#personal reflections on writing

[syneilesis]

Things I've learned and realized writing the fics for Inky's one-week challenge:

I'm a very slow writer; I genuinely struggle writing at least 500 words in one sitting. On good days, I can do 200 words. Inspired, maybe more. Ficlets like ekphrasis and others take me an entire day to finish. It's probably because I start writing with only a vague idea of how to go about it, or I only know the mood but not the details. I'm self-aware enough to be cognizant of my strengths and weaknesses, and I tend to stick to what works for me.

I've always wanted to write lengthy fics! But I never was the kind of writer who could hit more than 10k-word one-shots. My style doesn't lend to that kind of length. When I saw Inky's challenge and read that the max word count per entry is 500 words, I thought to myself, Ooh, I think I can do that. Regardless of the prompts -- though they help too; dialogue and AUs lend to a broadness that appeal to my rigid brain. A 500-word fic means in most cases a one-scene fic. Which frees my mind of context necessary to establish a setting. I don't have to come up with an elaborate backstory and/or explanation why this detail is like this, that detail is like that -- AUs as a trope can fill in the missing pieces to make your fic coherent.

My first fic entry was something that I plan on writing in the future, so it's easy to write it, but it still took me longer (but still within the range of my speed). My second, third, and fourth, I tried something a bit different: I used StimuWrite, an app that helps you focus on writing -- it's also known as a writing tool useful for people with ADHD.

It has a simple UI, with a word count goal and emojis that appear whenever you type words. I chose these settings: darker background (it doesn't hurt the eyes) and typewriter sfx for that legit typing feel. I may put in a bgm from youtube or something, but sometimes I just want to listen only to the sounds of typewriter keys.

I tried StimuWrite before, but it didn't work for me. I gave it another chance this time, and oh lord it's very effective???!???!!!!! I finished 3 fics in under a day. So last Sunday I wrote give or take 2,000 words, which truly blew my mind. As an aside, I recommend you try StimuWrite; it might be effective for you too.

Because of that surprising writing streak, I continued using the app for the rest of the fics. And that writing streak persists! I feel relieved, I feel elated, I feel like I can do this. It's as if my brain loosened up enough to let me do what I want. I'll definitely use StimuWrite in my other fics too --

-- with some conditions, of course. All I know right now is that it works for me if I have a target word count in mind (under 600) and that it's only concentrated on a single scene. So I could focus on one scene whenever I open up the app. But that means that I have an outline of my fic, which isn't a problem for me because I like the mental exercise of outlining. I hope that this would help me come November, as I'll participate in Nanowrimo with my original story project.

Another point I've realized is that limiting yourself with a word count improves your editing skills. I do edit and revise my fics -- but they're mostly in the sort of 'i'll delete this passage because it no longer fits' and 'i'll rephrase this because it sounds awkward'. But in the cases of my sixth and seventh event fics, I had to pare them down because I exceeded the word count requirement. Initially I was reluctant to remove passages but I had to. So I did. I removed some bits and details of the story but rephrased others to still fit them in. I have to shorten some scenes -- and this is revelatory to me somewhat -- which is actually effective for fast-paced action scenes that needed fewer words but with the largest possible impact. Sometimes, shorter is better. It made me productive, for one.

Anyway, this got long wtf? I don't even know if I was coherent about it. There are still a lot of things I'd like to improve on -- such as relying less on my crutch words and metaphors. I haven't the opportunity to read a lot lately, so I need to try at least one page a day. The book I'm currently reading has been sitting on my desk for months. Back then, when I said I wouldn't make a list of read books per year to stop pressuring myself, I didn't mean not to read books at all lmao.

I don't know how to end this post so here's a gif of a puppy on a bowl:

[echoesoftheinfinite]

I'm a pile of unfinished things, unsaid feelings, unthought thoughts, and unlived lives.

[terriblesolomons]

Ok but guys isn't it actually crazy how Eugene Roe's presence is literally defined by the ineffable silence of God....ep 6 has no narrative voice beyond the languageless vision of Roe's literal perspective....he brings with him silence in every episode he's in like the chaos after Jackson blows himself up stills completely when Doc runs in - they all go silent & frozen & breathless - when any man is wounded the very concept of words beyond orders fail...he talks about how Renee is blessed to calm the wounded she treats but it's evident that he brings with him something even graver than calm; it's unutterable, literally, it's a prayer, it's a response to the silence we meet (Roe meets) in his prayers (it's a reflection on the insane power we - they - have over our own - and their own - mortality - that silent and sometimes apparently godlike capacity to return (to the front lines) from the dead (that hell of lost brotherhood in the hospitals)?)

[dragonsbluee]

I have a request for batfam/Jason Todd fanfic writers:

I love the "Jason Todd is a bookworm/theatre nerd" fics as much as the next person, don't get me wrong, but can we please diversify his interests?

90% of the time when I open a fic with that tag, we see Jason reading Jane Eyre or Pride and Prejudice or quoting Shakespeare. And not to say that there's anything wrong with any of those being his favourite but even if he loves to read "classical" books, come on!

You're telling me Jason raised-in-crime-alley-spent-his-formative-years-between-an-eccentric-billionaire-and-an-assassin-cult Todd only reads books by dead white people?!

I refuse! Give me a man who takes to books more than ever after his return to Gotham. Jason, who reads books like I am Woman, A Really Good Brown Girl and White Tears/Brown Scars, then recommends them to the working girls as he establishes his territory. Who reads in multiple languages, and who loves Arabic poetry.

Give me a little "Robin is Magic!" Jason scouring Bruce's library and picking up a copy of The Mahabharata after he's done The Iliad, and spends weeks obsessed with Journey to the West.

Give me a Jason who's read Things Fall Apart, and One Hundred Years of Solitude! The number of quotes and references he could pull that would further support his dramatic tendencies? It would make him so happy!

[kerryweaverlesbian]

Cas stitching up his trench coat in one of the motel chairs while Sam and Dean are asleep and quietly talking to Jack about how to him the coat feels as part of himself now as his blade is. That it reminds him that he wasn't always aware of just how deeply humans could feel. How deeply angels could feel. How putting care into something can make it meaningful. The stars were mere pricks of light before humans decided to name them. The more he cares for his coat, the more of his perspective and memory gets sewn into it. The more it becomes his.

"And the pockets," he confides with a deep wink, "Are good for keeping snacks in."

Later, when Dean is asleep again, drooling over an open book of research in the bunker, Jack watches as Cas tucks his coat over Dean's shoulders and sees how he hesitates for a moment before brushing his hand softly through Dean's hair. Dean is transformed, through Cas’s careful attention, from the man who was the gatekeeper of acceptance and goodness to just a man, vulnerable and in need of care.

Jack wonders whether Castiel cares for everyone like they are a precious object. And he wonders what Castiel would transform him into, if he had to be repaired. Jack isn't sure that he likes the idea. He already has a hard time understanding his own morality, how can he also be expected live up to the idea of himself in Castiel's head? The object that Castiel loves? Does he need to be changed in order to become his?

"I could get him my pillow?" Jack suggests, swallowing against the cold mass in his throat when Cas smiles gently at that. He does like it, then, when Jack acts against his own interest.

"That might wake him. We should let him rest."

"He's precious to you."

"He is." Castiel reaches out and puts a hand on Jack's sleeve, expression sincere, "And so are you."

"Right," Jack says, then, "thanks," and holds his smile until Cas wanders back to sit perpendicular to Dean, to watch him until just before he stirred. Castiel and Jack, both, were good at pretending not to feel what they felt.

Watching the angel watch the man, Jack feels like a star. Immense and powerful but also distant, removed. Not special until a real person decides that he is. He is between angel and human. Person and object. Precious and disregarded. He is the blade and the coat, and Jack doesn't know which is worse.

[irenespring]

Maybe House has made me more in-tune to the secret unhinged side of my favorite characters but I'm watching SVU and Alex Cabot is a menace. (/pos)

"I have to enforce the law, and the law is not always about justice" except random times when she disagrees and will fully become the lawyer for an opposing party in full defiance of her bosses.

"Your honor I simply do not vibe with the law" and will say so in court to the point where she once got held in contempt.

Started her legendary string of "Go After The Large Company Instead of the Obvious Target" cases just because Liv asked.

She will actually do literally anything that Olivia asks...sometimes when she does something especially unhinged I go to check the scene before and 90% of the time she's doing whatever it is to appease some vague whim of Liv's.

Ride or die for the SVU squad as a whole after working with them for less than a year and knowing that they have cost her like all her political capital (something that was very important to her...she says so in her introductory scene).

Exactly predicted fetal personhood legal issues 25 years before the Supreme Court overturned Roe.

Wanted to execute a woman for the first time in NY history for feminism reasons.

Spends like 80% of all work meetings, with other people in the room who are often actively talking to her, just staring at Olivia.

Always down for a Crazy Scheme (especially when she gets to deceive others).

She has a lot of moments of understanding the law as a weapon (ie how to I use it to my own ends as opposed to viewing it as a holy ideal) that is only now actually becoming a common philosophy in law school circles.

WAY more loose-cannon moments in general than I remembered.

Also I feel the need to reiterate just how many bridges she will burn and loops she will jump through for the slightest hint of approval from Olivia. Just...so gay.

Seriously just like how in House a casual viewer may get distracted by Wilson's "Definitely a Normal Person" disguise and miss how he is just as crazy as House, Alex is just as batshit as known exhibitionist-asphyxiation-in-the-middle-of-the-courtroom fan Rafael. And I love her dearly.

[sherbetstudios]

Honey, I’m home! [LFLS animation meme/PMV]

⚠️ blood cw

+ the yt thumbnail

this will also be premiering at the same time this is posted!

[yuri-is-online]

I'm asking this question because I find it an interesting topic. It relates to the criticism the Tokyo Debunker MC receives.

It's not just TD's MC—it's a common theme in otome and gacha games. Genderless MCs in games like *Obey Me!* and *Twisted Wonderland* face less criticism than female MCs. Even though the genderless MCs get some hate, it’s nowhere near the backlash female MCs receive. For instance, *Twisted Wonderland* had debates about a female MC being unsuitable for an all-boys school, despite the presence of monsters and robots. This debate ended with a female MC in the *Savanaclaw* manga.

Another example is *Tears of Themis*, where the female MC is well-received in my opinion due to her having a character. I am very happy that she isn’t a self insert and people seem to agree.

In contrast, female self-insert MCs like TD's MC and *Love and Deep Space*'s MC get a lot of hate for what seems like trivial reasons. TD's MC is often criticized for being ordinary, while LADS's MC, who is strong and brave, also faces backlash, with some claiming she's rude despite evidence to the contrary.

In conclusion.

woman mc in this day of age can’t have flaws now….wait no they can’t be prefect either! As then they are Mary sue! What do you mean that LI are grey sue as well? No that not true Leo having a backstory would justify his actions don’t you get it? What do you mean we should hold the male characters as same standard? Jin treating mc as a servant is her fault as she didn’t say no…..😐 

... so I have two lines of thought about this particular topic, it is something I have thought about for a while because I am working on my own game/games and pay a lot of attention to what people think.

It isn't personality people like it is competence

The love and deepspace MC and Rosa from tears of themis actually have very similar personalities. They are bad at/hate studying. They really love food. They both are sort of dorks and known for being kind. What people like about them isn't any of those things, what they like is that both of them are adult women who you can believe live on their own. They actually have skills related to their jobs, you can believe Rosa is a lawyer and that MC is a hunter, the love interests aren't the only competent people in the narrative. I think this can sort of relate to the target audience for both of these games being working women, but that's for a different post. Right now I really want to focus on that concept of competence: the two other otomes I really love and want to bring up are Amnesia: Memories and Hakuoki. The Amnesia MC makes a lot of really stupid decisions, but as the game title gives away she has amnesia. There is an underlying explanation for why she's a bit dim so I don't see too many complaints about her personality (outside of Toma's route but that is a different story) because you don't exactly expect her to be competent. The same goes for Hakuoki's MC whose name escapes me at the moment, she is the daughter of a doctor so she is never made out to be incompetent in medical matters, but she isn't the best fighter. And she doesn't need to be that's the male love interest's role in this particular story.

The problem with MCs like our dear Luna? I believe you said her default name is, in Tokyo Debunker is that we don't exactly have anything she is stated to be good at beyond boosting Stigmas. The various ikmen games get around this by giving their MCs a job, but we don't have that for Luna so we don't have anything to show some backbone or character so people read her as being a bit of a doormat. Like I have said numerous times before, I don't mind this and think that so long as they keep allowing us to see her thoughts this the writing will be good. A relatively easy fix to this could have been to make her someone who really loves music and constantly talks about it, she was going to a concert at the start of the game so that little bit of character would go a long way for her to be more of a human for people to project themselves onto. Generally speaking, when writing an MC, it is perfectly acceptable to give them certain personality traits and a history. But if you do that you need to make sure the narrative respects that interest and does not use it as an excuse to make the male lead look cooler.

Gender Neutral MCs

*sigh* so you bring up Twisted Wonderland and I uh... have some experience with that fandom! And I have observed the gender wars over Yuu with a weary heart. I genuinely could not care any less about how people identify or the type of o.c.s they make, but some people really really care and if I am honest I find that a bit disturbing. It honestly makes me sad to see fanfic, which used to be a really accepting space, fight over writing... well anything really. m/m blogs screaming about how they don't want fem aligned reading their things, f/f blogs screaming about men, the f/m fic writers feeling the need to defend themselves writing for a female reader- doesn't that exhaust you? Why do you care so much? I do not have the energy to care about people writing fanfic I am not interested in reading, is this because I am anemic or have I managed to be normal about one singular thing?

My personal theory is that the commodification of fanfic and fandom has made people think there is something fundamentally wrong with properties that are marketed towards people who are not them. The reaction to Love and Deepspace not having a male MC option sort of cemented that for me, there is nothing wrong with wanting a game where you can be a man or non-binary and date anime boys. There is also nothing wrong with writing m/m fanfic for a property like lds, or wishing you could play as a man in it. I think there is a genuine market gap in good games for people who aren't fem aligned, but you do not get good games by harassing people or implying they suck for wanting games where you can play as a woman. You get that by financially supporting projects aimed at you! There is a blog I follow on here called @amaregamesdb. They post a bulletin of projects, both vn and if, with an emphasis on making people aware of projects that aren't simply otome (ie male love interests with a female protagonist.) I think the people who run it are also the people who coined the term "amare game" to use for games where the MC isn't necessarily female. They also ran a blog to help people like me learn how to code if/vns so I am very grateful for them, so please do give them your support.

I write for a gender neutral reader because I wanted to write interactive fiction and felt like I needed to practice doing so. I have continued to do because honestly? I really enjoy it. I love seeing how many different people identify with my writing and are moved by it. There are some projects I want to do in the future (original works, not fanfic) that I probably will lock the MC to female for, but I want to continue providing gn fic for people for as long as I write. And original projects too! I have two in particular I am working on behind the scenes. The solution to the problems like "what gender is yuu really," if you will permit me to preach for a second, is to not care. Yana said Yuu was meant to be you, and dear reader I don't actually know who you are! So you can be whoever it is you wish to be in your heart and I will make room for you to sit next to me. I'll even make tea (｡•̀ᴗ-)✧

[averlym]

fairest of the fair

[afurtivecake]

It's easy to get the impression that Tetsuji never cared enough to rein in Riko's behaviour and temper but I think it's the opposite. I think Riko grew up constantly being told stuff like, "You have to learn to control your temper" and, "Is that any way to behave?" by Tetsuji. I think Tetsuji would have even disciplined him harshly every time he was caught acting out of anger. But all that is coming from Tetsuji - the man who would beat a kid if they displeased him in any way. How can you ever really take to heart the words of someone who demonstrates the exact opposite of what they preach? How are you supposed to not learn that the real lesson is, "Become the one who has all the power over everyone else and you will never have to suffer criticism for how you behave ever again."

[tcfactory]

An idea I will need to flesh out more for a daemon AU:

Whatever injury someone suffers will leave a mark on their daemon too. Scars, tattoos, slave brands, you know, all kinds of things will appear on the hide of the daemon. With high enough cultivation it is possible to hide these marks on someone's body, but only the highest level cultivators can make them disappear from their daemon.

Shen Qingqiu is not nearly high enough in his cultivation to heal his daemon. So he hides it instead - people know that his daemon is a wolf, but it hardly ever appears in anybody's sight, capable of wandering at seemingly endless distances of its human.

Shen Yuan transmigrates from a world that didn't have daemons and the System isn't quite cruel enough to split his soul in half like that, so he gets placed in the body of a senior cultivator who has suffered grievous trauma and a severe qi deviation after he lost his daemon in a night hunt. Shen Yuan remembers this plot point in passing, a nameless Qing Jing hallmaster who had to leave the mountain because he never recovered. He eventually died seeking shelter in Huan Hua Palace, but only after confiding in the Old Palace Master that it was Shen Qingqiu who killed his daemon out of jealousy.

Shen Yuan has all the excuse to be a little weird and people are really worried about his well-being, but all that worrying gets stifling really fast, so he takes to wandering the bamboo forest to get a bit of peace and quiet. When he meets the scarred, silent wolf in the forest "oh that must be a daemon" is not his first or even his fifth thought. The beast is matted and skittish enough that after some thinking he concludes that is must be a neglected spiritual beast. Perhaps one that was left to roam the forest alone after his master died. He can't tell what kind of wolf beast it is though - he really wants to get close enough to puzzle out what the coat pattern is supposed to be under all those scars - so he keeps trying to follow and befriend the wolf.

He thinks it's going great. He got close enough to bemoan not having anything on hand to give the wolf a good brushing once! But then he is called to the bamboo house one evening and he thinks this is it, I'm going to be sent packing today.

Shen Qingqiu doesn't send him away. He gestures instead at the very familiar giant wolf sleeping on an old mattress and the grooming equipment laid out on a nearby table. "He said you wanted to brush him. No need to be shy now, shidi."

[tavyliasin]

Villain-Fucker Angst Hours

Good timezone, darlings~ Are you ready to get all up in your feelings? No? Me neither, loves, but here we are regardless so the words are going to flow as they usually do... This is focused on Raphael from Baldur's Gate 3 and his fandom, but the latter section can easily apply to any villain fandom.

Self-Analysis of Devil-Fuckery, Or Why Do I Adore Raphael When He Is Very Obviously Evil: A Short Essay by TavyliaSin (Who Still Cannot Name Anything With Less Than A Full Paragraph) ((NSFW)) (((Game Spoilers)))

The following may discuss heavier topics, but without specifics, so whilst it should be safe for most to read without triggering any difficult memories please be aware of Raphael's entire vibes, the content and context of his story, and I'd also like to mention that this isn't a "woe be us for we are terrible people" piece, it's actually more about:

"There is an inherent kindness and warmth to much of the Raphael fandom, and I think there could be some common threads behind that, pulling us all in closer in a comforting blanket that we wrap around each other to keep out the cold of the world."

So, what in the nine hells am I on about? Well. Raphael-fandom is a wild and wonderful place to be. The rest is in sections, so feel free to skip through to what you feel is relevant to your interests. I am so prone to waffle I should open a restaurant~

Who Are Fans Of Raphael? What Do They Want?

We are feral, unhinged, all sheets to the wind "I want that devil man, carnally, and there is no force in all the planes that could stop me". There's the vanilla to the extreme and every level in between, tops, bottoms, versatiles, Doms, subs, and switches - there are a whole lot of people who would love to get their hands on either (or both) of Raphael's forms, for a simple smooch or something far more spicy~ [edited in] To add on to this, not all of us even desire him in a sexual way, for many it is romantic, soft, or even just the rather pleasant thought of spending an evening with drinks by the hellfire because he would be fascinating company. Aces, Aros, and AroAces may all find themselves well within the devilish corners of fandom too~ which is a whole other essay~ [end edit] So, I see you. I'm one of you. Extremely loud and utterly hingeless in my fan appreciation for Raphael. He's one of my favourites to write about, I seek art of him, and the same goes for his mirrored other half, Haarlep, who I arguably love more despite there being far less content of them in the game.

And the Fandom? The Vibe?

From my experience in the Raphael Fandom areas, we have a very deep and abiding understanding of consent, respect, and treating each other with an absolute and uncompromising kindness. We've had talks about keeping each other safe in fandom, exchanged details of people we have encountered who need to be avoided, even shared details between moderators of different fandom servers to pre-ban people proven to be creeps and/or art thieves. We've also discussed consent, including the issues with it in the game, and how areas of the story can only really be considered dubious at best and could easily be triggering for people. And these discussions have been open, honest, fair, and with the acknowledgement that most of us love these scenes anyway. So there's a sense of care that runs through everything, behind the horny-posting and fan content, behind the endless thirsting after our favourite fictional characters. We have a depth of kindness that warms my sinners soul every time I see it.

What Does This Have To Do With Self-Reflection, Raphael, or Villainy In General?

Well let's look at Raphael. He's a villain, obviously. He's manipulative, devious, and inherently evil by his very nature. He keeps Hope chained in his basement, constantly subjected to endless torture. There's also mention of how Gortash was sold into his service at a young age, clearly not an enjoyable experience given the other details and how things turn out (particularly as Raphael would need Gortash's own plans to fail entirely in order for him to succeed in his own and get that crown). And as fans, we accept that. We don't sit making excuses, or trying to say "well actually Gortash is a little shit and Hope probably deserve it", and we don't shy away from or conveniently ignore those darker sides of him with malicious intent to enable more evil to flourish. What I noticed, when I allowed the thoughts to continue, is that there is a theme here.

If Evil Can Be Loved Then So Can I

That's the core. Of course, darlings, I am not claiming to be a heinous monster. I certainly do not have a laundry list of crimes that would make the devil himself say "Uh, that's a bit much." But I sure as fuck treat myself like I do sometimes. You see, I think a lot of us have that tendency, to judge ourselves far more harshly than anyone else. Our patience, understanding, and forgiveness for others runs deeper than the Mariana Trench, but when it comes to our own flaws? One minor mistake and we think ourselves to be the worst beings ever to disgrace the earth. Thus, the villainy we see reflects how we are treating ourselves. So by loving and accepting all of those things that should be terrible, hated, we are actually learning that no matter how poorly we think of ourselves that we can be worthy of that same love and acceptance. We are extending the affection we are unable to show ourselves to someone we see the worst parts of ourselves amplified within. And that's why villains attract the people with the most kindness. The most forgiveness. Because it takes someone with a truly huge amount of empathy to find love for the embodiment of evil.

Or, IDK, maybe villains are just hot and we're too far down to care.

But wait, before you go!

THERE'S SOMETHING WE NEED TO TALK ABOUT.

All of this is about FICTION. We should never be accepting of the kinds of evil we see in the game irl. We do not owe anyone kindness if they do not show it to us.

What is hot in fiction is not always OK IRL.

Look after yourselves out there, remember that consent is key in all things, and please do try to learn to love yourselves, darlings, you are worthy of it and you should judge yourself by the same standard you judge others. If you are in doubt, if you are worried, if you feel afraid - reach out, talk to someone. There are many who will listen.

Treat yourself as you would treat a friend. You deserve that much.

Oh, and all Raphael fans who understand kindness are welcome around me, any hour of the day, I adore our little fandom circles and would gladly collect all of us together. I'm following a lot of you as soon as I find you, like hunting shiny pokemon~

See you in Avernus, my darling Little Mice, may we all find joy in the Cambion's Embrace~

[lord-squiggletits]

Saw someone say "Megatron and Optimus barely interact in IDW1" and that feels like a very has-only-read-MTMTE thing to say kskdodndd because like sure they didn't co-star in the same long running series for 50+ issues like other characters did (like MTMTE characters interacting with each other or exRID or WB/TAAO) but to say they BARELY interact??? They interact a lot both in superficial "blah we're fighting a war" ways and in super lore important moments/series and also in incredibly homosexual there-is-no-straight-explanation-for-this moments like

Off the top of my head these are some series/storylines/issues where they interact directly. Defining interaction as anything from "the whole story is about them" to "their interaction is a plot element but not necessarily the main focus" to "they interact but only for a few lines":

The Autocracy trilogy (Autocracy, Monstrosity, Primacy)

Stormbringer

All Hail Megatron

The Transformers ongoing 2009 (with emphasis on Chaos Theory and Police Action for the most gay moments)

That one issue where Megatron grabs OP's spark through his chest Mortal Kombat style

Dark Cybertron

MTMTE (past OP in Elegant Chaos, Functionist Universe OP, and current day OP during Dark Cybetron and Megatron's trial)

And then there's other times where IDW1 Megatron and Optimus aren't in front of each other interacting/speaking with each other but are still thinking of each other:

The prelude to Dying of the Light where OP hears the LL distress signal and is afraid (not explicitly for Megatron but like he put Megatron on that ship)

MTMTE, Megatron tells Ravage that something he said to Optimus was the turning point of how he viewed himself

MTMTE again, Megatron all but says aloud that he made Tarn into Tarn to spite Optimus

One of the GI Joe crossovers where Optimus symathizes with a Joe over what it feels like 'to believe in someone who everyone else sees as past redemption' while an image of Megatron is literally behind him in his thoughts

So like, IDW MegOP has plenty of canon interactions and even if not all of them are very long moments (i.e. are only a few lines alluding to each other) there's still plenty of interactions between them. Plus I would say that it's pretty powerful how even the small, blink-and-you-miss-it dialogue moments actually indicate that Megatron and Optimus view each other as focal points where different decisions/beliefs they had revolved in some way around the other person. I think it's cool and compelling that IDW Megatron and Optimus express so often (even if only in thought) that the other person shaped who they became, or THEY did something specifically in reaction/spite towards the other, or where something they did to the other troubles them and lingers in their minds.

[rustedleopard]

I feel like if Chujin was still alive during the events of Undertale Yellow, his and Clover's relationship would be incredibly rocky. Pacifist!Clover could bring him around to tolerating them (after all, they have that sort of effect on everyone), but it would be more in a "this human is the only 'good' human" manner than a "maybe I should reevaluate my opinions on humans overall because you can't judge an entire group based off (very biased) stories and one bad experience." Even then, that opinion would be subject to change should Clover ever get frustrated or behave "too aggressively" or act in any manner that isn't perfectly docile. If Clover ends up attacking a monster then it's "humans are just as horrible as they were in the war stories, I should've known better" regardless of the circumstances that could've pushed Clover to fight. Suffocating expectations and endless demands for patience when he wouldn't ask the same of a fellow monster.

And heaven forbid he ever meet Clover on a No Mercy Run...

[jacksprostate]

Treatise on why No, the doctor just giving the narrator of Fight Club (full name) his requested sleep medication or sending him to therapy would not have Fixed Him

Firstly, saying giving him the insomnia meds would’ve fixed him ignores the reason he has insomnia in the first place. He is so deeply upset by his place in society that he literally cannot sleep. Drugging him to sleep would not change that. That, of course, is the easy, quick response.

But with regard to therapy? The biggest flaw is that it ignores a central tenet of the book. Part of what tortures the narrator and drives him to invent Tyler is that his feelings about this collective, systemic issue are constantly reduced to a Just Him thing. His seatmates ask what his company is. He’s the only one upset at the office. He gets weird looks if he says the truth of what he does. People will do anything in their power to pretend he is the issue, as an individual, because it is far scarier to consider the full implications of the systemic issues implied by what he is saying. Everyone treats it as if the issue is him, so he goes insane. He does anything to get someone to say, holy shit, that’s fucked up, what you’re a part of is wrong. In an attempt to feel any sort of vague sympathy and catharsis, he goes to support groups to pretend to be dying, because then at least people don’t habitually blame him for his anguish. 

Saying therapy would fix him ignores that his problems are not individual. They are collective. It’s the reason the entire story resonates with people! Something deeply, unignorably wrong with society, where people would rather blame you for bringing it up than try and address it, because it feels impossible. I don’t blame people for this, really, because it IS scary. It’s terrifying to sit and feel like you’ve realized there’s something deeply, deeply wrong, but if you say something, people will get mad at you since it’s so baked into everything around you. Or, even if they agree, it’s easier to deal with the dissonance by pretending it’s individual.

And it’s not like that’s not the purpose therapy and medications largely serve, anyway. Getting into dangerous territory for this website, but ultimately, the reason the narrator was seeking medication was because it’s a bandaid. A very numbing bandaid. For these very large, dissonance causing problems, therapy does very little. Medications do what they always have, and distract you with numbness or side effects. It’s a false solution. He is seeking an individualized false solution because he has been browbeaten with the idea that this is an issue with him alone, when it's plainly clear it's not. 

Don't get me wrong. Obviously he has something wrong with him. But it's a product of his situation. It is a fictional exaggeration of a very real occurrence of mental illness provoked by deep unconscionable dissonance and anguish.  There is a clear correlation between what happens and his mental state and his job and how isolated he is. 

The thing is, even if he were chemically numbed, I do think he would’ve lost it regardless. Many people on meds find they don’t fix things. For reasons I’ll get into, but in this case because even if numbed or distracted, once you’ve learned about deep, far reaching corruption in society, it’s very hard to forget. Especially if, in his case, you literally serve as the acting hand of this particular variety. He’s crawling up the walls. 

So why do people say this?  Well, it's funny I guess. Maybe the first time or whatever. But also, often, they believe it, to a degree. Maybe they've just been told how effective therapy and meds are for mental illness, they believe wholeheartedly in The Disease Model of Mental Illness, maybe they themselves have engaged with either and have considered it successful. Maybe they or someone they know has been 'saved' by such treatments. 

But in all honesty.... What therapy can help with is mentality, it's how you approach problems. For issues on a smaller scale, not meaning they are easier to deal with my any degree, but ones that are not raw and direct from deep awareness of corruption; these are things that can be worked through if you get lucky and get an actually good therapist who helps build up your resiliency. But when your issue is concrete, something large and inescapable? It's useless. At best it can help you develop coping mechanisms, but there is a limit for that. There is a point where that fails. To develop the ability to handle something like this requires intense development of a comfort with ambiguity and dissonance and being isolated and a firm positioning of your purpose and values and and belief in wonder and all the other shit I ramble about. The things that the narrator lacks, which lead him to taking an ineffectual death knell anarchist self-destruction path. Therapy, where the narrator is, full of the knowledge of braces melted to seats and all the people that have to allow this to happen? It fails. 

And meds — meds are a fucking scam. We know the working mechanism of basically none of them, the serotonin receptor model was made up and paid its way into prominence. We have very little evidence they're any better than placebo, and they come with genuinely horrific side effects. Maybe you got lucky. I did, on some meds. On others? I don't remember 2018. The pharmaceutical industry is also known for rampant medical ghostwriting, and for creating 'off-label' uses for drugs that have gained too many protests in their original use, then creating a cult of use to then have 'grassroots' campaigns for it to be made a label use (ie, legitimize their ghostwritten articles with guided anecdotes). 

The DSM itself is basically a marketing segregation plot. It's an attempt to legitimize the disease model by isolating subgroups of symptoms to propose individualized treatments for subgroups that are not necessarily all that separate. But if the groups exist, you can prescribe more and different medications, no? Not to mention, if you use the disease model, you can propose that these diseases are permanent, or permanent until treated, considered more and more severe to offset and justify the horrific side effects of the medications. Do you know why male birth control doesn't really exist? Same reason. They can justify all the horrible side effects for women, because the other option is pregnancy. For men, it's nothing. 

And they're not bothering to invent new drugs without side effects. When they invent new drugs it's just because the last one got too bad of a name, or they can enter a new market. Modern drugs don't work any better than gen1 drugs. They still have horrific side effects. At best, the industry will shit out studies saying the old one was flawed (truth) so they can say this new gen will be better (lie). They're doing it with ssris right now. 

Fundamentally, the single proposed benefit of any of these drugs is that they numb you. To whatever is torturing you. It's harder to be depressed if you can't feel it, or if you just can't muster the same outrage. Of course, there is people who find that numbness to be helpful, or worth it. But often, it's stasis. For the people who have problems that can be worked on, it serves as a stopgap to not actually work on said problems. The natural outcome of the disease model is stagnation for those whose need is to develop skills and resiliency. It keeps them medicalized and dependent on the idea that they're diseased and incapable. Profitable. Stuck in the womb. 

I’ve been there. It’s easier, to wallow, and resist growth because it’s difficult and painful and unfair and cruel and you can think of five billion reasons to justify your languishing. But don’t listen to anyone who tells you you’re just permanently damaged, no matter how nicely they word it, no identity or novel pathologization, no matter how many benefits they promise, especially if they swear up and down some lovely expensive medications with little solid backing and plentiful off-label usage and side effects that’ll kill you. Some days it feels like they want us all stuck in pods, agoraphobic and addicted to the ads they feed us to isolate the markets for the drugs they’ve trained us to beg them to pump us with. Polarization making it as easy as flashing blue light for go, red like for stop, or vice versa. I worry about the kids, for fucks sake. That’s a bit dark and intense, and I apologize. But I want you (generic) to understand, there is a profit motive. Behind everything. And they do not mean well. They do not care about your mental health or your rights or your personhood or your growth. They care about how they can profit off of you.

For those struggling with immovable, society problems, like the narrator grappling with how his job fits into and is accepted by society while his rejection and horror in the face of it does not, it can work about as well as any other drug addiction. Your mileage may vary. From what I've seen, recovering from being on prozac for a long time can be worse than alcohol. They put kids on this shit. They keep campaigning for more. Off label, again. A pharmaceutical company’s favorite thing to do has to be to spread rumors of someone who knows someone who said an off label use of this drug helps with this little understood condition. Or, in the case of mental illness, questionably defined condition. And like, damn, I know I'm posting on the 'medicalization is my identity' website so no one will like all this and has probably stopped reading by now, but yall should be exposed to at least one person who doubts this stuff. Doesn't just trust it. Because I mean, that's the thing right?

It's so big. What would it mean, for this all to be true? Yeah, everyone says pharmaceutical companies are evil and predatory and ghostwriting, but to think about what that really entails. Coming back to the book, everyone knows the car lobby is huge and puts dangerous vehicles through that kill people. What does it mean if the car companies all hire people to calculate the cost of a recall and the cost of lawsuits? No one wants to think about the scale that means for people allowing it or the systems that have to be geared towards money, not safety like they say. Hell, even Chuck misses the beat and has the narrator threaten his boss with the Department of Transportation. And shit, man, if every company is doing this, you think Transportation doesn't know? That they give a fuck? You're better off mailing all the evidence to the news outlets and hoping they only character assassinate you a little bit as they release the news in a way that says it's all the fault of little workers like you, not the whole system. Something something, David McBride, any whistleblower you feel like, etc. 

So I don't blame you, if your reaction is "but but but, that can't be right, people wouldn't do it, they wouldn't allow it" or just an overwhelming feeling of dread that pushes you to deny all of this and avoid thinking about it. Just know, that's in the book. That's all the seatmates on the flights. That's all his fellow officemates. It's easier to pretend, I know.

But think about, how the response fits in with the themes of the book. The story, as a movie too. What drives the narrator’s mental breakdown? How would you handle being in his position? How would you handle being his seatmate? It’s easy to say you’d listen. But have you? Have you had any soul wrenching betrayals of how you thought society worked? How about a betrayal by the thing that promised to be the fix of the first? Can you honestly say you wouldn’t follow that gut instinct, saying follow what everyone says, that person must just be crazy, evil, rude, cruel, whatever it is that means you can set what they said aside?

For a lot of people, they can do that, I guess. Set it aside. Reaching that aforementioned state of managing to cope with the dissonance and ambiguity and despair is very hard. The narrator made the Big Realization, but he couldn’t cope. He self-destructed. Even when people don’t make the big realization consciously, they’re already self-destructing. It’s hard to escape it when it feels easier than continuing anyway. When it feels like the only option,

Would therapy fix the narrator of Fight Club? Would meds fix the narrator of Fight Club? No. He knows too much. All meds will do, by the time he’s in the psych ward, is spiritually neuter him. A silly phrase, but really. Take the wind out of his sails. 

Is he fixed if he doesn’t try to blow up town? If he just shuts up and settles in and stops costing money? If he still can’t cope with the things he’s unearthed? Do you see how this is a commentary in a commentary in a commentary?

Fight Club is an absolutely fascinating story because of this. The fact that it addresses the fallout of knowing. The isolation. The hopelessness. The spiral that results from a lack of hope. This is, I think, what resonates most with people, even if not consciously. Going insane because you’ve discovered something you wish you could unknow. It’s a classic horror story. Should our society be lovecraftian evil? I don’t think so. 

Do I think changing it will be easy? No. Lord knows a lot exists to push people who make these sorts of Realizations towards feelings of individuality and individualized solutions and denial and other distractions and coping methods. And to prevent people who make One realization from expanding on it and considering further ramifications. Fight Club itself gets into this; the isolation of men being a strict part of the role society shapes for their sex leaves them very vulnerable to death fetishes, in a sense, and generally towards self destructive violence. It helps funnel them away from substantial change and towards ineffectual change. Many things, misogyny, racism, serve to keep people isolated from one another, individualized, angry, and impossible to work with. Market segregation; god knows even appealing on those fronts has become such a classic ploy that companies do it now, the US military frames its plundering that way, etc. 

I’ve wandered a bit but ultimately, my point is this: Fight Club is a love letter to the horrors of critical thinking, and the importance of not falling into the trap of self destruction and hopelessness in the face of it. The latter is why Tyler was an anarchoterrorist instead of anything useful. The latter is why it was a death cult. It’s important to work through the horrors of critical thinking so you can do it, and stand on the other side ready to believe in each other. It’s worth it.

[ahollowgrave]

hi people can see your tags!! i know we like to talk about how 'safe' screaming in the tags feels and to an extent it is safe, indirect communication. but it is communication and the OP is very likely to see them. if its not something you'd say to them don't put it in the tags, maybe. (: