#peter the magnificent icons

[tianmicons]

[ultraericthered]

Malcolm/Peter Pan Appreciation Post

Truly inspired Adaptational Villainy, making for the greatest villain this show ever had.

[kingorqueenofnarnia]

The Age of Icons

The 3rd installment of The Age of Icons, a Narnia fic with canon divergence post-LWW, is up!

.

The Pevensies have returned to Naernia, but it is no longer their Naernia. The Trees are silent and unmoving, the Rivers do not sing, and the animals have forgotten what it means to have the ability to speak.

With their kingdom being lost to the tides of time, following a dwarf across an unfamiliar forest to meet a Prince of Telmar is the only option they have.

[aeonmagnus]

As we had previously reported, Peter Cullen received Emmy’s Lifetime Achievement Award last night during the 2nd Annual Children’s and Family Emmys.

In a very emotive ceremony, Megatron’s voice Frank Welker presented the award and Mr. Cullen gave us a great and touching speech.

“And now, a time to thank my many Transformers fans and friends…with all my heart. We…are one.”

A totally well-deserved honor to the iconic voice of Optimus Prime as well as a tribute to all Mr.Cullen’s career.

--

"Transformers and Optimus Prime have become legendary. And Peter's iconic performance has made him not only part of the culture, but the undisputed and irreplaceable leader of the Autobots.

But it's not just his talent or that magnificent voice that we recognize. It's who he is. His honesty, his loyalty, his passion for his work, care for his friends, and his deep respect for the audience.

That's what's brought him here tonight."

[thecrownnetflixuk]

Goodbye to Diana, Goddess of the Hunt

Pt 1 of The Crown S6 Will Stand as the Definitive Dramatised Version of Diana & Dodi’s Final Days

Review (& gifs) by L.L @The Crown TV

Having seen Pt 1 of The Crown S6 before its official release, I can understand why Netflix decided to split the final season. The first 4 episodes are almost exclusively dedicated to the events surrounding the tragic deaths of Princess Diana and Dodi Fayed.

It's first-rate drama, but it's not always an easy watch. The series does have some lighter moments too, but it makes sense for The Crown to take a short pause before moving forward in December.

To be clear, Diana and Dodi's car crash is not portrayed in a voyeuristic way. We don't see the moment of impact; hearing it is traumatic enough. Diana's body is not shown. The show doesn't delve into what caused the accident. This is still The Crown, not CSI Paris.

Kudos to Peter Morgan and his research team who somehow scrutinised all reports of Diana and Dodi's final days and managed to turn no doubt conflicting accounts and opinions into 4 brilliantly dramatised episodes which feel like a definitive screen version.

I prefer the sharpened pace of S6 after a disjointed S5. All the cast seem more comfortable in their respective roles ... except ... Dominic West is a great actor, his grief and regret is so believable in these episodes, but for me, West's natural charm and roguishness still doesn't fit well with Charles. Perhaps Camilla would disagree!

There are no such issues with Diana. It's a difficult task playing an icon hunted by the paparazzi, but Elizabeth Debicki radiates the right emotional intelligence and effortless star quality of the princess. In fact, Debicki's empathetic and assured performance largely carries these pivotal episodes and tops her earlier impressive work in S5.

Warning - long read: more detailed spoilers ahead! GO & WATCH THE EPISODES FIRST (NOW ON NETFLIX)

Interview/images: courtesy of Netflix & Elizabeth Debicki.

The final season of The Crown begins in Paris with a bold flash forward to a dog-walker who witnesses the crash at the Pont de l'Alma tunnel. It's a jarring change of tone after S5, but effective.

From the start, we know where this story is headed. But first, it's back to Diana on her summer hols, impertinent rodents scurrying in the palace and Charles getting grumpy over the Queen not showing up for Camilla's birthday. Reassuringly, it's royal business as usual.

^ Happy 50th, Camilla. I'm with the Queen about this pair; still not quite on board.

Enter Dodi Fayed, who could not be more different to his overbearing father. Khalid Abdalla infuses the shy son-of-a-billionaire with an engaging soulfulness which contradicts Dodi's two-timing behaviour.

Dodi starts out romancing his fiancée, Kelly Fisher (Erin Richards), but after being bullied into it by his father Mohamed Al-Fayed, Dodi pursues Princess Diana. For a while, Dodi juggles both women, before redeeming himself and confessing the truth to Diana.

^ Diana & Dodi. This time, it's Diana herself who ends up not quite on board this ship.

BAFTA nominee Salim Daw is a force of nature as a magnificently Machiavellian Mohamed Al-Fayed. Daw's performance, along with Elizabeth Debicki's note-perfect Diana, is a standout in S6.

Those who had concerns that The Crown was too generous towards the real Al-Fayed in S5 have no such worries about S6. By episode 3, Mohamed almost crosses into arch villain territory, bribing Dodi into marrying Diana to get British citizenship and raise his social status.

^ Mohamed Al-Fayed. Give him a cat & he'd be the perfect future Bond villain.

It's a controversial post-death chat with a 'ghost' which (nearly) absolves The Crown's Mohamed. Salim Daw is tremendously genuine during his imagined conversation with Dodi, sobbing for forgiveness. Too little, too late, but we feel his real pain about the loss of his son.

Before watching these episodes, the idea of Ghost!Dodi and Diana in the show did seem off-putting. Confession: I didn’t make it through the surrealistic film ‘Spencer’, where Diana talks to the ghost of Anne Boleyn (although Kristen Stewart seemed well cast in her role.)

Now that I've actually seen the 'ghost' scenes in The Crown, they don't feel ghoulish or disrespectful. Following the crash, both Charles (Dominic West) and Imelda Staunton’s Queen have small conversations with Diana, as though the princess is still with them.

You could take that to mean they’ve gone full royal-bats-in-the-belfry, but as a person who recently lost my dad, I talk to the dead all the time. It’s often what happens when you lose somebody you love. To see this depicted on The Crown felt honest. And human.

^ Wassup, Betty? Just chillin', chatting w/dead Di* (*not dialogue from The Crown)

As the show wades through the aftermath of the crash, dealing with public sorrow, funerals and grief-stricken young William and Harry, it becomes heartbreaking. However, The Crown does handle heavy subject matter very well, as shown in episodes such as ‘Aberfan.’

With a golden jubilee coming up, hopefully Pt 2 of this final season will be more uplifting, and feature more scenes with Imelda Staunton as Elizabeth II. When we do see the Queen in Pt 1, her intonation is superb. There’s continuity too, with Staunton merging Claire Foy’s vulnerability and regality with Olivia Colman’s steely durability.

I'm no ardent monarchist, but now that we've said goodbye to Diana, I can't imagine that The Crown would end without paying tribute to another Queen of Hearts who reigned for over 70 years.

THE CROWN S6 PT 2:-premieres on Netflix | Thurs 14th Dec 2023

N.B: These are just my (humble) opinions at this point in time. No offence is intended. Agreement = lovely; not compulsory. Disagreement = happens; kindly coexist. Ta!

[indominusavenger]

I'm gonna come out and say it; No Way Home sucked. Sure, it had some good moments but in my opinion, it does not live up to the first two instalments of the trilogy. I liked the first part of the movie but as soon as I knew where the second part was going, I fell off that train pretty quickly.

Not only did it make MCU Spidey end up with the same tale as his two predecessors but it also undoes Peter's entire establishment in Marvel's overall franchise. What was the point of the last four movies putting him on the roster with Earth's MIGHTIEST Heroes if you were just going to take all that away and make it like he exists in a completely separate world from them? What was the point of the three cameos we had from RDJ, Samuel L. Jackson, and Benedict Cumberbatch in their iconic roles to show that interconnected universe as with every other MCU movie, only for that to be stripped away at the very last second? Might as well have been another one of Sony's solo ventures at making a series after TASM but it's not and that's why I HATE the uncertainty of Peter Parker's future in the MCU. However, given the current failing reality of the MCU with every new movie that comes out, I can already confirm it's nothing good. In fact, it probably would be best if progress stops altogether before Marvel really is stuck in the dust and just a part of a magnificent past with no legacy to carry on. (This is a side note but that is still a big issue for me anyways that I may expand upon later in another post. In the meantime, go watch all the video essays on YouTube, I'm sure you'll find many good ones.)

He had a unique story that fit into the overarching plot of the MCU and the premise he had was different from the previous Spideys which is what was so interesting about his character development. This Peter Parker had friends that weren't introduced before, or at least, they were more developed than in other series; he had a superhero as a mentor, not a scientist turned villain due to unfortunate circumstances; he had a guy in the chair who wasn't after him or turned villain because his father was one, he had two crushes that were friends, he was part of clubs and acted more teenage-like than the last two. He interacts with other heroes, joins the Avengers, fights THE villain, perishes, comes back, loses his mentor, and is still expected to keep on going.

For crying out loud, he was asked if he was going to be the next Iron Man but he knew he wasn't which is what Far From Home set out to show us. And to all those who called him Iron Man Jr. in Homecoming, I hope you know that you make no sense and I think Marvel did a wonderful job making him stand apart. He was a kid admiring one of his role models and now that he actually had a connection to him, of course he was going to want to be like his mentor but even Tony recognized that he wanted him to be more, not like him. This shows Iron Man himself had great respect for the young hero.

Now, moving onto No Way Home, two main things that annoy the heck out of me; Peter being forgotten (obviously) and Aunt May dying. I'll start with Aunt May's death. To be honest, it was a completely unnecessary death and it actually doesn't make sense for the purpose it had in the movie. The punchline "With great power comes great responsibility." loses its premise as soon as you recall Civil War's intro to Peter in the first place. Uncle Ben had already died, Peter was Spider-Man at this point, and remember what Peter told Tony when they met, why the older hero related to him so much? "When you can do the things that I can, but you don't... and then the bad things happen... they happen because of you." So he already learned that lesson on responsibility and by the time we get to No Way Home, this kid had learned lessons also involving the universe at large. Why are we rehashing Uncle Ben's offscreen death with Aunt May if Marvel literally stated that was overdone? Make that make sense. But oh, it was to make something big and dramatic happen in the movie because we needed to mOve aLoNg. Peter lost his parents, his uncle, and mentor; can you come up with something new other than parental figure losses? Why do TASM Peter and OG Peter still have their Aunt Mays and even if it was just a deleted scene, technically TASM Peter's dad? Huh, then what do you say there? Why did MCU Peter Parker have to lose ALL his parental figures?

Finally, the thing that probably broke most of us; Peter being wiped from everyone's memory. As I stated earlier, his entire existence within the MCU just vanishes, like that, in seconds. So......... what was the point of his existence up till now in the MCU? What was the point of his specific development and growth if he was just going to get forgotten? Why was he meticulously introduced at the height of the Avengers' conflict and then constantly involved with some other MCU hero/important character if he was going to be removed from that? If the Avengers were never a big deal, why make him a part of that at all and why were we still bringing them up at the climax of the film? For those who bring up the argument that he's supposed to be a solitary hero, well that was the worst way to have introduced him then, right? But Marvel chose that route, not any other. Which is why that decision still makes no sense to me. You put him in a world where he wasn't the only superhero and he was going to interact with other heroes which none of the other Spider-Men had and that already put him in a unique position. Why give him a background that was going to get swiped?

Imagine that, making five blockbuster films that gave him a firm standing in the MCU at the peak of Phase 3 and then in his sixth film, his last standalone which is supposed to be his most shining moment, he gets the rug pulled out from underneath him to give him a blank slate? You might as well have thrown every script out from 2015 to 2019 including him before they were ever written or considered. It's the equivalent of undoing everything you just worked on in a school project that's worth 40% of your final grade. Think about that for a second. Marvel just undid 6 years of work and investment in a single character for them to go back to the beginning. Why didn't you just do that then from the start? You could have had more classic Spidey a long time ago by that train of thought (which I really didn't want because we already saw that twice and this Spidey was something fresh).

Anyways, thanks for reading. This is 2 years worth of disappointment and frustration put on the page.

[brokehorrorfan]

RoboDoc: The Creation of RoboCop will be released on Blu-ray on October 17 via Cineverse. Walmart will exclusively carry a Steelbook edition ($23.84). The 2023 docuseries premieres on SCREAMBOX today.

Directed by Chris Griffiths Christopher Griffiths (Hollywood Dreams & Nightmares: The Robert Englund Story, Pennywise: The Story of It) and Eastwood Allen craft, the four-episode series is a comprehensive, scene-by-scene breakdown of the 1987 action classic.

Actors Peter Weller, Nancy Allen, Ronny Cox, Ray Wise, and Kurtwood Smith, director Paul Verhoeven, writers Edward Neumeier and Michael Miner, and visual effects legend Phil Tippett are among the dozens of interviewees.

Special features are listed below, where you can also see the Steelbook artwork by Creepy Duck Design.

Special features:

Meet the Makers

Roboteam Assemble

Major Firepower

Call to Action

Robocast Quotes

Art of the Steel

Part Man, Part Machine, All Videogame

Gins! Guns! Guns!

Trailer

Episode 1: “Destination Delta City” - Orion Pictures assembles a magnificent cast and crew who, unbeknownst to them, have signed up for a turbulent and career-defining ride. Episode 2: “Verhoeven’s Mantra” - Notoriously demanding mad-genius director Paul Verhoeven pushes the envelope and many people’s buttons with the unprecedented shooting conditions. Episode 3: “Blood, Sweat & Steel” - The resilient cast and crew relive the golden era of hands-on, practical filmmaking in the 1980s. Episode 4: “Murphy & The Machine” - A cinematic icon is unleashed to the world, creating an indelible legacy with lasting memories for those involved in its production.

Pre-order RoboDoc: The Creation of RoboCop.

[fearsmagazine]

IMMACULATE - Review

DISTRIBUTOR: NEON

SYNOPSIS: Sister Cecilia experienced a life-altering event that led her to seek solace in religion—a near-drowning incident in an icy lake. Time passed, and the closure of her initial parish prompted Father Sal Tedeschi to extend an invitation for her to join a secluded convent nestled within the picturesque Italian countryside. This convent serves as a sanctuary for nuns nearing the end of their lives. However, as Cecilia spent more time in this idyllic setting, certain peculiarities in the convent's lifestyle began to unsettle her. A fellow nun named Gwen is a constant shadow, stalking her every move. To Cecilia's shock, a medical examination revealed the unthinkable—she was pregnant despite being a virgin and having never engaged in any physical relations with a man. The warm welcome she had initially received turned into a chilling nightmare as the horrifying truth emerged: the convent concealed a sinister secret, a place where unspeakable horrors took place.

REVIEW: The talented trio of director Michael Mohan, writer Andrew Lobel, and actress Sydney Sweeney collaborate on a captivating narrative that explores a “what if” scenario where Ira Levin and William Peter Blatty join forces to create a contemporary allegory, set against the backdrop of the Catholic church and helmed by the visionary Dario Argento. This film delves into themes that resonate with the zeitgeist, promising a thought-provoking and immersive cinematic experience.

Andrew Lobel has crafted a remarkable screenplay that initially presents itself as a conventional horror film, providing an entertaining experience on its own. However, upon closer examination and in the context of current events, the narrative transforms into an allegorical tale. A pivotal plot point is that Sister Cecilia is an American nun whose journey holds deeper significance. Considering that nuns adopt the names of saints, the reference to Saint Cecilia, a martyr sentenced to death for refusing to worship Roman gods, becomes intriguing when viewed in light of the film's brutal and horrifying climax. The film explores various themes, including women's rights, In vitro fertilization (IVF), abortion, evangelical beliefs about end times, and the patriarchy.

Cecilia's character arc is masterfully written, portraying her as a resilient fighter and survivor. As her faith is put to the test, she emerges as a force of nature, visually depicted through her own rebirth. The film presents a compelling saga that leaves an enduring impression.

The production design and cinematography in IMMACULATE recreate the visual and atmospheric style of great genre films from the late 60s and early 70s. The film evokes memories of classics like "Rosemary's Baby," "The Omen," "Don't Look Now," and "The Exorcist." The costumes are excellent, the locations are fantastic, and the special effects are just gory enough to create a truly unsettling atmosphere. The editing, framing, and lighting combine to create some genuinely scary moments. While the film's darkness can sometimes be excessive, it effectively builds tension without compromising the atmosphere. Composer Will Bates contributes a brilliant score that perfectly complements the visuals and enhances the viewing experience. There are particularly impressive moments where the orchestrations recall the iconic genre scores composed by Goblin. Bates's score for IMMACULATE will be a standout addition to my collection.

Actress Sydney Sweeney leads a magnificent ensemble cast. She creates this innocent Carrie White character that goes on an intense quest of faith and morality that evolves from victim to victor. In the film's climax, the audience is taken on a journey through a primal, gut-wrenching moment, which is enhanced by the powerful performance of the lead actress. The rest of the cast contributes to the creation of a mysterious and unsettling atmosphere, adding another layer to the sense of dread that permeates the convent. Their performances provide a compelling argument against blind faith and highlight the dire repercussions of one's actions. The performances elevate the material, giving it a greater impact and leaving a lasting impression on the audience.

Seldom does a horror film emerge that boldly challenges conventions and elevates the genre's standards. A distinguished genre film, much like great genre literature, seamlessly blends a captivating narrative with insightful social commentary. IMMACULATE masterfully combines an intricate storyline, artistic and stylized filmmaking, and a talented cast to create an unforgettable cinematic experience. Transcending the boundaries of the horror genre, IMMACULATE establishes itself as a timeless and significant cinematic masterpiece that will leave you questioning the supposed altruistic actions of organized religion and politics.

CAST: Sydney Sweeney, Álvaro Morte, Simona Tabasco, Benedetta Porcaroli, Giorgio Colangeli, Dora Romano, Giulia Heathfield Di Renzi, Giampiero Judica & Betti Pedrazzi. CREW: Director - Michael Mohan; Screenplay - Andrew Lobel; Producers - David Bernad, Sydney Sweeney, Jonathan Davino, Teddy Schwarzman, & Michael Heimler; Cinematographer - Elisha Christian; Score - Will Bates; Editor - Christian Masini; Production Designer - Adam Reamer; Costume Designer - Francesca Maria Brunori; Special Effects Supervisor - Paolo Galiano; Visual Effects Supervisor - Victor Perez. OFFICIAL: neonrated.com FACEBOOK: www.facebook.com/neonrated TWITTER: twitter.com/neonrated TRAILER: https://youtu.be/RLxneCiRInw?si=UMDWy43JYJVghw1g RELEASE DATE: In theaters March 22nd, 2024

**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)

Reviewed by Joseph B Mauceri

[denimbex1986]

'...If there is one thing Whovians are known for, it’s being fiercely protective of their favourite Doctor.

Since Christopher Eccleston came aboard the TARDIS as the ninth Doctor in the 2005 reboot, the coveted role has been passed on to David Tennant as the 10th (and 14th) Doctor, Matt Smith as the 11th Doctor, Peter Capaldi as the 12th Doctor and finally, Jodie Whittaker, who made history as the first female Doctor.

Over the past 18 years and counting, we’ve seen these five Time Lord incarnations travel through time and space defeating deadly threats and ferocious foes with the help of their ever-rotating list of human companions...

8. Season 2 (David Tennant)

We can already hear angry fans hammering at the door for ranking Tennant’s second season so low, sorry not sorry! This season has some truly stellar episodes – for example, the existential nature of “The Impossible Planet” two-parter beautifully reflects on the place of faith and religion with in a sci-fi context.

We get werewolf Queen Victoria, the ever-iconic Cassandra, terrifying Cybermen, and “Love and Monsters” remains one of the most divisive episodes in NuWho history. No doubt, the tragic “Doomsday” finale – which sees Rose (Billie Piper) trapped in a parallel universe – will go down one of the most heartbreaking moments in the show’s history.

But it has its fair share of less impressive episodes (compared to higher ranking seasons), with a few worth a skip (I’m looking at you, “Fear Her”).

Best Episode: “The Impossible Planet/The Satan Pit”

4. Season 3 (David Tennant)

We are back with more David Tennant, this time his season with Martha Jones (Freema Ageyman). Not only did Martha make history as the first full-time Black companion (and facing vitriol from racist fans) but she proved all the bigots wrong by having a completely magnificent run.

We got Shakespeare, a platoon of Judoon on the moon and a guest appearance from Andrew Garfield, but what truly set this season apart was its second half, which has the most rewatchable run of episodes in a row.

Kicking off with the “Human Nature” two-parter, we hit NuWho’s most name-dropped episode “Blink”, capped off with an epic finale (starring John Simm as the deliciously mad Master) and some Kylie Minogue just in time for Christmas in “Voyage of the Damned”. What a time to be alive.

Best Episode: “Blink”

1. Season 4 (David Tennant)

This is by far the most predictable season to top the list and with good reason. David Tennant’s final season as the 10th Doctor alongside companion Donna Noble (Catherine Tate) made for some of the most memorable episodes in the show’s history and incredible levels of rewatchability.

From the introduction of River Song in the heart-pounding “Silence in the Library” two-parter to magnificent stand-alone episodes such as “Midnight” and “Turn Left”, this is an almost no skips season (aside from “The Next Doctor”, sorry!).

To cap it all off, season four includes one of the most twisted (and creepy) episodes from the whole show, “The Waters of Mars”, plus Martha’s swan song and John Simm as the Master once again. 10/10, no notes.

No wonder fans were clamouring to see Tate and Tennant take over the screen again for the 60th anniversary specials!

Best Episode: “Midnight”'

[adamwatchesmovies]

Charade (1963)

1963’s Charade is a comedy, a romance and a suspense thriller all at once. The mix seems incompatible, particularly when your lead couple is separated by 25 years, but the results work. So well. In fact, much of what makes the film special are the ingredients other movies would’ve eliminated. It’s got so many twists it’ll make your head spin off its axis and there’s no way you’ll guess the ending.

Returning from a skiing holiday in the French Alps, Regina “Reggie” Lampert (Audrey Hepburn) discovers her apartment stripped bare, her bank accounts empty and the husband she was about to divorce dead. His four passports - all under different names - lead the police to suspect foul play. All signs point towards the three men who attend his sparse funeral (played by James Coburn, George Kennedy and Ned Glass) being involved in his murder. They threaten Reggie, warning her the money they’re owed better show up soon. With the help of a charming American stranger, Peter Joshua (Cary Grant), Reggie begins sifting through her husband’s last possessions for clues.

From the colourful and stylish opening credits (Designed by Maurice Binder), you know you’re in for an unusual treat. This movie is bright and shiny. When Reggie and Peter are together, all you can think about is them but he’s apprehensive. She just lost her husband - she didn’t love him. They’ve just met - and aren’t they great together? There’s such a big age difference - she doesn’t care, why does he? The banter they have back-and-forth is full of great, witty lines, the kind you want to memorize and pull out at the right moment to knock all your friends off their feet.

But wait. This is a romantic comedy… but it’s also a thriller. Just when you think we’re getting ready to zoom in on that first kiss… a dead body. A hideous murder. A gun. Now you’ve got to wonder. Is he actually hesitant to get with her because of some chivalrous impulse… or is he stringing her along for nefarious purposes? What if it's the opposite. Maybe Reggie knows something we don’t and she’s trying to seduce it out of Peter. Maybe their coincidental meeting wasn’t a coincidence at all! But no, there’s no way there could be anything sinister between Cary Grant and Audrey Hepburn. They’re simply too good together to be anything but a couple waiting to fall in love.

That’s how you feel during the whole movie. One moment, you’re in knots over the thriller elements. You wonder if the unhelpful CIA agent (Walter Matthau) is up to something no good… until you remember this is a comedy. You think it’s getting fun and screwball-y with people looking into rooms for clues to figure out who’s got the money… and then someone turns up dead. Yikes! This movie keeps you on your toes in a way you’re not used to, which might make it more enjoyable on a second viewing. Then again, this first ride is a blast as you try to figure out who’s lying, who’s going to betray who, what’s a real clue, what’s a dead end, and so on. Not that you’ll be able to figure it out on your own. This is not the kind of movie that will linger on a piece of paper to give away a crucial detail. You might be able to guess certain motivations but where the money went? No way. I suppose you could call that a bit of cheat - part of the fun is usually piecing together all the puzzle's pieces and seeing if you can beat the detectives to the conclusion - but this isn’t a normal thriller. Not at all.

You could never recreate the magic of Charade. You might be tempted to, with the one fight scene that’s a bit clunky and another where everyone decides to go with the flow instead of calling the police, but too much of what makes this movie good is unique to when it was made. The actors fit their roles so perfectly it would be foolish to recast them. The dialogue is too magnificent to be tweaked. The atmosphere is a perfect mix of romance, mystery, and danger. It’s a great choice if you want to know what made Audrey Hepburn and Cary Grant icons. (May 14, 2021)

[themovieblogonline]

Saw X Review: One of Jigsaw's Best Games Ever

Saw X weaves a complex tapestry of suspense, redemption, and betrayal, marking a riveting addition to the iconic horror franchise. Directed and edited by Kevin Greutert, and penned by the talented duo of Josh Stolberg and Peter Goldfinger, this installment bridges the narrative gap between the original Saw and its sequel, Saw II. The film's storyline ventures into uncharted territory, injecting fresh blood into the series while retaining the signature elements that fans adore. https://www.youtube.com/watch?v=t3PzUo4P21c In Saw X, John Kramer travels to Mexico for a risky and experimental medical procedure in the hopes of receiving a miraculous cure, only to learn the entire procedure is a fraud intended to take advantage of the most helpless. The notorious serial killer, now motivated by a new goal, uses bizarre and clever traps to defeat the con artists. The Good: Tobin Bell's portrayal of John Kramer, the enigmatic Jigsaw, is nothing short of magnificent. While we've obviously seen him in every single Saw movie except for Spiral, he is relatively a side character in his films. Most Saw films follow the person who is trapped in his game, while we occasionally cut to some detectives trying to put the pieces together and hunt down Jigsaw. But not here. Tobin Bell's Jigsaw is put front and center of this story, which is one of the wisest choices they could've done. His performance transcends the screen, delving deep into the psyche of a man grappling with his mortality. Bell's nuanced delivery captures the essence of a character torn between his principles and the grim reality of his own impending demise. His performance is, without a doubt, Oscar-worthy, capturing the torment, resilience, and twisted morality that defines Jigsaw. Will he actually receive an Oscar nomination for his role? Unfortunately not. But in a perfect world, he would. The film's strength lies in its ability to make audiences empathize with Jigsaw, a feat achieved through clever storytelling and compelling character development. As the audience delves into John Kramer's desperate search for a second chance at life, they find themselves unexpectedly rooting for a character previously perceived as a cold-hearted antagonist. This shift in perspective is a testament to the film's exceptional writing and Bell's impeccable acting, which humanizes Jigsaw in ways previously unexplored. Saw X excels in its ability to keep viewers on the edge of their seats. The intricate traps, ingeniously designed by the diabolical minds behind the franchise, elicit genuine tension and nail-biting suspense. Each trap is meticulously crafted, posing a moral dilemma that challenges the characters' beliefs and pushes them to their limits. The creativity displayed in these sequences showcases the filmmakers' dedication to delivering a visceral and heart-pounding experience. The film's supporting cast delivers commendable performances, with Shawnee Smith reprising her role as Amanda Young, Synnøve Macody Lund portraying the cunning Cecilia Pederson, Steven Brand embodying the desperate Parker Sears, and Renata Vaca bringing depth to the character of Gabriela. Their collective efforts enhance the film's emotional resonance, adding layers to the intricate web of deceit and desperation. But it's Smith who gets the meatiest supporting role here as Amanda. She is one of the most fascinating characters in the entire franchise, and while she was quite intriguing in Saw II and Saw III, it's safe to say that she has never been better in Saw X. A large portion of the film focuses on Amanda's doubts on taking over for John once he inevitably passes away from cancer, and we frequently see John reassuring her, telling her that she has what it takes and is ready. In a way, it's weirdly beautiful and heartfelt even though we know we're watching two psychopathic characters who put people in deadly traps. It's hard to think of another film that makes you care for the villains so deeply. By making a handful of characters in Saw X that somehow feel even more sick and twisted than Jigsaw and Amanda is truly brilliant screenwriting. If they do ultimately decide to make another Saw film after this one, they surely need to bring back Goldfinger and Stolberg, as they've shown that they absolutely know what they're doing with these characters. And, no spoilers of course, but this film does contain an extraordinary end-credits scene that will have longtime Saw fans giddy, myself included. The Bad: However, Saw X is not without its flaws. At times, the plot becomes convoluted, requiring viewers to piece together fragmented information to fully grasp the intricacies of the story. While the complexity adds depth to the narrative, it may leave some audience members feeling slightly disoriented. Additionally, some character motivations, particularly towards the film's climax, might appear slightly contrived, requiring a suspension of disbelief to fully invest in the unfolding events. Overall: Saw X stands as a magificent entry in the franchise, skillfully blending elements of horror, suspense, and psychological drama. Tobin Bell's exceptional performance elevates the film, making it the second best entry in franchise that's been going on for nearly two decades now. The film's ability to evoke empathy for its iconic antagonist is a testament to the filmmakers' storytelling prowess. While it occasionally stumbles in its complexity, the film's gripping traps, stellar performances, and unexpected twists make it a must-watch for both longtime fans and newcomers to the series. Saw X is a thrilling rollercoaster of emotions, reminding audiences why the Saw franchise continues to captivate and terrify audiences worldwide. Read the full article

[slpublicity]

4-Part Docuseries ROBODOC: THE CREATION OF ROBOCOP Premieres August 29 on SCREAMBOX

SCREAMBOX Original four-part docuseries RoboDoc: The Creation of RoboCop will premiere on August 29. New hour-long episodes will follow weekly through September 19 on SCREAMBOX.

Featuring exclusive insight from stars Peter Weller, Nancy Allen, Ronny Cox, Ray Wise, and Kurtwood Smith, director Paul Verhoeven, writers Edward Neumeier and Michael Miner, special effects legend Phil Tippett, and more, RoboDoc offers an in-depth look at the making and impact of the trailblazing 1987 dystopian action classic.

Part man, part machine, all cop, RoboCop burst onto the scene as the cinematic landscape began to shift and artificial intelligence was capturing the public's imagination. The boundary-pushing film spawned an unlikely franchise that includes two sequels, an animated series, and a Hollywood remake, along with comic books, video games, toys, and merchandise galore.

RoboDoc: The Creation of RoboCop is co-directed by Chris Griffiths and Eastwood Allen and produced by Gary Smart. The trio previously collaborated on Hollywood Dreams & Nightmares: The Robert Englund Story, Pennywise: The Story of IT, and You're So Cool, Brewster: The Story of Fright Night, all of which are available on SCREAMBOX.

Episode one, "Destination Delta City," streams on August 29. Orion Pictures assembles a magnificent cast and crew who, unbeknownst to them, have signed up for a turbulent and career-defining ride.

Episode two, "Verhoeven’s Mantra," streams on September 5. Notoriously demanding mad-genius director Paul Verhoeven pushes the envelope and many people’s buttons with the unprecedented shooting conditions.

Episode three, "Blood, Sweat & Steel," streams on September 12. The resilient cast and crew relive the golden era of hands-on, practical filmmaking in the 1980s.

Episode four, "Murphy & The Machine," streams on September 19. A cinematic icon is unleashed to the world, creating an indelible legacy with lasting memories for those involved in its production.

“We’ve crafted something together to incorporate visuals and sound in an effort to immerse viewers into the world of '80s filmmaking and offer something completely unique to the ‘making of’ format," explains Allen.

"As a fan of RoboCop for the past 30 years, this project has been a labor of love for me, and I can’t wait to share this unique project with the fans, especially those who have stood by us all these years," adds Griffiths.

RoboDoc joins SCREAMBOX’s extensive library of genre documentaries, including Hollywood Dreams & Nightmares: The Robert Englund Story, Living with Chucky, Scream, Queen: My Nightmare on Elm Street, Pennywise: The Story of IT, Just Desserts: The Making of Creepshow, Leviathan: The Story of Hellraiser, Unearthed & Untold: The Path to Pet Sematary, You're So Cool, Brewster: The Story of Fright Night, and Who Done It: The Clue Documentary.

Start screaming now with SCREAMBOX on iOS, Android, Apple TV, Prime Video, Roku, YouTube TV, Samsung, Comcast, Cox, Philo, and Screambox.com.

[culturevulturette]

2024 Movie Diary

42. Lawrence of Arabia (1962).

I saw this once prior to my latest viewing, when I was a pre-teen. So it's kind of natural that in viewing it again, I felt like I was seeing it for the first time. And what a freaking masterpiece this is. The visuals are dazzling almost to the point of being too glorious. The writing is intelligent and nuanced, the score is magnificent and iconic, and the performances are superb. I know I'm supposed to nod approvingly at Gregory Peck winning the Best Actor Oscar this year, but come on, he gives that same performance in every film ever made. Peter O' Toole work was imbued with genius, and HE WAS ROBBED. Anyway, extraordinary film. I can't recommend it highly enough. I also have noted in contemporary reviews that I'm supposed to look askance at people like Alec Guinness playing an Arab. I was under the impression that race swapping is a total thing these days, lol. So, you know, shut up. Guinness is terrific and so is Anthony Quinn in his role as a tribal chieftain. Deal.

Lawrence - only two kinds of creatures get fun in the desert: bedouins and gods, and you're neither. LAWRENCE OF ARABIA (1962) dir. David Lean

[satgurutravelae]

Must-See Tourist Places in Rome: Dive into the Eternal City’s Rich Heritage

Rome, the “Eternal City”, is a treasure trove for lovers of history, art, and culture. With its enchanting ruins, timeless architecture, and Renaissance marvels, Rome transports you back to an era of emperors, gladiators, and artistic brilliance.

From iconic landmarks to bustling piazzas, here are must-see tourist places in Rome that will make your trip unforgettable. If you’re planning a visit, consider exploring Rome holiday packages from Dubai to make your journey seamless and memorable.

1. Colosseum – Witness the Iconic Roman Amphitheatre

The Colosseum is an architectural masterpiece and one of Rome’s most iconic landmarks. Built in 72 AD, this massive amphitheater could accommodate over 50,000 spectators and hosted gladiator games, animal hunts, and public spectacles. Though partially in ruins, it remains a powerful symbol of Roman ingenuity.

Highlights: Explore its ancient structure, visit the museum, and enjoy views of the nearby Roman Forum.

2. Roman Forum – The Political and Cultural Heart of Ancient Rome

The Roman Forum was the epicenter of Roman civilization, bustling with temples, marketplaces, and government buildings. Though most structures have weathered over time, key landmarks like the Temple of Saturn, Arch of Titus, and Curia Julia still showcase its grandeur.

Highlights: Wander through the ruins and marvel at remnants of Rome’s glorious past.

3. Trevi Fountain – Rome’s Magical Baroque Masterpiece

The Trevi Fountain, a magnificent Baroque creation, features Neptune, the Roman god of the sea, surrounded by Tritons. Adorned with intricate sculptures, the fountain is renowned worldwide. Don’t forget to toss a coin into the fountain — legend says it ensures a return to Rome!

Highlights: Admire the fountain’s intricate marble details, especially at sunset when the light enhances its beauty.

4. Pantheon – An Ancient Temple of the Gods

The Pantheon, built in 126 AD, was originally a temple dedicated to all Roman gods. Its massive granite columns and the oculus — an open circular window in the dome — make it an architectural marvel. Today, it remains one of the most well-preserved ancient structures in Rome.

Highlights: Experience the Pantheon’s serene interior and gaze up at the awe-inspiring dome.

5. St. Peter’s Basilica – A Marvel of Vatican City

Located in Vatican City, St. Peter’s Basilica is one of the largest and most magnificent churches in the world. Designed by renowned artists like Michelangelo and Bernini, it’s a pilgrimage site for millions of visitors. Don’t miss the panoramic views of Rome from the basilica’s dome.

Highlights: Explore its ornate interiors, visit the treasury, and admire Michelangelo’s iconic dome.

6. Vatican Museums – A Living Gallery of Art and History

The Vatican Museums are home to one of the most extensive art collections in the world. Highlights include the Sistine Chapel, where Michelangelo’s Last Judgement adorns the ceiling, and the Raphael Rooms, filled with stunning frescoes.

If you’re touring Italy, combine your Rome visit with stops in Venice or Milan — great options for those considering a Venice holiday package from Dubai or a Milan holiday package from Dubai.

Highlights: Don’t miss the Egyptian mummies, the Gallery of Maps, and the Sistine Chapel’s mesmerizing artwork.

7. Spanish Steps – A Picture-Perfect Roman Landmark

The Spanish Steps connect Piazza di Spagna to the Trinità dei Monti Church and are one of the most photographed spots in Rome. During spring, the steps bloom with vibrant azaleas, creating a charming and romantic setting.

Highlights: Visit the Fontana della Barcaccia, explore the square, and enjoy the romantic ambiance, especially at night.

8. Piazza Navona – Rome’s Most Lively Square

Built on the site of the ancient Stadium of Domitian, Piazza Navona is a bustling square filled with Baroque architecture, fountains, and street performers. Its charm lies in its three iconic fountains — Fontana dei Quattro Fiumi, Fontana del Nettuno, and Fontana del Moro.

Highlights: Enjoy an open-air walk, watch local artists at work, and soak in the vibrant atmosphere.

9. Castel Sant’Angelo – A Fortress of History and Beauty

Originally constructed as Emperor Hadrian’s mausoleum, Castel Sant’Angelo later served as a fortress, prison, and papal residence. This cylindrical structure offers panoramic views of the Tiber River and Rome’s skyline, making it a must-visit site.

Highlights: Explore the fortress, walk through the secret Passetto di Borgo, and visit the museum dedicated to its history.

10. Campo de’ Fiori – Rome’s Vibrant Market Square

Campo de’ Fiori is a lively public square that transforms throughout the day. In the morning, it’s a bustling market filled with fresh produce, flowers, and spices. By evening, it turns into a vibrant hangout spot where locals and tourists mingle under the Roman sky.

If you’re considering a broader Italian itinerary, Italy holiday packages from Dubai often include stops at Campo de’ Fiori, giving you a glimpse of local life and culture.

Highlights: Explore the market stalls, savor local treats, and enjoy the energetic nightlife in the square.

Conclusion

Rome is a city that tells stories through its timeless monuments, vibrant piazzas, and stunning artworks. From ancient amphitheaters to charming streets, every corner of this city has something extraordinary to offer.

Plan your visit, immerse yourself in Roman history, and explore these 10 must-see places for an unforgettable journey through the Eternal City. Whether you’re planning a standalone Rome holiday packages from Dubai or an extended Italian adventure, Rome will leave you captivated and longing to return.

[alex-johnson1]

Experience the Vatican Like Never Before: Guided Vatican Tour

Embark on a remarkable Vatican tour and explore the heart of Catholic history. From the stunning Sistine Chapel to the magnificent St. Peter’s Basilica, immerse yourself in the art, culture, and religious heritage of the Vatican. With expert guides and skip-the-line access, this tour offers a seamless way to experience the Vatican's most iconic landmarks. Book your Vatican tour today for a once-in-a-lifetime journey through history!

[joeledsouza-12]

Top 5 Unique facts about Europe

Europe, a continent steeped in history and culture, is home to an array of unique features that distinguish it from other regions of the world. Spanning diverse landscapes, languages, and traditions, Europe offers a fascinating blend of the ancient and the modern. With 44 countries, each boasting its own distinct heritage, travelers are often captivated by the stories, customs, and innovations that define European life. From iconic landmarks to hidden gems, Europe invites exploration and discovery at every turn.

One of the continent's most intriguing aspects is its rich tapestry of cultures, reflected in its languages, cuisines, and festivals. Europe is not just a collection of nations; it is a vibrant mosaic of diverse identities, each contributing to the overall charm of the region. Whether it’s the smallest country in the world, Vatican City, or the intricate rail systems that connect bustling cities, the Europe trip is full of surprises waiting to be uncovered, making it an irresistible destination for adventurers and history enthusiasts alike.

Here are some unique facts about Europe.

1. Vatican City is the world's smallest nation:

With a total area of only 110 acres (44 hectares) in Rome, Italy, Vatican City is the smallest sovereign state in the world. It is the residence of the Pope and the spiritual and administrative center of the Roman Catholic Church, despite its tiny size. The Sistine Chapel, home to Michelangelo's magnificent frescoes, and St. Peter's Basilica is just two examples of the breathtaking architecture of Vatican City. Despite its small size, this tiny state is a major center of both religion and culture, drawing millions of pilgrims and tourists there each year.

2. The London Underground, the oldest underground railway in existence:

With its opening in 1863, the London Underground, also referred to as "the Tube," is the world's oldest underground railway system. The Tube, with its recognizable logo and iconic map, has grown to be a vital component of London's transportation network. With a service area of over 402 kilometers (250 miles) and 272 stations, it effectively links the city and offers convenient access to the main attractions. The London Tube is an essential feature of daily life for Londoners and a must-see for tourists alike. It not only displays Victorian engineering prowess but also illustrates the historical development of urban transportation.

3. Varieties of Languages throughout the Continent:

Europe boasts an impressive linguistic diversity, with more than 200 languages spoken in its numerous nations. 24 languages are recognized as official by the European Union, including well-known tongues like English, French, German, and Spanish. In addition, the cultural fabric of the continent is enhanced by innumerable minority languages and regional dialects, such as Basque and Catalan. This diversity of languages is a reflection of the intricate history of Europe, which has been shaped by many different empires, cultures, and communities. This diversity is frequently celebrated through festivals and educational initiatives, which makes language speakers feel proud of one another.

4. Creative Transportation Frameworks:

Europe is renowned for having extensive and effective public transportation networks, which make traveling throughout the continent easy and reasonably priced. Extensive rail networks with high-speed trains like the TGV and ICE connect major cities in a matter of hours in countries like France, Germany, and Spain. Furthermore, a lot of European cities place a high priority on environmentally friendly transit options like electric buses, trams, and bike lanes. This dedication to cutting-edge public transportation raises the bar for urban transportation globally while also improving travel experiences and promoting environmental sustainability.

5. Europe as a Special Political Organization:

A unique political and economic union, the European Union (EU) is made up of 27 member states that have made the decision to work closely together. The EU, which was founded to advance economic growth, peace, and stability, makes it easier for people to travel freely and to engage on a range of issues, such as security and environmental protection. This dedication to unification is further demonstrated by the Schengen Area, which permits travel between numerous EU nations without a passport. The EU is a fascinating case study in regional integration because of its unique political structure and policies that set it apart from other international organizations.

Conclusion:

Europe is a continent filled with unique facts that enhance its appeal as a travel destination. From the smallest independent state, Vatican City, to the vast linguistic diversity found in its 44 countries, Europe offers experiences that cater to every traveler's interest. Its innovative transportation systems, such as high-speed trains, make exploring multiple destinations seamless and enjoyable. The blend of rich history, modernity, and cultural diversity ensures that every visit to Europe is memorable and enlightening.

For those planning a Europe trip, these unique aspects add a layer of excitement and wonder to the journey. Whether it’s marveling at architectural masterpieces, indulging in diverse culinary delights, or immersing oneself in vibrant local traditions, Europe has something for everyone. As travelers uncover the continent's hidden gems and iconic landmarks, they are sure to leave with cherished memories and a deeper appreciation for the fascinating stories that shape Europe’s identity.