#pg 13
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Loki: *is wearing silk pants* How does this look?
Mobius: Like its slips on and off really easily.
Loki:
Mobius: No, I didn't mean it like that-
B-15: We know what you meant.
#pg 13#loki laufeyson#loki odinson#loki series#marvel#mcu#mobius m mobius#loki x mobius#lokius#loki mcu#loki god of mischief#loki#loki season 2#loki god of stories#loki god of time#loki glorious purpose#incorrect quotes#b-15#b 15#mobius#time variance authority
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un bisou
Fandom: Marvel X-men | Gambit/Remy LeBeau x Reader
Reader is gender neutral with no physical descriptions. Rated PG-13 because Gambit would be the type of guy to grab anyone's ass during a kiss, he would test the boundaries and we all know it. Reader is a mutant with celestial Sun powers - technically based on my OC's powers which manipulates the Sun, specifically it's fire.
Summary: Takes place during Days of Future Past in the original X-Men series, where Bishop accuses Gambit of an assassination that destroys the future, reader is the only one to believe him. Pre-established relationships between Rogue/Gambit, Reader/Gambit and Reader is a member of the X-men team. Title is French for "a kiss". Wordcount: around 800 words.
"Don't nobody trust Gambit, eh?"
Rogue can't meet his eyes, her gaze downcast and guilt etched onto her features.
Gambit won't look at you, at your eyes glazing over in tears as your shared family denies him, believes that he could be the assassin. He didn't hear your whisper of "I do" as he loudly announces to the room, "Then Gambit don't need nobody."
He stalks away, glowering as his trench coat flows behind like a cape, and then the room is silent as his footsteps fade.
The lights black out and you're finally unfrozen, "How dare you? All of you? Not trusting one of our own, our team. Who are we if we cannot trust each other? What kind of family is this?"
The Sun hesitantly flickers through the windows, as solar flares begin radiating from your arms, anger burning through your body.
Rogue is first to speak, "Calm down, Sugah—"
"Calm down? When you all just turned your backs on him?"
Jean fixes you with a soft, understanding gaze and whispers "Go" in your mind - your chair hits the wall, leaving a dent with flashes of celestial energy trailing behind.
You don't even realise your feet carrying you through the hallways, yelling his name throughout the mansion, praying to anyone listening that he's still here and you find him before he leaves here, before he leaves you.
He's standing, paused at the doorway to the X-jet, breathing heavily with angry mutters of Cajun creole - blurring English and French seamlessly. Gambit looks up at the sound of your footsteps, a flash of vulnerability in his eyes that left in a second, replaced by a harsh piercing glare, "Porquoi êtes-vous ici, Dulcinée?" (Why are you here, sweetheart?)
The nickname is spat out, venom seeping out from the endearment that would usually bring a soft flush of heat to your face. You try not to flinch. Emphasis on try, because you do, and his face somehow looks even more pained at that. Words evade you as your throat dries, refusing to respond, so you take a deep breath and a soft gulp before you respond, grateful that you could understand his mother tongue.
"I'm here because I trust you, Remy."
He falters, searching your eyes desperately to spot any falsehoods, any inkling that you were spying on him for Charles - he doesn't find any. He finds pure raw love, the kind you knew you felt but could never truly verbalise.
Everyone on the team could see your soft spot for Gambit, and he knew it too. Sure, he flirted with every woman he came into contact with and he couldn't stop thinking about Rogue - but there was something about you that left the Cajun torn, as if he also loved you but didn't dare bare his heart to anyone, as if his shield crumpled, then his world would collapse and destroy everyone he cared about with it.
But here, with only you left, dangerously close to him in the enclosed space of the doorframe's entrance, he couldn't remember why he kept those walls up. He allowed his eyes to flicker to your soft lips, watching intensely as you involuntarily catch the bottom one in between your teeth. Your heart is hammering in your chest and before you can think to pull away, to move down the hallway or into the next room, his big hands are splayed on your soft hips, your spandex suit in bright terracotta separating your skin to skin contact.
He's surprisingly soft, as his lips meet yours and he tastes like spice and tobacco. It infiltrates your senses, enveloping you in a blanket of warmth and desire while you gasp, allowing him to deepen the kiss further, to let Remy explore your mouth, your taste, your emotions. His gloved hands grasp around your waist as the other dips down to your ass, giving it a small squeeze. His smirk brushes his stubble against your cheek at the soft breathy moan you let out from his actions - you would swear Jubilee was in here with the amount of fireworks lighting up your veins, the passion and love igniting your whole body in flames.
Gambit pulls away, and his face is almost unreadable and then it's sad. It's a goodbye kiss, you realise as he walks past you through the door to the X-jet - and you almost let him.
He's so lost on his own emotions and thoughts from the kiss that ghosts his lips that he doesn't notice you slipping into the darkened room after him, only to be blinded by the harsh lights as Bishop and Wolverine reveal themselves, entirely unaware of everything that just transpired between you both...
#marvel#gambit#remy lebeau#remy lebeau x reader#gambit x reader#gender neutral reader#x men#x men the animated series#x men 97#mcu#unedited and i wrote this in maybe 20 minutes while suffering from hyperfixation of fictional crushes#mutant reader#angst#kind of fluff#pg 13#i may open x men requests depending on how much demand there is for writing fics 🫣#fanfic#fanfiction#oneshot#blurb#ficlet
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Bucky: Steve, you do remember when we agreed we were better off as friends, right? Steve, naked in Bucky's bed: No, I absolutely do not. Bucky, already taking off his clothes: Fuck… Me neither.
#pg 13#bucky barnes#james buchanan barnes#marvel#marvel mcu#steve x bucky#steve rogers#steven grant rogers#stucky#incorrect quotes#captain america#the winter soldier#white wolf
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put her canine teeth in the side of my neck!!!! (red wine supernova - chappell roan)
im very happy with this
NOT smut do NOTTTT tag it as such (unless as a trigger warning or smth)!!!!
#atla#avatar the last airbender#azutara#atla azula#atla katara#artists on tumblr#pg 13#chappell roan
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phantom falls asleep sucking on swiss’ fingers…
listen they get chatty at night and swiss just wants to sleep so he gives them a distraction and ant loves it and swiss has to admit it kinda feels nice…
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Helluva Boss Tickle Headcannons:
Stolas:
Super ticklish despite not being tickled very much in his younger days, (Blitzo is definitely the first one to discover this weakness when they were kids and never really forgot how ticklish Stolas was, or is, for that matter.)
Is a switch, but is definitely is more lee leaning! He enjoys the bondage aspect of it and definitely experiences the most anticipatory giggles.
Has one of the most adorable laughs ever. It doesn't take much to get him laughing. He has such a high-pitched laugh that gets squeaky if you get the right spots.
Worst spots are wings and beneath his feathers.
As a ler, my goodness is this guy fucking RUTHLESS.
Is a demon, so expect to receive whatever tickling is dished out tenfold in return.
His feathers and claws are horrendously evil tickle tools and the mothefucker KNOWS it.
Uses tickling as a torture method for those who most deserve it (cough cough, Blitzo).
Blitzo:
Regularly involved in childhood tickle fights with Fizz. Used to win most of the tickle fights until the accident happened.
So playful and silly, he was the first to initiate a tickle fight with Stolas and the first to realize what a ruthless tickler Stolas is.
Also a switch, very needy as a lee and super teasy as a ler.
Surprisingly a very gentle ler unless otherwise provoked.
Definitely tickles Stolas the most of anyone because Stolas absolutely loves it. Also frequently tickles Millie and Moxxie but mostly Moxxie because he deserves it. Doesn't DARE tickle Luna (he doesn't have
Most ticklish spots include ribs, tummy and underarms.
Super silly laugh, loves provoking others to tickle him, and is so shameless about it, the little shit.
Millie:
Is ticklish but is much more of a ruthless ler. Mostly tickles Moxxie to get him to relax or not be so uptight.
Absolutely ruthless. RUTHLESS.
Not only does she know Moxxie enjoys being tickled, but she encourages the other IMP's to tickle him.
Doesn't mind being tickled by Moxxie but will destroy anyone else who tries.
The worst spots are her hips, thighs, and knees.
Has a bright, carefree laugh.
Will 10/10 dish out absolutely unholy revenge to those who dare to tickle her.
Moxxie:
Is such a lee! 100% lee. Is baby.
It doesn't take much to get him all flustered, just a few well placed pokes, a wink, or teasy voice.
Prefers to be tickled by Millie but is the frequent victim of gang tickles. Not that he minds.
Is wayyyy more susceptible to gentle and teasy tickles.
His back is an absolute death zone. Absolutely cannot handle back massages AT ALL.
Screechy and screamy laughter. AHAHAH.
Hides his face a lot, or at least he tries when tickled. Lol. He can't even help it.
Will literally beg to not be tickled.
PUPPY DOG EYES.
Deserves to get his shit WRECKED!
Ozzie:
WE AREN'T gonna pretend this man isn't ticklish.
I mean, he is. Has a super boisterous laugh.
I mean, if this anyone has a tickle kink, it's him lol.
I feel like he's got tons of ler energy. He tickles Fizz so much, lmao. Surprise tickles, tickle games, tickle hugs, teases, etc. ASDFGHJKL. Fizz eats it up, of course.
Is kinda ticklish in a couple secret places only Fizz knows about. I mean, I don't even know, and Fizz didn't tell me lmaooo. It's a secret, do with that info what you wish.
Is actually the tickle monster. Hehehe.
Fizz:
Is such an adorably ticklish imp.
Arguably, the most ticklish character.
Literally used to be nearly tickled to death by Blitzo as kids. And ganged up on by the other imps. Was pretty much defenseless lol.
Blitzo used to knock him down a few pegs for getting all the attention by tickling the everloving snot out of him.
Literally never won tickle fights until after the accident. The robot arms improved his tickle fight game tenfold.
His robot arms are indeed also ticklish but offer an advantage in tickle fights by being able to stretch or tickling people far away.
Bottom ribs, hips and sides are his worst spots.
Cannot handle his ribs being counted. (Ozzie found this out, and the poor guy can't rest ahah).
Wheezy laughter that eventually goes silent, and he also thrashes a lot.
Uses his robot arms for tickling and bondage purposes with Ozzie and to also get well deserved revenge on Blitzo, haha.
#sfw tickling community#tword blog#tickle content#sfw twords#tword post#tickle fic blog#tickle headcanons#tword content#sfw tickling#not safe fw#for work not ish#pg 13#tickle headcannons#helluva boss#tickle fluff#fluffy headcannons
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This Tess is from 1.15.13!
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Pass for one F-Bomb
Yeah, this one makes a bit of sense. Folks loved it enough to allow it to get into our "Funny Channel"!
#memes#funny memes#best memes#funny#humor#meme#lol#discord server#discord chat#discord stuff#Star Wars#revenge of the sith#pg 13#anakin skywalker#obi wan kenobi#anakin vs obi wan#f-bomb#I have the high ground#star wars revenge of the sith
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Waiting for a New Dawn - Part 3 and Part 4 of 7
A cinematic Old West AU | Sanji x Zoro
(Mobile users, please use landscape mode! 📲🔄🧡)
1 & 2 || 5, 6, & 7
#PG 13#HEY IMAGE 1 IS PG 13 LEVEL OF IMPLICATION OK#do not come for me alrighty#my art#fanart#one piece#vinsmoke sanji#zoro roronoa#zosan#blackleg sanji#sanzo#yeehawgust#yeehawmix#old west au#zs old west au#zoro x sanji
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Sneak peeks
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The Book of Bill has the same kinda flavor as this one piece of art by bruce timm
we have nudity, we have exposed/severed organs, blood, guns, alcohol, we have references to religion(s), different types of drugs, profanity, body horror and teeth, (which is a given at this point, but... man).....The Miranada Sings apology video
like, i am not the same person i was when i was super into gravity falls, i can now confidently say i'm an adult now with a clear head
but i can't help but slap my knee when Bill straight up says "i don't want to be roped into your polycule"
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Does Wade Wilson miss Canada?
One day Peter and Wade go there for a vacation.
It’s Peter’s first time outside United States, so he is double exited to see not only Wade’s place of origin, but also just a new country in general.
And as for Wade - it’s a bittersweet kind of experience. He surely missed all these views. But also there are so much forgotten memories. Good and bad. Mostly bad.
Peter makes it less bad anyway. Not this lonely revisits his traumatic flashbacks with him. Even if Wade recognises the fact, that Peter is beside him only a couple moments or minutes or hours after flashbacks pass.
“Now it makes more sense,” - Says Peter some time after one of the Wade’s flashbacks.
“What makes sense? Baby boy, im afraid, right now I’m not able to connect all the dots if you’re referencing to something. Not after my Vietnam’s flashback. And I mean it almost liter-“
“No, no, I’m talking about your mental health. Or lack of it,” - Peter wants to add something, but stops himself not sure how to formulate his thoughts correctly.
“Well, you’re right. My crybaby origin started a little earlier than my cancer.”
“Is it okay I kinda wanna laugh right now?”
“It is, I just can’t stop being funny, you know that, Petey. And I love this in you, keep laughing at all my even self-pitying jokes. Especially at my self-pitying jokes. Your laugh is my fuel for living, forget about the healing factor, it’s now old-style.”
“Wow, now you’re just picking me up, hot Canadian man.”
“….That’s.. not entirely not true… May be I am. Yeah, I surely planned all this to pick you up, yes, sir.”
Peter laughs and sits closer to Wade to hug him.
“You’re silly, Wade.”
“No, you’re.”
“So silly even my autistic ass can recognise you’re lying,” - Peter finishes his words close to Wade’s head and lends a sweet kiss on smiling lips across him.
They come back in New York after a couple of weeks. Peter decides he likes Canada. Wade somehow feels himself more relieved despite of a ton of mental breakdowns.
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Natasha: If you had too, what would you give up food or sex? Steve: Sex. Bucky: Seriously, answer faster. Steve: I’m sorry honey, when they said sex I wasn’t thinking about sex with you. Natasha: Tony, what about you? What would you give up sex or food? Tony: Food. Natasha: Okay, how about sex or robots? Tony: Oh my God it’s like the movie Sophie’s Choice. Sam: What about you Carol? What would you give up sex or food? Carol: Oh… um… I don’t know, it’s too hard. Sam: No, you gotta pick one. Carol: Um, food… no, sex… no, food… sex… food. Ugh! I don’t know! I want both! I- I want hot women on bread!
#marvel#marvel mcu#incorrect quotes#captain america#sam wilson#falcon#bucky barnes#james buchanan barnes#the winter soldier#steve x bucky#steven grant rogers#steve rogers#stucky#tony stark#tony x pepper#pepperony#carol danvers#captain marvel#natasha romanoff#black widow#pg 13#iron man#the avengers
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azutara nation how we feeling??
hello sneak peaks…
this is pg-13 shes a VAMPIRE!!!! chappell roan core
i think its pretty funny that my favorite noncanon ships are zukka and azutara, i guess i just like gay water tribe sibling/gay fire nation sibling 😭 specified non canon bc i love kataang, and specified gay bc i dont like zutara (pls dont come after me im just a girl🎀🎀🎀)
#atla azula#princess azula#azutara#azula x katara#atla katara#katara#azula is a lesbian you CANNOT change my mind!!!#katzula#pg 13#artists on tumblr
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My Personal gripes about poorly executed POV
BTW, mild PG-13 warnings. Discussion of consent, though not explicit and asking people to do research.
This isn't the long twitter battle of OMG, "you like to *only* read Third person novels, how dare you." and the whole, OMG, First person PoV is clearly superior and you should only use present tense with first person POV, and you should never ever use second person in a novel with a first person PoV. And "But OMG, past perfect is evil and stuff."
Leave me out of that fight. I read whatever I please when I please, and I don't mind those kind of tense issues or POV issues. I'm not that stiff of a person.
This is more theoretical parts of story when they aren't thought through an executed well and using switching POV as a crutch to avoid better writing.
It would be the equivalent of rewriting Lolita from the PoV of Delores every other chapter because you can't pull off an unreliable narrator.
So my personal masterclass of switching PoVs is Rashomon. Triple gold star—no, platinum star. OMG at every point you think you understand, you got this, you can 100% solve this mystery, and you keep going and going and then at the end, you realized you had this amazing journey and you don't got this, in fact to understand the breath of the story, you need to relive the story again. I melt under such thoughtful command of PoV. It really understands the characters, emotionality and delivers a final psychological punch that makes me melt in reader heaven.
The opposite end of the spectrum is where PoV is used as a crutch to reassure the reader, coddle them, talk down to them, or think that the reader "didn't get it" or basically cut the tension unintentionally because the writer can't be bothered to learn how to show the other PoV through the current PoV character.
Switching PoV because the author can't level up enough to use an unreliable narrator/situation to show how the other character feels.
He fumbled about on the mantle, not looking me in the eye. What could he want standing there, looking off in the distance? I had plans to attend to and he was being such a stiff.
"It's not that I have—" he stopped halfway though I had said absolutely nothing, made no movement.
His cheeks colored bright red.
"I have an appointment in two hours. I cannot be delayed," I said, trying to be released of this meeting.
I had to meet Miss Halifax at three or she would be out of town soon. She had the truth of my brother's sudden disappearance.
He glanced at me again, squared himself and pulled down on his waistcoat.
"I have come to know you very well over these last few days."
The man servant came in and bowed. "Carriage for you is ready."
"Out with it," I said.
"Later, it is not important," he said.
So you're telling me at this point, you have absolutely no idea what the non-PoV character wants to tell the PoV character? Truly? From body language, from what is not said, from what is indicated, even though the PoV character is oblivious and focused on other things.
So much so, that all of these hints dropped from the anatomy of a scene of this stock type, you have to switch the PoV and spoonfeed me what the other character is thinking so I don't feel disappointed? Oh, c'mon. Seriously? If you can't drop hints the PoV character cannot read well, because they are too "in" it, then you seriously need to level up.
Look, there are anatomy of basic scenes out there. A fighting scene needs built up tension with arguing, raised emotions, before there is the boil over.
Just like you can tell a non-PoV character is sad by cues like their lip trembling, blinking rapidly while looking in the sky/ceiling, their eyes averted, or their slow tone.
If you need the words in front of you, "This person was sad." then improve your reading skill.
A person can 100% observe something in real time, but still not be able to piece it together. This is why an unreliable narrator can be fun. The reader is screaming at them to get it, that it's quite clear that Dolores is not into you Humphrey Humphrey, she is too young. And for the narrating character to be too full of himself, too involved in what is happening to notice that the signs are all there.
What you should aim for in such a scene is that you've established all of the other scenes before it and the rising emotion peaking clearly through to such a point that it can't be anything else but that.
And Jane Austen was able to do that in Pride and Prejudice until it boiled over. You can do it too. You merely have to understand what the emotions and events are in order for the reader to suspect this is true.
Switching PoV at the point I left the characters is a crime. Let the reader speculate until they are in a tizzy.
It's the equivalent of going for say 20 pages out of 300, setting a whodunit, and laying all of the clues and then the detective accusing someone of doing it and then switching PoV for the character to think, I did it but I'm going to lie. I'm crying. Please. Please learn a little craft.
I assert the fun of romance is the the meetcute, discovery of those feelings in the first place, not knowing if the feelings are returned, the uncertainty, the denial of the feelings because one is not sure, but then the whole resignation to the feelings that one cannot resist and do anything about, then the declaration. A glorious emotional peak at last. Yes, send me the fluffies now. Give me that upward arc into the stratosphere. They belong together, they can overcome all of the oppositions sent their way. I have absolutely no reservations. I know they will be glued at the hip indefinitely. They work through all their problems, even their difficult ones by being effing adults, and voila, OMG, the ending is a HFN, HEA, or (because I'm the devil) an understandable break up because the problem section of being together was too great. (Useful for second leads of They weren't meant to be together.)
If you cut the climb up you do not get the glorious fluffies you promised and it's a flat oh, and you did that by switching PoV and making me irked because now I know, and it's all assured , but curse you upon your soul, you stole my fluffies and defeated the purpose of why I'm reading romance.
Likewise with mystery. There is a murder, who could have done it. Switch the the murderer, they tell you exactly how they've done it. Why are you going to read the rest of the book? it's not even a good howcatchthem because you promised a whodunit.
2. To repeat information already established with no new information added or new events because, ya know book profit, need to cash into the male PoV, or can't trust that reader.
Sorely irked by this. The same scene with no new information in the PoV, that does not advance the plot. I about strangle you when I realize you're basically rewriting the scene from chapter 1 into chapter 2 over again. Or book 1 is the same as book 2 but you were a shitty writer and don't trust your audience and couldn't figure out how to let the reader guess the other PoV. Bring in the cash machine.
Someone about here is going to say but people are autistic, etc. And I'm going to say most books in most countries has anatomies of scenes, emotions, characters and an order that one can analyze to get around those differences in PoV.
If I can kinda guess what a straight person feels like functioning day to day, without anyone flagging me, then I kinda think it's not that hard for other people to figure out those differences. NTs aren't that hard to figure out. (As a different kind of ND). It's fucking shoved in our faces all of the time and some of their illogical behavior is well documented... by literally autistic people.
Rework the scene please, so that the other PoV is stronger.
3. To justify event fuckery that was clearly a bad choice in the first place. (Especially around consent).
*Coughs about Japan* especially, but occasionally Korea, and probably China... but also about the English language authors.
That didn't look consensual/s/he/they didn't ask for consent and check in.
*PoV switch*
Welp it's "ok" now because other character "wanted" it even though they couldn't respond and it's not quite clear they wanted it now.
You see, creepy man climbing in via window is a-OK, because well, other character was OK with it after the fact or during the fact though they were confused and couldn't "resist." I'm about to kill you author and chuck your book out the window with a flaming brick.
~~Fix the event choice~~
This is clearly lazy writing. Go back, remap the emotionality, rework it so it's clear, then do a check in. Check ins can be verbal and nonverbal. Verbal check-in preferred. Verbal check-ins can be romantic if you think through them more and filter them through your characters.
you clearly knew it was a bad plot choice if you need to justify it after the fact with a PoV change.
Can I throw up yet? Consent is sexy. Consent is required. Check-ins make your characters sexier. (Also, for those who write BDSM, usually those sessions are highly, highly planned. Hinting at that would be helpful. Planning sessions can also lead to tension. The do you want, yes I want...but not knowing when can be top tier sexy if you play your author cards right.)
Waiting for consent without stalking can build tension.
The I know I spurned you last week, but I don't know where to turn to help me solve this problem... and then they work on it together, and through that friends become lovers and there is a reevaluation period is stock romance plot type (though emotionally a bit difficult to pull off). Plus you get my favorite part of the plot type, "I don't know if you still feel this way so I've kept it from you." tension because the original confessor might have moved on, or has seemed to resign themselves the relationship will never happen.
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