#pespective
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vaathnaos ¡ 10 months ago
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Um hi :3 I was just curious about how you're able to draw backgrounds so nicely?
Thank you so much for noticing!!
Short answer: half the time i spend on any page is usually just doing backgrounds.
Loooong answer: Actually this is something i’ve wanted to talk about before but now you’ve given me an excuse >:] So basically the most important step in making backgrounds (and also in making any image that looks coherent) is making sure the perspective “Makes sense”, it doesn’t have to be mathematicaly perfect and geometrically exact it just has to seem correct. I usually use 2-point perspective, wich isn’t the correct method if you want to replicate real life but it’s more than enouch for a comic panel. Normally put down a horizon line first, this is where all my vanishing points will be.
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In the exemple red is the horizon, blue are the perspective lines and green are the paralel lines (they would come to a vanishing point if i used 3-point perspective). They don’t need to be perfectly aligned, just good enough. Realising a convincing 3D space for your charachters to inhabit makes the world feel real an if your perspective is interesting (exagerated angles, dutch angles curved perspective lines and other fun stuff) then the background will instantly become part of the world and your chatacters part of it. After the basic geometry is laid out I can texture it! I developed a cross hatching style and i guess i’ve mostly been using that ! The hatching follows the perspective lines and it’s density shows light and shadow. In the exemple the little candle was the only light source so it casts harsh shadows.
Fun Fact: The ENTIRE premise of Shifting sands came about BECAUSE i couldn’t draw backgrounds and so i chose to have the AU Start in a featureless Desert! Deserts and Dunes are soo easy to draw, that’s why Shifting Sands didn’t start in a forest, and now the desert became an integral part of the plot!!
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hd4n0 ¡ 9 months ago
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Somewhere in the ocean.
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christblogtalk ¡ 2 months ago
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cardo-de-comer ¡ 6 months ago
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sketch comm for @/kunchboy thank you again!!
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catalisst ¡ 2 months ago
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crypt2niite ¡ 5 months ago
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i think this recent chapter of one piece really made it click in alot of peoples minds that coby is a marine. a true, dedicated marine who believes wholeheartedly in the marine cause.
mild spoilers for one piece 1122.
this chapter and specifically yhis panel
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really solidifies that coby is a marine. coby is wholeheartedly a marine who wholeheartedly believes being a marine is the right thing, and that makes him one of three things.
1.) a cruel facist wannabe who idiolizes what the marines are right now and everything they represent
2.) a complacent idiot who, in blind and naive stupidity has allowed himself to be used by facists to enforce their regime unknowingly
3.) a even more naive idiot who genuinely believes one person has the ability to tear down a hundreds of years old dictatorship and the instutional police planet that has been built apoj those foundations from the inside without piggybacking off of the work, blood, death and tears of the rioters, revolutionaries and inssurectionists who are ripping down and fighting against the marines and world goverment in a immediately impactful way
coby is a true marine and what that means is blind faith in the marines no matter what that means for you, blind faith in your version of the marines, in the pipe dream that ‘you’re helping!’ that ‘its not perfect but i can make it better! i can change it from the inside im a true hero!!! i can do this thr right way. no awful unrulyness or law breaking. because the system itself is good, its just the bad people in charge 🥺’
coby is a true marine in the way garp is a true marine because they both are so close to being good people but will never be one and never had the potential to be ones, because of them being marines to their very core. no matter what.
coby is garps apprentice and it shows. garp is willing to throw away any attatchments he has, to watch young boys he promised to care for die because they contridict his belief in the marines, just as coby is willing to discard the one person who gave him a chance to be *anything* because that person contradicts his belief in the marines
the ‘good marines’. coby, garp, smoker, fujitora, ectect are some of my absolute favorite flavour of characters in one piece, they all have some way of burying their head in the sand, either via naivete, willful ignorance or what may be. theyre all absolutely awful, so easy to love and so hard to hate but so easy to dislike, its so easy to want them to just. fix it. become a pirate or fix the marines or do something to make them compatable with luffy, with freedom but they wont be. they never will be unless they can cast aside some of the very fundamentals of their psyche becase in the end, they are using their abilities to defend and aid the goals and wishes of a dictatorship, to defend the proprieters of slavery and cruelty.
also please dont take this as me hating coby or garp or saying u cant love them! i really like coby and think garp is funny atleast, and fujitora, one of the aformentioned so called ‘good’ marines is one of my favourite characters, period! he is so facinating in how he balances believing himself to be a good person while also actively supporting atrocities i love him sooo much
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osombu ¡ 8 months ago
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i did not want to try and color these lol
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nbspacegay ¡ 1 year ago
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Tumblr certainly is a society huh (fond) just saw a post that textually assumed if you have more than four grandparents that some of them must be in poly relationships. I've had five or six grandparents and the big secret is! Divorce! which I would argue is probably more common than poly grandparents but hey this is tumblr
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numberonetrashwitch ¡ 1 year ago
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Some observations about Baldurs Gate 3 that hit too close to home.
After another few runs i will probably just make an in-Depth Character Analysis for every character simply because they are good reflections of actual trauma-manifestations and how abuse can manifest in people. They are also so well written that it serves a narrative purpose to explore all the material that is out there about them. I am also personally cursed with actual medically-relevant levels of Empathy and Hyperfixation; so writing this helps me put a pin in it and move on.
But so far here are my highlights
(SPOILERS and obviously content warning bc these are deep)
before you ask; i have almost 300h in this game.
You have to convince Shadowheart to eat the Noblestalk. She actually stells you she rather get her memories back from Shar but when you hit the persuasion or intimidation (what the fuck) check to get her to eat it she'll tell you about her childhood friend. Not her name, not her parents but her best firend. Possibly because she has had a closer bond to that person after being abducted and indoctrinated. With her believing herself to be an orphan, she would've looked elsewhere for comfort and sought out her own family, this is why she falls hard and heavy for Shar and builds the backbone of her indoctrination. She is literally ripped out of her home & given a new identity to server her from all she has known. Religious indoctrination, Gaslighting, Abduction, being forced to let go of your personality are her main themes.
There is a scene out there floating around in which you see Astarions pespective of the night when he bites Tav for the first time, in his meditations he is confronted with the rules Cazador put on him, including that he can't eat intelligent creatures, can't be away from Cazador unless allowed to, has to obey every command and that they are should know that they are property. Which in turn means that Astarion literally didn't just have any autonomy, he was objectified (and not just through seductive/sexual measures) and that is really the crux to understanding why he doesn't believe in kindness, but rather shows self-serving behavior in most cases. Since we know that Astarion was extremely young for an elf before he died and became immortal (literally stopping the aging /maturing process) it is also very telling that Cazador constantly calls him brat, boy or other very juvanile names, refering to them as a family... well it is also the story of a very controlling parent. Themes of (Bodily) autonomy, infantilization ( & puer aeternus, forever-child), slavery, depersonalisation, corruption of life and torture to break someone.
Gale isn't just a guy hung up on his Ex, but also a victim of abuse. In this case a power imbalance none of us can fathom; She is described as being a jealous goddess and rules over the domain of mysteries and magic. So with Gale being a Wizard, she is literally his boss. He admits that he was foolish enough to aspire to be an equal to her, but she is so jealous that she tells him he can't really be worthy as long as he takes breath. She could just take his powers away and be done with it, that would be more than enough punishment for a guy who literally made Mystra and her domain his life's purpose, but she rather makes him do it himself. Add to that, that she literally only tells him this after years of self-isolation (after he put down so many wards that he could've blown up a whole army as he says if you click the right dialogue) to really fuck him up well. He also talks about death pretty much constantly, not surprising giving your situation, but he will tell you that he will kill himself at several points in the game, for instance after he comes clear about his nethrese orb. Themes of romantic abuse, power-imbalance, toxic work enviorment, self-isolating behavior, suicidal ideation
Wyll ... well from the looks of it he is the most well adjusted of all the companions (my opinion) but he has something that i'd describe as the "eldest daughter"-syndrome, more commonly known as parentification. This pattern usually occurs within single-household parents and is commonly described as a parent looking to their child for emotional or practical support, rather than providing it to their kid. We meet Ulder and see that he talks over Wyll a lot, not listening but expecting him to follow the standard he sets for him. That is also why Wyll repeats his fathers words like gospel (because this is what, in his mind, fullfills the expectations bestowed upon him) and why he loves fairytales / bard tales so much (because they are an ecapist view of the job he set out to do) Ulder literally exiled his teenage son because Wyll did the only thing he could to save an entire city, by sacrificing himself. Thats a lot to expect from a 17 year old - even more so, he doesn't stop with the heroics. He expects himself, as a human who hasn't even reached the age of 30 to hold up to mystical creatures such as Astarion or Karlach, or even Gale who is a accomplished Wizard. Themes of parentification, escapism, self-harming through putting himself in danger, chronic-self-sacrifice
In plain words; Gortash, Karlach's Idol sold her to a Devil. But add to that that she must have been pretty young when she was sold (late teens to early twenties possibly) and being that if you play as a Tiefling, you face a lot of predjudice she was likely forced into that position as well. Starstruck she was, with a juvenile naitivy that Gortash used. Appropriately, as he is the chosen of Bane the god of "tyrannical oppression, terror, and hate, known across FaerÝn as the face of pure evil through malevolent despotism" (Source: Forgotten-Realms Wiki / Bane) So she pretty much was raised in a toxic enviorment, which forced her to become a killing-machine, first figuretively, then with the extraction of her heart, literally. Themes of slavery, oppression, misuse of trust, being taken advantage by a more powerful/older(?) person, being drafted.
Jaheira - to be honest, you need to know the lore of the previous baldurs gate games or just listen to her dialouge, ask her all the questions. She is a war-veteran against Bhaal, the good of ritual murder, and has a long history of fighting to achieve some sort of balance of power. She lost her husband and several close people all to this, or any other war, but due to her wisdom and strength people look to her for guidance. Themes of: Survivors Guilt.
Halsin - he is really closed off at first but then just casually hits you with "i was captured in the underdark and spent 3 years chained to a bedroom wall by a pair of drows who used me as they pleased". He is reprimanded by some of his druids for leaving the grove as soon as opportunity struck, just to get back and leave the next day, and if you talk to him about his position in the grove he is actually very forthcomming. He actively holds himself back; indulging in simple hobbies because he knows what lies within his heart. He is afraid of himself and his potential (canonnically he can't control his wildshape, which is very weird for an ARCH-druid) Themes of: impostor syndrome, avoidant-based self-harm, sexual opression, loss of control, emotional regulation.
Lae'zel is a very tragic case, and one that closely resembles the stories of Shadowheart and Karlach. Her entire existence is based upon a matriachial war society allowing her to live if she proves she can be of use and that in a culture which only values brutality, dominance & service. All of that culimating in her finding out that her oh-so-beloved Queen is actually just an imposter, and that everything she has lived for up to that point is merely political propaganda created to make her, and the rest of her entire species, willing pawns in a war that has no longer bearing on their survival alone, but is fought to justify Vlaakith's (the reigning monarchs) personal ambitions. Not only is she forced to reconcile that she is turned into the thing that controlled her kind for hundreds of years, that the only cure she knows of would kill her and then on top of that, that her hopes and dreams were lies and that she is now the Nr 1 enemy of the person she has served with all her being. themes of: oppression, propaganda, casual violence, objectification, child-warfare, eternal warfare
Minthara in short, her story is about being shamed for growing up in the same scenario that Lae'zel grew up in. Lolth, the god of the Lolth-sworn drows is a crazy queen who values scheming & backstabbing so much and is so volatile that you can't know what to expect of your deeds (and i mean it; there were people who were appraised by her for scheming against her, but also those who were killed. It's almost random.) She considers Lolth to be cruel and abandoned her for the Absolute, only to then be used and abused the same way Lae'zel has. Not with promises, but erasing her memory and exposing her perceived weakness. Themes of: casual violence, violent culture, her own ambition colliding with her desire to be safe, being a pawn in a larger game.
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citrusitonit ¡ 1 year ago
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guh oc fanart of bob garette guh mtyna pactice ahm backgoud pespective
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idle-bug ¡ 8 months ago
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Weather update: she texted me again after four days and didnt at all address any of my previous texts, (which were literally just about a movie and a video game) then said "man i slept in really bad today" as if i didnt ask her anything. She loves too do that it's a really efficient way to avoid having to have an actual conversation with me <3
Crazy how my fp ghosted me for three months, then randomly texted me out of the blue, then revealed the reason she was texting me was because she was having a breakdown about her career and her boyfriend is traveling so I guess I was literally her last option to talk to, THEN I spent three hours ignoring how upset ive been with her for months and talking her down from her breakdown instead THEN we were finally able to just talk about stuff we like and gossip like we used to so I thought maybe things were back to normal THEN I offhandedly mentioned something pretty upsetting that I'VE been going through lately (not even looking for her help or support just like vaguely mentioning the true facts of my situation and then moving on) and of course she instantly ghosted me again.
Always the shoulder to cry on, never the one crying, am I right lads?
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philosophical-salad ¡ 10 months ago
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Idk why, but I promised myself to make it till March, 8th. I just want to thank Freddie for showing me that women with moustache look charming and hot, so I became proud of my moustache. Ahah.
Btw, happy International Women's Day. Hope it's not only about flowers and presents, but about pespecting all the people and their rights.
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eddiediaaz ¡ 1 year ago
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hi lovely!! do you have any tips on making cool fun and sexy typography?
hey joanna!! this made me giggle haha, i'm not quiiiite sure how to answer that, but here are some tips i keep in my when i do typography, and some examples:
FONTS
don't be afraid to "shop" for fonts and try funky fonts you've never used/seen. i often try so many before settling. i almost always use at least 2 different font for gifsets, even 3 sometimes. i think a good font pairing can do a lot for a gif. it's usually something like:
serif + cursive/funky fonts (example)
sans serif + cursive/funky fonts (example)
serif + sans serif fonts (example)
two different cursive/funky fonts (example)
or even simply the same font but all caps + all lowercase (example)
in case you're unsure where too start or want inspiration, here's a great resource: usergif's font pairing guide and its fonts page
BLEND MODES & LAYER STYLES
i think playing around with different blend modes and layer styles will always elevate your typography game, in my opinion. it's usually a bit more dynamic than just an opaque color. tho this minimalist typography can also be really good.
when you double click on a text layer, you get all the layer style options, as well as the blend modes. a very popular layer style is setting the layer's blending option to difference, paired with a color and/or gradient overlay (often set to multiply/color dodge). a drop shadow is also important so the text is more easily readable. we often see a black soft drop shadow, but don't hesitate to be creative with it, for example a thick, hard line, colorful drop shadow.
i feel like this step often takes the most time for me because the possibilities are endless. definitely play around with layer styles, especially drop shadow, color overlay, gradient overlay, stroke. and also try different blending modes for these settings.
as for the layer's blend mode, also definitely play around with them. and keep in mind that the text's color will also give a different result, it doesn't have to be white + blend mode set to difference, even tho this is a classic that works well.
TEXT WRAPING & POSITION
a great feature on photoshop is definitely the text warping tool. to access it, right click on a text layer and go "warp text". from there you'll get a few different styles and setting sliders. my favorites are flag and wave (example). you can always go back to edit these settings once they're done by right clicking again. and you can even keyframe/animate these settings!
typography doesn't always have to be centered and straight, i often prefer it on a side and rotated a little. you can easily rotate typography by selecting the layer(s) and hitting ctrl + T. you can also play with the skew and pespective after hitting ctrl + T by right clicking the canvas and clicking on either. these will give different ways to move your text.
SIZING
i love playing around with different font sizes, it makes the typography more interesting in my opinion, and it's a way to emphasize some words.
so for that reason i usually put each word on a different layer so i can edit each word separately. sometimes i will also put each letter on a different layer, because it can be interesting to offset/rotate some letters sometimes (example) (another example).
i often pair a quite small serif or sans serif font with a much bigger funky font (example). and often that bigger font will also have different sized words (example). i play around a lot with this!
ADDED EFFECTS
there are some things than can be done to enhance typography:
adding a colorful rectangle block behind the text (example)
using text symbols such as quotation marks or backets (example)
using lines around the text (example) (another example)
these can definitely bring typography to a different level
MORE RESOURCES
great font website
usergif's typography tag
my fonts tag
this is all i can think of right now, i hope it helps :D if you have any question on a specific text effect let me know, i can definitely make a tutorial!
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cangurofeliz ¡ 1 year ago
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Guys 😭 I need to practice pespective
Prospera probably thinks in that way about Miorine xddd
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writingquestionsanswered ¡ 3 months ago
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So I am about to write a couple of chapters where my MC goes though some sort of illusion world trying to find and beat the villain, but their partner will be on the outside (so not in the illusion world). I'm trying to find a way to where the reader can see both of the pespectives of the characters as the events unfold since both POVs hold important info as well as strong emotions and thoughts that I really wish to show. But I am not sure how to go about showing it in a sort of parallel side by side. I thought about doing 1 chapter MC, 1 chapter partner, but that is choppy and confusing, but also thought about writing MC pov first then partner but maybe the emotional impact is lost/feels repetitive. So generally, do you have tips fĂśr writing these parallel povs?
Thank you
Showing POVs of Two Different Characters
There are many ways to alternate between the POVs of different characters, and when you have dual-POV (two POV characters), giving them their own POV chapters and alternating between them is a common way to do it. If you do it right, it shouldn't be choppy at all.
The thing to keep in mind is it doesn't have to be ABAB alternation. You don't even need an equal number of chapters for each character. All that matters is that you know what the story is and you're switching POVs when necessary.
With what you're describing, with one character in the illusion world and one character outside of it, odds are good you will have more A chapters (illusion world character) than B chapters, and will only switch to B chapters when what's happening in the outside world is important, or when the outside world story needs to be advanced.
If you make sure to only switch to the B POV when it's relevant, you shouldn't lose any of the emotional impact or have any repetition.
Happy writing!
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violet-petals-in-the-rain ¡ 4 months ago
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BRO realizing wei wuxian was bummed after waking up was because in his pov EVERYONE HE CARED ABOUT AND EVERYONE WHO CARED ABOUT HIM WAS DEAD
Shijie was dead, in his pespective Wen Ning also died alongside the rest of the Wen Remnants
No wonder he was like "boo whadyya call me for?" Because he was fine napping away being a ghost NO WONDER HE DIDNT RESPOND TO ALL THE OTHER SUMMONINGS EITHER
he was just done with living and chilling out in his death (the method to reach death was very brutal tho)
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