#people are strange creatures and all that

[yanderestarangel]

★ ! hidden desires — stalker!bruce wayne x male reader

a/n: This is a repost! The first post has been taken down ( by tumblr itself lol); sorry and thanks for letting me know.

♡⁠┊tw: stalking, suggestive behavior, fingering, casual sex, v! sex, ftm reader, sex with a condom, afab anatomy, blowjob.

Each time he remembered what he had done—stalking you for weeks from the shadows like the nocturnal creature he was—a strange sense of shame settled in his chest. He used his shadowy vigilante persona to justify his unhealthy obsession, but even that excuse felt hollow.

He kept insisting to himself, "It's just for his safety." However, the heat in his groin wouldn't let him pretend otherwise — standing in the rain and cold nights by the window in the building above your house... But lying and manipulating to get into your life and home was not something he usually did.

That night, you'd gone out to the club. People were whispering about a new drug called "Bliss" and some underworld drama involving Sofia Falcone, while the red lights of the club mixed with your carefree expression, oblivious to Gotham's lurking dangers.

Wayne, however, was watching you as always—from afar, waiting for the right moment to act.

He wasn’t oblivious; his glances at a few attractive men at the party hadn’t escaped the dark gaze of the guard’s blue irises. He knew his obsession with you had gone too far, yet he ignored the rational alarms ringing in his mind—and started toward you.

It hadn’t been very difficult for him to get into his pants and into his home, and, to be honest, he didn’t know whether to feel angry or surprised. Perhaps it was a bittersweet mixture he’d reflect on only after leaving the apartment, since, after all, his blood wasn’t exactly rushing to his head.

You whispered a question, asking his name, but his hands were too focused on exploring your body.

"Bruce," he growled, finally breaking the silence. "My name is Bruce." The words came out more tense than he’d anticipated, and he silently prayed you wouldn’t ask anything else—or recognize him as one of Gotham’s elusive big shots.

Bruce’s fingers pressed deeper into your warm, slick heat, curling just right against that sensitive spot that made you see stars. He felt you tighten around him, your body responding to every stroke. With an added finger, he stretched you gently, preparing you for more. His thumb found your clit, drawing tight, deliberate circles as he drove you closer to the edge with relentless precision.

Bruce murmured, "So tight. I can’t wait to feel you wrapped around me," his voice thick with desire. His mouth latched onto your nipple, sucking hard, while his fingers continued their steady rhythm inside you. He felt the tremors in your body, heard your breathy moans, each sound and movement pushing you closer to the edge.

"Come for me," he demanded, his teeth grazing your flesh. "Come on my fingers like a good boy."

And you did, your walls clenching around him as you cried out in pleasure. Bruce guided you through it, prolonging your orgasm and drawing every last drop of ecstasy from your quivering form.

When you finally collapsed back onto the bed, spent and panting, Wayne withdrew his fingers and brought them to his lips. He licked them clean, savoring your taste and scent. It was so sweet and erotic that he felt his cock throb, and all the rationality and chivalry that defined his persona went out the window.

Quickly, the rest of your clothes were removed, and the man with black eye shadow sat on your bed, spreading his thighs and inviting you to suck his cock — a command you immediately obeyed. The sight of you on your knees, your plump lips stretched around his shaft, was almost too much for him.

He tangled his fingers in your hair, guiding your head as you moved up and down, taking him deeper and deeper into your throat, his hips rocking forward to meet your eager tongue. "Just like that, atta boy... Take it all."

He could feel you gagging around him, could hear the wet, obscene sounds of your slurping and sucking. It was music to his ears—a symphony of pleasure that nearly undid him. His other hand found your ass, squeezing the supple flesh as he pulled you closer, pressing his cock deeper down your throat. He could feel you struggling to breathe, could see the tears streaming down your cheeks, but he didn't relent.

"Look at me... I want to see your eyes when you choke on my cock."

He commanded, holding your gaze as you struggled to comply, your eyes watering as you fought for air. But you didn’t pull away or tap out; instead, you leaned in, taking him even deeper until your nose pressed against his pelvis. He was so close to climax, but he held back, wanting to savor this intense connection, feeling your body fully aligned with his.

"No fuck... not yet..." He grunted hoarsely taking his mouth off his cock as he shook trying to hold back his orgasm. "On your hands and knees, now." He ran his hands over your smooth skin, caressing your curves, your softness, a stark contrast to his own hard planes. He was prepared that night, carrying a condom in his jacket pocket, even though he thought the chances of him touching you were zero... Well, apparently not. He positioned himself behind you, the head of his cock nudging against your entrance.

With a slow thrust, he pushed forward, breaking your tight heat. He groaned at the sensation, at the way your walls clenched around him, trying to draw him deeper. He watched his cock disappear inside you, your tight heat enveloping him completely. He could feel every twitch, every pulse of your walls around him, could see the way your body yielded to his, taking him deeper and deeper.

But despite the overwhelming sensations, he remained silent, unsure of how to express the depth of his desire, the intensity of his need. He'd never been good with words, had always been better with actions, with his fists, with his body. You tried to talk to him, however Bruce's hand came down hard on your ass, the sharp sting of the slap echoing in the room. He watched as you jolted forward, your back arching, your head thrown back in ecstasy.

"Shh... Don't talk. Just feel." He punctuated his command with another slap, his fingers digging into the reddening flesh of your ass, holding you in place as he drove into you with renewed vigor. Wayne watched as you came undone beneath him, your body shaking, your walls clenching around his cock. He could feel your release coating his shaft, could hear your sweet whimpers filling the room.

And then he was coming too, his orgasm ripping through him like a tidal wave. He buried himself deep inside you, his hips grinding against your ass as he filled the condom with his seed. He collapsed on top of you, his weight pressing you into the mattress, his breath hot against your neck. For a long moment, he simply held you, savoring the feeling of your body against his, the warmth of your skin, the racing of your heart.

He wasn't used to this, to the intimacy, to the vulnerability. He was better at fighting, at brooding, at being alone... Stalking you was a different thing than finally having you, and he felt no shame in having lied. So he pulled out of you, quickly disposing of the condom before rolling off the bed. He stood there for a moment, his back to you, his hands clenched at his sides.

"I...I should go," he mumbled, not quite meeting your eyes. "I have work to do... It was cool..."

He grabbed his clothes, dressing quickly, efficiently. He didn't know what to say, didn't know how to bridge the gap between what had just happened and what came next... He was used to being your stalker, but now his brain couldn't function after finally getting what he wanted: you.

But he was sure of something, the feeling became more fixed in his chest... He was more addicted in you.

★ ! yanderestarangel©

[inthedayswhenlandswerefew]

Cannibals [Chapter 3: Mist and Bricks]

Series summary: You are his sister, his lover, his betrothed despite everyone else’s protests; you have always belonged to Aemond and believe you always will. But on the night he returns from Storm’s End with horrifying news, the trajectories of your lives are irrevocably changed. Will the war of succession make your bond permanent, or destroy the twisted and fanatical love you share?

Chapter warnings: Language, a tiny bit of sexual content (18+ readers only), violence, bodily injury, dragons being weapons of mass destruction, King's Landing gets some visitors, Larys gets alarming news, Alicent gets an idea, Red gets a shock.

Word count: 7.2k

💙 All my writing can be found HERE! ❤️

Tagging: @themoonofthesun @chattylurker @moonfllowerr @ecstaticactus @mrs-starkgaryen, more in comments 🥰

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There is a chilly steel-grey mist on Blackwater Bay, and another in your skull, your thoughts slow and muddled, the past bleeding into the present. It’s weeks later, the longest you’ve ever been away from Aemond, and the pebbles on the shore needle your shins through your velvet gown the color of cinnabar as you kneel to claw seashells from the muck. Helaena is here with you, and while you haven’t told her your plans for your next mosaic, she somehow knows what color shells to drop into your basket: dark green like Vhagar’s scales, shimmering white like Aemond’s hair. Sometimes there are still creatures hunkered inside, and Helaena can never bring herself to pry them out. She passes the doomed crabs and snails to you for a swift exhumation that you deliver with your bare hands, and then you wash the vacated shells in the surf. Mother and a flock of maids are playing with Jaehaera and Maelor farther down the beach. You can’t go near them, or Maelor will start screaming.

Grandsire comes plodding down the stone steps carved into the cliffside, carrying a plate laden with lemon cakes and slices of fresh bread slathered with butter and blackberry jam. “Helaena, you must eat,” he says.

“I’m not hungry.”

“Helaena, please.” And his voice is gentle in a way it has never been with you. “My gods, why are you wrist-deep in wet sand?”

“We’re collecting shells.”

Grandsire gives you a familiar look: disapproval, frustration. The he turns back to Helaena. “I can’t watch you disappear. You must eat something, I’m not leaving until you do.”

“You like blackberry jam,” you encourage her. But she flinches away when Grandsire offers her the plate, and suddenly you understand, you feel the thought as if it is your own. “It’s the color,” you tell him. “The jam, it’s like…” Like blood, like gore. Like the night Jaehaerys died.

“Oh.” Grandsire is quiet for a moment, remembering. “The lemon cakes, then.”

Helaena reluctantly rinses her hands in the seawater, takes a single lemon cake from the plate, and sits on a nearby rock to nibble on it, gazing blankly out over the inlet. You attended Jaehaerys’ funeral procession in her stead—an act of mercy, of penance, while Helaena spent that day sobbing in the Dragonpit, clinging to Dreamfyre, a pale blue century-old monster with infinite patience. The people of King’s Landing saw the dead prince, his head crudely stitched back onto his tiny body, and howled for vengeance. They burned white-haired effigies of Rhaenyra and Daemon. They gave rare autumn flowers to you and Mother. It’s always strange when you leave the Red Keep to interact with the smallfolk. They call you by your real name, something your family seldom does; they seem to believe you are righteous and wise. Perhaps they even pity you: no husband, no children, no dragon.

Mother has left Jaehaera and Maelor with the maids and is venturing closer. “Are there any new letters?” From Criston or Aemond, or even Daeron in the Reach. The Hightower army has been delayed there, cutting through the treasonous soldiers of House Rowan and House Caswell, Tessarion burning them alive in their armor.

“Ravens,” Helaena says thoughtfully from her rock, and no one knows why.

Grandsire shakes his head. No letters today. Butterwell, Stokeworth, and Rosby have bent the knee; the defiant lords of the Crownlands are being put to death. By now the Green forces will be marching on House Staunton at Rook’s Rest. When Aemond does write, you are not mentioned. With each passing day you find yourself thinking: Has he forgotten me? Does he truly love me? Perhaps this is not so irrational a question. Aemond has never used the word love to describe what you are to each other.

Grandsire frowns at you. You gaze mournfully back. He snaps: “And what’s wrong with you?”

Mother’s reply is hushed and sympathetic. “She’s lonely, Father.”

“Lonely?! She still has us here. Don’t we matter? No, I suppose not, she prefers arrogant fools who imperil the realm with their self-obsession. Perhaps she’d like us more if we wore silver wigs and eyepatches.”

Mother is distressed. “Father, please.”

He waves an irritated hand at you. “I better not find out you’ve been keeping the cats away from your chambers again.” Grandsire had a hundred cats brought to the Red Keep to do the tasks the dead ratcatchers left unattended.

“They scare my babies,” you say.

“Your vermin, you mean. Revolting creatures. Flying pestilence.”

You rise from the sand and pick up your basket, now full of shells. Your head is beginning to ache. Maester Orwyle removed your stitches this morning, but the wound in your chest still pains you more or less constantly, a gnawing sensation like an animal chewing on your ribcage.

“Where are you going?” Grandsire demands. You don’t answer him as you ascend the stone staircase, the waves growling behind you and gulls squawking in the foggy air.

In your chambers, you leave the basket of seashells on the floor and call for wine. The maids fetch it and you drink straight from the pitcher, staring at the little wooden figurines on your dresser until they turn blurry. Among them is Vermithor. You recall what Aegon said when he gave it to you years ago, when you were so stung by the dragon’s rejection: You might not have the real Bronze Fury, but you can keep this one.

Your bats are beginning to scrabble out of their roost and vanish through the window. As the sun sets and the room spins, you crawl into bed and lie there in the darkness clutching pillows, your pulse thudding just above your left eye. You doze in and out of consciousness. Aemond told you to think of him when you are here, and you do whether you want to or not: Aemond spilling red wine down your bare chest and then licking you clean; you straddling his lap and stroking him as he reads myths aloud to you in gloomy alcoves of the library, dust motes wheeling in the air, grinning victoriously when you make him lose his focus; the five game pieces racing around the wooden board, Aegon’s green snake, Helaena’s yellow butterfly, Aemond’s blue wolf, your red bat, Daeron’s purple shadowcat before he was sent away to Oldtown and the rest of you never played again.

Then something hits you, not like a vision but like knuckles that could crack teeth, and you are besieged by what Aemond is seeing in the Crownlands. There is flesh, horribly and ruinously burned, sheets of it sloughing off as Aemond peels away scraps of charred fabric, and the smell of it—like blackened pork, oily and stomach-turning—is in your nostrils, and you can feel the calamitous heat rising off the man who must be dying. You can feel Aemond’s terror, disbelief, desperation; you can feel his tears on the right side of your face.

Dragonfire??

The dreamscape abruptly disappears like a candle blown out. Your head throbs, your eyes are squeezed shut as you whimper into your pillows. Your fingertips go instinctively to the scar on your chest.

Who was burned? Criston? Gwayne?

But now the dire portents are here in your room, and they are real: the ringing of bells, smoke, shrieking, scorched flesh.

You open your eyes, and your bats are soaring back inside through the open window; but they have been turned to comets. They are on fire, squealing as their fur is singed off and the fragile membranes of their wings melted from their bones, herding around their roost as they try in vain to seek shelter inside. The dark blue velvet cover has been engulfed in flames.

“No!” you scream, bolting off the bed.

Your door is thrown open and Mother rushes in, dragging Jaehaera behind her. Helaena waits in the doorway holding little Maelor in her arms. He hasn’t seen you yet, but he is already wailing. The horror is back. When will it end?

“We have to go!” Mother shouts, grabbing your hand and pulling you away from your bats. You know you can’t save them, and yet you are compelled to. They are pieces of you, pieces of Aemond. They are burning to death in the house you built for them.

“What’s happening—?!” And then you hear the screeches of dragons, not Vhagar or Sunfyre or Dreamfyre or Tessarion. Through the window, you see an inferno bloom in the night sky. You get a firelit glimpse of a beast you do not recognize: dark, angular, very large and covered with jagged spines. People are screaming. Rooftops are ablaze.

A wild dragon? Claimed by who?

“We’ll go to the beach,” Mother says frantically. She’s thinking of the escape hatch in Aemond’s bedchamber, the only secret passageway in Maegor’s Holdfast. The king known as “the Cruel” wanted no spies or assassins in his walls. But one door was enough for Daemon’s executioners to kill Jaehaerys. “Helaena will try to get to Dreamfyre.”

But you won’t be able to fly away with the rest of them. Dreamfyre would sooner reduce you to ashes than let you touch her.

Mother knows this. She tells you, low and fierce, her coppery hair like glowing embers: “I won’t leave you. You and I will find another way out of King’s Landing.”

“You should escape on Dreamfyre if you have the chance.”

“Never,” she says. And then again: “Never.”

In the hallway, Grandsire has arrived, panicked and urging everyone towards Aemond’s bedchamber. He wheezes, breathless from his sprint through the castle: “I saw Syrax and Caraxes, and Vermax too I think, or maybe Moondancer, a small dragon…but who is the other one? It’s not Meleys. It’s a hideous creature, it looks deformed.”

“I don’t know,” Mother says. Hordes of yowling cats careen past your bare feet.

“Could Rhaenyra be finding new riders?” And Grandsire, a man who is afraid of very little, is petrified down to his bones by this.

I should have a dragon, you think, forlorn. I should be able to help fight this war. And instead I am worthless.

“I don’t know, Father,” Mother says again, and you follow her through the threshold and into Aemond’s abandoned bedchamber, illuminated only by the moonlight that streams in through the windows. You have not been in here since Jaehaerys died; the stone floor is still stained with his blood. Helaena begins sobbing, clutching Maelor closer to her chest. Downstairs, you can hear swords clanging and men groaning as they die.

You hurry to the hidden door and ram it with your shoulder, but as the passageway opens, you see red-orange torchlight approaching through the blackness like fire boiling up in the throat of a dragon. Rhaenyra’s soldiers are already here. You try to close the door, but now knights in armor are forcing their way inside the room. And Grandsire, who has never liked you, pulls you away from the breach and puts himself between you and the intruders.

“The hallway, back to the hallway!” he booms, giving you a shove, and that is the only place left to go. You, Mother, Jaehaera, Helaena, Maelor, and Grandsire flee from Aemond’s bloodstained bedchamber. But your captors have climbed the Grand Staircase—the place where you once waited for Aemond to return from Storm’s End, so convinced that he would not fail you—and now they are here.

Under the torches carried by her guards, Rhaenyra alternates between firelight and shadows. Daemon marches beside her, his face severe, his sword Dark Sister drawn. Mother pushes you, Jaehaera, and Helaena, still carrying Maelor, against the cold stone wall. Grandsire stands in front of Mother. Jace is walking behind Rhaenyra and Daemon, you notice, dressed in red and black, his cloak billowing behind him. The last time you saw Jace, you were smirking when Aemond shoved him off his feet at the last dinner King Viserys ever attended. Now you are trembling with thunderstruck terror.

Rhaenyra is supposed to be bedbound on Dragonstone. Daemon is supposed to be in the Riverlands.

Daemon points at you with the tip of his blade. “You should have that one executed,” he says to Rhaenyra. “Isn’t she Aemond’s whore?”

“They were never married,” Mother tells him, her dark eyes huge and reflecting the torchlight, her arm thrown in front of you.

“I didn’t say wife, I said whore.”

“Daemon,” Rhaenyra warns, and she studies you, Helaena, Grandsire, Mother. Her blue eyes are sharp like fractured glass, edges that glide effortlessly through arteries and veins; there is a queenlike composure in her face, but beneath that wrath, wrath, wrath. After a moment, she says to her guards: “Take the adults to the dungeons.”

Mother and Helaena are shouting and protesting, trying to stop the guards that rip Jaehaera and Maelor out of their grasps. Grandsire is attempting to negotiate. Rhaenyra and Daemon ignore them, continuing on down the hallway, taking possession of the rage-red castle where they first fell into their peculiar, destructive breed of love.

As he passes by, Jace glowers at you and you glare back, and when he reaches for the hilt of his sword you bare your teeth at him; but before Jace can draw his blade—to threaten you, to frighten you, to spill your blood the way Aemond spilled Luke’s—the guards have dragged you away.

~~~~~~~~~~

Your head is very bad now. The pain is almost impossible to think through; you are sick with it, retching into a wooden bucket until there is nothing left to expel. If Aemond was here, he would be holding you, murmuring to you in High Valyrian, pressing a cloth soaked with cold water to your forehead. But Mother is here instead, and she is doing the best she can.

It’s the next day, cold grey light tumbling in through cracks in the walls. You are imprisoned on the second level of the dungeons, reserved for highborn captives; you and Mother are in one cell, Helaena and Grandsire in another on the other side of the aisle. Helaena has been weeping constantly, worrying for her children. Grandsire and Mother try to console her as you lie pitifully on the floor, wishing the pain would knock you unconscious. You need Orwyle and his milk of the poppy. The guards have brought bread and water, but nothing else.

There is a creaking sound from several cells away, and then a slow shuffling accompanied by the tapping of a cane. Mother keeps one hand on your shoulder as she cranes her neck to see her visitor. Grandsire and Helaena move to the front of their cell, their fingers gripping the rusted iron bars.

Larys Strong appears, his hands resting on the handle his cane. Unlike Maegor’s Holdfast—the residence of the royal family—the other buildings of the Red Keep are rife with secret passageways, a latticework of corridors that one unfamiliar with their paths could get lost in forever. Surely Daemon and his confederates are in the process of searching them, but it is a task that could take a week.

“Lord Larys,” Mother says, relieved. “They have not found you.”

“Not yet, Your Grace,” he replies docilely. “Though I’m sure it will not take much longer.”

“Can you retrieve some milk of the poppy?” For you, she means.

“I will try.” Then he stalls, as if he does not wish to share what he has heard through his clandestine chain of whispers. “Something has happened at Rook’s Rest.”

Mother’s brow furrows. “Where?”

“The seat of House Staunton,” you tell her from where you lie on the floor, remembering it from the maps in Aemond’s bedchamber. He would tell you things, show you things, sometimes kindly, sometimes tauntingly, sometimes as he undressed you. He would quiz you and if you got an answer wrong, he would put your clothes back on.

“In the Crownlands?” Mother says to Larys, alarmed. “Is Aegon alright?”

Larys takes a moment to decide how to proceed. “The castle was captured without much difficulty, but a maester there must have gotten a raven out, because Dragonstone received word of the attack and was summoned to defend Rook’s Rest and retake it from the Greens. It is located very close to Dragonstone, and thus cannot be allowed to fall into the hands of the enemy.”

Larys pauses and looks at his audience. Grandsire asks: “So who answered the message?”

“It seems that Rhaenyra, Daemon, and Jacaerys were already preparing for an invasion of King’s Landing and were elsewhere,” Larys says. “The other dragon, the large brown one, is called Sheepstealer and is ridden by a peasant girl that Daemon found. There are rumors that he has grown somewhat…attached to her.”

Mother grimaces, tugging on the seven-pointed star necklace she never takes off. “He’s a beast.”

“The girl is a Targaryen bastard?” Grandsire says, confounded. “Whose? She’s not a child of Viserys, surely. Where the hell did she come from?”

Larys is apologetic. “I could not tell you, my lord. If I discover anything else concerning her origins, I shall share what I learn. She is known as Nettles.”

“Nettles?” Grandsire snorts.

Larys continues: “When the raven reached Dragonstone, Baela received the letter. It appears she was told that Sunfyre was the only dragon guarding Rook’s Rest at the time, and that Vhagar was away feeding. She must have thought she could best the king, or at least chase him away from the castle.”

“An understandable error,” Grandsire says, and you scowl at him between fruitless retches into your bucket. The thrumming in your skull is like blows from a hammer, rhythmic and disorienting. Your face is hot with fever; it radiates off of you in waves. Mother rubs your back—although somewhat cautiously, as if she is afraid that barbs might split through your skin to prick her—and offers you sips of water.

“Baela left Dragonstone, likely without permission. Rhaenys followed her on Meleys, but Moondancer was faster.”

“Meleys?” Mother says, startled. “Meleys was there too?”

Larys nods solemnly. “Aegon and Sunfyre attacked Moondancer and broke her neck high in the air. Baela perished when her dragon fell to the earth.”

“Daemon’s daughter,” Mother exhales, wondering what the retribution will be. “Jace’s betrothed.”

“And one of Rhaenys’ only two trueborn grandchildren,” Larys says. “When she arrived at Rook’s Rest and saw Moondancer’s carcass smoldering just outside the castle walls, she pursued the king before he could retreat. And Sunfyre…he was no match for a dragon as large as Meleys.”

“Aegon, he’s…?” Mother cannot bring herself to speak the words aloud. Tears gleam in her eyes. “Is he…is there no hope…?”

The ruined flesh, charred and raw, you remember from your horrifying glimpse into Aemond’s mind. It wasn’t Criston or Gwayne. It was Aegon.

“He was burned,” you whisper, and Mother stares at you.

“Aemond returned on Vhagar, and they slayed Rhaenys and her mount. But not before the king and his dragon were engulfed in Meleys’ flames.”

“He’s dead?” Grandsire says, emotion you’ve never heard before in his voice.

No, you think. Not yet.

“Aegon and Sunfyre are both gravely wounded,” Larys replies. “It is uncertain whether either will survive. The Blacks received the news just before their assault on King’s Landing.”

“Where is Aegon now?” Mother says.

“I’m not sure, Your Grace. He was still at Rook’s Rest last I heard, but they might move the king elsewhere to keep him hidden. I would imagine Aemond and Sir Criston Cole are requisitioning maesters from nearby houses to treat him.”

“Burns,” Mother sobs. “He must be suffering terribly, the pain…the disfigurement…”

Grandsire drums his fingers on the bars of his cell, his rings clinking against the rusted steel. His expression is remote, somber, resigned. “So we have two dragons capable of combat, one of which is young and small and pinned down by battles in the Reach, the other is on the far side of the Crownlands and trapped there while Aemond tries to keep our king alive. And Rhaenyra is here in the capital with Syrax, Caraxes, Vermax, and this new dragon Sheepstealer, larger than any of her others, and her faction seeks vengeance for not one but three royal deaths.”

In reply, Larys Strong only bows his head. Mother swipes tears from her cheeks and tucks your hair behind your ears as strands escape your braid.

“Well,” Grandsire sighs. “I believe we might be losing this war.”

There is the distant noise of a door’s hinges creaking, and Larys hobbles out of sight, retreating to the secret passageway he previously emerged from. A minute passes, and then footsteps echo down the corridor. Daemon strides into view, swinging Dark Sister in his right hand, and you are suddenly reminded so much of Aemond’s mannerisms that the absence of him guts you all over again, vital parts of you excavated like the organs of a slaughtered animal. Daemon is accompanied by several guards and a group of noblemen who you assume are members of Rhaenyra’s council. You recognize among them a tall man with short grey hair, Lord Bartimos Celtigar.

Daemon says: “Princess Helaena, the queen has taken your tiny, traitorous children to ward. Perhaps one day you will see them again. Perhaps not.” She gazes out from her cell vacantly, her face bloodless with shock and fear. Then Daemon turns to Grandsire. “Otto Hightower, you orchestrated an unlawful rebellion and therefore you will be put to death.”

Grandsire gapes at him. “What? When?”

“Oh, immediately.” Daemon steps back and the guards unlock the cell, seize Grandsire, knock him over and drag him wriggling on his belly into the corridor. Mother pleads for his life. Helaena shrieks and claws for him, trying to keep him with her. The guards fling her roughly away and slam the door of her cell shut before she can escape.

“No, no, do not mourn me!” Grandsire is bellowing as he is hauled away. “I am an old man, I have lived a good life, do not think of me, think of the living and what you can still do for them!”

“Father!” Mother wails, reaching through the bars of her cell though she knows she will never touch him again.

“I am ready to see your mother, Alicent,” Grandsire says; and then he is gone. The men of Rhaenyra’s council begin to file out of the dungeon.

“You followed us across the Narrow Sea, Lord Celtigar!” you shout after him, crawling across the floor and pressing your face against the bars of your cell. “House Targaryen saved you from the Doom, and now you rip it down from within by aiding a usurper. We will not forget your treason when the war is won. We will visit you on Claw Isle and bring with us fire and blood. And you will have no defenses. You are no dragonrider.”

“Neither are you, princess,” he says cooly, and leaves you in your prison.

Daemon is the only man still standing in the aisle. He peers down at you with shadowy deep-set eyes and twirls his Valyrian steel sword again. He grins, humorless, hungry, burning up inside with fury. “Perhaps I’ll be back soon.”

Mother yanks you away from the bars, and you can see what she’s thinking etched into the desperate lines of her face: How can I save her?

“I’m going to behead your father now,” Daemon tells Mother, then sweeps down the corridor. There is the sound of a heavy door closing when he reaches the end of the hall.

“Do not speak to them,” Mother hisses to you, and you are in too much pain to respond. Now you can hear men jeering out in the courtyard of the Red Keep. Daemon is listing Grandsire’s crimes. Crows are cawing.

He’s going to die too? you think dizzily. When does this end, how do we stop it?

The door at the end of the hallway opens again, and Mother stands and places herself in front of you; but it is not Daemon this time, relishing his chance to drag another Green to their death. It is Rhaenyra and Jace. The Blacks’ queen stops at your cell, her son a few paces behind her. He looks at you with heartbreak, with hatred, and of course he does; one of your brothers murdered Luke, the other killed Baela. And he does not believe you to be blameless like Helaena. You are a very different sort of woman.

“Alicent, your degenerate son’s insurrection is over,” Rhaenyra says. “I have taken the city and—”

“Jace needs to strengthen his claim,” Mother interrupts. Outside, men are cheering; Grandsire’s head has been struck from his shoulders. In her cell across the aisle, Helaena sinks to the floor and sobs quietly into her palms.

Rhaenyra studies Mother, incredulous. “What did you say?”

“There have always been people who doubted his parentage, as you well know,” Mother says, and you can see her hands are trembling; but her voice is steady. “And there are many who favor my line. They fear Daemon’s recklessness, and perhaps yours as well.”

“You speak so boldly for a woman who stands behind bars.”

Mother is unflinching. “Perhaps you imagine that you will kill every last Green, and all of our loyalists throughout the Seven Kingdoms, millions of people, and therefore you will have no use for bricks upon which to build a lasting peace. But I think that would be a mistake.”

“And you wish to help me?” Rhaenyra mocks.

“I wish to safeguard what is left of my family.”

The woman who calls herself queen considers this. Surely the same hope lives in her ribcage as well, the same catastrophic fear that it will prove impossible.

“One way or another, the war will be won,” Mother says. “And whichever side triumphs will have the other at their mercy.”

“I will have you at my mercy, yes.”

“Aemond and Vhagar are still out there. Underestimate them at your peril.”

“And what is your suggestion?” Rhaenyra demands. “To bolster Jace’s claim, to save your own skins?”

“Baela is gone and he is unspoken for. You once offered to unite our bloodlines by marrying Helaena to Jace. Perhaps if I had accepted that, I could have spared us this torment. I was wrong to dismiss your proposal so swiftly, Rhaenyra. I did not give you the respect you deserved. And I have reconsidered.”

Rhaenyra is puzzled. “Helaena is already married. Unless you have proof that Aegon is dead, which would be welcome.”

“No. I have another daughter.”

Both you and Jace begin to object at once; your mothers silence you with fearsome glares.

Rhaenyra is aghast; her sharp blue eyes dart to where you are slumped on the floor of your cell and then back to Mother. “This is a sickening insult.”

Mother seems calm, measured. It cannot be easy for her. “Willingly marrying my daughter to Jace is accepting his legitimacy. She is a Green, and very close in age to your son, and from what I have heard of Jace’s temperament I believe them to be well-matched.”

“I don’t,” Jace says.

Rhaenyra shakes her head in disbelief; but is there a ripple of uncertainty across her regal face? Yes, you think there is. “Aemond has already bedded her.”

“And who has said this?” Mother asks. “Daemon, who hates my family and has no mind for strategy or alliances? Rhaenys and the Sea Snake, who hungered for the Iron Throne all their lives and saw a chance for their descendants to possess it through Baela?”

Rhaenyra is looking at you again. “I’ve seen the way they watch each other. The way they move.” The dinner, she means. The night that Viserys died.

“She is a maiden,” Mother insists, but she gives you a transient sideways glance. Are you? “They had a flirtation, yes, as is so common for siblings of your foreign house, but nothing more. I would never have allowed fornication or the use of moon tea to disguise its consequences under my roof. They are grievous sins. You know me. You know my devotion to my faith.”

“She will submit to a maester’s examination to make sure?”

“Did you, Rhaenyra? Before you and Laenor Velaryon were wed?”

Rhaenyra raises an eyebrow. And you have the sense—vague and dreadful—that perhaps it is dawning upon her that taking something Aemond holds dear might have its advantages. “What do you want in return?”

“We have both lost innocent people,” Mother says. “There has been enough bloodshed. It must stop somewhere, or all the Targaryens will be dead and their dragons too, and this dynasty will vanish from the earth, and our ambitions will be for nothing. If you do indeed win the war, I want my surviving children and grandchildren spared. And my brother Gwayne, and Sir Criston Cole.”

“I cannot give you Aemond.”

“If you swear that you’ll pardon him, we shall do the same for Daemon if it is our armies that triumph.”

Now the hope is unmistakable on Rhaenyra’s face. “And my remaining sons will be allowed to live? All of them?” Even Daemon’s?

“Yes.”

She muses on this. “You make tempting promises, Alicent. But I don’t have any conviction that Aemond will heed you if Aegon dies and he is made regent until Maelor is grown. I don’t believe you can control him.”

“He’ll listen to his sister,” Mother swears. “He will not do anything that would bring her despair. And if she is married to Jace, she will come to love his family as her own. All the more so if they have children together.”

“She might not be trustworthy,” Rhaenyra says.

“She is of no threat to you. She is untrained with the sword, she rides no dragon. And you have her mother, sister, niece, and nephew held captive. She would not endanger us.”

“You have great confidence in her. Your hopes for survival are in her hands.”

“She is spirited, but she is clever, and she loves deeply and enduringly. She will do whatever is required to protect her own.” Now Mother’s voice breaks. “I want her sent away.”

“Mother, no—”

“Far from the war, far from Daemon,” she says, ignoring you.

Rhaenyra is nodding. “Somewhere secluded and peaceful…all the better for her to quickly give Jace an heir. The Riverlands, yes? Perhaps House Footly of Tumbleton.”

“No, not far enough. The Westerlands.”

“The North,” Rhaenyra counters.

“The Stormlands.”

“The Vale,” Rhaenyra says. “There will be no battles there, winter has already begun in the mountains and the roads are treacherous. She will be tucked away in obscurity until the war is won.”

“The Vale,” Mother agrees. She looks down at you and smiles, soft and sad and merciful. At last, after eighteen years, she has saved you.

Jace is whispering furiously to Rhaenyra, but she holds up a hand to stop him. He is exasperated. The supposed queen tells Alicent: “I shall think on this tonight.”

“She needs Maester Orwyle,” Mother says, kneeling beside you. “She is ill, she gets headaches. This place is bad for her. It’s the cold and the dampness. And the fear.”

“I’ll consider that,” Rhaenyra quips, and then she leaves, the hem of her black gown displacing dust on the floor of the aisle. Jace gives you one final glance���seething, appalled—and stalks after her. At the end of the hallway, he slams the heavy wooden door.

“I won’t do it,” you snarl, sick in body and soul. “I won’t, I won’t. I don’t care what you say.”

“We are in a fucking dungeon,” Mother says, grabbing and shaking you, and you’ve never heard her curse before. “Do you want to try to save your brothers’ lives? Or do you want to surrender to the destruction of our house? If you care for Aemond, as I know you do, you will give him a chance if he and Criston cannot win on the battlefield. You will earn Jace’s affection and convince him to spare us.”

You look at her, weak, stunned, at war with yourself. Jace can’t touch me. Only Aemond.

She asks you something; it takes great effort. “You are still…you haven’t…you’re a virgin, aren’t you?”

You hesitate. “In the literal sense.”

“In the…? Never mind, stop, I don’t want to hear any more.” Mother takes a deep breath. “Good. Then we haven’t lied to them. Jace might be able to tell. Sometimes there are…signs. Pain, blood.”

“He’s a bastard,” you hiss.

“He’s Rhaenyra’s son, and so he is a Targaryen and a dragonrider. And if Jace’s side wins, he will one day sit the Iron Throne. He can be proud, but no one says he is cruel. I don’t believe he would harm you. Your brothers are warriors, but you’ve never killed anyone.” Then she goes soft and hushed, and she cups your face with her gentle hands. “I know you’ve always thought you would marry Aemond.”

“Mother, I love him.”

“My darling, my brave girl, what you and Aemond have is…” She shakes her head, her large dark eyes grim and glistening. “It’s strange, and violent, and obsessive and profane and…and…unnatural.”

You are defiant. “If we had grown up in a true Targaryen court, we would have been expected to be this way. We would have married years ago, and no one would have condemned us for acting exactly like what we are. We aren’t First Men or Andals. We are the blood of the dragon.”

“It’s an affliction that brings nothing but sin and suffering.”

“You wed Aegon to Helaena!”

“And it has been a source of tremendous sorrow for them both,” Mother says, and now she is weeping again. “I should have stopped their marriage. But I was young, and I had already refused Rhaenyra’s offer of a match with Jace, and Viserys was so adamant, and I thought…maybe…maybe it’s not an offense to the gods. Maybe it’s just something I don’t understand. It was my husband’s custom, and so I deferred to him, as I had been taught to. But I was wrong. It’s too late for me to undo the pain I’ve caused Aegon and Helaena. It’s too late for me to mend Aemond’s eye or his soul. I can’t spare Daeron from the horrors of war. But I can still save you.”

“I belong with Aemond.” I belong to him.

“You don’t know better. You never had a choice.”

“I’m not you, Mother,” you say. “I’m not a Hightower or a Lannister or a Baratheon. I’m not like them, and I don’t want to be. I want to be Visenya.”

“You’re not going to be anyone if Daemon convinces Rhaenyra to have your head hacked off your shoulders.” Her vast eyes, dark like the mouth of a well, plead for you to understand. This is not a punishment; it is tenderness, it is compassion. “I would do anything to save you and Helaena and your brothers. Anything. You marrying Jace unites the realm. It provides a cornerstone around which to build a peaceful resolution. He will protect your kin. When the battles are past, we can negotiate a divided Westeros, or a line of succession, or exile to Essos or banishment to the Wall, or anything else that will preserve the lives of the people we love. And if Aemond can still win somehow…” She shrugs, and you know whatever affection she once had for Rhaenyra is dead now. “Then he can do whatever he wants with the Blacks who are left.”

I don’t want them to die. Aemond, Aegon, Criston, Daeron, Mother, Helaena, Jaehaera, Maelor.

Mother asks: “Will you do it?”

Aemond, Aemond, Aemond.

Again, desperately: “Will you do it?”

And you cannot look at her when you answer. “Yes.”

~~~~~~~~~~

Maester Orwyle appears an hour later to dose you with enough milk of the poppy to kill the pain in your skull, and when you sleep it is deep and dark and dreamless. Rhaenyra, Daemon, and Jace arrive at first light, dreary grey dawn trickling into the dungeon. You know what she has decided. Both Daemon and Jace are scowling, and you think, somehow knowing that it is true: The more they try to dissuade her, the more convinced she is. She feels the need to remind them that she alone was Viserys’ heir, that she is a queen in her own right.

“Just marry him to Rhaena!” Daemon is ranting.

“Rhaena brings nothing to our cause that we do not have already. And she will always feel second to Baela. She knows Jace loved her sister. It is perverse.” Then Rhaenyra collects herself and asks Mother: “She consents?”

“She does.”

Rhaenyra turns to Jace. His reply is toneless. “I will do as you bid me to, Your Grace.”

“She will be in the keeping of House Corbray until the war is over,” Rhaenyra says, nodding to you. “They are an honorable but old and modest house, and of little strategic importance. No one beyond who is absolutely necessary will know where she is, for her own safety and that of the children she bears. Jace will fly her to Heart’s Home.”

House Corbray. You remember their banner, Aemond once taught it to you: three black ravens, three red hearts. You have a memory of being in the library with his lips on your throat, his fingers skating up the inside of your thigh, whispering for you to keep quiet as maesters stock books on the other side of the shelf.

“She cannot ride a dragon,” Mother says.

“Sure she can, if he puts her on Vermax.”

“No, you don’t understand,” Mother insists. “Dragons hate her. She cannot go near them. They will attack her, they will kill her. She and Jace will have to travel by ship.”

Rhaenyra is taken aback by this. Daemon scoffs: “What the fuck kind of Targaryen repels dragons?”

“The kind that will never be able to fly to battle against us,” Rhaenyra mutters, and you think: She is angry with him. He has done something, he has displeased her somehow. And you wonder about the girl who rides Sheepstealer.

Your eyes drift to Jace, you cannot stop them. He stares back from beneath dark curls, his gaze hard like the cold stony earth of the Vale, his fingers tapping on the hilt of his sword.

~~~~~~~~~~

It’s the very first time.

You are at your vanity, and you are supposed to be getting ready for dinner: choosing your earrings and bracelets, combing out your hair before you braid it, a silver river that shimmers like moonlight in the mirror’s reflection. You have bathed, and steam still clings warm and dewy on your skin. You wear a silk robe the color of ripe cherries and nothing underneath it. Candles flicker, cool evening air breathes in through the windows…and your mind is wandering.

For years, you have felt episodic pangs of longing, an indistinct need, a deep untouchable hunger, and you have never found a way to satisfy it. It waxes like a moon growing full and then wanes into nothingness, but it always reappears again, and tonight you are feeling restless, occasionally shifting on the cushion of your chair, seeking the pressure that gives you a taste—and only a morsel, a nibble, a drag of the tongue—of what fulfillment might feel like. Lately, when you are like this, you find yourself thinking of Aemond. He has never spoken of it directly, but you have noticed the way his eye catches on your chest and your hips, how his hands linger when he grabs or shoves or embraces you. You can’t stop wondering what it would taste like to kiss him. You can’t stop imagining which positions he would fuck you in, remembering the lustful figures on the tapestries that hang from the walls of Aegon’s bedchamber.

Your hand settles in your lap, and there—over the glossy blood-colored silk of your robe—presses down tentatively. You sigh, you writhe, you picture Aemond forcing your thighs apart and gazing transfixed at the rare pieces of you he’s never seen.

How do I satiate this craving, how do I make it go away?

Your bedchamber door opens and Aemond stands in the threshold, black leather and silver hair. “Are you ready yet—?” Then his eye drops to where you snatch your hand out of your lap, not quickly enough to escape him noticing. There is a stretch of silence that seems very long. Then Aemond’s scarred forehead furrows and he asks: “What were you doing?”

You consider lies; they dangle in front of you by the dozen, so many ways to deflect or deny or even to disparage him, those prickly games of wordplay. But when you speak, it is not just the truth. It is an invitation. “Thinking of you.”

And Aemond steps into your bedchamber and shuts the door behind him. He crosses the room, kneels in front of you, reaches beneath your robe to hook his arms under your thighs and yanks you halfway out of the chair. You yelp in exhilarated shock as he buries his face between your legs, and then your fingers knot in his hair, and then you are pushing him closer, shaking, awestruck.

Is he really here? Is this finally happening?

You cannot stay quiet when the pinpoint ecstasy opens, blooms, drags you to places you never knew existed. It is something too powerful to be found in the world of mortals. It is bloodmagic, it is shade of the evening, a poison so sweet you’d let it ruin you.

Afterwards—collapsed and gasping on the stone floor, your robe open and your body laid bare for him, flesh that he has claimed irrevocably, bones he owns like a dragon or a blade—you say: “What was that?”

“You had a climax,” Aemond murmurs. “It’s easier for a man, but they are possible for women too.” He smooths your hair back from your face; it is unbound and wild, spilling all around you. You think vaguely: He wants me even when I don’t look like Visenya? He ghosts his thumb across your lips and then kisses you, and it is nothing but warmth, desire, the shared minerals your blood is built of, undying affinity like the celestial kinship of stars in the same constellation. “You can always ask me to take care of you, and I’ll do it. I’m the only one who is allowed to. No one else, not ever.”

This is no sacrifice. You have never wanted another man, and now you know you never will. “Teach me how to satisfy you,” you say, smiling. “I want to see you helpless too.”

Before you dress and leave your bedchamber, you erase as much of the evidence as you can, washing your skin clean and taming your hair into a tidy braid; but still, Mother frowns worriedly at you and Aemond all through dinner.

[palesweetscherryblossom]

A Cat’s purr

Warning: Mention of child neglect, murder, Yandere behavior, tumblr divider was made by @strangergraphics

Life in your tiny mountain village was considered to be very mundane and uneventful. Well, aside from the fearsome cat beast that’d been terrorizing the place. The current explanation was that your village head had struck a deal with the Bakeneko and had failed to deliver his end of the bargain.

Angered by this, the cat yokai had declared vengeance on your village and he wasn’t bluffing either. First, the creature had killed half of his livestock. Then scared away all the distributors who traded with the citizens with wolves.

Disturbingly, he got strangely playful with his torment. Turning poor villagers into mice and chasing them like it was a game, dancing as a cruel taunt and then delivered a horrible famine to the place.

‘I won’t stop till I’m given what I’m owed, stupid humans.’ It’d hissed when people had pleaded for it to cease its torment. It was agreed upon that something had to be done.

You were the child of a poor family and you were humbly offered up for the task. After all, no one would miss you.

Bitter winds swept over your form as you trudged through the unforgiving snow. E/c eyes wandered to your lantern which was loosing light. Your mind was elsewhere though, swarming with pleasant, comfy thoughts of warm blankets and pillows, a hot meal and loving hugs.

Your family had preferred to busy themselves with their jobs and children that they had actually wanted. You were just the unfortunate “accident.” Always the last to eat and be acknowledged.

So you spent your time either in nature or your schoolwork. The only time you got genuine attention was from a strange cat.

A simple blue colored one, with red eyes and sharp teeth. It’d been nice enough to sit with you when you were by the pond. It let you pet it, occasionally purring and going as far as to loaf in your lap.

Your thoughts were interrupted by you tripping on a branch. “Ack!” You seethed with pain as your lantern rolled down a steep hill as you focused on the pain. “Ow, ow, o-ow..” You sniffled almost childishly, clutching your ankle as you tried to get up. Then you heard a low meow.

Tomura hadn’t considered himself soft for humans. He regarded them as weak, soft creatures who couldn’t tell their hand apart from their ass. Except for you.

You were a gentle little thing. He’d spotted you by the koi pond, a place where he’d get a little snack every now and then. You were there, crying your eyes out.

At first Tomura wanted to mess with you but changed his tune when you regarded him with gentleness. You didn’t swat him away or yell at him, you let him come to you.

You’d given him a sad plight, you weren’t getting the attention you deserved and were being treated like a ghost rather than a child. Tomura was reminded of his mate, who was abandoned after getting too sick to take care of.

Imagine his disgust and shock to see you, all out in the cold with nothing to protect yourself.

“Isn’t this a shame.” He rasped, catching your attention. “I thought you humans were pack types, not loners.” He mused, sitting by you.

You tried scooting away, for you realized that this was the Bakeneko you were destined to slay. “Ah, ah, don’t strain yourself, kit.” Tomura chided, getting closer. “I’m a friend.” He purred.

“W-what do you want?” You sniffled, trying to wipe away your tears. “A-are you going to h-hurt me?” Tomura shook his head.

“No, I don’t bother with little mice like you.” He stretched before turning to you. “You know, little kittens shouldn’t be out at this time of night. Should be in bed.” Shigaraki tilted his head.

“I-I know.. I-I just gotta s-slay you.” You weakly whispered, trying to muster up strength.

“But how could you do that when you can barely get up?” Tomura teased. “Don’t strain yourself, kitten.” You frowned at the patronizing tone he took.

“I-I’m not a kitten, I’m a human.” You huffed, weakly swatting him away. Tomura chuckled, hopping on your chest.

“Hmm, nope. You’re just like a kitten. Small, helpless, cute.” He bapped his paw at your face gently. “Where’s your pack, hm? Surely they didn’t send someone as frail like you out.”

You let out a brittle whimper. They did. Just handed you a flimsy knife and told you to find the beast! While everyone else was warm and cozy in their homes, you were freezing to death and being taunted by the creature!

“Oh, don’t cry.” Tomura’s soft voice brought you back to reality. “They really did send you out here by yourself, huh?” You nodded weakly, earning a sympathetic meow from him.

“Poor kitten, my poor baby.” He purred, nuzzling your face. You couldn’t stop yourself now, fully crying as you held him.

“Shh, it’s alright. There there my poor thing.” He purred, delivering a few kitten licks. His parental instincts were kicking up slowly, watching you sob helplessly only amplified them. You didn’t deserve to suffer like this, no. Those filthy humans had no right treating his kit like this.

“You know, you don’t have to go back.” He murmured, slowly transforming into his more humanoid form. “Why don’t you come with me? I’ll keep you warm, fed and cozy in my home.” You snuggled up to him for warmth, weakly nodding off.

“Your wish is my command, my sweet kit.”

You were never seen again

[the-greatest-magic-of-all]

Leaving a mini offering for when you awaken - Thanks for chatting with me while work has been boring me to death :3

----------------------

Fae Wilds

Fabian flinched his hand away when Riz swatted at his fingers, the goblins hand connecting with his knuckles with a stinging crack since he wasn’t pulling his punches. Not anymore. The creature that had tried to hand Fabian a strange piece of fruit snarling at the goblin and earning a venomous hiss from the detective in response before it skuttled up the tree and out of sight into the canopy.

“Just because someone is handing you something doesn’t mean you have to take it.” Riz took a calming breath, rubbing at the bridge of his nose under his glasses before resettling them on his face properly. “In fact, put your hands in your pockets. Please.”

The goblin had needed to explain this to Fabian six times already but the Fae Wilds tended to make most people who weren’t native a little vague at the best of times. He wasn’t mad at his friend, not really, he was just kind of wishing he hadn’t let the half elf invite himself on this little mission in the name of ‘watching Riz’s back’ for him. Sure, adventuring with a partner was much more enjoyable than going solo like he usually did but gods was it stressful when he had to keep an eye on Fabian the entire time. If he’d known Fabians human heritage would cause this much of a handicap on his resistance to the confusing influence of this realm he wouldn’t have let him come at all.

This excursion wasn’t in relation to Fabians case anyway, the leads on that one having run dry a while ago, but Riz still had bills to pay and the half elf was fine with him taking other clients in the meantime. They were in the Fae Wilds searching for information, the detectives current client swearing that his daughter had run off with a member of some fairy court and wanting to know where they’d gone. When Riz had gone through his daughters things he’d had to agree, some of the items and letters she’d left behind faintly humming with traces of magic from this realm when he’d checked them over.

So here they were, just the two of them, trying to find someone they could get information out of without trading away something irreplaceable. Riz had gotten a few leads from some of the less dangerous creatures in the area and had been verifying some of it with another when he heard Fabian speaking with someone behind him. The goblin having to whirl around quickly to smack Fabian on the leg to stop him from saying his name to a beautiful, naked woman that looked like they were carved out of a still living tree. Riz narrowing his eyes and baring his teeth when they ran a flirty finger under Fabian’s chin before giggling and wandering away into the forest around them.

“Oh, sorry The Ball. You were trying to get my attention?” Fabian had stared wistfully after the retreating figure until they were impossible to spot among the foliage, the half elf making a choked noise when Riz reached up to grab him by the collar of his jacket and yank him down to the goblins eye level.

“Stop. Saying. Your. Name. and REALLY stop saying your FULL name. Even if they don’t want to steal it they can do some pretty horrible stuff to you if you’re not careful.”

“Ah. Right. Sorry. Force of habit.” Fabian grinned, happy to let the goblin manhandle him around if he wanted to even though it would be very easy to resist. It meant he got to look at his face up close, even if his brows were knitted together in a frown and his ears were pinned back in a way he knew meant he was upset or worried.

“Fuck, okay. I know you’re having issues remembering all this because of-“ Riz let go of his collar with one hand to gesture vaguely around the pair of them, indicating the fae wild at large. “-but it’s going to cause problems if you keep doing that. So. Give me your name.”

“Hmm? Okay, It’s…” The half elf frowned, his own ears drooping slightly while his eye darted, unfocused, from side to side as he tried to think. “I don’t… why can’t I remember?”

“Oh, good. Excellent. I still remember it so that worked.” Riz let go of his collar, pressing their foreheads together in a brief nuzzle before stepping way from him. “You gave me your name. I’ll give it back once we go home but at least I can keep it safe for you until we do. For now you’ll just have to go by… I dunno. Maximum Legend until we leave.”

Now that a creature of this realm had control of the half-elfs name hopefully it would have the duel effect of helping to clear his mind somewhat. Maximum Legend, for his part, was doing an excellent impression of a stunned fish. Mouth hanging open slightly as he stayed crouched in the position Riz had left him in.

“That’s…. what the fuck The Ball? How in the Nine Hells did you even do that?”

“I am a creature of many talents.”

The half-elf scoffed in response but didn’t argue, standing back up to his full height and following along behind Riz as he started walking again.

It's always a delight to chat with you, and it's one of my favourite things to do! Thank you for this gift. Here's a little something in return, pulled from some of our recent chats.

---

Maximum Legend—ugh, he couldn’t believe Riz was throwing that one drunken night on Leviathan in his face—kept a hand on the hilt of his blade as he stood back to back with Riz as several masked goblins surrounded them. They’d been on their way through a forest of trees as tall as skyscrapers with thick and colourful underbrush. Following their only lead regarding the location of Riz’s client’s daughter, Sarah. Up until they’d been ambushed, of course.

He’d been ready for a fight, but he felt Riz hesitate at the same time he did, thanks to giving their attackers a second look over. Rusty pitchforks, worn sickles, and recently repaired spears. Masks made up of ripped fabric and threadbare work clothes covered with patchwork leather armour. If they were bandits, they had only just started out, but something told them that these people weren’t even that.

Riz glanced at Maximum Legend to make sure they were on the same page before he called out to one of the goblins in Gukliak. Maximum could only follow parts of the back and forth that occurred. He could surmise that Riz had asked the troupe if they’d seen a Halfling girl running around with a member of one of the nearby Courts.

For a moment, the goblins looked shifty about it, but Riz… insisted that her father only wanted to know that she was safe and bring her home if she wasn’t. A bit of conferring between the troupe and another quick exchange with Riz before they lowered their weapons. Giving them both a nod to follow.

The troupe of goblins kept them close as they led them through the forest toward a small village by a winding creek. Small farms on the outskirts of it with farmers tending to strange beasts and even stranger crops. Little houses and shops were built into the massive ivied tree trunks or carved out of giant moss-covered boulders. A village square with a tall pole wrapped in colourful ribbons and flowers that goblin villagers pass by and congregate at to stare at him and Riz as they’re led deeper into the settlement.

Eventually they are led to a hollowed out giant tree stump where the missing daughter, Sarah, a young ravenhaired Halfling woman, sat in a garden of tall grass and wildflowers, playing a guitar for a hoard of young goblins. It was a sweet sight to watch for a moment or two. But sooner than later, one of the kits noticed their and their guides’ presences and a whirlwind of chaos erupted.

Sarah stopped strumming, sitting up alarmed as some of the kits raced towards a couple of the goblins who guided them here—their parents, obviously. While others, the ones on the older side stayed and began to swarm Sarah as if they could hide her with their bodies. And that is nothing to say of a matronly Goblin woman bursting out of the stump and rushing to put herself in front of Sarah and the kits as she hissed at the guides and the outsiders.

Maximum watched as Riz lowered his ears in submission to her obvious authority in this place as he began to speak to her slowly in Gukliak. At first, she wasn’t having it; not even some nudging from their guides was enough for her to let them come any closer. But luckily, Sarah was far more willing to humour them.

Slithering out of the pile of kits, she threw her guitar over her shoulder as she walked over to the Goblin matron to put a hand on her shoulder. Telling her that they most likely weren’t here on the Goblin King’s orders. She recognized their clothing; they were from her home plane. Here to rescue her. Sarah smiles at them and tells them that Drezza is just worried about her because she sees her stolen daughter in her, that’s all. She’s happy to talk to them and explain what happened to her.

You see, Sarah Timbersage had been having a really tough time at college, at her dead-end job and at home and… she’d met a guy. Handsome, almost too good-looking for words. Elven, she’d guessed at first, but he’d been light on the details. They’d exchanged letters, back and forth; old fashioned, but she’d liked it. He’d said that she could come live with him, that he’d take care of her, and she’d want for nothing…

As the fifth daughter of eight children, it was an enticing offer. Believable, too, he’d given her a beautiful necklace as if it were nothing. She hadn’t even realized she’d been enthralled until she was deep in the Feywild, within the Castle of the Goblin King. Who, she’d quickly realized, was only going to add her to a collection of “brides” he kept as a testament to his power. Including Drezza’s daughter, Pollina, though Sarah hadn't known that then. Only by pure luck did she manage to escape the fortress and disappear into the forest surrounding it.

Sarah doesn’t know how long she wandered, but one morning, after spending the night hidden in a rotted log, she was found by some of Drezza’s children. The sweet things had realized that she was not only hungry and thirsty, but also the mortal woman the Goblin King had sent scouts to find.

Now, you have to understand. Within the Goblin Court, you’d be hard-pressed to find a soul that actually revered or even liked their King. Hell, they hadn’t particularly liked their last dozen Kings! Might makes Right in the Court of Goblins, so one of the most popular ways for anyone to gain power is to kill a more powerful being than themselves and assume their title.

The worst thing is? It's an arcane issue. It doesn't matter if the courtiers and subjects of the Court despise whoever holds the title of Goblin King, no matter how this so-called King drags their Court’s reputation through the mud unless one of them can defeat him? There's nothing they can do to strip the Court-given powers from him. As much as they hated to admit it, the current Goblin King was very powerful.

And if the smoke signal from the outermost of the village's farms was correct, he was on his way here.

[kitthefoxkin]

KINTYPE LIST!

over the past year, ive experimented with multiple labels and identities. this is to update yall on the creatures i feel connected to and identify as/with!

1. Red Fox

this is my strongest type, and is my main hearttype. i experience phantom limbs, specifically a tail, ears, fangs, muzzle, and being the size of a fox. i also experience the most species dysphoria in regards to my red fox kintype. this has been my longest-lasting identity as well! i own quite a bit of gear for this type, including a tail and multiple self-made masks. for me, red foxes teeter on the line between identifying *with* and identifying *as* one. so far, though, i do consider myself foxhearted! i experience longing for forests and fields, and a burrowed den. i also enjoy collecting and hoarding small items and food, similar to a fox. i specifically know that i have red fur, black paws and ear tips, and a white tail tip with green eyes.

2. Grey Fox

this is much more recent! a few days ago, i did a moodboard for someone regarding a grey fox, and i felt an instant connection. this is definitely a hearttype for me. something about looking at images of these critters makes me feel like im looking at family. grey foxes are most active at dusk and dawn, which i identify with strongly. grey foxes are unique in their ability for climbing trees, which i identify so strongly with! i love climbing up and just perching in a tree, watching people below me. it makes me feel safe and at-home. looking at this image feels like looking in a mirror, honestly. i believe that grey foxes are a strong hearttype for me, and may also dip into kintype territory!

3. Ocelot

again, this is very recent. i made a moodboard i believe just yesterday with these critters and something just clicked. i have experienced multiple feline shifts/behaviors, but i thought they were just cameo shifts. now i know that this is me!! ocelots are nocturnal, extremely territorial, and spend time in dense brush or trees-- all things that i identify with. ocelots mainly live in coastal marshes, mangrove forests, and tropical forests. i feel SO connected to this critter, it's absurd. this is definitely a kintype for me.

4. North American River Otter

our first linktype! i identify voluntarily as a river otter. ive always thought they were really cool and i feel a strong connection to creeks and rivers. i also exhibit multiple otter behaviors, some intentionally and some unintentionally. swimming is also quite euphoric for me! i don't feel entirely aquatic though, and i know i have paws and fur while in the water. this was my first linktype i chose! to me, this is a funlink.

5. Wild Rabbit

this is mostly behavior-based. i experience intense prey instincts, remain alert when outdoors, feel the need to burrow and make a safe place for myself, prefer to be solitary, make nests, and dig! i have quite a few rabbits in my neighborhood, and i feel a strong relation to them. im not quite sure what label fits my experience-- it's not intentional, but doesn't feel involuntary either. more like learned behaviors. i don't feel that i am a rabbit, but i am very much so like a rabbit. i dont identify with rabbits, but i do act and feel like one. it's strange! but burrowing and nesting makes me feel so euphoric :33 i believe this may be a form of copinglink, alongside a deeper involuntary identity.

6. Wolf

this is a copinglink/involuntary identity. again, it's behavior-based. this type feels the strongest whenever i am alone or with another person i care about, especially when in dangerous situations or areas. this is a very general wolf/canine type, as it's not specific to one kind or breed of canine. grey wolf seems to be the strongest, but i also feel shifts and identify as/with black wolves, coastal wolves, dobermans, german shepherds, and other canines! i believe this does partially stem from trauma, as i feel like a feral dog let free from confinement. however, i still identify on some integral level as a wolf, or as someone who was raised by/should have been one.

thats all for now! ill come back and edit this post whenever i see fit to add/remove information and kintypes ^^

[whereserpentswalk]

Your new job is to sit at a desk, looking at a single camera feed monitoring a small white room, writing down everything that happens in the room, and then reporting it back to your bosses. The first day, two men are brought into the room, possibly unwillingly, and are instructed to fight to the death. Neither of them think to refuse, one of them wins. You realize there's very little you can do. Though you can hear what's going on in that room from your office, it's in the same building as you, the feed is live and it is near you and there's nothing you can do.

You write the report. Your bosses say it's good work but you need more detail, they'll give you further instructions. The next day the same happens, two men are brought in, two men fight, one man lives. You can hear it all going on across the hall. But you know to add more detail, your bosses love it, they love that you gave the amount of information that you did, they say you have a good eye for these things.

Every day at your job is the same. The men are different most times but survivors come back sometimes. Sometimes they have more then two men, sometimes on teams sometimes not. Sometimes they give them weapons, things that you would find in a hardware store. Sometimes there will be special rules. Sometimes it's just two men fighting to the death. Occasionally it won't be equal, but it will always be fair, but sometimes it'll be something like a man with a fireaxe agaisnt a man with a baseball bat, or three elderly men agaisnt one man in his prime. But it's always fair.

You write down the details well. You always typed fast. Everything anyone would need to know. Anything they said. Every move each of them made. How each injury effected them. The way the blood splatters. If when a man wins if it's because someone dies or because someone is too injured to fight, if he tries to kill of an injured man or let him bleed out. If a man uses his left or right hand to hold a knife. How long a man tries to run or dodge before he starts throwing punches. It eventually stops becoming like a real thing that's happening in the same small building you work in, and more like a game, and it's a game you're winning.

Your bosses might not be human. They never show themselves, and say that you'd be horrified by them if you ever saw them. They refer to humans as separate from them, as a type of synapsid, which is technically true but still. They also just don't talk like people. They could be billions of years old, all of this could be so meaningless to them. They could be demons, or aliens, or creatures from another dimension for all you know. Or they could be rich and powerful people doing their best to scare those who work for them, though they'd be putting a lot of effort into not appearing human if that was the case. It almost seems like them being aliens or something is the less conspiracy minded answer. But still, it doesn't matter, you don't have time to question it. This job pays better then anything else, it's getting you through college, it's gotten you a much nicer apartment in a much better neighborhood then you could with any other job. Who cares if they're demons, they're paying you.

There was one day where you saw a wounded man limping out of the room where the fight had happened. It was the first time you saw someone from the fights in the flesh. It was horrifying, you wanted to turn away, not because of his wounds but because you didn't want to be a part of this. You're just someone who watches it, just someone who reports on it, you're not going to actually be involved.

There was also a time someone screamed at the camera for someone to do something while his opponent was stabbing him to death. There was nothing for you to do, but it was strange to write about. You questioned if you should describe him as begging the camera for help, or begging you for help. But it felt weird for the reports to contain the word "me", you don't think your bosses would like that. You just wrote that he was begging for someone to help, it was the easiest way to describe it after all.

There was one fighter who you really enjoyed seeing. He was young, handsome, and very good at fighting. He wore a smirk when others wore frowns, and had these beautiful blue eyes. He knew how to taunt his enemies and get in their heads. And you always rooted for him to win, and he always did. You started thinking about him more and more, reading into the smallest movements, theorizing about why he was so good, about his past, his hopes and dreams. You read his personality into all of his actions, and loved him so much for it. Part of you hoped you'd accidentally meet him on your way out, and that you'd get to know eachother. Once you even touched yourself to the thought of him with you, but the act gave you a weird type of shame. You never knew his name. After one rough fight he was too injured to fight anymore, mostly blinded from slashes to the face it seemed. You were sad about him for a bit, and then moved on.

Your bosses want you to do a major report on the fights. You get to choose the specifics and your thesis, almost like a college paper. It's so cool and exciting to get to have so much creativity in your job. You wonder what they'll do for you next. You still don't know what your bosses are but they've been talking about a promoting. You're so lucky to have gotten this job.

[imblueeforyuu]

Yandere naga x janitor reader 

You were broke, living in a car and constantly having to take odd jobs was the norm. It wasn’t that bad actually, living in a car means you can pack up and leave whatever city you're staying in anytime. But recently you’ve gotten a job offer no one can refuse. 1000 a week to clean some snakes' cage for some billionaire. And that’s the only description  you got for the job. But damn you’d be a fool to refuse. So of course you took the job, and now you were at this gigantic mansion. 

You felt out of place. Everyone had their own uniform with the name embedded into it. And you were stuck in your cheap ass clothes. Looking at the walls you notice way too many paintings of mythical creatures. Like one or two is already a creepy amount, but this person had hallways on hallways of art of such creatures. There were none of the billionaires, which was odd, aren’t rich people supposed to be super egotistical and have one to many art of themselves? A butler led you to A fancy door, was the reptile in there? 

“The master is just in there ready to ask you some questions,” the butler said blankly. Oh, an interview, right. Dang you're not ready for an interrogation. Sigh. You walked into the room to see a very burly woman and a big ass glass wall which seemed to have the enclosure of the snake behind it. 

“Oh, you're the new piece of meat.” She smirked. What an odd way to describe you. But for 1000 a week you’ll take any abuse. The woman got up and started to examine you. You froze, you don’t really like people in your personal space especially like this. 

“Hm, you're perfect,” the lady said. So does that mean you got the job? Yaya!

she handed you a broom and sent you on your way into the enclosure. When you stepped in it was like transporting into the deep jungle. The sky was eerily realistic, there were little animals and bugs scuttling around. But no snake yet, not that you minded you’d prefer to do the job silently and quickly. Unfortunately your boss said no phone, so you couldn’t listen to music. 

Your job went as quickly as it could. You didn’t run into the snake at all which was strange because you thought it would be pretty big but apparently not. Whatever, you walk out of the cage and into the office room. Seeing your phone grabbing it and walking out of the office, the harsh reality of the never ending hallways hit you as soon as you walked out of the room. Thankfully there was another butler looking dude, dusting. You walk over towards him. He seemed shocked to see you. But got over it as soon as you asked for directions. Now you finally get to relax. The next day was pretty much the same thing. There was no snake and you just gotta chill, you convinced your boss to let you listen to music.

A month passed and you were 4000 dollars richer! And with the added bonus of free food you were finally closing a deal on a real house, well apartment. You’ve also done your job too many times. It takes like an hour max to fully clean the cage. Which is perfect because you’ve taken on a new hobby called sleeping in the cage. How could you not? It was so peaceful the sound of crickets chirping always lulled you to sleep. But one day your peaceful sleep was interrupted by an overgrown snake. 

   “Stupid human falling asleep in my presence, does he know who I am?” I said. Hating humans was always a part of who I was. Taken from my home when I was just a child and sold off towards a crazy old woman who I’m pretty sure wants to fuck me pretty much solidified that hatred. but gosh I couldn’t kill it, it was kinda cute. I slithered towards the human who was taking a nap. 

Towering over it I pause, I’ve been having trouble killing this exact human.  Normally I would eat them whenever they turned their back. But this one was different. Like there was a force pulling me closer to him. so I’ve just taken to staring at him. He’s so interesting looking, I reach my hand out and touch his hair. The human twitches slightly, I quickly pull my hand back and before I was able to hide back into the bushes he noticed me. 

Your eyes widened, why the fuck is there a 8ft snake monster just staring at you. Backing up quickly, the snake comes closer to you glaring. It looked like it wanted to murder you, and it probably did. The snake man lunged towards your neck and bit it. You scream and try to push him off. But it didn’t work. He was just a wall of mussels. Now you are a pretty strong guy. You go to the gym every other day! But this guy was on a whole different planet! You still try and push him off of course but whatever he bit you with was starting to make you sluggish and you fall back asleep. 

You wake up in a cold sweat, you try to stretch and move but something is squeezing you. Thrashing around as soon as the dread of being touched all over set in, you hated when people were too close but touching is on another planet of hate. 

“Stop struggling human,” a voice hissed out. quickly you turn your head to see whatever was holding you so close. It was the snake man. 

“There’s no point,” he continued, stretching his arms. “You're stuck with me forever,” he smirked.

 Oh well guess this is your life now, stuck with a ginormous snake man who hasn’t quite figured out the concept of personal space. 

[specificpollsaboutbooks]

Fiction Works with Footnotes

Semifinals

Propaganda under the readmore

Jonathan Strange and Mr. Norrell :

The best book I've ever read with no sequel. Read at your own risk, it is an immaculate novel that will probably never get a follow up. The worldbuilding is some of the finest I've read.

The book is filled with footnotes mimicking academic citations and references to innumerable fake books that really make it feel there is a much wider world out there and the book is only centering on this one period of time

So the book is an in universe academic account and the footntes are basically the watsonian author being salty about historical figures. like what more could you want in a footnote. In terms of the book as a whole, its villain was the inspiration for michael shelley of magnus archives fame so something mustve been done right

Bartimaeus :

There are in-character footnotes all the time from Bartimaeus's POV, along with more standard footnotes explaining things less frequently in other POVs. Fundamentally changed my writing style as a child, I bear the brunt of these footnotes.

This series has a lovable (to me) snarky morally gray protagonist. Also it is a demon (djinn).

these books have footnotes by the narrator who is a cool magical djinn and theyre super fun bc they allow him to elaborate on worldbuilding or make snarky remarks that wouldnt otherwise fit in the narrative :3

it's been years since I read them but I still remember them fondly for their fascinating world-building, interesting characters, and their wit, which was often on display in the footnotes

the series is about a demon named bartimaeus who gets summoned by a teenage magician and it's written from the demon's perspective so all the footnotes are from his perspective as well and they're really cool because they give more information about the worldbuilding AND they're also really fucking funny because bartimaeus is a sarcastic bitch most of the time <3

This series is fun and the footnotes add information AND are funny! Seriously one of the best YA fantasy series

Bartimaeus is one of the main characters* of the trilogy**. He's a djinni summoned by the young magician Nathaniel. The story is set in a world where magicians, by binding the powers of magical beings from the Other World, hold all the political power over non-magical commoners.*** Bartimaeus, as a djinni****, can think about many things all at once and this is represented in the story as footnotes.*****

*One would say that HE is The main character (he would say that), but there are two other (similarly) flawed and interesting main characters.

**Actually it's a 'sequence' with a prequel book set in ancient times, but we're seperating that one from the OG story now.

***It's slavery and oppression. Let's call it what it is. Magicians are not good people.

****And as a quite extraordinary and humble creature.

***** Like this! :D

[jessicas-pi]

Also because I'm totally predictable, Kanera in a investigating the existence of paranormal creatures/beings au? But only if it sounds fun, otherwise feel free to skip it! I won't be offended at all

ok SO I am still working on the first ask you sent but I got ran over with the steamroller of inspiration on this one so i'm doing it first! pay no mind to the fact that this is three months late

---

Kanan was, by far, the worst fey-hunter the world had ever seen.

He considered that an accomplishment.

After all, if he could manage to lose every thread, disappear every clue, and snuff out each hint of an otherworldly presence, and people still kept bringing him tips on possible fey... well, that meant his glamour was working, then, didn't it?

The fact was, it had become a dangerous world for Fair Folk like himself. It hadn't always been that way. A thousand Earth-years ago, the wicked fey had been banished from the Winter Court, and the peaceful members of the Unseelie race had flourished. For much of his youth, Kanan had lived with his adopted mother in the Winter Court, making occasional sojourns into the human realm—missions of mercy, lending their extraordinary help to the ordinary humans who most needed it.

Then, the Dark Unseelie returned, and bathed the Winter Court in blood. Kanan had barely escaped with his life. He tried, first, looking for safety in the Summer Court, but unlike the Unseelie—who needed no prompting to act, whether for good or evil—the Seelie operated on the strict principle of tit-for-tat. And the Summer and Winter courts had been feuding since the death of the only king they shared, with plenty of bad blood on either side.

Needless to say, the Seelie were not inclined to foster a pathetic, half-dead Unseelie whelp.

Especially not when it would earn them the wrath of the new Emperor of the Winter Court.

So, Kanan did the only thing he could—he left his Name far behind, and he did his best to lose himself in the indulgences and dissipations the human race had to offer.

For ten years, that was his life.

Then, he met Hera, and everything changed.

She'd pulled him out of a pit of despair he hadn't known he'd fallen into. She brought light and hope back into his miserable existence. She gave him a new life.

She also stubbornly refused to believe in the Fair Folk.

And she was married to one of them!

But nothing could convince her. Not Kanan's inability to tell lies. Not the many encounters with people who looked a little wrong—strange patterns on their skin, or ears that were too pointed, or teeth that were too sharp. Not the neighborhood kid who slept on their couch sometimes, a boy with eyes that were paranormally blue and an instinctual aversion to telling anyone his real name.

Even the fact that said boy vanished into the mists one eerie morning—with no clue left behind except a cryptically-worded note that implied he would be attempting to contact the Fair Folk—left her dubious at best.

"There has to be a rational explanation for this," she insisted, swinging her flashlight back and forth through the trees. "He can't have vanished into thin air. He just can't have. That's not how this works."

"It's exactly how this works," Kanan replied grimly, working hard to keep down his panic as he marched through the woods a pace ahead of her. "Ezra's been taken by the Fair Folk."

Hera frowned. "I don't believe it."

Kanan shook his head at her persistent doubt and proceeded onwards.

The fact was, whether the fey who had taken the kid belonged to the Summer Court or the Winter Court—it didn't matter. Ezra's life could be in danger in either place. Kanan could only hope to find the divide in the misty veil that separated the realms from each other, go in after him, and maybe—maybe—bring him home safely. And that was only if Ezra hadn't eaten anything, accepted any gifts, thanked anyone, or made any binding agreements.

"There!" Hera cried out suddenly, flashing her light at the ground ten feet ahead. "Footprints!"

She broke into a sprint, following their path, and Kanan darted after her. After all, there was a chance they weren't too late—they might be able to get to Ezra before he encountered any fey.

A strange feeling prickled up his spine, the only warning he had before they burst into a small clearing in the woods. He skidded to a stop and snagged Hera's arm, yanking her backwards, before she could go any farther.

"Kanan, what—"

Hera broke off as she saw the thing Kanan had feared most.

The tracks ended abruptly—with no trace of where Ezra could have gone—on the border of a circle of mushrooms.

"So," Kanan said grimly. "Believe me now?"

---

part one || part two || part three

[ganondoodle]

couldnt fall asleep for at least 2 full hours bc i kept thinking about it, so ... more (i hope this is the last time)

what was the point of adding isha? no i mean it! i started to like her in act 2 bc i liked mute characters and her with vanderwick where pretty cute.. those episodes are still my favorite, but shes so?? she gets dropped into jinxs lap quite literally (WHY where cross's goons (the chembaron) even chasing her?? i thought thered be some reveal or soemthign or backstory idk but no she just came out of nowhere and got chased for no reason other than to end up falling on jinx and seeing her shoot the goons) and then is given some cutesy time with em only to die horribly for literally nothing except make jinx .... suicidal ... which SHE ALREADY WAS, the entire vi and jinx fight scene at the start of the season is about her wanting vi to kill her- using isha like that is such a waste and so cheap, it served no purpose other than to give jinx and the viewer i guess the hope that things could be better even after everything only to rip it all away again and make it all even worse, but it already was so bad that it falls incredibly flat, and aside from jinx being worse than ever mentally no one seems to really mind? (ALSO feels slimy bc she was mute, mute kid chaarcter only gets used as a cheap way to make mentally unwell character even more mentally unwell)

magma vanderwick ... how ... what was that then? i thought it was either singed who was left alone in the greenhouse with vanderwick using that serum on him that supposedly .. does something to prevent viktor from bringing vanders mind fully back (no other information on that?) or it was viktor 'dying' that made all other cult people flop over and get taken/into stasis, and bc vanderwick was such a strange creature it took vander or part of him but not the beast- but then in act 3 ..... singed uses that serum THERE, so it wasnt him doing anything and him standing ominously in the broken greenhouse was jsut to .. show singed was still alive bc that fucker cant ever die- AND when stupid viktor turns people into fugly robots (im pretty sure, unless im mixing up what mind erased him) you see his memories being burned, so hollowed out .. which means that he was still himself? so it wasnt that viktors 'death' erased vander and left the beast bc it was still both at that point .... what the fuck was up with him then at the end of act2??? why did he go all volcano??

AND then at the end with the weird vi getting emotional over fugly robo vanderwick scene the beast i guess is STILL there .. but when you get turned like that you just turn into a robot and your mind ceases to exist, he already had vander erased, but then gets taken and turned robo so the beast should be gone too?? no`??? even if i remember it wrong and it was viktor who mind erased just vander- again problem as before, why did he go volcano then?? AND why did he slump over dead eyed after it? shouldnt the beast take over immediately when vanders gone??

....did jinx even interact at all with sevika after the scene in stillwater?? i dont think so, what a joke honestly, sevika was pretty much part of the team, then she gets isha out and then next time its jinx isha and vi going to search for vanderwick, the fuck has she been doing until the last episode where she doesnt say or really do a single thing???

im sorry lesbians but that sex scene was rather missplaced, not agaisnt it in general but the timing?? (any sex scene there at that time would be missplaced imo) jinx pretty clearly told vi that she will kill herself "you wont have to worry about me anymore" "im breaking the cycle" HELLO??? and while we dont know how long it took for cait to find vi down there (whereever that prison even is? not stillwater thats for sure) shouldnt vi burst out the prison and go chase after jinx the second she was freed???? i get she says soemthign like losing hope of getting through to her BUT JINX IS GOING TO KILL HERSELF?????????? and then cait and vi make out and fuck in the LITERAL SAME CELL THAT JINX WAS JSUT IN?????????? and even after that doesnt go to check on her?? you CANNOT tell me vi just gave up on her and accepted she killed herself like that

ALSO did no one know what signed was doing with vanderwick (who was still alive .. so isha kinda died uselessly, if he died then as well at least it would mess up the plan .. the stupid plan, i hate viktor cocoon hivemind shit)? they had to get vi out of there so ?? and vi also didnt like .. check if idk vanderwick was really fully dead or just go there again? even if it was secured or soemthign i dont remember her askign anything about him just jinx ... bc there she still cared at least a little bit about her i guess

jayce ... why did act2 make him out to be all mad and like he was given a mission by ekko and heimer (bc he says "i wont fail them" THEM) but then its revealed it was old future viktor who send him back/gave him the mission- ALSO why was he so extreme and mad in act2 when .. yes in act 3 you see him go through that torture in the cavern but when he climbs up hes relatively calm and collected and ignores the weird crawly monsters and has a somewhat normal conversation with old viktor .. and then he returns and is suddendly all mad and going after present viktor- WHICH ONLY MAKES IT SO IT ENDS UP LIKE THE STUPID TIMELOOP??? did i miss something or does that makes no sense?? the only reason it not ending up like that being ekkos intervention- but jayce before that seems to just .. do all that like he wants it to end like in the loop .. i thought he was trying to stop it .. what was the point?

did no one question where the heck salo went? even if he fell from grace .. it feels weird to put him to viktor, make it clear on him how viktor isnt just healing people but taking their minds bc that wasnt salo anymore and no one seems to care?

kinda similar with mel bc her being taken only really matters to ambessa (and when they reunite i expected ambessa to break tbh ...) and one comment from salo and anyone else? who cares? wasnt she in charge? i mean yeah cait took over in a sense but it still feels weird; plus on the whole mel business .. she went from big important power figure of the enterity of piltover to uh .. mage lady in black body suit so quickly? political power figure to weeee blasting vaguely gold magic stuff all over yippiiiie (but in general all political stuff just went out the window with those last episodes)

i said before how i didnt like the whole getting put into other dimension bs with ekko even if the setting was somewhat neat, but similar how weird jayces end speech to viktor felt idk .. ekko having to see, interact and .. make out with a jinx/powder that was 'normal' to see that jinx in his time still had value felt slimy to me also he conveniently gets put right there when jinx is about to kill herself (bc neither sevika nor VI went after her??or did he find her? when did he show up again? idk tbh?) and then uses the z-drive just to try and say the right thing to not make her do it and at the end to through it in viktors face ....................... and jinx showing up at the end barely changes anythign except give her another outfit/look and put her up there in order to do her 'sacrifice' .............idk it all felt so cheap

also maddie evil reveal was so .... was that really needed, like that especially? just so ambessa can tell caitlyn 'told you lol' ?

caitlyn knowing that jinx isnt gone and keeping it a secret is played as if thats a cool thing bc jinx isnt dead yippiiee but to me it makes it even worse (aside from the whole 'our story isnt over' bleurgh ouch eughgnen line of teasing more bc big corpo likes to leaves things open in case they make more expensives shows to serve nothing but the world most overblown champion and skin trailers and in case they dont well who cares) bc its just so ... slimy, am i supposed to see it as a happy end or win for vi bc she gets to be with caitlyn?? bc that is more important than her SISTER THE RELATIONSHIP TO WHICH THE ENTIRE SHOW WAS BUILT AROUND?????? adding the trope i hate 'group of people splitting up at the end bc thats clearly the best for them' FUCK THAT! Vi should have joined jinx and sevika (add isha and non robo vanderwick best case scenario, also ekko and they all get cool jinx outfits and everything, let jinx be a hero instead of a lil crazy footnote in viktors god complex) and get caitlyn on her side to fight piltover to free zaun (maybe with ambessa taking over piltover, mel returning and joining the forces of zaun forcing her to fight her even though it breaks ambessa bc she cares too much about mel or soemthing and jayce and viktor can battle it out gay boi style somewhere else or later interupting the main revolution fight idk im jsut yelling but this whole viktor god thing and robo war and whatever really went so off the rails and out of propoertion i hhhhhhhhhhhhhhhhhhh also vanderwick should get to kill singed)

..........and the line of Vi calling herself the dirt under caitlyns fingernails? ... what a line to end this stupid episode with, what a line, a zaunite calling herself dirt under her noble piltover lovers fingernails

(so ... in the end ... what was 'the arcane'? its not the void? its not jsut magic? its something fucked they created when trying to create magic but ... what was it? what where those creepy crawling things? why does it work like that? taking peoples minds? healing their bodies with metal parts but also hiveminding them? what was the hexcore in the end? what the hell was all that? where did the crystals even come from? skarners lore got erased so not there? did i just forget that? and also mages exist but also seem like a very unknown thing in the show? and then mel just is that? and the black rose? like??? what was the point??? it all just feels so pointless? what was this all for? a cheeasy happy ending where they fuck with time more to fix it all would have been satisfying to me than this ... this nothing)

okay i do have to do a mini (i call it mini now.. this is just letting my feelings about it out, so its spelled agressively bc im just so .. frustrated ... also not hate to the studio or the people working on it .. obviously >_>) rant about arcane-

SPOILERS AHEAD FOR ARCANE SEASON 2

its the most beautiful show ever produced, i mean it, its style, fortiche's (the studio) style, is just .... impossibly pretty, 3d and 2d, the animation is just so GOOD, the designs largely (like 95%) are too, the acting and sound design, the voice acting (at least the english one) is so emotional and good, the show in general is just good ... until the last episode

i have my own problems with riot declaring arcane the new canon out of nowhere and for no good reason since it was, im very sure, never conceived to be that, its a reinterpreation and works best as such, now literally everything is once again completely messed up, no one knows whats real and what isnt, no champion or story is safe, especially with the weird hexcore bullshit potentially erasing the VOID (whish is like ... half on which the canon was built on tbh) AND hextech- multiple champions being impossible to exist now .... but thats not what i wanted to talk about

i was pretty on board with everything the show did, though i wasnt a big fan of the whole hexcore stuff, but it all spiraled so far out of control, it just kept making everything worse, also with bringing in the black rose and leblanc, it kept piling stuff onto the plate despite them already compressing everything so drastically; espeically regarding viktor, but i kept my hope up even after season 2s act 2 bc it still seemed 'fixable', though not easily so

what i liked about it (in its writing) despite its pacing issues was that it was rather .. self contained for the longest time, focused on the characters and the class struggle of piltover and zaun, and doing so rather well imo, like it did and said things i did not expect riot to let through

i was worried with the alternate universe stuff that came with the escalating hexcore bullshit but held onto hope even until episode 8 and then ...man .. the last episode ... the fuck was that- like i hate timetravel and multiverses and whatever but the thing with ekko was done rather neatly ... they made all those chaarcter models and sets just for that short stuff and really .. was of little use other than getting heimerdinger out of the picture as well lmao maybe he will get his own series to advertise for 200 dollar skins in league hahaaaa but i guess the main point was to give ekko the z-drive ... which feels alot like what i feared about them forcing it to comply with the characters in game ,,,, even though that wasnt for everyone like warwick was done SO dirty after giving me hope in act two

everythings focused on the hexcore/arcane shit, theres the black rose shit (honestly i think it was a mistake bringing them in too bc .. noxus is its entire own region with so many champs and story itself that got connected via ambessa .. which was a new character the show made up until they made her a champ now .. its just too much to put into this one show already going at a breakneck pace), mel doing her bit with them then bam she mage now which felt like a champion teaser more than an organic part of the story, especialyl with how hard it got pushed later (poor little riots gotta sell more game cosmetics uwu), jayce just taking over control again and everyone going with it, singed reviving stupid version victor via using vander/warwick WHO WAS STILL ALIVE AFTER ISHA BLEW HERSELF UP TO STOP HIM FROM KILLING EVERYONE (which was ALREADY pretty cheap, but i guess jinx had to be even more suicidal than she already was heehoo), dont even ask me HOW, viktor was just whoops from corpse to im a cocoon now, ambessa being so obsessed with it, the entire class struggle being """"solved"""" by piltover and zaun fighting stupid viktors weird ass robot shitheads together and then acting like giving sevika a seat at the council is the solution to it, half the cast just dying horribly for honestly no reason?? ORIANNA being now i guess some weird viktor robot but without the mindcontrol part and singed just kinda ... winning i guess by giving her cocoon some goo of stupid viktors cocoon

it just all ... turning from this so drama, character and class struggle thing into weird ass dimension hopping magical world war that all gets solved bc we fought together once uwu AND it being a fucking timeloop WITHIN what ONE episode? and that being the ENDING (i know i know the hexcore bs was building up throughout the show but it still felt so .. unearned and sudden ... )

also i got personal gripes with the 'ending' bc .. was it REALLY an ending like they kept saying?? was it?? viktor, jayce, heimerdinger, jinx are just disappeared i guess, mel going back to noxus- the fucking 'our story isnt over' tease???? the last minute appearance of swains fucking raven???? pecking at something blue and shining like idk a hex crystal??? SHUT UP i dont want more to come, this story should have had its self containing ending, not this open ended bullshit that just reeks of corporate meddling bc they want their game to connect to their popular show as much as possible now so we gotta bring in as many teases and connections to other champions YIPPIEEEEE (yelling)

also if jinx is dead, wow, what a way to end her story, the traumatized suicidal character being tortured and tortured especially after seemingly having something good for once (i liked act 2 except for its ending the most bc ... man jinx was so enjoyable there, i loved her dynamic with vi and isha and half wolf vander warwick with the beast and man struggle i love alot, that part was genuinely beautiful, i wasnt a fan of the idea of idk ekko doing time stuff and them having a happy ending bc i just dont like going back in time to fix everything kinda stuff, but i would have much much prefered that, not changing the existing story into the perfect world where everythings happy (though i liked that part ... vander silco being gay husbands like that is just so goood) but to fix what is fixable in the present- them still having gone through alot but being able to live with it, so act 2 setup was honestly my favorite way to not invalidate everything and still have something happy .... but no we gotta kill the kid to make jinx even worse and vander/warwick too while we are at it

if shes not dead (given you see a blimp(?) flying away and her scribbles showing up and caitlyn looking at the blueprints of the hexgates) then ... ??? oh yeah lets make her leave zaun and just idk go be the main character in noxus or soemthing for the next show they are gonna do bc jinx is popular so putting her everywhere is a good idea!!!1!!11

ALSO since vander/warwick is my favorite .. i thought maybe after isha doing that, if they dont reverse it, hed get taken by singed again or ran away and turned fully werewolf like he is in the game (though i would have liked if they were able to be a weird family like in act2)- but no he just gets used as fuel for stupid viktor cocoon and then mind erased and made into the ugliest weird robot thing that looks more like galio than him JUST and i feel like it really is JUST to have Vi at the end do the scene that gets jinx 'killed' .. to lead into the 'more to come' teaser.. idk about you but that scene felt so .. forced, the typical oh no platform is slowly falling down but Vi suddendly gets emotional about weird ugly robot warwick (who conveniently comes back to life as ugly robot beast since his human mind got erased but not the beast??? i guess???) and completely ignores jinx yelling at her to get to safety, it felt so WEIRD to me (if you gotta do him like that at least let Vi listen to jinx, them embracing and then watchign emotionally as robo vanderwick falls into the hexgate thing .. that was still active somehow i guess??)

(poor viktor got done so dirty too .. i liked him .. until it all went weird wit hthe hexcore stuff ....... ..... also jayce weird speech to him .. why the FUCK did you not do that back in the cult camp instead of blasting him to bits, i get it he was fucked up from seeing the future, but then later hes just ... okay???? pretty fine all things considered??? and pretty aware of everything?? also his weird speech being all like vitkor actually you were perfect in your imperfection BITCH HE WAS SLOWLY DYING AN AGONIZING DEATH???? idk ??? it all feels so weird to me, like there episodes literally missing- ambessa dying also felt so unnecessary .. just so mel can take her place and go to noxus and have more shows maybe- )

i just .... and just like how i cant enjoy botw anymore after them fucking it all up with totk ... i dont know if i will rewatch arcane knowing it ends like that, what was that for, the most beautiful show ever made just to do a game of thrones ending in a single episode?

im so tired of it all ..... im so tired of being disappointed and feeling let down over and over no matter with how little expectations i go in with

this willl be the only arcane rant unless theres some .. big stupid reveal that gets me more frustrated than i am now, which i hope there isnt .. im tired of being and feeling like this .. i just want to enjoy things, everythings going to shit IRL and i cant even find something enjoyable to watch

[starpros-sunshine]

My knowledge on culturally significant media is like. The only thing I have going for myself who am I if not the guy that knows fun little references about things...

[1495-gauge]

there's that fucked up three-eyed thing that lives in the woods. whose turn is it to chase it off again??

[lifenconcepts]

Oh I’m utterly fascinated by how people of the past expressed the unexplainable through art and poetry, turning their turmoil from being alone and misunderstood into something beautiful that all may see.

Honestly a shame that people now just whine about not enough flags to represent them when at some point in the past many individuals would not even know how to justify what they were feeling nor find people alike, and to atleast find comfort in the solitude escaped through music and literature, fanaticising about worlds where such a thing was normalised or turning themselves into a beast, to share with the world the level of their inner workings.

[declan-m-nott]

"Hello." Declan greets the cat softly, bending down to let the creature sniff at his fingers and once approved, strokes his hand down it's spine. Repeating the motion until he can feel it purr. There were cats at the estate, but they were old things who had been around since his toddler years and masqueraded as lounge pillows more often than not. There had been other animals, when there was more people. His father had owned horses, his grandmother had doves. All of them had been sold over time and while Declan did not have a close enough bone to miss them, he did wonder if one day he would get his own pet. It seemed like a strange idea, to want something just because Poppy seemed to enjoy her own, but that was what it was. "You're very lucky." He tells Angus, who flops at his feet, watching lazily as Declan moves on to pick up Poppy's discarded outfit. Old instincts made it impossible to leave them on the floor. He folds them carefully and puts them on the nearest empty surface before sitting down himself.

"Well if you ever sell it...I'd hire someone to describe a little more appealingly," she teases. "I'm gonna go change, but you and Angus can get aquatinted while I'm gone." As soon as she sets the cat down he goes over to Declan and gives him a sniff before rubbing against his leg. "Kitchen's just down that hall, help yourself to whatever." Poppy bounces off to her room, leaving the discarded dress in a pool at her door, too distracted by the prospect of comfy pants.

[darkfictionjude]

Please Jude I want to hate on Nia to give her and mc relationships development

I never know what you guys are expecting when you tell me you want to hit Nia or verbally assault her…

[hyrules-warrior]

Stanley is well aware of the true creatures of Gravity Falls and that is why all his Mystery Shack exhibits are fake

What better way to re-direct people from noticing or searching for the real things when he has evidence of those "real" things".

After the portal incident it didn't take long for Stan to come across the real anomalies living in the woods of Gravity Falls. And where Ford treated them as things to observe and study, Stan decided to actually get to know them. He needed to work on the portal and keep the house in good shape so it was best to get to know the creatures around the house and make sure they would not cause trouble. He also needed to search the woods for the other journals and it was easier to do that when everything living in the forest wasn't trying to ruin his day.

So he did what he did best and he talked. He went into the woods to look for the journals and chatted up everything he met. He now has regular meetings with several of the creatures that live nearby. The manotaurs are great fun to arm wrestle with and compare scars, the multi-bear has great taste in music, and the gnomes were easily pacified to stay out of his garbage with the occasional box of pizza and a new pin-up model calendar each year. The unicorns love to share gossip and scamming strategies. He also reached a truce with the giant, no way was that thing taking his precious stanleymobile!

The fake creatures of the Mystery Shack keep people from looking to hard at the creatures in the woods and that works out well for everyone.

A part of him thinks he could write an entire journal for each creature with the things he knows about them compared to his brother's single page entries. He often wonders how Ford would handle that realization.