#physical concepts

[awyeahitssam]

Harry giggles. His limbs feel lighter than usual, almost as if bubbles are making them float a bit. He can still control them, but it's a vague, interesting sort of control. Fun.

Harry lets sleep take him. The world whirls around him in sparks of disorienting colours, and Harry watches with a broad smile. It should make him dizzy, but he feels in the middle of something fantastic—a watercolour painting come to life. It's brilliant. Elating.

It stops as suddenly as it starts. Voldemort stares at him from across a desk. "Harry Potter," he sounds almost surprised.

Harry blinks at him. He still feels light, like he is floating, but also distantly sad. "Are you okay?" he asks thoughtlessly.

Confusion masks itself behind anger. Voldemort masks everything behind anger. "Pardon?"

"I’d never felt as good as I did a moment ago," Harry confesses, drawing closer to the Dark Lord. Red eyes track him suspiciously. Harry's chest aches. "But now, looking at you… it makes me so sad."

Thoughtlessly, Harry reaches out, and Voldemort lets him. It’s how Harry knows this can’t be real. That it’s just a silly, drunken dream. Their fingers intertwine, though Voldemort’s hand remains stiff and cold in his gentle grip.

"Aren’t you lonely?" Harry wonders. "Is that yours I feel pressing in, or my own? Even without you," Harry smiles, crooked and small, brushing an irreverent thumb over his scar, "I’m sure it’d be there. People always isolate the freak."

Voldemort’s hand twitches in Harry’s, and he hums, focus dropping from red eyes to trace the long fingers with his own.

"Everybody’s frightened of you. You isolate yourself from friendship, from love, from time itself... don’t you want, Voldemort? I can feel that you do—you’re never satisfied, are you? Will it ever be enough? The world at your feet, no attachments, nobody to challenge you—is that your dream, or your nightmare?"

"You’re speaking nonsense, boy," Voldemort says, but it comes out odd. Stilted. "You presume much."

"Is it presumption when I feel you?" Harry asks genuinely, brows drawing together, hand lifting to press over his heart. Voldemort is dragged with him, pulled a bit over the desk, and Harry blinks in surprise before realizing he still has a grip on the other’s hand. He lets go slowly, and Voldemort pulls back with a scowl.

"You are drunk," the wizard snaps with disgust. "You know nothing of what Lord Voldemort feels."

Harry finds the words… annoying.

"You feel so loudly, though," he returns sharply, moving forward, sliding onto Voldemort’s desk. Ink spills over—Voldemort hisses in annoyance and the stain is gone with a thought—dreams are a magic of their own—Voldemort’s forehead is cold and smooth. Harry bears the man's mark. He presses his scarred head to the smooth. Long, clawed fingers are wrapped around his wrist. His throat.

"Right here, always pressing in," Harry continues, heedless of his position, precarious as it is. "You feel so much it hurts, Voldemort. You hate so much. You’re never just happy. And I was, am, could be. So just take some, won’t you?"

Red eyes are narrow, intent, fascinated as they dart over Harry’s face, trying to gather his meaning. "How do you propose I do that?"

"How does one normally take pleasure?" Harry wonders. Voldemort grimaces, pulling away quickly, and it takes Harry’s bubbling mind a moment to put what he said to context.

"No," he chokes on a laugh, "I’m not asking you to—to snog. To fuck. Just open yourself up. You’re so good at taking, usually, but all you’re doing is giving. Don’t you want to feel like this? Light? Thrilled?"

"You don’t even know what you sound like, do you?" The question is rhetorical. Voldemort’s hand tightens over his throat, until Harry’s breathing grows thinner. "You wish for me to let your happiness pass my Occlumency, as though you have not just slipped through yourself. As if you have no method to make Lord Voldemort feel your pleasure; as if you want to give Lord Voldemort pleasure at all."

Harry touches the hand on his neck, slowly tightening with Voldemort’s rant, and a spark lights his fingers. Voldemort’s hand spasms before it drops. Harry takes a deep breath, glaring balefully. His light-hearted air has faded.

"Perhaps I would give you pleasure so your misery would be all the worse for it," he bites out. The world is fuzzy, but no longer from alcohol. From being choked. Even in his dreams, his life is threatened by this man.

"A pretty plot," says Voldemort. There is something very condescending in his voice; he is clearly looking down on Harry. Doubting him. It’s nothing new, but it makes the sting of anger grow in him. "Very well. If you can conjure happiness as you peer into the face of your death, Harry Potter, then do. Make me feel it, if you can."

Harry’s nails bite into his palm and release. He takes a breath and lets his eyes flutter closed. He focuses.

Happiness. What does it feel like? Like floating, as he was moments ago, or like getting an anticipated hug—not his first, not all the ones he flinched away from, but a hug from Hermione when they’ve almost just died. An arm around Ron’s waist as the boy drapes one around his shoulder. Laughing, hysterical and joyous, by the fireplace. Finding his wand. Finding out he was escaping the Dursleys. Happiness is a brief thing, drenched in the shadows of his life. Happiness is contentment, even if it is a momentary thing. It is the pleasure of a perfectly prepared cuppa; from—nonono, not going there.

Harry wraps the sensations up, one by one, like he’s re-wrapping hard candy, and throws them at Voldemort. Into Voldemort. All but one—his favourite one, his happiest one. That, he grasps, and it’s actual candy in his hand, a sweet that he looks down to, and then unwraps, and he’s moving forward, intent eyes raising, and Voldemort is already gasping, a bit, at the suddenness of it all—of pleasure.

Harry’s lips curl and he pushes the candy into the slightly agape mouth of the Dark Lord a bit cruelly, shoving it deep. He pulls back quickly, before sharp teeth can gnash on his fingers, and watches on as Voldemort experiences pleasure. As Voldemort softens, and sighs, relaxation in every hard line of him, mouth sucking almost greedily around the treasure that Harry has placed within it. Now he’s drunk on it, Harry thinks, horribly pleased to see Voldemort this way.

It’s not real, but still, he hovers on Voldemort’s desk and observes the pink brushing his cheekbones with fascination. He observes the way red eyes roll back a bit, and the way a long, pale throat swallows convulsively down on a slowly dissolving candy until there is nothing left.

Lashless eyes open, dark and suddenly staring. Red barely peeks out from behind the dilation of his pupil, and Harry’s smile is a smug thing.

“There’s your pleasure,” Harry whispers to him, like a secret. “I hope you enjoyed yourself. It can only get worse from here.”

“Worse?” murmurs Voldemort, staring at Harry intently. “You think there is worse you can do, Harry, then give me that and take it back?”

Belonging, thinks Harry, quite suddenly. He’d given Voldemort his favourite thing, the thing that he had been looking for, for a very long time. Longing, and peace, and laughter, and a burgeoning happiness that had very rarely managed to emanate past its conception. He had given Voldemort, too, his desperate hope for things to get better—and then he’d made them get better—and now Voldemort had lost it all.

Suddenly, impossibly, Harry’s eyes are liquid. I’m cruel, thinks Harry, gaze falling from red. There is nothing so cruel as what he has done, and he had done it so carelessly, so happily, so smugly, because he had felt slighted. Had felt wronged by this man who had ceaselessly wronged him.

Slowly, Harry looks back up at Voldemort, who is watching his tears with an expression of keen interest. 

“Has it made you sad to give your enemy your pleasure, Harry Potter?” Voldemort asks, gripping his wrist and drawing him near enough that Harry barely keeps his bottom on the desk rather than Voldemort’s lap.

“It makes me sad to treat you with such cruelty,” Harry corrects, “when I know you will never allow yourself to experience such pleasure again.”

“Would I not?” breathes Voldemort, eyes still dark instead of bright.

“You won’t,” whispers Harry. “It'd require you to trust someone. To have faith in them. And that, I know you’re incapable of, because you are a man but don’t see yourself as one, and gods do not have friends, nor equals.”

“Equals?” Voldemort’s breath brushes Harry’s brow, his stinging scar. “But what if Lord Voldemort were to draw you from the depths, Harry? Raise you from the pale mortality until you, too, are exalted? Then you may give Lord Voldemort what he so deserves; give me pleasure, Harry Potter,” Voldemort enunciates awfully. “Give me it all.”

I wrote this one of the first times I ever drank, and just expanded upon it a bit. I'm honestly really fond of finding these little things I've forgotten.

[turtletoria]

i wanted to try drawing older Mabel and Dipper !

[tshortik]

Cryptic visions of space and time...

[ineed-to-sleep]

Blacked out in front of my tablet and woke up with sketches of my Touchstarved mc + Kuras my beloved. woops

[snekky-arts]

sorry i'm late i was busy with the existential crisis of it all

anyway, have something that gave me so much trouble but i think it turned out kinda well

also, this and the rest of this series are available on my Inprnt!!

1 - 2 - 3 - 4 - 5 - 6

[sunlit-mess]

I wanna hear more about this guy and his lore!!

Why did he fall?

What’s his connection/relationship with Lucifer?

TELL ME EVERYTHINGGG I’M HOOKED

KOKABIEL ( Angel of the Stars / Star of God / The Burning Light )

I just thought of him being created with the sole purpose of knowledge and duty ( being affiliated with the stars and astrology ), being a high-ranked angel but not enough to be one of the archangels. Having the titles, it's as if he's similar or close to Lucifer's role (before the fall) or maybe an extension. He does everything to fulfill his purpose. However, the downside is that he always gets compared with Lucifer (pre-fall).

So what he does is look up to him, idolizing someone he has never met, he's practically devoted at some point, nearing a follower. But oh so bitter and sour because all he gets is to be COMPARED.

Cherry on top that he wants to impress Michael, but Michael can barely look at him because all he sees is Lucifer.

All of his hard work feels like it's going to waste because he'll always be a shadow of someone he never knew. And that created grudges, created hate, created his rage. Thus, it's the reason for his Fall. Bro's identity revolves around a dead person (Angel Luci). That's why he's a narcissistic asshole with fucking identity and anger issues.

What's worse is meeting Lucifer himself, the person he looked up to all his life, doesn't know him.

It's not Lucifer's fault though.

[cy-cyborg]

Tips for writing and drawing Wheelchair using characters: Your character's wheelchair can tell us a lot about them

When you first start learning character design, you'll often be told something to the effect of "use your character's outfit to tell us more about them" - and this same principles can be applied to a disabled character's mobility aids.

Mobility aids like wheelchairs, to many disabled people, are a part of us. They can be an extension to a person's body and chances are, if you're going to be using this piece of equipment every day for the foreseeable future (or at least for a good amount of time for the foreseeable future), it's going to start reflecting some aspects of your personality, your interests, your passions, especially when you remember, a lot of people get their wheelchairs custom built for them.

You can use your character's wheelchair to tell us a lot about them without ever needing to show/describe them directly.

Let me show you two examples:

Take a look at these two wheelchairs. they're similar in shape and build, but still pretty different to each other. Can you make some guesses about their users based only on what's shown here?

intended answers below:

Please note, the following points are all generalisations and the real world is rarely this simple. This is to demonstrate how to use disability aids to contribute to your character's design, not how to make assumptions about real people in real life.

So here are some similarities between the chairs:

Both wheelchairs have ridged frames, this means the wheelchair can't be folded in any way. These kinds of chairs can imply a few different things depending on the person. They are typically lighter, sturdier and more durable, and indicate the person probably will be using the wheelchair for a long time and/or has the money to get something built to last (or lives in a place where cost not an issue due to universal/subsidised access to healthcare). They are also typically better to travel with when flying, as they are less likely to be broken by airport security/staff.

Both wheelchairs also lack anti-tip wheels, which are a third set of wheels that extend from the back of the chair. Them not being present could indicate the person is likely pretty confident in their ability to use the chair without worrying about tipping out. It could also indicate they are in an environment where the anti-tips could be more of a hazard than a help, such as on rough terrain.

So lets look at some specifics for the green wheelchair:

Take a look at the wheels. The front wheels are pretty small and appear to be solid, while the back wheels appear to be quite narrow (compared to the orange chair anyway). This indicates the user likely lives somewhere with decent accessibility like a (well funded) city where they are unlikely to encounter unpaved/dirt roads/grass. Small front wheels and thin back wheels are good for manoeuvrability and a smooth ride over even terrain, but they will get stuck as soon as bumps appear, so this probably isn't an issue for this person.

While its a bit hard to tell unless you have seen other similar wheelchairs, this wheelchair is very long in the front, meaning the footplate and front wheels are further away from the seat than most. There could be a few reasons for this. One either indicates the person has very long legs, or a lack of motion in their knees, making it harder to bend their legs. This is moves the chair's centre of gravity forward by a decent amount, making it harder to tip back, which could indicate the person's legs are very light. You tend to see this most often in the wheelchairs of bilateral leg amputees, who are at a greater risk of tipping backwards due to a lack of weight at the front of the chair (even if they wear their prosthetics).

The colour of the chair is bright. This could simply be the character's favourite colour, or maybe this colour has some significance to them?

There are stickers on the side of the chair relating to the Paralympics. This could indicate the person is a fan, or perhaps had some involvement in the games?

The wheelchair has handles on the back, but they are able to be folded down. This is a popular feature for people who are independent enough to go out on their own, but still want to have the option for some help. folding down the handles also deters random strangers from grabbing at you (an unfortunately common experience for wheelchair users).

There is some mild paint scratching to the front of the wheelchair, but nothing too noticable. This is typical of older chairs and people who are a little rough on their chairs. Maybe they've had a few stacks and falls throughout the years, probably going a decent speed.

Ok, now let's look at the orange chair

This wheelchair has very large, inflatable front wheels, and very thick back wheels. This will make the chair slower and less manoeuvrable on flat/even surfaces, but much, much easier to push on rough terrain. This is supported by the amount of mud on the wheelchair.

The seat on this wheelchair tilts upwards slightly. This is called a bucket (or according to an old basketball teammate of mine, a dump-truck lol). This is a feature you typically see in wheelchairs made for people with spinal injuries who are unable to move their legs and engage their lower bodies or core to help keep them stable.

The back of this chair is very low, indicating that if this wheelchair user has a spinal injury, it's probably pretty low on their spine, likely fairly close to the hips, making the person a low-level paraplegic. Higher-level paraplegics and quadriplegics usually need a higher back to help support them and keep them from flopping over, since all the muscles below their place where their spine broke either doesn't work, or is significantly weaker. Higher backs though can get in the way of pushing and reduce mobility, so people who need less support will likely opt for a lower back rest.

This wheelchair has no handles, which indicates the user is probably very independent and doesn't need a lot of help getting around.

The paint on this wheelchair is very scratched up, showing the person is very tough on their wheelchair and doesn't care to get the paint touched up.

This wheelchair has no breaks. This is very common on chairs with larger tiers as they don't tend to be as effective, but also on many outdoor wheelchairs, for two reasons. One is because they are made for rough terrain, so chances are, you aren't going to go far without a big push to get you moving. The second reason is that to get over large bumps and obsticals in a wheelchair, it can be helpful to do very large pushes using the top and front of the wheel. When pushing a normal chair, most people will only use the top section of the wheel to push since it's closest, but these big pushes that use the front of the wheel make it easier to push, since you can benefit from downwards momentum. However, this is also where the breaks are located on most wheelchairs, which can create a hazard. I've lost entire fingernails by them getting snagged on the breaks when pushing this way. So if you live somewhere where the breaks are not going to be helpful to you often, it makes sense to not get them.

And here are the characters who own these wheelchairs

The owner of the green wheelchair is an amalgamation of a few people I knew from when I played wheelchair basketball. They're a bilateral leg amputee, and judging by their outfit (The Official National Wheelchair Basketball uniform for Australia), they're an elite athlete. This wheelchair is not the one they play sport in, but it still needs to be durable enough to withstand the rough treatment of airport staff when traveling, as well as heavy day-to-day use that comes with being an active person. While it needs to be rough, the person also seemed to want to prioritise speed and manoeuvrability, and likely doesn't need to worry about rough terrain too much, so they probably live in a major city.

The owner of the orange chair was inspired by a family friend of mine. They live on a farm, and need a chair that can handle life in those conditions, rough terrain and all. This comes at the cost of speed and manoeuvrability on smoother terrain, but honestly, anyone who's lived in the country knows you won't find many of those around there anyway, so that's not too big of a sacrifice. They are paraplegic, are very confident in their ability to use their wheelchair, and probably doesn't need help too often, but still benefit from some extra stability support from the raised seat on their chair.

Conclusion

Once again, these are generalisations, and in real life there are always exceptions, but I hope this helped demonstrate what I meant when I said you can use your character's wheelchair to tell us more info about them if you're smart about it.

I originally planned to do a whole series of these, showing a wider variety of wheelchairs and the people who they belong to, but I guess I kind of forgot because they've been sitting, abandoned on my hard drive for the last 2 years 😅. If that's something you folks would be interested in seeing though, let me know, I'd happily revive the series lol.

[flwrkid14]

Eternal Bonds: Tim and Danny’s Infinite Realms Marriage

In the Infinite Realms, marriage is an unparalleled commitment. Unlike the mortal world, where love can be fleeting and easily undone, marriage in the Realms is something far more sacred. It’s not just about vows or ceremonies—it’s about merging souls, creating a bond that not even the vast stretches of time can sever. The very idea of marriage in the Realms is rare, almost mythical, because it requires two beings to love each other so profoundly that they’re willing to bind their very existence to one another.

For the ghosts and entities that reside in this realm, eternity isn’t just a poetic idea—it’s a reality. Time is meaningless when you’re no longer alive, when your very essence is bound to the afterlife. And because of this, relationships are viewed through a different lens. There’s no such thing as divorce, no “time apart.” Once a couple is bound, their souls are intertwined forever. To dedicate your entire being—past, present, and future—to another means accepting that their joys, sorrows, triumphs, and failures will be yours too. It’s a partnership where breaking the bond is simply impossible.

It’s why marriage is such a rare occurrence in the Realms. The ghosts, who have already lived one life and often seen the frailty of mortal promises, don’t enter into this kind of bond lightly. It’s only for the strongest of loves, for the most steadfast of commitments. Because once you marry in the Infinite Realms, that bond holds through eternity itself.

And yet, despite the gravity of it all, Tim and Danny find themselves willing to make that very commitment. Tim, a mortal tied to a world where things end, where nothing lasts forever, steps into the unknown. His love for Danny is so deep, so unshakable, that he agrees to a traditional Infinite Realms marriage. He knows full well the weight of it—he’s not just vowing to love Danny in this life, but in every life after. In swearing to this bond, Tim is offering his entire being to Danny, for now and all of eternity.

For Danny, this choice means even more. As a halfa, he exists between two worlds, knowing both the mortality of the living and the permanence of the ghostly afterlife. His love for Tim is powerful enough that he’s willing to make this eternal commitment, knowing that there’s no one else in any world—mortal, ghostly, or beyond—he would rather be tied to. For Danny, the bond is as natural as breathing. It’s a connection that deepens their relationship in a way that transcends the limitations of their two worlds.

Their marriage isn’t just a declaration of love—it’s a merging of souls, a binding that makes them two parts of the same whole. It overwhelms them with the sense of safety and belonging that they’ve both craved in their lives. In each other, they find the kind of love that doesn’t just endure life’s difficulties but thrives beyond them. Their bond ties them together forever in a way that no one else could understand, but to Tim and Danny, it’s everything.

They are each other’s home. And in the Infinite Realms, there is no greater honor, no stronger connection, than to be bound by love for all of eternity.

[magnecalliope]

Branzy is not some innocent waif by any means, but I feel like everyone misunderstands the ways in which he matches Clown’s freak. Particularly, they want to subvert what they view as the architypical dynamic between Branzy and Clown without any real regard to how Branzy's personality actually meshes with Clown's. They recognize that Clown’s intimidation of Branzy is surface level, but don’t seem to grasp what’s going on below that to give Branzy his own edge over Clown.

Branzy is a homicidal maniac in his own right, and certainly has aspirations of being the kind of murder machine that Clown is, but he just does not have the fighting skill to back it up, nor was he a particularly skilled engineer when he first joined Lifesteal. At his core, Branzy is a coward. He gravitates towards whichever player or team he thinks is going to protect him, and he'll stroke their ego to get in their good graces. He gets by on his charisma and charm.

Clown, despite having a clear advantage over Branzy, still frequently comes across as uncomfortable with Branzy's attention, while also craving it and seeking it out. He's also a deeply reserved individual. Even when he's emoting he's still very quiet and even tempered. He plays his cards close to his chest. He's a loner. He has his reputation in part because he's unreadable and intimidating. He was coming off of a season where he hadn't died a single time. He’s an unstoppable force without an immovable object.

So here's the scenario: You're a stoic assassin. Usually you like to work alone. Other people slow you down. But you want revenge and you want to execute it in a particular manner that just happens to be outside of your wheelhouse. You have to team up with someone, and it just so happens you know someone with passable talent and a common enemy. You can tell he's afraid of you, and he should be, because he can't even beat Spepticle in a fight, how would he ever take on you?

But he's also... strangely affectionate. You box him in and he lets you, even as he's shaking with fright. You flirt and he flirts back. You're used to letting your reputation speak for itself, but here he is singing your praises to anyone who will listen. He puts all the credit for the collaboration on you, and downplays his own contribution. He sticks around even after you've exacted your revenge, and he still has nothing but good things to say about you, no matter how much you push and prod and scare and tease.

The fundamental difference between Branzy and Clown is vulnerability. Branzy has had no choice but to embrace his, while Clown has done everything in his power to excise it from himself entirely. Branzy allows himself to have big emotions and Clown barely speaks above a whisper at any given moment. When it comes to a fight, of course there isn’t much that can scare Minecraft’s Deadliest Assassin. But Clown has no idea how to navigate emotions, while emotions are Branzy’s greatest asset. People relate to Branzy, they trust him, and he uses it to manipulate them right into their traps. He can trick others’ emotionally as easily as Clown can cut them down with his sword. His relationship with Clown was made on the foundation of betrayal; he sacrificed his alliance with Vitalasy for Clown's protection. It was more important to him to stay on Clown's good side than remain loyal to his previous team, and this is because he felt, with 100% certainty, that Clown offered him more than Vitalasy did. And Vitalasy never saw it coming. 

That’s what makes Branzy so terrifying to Clown. Because he trusts Branzy. He lets his guard down around Branzy. He lets himself be vulnerable with Branzy. What if Branzy’s just manipulating him too? Or worse. 

What if he’s not?

[black-and-yellow]

The walk home from UA

[universalitgirlsblog2]

🧼��️GLOW UP GUIDE🧼✨️

🧼PHYSICAL GLOW UP

This is inspired from Glow up blueprint video by Dear peachie. Dear peachie will help you to achieve the ultimate physical glow up

.First of all, get to know your features. People who have facial features with accurate facial proportions , stronger symmetry ,brighter colours , defined lines look better in the static image whereas disproportionate facial ratio , poor symmetry , dull complexion , uneven structures can affect how one looks in static image.

Look at the glow up pyramid. Every level is interrelated to each other and is equally important . The elements at each level serves as the foundation which steps towards a higher level. The overall aspects may get affected if insufficient attention are given to fundamental levels.

Celebrities always appear gorgeous and sophiscated because they play attention they have invested a fortune and massive efforts in the detail that ordinary people never thought of.

There is a Chinese sayings which says one can recognize a beauty from 10 meters away. From a 10 meters distance, we cannot see the beauty looks like , her facial features and make up is blurry. However , we can see her body shape , posture , hair , clothing style. If we maintain 2 to 5 meter social distance , the focus point is skin , face shape and overall proportions. Body type , posture , clothing , hair , skin , face shape and overall proportion forms the impression of the body.

( A) Skin

- maintain a balanced diet

- good quality of sleep.

- stay hydrated lol ( common advice but it works )

- avoid smoking and eating too much sugary foods.

- Build a skin care routine which suits you the best.

- Visit a dermatologist regularly.

- Rub ice on face

- Do facial yoga

- Less is more

- The most simple way - just affirm that you have clear skin .

( B ) Body

- Workout !

- Maintain a healthy diet , don't starve yourself please !

- We can enhance our body proportions by wearing clothes which suit our body type.

- Love your body , don't abuse it by starving yourself or criticising it.

( C ) Posture

- You can do exercises to get a good posture.

- Try to maintain a good posture even if you are doing your daily tasks.

- Walk with a good posture , you will appear more graceful and elegant.

(D) Hairstyle

- Hairstyle is a great way to express oneself. You can choose different hairstyles which suit you.

- Healthy and beautiful hair can enhance your appearance so give some time to yourself and do hair care .

- A suitable hairstyle can draw visual attention towards your best features. For example : Long face framing bangs reduce impression of high cheek bones.

( E ) Body shapes

- Get to know your body type and dress up according to your body type.

👛🧁I didn't go into details , dear peachie has made videos for topics like posture, body shapes , hairstyles etc. I will make notes on those too . Those posts will be more detailed and in depth👛🧁

MORE TIPS BY MOI !

- Try mewing, you will get high cheekbones and sharp jawline.

- Get regular trims and hair scalp treatments.

- Yoga is so beneficial for both physical and mental health.

- Accessories to spice up your outfits !

- Develop a good fashion sense , you can take inspiration from celebrities too .

- Apply Vaseline on eye lashes .

- If you want to appear taller and slimmer, then wear high waist jeans and crop tops . ( This tip may vary from one body shape to another )

✨️MENTAL GLOW UP

- DEVELOP SELF - LOVE. I recommend you to check out these posts - how to love yourself , self-love affirmations by me , self- love affirmations by Alanna Foxx, songs for self-love. Also , read these posts - click me and click me !

- Be disciplined. Care for yourself . Cherish yourself. Love yourself no matter what.

- Listen to Guided Meditations and Podcasts

- Adopt the " OK and ? " or " So what? " mentality . They were talking behind your back , OK and ? They don't like you , OK and ? You tried something new and failed , So what ? They left you on seen and ghosted you , So what ?

- Adopt the " You are You , I am me " mentality.

- Listen to the wizard liz , Tam Kaur , Simone or Alessia.

- Watch good content. You are what you consume. You have control over it. Don't watch videos which are full of drama and negativity . Watch productive and educational videos.

- Meditate ! You will become more mindful and self- aware.

- Become selfish! No , don't use people for your own benefit but put yourself first. Posts you should read to understand it better ! - click me , click me !!

- STOP BEING A VICTIM ! YOU ARE THE CREATOR OF YOUR REALITY !!! YOU CONTROL YOUR REALITY , NOT THE OTHER WAY AROUND !!!!

- Don't seek validation from others , don't listen to other's opinions . Others opinions are irrelevant.

- Watch documentaries. Read books .

- Cut off toxic people ! This is so important. If someone drains you , puts you down , always nitpicking or complaining about you or other things . Distance yourself. It doesn't matter if you know them in real life or if it's online friendship. It doesn't matter if you knew them for a decade .

- You don't need to share everything with your Close friends.

- Say affirmations out aloud while doing skin care infront of mirror or in your mind.

- Act like the person you want to become.

- Don't chase , attract

- Know you are the main character.

- Don't allow others to use you or treat you like a doormat.

- Be more organized.

- Don't compare yourself with others.

- Don't depend on others for your happiness .

- Journal.

- Try shadow work

- Have hobbies

🍥ACADEMIC GLOW- UP

-Being intelligent is hot. Prioritize your education.

- Find a reason to study. Do you want to top your exams ? Do you want to make your parents proud ? Do you want to be the smart kid ?

- Find a role model . It can be a fictional character or celebrity . Check this post to find some inspiration - click me !

- Your reason to study should be bigger than your distractions.

- Watch fayefilms and studyquill , they always have the best study tips.

-Teach your friends , family or even pet . You will be able to revise the concepts better. If you get stuck while explaining , you would know that the topic is not clear to you yet.

- Use Mnemonics

- You can use the SQ3R method. SURVEY. QUESTION. READ . RECITE . REVIEW.

- Romanticize being smart. Romanticize studying.

- I would recommend you to read these posts , I hope they help you to study well !! - click me , click me , click me , click me , click me , click me, click me , click me

I hope this post helps you too - click me !

[theartingace]

Divorce #2.5 I'm obsessed with them and their dynamics, the unhinged toxic QPR rep we didn't know we needed💜

They are physically, emotionally, psychologically dependent on each other, they can't stand each other half the time, they threaten their own lives just to spite one another, they have both faced down gods to safeguard each other's existence, they hate each other, they love each other, they are both simultaneously each other's prisoner and warden, they have changed the fabric of their reality as a result of how they have changed in response to the other, they literally never stop heckling each other and I can't stop thinking about them

[m-aximumjoy]

Some interesting similarities between the forms of Falling Devil and Darkness Devil.

There’s the use of multiple bodies to create a singular form, the angular shapes, the mantis-leg-like appendages, the sheer height.

These two also share very strong hand motifs, which makes sense for both of them: when it’s dark, you have to feel your way around, usually with your hands; when you’re falling, you try to grab onto something with your hands.

I’m curious to see if the other Primals look anything like these two.

[yourmoonie]

Reality is like a big lucid dream

Reality is like a big lucid dream, and guess what?

You're the dreamer

You know how in dreams, you can shape your surroundings, change the outcome, or even fly just by deciding it? It's the same thing here in your waking life. The key is shifting your focus and attention to what you desire, and everything else will align.

The key here is YOU!

Think of it like this: In a lucid dream, when you realize you're dreaming, you stop reacting to the randomness and start creating intentionally. You can suddenly decide you're at the beach or in the middle of your desired city, all it takes is a shift in thought. Your awareness in the dream dictates what happens next.

Now apply that to reality

When you focus on what you want, whether it's love, success, or confidence, and make it your inner truth, your outer world will start to reflect it

Imagine a big projector.

Your mind doesn't know the difference between what’s real and imagined, it just follows your inner script.

So, if you believe you're thriving, loved, and successful, your reality will mirror that back to you. It's all about controlling your inner world.

"Stop trying to change the world since it is only the mirror. Man’s attempt to change the world by force is as fruitless as breaking a mirror in the hope of changing his face. Leave the mirror and change your face. Leave the world alone and change your conceptions of yourself. The reflection will then be satisfactory" - Neville Goddard": from Your Faith is Your Fortune

Imagine you want to manifest more confidence. Instead of waiting for a situation to give you confidence, start by feeling and acting as though you're already the most confident version of yourself. In a dream, if you suddenly decided you had superpowers, you'd just go with it, right? Do the same here, walk, talk, and make decisions like someone who knows their worth. Soon enough, you'll notice how people respond differently to you, how opportunities seem to align, and how your reality changes to fit this new confident self.

"Change your conception of yourself and you will automatically change the world in which you live. Do not try to change people; they are only messengers telling you who you are. Revalue yourself and they will confirm the change" - Neville Goddard, from Your Faith is Your Fortune

You are always in control, just like in those lucid dreams, so start dreaming your reality awake!

[ganondoodle]

worked a bit more on this piece of concept art but i feel like i need to practice these screenshot-like paintings more q-q

(totk rewritten project)