#perhaps they will kill me or themselves.

[little-mimikyuwu]

.

[starryyvenus]

I just can’t fathom how untrustworthy chaol is about aelin. They’ve became friends to lovers to bitter exes than to friends again been through thick and thin together grown to know each other yet he still thinks that she can do all these terrible acts in tower of dawn which she can but doesn’t want too and that’s the whole point she doesn’t want to she has a whole list of reasons why she could do all that but she won’t because it’s just not who she is even after all this time he still doesn’t believe that she wouldn’t do all these things and it’s just so disheartening because like he says in chapter 36

“But he knew that there were no restraints, no inner ones, on how far Aelin would go to protect those she loved. Protect her kingdom.

And if someone stood in her way, barred her from protecting them ... No lines existed to cross within Aelin in regard to that. No lines at all” she would do anything to protect the people she loves no matter what and the funny thing is is that he would do the exact same things for the people he loves he treats her so bad even in his own mind like yes aelin can and would do anything for the people she loves and cares for even if it would lead to her own demise which she does do for elide in empire of storms, I don’t know I just find it so fucking funny that he can criticize and judge her and reprimand her all the way across the fucking sea when he would do the exact same shit aelin would do for the people he’s loves and cares for.

I don’t know if this made any sense the point is is that chaol just doesn’t know aelin at all

Could she conquer the fucking world yes would she? No, that’s just not who she is

[marc--chilton]

rhghhg i am rattling the bars of my cage. adam taking care of lawrence. carefully but not so gently massaging his leg when lawrence can't bear to look at it in a fit of disgust, when he feels like he deserves the pain it gives him. adam getting him to loosen up, making goofy comments about people they see while they're out, making lawrence roll his eyes but chuckle anyway. adam petting his hair and patiently letting lawrence do his ritual of kissing adam's bullet scar and apologizing into his flesh when the guilt eats him alive, the two of them knowing adam has forgiven him but lawrence hasn't forgiven himself, so adam saves his breath and simply lets his body, warm and alive and here, soothe lawrence back to sleep

[wickershells]

missed it yesterday so happy belated two-year anniversary to my unearthly, beautiful lover: bones and all 2022

[acourtofquestions]

"I didn't break," she said quietly. His heart cracked at the words. "I didn't tell them anything."

She didn't say it for praise, to boast. But rather to tell him, her consort, of where they stood in this war. What their enemies might know.

"I knew you wouldn't," he managed to say.

"She ... she tried to convince me that this was the bad dream. When Cairn was done with me, or during it, I don't know, she'd try to worm her way into my mind." She glanced around the cave, as if she could see the world beyond it. "She spun fantasies that felt so real..." She bobbed under the surface. Perhaps she'd needed the cooling water of the lake to be able to hear her own voice again; perhaps she needed the distance between them so she could speak these words. She emerged, slicking back her hair with a hand. "They felt like this."

Half of him didn't want to know, but he asked, "What sort of illusions?"

A long pause. "It doesn't matter now."

Too soon to push—if ever.

Then she asked softly, "How long?"

It took the entirety of his three centuries of training to keep the devastation, the agony for her, from his face. "Two months, three days, and seven hours."

Her mouth tightened, either at the length of time, or the fact that he'd counted every single one of those hours apart.

She ran her fingers through her hair, its strands floating around her in the water. Still too long for two months to have passed. "They healed me after each ... session. So that I stopped knowing what had been done and what was in my mind and where the truth lay." Erase her scars, and Maeve stood a better chance at convincing her none of this was real. "But the healers couldn't remember how long my hair was, or Maeve wanted to confuse me further, so they grew it out." Her eyes darkened at the memory of why, perhaps, they had needed to regrow her hair in the first place.

"Do you want me to cut it back to the length it was when I last saw you?" His words were near-guttural.

"No." Ripples shivered around her. "I want it so I can remember."

What had been done to her, what she'd survived and what she had protected.

Even if the woman treading water before him didn't seem to have vengeance on her mind. Not so much as a hint of the burning rage that fueled her.

He didn't blame her. Knew it would take time, time and distance, to heal the internal wounds. If they could ever really heal at all.

But he'd work with her, help in whatever way he could. And if she never returned to who she had been before this, he would not love her any less.

Aelin dunked her head, and when she emerged, she said, "Maeve was about to put a Valg collar around my neck. She left to retrieve it." The scent of her lingering fear drifted toward him, and Rowan lurched a step closer to the water's edge. "It's why I—why I got away. She had me moved to the army camp for safekeeping, and I ..." Her voice stalled, yet she met his stare. Let him read the words she could not say, in that silent way they'd always been able to communicate. Escape wasn't my intention.

"No, Fireheart," he breathed, shaking his head, horror creeping over him. "There ... there was no collar."

She blinked, head angling. "That was a dream, too?"

His heart cracked as he struggled for the words. Made himself voice them. "No—it was real. Or Maeve thought it was. But the collars, the Valg presence ... It was a lie that we crafted. To draw Maeve out, hopefully away from you and Doranelle."

Only the faint lapping of water sounded. "There was no collar?"

Rowan lowered himself to his knees and shook his head. "I—Aelin, if I'd known what she'd do with the knowledge, what you'd decide to do-"

He might have lost her. Not from Maeve or the gods or the Lock, but from his own damned choices. The lie he'd spun.

Aelin drifted beneath the surface again. So deep that when the flare happened, it was little more than a flutter. The light burst from her, rippling across the lake, illumining the stones, the slick ceiling above. A silent eruption. His breathing turned ragged. But she swam toward the surface again, light streaming off her body like tendrils of clouds. It had nearly vanished when she emerged.

"I'm sorry," he managed to say. Again, that angle of the head. "You have nothing to be sorry for." He did, though. He'd added to her terror, her desperation. He'd— "If you had not planted that lie for Maeve, if she had not told me, I don't think we'd be here right now," she said.

He tried to rein in the twisting in his gut, the urge to reach for her, to beg for her forgiveness. Tried and tried.

She only asked, "What of the others?" She didn't know-couldn't know how and why and where they'd all parted ways. So Rowan told her, as succinctly and calmly as he could.

When he finished, Aelin was quiet for long minutes.

She stared out into the blackness, the rippling of her treading water the only sound. Her body had nearly lost that freshly forged glow.

Then she pivoted back toward him. "Maeve said you and the others were in the North. That you'd been spotted by her spies there. Did you plant that deception for her, too?"

He shook his head. "Lysandra has been thorough, it seems."

Aelin's throat bobbed. "I believed her." It sounded like a confession, somehow.

So Rowan found himself saying, "I told you once that even if death separated us, I would rip apart every world until I found you." He gave her a slash of a smile. "Did you really believe this would stop me?'

She pursed her mouth, and at last, those agonizing emotions began to surface in her eyes. "You were supposed to save Terrasen."

"Considering that the sun shines, I'd say Erawan hasn't won yet. So we'll save it together."

He didn't let himself think of the final cost of destroying Erawan. And Aelin seemed in no hurry to discuss it, either, as she said, "You should have gone to Terrasen. It needs you."

"I need you more." He didn't balk from the stark honesty roughening his voice. "And Terrasen will need you, too. Not Lysandra masquerading as you, but you."

A shallow nod. "Maeve raised her army. I doubt it was only to guard me while she was away."

He'd put the thought aside, to consider later. "It might just be to shore up her defenses, should Erawan win across the sea."

"Do you truly think that's what she plans to do with it?"

"No," he admitted. "I don't."

And if Maeve meant to bring that army to Terrasen, to either unite with Erawan or simply be another force battering their kingdom, to strike when they were weakest, they had to hurry. Had to get back. Immediately. His mate's eyes shone with the same understanding and dread.

Aelin's throat bobbed as she whispered, "I'm so tired, Rowan."

His heart strained again. "I know, Fireheart."

He opened his mouth to say more, to coax her onto land so he might at least hold her if words couldn't ease her burden, but that's when he saw it.

A boat, ancient and every inch of it carved, drifted out of the gloom.

"Get back to shore." The boat wasn't drifting—it was being tugged. He could just barely make out two dark forms slithering beneath the surface.

Aelin didn't hesitate, yet her strokes remained steady as she swam for him. She didn’t balk at the hand he extended, and he wrapped his cloak around her while the boat ambled past.

But Aelin turned toward them, hair dripping onto the stone at her bare feet. Half a thought from her could have had her dry, yet she made no move to do so. "We're being hunted."

"We know that," Lorcan shot back, and were it not for the fact that Aelin was currently allowing him to rest a hand upon her shoulder, Rowan would have thrown the male into the lake.

But Aelin's features didn't shift from that graveness, that unruffled calm. "The only way to the sea is through these caves." It was an outrageous claim.

"And I suppose they told you that?" Lorcan's face was hard as granite.

"Watch it," Rowan snarled. Fenrys indeed bared his teeth at the dark-haired warrior, fur bristling. But Aelin said simply, "Yes." Her chin didn't dip an inch. "The land above is crawling with soldiers and spies. Going beneath them is the only way."

Elide stepped forward. "I will go." She cut a cold glance toward Lorcan. "You can take your chances above, if you're so disbelieving." Lorcan's jaw tightened, and a small part of Rowan relished seeing the delicate Lady of Perranth fillet the centuries-hardened warrior with a few words. "Considering the potential pitfalls of the situation is wise."

"We don't have time to consider," Rowan cut in before Elide could voice the retort on her tongue. "We need to keep moving. Gavriel stalked forward to study the moored boat and what seemed to be bundles of supplies on its sturdy planks. "How will we navigate our way, though?"

"We'll be escorted," Aelin answered.

"And if they abandon us?" Lorcan challenged. Aelin leveled unfazed eyes upon him.

"Then you'll have to find a way out, I suppose." A hint-just a spark-of temper belied those calm words. There was nothing else to debate after that.

And they had little to pack. The others gave Aelin privacy to dress by the fire while they inspected the boat, and when his mate emerged again, clad in boots, pants, and various layers beneath her gray surcoat, the sight of her in clothes from Mistward was enough to make his gut clench.

No longer a naked, escaped captive. Yet none of that wickedness, that joy and unchecked wildness illuminated her face.

The rest of their party waited on the boat, seated on the benches built into its high-lipped sides. Fenrys and Elide both sat as seemingly far from Lorcan as they could get, Gavriel a golden, long-suffering buffer between them.

Rowan lingered at the shore's edge, a hand extended for Aelin while she approached. Each of her steps seemed considered—as if she still marveled at being able to move freely. As if still adjusting to her legs without the burden of chains.

"Why?" Lorcan mused aloud, more to himself. "Why go to these lengths for us?"

He got his answer—they all did—a heartbeat later. Aelin halted a few feet away from the boat and Rowan's outstretched hand. She turned back toward the cave itself. The Little Folk peeked from those birch branches, from the rocks, from behind stalagmites. Slowly, deeply, Aelin bowed to them. Rowan could have sworn all those tiny heads lowered in answer.

A pair of bony grayish hands rose above a nearby rock, something glittering held between them, and set the object on the stone.

Rowan went still. A crown of silver and pearl and diamond gleamed there, fashioned into upswept swan's wings

"The Crown of Mab," Gavriel breathed. But Fenrys looked away, toward the looming dark, his tail curling around him.

Aelin staggered a step closer to the crown. "It—it fell into the river."

Rowan didn't want to know how she'd encountered it, why she'd seen it fall into a river. Maeve had kept her sisters' two crowns under constant guard, only bringing them out to be displayed in her throne room on state occasions. In memory of her siblings, she'd intoned. Rowan had sometimes wondered if it was a reminder that she had outlasted them, had kept the throne for herself in the end.

The grayish hand slipped over the rock's edge again and nudged the crown in silent gesture. Take it.

"You want to know why?" Gavriel softly asked Lorcan as Aelin strode for the rock. Nothing but solemn reverence on her face. "Because she is not only Brannon's Heir, but Mab's, too."

A throwback to her great-great-grandmother, Maeve had taunted her. Who had inherited her strength, her immortal lifespan.

Aelin's fingers closed around the crown, lifting it gently. It sparkled like living moonlight between her hands.

My sister Mab's line ran true, Elide claimed Maeve had said on the beach. In every way, it seemed.

But Aelin made no move to don the crown while she approached him once more, her gait steadier this time. Trying not to dwell on the unbearable smoothness of her hand as it wrapped around his, Rowan helped her aboard, then climbed in himself before freeing the ropes tethering them to the shore.

Gavriel went on, awe in every word, "And that makes her their queen, too."

Aelin met Gavriel's gaze, the crown near-glowing in her hands. "Yes," was all she said as the boat sailed into the darkness.

[longagoitwastuesday]

I keep thinking of that reply in my Odysseus/Agamemnon post about how I regard differently Odysseus' and Agamemnon's actions, while acknowledging that at times Agamemnon is written as a sweet man and Odysseus is always straight up shitty, and how it was taken as some sort of defense for Agamemnon and as a form of pointing out the double standard; and that wasn't at all what the post was about for me, even though I can see where they were coming from. To be honest, given I didn't imagine it would spread anywhere other than my own blog, I didn't explain myself very well (or at all).

The fact is that when I talked about Odysseus not caring about hurting someone else's child to start and end a war I was indeed comparing his actions to Agamemnon's, but my words about supporting Odysseus' wrongs and cheering him in his terrible actions, while in a joking tone, weren't entirely a joke. I do think that Odysseus does some very shitty acts, and some quite terrible ones depending on the sources. That's a fact, that he does is at the core of his characterisation and it's what makes him so much fun; but not even when he is at his most cruel does he harm his family, his own son. Agamemnon, while sweet and loving at times in some texts, at his worst is willing to sacrifice Iphigenia. When readers regard with more sympathy Odysseus over Agamemnon despite both being responsible for children dying, I don't think there's a double standard in this aspect at all considering it's never his own kid Odysseus harms. And that's the key, I think.

Odysseus and Agamemnon have very different priorities, a very different view on loyalty and duty. It could be said that Agamemnon acts out of selfishness, but it could also be read in a kinder light, saying that Agamemnon is ruled by the gods first, and by his role as head of the achaeans; Agamemnon is not entirely himself. In opposition we see Odysseus acting perhaps mainly for himself and his own family and men; yes, he is a king, but he has not the role Agamemnon has. As a consequence, Agamemnon submits his family's wellbeing to the war, to the gods, while Odysseus stops the plow before hurting Telemachus but is (depending on the source) the cause of Iphigenia's sacrifice and Astyanax's death.

Both Odysseus and Agamemnon have reasons to support their actions, and both can be sympathised with; it's fiction after all. When it comes to fiction, at the end of the day which character a reader is drawn to or sympathises with is mainly an issue of personal taste, but I suppose it also implies a certain level of one's own views or preferences on morals, what makes us find certain actions more justifiable, or tasteful (perhaps that's a more accurate word), than others. Agamemnon sacrificing his daughter, no matter how sympathetic or understandable the reason, generally sits worse on people than Odysseus doing the same with someone else's kids, because they're someone else's. This different emotional reaction they provoke has place not just metanarratively, but also inside the very story; it is narratively significant, given it determines how their arrival home plays out, how their wives react to them, and thus their futures. Ultimately it determines whether they live or die.

I think both terrible acts go in line wonderfully with each characterisation, showcasing the role they hold in their world, what they value, what they care for, what they're willing to sacrifice for themselves and the others, how much of their own they're willing to give and bend. While looking at the wider picture it could perhaps be drawn that Agamemnon is the better person out of the two, but Odysseus' selfish actions are perhaps easier to empathise with, especially from a modern viewpoint. Odysseus is treacherous and prone to betrayal, but not against his own; Agamemnon follows the rules of the gods. How fitting in that context that Odysseus doesn't die at the end of his story, that he cheats the death heroes so often are fated to, almost as if cheating the narrative itself, bending the rules of the world he is ascribed to; how fitting in the context of those texts that point towards Sisyphus being his father. But that's another topic, and I've already talked a lot.

[pictureswithboxes]

I cannot stand Miles (for the most part), and I’m so surprised by how well I write him. Because again, I do not care for this man.

[lionblaze03-2]

personally I don’t hate gray wing nearly as much as everyone else because he’s a great example of having rose colored glasses just because ‘well, he’s family’, and not realizing until far too late that that essentially ruined his life and made him amount to almost nothing. Because clear sky is his brother, he wants to assume the best of him. Surely, my brother would never. Surely he didn’t mean it like that. Surely he’ll do better next time. He’s my brother. He COULDN’T be a bad guy. So he keeps giving him chances, over and over and over again, until it’s completely destroyed him. Until he can no longer breathe, his lungs full of toxic smoke that clear sky abandoned him to breathe in, until he is under his claws, nearly killed under the moonlight, until his people are battered again and again, until borders become inevitable. But he never, ever realizes, because- it’s his brother. Surely, his brother will do better next time. Surely, he didn’t mean it. Surely, he will change.

And believing that is the death of him.

[lastoneout]

Seein' too many Twitter refugees asking if they'll get in trouble for saying "kill yourself" to people and while no, you're not gonna get nuked from orbit, that is maybe something you just shouldn't be doing in general perhaps?? Maybe telling people to kill themselves is bad actually?? Some of y'all are wild, why is the first thing you can think to ask on a new platform if you can send one of the worst kinds of harassment to people?? Grow tf up and learn how to use the block button. It'll do wonders for your mood, trust me.

[whirlybirbs]

— CAN'T WE BE SEVENTEEN? ; shoto todoroki ; 焦凍

summary: he's loved you since he was seventeen. pairing: f!reader x pro hero!shoto ; reader was a 1-A student tags: mutual pining, heavy make-out, thinly veiled sugar daddy shoto, reader does not go pro, touya might be a dick but he's a hero now, shoto is bad at feelings wordcount: 5.6k a/n: i do not fucking know what came over me, enjoy your food my little todorokinas. yes the title is what you think it is. no i will not elaborate.

You never did go pro.

Truthfully, you thought there would be more pushback when, in your senior year, you announced your plan to pursue a degree in early childhood education with a focus on non-conforming quirk development. 

The War changed a lot. It changed you, your classmates, and the world. But, through it all one thing stuck with you:

What if someone helped Tenko Shimura?

How different would his life have been? How different would history have spun? 

You graduated at the top of your class and joined the faculty at Chiba Prefectural Preparatory School for Quirk Specialties two years ago. 

Chiba Prep was opened eight years ago in response to a societal cry for more infrastructure around what was dubbed "non-conforming quirks": a nice way to say quirks that can injure, maim, or kill. Maybe even all three on a bad day. Some parents still see their child being labeled as a non-conforming quirk user in the national database as akin to social suicide. 

You see it differently.

Your quirk allows you to manipulate emotions — anger, sadness, betrayal, love, hatred. If you can feel it, you can sink it into another's psyche deep enough to drive them to act. You can even imbue things with feelings. For example, a cup of warm milk can transform into more than just a simple comfort, now it can hold the feeling of home and safety, or even exhaustion strong enough to put even the biggest foe to rest. 

You could easily use your quirk with nefarious intent. 

You could steep hatred in someone's bone so deep it drives them to harm themselves. You could sew fury so solid into someone's mind it drives them to violence. 

Just a touch and you can control others with something so intrinsically personal it only exists within themselves: their feelings.

What makes you any different from little Asuke, a shy little girl with a quirk that allows her to see people's greatest fears, and then manifest and control them? You're convinced she can use this for good, if only with practice. In your mind, her future is bright and glimmering. Perhaps she will become a therapist, focusing on exposure therapy? Or, maybe the most prolific horror novelist in their time? 

Or, bright and sunny Tao — a transplant whose parents sought out Chiba Prep's specialized education — whose heteromorphic quirk makes his bodily fluids, namely saliva, eat through nearly anything but his own biologics. A sneeze is quickly the most dangerous thing in the world for the cheery, lizard-bodied class clown. 

He's just a boy given a quirk that needs more care. 

He isn't a villain-in-training. 

None of them are.

It's important to teach them that young — and as their teacher for Year 3 of their elementary schooling, you aim to hammer that in as much as possible. They deserve to feel normal. To feel loved and supported. They aren't scary, they're children. 

So, you take it upon yourself to insist on pushing for privileges like field trips. There aren't many public spaces that welcome the classes of Chiba Prep with open arms. Over the years, there have been plenty of incidents. But, a day trip into the city to visit Tokyo's Hall of Heroes is green-lit with bubbling excitement from both faculty, the children, and their parents. 

You usually keep your history as a graduated member of Class 1-A quiet. 

After all, you never did go pro.

And even still, Shoto Todoroki never stopped thinking about you.

He remembers that weekend everyone moved back in for their last year before graduation. He remembers you smiling at him, and helping him drag up a duffel of luggage from the common room to his dorm. You made a joke about how you're sure he got taller over the summer, and how his hair is longer now. You said you liked it. 

It was the beginning of the end, then.

His crush was a silent, smothering thing. It made it hard to think. Shoto had enough on his plate thanks to Touya's acceptance into the Villain Rehabilitation Program and his father's insistence on staving off retirement. Not to mention his parent's divorce — no matter how amicable, it was still a separation. Add on training, tests, studying, finals, and j-term classes... And a desperate, writhing, burning crush on the nicest girl in class? 

Touya's elbow digs into Shoto's side.

It drags him back to reality — to the stifled quiet of the historical Hall of Heroes. 

Suddenly, the doors to the wing squeak open, and a tour guide ushers in the elementary school class. The buzzing excitement and wonder are visible on each of their faces as the attendant — one of the HoH's lead tour guides — excitedly explains the newest, in-progress addition to the Hall:

Endeavor's wing. 

There's a whisper of awe that ripples through the children as their teacher and co-teacher follow, and as the class moves through the large, open space. They're staring up eagerly at the gilded statue in the center of the room. It's larger than life and intimidating. Years ago, Shoto might have had to fight the odd tremble in his knees at the reminder it brings: to be small in his father's shadow again. But, things are different now. 

Very different.

Touya scoffs. "I thought this wing wasn't open to the public yet."

"They're just children," Shoto hums, turning his back on the gaggle across the way to inspect the large mural winding along the back end of the installation, "I'm sure it's—"

"Oh, ho, no way!"

Shoto quirks his brow at his brother's outburst. His elbow digs into Shoto's ribs again. 

"Ain't that the pretty girl you never got the balls to ask out your senior year?" comes the rasped drawl of his older brother's voice. Touya is clearly amused, his white hair hanging in his eyes as he leans forward to squint, "She is cute, Sho'—"

"Shut up," Shoto grits, turning his head over his shoulder; he tries to bite back the flurry of nerves that ignite in his gut, "Stop talking."

It is you.

You look... good. 

Happy. 

You're crouched by a small, timid girl in the back of the crowd. Your hand is in hers, and you're pointing upwards at the large paneled screens replaying Endeavor's most historic fights. You're explaining something to her, your knees bent as you squat. You look... the same. As if in the six years since they graduated, you sat still in time. 

For a second, it's like he's seventeen again.

It's his senior year, and he's stuck at the corner of the gym's edge with a half-empty glass of punch in his hand. The lights are low, and there's slow music playing. His tie feels too tight. Bakugo keeps telling him to 'ask her to dance already', and Kirishima is considering bashing his head through the wall. Even Midorya is trying to persuade Shoto. 

"It's prom, man! C'mon, this could be your last chance—"

Touya is about to be a real pain in the ass — his favorite pastime — and make some comment about your ass, but when he turns to lob the one-liner at his baby brother, Shoto's gone.

Shoto is on the move.

The crescendo of gasps draws your attention first.

Then, the cry of "WOAH, IT'S SHOTO!" leaves you dumbfounded. The rippling murmur of excitement bleeds into the children as their eyes — and the eyes of the tour guide — widen at the sight of the approaching Pro Hero. 

Shoto Todoroki.

He looks... good. 

Really good.

He's a bit older, and a bit more filled out than when you were both teenagers. You can see the strength in his arms and shoulders — it's a distant echo of his father's physique, though Shoto is so much more elegant and much... prettier. He's always been.

For a second, you're seventeen again.

It's your senior year, and you're sprawled across Momo Yaoyorozu's bed.

They had finally wrangled out of you who your crush was: something they hadn't been able to do in all their years as classmates.

There's a sticky, Miss Midnight-themed face mask clinging to your expression as you try to flip through the large magazine in your hands as nonchalantly as possible. Mina's voice, as she paints Ochaco's nails a bright pink on the floor, is sweet and saccharine as she looks up at you.

"I think you and Shoto would be, like, the cutest couple ever." 

You're still crouched when the tour guide nervously — like she was caught doing something naughty — introduces The Pro Hero Shoto to the already-aware crowd of elementary school students and their teachers. It's like igniting a match; the uproar of excitement leaves you laughing as three of your boys push forward to bombard him with questions about his quirk. 

Asuke is smiling shyly, now. That's a small win. She's intrigued by the appearance of a real hero, not the "scary statues" — and her big, fat tears stopped rolling the moment you laid a gentle hand on her to quell her anxiety over the new environment with a push of comfort through your quirk. She unhooks her pinkie finger from yours as you guide her towards your co-teacher. 

"Boys," you call with a crisp air of authority as you stand and lead Asuke toward the bulk of the field trip group, "What have we learned about personal space?"

"It's fine, really, Insight," comes Shoto's voice; as warm and placid as you remember. 

"Insight?" mutters your co-teacher at the presumed hero-name; a look of confusion plasters itself on her face, and her big, feline ears perk up. She leans in to whisper in a way that borders on conspiratory, "Do you two know one another?"

"Old classmates," you confirm, not daring to get into the finer details.

Shoto's attention is entirely rooted in the way you manage the kids. There's something beautiful about the ease with which you handle the bouquet of students; you quell the excitement into a manageable decibel like it's as easy as breathing. 

"Shoto," you start as you gesture to him, "Has a very special quirk — Toyamai, he has ice like you. And, fire like Tojiro. He can regulate his temperature. Can anyone tell me what that means?"

There's a wave of hands shooting up, a few me, me, me's rise from the gaggle. 

You're using him as a teaching moment.

Shoto's smile is soft.

You nod at Ogomi, excitedly nodding as the reserved child speaks up. Normally, he hates public speaking. But, recently, he's started working with the speech pathologist during lunch. The boy bounces a little as he answers. "He doesn't g-get too hot, or too c-cold."

"Exactly! Isn't that cool?" you grin at the lazy attempt at a pun, "This is why it's important to learn about our quirks as much as we can!"

Touya thinks this whole thing is just too cute. 

You're different than he remembers — but, granted, things were sorta different last time he saw you. He was a little too busy tryna kill his old man and lil' Shoto. He's different now, too. A changed man! A real licensed hero. Support items and all. 

He hangs back. 

He... I mean, he is a jack-ass but he isn't gonna ruin this for Shoto. 

...It's kinda cute.

Just about as cute as Fuyumi said it was. 

Apparently, Shoto had opened up to her and Natsuo about his feelings after graduation — about how he regretted not doing anything about it. Fuyumi then told their mum, who then off-handedly mentioned it to Touya... and well Touya dug in because, duh, he is a whore for good gossip. He might be the family's black sheep, but Shoto is the glue that binds. 

And he deserves to be happy.

Your co-teacher is ushering the kids to the next installation — a viewing of All Might's Legacy, a new documentary following the retired pro's teaching career. It will be a good wind down for them, in comfy seats and the dark. It's hardly the sort of content an elementary school student would find riveting, but it is All Might. And they love him.

You hang back. 

Shoto's heart is hammering in his chest.

"Hey."

"Hi," you greet back, closing the door to the theater and stepping forward as you weave your arms around you, "Long time no see."

"Yea," Shoto breathes, his hands in his pockets as he meets you halfway across the museum's marble floors, "I... I see you're teaching."

His eyes are as pretty as they were back then. Slate grey and piercing turquoise. "I'm in my second year," you confirm softly, fiddling with the material of your sweater, "Congrats to your old man."

You gesture up at the statue, then wave around to the rest of the installation.

Shoto inhales, then nods; he's staring at your face, blissfully realizing you're just the way you were all those years ago. Kind. "I'll pass it along."

"How's he handling it?" you ask, your eyes raking across his expression and trying not to stick to the sharp slope of his jaw, or the bob of his Adam's apple, "Retirement, I mean."

"He's happy, I think. Touya and I are working together and... things are...  good."

Last month, Endeavor finally retired. He cited his age, and his dedication to passing his legacy to his two sons: Shoto and Touya. Shoto has planted himself firmly within the Top Ten in the last year or so, and shockingly, Touya isn't far behind. People love an underdog's redemption story, you suppose. 

And the underdog in question can read a room. 

This is getting a little too sexually tense for even him.

"Heeeeey, girl," he rasps out, staggering backward with a thumb over his shoulder, "Nice t' see ya. I'll let you two catch up, yea? I'm gonna go pop my head into the theater, see how the kids are handling the snooze fest on screen—"

You jump.

How long has he even been there?

"Hi, D— Touya," you strain, wincing a little; the rehab'd villain doesn't seem to mind.

"Hi, teach'. That cool with you?" he asks, wobbling his thumb and quirking a pierced eyebrow; it's comical, like he's trying to disarm you with humor, "Don't want you thinkin' I'm corrupting your youths—"

"It's fine," you breathe, ignoring the sting of age-old mistrust. You know better. Shoto wouldn't be here, with him, if Touya Todoroki hadn't changed. Endeavor wouldn't be entrusting his legacy to the ex-League of Villain member if he didn't believe in his capacity for good, "Just don't be disruptive."

Casting judgment on someone whose life was nearly destroyed by his own non-conforming quirk would go against everything you taught the kids anyway.

"Touya's whole thing is being disruptive," Shoto grits as his oldest brother slips silently through the doors, "I apologize for him—"

"No," you wave him off, laughing a little, "Don't. It's... nice to see you two together."

Shoto's expression is soft as he wanders a little closer. "It took time — and a lot of therapy — but we've all managed to come out the other side."

"That's great to hear, Shoto," you breathe, your eyes flitting across his face, "I'm really happy for you."

There's a long silence, then — and you can't help but ignore the roil of butterflies in your stomach. The eye contact is heavy with some unspoken thing, and both of your tongues are weighted by secrets-never-turned-confessions. 

It's like finally this dance you've been doing around one another for years breaks — and the two of you throw caution to the wind at the exact same moment. 

"Would you like to—"

"Are you free—"

Hesitant, slow grins bloom on both your faces.

"Dinner?" is all he manages after a sweet moment of soaking up your soft smile, "If you're available...?"

You make yourself available.

Yaoyorozu almost dies when you call her that night — winded from tearing through your entire wardrobe. You explained you had nothing to wear a-and you needed something nice, and you only have an hour to get ready, because Todoroki — yes, stop screaming, Todoroki — is picking you up at 8pm.

Little bro is nervous. Touya can tell. 

From his spot on the sofa, the white-haired ex-degenerate scoffs. Natsuo is digging around for some cufflinks in Shoto's dresser.

"Seriously, Sho'? A suit?" 

"It's a nice restaurant," his brother says tightly, adjusting the collar of the black button-down, "I booked the upstairs dining room for privacy." 

"Who the hell told you t' do that?" Touya quirks a skeptical brow.

"Father was the one who suggested it."

"...That old dog." 

Natsuo rolls his eyes at the exchange before throwing his hands as he emerges from the closet. "Do you have any links that aren't emblazoned with U.A. High School's crest?"

The ones in Natsuo's hands have his graduation year on them.

Shoto winces.

"Want me to ask dear ol' dog of a dad?" Touya snarks from the corner, his posture becoming less and less upright as he scrolls on his phone.

"Already did," comes the soft voice of Fuyumi; she's smiling, padding into Shoto's room with a velvet box, "He offered up his nicest pair. He also says not to screw it up with Insight. He likes her."

Of course, he likes her. You worked under Endeavor for a brief work-study period during your third year. Shoto remembers hearing grumbled praise over dinner one night about your talent for de-escalation.

"You told him who I was seeing?" Shoto asks incredulously, taking the box and working the cufflinks on. He's starting to feel exasperated.

Fuyumi nods, popping down beside Touya. 

"He asked. I'm not gonna lie to him."

"Did y' tell ma?" Touya rasps, peeking up over his phone to inspect Shoto's outfit. Not half bad, honestly. He looks good in all black. A man after his own heart, "M'sure she's gonna be real excited—"

"Yes," Shoto grumbles, "I called her earlier—"

"Chiba Prep is a really good school, y'know," Natsuo buts in as he tries to find a tie that matches Shoto's outfit. Ultimately, though, the middle brother decides against it and tosses the options over his shoulder, "They're, like, on the leading edge for quirk therapies."

"Hey, nerd? Quiet down. The big kids are gossiping," Touya shirks, turning back to Shoto, "What did mum say?" 

"She wants me to call her after—"

"One, you're gonna call mum the morning after," Touya raises a finger, "Because if you don't get laid, I'll be so fuckin' disap—"

Fuyumi slaps Touya's chest. He lets out a pained yelp at the solid smack.

"Uh, ow," he rubs his sternum. "An' two, take a deep breath. You look like you're gonna shit yourself. Those are my pants and they're expensive."

Shoto lets out a long breath. 

Fuyumi's smile is sweet like honey. "Aw, Sho'! It's gonna go great. You two have known each other for such a long time, and catching up is going to be amazing. Just be yourself! Confident and kind—"

"—Hold the door open for her, and pull her chair out," Natsuo adds as he adjusts Shoto's collar for him, "Car door, too—"

It's Touya's turn. He's dead serious. "—And do not chicken out on kissing her at the end of the night. I swear to god."

Easier said than done.

You never did go pro.

Those years of hardened battle instincts have lost their edge. You try to remind yourself this is just Shoto, not The Shoto — but you're a little lost in the whole celebrity of it all when he picks you up in a very nice, sporty little car with ENDVRplates. 

You answer the door and he forgets how to breathe.

He has flowers for you. They're blue and blooming and beautiful. 

Fuyumi's contribution. 

You settled then you were going to kiss him at the end of the night.

The restaurant is... nice. Really nice. The sort of nice you could never aspire to experience on your teacher's salary. Even the valet is a concept that has your head spinning. But, Shoto handles it all with cool ease. The entire time, his hand is settled on your lower back. 

It feels like you've been lit on fire.

You're glad Momo was able to create a dress fitting for the occasion. It's sleek and black. Comfortable, too. Not much can be said for your heels on that front, but it's fine. 

Somehow, Shoto managed to book the entire upper floor of this place in all its glimmering glory — it's just the two of you alone in a sea of tables. 

The waiter is pouring you a glass of the chef's suggested pairing of sake.

You thank him, smile, and take a sip as Shoto unbuttons his suit jacket and watches you. 

For a second, you're seventeen again.

Sero and Kirishima were always in cahoots when it came to parties back then — somehow, between the two of them, they always managed to smuggle enough booze onto campus to obliterate any semblance of promised sobriety from even the most stoic members of 1-A. 

You remember one night, after a lot of hounding, you finally gave in and joined a few of your classmates on the back lawn for a few drinks. 

A few beers turned into a cup or two of wine, and then another big gulp of whatever deranged jungle juice concoction Kaminiari managed to cook up. It tasted terrible, but you were too drunk to really care. Shoto was no better. He was nursing his fourth drink of the night — a rarity he was even drinking at all — and seemed completely fine with the way your arms brushed as the two of you sat close in the grass. 

He was always so nervous around you. Now, he just seemed... happy. 

"I can't believe there is only one week left until graduation."

Graduation day was the last time you saw him. 

Until this morning, that is. 

You smile into your drink. 

"What?" you ask when his eyes never leave your face.

His fingers twitch towards his own glass. Shoto blinks, then rolls his jaw. He was caught staring. He clears his throat, looking a bit shy. "Nothing."

"Nothing?" you press playfully, cocking your head to the side.

"You..." he starts, then bawks. You're stunning, and it's making it hard to even think straight. He thought these feelings might have mellowed out over the years but seeing you again has just reignited everything. He feels like a hormonal teenager again, "You look beautiful."

Your expression falters into something lovesick. You chew your lip. "You're not so bad yourself, Todoroki."

He manages a half-smile. "Touya had me worried the suit was a bit much."

The idea of Touya offering him advice on his outfit strikes a chord in your heart. It makes you smile even bigger than before. "Well, you can tell Touya that I like it. A lot."

You rake your eyes up and down him. On purpose.

He notices.

Shoto's face feels hot. 

He tries to shake the bone-deep want that has swept his entire body up in its grip, but it's difficult when every single word out of your mouth reminds him just how in love he was with you back in school. You explain, excitedly, why you chose to teach at Chiba Prefectural Prep and catch him up on where you've been living since graduating. He's pleased to learn you're still in the area, living in the city, and decidedly in love with the commute to the school. 

Shoto's always been a good listener — but you can see how much he's changed when he begins to speak about his career. He seems so much more sure of himself than he was all those years ago. It wasn't that he was... unsure... but, no. He was shy. Quiet.

Now, less so. 

It's adorable. 

Dinner comes and goes with conversation over sushi that is far too good for you to even process. It's easy talking to him. It was easy talking to Shoto back, then, too but... Things are different. You're both different. Not in a bad way, but in a way that feels like coming home. 

While you both wait outside for the valet, Shoto shrugs his jacket off and puts it over your shoulders without a single word. Suddenly, you're cradled in a warmth that's very Shoto — his cologne clings to the collar and you bury yourself a little deeper into it. 

Shyly, you step closer and steal his hand. It's calloused and warm. He laced his fingers with yours as if practiced. You bite back a grin. You give his hand a little squeeze when you spot the car coming around the corner.

His silence is calming — and he squeezes your hand back. When you look up at him, you realize he's already looking at you. 

His face is close. It's so... intimate. Very. Nearly better than a kiss. 

But, you've wanted to kiss Shoto Todoroki since you were seventeen. 

The valet driver interrupts the moment with a respectful call of Shoto's name and offers the keys with a shake of the hand. With a little bit of hesitancy, Shoto remembers the thing Natsuo said — the car door, too — and moves around the passenger side to open the door for you. 

It's sweet.

Really sweet. 

The car ride back to your apartment is punctuated with easy conversation — you ask him about Bakugo and Midorya, and you're pleased to hear they're both doing well. He asks about Momo, and if you still keep in touch with Mina and Ochaco. He smiles to himself when you admit you did call Momo for help with an outfit. 

"She did a beautiful job," Shoto breathes, a palm moving from the gear shift to brush over the dress' fabric on your thigh.

His hand settles there. 

Your stomach does a flip. 

You chew your lip, swallow down a sudden burst of nerves, and let your hand rest over his. You squeeze it. Shoto tries to focus on the road. His gaze drifts for a moment at a red light, his heterochromatic eyes dancing across your figure. 

Keep it together. 

He isn't seventeen.

He's twenty-five. He's a Professional Hero. One of the Top Ten in all of Japan. He's more than capable of keeping it together in the face of physical touch from the woman he's dreamed about for years. 

...Right?

Green light.

His hand is still on your thigh when he pulls up to your apartment. 

The touch is relinquished in favor of putting the sports car in park. 

It makes your chest ache.

Shoto swallows thickly.

Do not chicken out on kissing her at the end of the night.

He'll never forgive himself. But, admittedly, he's bad at this. He's not good at reading body language, or even knowing himself enough to realize he looks mildly terrified as you blink up at him in the passenger's seat. His heart is hammering a mile a minute.

What if you don't want to kiss him?

When would he even kiss you? Now? Or at the door?

Why does he feel like he's going to die?

"This was really... Shoto, are you okay?" you ask as you unbuckle your seatbelt; you pause, your brows knitting tightly. 

"What?" he asks, blinking back to the present moment. The look of fear disappears, "Sorry. Yes. I'm fine."

You're working his jacket off your shoulders, gently leaning to fold it neatly in your lap. Your voice dips low, into something playful. "You didn't look fine..."

"I—" Shoto clamps his mouth shut as he leans an elbow on the center console, "Sorry. I suppose I'm just nervous."

"Nervous?" you grin, a little giggle punctuating your words as you wriggle in the red, leather seat, "Why?"

Your expression makes his expression crack. He ducks his head as he huffs out a laugh. You continue to egg him on via expression alone. "I... Stop it."

"Stop what?" you push some more, your back pressed to the door as you face him in the car, "You're the one being weird—"

"I'm not being weird—"

"Then what's wrong, Shoto?" you tease in a sing-song voice.

"I'm nervous because I want to kiss you."

His words are punctuated by a slow look that takes in every inch of your face. Butterfly wings kiss your stomach walls. And your knees. You feel a little tremble in your chest. 

It feels like someone has sucker punched you square in the sternum. Shoto's no better. He isn't entirely sure what the expression on your face means. Is that... good? Are you happy?

Your voice is a little quieter now. You duck your head and fiddle with his suit jacket as you lean back against the seat, a little closer now. 

"You don't need to be."

Shoto's breath catches at that.

So, he makes his move.

His hand comes first — his calloused palm settles nicely against your face, his thumb brushing your cheekbone as his pointer finger brushes the underside of your jaw. Shoto is slow. Methodical. It's like he's trying to ground himself in the moment. 

Truth be told, he thinks he might be blacking out.

Your eyes flit up his wrist — a dark leather band around his wrist with an expensive watch face, a dark dress shirt with glimmering cufflinks, strong arms and a broad chest, and you can see the dip of his collarbone where the top two buttons of his shirt remain undone. 

He looks so damn handsome with his sharp jaw, pretty eyes, and his trademark white and crimson hair. Even his scar is beautiful. 

The touch pulls you in like he's got his own personal orbit.  

Your elbows are braced along the center console, your eyes flicking across his face as his fingers continue to brush along the soft expanse of your cheek. You wring your fingers together. 

Then, his eyes stick to your lips.

"Can I kiss you?" he whispers, his breath fanning across your face. 

You never did go pro.

But, Shoto did. 

It shows. 

Because, at this moment, all you can do is nod feebly before you're swept into the sort of kiss people go to war for. It's the sort of kiss that sticks to your ribs, that feels like warm, fresh food. It's the sort of kiss that would drive you to the brink, that would make you nod and agree sure, let's get married and have three kids, let's name one after your father, and paint the house blue like your mother's favorite flower—

His mouth is eager, but not in an overbearing way. It's gentle. Slow. As if he needs to remind himself this is real and not some midnight fiction that leaves him aching and alone. Shoto reminds himself to be tepid, pliable, and easy, which is easier said than done when somewhere deep inside of him there's a seventeen-year-old screaming in victory. 

It's better than anything he could have ever imagined. 

And then you whimper. 

It's a sound tied between bliss and relief and it's muttered against his mouth as you lean in and let your fingers brush the fabric of his dress shirt. The tips of your fingers brush his abdomen and he flexes, the feeling foreign and warm. It warrants his other hand to drift to your face and you break for a breath; he doesn't care that there's lipstick smeared across his mouth. He's kissing you again — this time a little bit more feverish, a little bit more aching. 

You melt against him, this time your hands trembling to grip his wrists.

He needs to slow down.

He is not having sex with you in his father's car.

That's shameless.

He needs to slow down.

He has to, or he'll lose himself in this and he refuses to fuck this up. 

Shoto's breath is ragged when he finally peels himself away, his lip parted and eyes half-lidded. His grip on your face is still so soft, so gentle. It's very him. 

You're glad you didn't do this when you were seventeen.

It would have permanently altered your brain chemistry, you're sure of it. How could you ever kiss someone else again after that? 

He's rubbing your cheek with his thumb. You swallow, and try to level out your breathing. It's hard when he's still so close, when he's so... perfect. 

"I've wanted to do that," he murmurs against your cheek, "Since our last year at Yuei."

A well-kissed smile breaks across your face. You reel back, your nose wrinkling as you shake your head in disbelief. Shoto is smiling. A real smile. The sort that's so rare you can count on one hand the amount of times you've ever seen it in person. 

"Are you serious?"

"Very," he says, chastely pressing another to your other cheek as he leans back.

"Me too," you admit shyly, "Can we... do it again sometime?"

Shoto's eyes widen incrementally. Then, his smile eases back onto his face. 

"Are you free this weekend?"

"I can be," you reply easily with a honeyed look, "And I will be. For you."

"I get off patrol on Saturday around seven," he explains before asking timidly, "We could... do dinner again?"

"Works for me," you breathe as you move for the handle of the car door, "After all, I never went Pro. Weekends are free."

Shoto scoffs. 

Then, as you open the door and swing a leg out:

"Oh, and tell Touya I thought the suit sexy."

Shoto's laugh is dry. You leave his jacket on the seat and scurry into your apartment with a lovesick wave. He swears he sees the silhouette of a familiar ponytail greet you at the door, but he doesn't dwell on it. He waits until you're inside and the lights to the front door are shut off.

Then it hits him. He has another date with you this weekend. 

Not so seventeen anymore, Shoto Todoroki. 

[blurred-cat]

i'm sure it's been asked before but Having A Good Life an Entitlement or a Privilege? should to goal of a society be to ensure all the needs of its members are met or should their needs only be met because they are valued enough?

[hiyari8]

i'm pan and living in the south although while lgbt and being married is a bit more 'accepted' than it was like a decade ago i imagine it'd probs be a struggle to find a serious relationship so i'd rather just do hookups and not deal with all the 'baggage' that comes with a romantic relationship (although it feels like unless you have a sugar daddy/momma or a richer partner, who would have the time/money to spend on dates lol. tho there are a surprisingly amount of ppl here donig weed despite it not being legal but the cops don't rly care unless ur acting erraticly in public on drugs) but yeah other than knowing someone for longer it does feel like ppl move fast like the 'sex on the third date' thing and where ppl get like engaged/married within a year too, other than seeking out like someone who's ace leaning, usually dating other cis ppl sex is 'expected' or so otherwise it's just a friendship tho my group of friends was close enough to hug and like sit on each others laps and stuff but ppl usually get the wrong idea/signal if you're a girl clinging to a guy all the time after a certain age

i feel like it's generally a good idea to give it more time before committing to getting married or whagever but at least divorce is awesome

[boneless-mika]

I hate US election season and apparently I’m going to have to suffer through it for a whole year

[morallysuperiorlips]

10 Ways to Ensure Your Villain's Evil Monologuing Dialogue is as Unsettling as Possible!

1.) Make sure you're mixing body language with the words themselves: You can have your villain saying the most twisted shit, but if they're just standing there like a cardboard cutout, their words probably aren't going to hit as hard. Have them touch your protag. Have them toy with a weapon as if they're going to use it. Have them pace. Have them put together the blood ritual they're ranting about. Keep them moving.

2.) Have them use personal knowledge as a tool: Does your villain have some deep dark dirt on your protag? Don't let that all go in one swoop. Let them hint at it in drops before they open the dam. Maybe they use that knowledge as a bargaining tool to get an upper hand, or use it to send the trapped protag into a frenzy because they love to watch them scream.

3.) When it comes to threats, certainty is key: A threat is a threat, but there's nothing like a threat being spoken as if the villain knows it's going to happen. Whether your villain has already caught your protag, or is in the process of doing so, everything they say they want to see happen to your protag needs to come with absolute certainty. Almost as if it's a certain warning, and not just something they’re saying to be scary.

4.) Contradictions are your friend: Nothing indicates a warped villainous mind more than some juicy contradictions. Your villain might be talking about how they're going to flay your protag's hide after catching them in their dungeon, only to throw in a subtle "but, you're probably safer here with me." Find ways to toss in twisted contradictions that also underline the crazy shit they might be saying.

5.) Mess with syntax: Unsettling dialogue calls for unsettling structure. Incomplete sentences, unforeseen pauses, longwinded explanations broken up by more unforeseen pauses. Whatever it is, keep the rhythm offbeat. Don't give your reader a chance to be able to tell what's coming.

6.) Expectations? Subvert those: Your protag and even your readers might be suspecting one thing from your villain, so throw them a curveball and hit them with the complete opposite. Perhaps you've reached a point in your story where it seems like the villain might kill your protag on sight. But no, have your villain mention exactly why they aren't going to do that, and why they want to wait it out.

7.) Mix quiet confidence and loud assertion: Some might say that the silent seether is scarier, while others might agree that the sudden explosive type takes the bigger unsettling prize. In my opinion, you can really capitalize on the eeriness of villain dialogue by tapping into both. A villain that speaks on with refined confidence before very suddenly exploding, without much warning, can really power up the dread behind their words.

8.) Sometimes, ambiguity is better than being straightforward: Whether it's obvious that your villain has a lot of tricks up their sleeves--or not--leaving things to the imaginations of your protag, and subsequently, your readers is great for building dread. You can use dialogue to make it clear that they're up to something, but never make them fully disclose what that is. They might show it instead of tell it, or it might just never happen. Either way, it'll likely have everyone looking over their shoulders.

9.) There might be times where silence says everything: You might be worried about penning the correct verbiage for your villain's big evil speech, but sometimes, silence speaks wonders. When used correctly, a long pause, or a bout of silence after your protag has said their piece can build a sense of uneasiness more than them actually speaking would have.

10.) Find ways for your villain to mirror the hero: A monologuing villain is better when they're throwing your hero's values and beliefs back in their face. A hero that believes in mercy? Well, have your villain talk about how they'll make them beg for it. A hero that believes in the greater good? Have your villain talk about their idea of a greater good.

As always, GO WRITE SOMETHING TODAY! <3

[what-even-is-thiss]

People acting like slavery was good at literally any point in history kinda drive me crazy. There's been many different types of slavery and indentured servitude all throughout human history all with a lot of difference and nuance to all of them and all of them have been bad. Like it's fundamentally wrong to take a person's personal ownership of their own body and life away from them and/or to make them work for no compensation against their will.

Slavery has been a bit different in every society that has practiced it and it is always a different kind of bad with that core immorality of stealing a person's personal autonomy from them at the center of it. People throughout history have always preferred owning themselves to being owned by others. There's no ethical way to own another human being.

Like people talk about slavery in ancient times like more modern examples of slavery should've been more like that. No, they shouldn't have. Because they shouldn't have been practicing slavery at all. Perhaps a third of the Roman Empire's population was enslaved. It was incredibly normalized. Did that make it right? No. That was a third of the population that could legally be killed or sold or raped by their enslavers at any time for no reason. That had no ownership of themselves or their labor.

And to be clear, slavery still exists and it's still bad. The excuse now is just that it's only being done to prisoners. Like all the forms of slavery before it, this justification does not make it right. People being punished for their crimes, whether you think prison time is a justifiable punishment or not, are still people. They need to be given control over what work they apply to do and be paid for their work. This is basic stuff and yet. Forced unpaid labor is still happening. It's all bad. It's all nuanced and and complicated and different and changes with culture and time and it's bad.

Like as someone who loves studying history I hate watching other people who study history try to justify these things. Face your actual history. There's a lot of bad in it. We can't change the past but we sure as hell can stop ignoring it.

[margraviate-of-headcanonburg]

I’m somewhat of a ‘location scout’ in another fandom of mine and I loved this post so much it made me search through Pinterest for an hour and a half, finally declaring Mapperton House as the IRL doppelgänger of the British fam countryside estate

(along with the ‘work house’ in London and the ‘family/friends house’ outside but nearby, I can see Arthur also having a real cottage-cottage up north in yorkshire for just him and Fran relaxation)

Hey I have this headcanon about where Arthur would probably live.

I can imagine that Arthur probably has 2 homes back in England. The first is a cottage out in the English countryside, probably in Berkshire or Surrey, someplace that’s removed from the urban sprawl of London but not too far out from civilization. This may have been an estate a long time ago but now it’s just a quaint cottage that houses some relics and memorabilia that he owns throughout the centuries. He usually prefers to stay out here to get away from the hussle of his job, and is a pretty private place of his. No one outside of his immediate circle, which I think includes Francis, his brothers, Alfred, Matthew, and other close friends like Port, have ever been to this place. It’s very special to him.

The second place he owns is actually based on the neighborhood I stayed in when I was visiting my cousin in London last year! He also owns a flat in North London that he uses when he has to report in for work for the both the Prime Minister and the King when he’s needed. I can imagine him living in this area of North London called Hampstead (my cousin who lives in London lives here and it’s this very pretty and charming little neighborhood), which has these Victorian flats with nice gardens in the back. I took a ton of pictures when I was in London last year and they’re below. But I can imagine him staying out in his garden, sitting at a table, drinking tea and reading the morning papers. Hampstead also has this massive park called Hampstead Heath that I imagine he likes to go on walks whenever he’s there. I can see him and Francis going on many walks through the neighborhood and through the Heath when they are in London.

And honestly Francis loves both places! He thinks the London flat is charming and exciting to be at. Although he teases London in front of Arthur, deep down he loves the city’s vibe and culture. But he also loves going to Arthur’s cottage. There’s something so relaxing about being away from work out in the countryside - especially for Francis since he only owns an apartment in Paris.

Sorry for the rambling, I just had a lot of thought on this, I hope you don’t mind! But here are some pictures I took while I was in Hampstead last year!

Ahhh I LOVE THIS 💖 I can definitely see him having a home in the city and one in the country because there are two Arthur's in my head: the stuffy London gentleman and the grumpy countryside grandpa. Like it’s so easy to imagine him dashing down the steps of his town house to catch the tube to work wearing his tweed suit and a bristling scowl, briefcase in hand, leather satchel over his shoulder.

But at the same time, city life definitely overwhelms him sometimes and it is just as easy to picture him in his plaid pyjamas, dressing gown, and slippers; night cap set to a jaunty 30 degree angle; and a woolly blanket over his lap as he falls asleep in his William Morris armchair in front of the TV at 8pm (although lets be honest this would happen regardless of his geographical location, but there is something so peaceful and idyllic about the countryside that makes this hit different. And actually, if he were in the city, he would be falling asleep at his desk on top of a pile of paperwork…)

Sometimes I imagine his only residence to be a cute little cottage but I can’t quite let go of the image of him squashed into a tube carriage, headphones in - probably listening to Queen - and, despite the grotesque glower, he is in his element. It also makes a lot of sense for him to live somewhere closer when going to work (low-key shuddered at the word king but hey ho) but he is a quaint little cottage guy at heart.

<3

As for Franny, of course he has his Paris appartement with an unparalleled view of the Eiffel Tower, and he spends a lot of time there (work, meetings, dates with Arthur/Alasdair) but I also imagine him having a beautiful Provençal country house in which he spends most of his time. Just like Arthur, I think Fran has two sides: the chic, sophisticated fashionista of Paris, and the equally chic and sophisticated fashionista of the countryside asdfgsfghj. I just like to imagine him in his moderately sized bastide, sipping wine on a deck chair in the sun, working on his tan, and falling asleep with a book on his lap.

And of course he is always inviting his close friends around for dinner, including Arthur and his brothers as well as Al and Matt, among a few others! And when he is not living there, I think he would let friends/family/people he trusted stay there gratis. And tbh it is a big house and I don’t imagine he would enjoy rattling around in it alone very often so he always has someone round to keep him company be that platonic or romantic...

Like just imagine all the summers he and Arthur would spend there. Fran is in his element here, but Arthur? Well, he gets uncomfortable when the temperature breaches a modest 25 degrees. He will burn as red as a tomato even with factor 50 and Francis will laugh and poke fun at his sun-dried boyfriend but will ultimately look after him very well ❤️‍🩹

Also since we are here, this is the car he drives.