#people ask me questions?

[musicfeedsmysoul12]

A New AU List of Fics I ACTUALLY Want to Write/Am Writing (Mostly BNHA)

Fics Being Written

Pulling on the Strings of Destiny: A reading the future fic with a single teen mom Fem!Izuku. Long term project.

Pairings: EraserMic right now. I do have other pairings in mind, but as of now am not quite announcing.

TUMBLR TAG/AO3

Mission: Woo Izuku Series: Thanks to a quirk, Izuku's future potential partners are revealed to the world. Mostly pure shenanigans and a lot of ocs. Semi Crossover for Shits and giggles with Dragon Age

Pairings: Izuku/Everyone Basically. EraserMic, Warden/Zevran, Kamui Woods/OC (has not been shown yet but is planned), Hawke/Merrill

On AO3 (I kept switching the stupid tag on tumblr and gave up trying to figure it out)

Diverging Paths: A series where Fem!Izuku is put into an arranged marriage with various people. Long Term Project, multiple 'routes'.

Pairings: IiDeku, TodoDeku, TokoDeku, MonoDeku, HawksDeku (sort of? not really?) Others depending on the fic.

On AO3/On Tumblr

Izuku's Many Siblings: A ridiculous AU where Izuku has multiple siblings. Mostly shits and giggles.

Pairings: Midoriya Inko/Pixie Bob, OC/Dabi

On AO3

Not A fic... Yet, but either being plotted or is being written

Aphrodite Rising: A Fem!Izuku AU where her Quirk is Attract Info, gaining her the ability to gain information on people who find her attractive. She gains OFA as well.

Pairings: OT4 (Iida Tenya/Uraraka Ochako/Midoriya Izuku/Todoroki Shouto), All Might/Midnight, Aizawa/Fatgum, Mic/Thirteen, Midoriya Inko/Tsukauchi Naomasa, others... (it's a rarepair hell)

TUMBLR TAG/AO3 (not on yet)

Purge!AU (The Purge of Heroes? Title unknown): HPSC decides to go through the hero ranks and remove a good portion of heroes who are: incompetent, glory hounds, cruel heroes, caused to much collateral, didn't meet a quota or even just they weren't useful in some cases. This happens before Izuku goes to UA, and a lot of things changed.

Pairings: So far leaning towards OT3 (Tenya Iida/Midoriya Izuku/Uraraka Ochako)

Tumblr Post

Unnamed MASH AiDeku Soulmate AU (Titled as 'Tumblr Made me Do it' as of now, open to change): Age swaped Shinsou, Jirou, Kaminari, Tokoyami, Aizawa, Mic, Midnight and Kurogiri, Magical MASH soulmate stuff is a thing. Disabled Fem!Izuku, Uraraka and Iida. Jirou is Izumi's cousin... kind of crazy.

Pairings: Age changed AiDeku, ShinJiro, MicNight (more later)

Tumblr Post

Predator and Prey AU: Soulmate HawksDekuNatsu with Yandere!Hawks and Natsuo. Murder, drama, a lot of creepy shit.

Pairings: HawksDekuNatsu, one sided TodoDeku, other couples.

Original Tumblr Post/Tumblr Tag

The Fathers of Izuku: Inko went to a sperm bank to have Izuku. However, they found out way later the bank used sperm 'stolen' from HPSC facilities. Said sperm was that of heroes. Izuku is now possibly the child of multiple heroes. Would be various stories with different fathers. (Due to an incident where a few heroes got hit by a villain who could make them sterile, teen heroes also had their sperm taken to. Mostly done for shits and giggles.)

Pairings: Multiple.

No Tumblr Tag yet...

Fics I Have written on AO3 that... I really wanna keep going at, but may take a while. Might do rewrites?

Midoriya Izuku: The Game: Gamer Quirk AU! That's... all I can say. Might rewrite? I like it but lost a lot of interest for some reason...

On AO3

Omega Quirk: Izuku has a Quirk that makes him like an Omega from fanfiction.

On AO3

Decagon: The Supportive Hero: Izuku has a Quirk that lets him boost other Quirks.

On AO3

Devotion to the Aesthetic: Fem!Izuku is a youtuber and loves American/Canadian 1950s stuff.

On AO3

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[frownyalfred]

Jason to Bruce privately in the Cave: “That was the stupidest decision I’ve ever seen you make. Do you really think they’re going to want to be your friends once they find out the truth? If you could unclench for ONE minute this all could’ve been avoided—”

Jason at the Justice League meeting on the Watchtower ten minutes later: “If anyone even LOOKS at Batman I’ll rip their throat out. None of you fuckers understand how many favors he’s doing your sorry asses. If you’re too stupid to listen to Batman, that’s your prerogative. He’s the only thing keeping this damn satellite in ORBIT—”

[brucequeensteen]

are you bisexual. have you been bisexual. Will you be bisexual. when will you be bisexual

[kimmkitsuragi]

oh my fucking god i don't have any clothesssss

[clownoverrat]

"please learn about my disorder so you understand why I react the way I do" and "my disorder is not an excuse to be an asshole" should co-exist and people should understand the difference

[shhh-secret-time]

Fuck it, OC brain rot won. Get ready for the Secret Ask List

1) Does your OC have a voice claim, if so who?

2) Who's your OCs best friend? How did they become best friends?

3) What song describes your OC?

4) What song describes your OC and their partner/love interest?

5) Do you ship your OC with a Canon character? If so who?

6) If your OC is in a fantasy setting, what profession would they be in the modern day?

7) Vice-Versa! If your OC is in the modern day, what fantasy class would they be? Would they be a different race?

8) What hobbies does your OC have? What do they do to unwind?

9) How does your OC handle their physical health? Do they take care of themselves?

10) How does your OC handle their mental health? Do they take care of themselves?

11) What was your inspiration for your OC?

12) Does your OC interact with other people's OC? If so, who's their best OC friend?

13) Does your OC have a rival? How did it start?

14) Who's a character your OC cannot stand! It's on sight when they see them!

15) Will your OC ever retire? Do you see them making it?

16) How's their relationship with their parents? Are they alive?

17) If your OC has kids, are they a good parent? Do they ever feel guilty if they have to leave them?

18) What are their pronouns? What would they like to be called?

19) What's their sexuality? What's their love language both giving and receiving?

20) If they fight, what's their weapon of choice?

21) What song best describes their relationship with their enemy?

22) Fight or Flight? Are they a lover or a fighter?

23) Is your OC reliable? Can I call them up at two in the morning if I have a flat tire?

24) Can they play any instruments? If so, what do they play?

25) Are they the kind of person who can't resist a good song? Can I catch your OC singing to themselves while they do the dishes?

26) What flower do you associate your OC with?

27) What's their spirit tamagotchi? Or an animal you associate them with?

28) What clique would they be in? (Draw them in the clothes of said group!)

29) Imagine a mood board for your OC! What's on it? (Make it if you want!)

30) My OC and your OC are friends. This isn't a question. I'm not asking. (How do they respond?)

[s0fter-sin]

thinking about the way ghost doesn't hesitate to start killing shadows when graves betrays them but soap only takes one hostage

you can almost hear the voice in his head telling him it doesn't have to be this way; they can still talk it out

"i'm calling shepherd"

his first instinct when confronted with betrayal is to play it by the books: to go up the chain. that goes against everything we've seen him do. he bucks authority at every chance except for the one time he's confronted with the barrels of his allies' guns

he wants a peaceful resolution; for the first time we've ever seen, he doesn't want violence to be the answer. there has to be another fix, a solution that doesn't end with him killing the same men he's been working with; his friends

nothing's happened yet

it doesn't have to go this way

but ghost has been betrayed before. he knows the way this ends; either with him six feet under or his enemy

he doesn't hesitate

it's only when they knock alejandro out that soap shoots; when they spill the first blood and cross a line they can never come back from

only when ghost orders him to run and he has to cover his retreat

and somewhere along the line, between civilians’ screams and taunting voices, between his shaking breath and ghost steady in his ear, that naivety is stripped away; his trust turned to teeth that he uses to sink into throats of men he'd have given his life for

"be careful who you trust, sergeant; people you know can hurt you the most"

he's learned the price of trust

just like ghost did

but unlike ghost, he has someone to guide him through the aftermath

"good advice, It"

[calware]

apparently using spiderverse music got the youtube video blocked in certain countries so here it is on tumblr (no thumbnail so it just looks like a black void until you click on it)

[deerspherestudios]

This ask is actually related to a dream I had about the boy. And I'm not quite sure if you've already answered an ask like this. How would he react to a yandere MC or an MC who's very possessive or obsessive?

Depends on how much; he'd like the extra attention but nothing too pushy or demanding from him. If you're subtle he's definitely okay with it but if it's over the top he'd have reason to recoil if I'm honest (which is ironic considering what he'll be later).

Don't be like this though:

[camrynlawl]

people need to talk about them more i think

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[lethesbeastie]

Hi, I saw your post about practicing drawing fat people and I was wondering if you could compile like a list of resources or references?

It can be difficult to find resources for drawing the wide variety of forms fat bodies can occupy, so I've done my best to bring together some resources I've been able to prove have some degree of diversity in the references they offer!

My primary resource recommendation for drawing fat people is Morpho Anatomy For Artists: Fat And Skin Folds! It does a wonderful job breaking down where fat accumulates on the body, how it interacts with the familiar landmarks of human anatomy, and what sort of shapes it tends to form under the influence of gravity. It's a phenomenal reference and my top recommendation for anyone seeking to improve at drawing fat people!

When it comes to finding decent photo references for fat people, the pickings are frustratingly slim. Most sites that specialize in pose references either don't have fat models or have all their images behind paywalls. Of the resources I looked through, the best sources for pose references were Adorkastock and Line of Action.

@adorkastock actively seeks to provide an incredible profile of pose references with diverse body types, and as an added bonus you can access a lot of their images for free on their site/Tumblr or join their patreon for early access to images! Line of action is a site aimed towards practicing figure drawing, providing images and a timed function to challenge artists to sketch within a set time limit. I took the time to go through roughly 300+ images and was pleased to find that during my session around two-to-three out of every ten photos were fat models. The only caveats to this was the fact that most of the images were of the same individual, limiting the applications for studying the variants of fat bodies. Still, it's an amazing tool that has a free mode and allows you to filter the types of references you want based on age and level of nudity.

Beyond sites that specialize in art reference photography, there's also the ever popular Pinterest, which is the site where I typically seek references for my personal studies. Due to the nature of Pinterest's extensive collection, there's a vast variety of references for different fat body types that includes a lot more "everyday" people. The primary issue with Pinterest however is the rampant reposting and lack of proper credits for images, which can make things dicey depending on how you wish to use the references you find. For personal studies this isn't really an issue, but for any sort of professional or paid work is something to be aware of just for the sake of accountability.

* For those who are 18+, porn photography of real people also offers an incredible wealth of visual resources for fat bodies and how they interact with gravity/movement/etc. The variety of positions and angles offer many opportunities to study human anatomy, and it's a pretty well-known fact that drawing NSFW art can be an important learning experience for those struggling with drawing anatomy. In the end, it depends on your personal level of comfort with viewing/drawing explicit images, but it's not something you should completely overlook.

Last but not least, look at the work of artists you admire who draw fat people! While I typically recommend sticking to photo references for learning anatomy, studying artist's portrayals of fat people is also incredibly helpful for learning different tactics for simplifying and/or stylizing fat bodies to better fit ones own style. There are also plenty of artists who've crafted tutorials detailing their approach to drawing fat folks, so I highly recommend you check them out as well! I hope the resources I've linked here can help you in your studies, and feel free to drop another ask if you have any more questions! I'm planning on posting a tutorial on how I do studies for fat people soon, so that will be an additional resource for you once I've got it posted!

[bonefall]

"How big should a Clan territory be?"

For the dozens of people who have asked this over the last couple of years!

This question comes in a lot of forms; "How big are the Clan territories?" "How much space does one Clan need?" "How much land should I give my Clans to exist in?" The answer is a bit complicated, and depends on the type of land, what you're going for exactly, the setting, so on.

But, broadly, there's TWO particular factors at play here; How anthropomorphic you're portraying your warriors, and how productive the land is.

Factor 1: The Anthro Scale

I'm starting with this one because it could you the simpler answer. The Erins write Clan cats like humans in cat bodies, with massive social units and communal living. Realistic feral cats don't act like Clan cats. They are only semi-social, due to domestication.

See, a Clan cat will "share" territory between all of its members, and some Clans have canonically hit populations of over 50 individuals. Real feral colonies consist of "overlapping circles" of somewhere between 2 - 15 cats, most of them related females.

This is relevant because, even in densely populated areas with as much food as they can eat, truly feral colonies will have about 2 cats per 5 acres, capping out at about 15 members. Queens will hang out together and raise their kittens communally, but they will hunt and patrol in their own "circle." These boundaries are violently enforced against outside cats, especially if it's too crowded.

(Toms have circles 5x as big as a queen's, overlapping several territories. They're also considerably less social.)

So, if you wanted to incorporate some cat behavior into your Clan's mindset about how big their territory should be, while still being willing to sacrifice a bit of "realism" for groups over 15-ish members, simply take Clan population and multiply it by 2.5 acres.

30 cats = 75 acres. That's a little under 57 football fields, if you're American, or 50 football fields, if you're European.

Extra reading: How realistic cat territories work. Contains the numbers I'm referencing.

It's also very important to know; feral cat density is completely tied to food availability, the big numbers numbers are for cats whose needs are met. Cats are solitary hunters, and when they feel like they have to work for their food, they become VERY territorial. The density of cats in rural areas can be as low as 1 molly per 15 acres, even lower for toms, and they will leave if hunting is not easy.

THIS IS WHY YOU SHOULD NOT FEED FERAL CATS. Please GOD they are SO invasive, please do not give colonies food, they still hunt when they're full so you just end up concentrating a ton of predators in one place. They are not warriors with a law against disrespecting food, they are just kitty cats with silly kitty instincts

I have a suspicion that most of the people who are asking the question aren't really looking for a "realistic cat" answer, though. We LOVE our big cat Clans with their complicated politics around here. You're probably wondering how much land you need to feed your population!

Factor 2: Land Productivity

The exact amount of space is going to vary a lot, because it's more about productivity of the land to sustain a prey population than it is raw size. Remember what we learned back in Warrior Bites: Dietary Needs; a 30-cat Clan will need approximately 3 pounds of meat (10,500 calories) per day, which is about 2 rabbits, or 105 mice.

Here's some visual examples of what I mean. This one (1) acre homestead...

Has 20 patches of high-value crops, plus an orchard, AND livestock pens. This territory alone could attract enough crows, mice, rats, rabbits, and sparrows to feed all those cats daily. That's not even counting the humans themselves, who may be friendly enough to the colony to toss them kibble occasionally.

(this is why cats domesticated themselves. Even without the free food from the humans, farms are extremely productive hunting grounds.)

Meanwhile, the Edmonton Mall, which is a whopping five (5) acres...

Would be utterly barren. Best food you're going to get out of this wasteland is the leftovers humans toss out, and maybe the rats and pigeons that scavenge as well. It's 5x the space, and yet, infinitely harder to feed the same amount of cats.

So, the most helpful bit of advice I'm gonna give you is this; DON'T ask yourself "how big should this territory be?" You're starting with the wrong question. Start with a real location, and think about how you'd find 3 pounds of meat a day in that area.

It will be a LOT easier to think about the logistics in those terms, and this will lead you to the waaay more productive (and fun) worldbuilding questions. Such as;

"Where would the good hunting spots be?"

"What kinds of animals would they be eating? What sorts of beasts can threaten them, here?"

"How many of these animals would my 30 cat Clan need to hunt a day to equal about 3 pounds?"

"Where would these animals be getting THEIR food?"

"Is there enough habitat in the area for the prey to breed and nest? If not, is there more land beyond the territory that the prey is coming from?"

"Where would infrastructure like dens, walls, and dirtplaces go? What would these be made of?"

"Are there any neat spots for the cats to casually hang out on?"

"What would make for a super cool arena for my climactic narrative boss fights?"

"Does this area have unique stage hazards that my cats would have to learn to deal with?"

"Which sorts of plants and herbs would they encounter?"

If your Clan is tool-using, like BB!Clans are, then you can ask even more advanced questions. Like, where you'd find kindle for fire, what objects you can use as crafting materials, and what might make for unique trade goods.

Think about other things related to your Clan's biome-- in a tundra or desert, there will be less for prey to eat, so the territory will be large to cope with the low density. If there's a major body of water, they might have a constant supply of aquatic prey from upstream. Hunting grounds might change based on the seasons.

Also remember not to underestimate how fast small animals breed, and how many of them there can be in one area. Even using low estimates, 1 female mouse has 6 pups, 7 x 6 = 42, 42 x 6 = 252, 252 x 6 = 1,452. It takes only 4 months for mouse population growth to get exponentially ridiculous.

Finally, remember that prey can vary. A well run Clan would be able to generally understand when they've been overhunting one particular species, and start shifting gears to lift the "pressure" off that population.

(In my cultural expansions series, this management task is assigned to one of the new roles-- the Head of Hunting.)

[ratatatastic]

maffhew who refuses to say runebergin torttu because he knows hes gonna butcher it so bad he might be kicked out of the country the second he tries and staunchly avoids that by going "the one dessert that barky is going to have to explain 😃"

sasha who gets faced with the most generic description of everything hes ever eaten in his life so far because of maffhew and going "???... oh you mean runebergin torttu!"

"he did good he liked the food and he likes the finland so far so its good" sasha says with so much pride now that all the anxiety has left his system that his husband teammate is enjoying his country and doesnt hate it

media availability | 10.29.24 (x)(x)

the smile of a man who knowlingly doomed his husband and said husband using all his brain power to context clues his way to whatever the fuck he just got asked that his brain is running hotter than a mid 2012 macbook air thats somehow still alive in the year of the lord 2024 but girl does she chug along shes louder than a fighter jet

[soup-child]

Tony is the man that made Kelsey realize she didn't like men