daniels hasn't been part of this convo at all.

And it's THIS snub, IMO, that's actually the most telling, most egregious flex of AMC's OBVIOUS priorities to guarantee that Sam Reid has all the attention & accolades in his pocket ready to go in time for S3, when Lestat is the MC.

Even before S2 aired, the reviews were singing Ben's praises, saying he was giving Sam a run for his money as THE campiest & most entertaining character in S2.

Esp. since we don't get the maliciously charming Lestat in S2--that was Season ONE Lestat. Sam was BARELY in S2; we mostly only got Dreamstat, who's far more chill & seductive & even SWEET/romantic. That was NOT the pony-on-meth meme he was in S1. His most prominent part (aside from 2x3) was the Trial in 2x7, when he had to share the stage with Ben. And NGL, Ben was putting Sam through his paces darn near the whole time. Ben Daniels was in more scenes than Sam, and had a MUCH bigger stage presence all season.

But for some strange reason, Ben NEVER comes up in these award nominations. This is how I know the fix is in, and they're rigging the game in Sam's favor. He's got white privilege AND pretty privilege, lord have mercy.

Is it Sam's fault? Definitely not. But is it undeserved? Arguably yes! This is the media machine making sure fan favorite Sam/Lestat's rollout for S3 is pitch perfect. 👌

Now S3 can flex that its main actor's been nominated for XYZ, and bring in all the extra press & media attention that S1 AND S2 were sorely lacking.

IWTV is FINALLY on Netflix & all these more accessible streaming platforms, just in time to garner interest in S3.

Coincidence?

I've been pissed at AMC for sabotaging this show (and specifically Jacob) ever since S1. Jacob walked so Sam could run, as usual in Blaxploitation. That's beating a dead horse--Bipoc fans have been screaming since Day 1 that the white media machine DGAF about us, and only care about Asians up to a certain point--esp. not if you're dark-skinned & Muslim. So I totally get them not giving Assad any shine--he didn't stand a effing chance, DUH.

But not giving THE most consistently present white male supporting actor in S2 any shine is FAR stranger; and it's what convinces me most of all that AMC is deliberately pushing Sam forward cuz they know Sam's pretty face is gonna carry this whole show going forward, even when they KNOW his presence in S2 was lacking. EVERY reactor I've seen complained about how much they missed Lestat & wished he was in the season more. So how in the HELL is Sam the one getting nominated over everyone else who's been in the season more than him? SUS!

#interview with the vampire #amc immortal universe #lestat de lioncourt #the vampire lestat #white privilege #racial inequality #meritocracy of hypocrisy

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her-acts-of-cruelty · 7 months ago

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huge rhrn spoilers!!

this is my review. :3

if you spot any mistakes, let me know! curious to see what other people thought

this is long btw... and broken into sections in no particular order.

1. marketing

i, like many other fans, saw the teaser dropped and assumed the movie wouldn't be out at least until the end of the year, as par the tradition with most movies. However, this isnt movies, in fact i think forge released this movie at the perfect time for a couple reasons. the first beingo that the release date was on Litha, also known as the summer solstice. the reason this is significant is that many ceremonies for this holiday include celebrations with large groups, something that RHRN provided. I felt like this really added to the aspect of attending a "ritual". another reason forge was quite smart for this is that the hype for people around the world to see what happened at the Kia Forum hadnt died down yet. this worked in his favour, considering this sudden drop brought up the attention again.

i really liked that they used Father Jim Defroque as a marketing tactic. Especially considering it connected festival goers at Download to feel connected with fans that weren't there. The use of Jim's posters at download was very fun too, and fitting they got vandalised due to non-ghost fans assuming it was a real priest. for me that added to the authenticity that he's a real person that is very serious about protesting this movie!!!

i also liked the experimentation going on, even if it doesnt go to plan (problems with the jim video drop), the fact that these new mediums are being tested out allows room to figure out kinks and try them again in the future. it added to the interactive element, and made me forget tobias existed, and that this was a very real band and there were very real things going on that i had to be weary of.

2. Music

One thing i did notice is the improvement in quality compared to their previous live album, Ceremony and Devotion. Obviously theres a big change in vocals, i was very surprised that Copia's vocals seemed a lot more high pitched than what i had remembered.

the easiest comparison i can make that's accessible to everyone right now here Rite Here Rite now's Absolution, and Ceremony and Devotion's Absolution. most notably for me was the backing vocals and the presence of this growling and sinister tone, that i really enjoyed. the overall quality is definitely there too, i'm not certain on the specifics but i know for a fact there was a very different set up this time around, compared to C&D.

if you have ghost live, was such a haunting moment. theres many little elements, the backing vocals, the gorgeous piano, and the incredible cello players had a huge part in making this version sound the way it did. the amount of passion and emotion here reflected the message of the song, there was a sense of unity that i felt really stood out.

Its also worth talking about The Future is a Foreign Land. oh my god i cried when i heard this for the first time. this song really encapsulates that sort of bond-esque era of music, undeniably it had that 60s ring to it. It did also remind me of Magna Carta Cartel (more so than subvision, i dont think subvision has quite the same sway as this specific song). i know some others have pointed this out and i'm glad.

from a story point, this song is really interesting. considering we previously had no context of how nihil responded following the events of kiss the go-goat, it was kind of cathartic to know that he did genuinly feel bad for his actions. more about this in the use of animation though.

For tobias forge, this song was really interesting. i felt like it was a bit too blatant having the mention of 2024, i guess it felt like it was implying that from that moment nihil knew that thqt was the year copia would take over as head of the clergy, or at least that seestor would die. which wouldnt make sense? i dont think? idk comments are on, share what you want.

3. Animation/mixed mediums

i wasnt sure how the animation element would tie in with the movie when i first saw it announced, but honestly i think this was the best way to do it. while i was a bit disappointed to see nothing new from liz fenning and justin andrews, the decision to lean into the comments of ghost making scooby doo music and using that artsyle was very fun.

i also felt like this was a time effective way of explaining the events post kiss the go-goat. seestor's idgaf attitude was amazing, im so glad that this didnt fall back on letting nihil get the girl in the end. characters dont have to get back together, and im glad they didnt. this felt more real and more personal, the two of them only sticking around to work and to make sure their children grew up to serve their duties.

the overlay during year zero was so fucking cool. i think its clips from swedish black comedy "Häxan" but i could be very very wrong. this made me very happy though, i wasnt expecting this and was a nice way to throw in some references to swedish media, especially one that also enjoys making fun of the fear around witchcraft and satanism,

4. the ghouls!!

suspiciously well behaved. did not expect that. i was a bit disappointed that we didnt see that much of them and that they were so well behaved??? what happened to my feral creatures???

as per usual, their perfomances were amazing. the backing vocals sent me to heaven, i think best example of this is during mary on a cross, or kaisarion. Seeing Phantom and Dew show off their silly skills was very fun, love me a man that can become a pretzel while he serenaded me with songs of satan. while i am upset that we lost Aether, im glad his replacement is bringing some silliness to his role and seeing his growth with the band had been really rewarding.

i will say cirrus's reaction to seestors death did get me. like damn. youre right this is sad. i think also seeing someone die is actually quite shocking, we dont really know much about seestors relationships with the ghouls so theres not a whole bunch i can add.

im so glad they werent unmasked, i feel like that would've ruined the mystery of what ghouls look like. and i mean not as performers but as fictional creatures. everyone has their own version, similar to how Vessel from Sleep Token keeps on his mask to allow the audience to project onto him.

hearing rain's voice scared the shit out of me. i forgot he knew how to do that.

5. the off stage segments

i am so glad this is how the movie was broken up. what comes to mind for me is copia and nihil in the box just before if you have ghost. this was a gut punch of a moment for me, for a deadbeat parent to just decide they want to be there all of a sudden, because your other parent is bothering you? i did appreciate that big drop of "oh yeah actually i had three songs oops anyway deep breaths loser youre on"

the sudden drop of something like that is insane, and nihil being so smug about it, knowing that he's been keeping that quiet for so long just aaaaaah. but also i get why it was kept quiet, considering how personal the Future is a Foreign Place is to him.

it was at this point i began to cry. and i did not stop crying at this movie, even past the credits.

i did love that there was like no real chemistry between copia and Ashley. like yes, she has a job to do, and copia is known for being useless around women. and also like, theyre co-workers, they dont need to have romantic relations. i liked that!!

i am going to jump to the ending. post encore after the hot air balloon scene. i will not be spending much time on this because my dumbass really believed that copia would just float away into space and thats the movie over.

seestor's death was so unexpected. but i think it made sense. i have mixed feeling about her, mainly the whole "lol yeah i told my 55 year old son i was his mum last month and now ive decided to parent" but thats mainly it. she has a job to do, and she does it well. shes also just the baddest bitch in the world.

i was crying at her dying. and then hearing Copia's pathetic cries had me choke at the emotional whiplash as my friend laughed at me. and i laughed at copia because what the fuck was that noise bro.

AND SHE DIED IN HER HEELS??? girl is serving cunt in the afterlife thats C-U-N-T spells CUNT

finding out copia has a twin (?) was also very shocking, id always assumed he was named Copia becauses hes a copy of his dad, not because like... hes one of two??

Post credits had the entire audience gagged. firstly, seeing copia out of his red tracksuit and wearing his fancy new suit that came with being promoted to Father Imperator (or frater imperator, as some have dubbed him which makes sense and is fair) had me yeowling like a cat being dragged to the vets. Tears were over by this point, i was so proud of him. and happy that forge didnt lie, copia dient die he just now is the real one in charge.

the does also shine a light on how papa doesnt actually have any power, he's just a pawn for the clergy (secondo spitting out im a marrionette??? hello??? he knew full well that he was never the one in charge which is insane. but also fitting for him as a person).

if you're still reading i am very impressed. heres where i put the conclusion;

in conclusion, for Forge's first movie, this was AMAZING. For a band that was originally meant to be scary, its nice seeing them be silly and lean into the things people joke about. they're self aware, and they're fun. i really hope there are future installments and that we get an expansion on the lore (tv show when???)

thank you for reading, here's to Papa V and making new memories!

#ghost movie #ghovie #rite here rite now #rite here right now spoilers #cardinal copia #papa iv #copia #sister imperator #papa nihil #swiss ghoul #cirrus ghoul #spoilers #rain ghoul #dewdrop ghoul #movie reviews #i had a great time #im also very autistic

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nellie-elizabeth · 14 days ago

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2024 Books - Year in Review

I was going to make a post of all my "favorite" books this year, but instead I decided to go with my "noteworthy" books of this year, the ones that stuck in my head when I look back over what I read. I steered away from negativity, so while a couple of these weren't 4 or 5 star reads, they still stuck with me for positive reasons and gave me stuff to think about! I had a fair share of 1 star books this year too, but I'll leave that for my goodreads if you're curious to read me be a hater! lol. See below for some thoughts on each!

~~~

The Spear Cuts Through Water by Simon Jimenez: new all-time favorite. If you are someone who loves the craft of the novel, the complexity of language to impart meaning, if you want a story that iterates, that invites deep thought and deep contemplation, you have to read this. It's one of the most cleverly and expertly constructed works of fantasy fiction I've ever read. The world-building, characters, and plot are all vivid and unique, and the woven narrative structure is a true masterpiece. I think this stands head and shoulders above every other work of fantasy I read this year, and I'll be thinking about it and re-reading it for a long long time.

Lord Byron's Novel: The Evening Land by John Crowley: This one had been on my tbr for a million years and I finally got to it this year. It's a perfect book 2 me even though it's pretentious as hell lol. It just happens to be pretentious about stuff I love to think about. When a contemporary author borrows the style of a known master with the English language and does it in a way that feels authentic and loving, I'm always impressed and interested. It also has this specific trope of "finding the lost works of the masters" and uncovering interesting secrets about the past that I always love. And I learned some stuff about Ada Lovelace, to boot!

Greta & Valdin by Rebecca K Reilly: I have a lot of friends who are allergic to trying literary fiction and this is the book I would pitch them to try, because it's not a huge bite to chew on but it does give a good example of the gifts this type of book can offer. It's about people my age in my current moment, queer and disaffected and confused and scared, but trying so hard to find joy. It's a story about a loving and somewhat wacky family that manages to never tip over into being too tropey or saccharine. It gave me goosebumps and it put the biggest smile on my face.

The Unconsoled by Kazuo Ishiguro: If you ever wanted to read a book that feels like having a confusing and disorienting and anxiety-producing dream, read this book. I don't even know how much I "liked" it or how to articulate everything going on about it, but it's about, like, disappointment? Suffering disappointment and disappointing others, and getting in your own way. And it's about parents failing their children, more specifically. And it's funny as hell, as Ishiguro usually is.

Prep by Curtis Sittenfeld: This was one of the bigger surprises for me this year, because it's my third Sittenfeld novel and I pretty strongly disliked the other two I've tried. But this was a book club pick so I sighed and resigned myself to another mediocre read. And instead, I really really liked it! I think the thing that sticks in my head most, months after reading it, is how it accurately captured something super painful and true about being a young person who doesn't know how to behave, and who is afraid of what other people are thinking of you. This is one of those books where the protagonist is not "fun" to hang out with in the traditional sense, she's often incredibly infuriating. But gosh, is she hashtag-relatable all the same.

Night Watch by Terry Pratchett: I have slowed down a lot in my quest to read through the entire Discworld, so I only read I think two or three this year. But I finally got here, to one of the top-tier novels in the series, according to most people. And, yeah, I get why it's a favorite. Samuel Vimes, the man that you are. Love a book that can make me snicker at the funny jokes on every page but then also punch me in the solar plexus whenever it damn well wants to.

Love and Freindship and Other Youthful Writings by Jane Austen: Despite being an Austen devotee, I'd never really bothered with her juvenalia, and that was a mistake! This was so fun. This volume included Lady Susan too, which I also hadn't read. These pieces are less polished and obviously not quite as deep as her completed novels, but god, she's so fucking funny. And because many of these pieces were just jokey little gifts she was writing for her family and intimate circles of friends, there are some really saucy and bawdy kind of shocking jokes in here that never would have appeared in any of the published novels. You also see her trying out some tropes that she later refines in her more well-known works, and I love seeing a bit of how the sausage gets made.

Harrow the Ninth by Tamsyn Muir: I read Gideon last year, and Harrow & Nona this year. Harrow is definitely my favorite of the three because she's so fucked in the head, and I'm a sucker for a clever second-person conceit. This is the kind of book that is patting itself on the back about how clever it is all the time and I don't even care because I'm too busy giggling at the bizarre and depraved events playing out on the page. The part that sticks in my head most is probably Harrow and Ianthe fleeing the room in abject horror as Mercy and Augustine initiate a threesome with God. Truly hilarious.

Penance by Eliza Clarke: Tumblr-ites, you should read this, Tumblr itself plays a pretty big role in the plot, and you can tell that Clarke is (or was) a native or at least worked closely with someone who was. It's probably one of the best fictionalized version of fandom stuff I've ever read, even though it's... uh... about RPF mass-shooter fandom...... It's a disturbing read that takes the entire concept of True Crime to task in a way that feels complex and not overly scolding? Like, it's not a book that slaps true crime fans on the wrist but it does make you think about the role that our social fascination with violence can play in the lives of people who might need help they don't know how to access.

Cages by Peg Kehret: Middle grade re-read! This was one of my favorite books from childhood and I remembered a ton of details really vividly, but I'd forgotten how hard it goes with the alcoholic stepfather thing... and goddamn, this book is sad. I actually cried real tears reading it during the part about Lady having the love light in her eyes. I gave my cat lots of kisses on her little snoot after reading this.

The Accursed by Joyce Carol Oates: This was a re-read that I first encountered as a senior in undergrad. At the time, I liked the book and I wrote a term paper on it, but reading it again today just shows me how ill-equipped 21-year-old-me was, to grapple with the book's core themes around race. I was skittish about it a decade ago, and this time the book kind of... unfolded for me in a way that was really valuable and interesting. Plus, say what you will about Oates, she's a fucking excellent writer of prose, this is a very readable and interesting book. For those of you who have become Dracula-enjoyers over the past few years because of Dracula Daily, I'd super recommend reading this book as a companion to Dracula. It's a direct homage in some fairly obvious ways (one of the main characters is named Wilhelmina) and also an alternative exploration of some of Stoker's original theming.

The Left Hand of Darkness by Ursula K. Le Guin: Not a ton to say here, this was a re-read and it's obviously flawless, incredible, a Favorite of All Time. This time reading it, I was doing it with a small group and we met every other week, so we read it sloooooowly. It was cool, I really got to take notes and Contemplate the Text in a way I hadn't in prior readings. The big theme that jumped out this time around was all the dichotomies, everything a complement and an opposite. The travelogue aspect really stood out to me this time too, the planet of Gethen becoming a character on the page to me more than it ever has before. And talk about gorgeous writing, holy hell.

The Singing Hills Cycle by Nghi Vo: I read the first one last year, then three more this year, and I still have one left to go. These are really nice literary snacks, I guess you could say? I like the vibe, I like the simple yet powerful prose, I like the distinct and memorable characters. I'm interested in the theme of "why do we tell stories" (as Tyrion Lannister might say lolololol) and a few of my favorite books this year grappled with that as a core idea. These books have this classical, folkloric vibe to them that I greatly enjoy. I hope Vo writes a dozen more, I'll keep reading.

The Bright Sword by Lev Grossman: Okay, this one probably doesn't have the depth or staying power of most of others on this list, but I really enjoyed it and it fits in with that general theme of why do we keep returning to familiar stories and characters again and again? What are we learning about ourselves and our cultural identity through these familiar figures? This was also a text that did that "setting as character" thing really well, with the land of Britain having a presence all on its own, standing up to any of the individual characters. There's a moment in this book with Bedivere and Guinevere that made me cry, and be on the look-out for the most insane take on Lancelot du Lac I've ever encountered. Ever wanted to read a book where the fae folk engage in pitched battle with literal Angels of the Christian God? Then this one is for you.

Paladin's Grace / Paladin's Strength by T. Kingfisher: these are the lowest star rated books that made it onto this "2024 notable" list for me; I grappled with my conflicting feelings a ton on this one, so feel free to read in full at that link if you so choose. Short version is that these are pretty poorly written on the level of the sentence, the prose could use some serious polish and that was enormously distracting. But, when I set that aside and met them where they're at, I can appreciate them for some cozy fantasy romance. The thing that stuck in my head the most was the promise of the premise, there's a really cool back-story for the lead characters, and intriguing world-building being set up in this series, and it's that larger structural story that had me going back for book two. I think I'll probably get to the next couple books in the series before too long. I just hope one day that promise of the premise actualizes and provides a bit more intensity, because these were fairly tepid, if comforting, reads for me. I haven't been able to get the Smooth Ones out of my head though, that's for sure! So creepy!

~~~

So there you have it, my 2024 in review! There were plenty of other books I really loved reading this year, but I think this encapsulates the bulk of what got stuck in my brain, the stories I keep turning over and over in my head like a mental fidget toy. I'm excited to read more of some of these authors and strike out into some new territory in 2025!

#my posts #book tag

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blueboyluca · 1 year ago

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Hello and welcome to this blog for Luca the Schipperke, Marceline the Papillon and Topaz the Borderpap. We live in northern tropical Australia on the lands of the Larrakia people. My name is Grace and my pronouns are she/her/hers.

You will find photos and posts about the dogs under #Luca, #Marceline and #Topaz.

Other tags of interest: #dog books – all book content goes here including quotes, photos and reviews #dog agility – agility training videos and anything related to the sport #video edit – all my edited dog videos #street dogs – dogs from around the world I’ve seen on my travels #dog history – dog stories from history #old dog photos – photos of dogs from the past #dog thoughts – my rambling thoughts about dogs

Some posts where I share my dog thoughts: Quality over quantity Respecting my dog as an individual My dog is a dog and he does dog things Spending time with dogs Be better when I know better Stella If you let a dog into your heart it will make itself at home What has your dog taught you? Pessimism in dogs The closest thing I have to religion is dogs Dogs need access to off-leash spaces I am baffled by people who claim their dogs have some kind of hierarchy Punishment first Why did you get a dog at that particular time in your life? Leadership and dogs Children are for people who can’t have dogs The future of dog breeding Dogs are unique Changing your training Community pet hub Ethical frameworks Deradicalisation Small feelings Dog-shaped niche Dog training affirmations Nobody's dog is cared for perfectly

Sometimes I write dog poems (or dog song parodies): Little Boy Blue Not Perfect Maybe I could give you warmth You are a special kind of alive Luca dog on a voyage to the nursing home That Puppy Feeling In the morning she makes the tea Every day I make offerings to the little gods in my home

I also occasionally post things of a more informational nature: Living with a schipperke Schipperke history Schipperke coat colours Living with a schipperke (again) Engagement building through play Managing Luca’s reactivity Living with a schipperke (once more, with feeling) Reflections on reactivity Why I’m against greyhound racing in Australia Designing a dog park Introducing Luca and Marceline Fussy Eater Why I hate dog buttons Dog book recommendations Emotionally intelligent dog media

And some other miscellaneous posts that I like: Photo recreation 1 Photo recreation 2 Blue Boy Blues, an album by Blueboy Luca "Why Not Visit?" Edit 1 "Why Not Visit?" Edit 2 Luca’s Theme My bikejoring set up Dog–human co-evolutionary partnership My dogs as Björk songs My dogs as Björk albums Luca’s Spotify playlist Marceline’s Spotify playlist Topaz’s Spotify playlist My pitches for Designer Dogs

Please note that my dogs are primarily self-interested amoral creatures, and their behaviour is reflective of their environmental conditions. They are also anti-fascists who support the liberation and celebrate the diversity of all people. They value animal welfare and advocate for least intrusive, positive reinforcement-based interactions between humans and animals. My dogs invite good faith communication and do not tolerate bad faith engagement. My dogs are explicitly pro-abortion and tell me so every day. Know this when you interact with their media on this blog.

Thanks for stopping by!

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natlacentral · 9 months ago

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Netflix Avatar Star Gets Candid on the Show’s Critical Reviews (Exclusive)

One of the stars behind Netflix’s Avatar: The Last Airbender got honest about some of the reviews critics gave the show.

Fans were extremely excited ahead of the live-action series' release, especially since everything about the project looked so accurate to the original series.

Sadly, when Avatar finally aired, the reception to it was lukewarm. Critics were vocally disappointed by many aspects of it—though parts of it got constant praise, such as the performances from Paul Sun-Hyung Lee and Dallas Liu as Uncle Iroh and Zuko.

The show currently sits at a 60% critic approval rating on Rotten Tomatoes, and a 73% audience score.

[ Avatar Netflix Season 2: Dallas Liu Reveals His Big Hopes for Upcoming Episodes (Exclusive) ]

Paul Sun-Hyung Lee Gets Honest About Critical Reception

Avatar: The Last Airbender star Paul Sun-Hyung Lee shared his honest thoughts with The Direct at Paleyfest 2024 about the reviews the Netflix series received when it was released.

Lee admitted he "was actually really surprised at how critical some of the outlets were towards it:"

"That's a really good question. There was the gamut of responses that I was expecting, like, I was hoping that fans would really dig it. I was actually surprised at how critical some of the outlets were towards it. It was almost like--and I'm biased, I'm biased, because you know, I'm part of it."

"It looked like some of those reviewers just had already made up their minds beforehand," the actor continued:

"But from my point of view, it looked like some of these reviewers just had already made up their minds beforehand, based on everything that they heard instead of the actual, like actually watching the show. And they were ready to just pick it apart. Whereas the fans really sort of embraced it. And were like, I don't know about this, I'm cautiously optimistic. But the majority of them really enjoyed it."

Lee explained how people should "approach different things with different sets of expectations," a mentality "that’s good for anything in real life:"

"And I think that's what we need to do is just sort of approach different things with different sets of expectations, in a sense, and not to prejudge and make up our minds before you have a chance to view anything. And I think that's good for anything in real life, is to really have an open mind, go in, experience it, instead of going, 'I'm going to judge this,' instead of, 'I'm going to watch this, and I'll see.' And then I will be critical or I will, you know, be judgmental, or whatever. But that's all you ask for in life. It's like not to be judged before the work is shown."

"It’s one of those things that have to grow," Lee noted, adding that it’s "very rare that something is pitch-perfect right out of the gates:"

"And I'm really impressed with the fan community for doing and embracing that. It was really kind of going well; it wasn't perfect, but we really did enjoy it. And then, at the end of the day, that's all you want. And we're learning, too. So, it's one of those things where things have to grow. It's very, very rare that something is pitch-perfect right out of the gates, right?"

When it comes to fan reception, Dallas Liu told The Direct how he "love[s] seeing just how stoked everyone is on the bending effects:"

"I'd say, like, I love seeing just how stoked everyone is about the bending effects in our show. I think Jabbar [Raisani] and his team really nailed that part of like, what everyone loves about the original."

Producer Jabbar Raisani revealed it is "the fan reception to the show" he's most proud of:

"I mean, really, the fan reception to the show, right? Like, we tried to make this thing that felt like the animated series, had the heart and soul of the animated series, but lived in breath in a live-action world and people responded to that. That was a very challenging thing to actually do."

Arden Cho, the actress who plays June, shares how she has been "really happy to see everyone enjoying and loving the show:"

"I think I'm really happy to see everyone enjoying and loving the show. And there's just so many different things that are being noticed. And yeah, I think I knew people would love this because everybody's working hard on it. And it's such a loved story to begin with. I'm so excited to be a part of it. But yeah, I think what I'm enjoying the most is sort of seeing the response to all the kids and everything and just the world [of Avatar]. I love the world... The world is so fun; it's so fun to be a part of it."

[ Avatar Star Dallas Liu Explains Zuko & Katara's Rivalry In Live-Action Show (Exclusive) ]

Letting Avatar: The Last Airbender Find Its Footing

Paul Sun-Hyung Lee has a point—countless shows have grown exponentially in quality as they went on. Some just take time to find their footing.

With Season 1 in the wild and audiences giving plenty of feedback, the creative team has every chance to improve upon the foundation they’ve already built. They don't even need to worry about whether they will be able to finish the story.

If Netflix can knock the next two seasons out of the park, there is a good chance fans can expect even more stories to be told in that universe. Maybe one of the upcoming new adult Aang movies could get an adaptation or even the Legend of Korra.

#natla #atla #avatar the last airbender #netflix avatar #netflix atla #avatar netflix #atla netflix #paul sun hyung lee #dallas liu #jabbar raisani #arden cho #article #the direct #paleyfest

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angelofverdum · 2 months ago

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Woman of the hour

I'd have picked bachelor number 1 btw.

I strongly believe we don't need more movies about a real-life serial killer. Mostly when they're more focused on the killer than the victims.

I watched this movie because of Anna Kendrick. The movie is not perfect but the way they wrote and directed the movie was really impressive.

First, it'd have been so easy to let Anna take the spotlight and make the whole movie about her. I'm sure I'm not the only one who watched it because of her. However, she shared the stage with other women so they could tell their stories and show the audience that it doesn't matter how you look because it is not about race, age, or anything else but the power that it gives them.

At the same time, I feel like the script was its biggest flaw. The pace was kinda slow. They succeed in portraying sexism and the objectification of women but the focus is on Anna's character because she was the one who appeared in the TV show game but she has no influence in stopping him.

I loved Anna's work as a director. You can feel the tension in every scene. You don't need music to cue you that he's a creep or camera tricks, because the story is told through a woman's eyes, and she made the audience feel that something that every woman has felt at least once in their lifetime.

And I've seen reviews, of men obviously, upset because the movie portrays every man as an asshole or a jerk, and "that's not true". The movie doesn't have a man saving the day, and that has some people in distress.

I love everybody's performance. I think casting Daniel Zovatto was one of the best decisions. Some people said he wasn't charming enough and I think that's the whole point.

There's a scene in the movie when Rodney is talking to Bachelor number 2 and they're exchanging directions and Rodney gives him a pic of a dead body, and omg his expression was like he let out every evil thought and put it into that smile.

I hope Anna stays in the director's chair for a long time with projects like this.

I think Pitch Perfect damaged Anna Kendrick's opportunities to have a serious career. I love Pitch Perfect as much as anyone else but after that movie, she kept playing the same quirky character in awful movies. I'm glad she took a step back and recalculated her moves. "Alice, darling" was a great movie too.

#Woman of the hour #Anna Kendrick #Review #Reseña #opinion #movies of 20024

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canmom · 1 year ago

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Animation Night 169: Sex. 2.

So. Storytime.

Two years ago, we had a joke. "We should totally show some hentai on Animation Night 69." we said. Having said that, we were honour-bound to totally commit to the bit. Teaming up with @mogsk, I wrote a massive post on sexuality in animation and the history of 'hentai', from the hentai seiyoku discussed in 20th-century sexology journals to the modern subcultural kaleidoscope.

It is, genuinely, one of my favourite posts I ever wrote in this project. It's definitely not perfect - the sections on BL and the lolicon boom are especially weak, but still! There's no way I'm beating that.

Mogs, meanwhile assembled a perfectly pitched playlist of animation dealing with the theme of sexuality, from classic oldschool BL like Kaze to Ki no Uta to charming little comedies like Oruchuban Ebichu, and a scattering of actual h-anime like Weather Report Girl. For my part, I led with the genuinely classic film Kanashimi no Belladonna (Belladonna of Sadness).

So somehow - somehow! - we managed to make the idea of getting together with your online friends to watch a bunch of anime about sex just... plain fun and uplifting, to the point that @footsteps-on-the-dance-floor will tell me years later how much she enjoyed it. Not to mention, we got a pretty good cross-section of the different dimensions of sexuality in animation as well!

I didn't even get banned on Twitch.

This week, the counter has drawn the sex number. So can we do it again? Well, my friends, we're gonna try~ Tonight, @mogsk and canmom present: the long-awaited sequel to sex. Sex, 2.

This time we're narrowing our focus a bit. One of the distinctive elements of eromanga, by the analysis of Kimi Rito in The History of Hentai Manga, is how particular images get encoded as signs that can be reused by other mangaka, and these signs can become the seed for particular subgenres. So, our selection tonight is in part designed to give a brief cross-section of some of these visual tropes.

So let me introduce you to our program. CWs: sex, obviously; also a couple of these films (Cleopatra, Parade Parade) cw for rape. Here's the programme, read on for brief descriptions of each item and a lil cultural context~!

Cleopatra (1970) - oldschool Tezuka weirdness

Boku no Sexual Harassment (1994-5) - 90s salaryman BL

Interspecies Reviewers (2020) - monstergirl sex comedy, and an instance of the trend of recent cable TV h-anime

Agent Aika (1997-9) - panty shots to the most ludicrous degree

Comical Psychosomatic Medicine (2015) - ONA comedy framed as fetish education

Parade Parade (1996) - futanari + yuri

Golden Boy (1995-6) - 90s sakuga and a classic comedy

Queen's Blade (2009) - kyonyuu

Colorful (1999) - panty-centric comedy skits

after that: if you still have energy, I might take requests~

[n.b. a lot of these are TV series - we will only really be getting a 1-2 episode sample of each one, for runtime's sake.]

Cleopatra (クレオパトラ), 1970

Last time we led with certified classic, genuinely moving and good as hell film Belladonna of Sadness. This was part of a last gambit by the struggling Mushi Productions, the studio of Osamu Tezuka, credited with inventing TV anime back in the day with Astro Boy. Long before there would be such a thing as an h-anime subculture, Tezuka experimented with creating erotic animated films based on history and mythology.

Belladonna is the best remembered of the three, and with good reason. Tezuka was largely not involved by this point. The others, though... are some plain fucking weird movies, I'll tell you that much. So tonight we'll be watching Cleopatra (1970). I may have shown you the trailer before - this is the Caesar trampoline movie. That is only the beginning.

I recently finished reading Osamu Tezuka's manga Ayako, written in 1972-1973 - not long after this movie, actually, during Tezuka's gekiga phase. I'm sure it's common knowledge by now, but Tezuka was one horny old guy! Ayako has all manner of skulduggery: incest, murder, gangster stuff, more murder, etc., but the core story is about a girl who is imprisoned in an underground cell for 20-some years by the machinations of her family. As she grows up, she ends up in an incestuous relationship with her protective brother - and once she finally escapes, she is highly agoraphobic but also throws herself at nearly every man she meets.

It's very much a story of the sins of the past echoing down into the future, shot though with post-war history and gangster movies, but its central fixation is the figure of Ayako herself: the soft cloistered object of obsession and attraction. Whether they want to protect Ayako, seek absolution from her, fuck her, or exploit her.

But it's also in places a really wacky manga, with a lot of very comical contrivances or hyper-cartoonish panels with extreme squash and stretch. It's a completely different way of displaying action.

I think this gives me a sense of the sort of wavelength Tezuka was on when he draws a scene where Cleopatra is tied down by stakes and a bunch of guys line up to rape her while she shouts at them defiantly. It's all very theatrical, a huge contrast to the much more internally oriented Belladonna. Just a plain strange movie, but it's one I've been fascinated to watch for ages.

Whatever we make of Cleopatra, we'll jump into the program that Mogs drew up! Once again she's come through magnificently.

My Sexual Harassment (僕のセクシャルハラスメント), 1995-6

Our next act is some old school yaoi! One day I'll get to do that big effortpost on the history of BL, but not this day. In any case, Boku no Sexual Harassment is an OVA from the mid 90s about a young man called Junya Mochizuki trying to fuck his way up the company ranks for the sake of himself and his partner Kazunori Honma. In particular, he has an affair with his boss, Mr. Honma, running across the whole OVA.

This is perhaps best known for an infamous scene involving corn. It's here as a window into this period of BL - not quite as high-mindedly aesthetic as its 80s predecessors, and with its erotic focus being on like... 90s salarymen, which is quite a specific thing!

Interspecies Reviewers (異種族レビュアーズ), 2020

Next, a series which has the dubious distinction of proving too steamy for Crunchyroll. Interspecies Reviewers enters the general milieu of modern videogame-inflected fantasy anime, a comedy dancing along the line of whether it's too overtly porn to air on TV. The story tells of a group of fantasy characters who are the clients of monstergirl sex workers, hoping to encounter as many different species as possible. This is a frame device for a series of episodes focused around what it would be like to have sex with various kinds of monstergirl.

This is an example of a recent trend in TV anime, namely very overtly sexual cable TV anime such as High School DxD, which have in a way come to fill the gap left by OVAs. This is a niche that also includes the likes of Goblin Slayer and Redo of Healer. In contrast to those series' "big grimdark plot with a side of rape" approach, Reviewers is light-hearted fantasy sex comedy mixed with (if you live in China) a certain amount of actual porn, which fansubbers have kindly spliced back in to the censored release for us.

Agent Aika (AIKa), 1997-9

The panty shot is one of the more popular visual tropes in eromanga, to the point that Even a Monkey Can Draw Manga dedicates a whole two page spread to the history of the trope. (Surprisingly, I can't find any more substantial account in Kimi Rito's History of Hentai Manga).

You'll see it often enough in anime, overtly or subtly, and certainly in the early works of Katsuhiko Nishijima, who debuted in 1986 with Project A-ko, a classic Kanada-inflected OVA that still bears signs of its hentai roots. But there is nothing that takes the panty shot to the same extreme as Agent Aika (1997). The degree to which the camera in this action anime contrives to show panties at a machinegun rate... it crosses over into a level where it feels less like outright fetish material and more like experimental art.

This is a series that is only coherent through the erotic focus. And yet, it's not generally categorised as porn. Nobody actually fucks. Lines are very arbitrary...

Comical Psychosomatic Medicine (アニメで分かる心療内科), 2015

This ONA adapts a gag manga series themed around the idea of an education series on fetishes, paraphilias, and so on - not so different in concept from Peepoodoo and the Super Fuck Friends, from the sound of it! The ONA is produced by Shin-Ei Animation, a venerable studio known for beloved characters like Doraemon; it's a bunch of five minute bite-sized chunks which I plan to sprinkle in between the other stuff we watch as a palate cleanser.

Parade Parade (パレードパレード), 1996

Having warmed you up sufficiently, this is the point in the evening where we pull out the futa porn.

Parade Parade is an OVA by the studio Pink Pineapple, one of the giants of the 90s erotic OVA scene - I wrote about them a bit last time. It's a relatively "tasteful" example of the futanari (二形) trope, literally 'two forms', referring to basically a character with a mostly cis woman-typical body except for a penis (generally in addition to a vulva), which she will typically use in penetrative sex. This is typically represented as either the result of magic, an intersex condition, or just a fantasy world where it's not unusual.

Depending on your subcultural corner, this might be further distinguished from other niche variants of dickgirl (e.g. a futa must have both sets of genitals).

In anime and manga, the futa trope apparently traces back to the introduction of American trans porn magazines to Japan, inspiring mangaka such as Kitamimaki Kei to start drawing futanari characters. Futanari manga first spread through dōjinshi in the 80s, and became popular in eromanga in the 90s, before circling back to the West. So actually yeah I guess this one is on us trans girls! I always assumed it was like, an independent invention. The more you know...

Here we have succesful idol Kaori, who's secretly intersex - and only her girlfriend Yuko knows. She's very careful to let nobody know, for the sake of her career, but a rival lesbian idol is about to find out...

Golden Boy (1995-6)

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Now here is a true classic.

Golden Boy is a comedy series about a wanderer named Kintaro, who dropped out of uni to travel around Japan getting into sexual escapades. Each episode, he runs into someone and hopefully falls for them while coming across as an idiot pervert, but gradually reveals that he's actually a decent and resourceful guy - and yet, having found love, there will always be a reason he must move on. A setup to hang all sorts of plots, carried by some honestly unreasonably impressive animation from the realist school, most notably Mitsuo Iso. It's just... very very well done.

The above clip did the rounds on here a while ago (I think maybe the dubbed version), and we will indeed be watching episode 4 to put that in context.

Queen's Blade (2009)

So this is a studio ARMS OVA - the guys who did stuff like Mezzo Forte with Yasuomi Umetsu - a fantasy story about a warrior tournament. But for our purposes it's standing in for the 巨乳 kyonyuu subgenre - meaning 'huge boobs'. So if you wanna do the meme in Japanese, that's the word you need.

This has a rather specific history in eromanga, recounted by Kimi Rito in The History of Hentai Manga. Per Rito, the popularity of the term dates back specifically to 1989, where it was used to promote porn star Kimiko Matsuzaka, as well as Western gravure porn magazines. Gradually displacing other terms like 'D-cup', the onomatopoeic ボイン boin and portmanteau デカパイdekapai, kyonyuu soon became cemented as the term for a type of character design. It grew in popularity in the space opened up by the bishōjo genre established by the lolicon boom.

So under the pen of mangaka like Kei Keitamimaki (him again!), designs with massively exaggerated boobs became very popular, defining a subgenre of their own. Artists would sometimes express anxiety over whether they would be 'allowed' to draw such extreme designs, but it became widespread in seinen magazines. Gradually, these genre boundaries dissolved and boob size started to become a symbol of characterisation.

Queen's Blade is a fairly longrunning series but as far as I understand, it's broadly a silly ecchi anime about women with very large boobs fighting to become queen. It's not the most comical example of this trope necessarily (nothing can really beat High School of the Dead's supersonic bullet dodging tits) but it's pretty up there.

Colorful, 1999

Colorful is a comedy series of brief (~7 minute) skits about boys trying to see panties and suffering many consequences. As a late 90s anime it's got some interesting stylstic Y2K stuff - look at that rotoscope clip! - as well as strong animation from people like Norio Matsumoto of Naruto fame.

So!

Mogs's encylopedic knowledge of weird obscure horny anime once again coming to the rescue: I'm fascinated to see where this night will take us. And whether I'll still have a Twitch account tomorrow.

I realise this is a much later start than we'd like with such a big programme, but I hope you will come join me for some weirdly educational sexy animation! Dip in and out or stay for the whole programme, the choice is yours - see you at twitch.tv/canmom, going live now, programme starts in about 30 minutes at 22:30 UK time!

Animation Night 169 is gonna be a little postponed - we'll be going at 7pm UK time on Tuesday (29 August) at twitch.tv/canmom! Hope to see you there! I will try to write a little more interesting info as we lead up to that~

#animation night

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agentnico · 7 months ago

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Furiosa: A Mad Max Saga (2024) review

I have now officially lost my IMAX vorjeneteee! First time experiencing a film in IMAX at the BFI theatre and holy Moses that’s one big screen! The perfect way to get immersed in Chris Hemsworth flexing his prosthetic nose!

Plot: Snatched from the Green Place of Many Mothers, young Furiosa falls into the hands of a great biker horde led by the warlord Dementus. Sweeping through the Wasteland, they come across the Citadel, presided over by the Immortan Joe. As the two tyrants fight for dominance, Furiosa soon finds herself in a nonstop battle to make her way home.

Mad Max: Fury Road is easily one of the most spectacular action films of the 21st century. Shame that back when it came out in cinemas I opted to go see Pitch Perfect 2 instead. Look, my film tastes back then we’re not as refined nor was I so cultured in…..okay yeah, my film taste was crap. I opted to go watch some youngsters sing acapella instead of witnessing Tom Hardy and Charlize Theron wanting to literally kill one another for 2 hours in glorious form. I’ve of course since fixed my ways and discovered and appreciated Fury Road for what it was. The maddening chaotic post-apocalyptic world built from the mind of George Miller, the visuals are truly impressive, especially due to 80% of it being actual practical effects, so seeing the cars flying about left and right and characters defying physics, with Junkie XL’s energetic score and so many cool characters throughout - it’s pure awesomeness. The only weakness really is that there’s hardly a plot. Like half of the movie is a chase and the other half is a race. Essentially if you boil it down to the basics. Not much narrative substance so to speak.

Luckily Furiosa ends up being that kind of prequel/spin-off that actually enhances and improves on the Fury Road experience. There’s so much more story in Furiosa, but not only does it focus on its titular heroes, but it also fleshes out the villains from the original film as well as featuring set pieces that would be highly recognisable to the Mad Max fans. I’m not even simply referring to Fury Road here. There’s a few Easter Eggs that fall reference to the 2015 Mad Max game, which by the way is a highly entertaining play through and a very unique open-world game that doesn’t get enough love. So naturally I was pleased to see a lot of material from that game being made canon now, from the appearances of characters like Scaborus Scrotus and Chumbucket to the film debut of the Gastown location, which is only referenced in Fury Road but has been brought to life in the game. And now we get to see it in full glory in film form. Right, I’m not an obsessive video game or anything but I did have a little fanboy excitement seep through during this film.

The movie solely relied on dialogue focused on world-building, and the villain of Chris Hemsworth’s character, Dementus, was better than I’d expected. Honestly from the trailers I was afraid if he was going to be too cartoony, and also I’m still recovering from whatever the fudge Thor: Love & Thunder was, however the way Hemsworth mixes in the humor he’s known for with his rage and wit was a welcome sight. He’s still a dangerous character, standing up to Immortan Joe as well as destroying Furiosa’s childhood and leaving her with nothing but vengeance. Honestly not going to lie, this may be Hemsworth’s best performance ever. Truly with this and Bad Times at the El Royale Chris Hemsworth truly proves that he’s a fantastic actor when it comes to playing antagonists. He’s highly entertaining but also leaves a lasting impression as a truly sadistic character. Anya Taylor-Joy as Furiosa was alright, however not going to lie, I do feel the movie missed a trick by not bringing back Theron. Chances are Theron probably did not want to come back after having a terrible time filming Fury Road, but she was so powerful as that character, and with Taylor-Joy she simply didn’t reach that same level of intensity and anger expected from the character. I did enjoy her interactions with Tom Burke though. The way the two immediately worked together to fend off the raiders on the War Rig was reminiscent of the way Theron and Tom Hardy did in Fury Road, doing its predecessor justice. Burke played the role perfectly and their goals and motivations were rightly aligned with each other, eventually falling in love with one another, which gave Furiosa even more motivation on her hell-bent journey of enacting revenge on Dementus. Again, there’s so much story in this story, and it filled a lot of gaps in the Mad Max lore.

Though I thoroughly enjoyed the plot, dialogue, characters and set pieces, the main issue I had was the movie’s misuse of color-grading and CGI. While Fury Road set the standard for practical effects with minimal uses of CGI, making scenes come to life through real explosions and harsh red color-grading, Furiosa suffered from lack of both. The color-grading was too clean for me as it relied on softer colors, a downgrade from its predecessor eight years ago, and there were more moments that I could see the CGI at work — and it wasn’t done well. In fact at times the backgrounds of scenes looked so fake it was jarring and really broke the immersion. Again, I was watching this on the giant IMAX screen, so the level of detail was both great in enjoying most of the film, but also made the weaker visuals stick out like a sore thumb. Also Junkie XL’s Fury Road score is a true orchestral masterpiece. The levels of epicness it reaches is superb, so I was highly disappointed with what he did this time around. Aside from a couple of moments, the music score is an uninspired collection of booms and drum beats that left zero emotion.

Furiosa is a fantastic cinematic experience and is the second time this year where a desert setting makes for a superb film. Chris Hemsworth is the stand out and the story is rich in depth and scale, even if it does end up a bit too bloated. It does falter in the technical side with the obvious CGI and the weaker music score, bit overall this makes me want to see Miller continue making these Mad Max flicks, though judging by the box office results that may now be a pie dream. But let’s enjoy what we have - lady and gentlemens, start your engines!

Overall score: 8/10

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ro994art · 3 months ago

Text

Bluey Minisodes Minireviews: Part 2!

Hello again, people! I've been needing something to distract myself from a few media disappointments I've been getting lately from certain franchises I once enjoyed. And just in the nick of time arrive some short, sweet, lighthearted slice-of-life adventures from everyone's favorite Australian blue pup.

I'm talking, of course, about the new Bluey minisodes! I don't know about you guys, but to me these were a welcome break from... well, a lot of things happening right now. I reviewed the first batch of these back in July, so I thought, why not give my quick thoughts on these as well? I guess I've unofficially become a Bluey reviewer now? A minireviewer at the very least, LOL.

⚠️ As always, spoilers for these shorts below the cut.

🖍️ Tattoo Shop

Without a doubt, this short is the PERFECT representation of what it's like to be a Girl Dad™. 😂 Bandit knew what he was getting into no doubt, but I like how he still played along. Of course, this is Bandit Heeler we're talking about, so we wouldn't expect less. I think that's pretty much all I have to say about this one. Oh, and that the design of the tattoo the girls did was really pretty, I kinda want it as a sticker x)

🦄 Phoney

Unicorse returns! He's not exactly my favorite character (or, running gag, I guess?), but I admit that he does make for some fun scenes, especially when he isn't acting extremely annoying, and I found his annoyance levels in this short to be at just the right amount. Plus, it was satisfying to see the girls "defeat" him, so to speak, at the end. 😂 I just hope stuff like this doesn't happen with too much frequency whenever Chilli tries to relax, because otherwise, Bandit is in serious danger. 😅 (I'm joking of course, we've seen Bandit know when to give Chilli her space, and that's great. He can still have fun from time to time, he just better find his wife in a good mood x'D)

🏰 Blocks

Okay, I really loved this one. Definitely tied for my favorite from the batch with another one that I'll mention in a bit x) Some of you may know this, but along with mom-centered Bluey episodes, I also have a soft spot for grandmother-centered Bluey episodes, since I grew up with my mom and grandma until the latter passed away last year (and it's one of the reasons why I really love the episode "Charades" despite it apparently being one of the most hated once in the fandom, but I digress 😅)

Anyways, up until now, we hadn't seen all that much of Nana Chris and Grandpa Bobba interacting and just, y'know, being an old married couple, so we finally got that, albeit in the midst an unusual circumstance, but I still found it really sweet. ❤️ Especially the end. 💖 I also think this might be the first time we've seen time cards used in Bluey? I really like those for some reason, LOL. Another thing I loved about this episode were the background details! I was really nerding out about little stuff such as the colorful pillboxes, the porcelain dog ornaments, the photos on both the fridge and shelves, etc.! As someone who literally lives in her grandma's house, all of those details made it feel more like, well, grandma's house x) I love how much love and effort the designers and animators put into small things like that. They deserve all the praise.

Also, I don't know if I'm crazy, but I'm PRETTY sure that when Bluey asked "Did you leave our blocks up?" near the end, that was the actual, unfiltered voice of her voice actress? Like, a lot of people have said that they've been digitally "de-aging" the kids voices as they've grown older so they don't have to change the actors, and I'm pretty sure her voice during that line sounded older, like they forgot to digitally alter the pitch on that one. Just something I noticed that I'm not sure if anyone else caught or not. 😬

Anyways, that review turned out longer than expected, but I can't help it. I love grandparent eps. 😋

📠 Government

I think this was the unofficial sequel to "Animals" from last batch xD The way they played the game was pretty similar, just with its own Bandit flavor and dad humor of course. I think the biggest take from both of those shorts is that Bingo is REALLY ticklish, but likes getting tickled. 😂 Oh and, the way Bandit curled Bingo into a little ball at the end? I had no idea they could do that, but uhm, okay I guess. 😅

🥁 Drums

Sooooo, Chilli wants to get Bingo into violin? Even though the latter doesn't really seem interested in that? I just hope that's not something that's going to get forced onto her eventually. 😬 I mean, knowing Chilli, I'm sure she won't make Bingo do it if she tells her that she doesn't like violin. And Bingo has been getting better at speaking her mind, so, I think it hopefully won't come to that.

But anyways, about the drums: Bingo's surprisingly good at them for a beginner! 😄 I'm pretty sure she gets it from her dad. 😉 I think this episode was another showcase of "Bingo may seem like a calm and chill kid, but there's also a bit of a wild side to her that not many expect" that's been happening in more recent episodes such as "Dragon". Even though I do appreciate and can better relate to calm characters, that's still a fun side of Bingo to explore, so I hope they keep giving us glimpses of that. Oh, and that they let Bingo play more drums. She seemed to like them. :3

🧸 Browny Bear

This is the other minisode tied with "Blocks" for my favorite of the new batch. 😆 From the title alone, I'm not sure what I was expecting from this, but a film noir parody starring Unicorse's puppet lawyer was definitely not it xD But it was still super fun! A lot of animated shows that I love have actually done film noir parodies, such as the original FOP, MLP:FiM, and Monsters at Work, and those episodes always end up being some of my favorites of their respective season because of how entertaining and funny the format is. Ironically, I've never seen an actual movie of that genre in my life. 😅 I'm not awfully sure if I'd like the real thing, but the parody is always fun to watch LOL. And even though they didn't make the episode black-and-white like is usual with this type of episodes, the way they worked with the sharp shadows through the half-open blinds was VERY clever, like this is how the family is actually playing this. Smart move, animators. 👏

I wouldn't mind seeing Browny Bear more often. He was quite funny and, in my opinion, more tolerable than Unicorse. 😅 (I like the guy, he's just a bit much sometimes 😬)

Oh, and like I said: Bingo gets it from her dad. 😉

🌊 Whirlpool

This one was just cuteness overload x) I'm pretty sure I wasn't the only one who got nostalgic flashbacks of playing in inflatable pools in the backyard as kids. ☺️ I personally never played this game, though, and even if I had thought of it, I don't think I could've, since the inflatable pools my family owned were very little even for a kid. 😅 But it looked like these kiddos were having a blast, and that made my heart happy. AND CHUCKYYYYYYYY!!! I love that they included him, I LOVE Chucky, he's such a sweet character with an ADORABLE design. I'd love to see more of him. More love for Chucky pls. 💛

Final thoughts:

Like I said, I've been needing more Bluey lately. These little shorts in particular always make for some great mind soap if you just want to watch something sweet and fun. Though, similarly to what I said in the last review, I would still like to see other characters besides the main Heeler family get explored in these. We did get a bit of that with Nana and Grandpa, besides Lucky's involvement, but again: Why not give us a Pompom short? Or a Calypso short? Maybe a glimpse of Winton and the Terriers ajusting to living together? While yes, we all love the core Heelers, this show also has so many other great, beloved characters, and these 90-second shorts could be cool opportunities to get a bit more from them.

But, I reiterate: I will never complain about more Bluey content. Could there be more done with these? Sure. Am I mad at what we got? Not at all! I still have a blast watching them, and a 15 minute break from both real life and fandom-related stresses is always welcome.

Can't wait for whatever Bluey content may come next. ✨

#text post #ro994 review #bluey #bluey minisodes #bluey heeler #bingo heeler #bandit heeler #chilli heeler #my opinion

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