#physical form Collector

[qcoded]

[NOT SHIP. PROSHIPPERS DNI]

if you've been following me since I've started posting, then you probably recognize what this is a recreation of 😭

lil cute comic for my physical form Collector AU 🙏

[wake-up-and-face-the-sun]

Faces

[wonder-and-wildflowers]

Physical media is so dear to me

but not always in the cute

"Look at my collection!! Look at how well organized it is!! Look at all I've got and am getting"

kinda way

But sometimes in a very feral, stars-in-eyes, foam-at-mouth

"Look at my collection!! Look at how well organized it is!! Look at all I've got and am getting"

kinda way

[squenble]

shadow form collector my beloved. the entity ever

[catboymoments]

I had a thought earlier that the collector “ages” like gems in SU do in that they’re immortal chronologically but their physical form grows and changes to reflect their mental state?

Something something the ability to grow and change and how important it is etc

[diejager]

The writing where reader died, what happens if they were revived as a wraith like Ghost? There's probs going to have a lot of fluff and a small angst here and there. But I mostly wanna read your writings!! It's cus' I can't get enough, and kept rereading it all the time

Cw: pain, death, turning, cannibalism, implied torture, implied blood and gore, angst, fluff, hunger, tell me if I missed any. We’re going to forget how you previously died, cuz @bluegiragi gave us more info about wraiths and I just love where the comic is going.

What a cruel joke, irony hitting him in the face the same way his abrupt shift hurt him, an apathetic slap to the face that left him bloody and in shock the way he left Roba on his dying breath. Simon didn’t know what was crueler, the knowledge that you were tortured and buried alive, left to die alone for the sins of his own making and the wrath of another, or that you were left to die a slow and excruciating death after being beaten half to death, expected to lose your resolve solely on the fact that you were a medic, and turned into the monster he was.

Neither your captor nor death had been merciful, much less the reaper, a collector of wandering souls and lost ghosts, waiting their turn to cross the river with a small token for the afterlife. Be it Hermes, the messenger and the carrier of souls, Thanatos the reaper and collector, Anubis - or Inpu, however people called him - the guide, Ankou the shadow, Sgàthach the warrior, or Freyja and Fólkvangr; you weren’t granted the soft embrace of a calm death, but the cruel rejection of it, forced back into life and abandoned by sweet sleep.

He remembered his own, the painful pull of his back, the crazed smoke that filled his mind with a thirst for blood and revenge, the crack and ugly break of his bode, reshaping his body and organs dyed dark, dying and pained. He remembered well the pain of it like it was yesterday, having to crawl out of the shallow grave on his own and discover the carnage he left behind, stained in his and Price’s blood. He was reborn.

And so were you, crying and sobbing, your skin scarred beyond thinking and mind in shambles of broken faith and abandoned affection. He knew first hand how it felt, the burn and agony of it, the hunger and ache that plagued you like an undying pestilence, darker than the one that ripped through Europe in the fourteenth century and more devastating than the Justinian’s. He’d been too late, too slow to help you through the first ripple of shock and fear once you’d quenched your thirst, staunching it like you would a wound. He let you fester in your sorrow and hunger, left you without a guide or caretaker until you ravaged the area, leaving only blood and rubble in your devastation. 

But he’s here now, picking you up from the mess you found yourself in, a storm of smoke and thick black that you hid yourself in, to hide the monster you had become. He might not be proud of who he’s become - much like you - but he grew into it, lived his life as one, and he would be here to help you through the process of it. Where he wished he had a helping hand, you would have his. He would help you with your hunger, the famine that grew the more you left it alone, filling your being with bodies he’d gather up for you to absorb. He would teach you how to control the smoke - the sinews of your being, the consistence of it forming your figure - and build from it, stopping yourself from phasing to and from it, staying as a physical manifestation of it rather than darkness itself. 

Where he felt lost and confused, alone and wishing for a swift end, you wouldn’t, he made sure to stay, to be the pillar of support for you whenever you crashed, his body covering yours to stop you from vanishing in a fit of tears. Where he spent time hating himself, demeaning the cannibalism he became, you wouldn’t, he’d rather send himself to hell than let you think you were the lowest of the low, a human eating another. And where he was cruel to himself when death had renounced him, you wouldn’t, he’d whisper the sweetest words, praises, compliments, affection and guidance, he would make sure you wouldn’t drown alone like he did years ago. He loved you too much to let that happen.

Taglist: @craxy-person @crowbird @dead-cipher @iwannabealocalcryptid @iizx7y @mxtokko @capricorn-anon @perfectus-in-morte @sae1kie @yeoldedumbslut @bvxygriimes @distracteddragoness @konigsblog @angelcakes-22 @ramadiiiisme @ramblingsofachaoticthinker @im-making-an-effort @love-dove-noora @jinxxangel13 @daisychainsinknots @h0n3y-l3m0n05 @mul-pi @danielle143 @beau-min @makayla-666 @urfavsunkissedleo @notspiders @brokenpieces-72 @luvecarson @petwifed @randominstake @heartelysia @jggykhug09090 @hayleybarnesx @shironasumi @sparky--bunny @bloobewy @call-me-nyxx @sans-chara @cod-z @sweetnanah @aldis-nuts @thigh-o-saur @evolutionarry @kaoyamamegami @cassiecasluciluce @sobbingnshtting

[cupcakeshakesnake]

I dreamt that I was drawing the Collector and had to make it a reality upon awakening

EDIT: ID by @anistarrose

[Image description: painted digital art of the Collector from The Owl House. They're in their physical form facing away from the viewer, gazing slightly upwards with a neutral expression. End description.]

[snakewithawitchhat]

Bill Headcanons

I have enough of these to fill up my guts whatever that means

Includes: Normal, readerxbill platonic, readerxbill romantic, freaky stuff he into

Normal

He definitely said skibidi once because he had no idea what it meant or where it came from

He would probably honest to god enjoy interacting with an iPad kid because he thinks they're fucking funny

Tea person over coffee

Probably reads books on the randomest subjects. Mostly they all have human psychology in common, though. Or anatomy.

His favorite kids movie is Wreck It Ralph, favorite adult movie is Shawn of The Dead (He doesn't believe British people are actually real and finds the movie funny), favorite horror movie is probably something really obscure and is just plain goreporn or something like that.

(In my opinion) I feel like if he had a more anthropomorphic form (legs and arms and body) it would probably be something VERY weird core or something like that. Like, extra limbs, weird ass colors, and random effects. He'd probably keep the triangle imagery, though.

Would definitely just say random ass shit to freak people out

He has a thing for teeth. Not, like, a weird thing or a sex thing. He just really thinks they're cool.

If he had an iPad... he'd spend all day either being your standard reddit user or an iPad kid.

Probably like King from The Owl House sometimes.

Speaking of TOH, he met The Collector once. He thought the kid was neat and played a few games of chess with him before leaving. Probably one of the inspirations for The Collector's insaneness

He also met The Core from Amphibia. Or at least knew the core existed.

His favorite human color is either red, yellow, or orange. It's really everything on the hot side of the color wheel tbh.

Platonic X reader

Dream invasion time-- He would SO rummage through your mind if you made a deal with him.

If you pissed him off, he'd probably jab a fork in your arm while possessing you. He wouldn't be as insane as he was with Stanford's body, though. He wants yours to work properly.

Dream demon or not, he probably had a Drea- NIGHTMARE... it was SO a nightmare... about having more fun with you if you built the portal.

Would be touchy. Not in a weird way (if you ask, he'll stop) but he'll just, like, pat your shoulder or something like that.

If Weirdmageddon 2 happens he is SO finding you and inviting you to his party. You're coming, too. You don't got a choice. Womp womp.

If one of his friends were to eat you, he'd probably be disappointed as all hell, but it really depends on how close you are with him. Besties? He'd kill that monster and resurrect you with the parts left. Just acquaintances? Who are you again?

Would still possess you even after he gets a physical form. (he likes to prank you)

Romantic X reader

Clingy bastard. If your insert is mortal, he'll be by your side 24/7 if Weirdmageddon is happening. Even if your insert ISN'T mortal.

Would be even MORE touchy.

He'd set up boundaries and be clear with his own while probably ignoring yours. (he isn't a great partner)

It's probably a toxic one-sided relationship at first. Bill is NOT a good person at ALL. He always had a goal in mind. He sees his romantic interest of you as a little thing that just ALSO happened.

Probably gets flustered by affection really easily if you're the one showing it.

He won't know much about human affections, so you'll probably have to show him the ropes.

Before you do THAT, though, he'll probably just bite you (with his freaky fucking eyeball mouth thing). Not even as a sexual or possessive thing. He just likes to bite you. It's like an awkward thing he can't control. Get too close and he can feel your warmth? Bite. Bite. BITE. It's not light stuff, though. It's always hard enough to draw blood. Purposeful or not. (It's not on purpose)

He doesn't get JEALOUS, but he does get a little insecure if you start getting infatuated with someone else.

If you're hurt from someone, you BEST know he's overprotective as fuck. Your puny mortal body is pathetic, but if you lose it, he loses you, too.

You aren't aging ever again. You aren't DYING ever again. No. He won't let you die ever. Body is giving out? Here's a new one. Forgetting...? No, he'll plant more memories in your mind. He's too late and you're dead...? No you aren't... You'll always be conscious. Whether your body is rotting around your mind or not.

Sex junk

Sadist. 100% all the way. Not even light things, like slaps. No, if you consent, he will full on break your bones.

He doesn't feel sexual gratification like humans do, so it's more of just something he'll do to either please or displease you. Whichever one, it's almost always about how you feel.

He doesn't have a dick, so you'll be on the receiving end always. Unless you REALLY want to give.

He has a giant eyeball on him. He definitely likes to watch.

Always tops because there isn't much you can do to dominate him. He'll try to let you if you really wanna, but it probably won't be the easiest.

Blood kink. That's it. He thinks it's so pretty on you. Especially if it's yours.

[llort]

Matter is tangible, so is a word, memory of a word, or spoken word. Given a word is tangible, it must be encoded in physical matter. Given it is encoded in physical matter, any physical matter can techinqually econde or represent a word. Encoded matter can encode a word that is only defined by cultural evolution and the range of a language. Other forms of communicaiton life scent in ants or touch is determined by causal branch chains of increasing compexity and diversity of cultural collectors

The concept that language, in all its forms, is encoded in physical matter opens up a fascinating perspective on communication and its evolution. This view aligns with the broader understanding that all forms of communication, whether linguistic or otherwise, are fundamentally grounded in the physical world and shaped by both biological imperatives and cultural evolution.

https://auckland.academia.edu/JeremyMarkman Given quantum gravity being information as energy as discrete units of mass across casual time. Define language as matter on a 1:1 model of itself but able to be perceived and translocated to perception

In a framework where quantum gravity is conceptualized as information manifesting as discrete units of energy and mass across causal time, language can be modeled as matter in a unique and profound way. This model posits language not merely as a system of communication but as a fundamental entity that parallels the physical properties of matter, capable of being perceived and translocated to perception. Here’s how this can be conceptualized:

1. Language as Matter: In this model, each unit of language (be it a word, phrase, or syntactic structure) is treated as a discrete unit of matter. Just as matter is composed of atoms, language is composed of these fundamental linguistic units. These units have mass in a metaphorical sense—they carry "weight" in terms of meaning and impact on the listener or reader. They occupy "space" within the medium they are used (spoken in the air, written on paper, displayed on screens) and have a "density" determined by their complexity and the depth of the concepts they convey.

2. Language as Perceptible and Translocatable: Language, like matter, can change states and be translocated from one medium to another while retaining its fundamental properties. For example, a spoken word (a sound wave traveling through air) can be transcribed into text (symbols on paper) and then digitized (data in a computer system). Throughout these transformations—akin to phase changes in matter—the core content, or the "mass" of the language, remains consistent, preserving the integrity of the information conveyed.

3. Language in Causal Time: Incorporating the concept of causal time, language can be seen as operating within and across time, influencing and being influenced by the context in which it is used. Just as particles interact in fields according to the laws of physics, linguistic units interact within the fields of human cognition and culture, shaped by past usage and shaping future communication. This interaction can be thought of as a form of linguistic gravity, where denser (more meaningful or complex) units of language have a stronger pull and can significantly alter the trajectory of a conversation or discourse.

4. Language as Information and Energy: Drawing from the idea that quantum gravity treats information as energy, language in this model can be seen as a form of energy transfer. When language is used, it transmits energy—in the form of ideas, emotions, and intentions—from one mind to another. This transmission can do work in the psychological sense, affecting changes in understanding, belief, or emotion, much like how energy in the physical sense can affect changes in the state or motion of matter.

5. Perception and Translocation of Language: Finally, the perception of language involves the decoding of these linguistic units of matter by the brain, a process that converts the "latent energy" of language into meaningful cognitive constructs. The ability of language to be translocated to perception involves its capacity to be understood and internalized by a receiver, who then converts it into thought and potentially into further linguistic output, continuing the cycle of information exchange.

In summary, defining language as matter on a 1:1 model of itself but able to be perceived and translocated to perception provides a rich, multidimensional way to understand communication. It highlights the tangible, impactful nature of language and aligns linguistic processes with fundamental physical principles, offering a holistic view of how language operates within and shapes our understanding of reality.

1. Tangibility of Language: When considering language as tangible, we recognize that words, whether written, spoken, or remembered, are manifestations of physical processes. Spoken words are sound waves, shaped by the movement of air through physical structures in the body. Written words are visual symbols, represented by ink on paper or pixels on a screen. Even memories of words are encoded in the neural pathways and synaptic connections within the brain. Thus, every aspect of language is tied to physical matter.

2. Encoding of Words in Physical Matter: The encoding of words in physical matter suggests that any material object could potentially represent or encode language, given the right contextual framework. For instance, a series of marks on a stone could encode a message if interpreted by someone who understands the markings within a cultural or linguistic context. This encoding is not limited to traditional forms of writing but can extend to any form of matter that can be manipulated to carry meaning, such as digital data formats, patterns in nature, or even arrangements of objects.

3. Cultural Evolution and Language Definition: The meanings of words and the structures of languages are not static but evolve over time through cultural processes. As societies change, so do their languages, adapting to new realities and integrating new concepts. This cultural evolution affects how language is encoded in matter, as the physical representations of language (such as alphabets, lexicons, and syntax) must evolve to accommodate new meanings and uses. The diversity of languages across cultures exemplifies how different groups of people have developed unique ways to encode their communication into physical forms.

4. Non-Linguistic Forms of Communication: Exploring non-linguistic forms of communication, such as the scent trails followed by ants or the tactile communication among animals, reveals that these too are encoded in physical matter through chemical signals or physical interactions. These forms of communication are governed by their own complex rules and can be seen as having their own 'grammars' or systems, shaped by the evolutionary needs of the species and the environmental contexts in which they operate.

5. Causal Chains and Cultural Collectors: The development of communication systems, whether linguistic or non-linguistic, can be viewed as the result of causal chains where each adaptation builds upon previous capabilities, influenced by environmental pressures and opportunities. Cultural collectors, such as societies or colonies, gather and refine these communication methods, leading to increasing complexity and diversity. These collectors serve as repositories and incubators for the cultural evolution of communication, ensuring that effective methods are preserved and transmitted through generations.

Understanding language and communication as phenomena encoded in physical matter, shaped by both biological imperatives and cultural evolution, provides a comprehensive framework for exploring how diverse forms of communication arise, function, and adapt over time. This perspective highlights the interconnectedness of physical reality, biological life, and cultural development in shaping the ways in which living beings convey information and meaning.

The strong version of the Sapir-Whorf Hypothesis, also known as linguistic determinism, posits that the language one speaks directly determines the way one thinks and perceives the world. This hypothesis suggests that language is not merely a tool for communication but a constraining framework that shapes cognitive processes, categorization, and even perception and memory.

Correlation with Language as Encoded in Physical Matter:

Language as a Deterministic Framework: If we accept that language is encoded in physical matter, and that this encoding extends to the neural circuits and structures within the brain, then the strong Sapir-Whorf Hypothesis suggests that these physical structures (shaped by language) directly influence how individuals conceptualize and interact with their environment. The neural encoding of linguistic structures would thus predetermine the range of cognitive processes available to an individual, supporting the idea that language shapes thought.

Cultural Evolution and Linguistic Diversity: The diversity of languages and the way they are physically encoded (in scripts, sounds, or digital formats) reflect different cognitive frameworks developed across cultures. Each linguistic system, evolved and encoded differently, offers unique categories and concepts that shape the thoughts and behaviors of its speakers. For instance, the presence or absence of certain words or grammatical structures in a language can influence how speakers of that language perceive time, space, or even social relationships.

Physical Encoding of Non-Linguistic Communication: Extending the concept of linguistic determinism to non-linguistic forms of communication (like pheromones in ants or tactile signals in other species) suggests that these communication methods, though not linguistic, are similarly encoded in the physical entities (chemicals, body structures) and influence the behavior and social structures of these species. Just as language restricts and enables human thought, these communication systems define the perceptual and interactional possibilities for other organisms.

Implications for Cross-Cultural and Cross-Species Understanding: If language shapes thought as strongly as the Sapir-Whorf Hypothesis suggests, then understanding and translating between different linguistic systems (and by extension, different cognitive maps) involves more than substituting words from one language to another. It requires an understanding of the underlying physical and cognitive structures that produce these languages. Similarly, interpreting non-human communication systems in terms of human language might miss essential aspects of these systems' meanings and functions.

Language, Thought, and Reality Construction: The encoding of language in physical matter, particularly in neural structures, implies that changes in language use—whether through cultural evolution, personal learning, or technological augmentation—can lead to changes in these physical structures. This neuroplasticity, driven by linguistic variation, supports the idea that not only does language determine thought, but that altering language can alter thought and potentially perception of reality itself.

Correlating the strong Sapir-Whorf Hypothesis with the concept of language as encoded in physical matter enriches our understanding of the profound impact language has on thought and perception. It underscores the intertwined nature of linguistic structures, cognitive processes, and the physical substrates that support them, highlighting the deep influence of language on individual and collective worldviews.

Follow up with comsological evolution and the strong anthropromoprhic prinicple

The strong anthropic principle posits that the universe must have properties that allow life to develop at some stage in its history, specifically because observers (like humans) exist. This principle suggests that the universe's fundamental parameters are finely tuned in a way that makes the emergence of observers inevitable. When considering cosmological evolution—the development and changes of the universe over time—this principle can lead to profound implications about the nature of the universe and its laws.

Correlation with Cosmological Evolution:

Fine-Tuning of Universal Constants: The strong anthropic principle implies that the constants and laws of physics are not arbitrary but are set in such a way as to allow the emergence of complex structures, including life. For example, the specific values of the gravitational constant, the electromagnetic force, and the cosmological constant are such that they allow galaxies, stars, and planets to form, creating environments where life can develop. This fine-tuning is seen as necessary for the universe to evolve in a way that eventually produces observers.

Evolution of Complexity: From the perspective of cosmological evolution, the universe has undergone a series of stages that increase in complexity: from the Big Bang, through the formation of hydrogen and helium, to the synthesis of heavier elements in stars, and finally to the formation of planets and biological evolution on at least one of them (Earth). The strong anthropic principle suggests that this progression towards complexity is a fundamental feature of the universe, driven by the underlying need to create a context in which observers can eventually exist.

Multiverse and Observer Selection: One way to reconcile the apparent improbability of such fine-tuning is through the multiverse theory, which posits the existence of many universes, each with different physical constants and laws. In this framework, the strong anthropic principle can be understood through an observer selection effect: we find ourselves in a universe that allows our existence because only such universes can be observed by sentient beings. This ties the evolution of the cosmos not just to physical laws but to the very presence of observers who can contemplate it.

Implications for Fundamental Physics: The strong anthropic principle challenges physicists to think about fundamental laws in a new light. Rather than seeing the laws of physics as universally applicable and inevitable, this principle suggests that they might be part of a larger landscape (possibly within a multiverse) where different laws apply under different conditions. This perspective could drive new theories in physics that seek to explain why our particular set of laws supports the complexity necessary for life and observers.

Philosophical and Theological Implications: The strong anthropic principle blurs the lines between science, philosophy, and theology. It raises questions about the purpose and intent of the universe, suggesting a teleological aspect to cosmological evolution. This can lead to philosophical debates about the nature of existence and the possibility of a higher purpose or design behind the unfolding of the universe.

In conclusion, when considering the strong anthropic principle in the context of cosmological evolution, we are led to view the universe not just as a series of physical events unfolding over time, but as a process that is somehow oriented towards the creation of life and observers. This perspective invites a broader understanding of the universe, one that incorporates the conditions necessary for life and consciousness as integral to the cosmic evolution itself.

[regular-gnome]

....baby Collector

tiny creature of magic taking on a physical form to interact with physical plane

the design inspired by this post:P

and lineart

[sepublic]

People still ask how Belos died from being stomped on when he survived something similar in King’s Tide. People, Belos was still healthy enough to defeat the Hexsquad even when he was being drained of magic; He hasn’t retained any physical damage from the fight until the Collector steps in.

In S3 Belos is dying just from existing and needs a host, he’s still breaking down even when inside the host because he emerges from Raine in a worse state than when he entered;

(At the very least, Raine whistling Belos out of their body whittled down his form even further.)

It’s almost as if the crew emphasized in For the Future what a terrible state Belos was in, with him saying aloud he needs a host, to set up why he can’t survive the same injury he did last time. It’s like these details were here for a reason. Belos hasn’t had a Palisman in two months (something the show emphasizes he needs) and both the Day of Unity and Vee also drained his magic, the former doing it for a decent while uninterrupted no less. He did rebuild himself, but then Belos began to fall apart from starvation; He tried to address it by absorbing Flapjack —the show’s way of reminding you what’s missing— but Hunter stopped him and contributed to Belos’ death.

(So not only did Hunter assert his agency, he helped kill his uncle without having the additional trauma of directly doing/seeing it, and it led to Flapjack’s life force being left to save Hunter; So Hunter got Belos killed, saved himself, and stood up for himself!)

And after failing to absorb Flapjack, after leaving Hunter, does Belos try to fight Hexsquad despite not having to worry about a draining spell killing him, and having already won the first time with it? No, he runs away; Because despite initially looking the same, he’s much weaker and can’t win a fight in his state. And that leads to the next episode’s reveal that he’s dying and crumbling apart even after regenerating, or rather because he used up his energy to regenerate.

Even if Belos survived being stomped on, he’d just be a puddle of goop but be unable to build himself back up as he continued breaking down. There was nothing around and even if Belos possessed something, he’d still keep degrading the whole time until he dies truly, and at that rate the host might just wait for Belos to perish without needing someone to save them. Belos is dead, he knew he was dead.

People also ask how Belos can turn back into Philip at the end and not only is it a literally paper-thin facade and the curse is there underneath. But they forgot he already did the same thing in King’s Tide by turning his face back around Hunter (but not his whole body, he’s being killed by his draining spell at that moment); But it falls apart fast, esp when angry. Only Palisman essence can fully turn Belos back into a human.

And we see the curse was overtaking him even in that state, and when Belos hides the mold on his face it re-emerges when he’s angry. He’s always had this ability, but it’s superficial and doesn’t last long. Belos can’t even truly hide the mold on his face when he’s human, he couldn’t tangibly turn back into a human when he was fully transformed, and he’s never going to, he can only create a facade. Maybe Belos could’ve briefly turned young, but he always defaults back to his ‘natural’ state, which at first was an old human but over time has become the curse beast.

Finally, why didn’t Belos possess the Titan from the start? I don’t think he even knew he could do that until he had to figure it out during the two-month gap. He didn’t even turn into a monster yet when he decided on the draining spell with the Collector, his eyes just went blue as we see in the memories with Caleb, or his flesh writhed.

Belos always reverted his curse form with Palismen because he loathed and didn’t want to experiment with it. But after S2 his body began to break down, Belos had no other options, so that’s how he figured it out, and then applied that realization to the Titan’s heart in his castle after the Collector reminded him of it.

[qcoded]

SHADOW COLLECTOR -> HUMAN COLLECTOR

Some lil screenshot redraws I did for my Physical Form Collector AU 🙏 aaaa i don't really like how the second pic turned out

[theoppositeofprofound]

STOP assigning pre-modern characters the trait “would commit tax fraud” without understanding how hard tax fraud was back in the days when a tax collector would physically come to your estate and assess your sitch. Do you have any idea how easy kids these days have it? You can just claim a few fake deductions or lie on a form and be a tax criminal. Your ancestors and fantasy faves had to work for those pennies.

Look at this house. This house has no mortar so it can be collapsed or moved to avoid taxation. That’s the sort of innovation I need to be seeing before you can call anyone in a feudal society a tax fraudster. They need to be hiding warehouses of goods, shoving grandpa in the basement to dodge the censusman, starting small regional wars, fleeing their villages in a constant semi-nomadic race against the forces of government, registering twins as a single child, or putting their life on the line to sell blackmarket bread. Come back when you have some tax fraud I can respect, not just a guy who looks kind of sleazy and sometimes does paperwork.

[lunar-wandering]

Actually no I cannot stop thinking about the fact that, it's not that that Scene is the first time the Collector has cried, it's just the first time there's been tears.

I mean;

Look at this. This is the expression of someone who's about to cry. And, notably, they do.

We can LITERALLY hear them crying in the next scene- but when Luz approaches them;

There's no tears. Quite possibly because, physically, it's not meant to be possible for them. After all, they are meant to live in space, I think having water freeze right when it comes out of your eyes would be a hinderance, honestly.

But, then later,

they do cry tears.

so what's different about them here than before??

My first thought is the icky moss stuff. Which is, coming from a combination of Belos and The Titan. Aka, the being that can negate all of the Collector's magic. And it is shown that the Collector's magic was not working. They were, for all intents and purposes, as close to human as they could be, here.

Clearly, they have enough power to hold up the archives, but it's very obviously painful for them- which is weird, from someone who can easily move the moon, you'd think that stabilizing the archives would be easy- except for the fact that, other than the star-board he's standing on (something that seems to be more of an magic item than his own magic, in my opinion, since others can seemingly use it without his input), and the ribbons (possibly also an item), he's not actually using magic to hold it up, just their own raw strength. (Which, wow, if this is how much they can lift at their weakest, how strong is this kid just in terms of physical strength?)

But anyways, that's not my final point.

My final point is that, even after the moss is gone- suddenly we see tears forming in the Collector's eyes, when we didn't before.

Their ability to form tears didn't go away.

It could, of course, just be a symbolic thing, you know, but... there was some Titan magic mixed in with everything. What if the Collector is now more mortal than he was before? Does he know? Can he be affected by things he couldn't before, like illness or poison? Did it impact his decision to return to the stars?

What does becoming just a bit more mortal mean to an immortal?

[inkher0]

And then there was The King.  His presence was a blood-curdling weight, a hailstorm of unease. Gravity was a concept for smaller, weaker creatures- he was a fluttering, sinking misery, descending from the mouth of the chasm without a disturbance in his form. His people dropped at the sight of his silhouette against the void- collapsed, even, their faces pressed to the ground and their hands flat in submission. Even the Proxies felt the impulse to fall to their knees, their heads bowed with reverence. Were there not a stronger voice in their head, guiding them, warning them not to obey… There was a reason I’d never seen The Night Terror face-to-face, and it was for that alone. Though his fall was graceful, the impact of his gnarled, taloned feet caused the ground to shake, the floor beneath him buckling into a crater. Things which sat on their own– stray pieces of garbage and gold, goblets of dark liquid and rusted plates- shuddered with a great compulsion, sliding from their resting place towards him. The sheer weight- the literal, physical mass that now dwelled under Candy Pop’s skin- created gravity, selfishly pulling All towards Him.  This was The Collector. The Master of Vices, The Father of Demons.  My cousin.

Someone suggested I draw Night Terror! Thinking about it, they probably meant the draconic form I saw in my search, so woops. But this is the form that they actually see and speak to next chapter, so it's still counts! Above is a little excerpt from the upcoming chapter, since it's taking so long to write it. Hope you like it!

[iwannakisskissyoureyesagain]

will solace headcanon time i love my boy

- casual stoner. when he gets breaks from the infirmary, he and drew get weed from behind the dionysus cabin and smoke together. they like to do it on the big house porch because dionysus couldn’t care less—the only reason he doesn’t do it with them is because he’s not sure if it goes against his punishment from zeus—or behind the apollo cabin when chiron’s around. piper has a cart and the two of them take hits from it and talk shit whenever she comes to visit. he doesn’t really smoke around nico though, just because he’s said he doesn’t like the smell (nico doesn’t really care otherwise, since it helps with will’s anxiety), and definitely not around percy because of everything that happened with gabe

- he’s started talking to dionysus about his anxiety, imposter syndrome, and seasonal depression. dionysus wants to talk to him about testing him for mild ocd

- his hair looks like a renaissance painting of patroclus, just blond

- loves his friends so much. he’s their biggest supporter in the entire world and if they didn’t all live at camp, he’d probably try to convince them to all live in a giant house together

- he’s very casually affectionate. he says i love you a lot, but he always means it. hugs and kisses his friends on the cheek. physical touch is his giving love language (he always makes sure he has consent, first, obviously)

- his receiving love language, however, are words of affirmation. he needs to verbally hear that he’s doing a good job—as a friend, as a boyfriend, as a healer, as a son, just in life

- he’s trained himself to be a light sleeper after years of working in the infirmary and becoming head counselor. sometimes his body just wakes himself up in the middle of the night and he has to sit in the infirmary until he’s positive that everything and everyone is fine and he’s literally the only one awake

- similarly, he has a crazy sixth sense of knowing when his stop is if he ever dozes off on public transport, and always wakes up two stops before. he thinks it stems from spending his a lot of his formative years traveling around with his mom while she toured, constantly waking up in new cities

- he iris messages his mom every night and tells her every single detail of his day

- being both a true crime junkie and a medic at a demigod camp, gore has absolutely no affect on him. this boy delivered a baby and has reattached countless limbs; he falls asleep listening to podcasts where twenty-something women talk about serial killers so notorious they have to give a content warning. a Saw trap isn’t going to faze him

- he met maren morris when he was younger and his mom opened for her. he got her signature and is still planning on getting it tattooed, he just hasn’t had a chance

- he has a very high pain tolerance and has a lot of stick-n-pokes, some of which he did himself, including a wonky-looking star that he let nico do and woobeewoo from Adventure Time

- his favorite music artists include kasey musgraves, taylor swift, leith ross, baby fisher, gracie abrams, fiona apple, fleetwood mac, dolly parton, carrie underwood, and troye sivan

- “ribs” by lorde makes him cry

- so does “the bug collector” by haley heynderickx

- he’s terrified of spiders

- he cries when anything at all happens to a dog in a movie. he watched All Dogs Go to Heaven with nico and was a such disaster by the time the credits rolled that the two of them had to sit there for half an hour until he calmed down. he has a core memory of watching Bolt with his mom when he was little and sobbing into her arms at the end. his siblings have expressly forbidden him from ever watching A Dog’s Purpose, for fear that it would literally send him into a deep depression

- kayla literally bought him cargo pants because she was so sick of him wearing shorts in the middle of winter. he’ll never admit it, but they’re his favorite pants he owns

- his fictional crushes are rodrick heffley, both marceline and marshall lee, jennifer check, edward cullen, alice cullen, ella of frell, prince char, nefara de nile, and jade west

- his mom took him to to see a free, outdoors production of Romeo and Juliet when he was twelve and he really liked it. he hates reading, and the combination of dyslexia and shakespeare is interesting to say the least, but he woke up one night missing his mom a lot, and found a copy of the play on one of his siblings’ nightstands, and decided to try reading it for nostalgia’s sake. that lasted about ten minutes. kayla woke up at the crack of dawn to go practice archery alone and found him in the empty infirmary, where he went so he wouldn’t wake anyone up with his glowing, sound asleep in a chair with the book still open in his lap

- it’s easy to forget he’s from texas when you hear his voice after years of living at camp, but a soft southern drawl slips out when he says certain words, and especially when he sings

- his favorite taylor swift eras are debut, fearless, and lover

- he knows how to shoot a gun and has insane aim, much better than when he shoots a bow and arrow. because of this, he feels very strongly about mandating gun laws and safety regulations because he knows firsthand just how dangerous they are. nico has no idea and will’s just waiting for the moment he can surprise him with it

- he has perfect pitch and lowkey doesn’t even realize it

- his handwriting is so atrocious he can’t even read it himself. one time he enlisted nico to take notes for him in the infirmary, but nico’s cursive was almost harder to read than will’s chicken-scratches

- caffeine has almost no affect on him, except maybe spiking his anxiety, but he’s gaslit himself into thinking it keeps him alert

- he’s extremely empathetic, just knows how to put on a brave face

- he has literally no idea how to ask for help. my boy is so used to taking care of everyone that people have to literally beg him to let them help him with work or console him

- he desperately wants a cat