#but I never know to what level people want it to go

[conkreetmonkey]

Red Dead Redemption 2 was so real for creating the most in-depth, realistic clothing system I've ever seen in any game, and exclusively using it on burly, unhygienic men.

You choose every layer, every accessory, with dozens to hundreds of each to choose from. You can go in and fine-tune minute details like whether or not to roll up the shirt sleeves, or button the collar, or whether to wear your pants under your boots. These clothes get dirty in real time depending on what you do in the game. Mud, dust and blood linger unless washed off. Every garment has a warmth rating based on its material, and the game calculates what temperatures an outfit is suitable for based on the combined total. Dressing too cold or warm for the weather causes health debuffs.

You can choose which way he parts his hair, and whether he gels it. If you eat too much he gets bulkier and gains a double chin, and if you eat too little he can go underweight and get all bony and sallow. Both of these states come with stat changes. His hair and beard grow in real game time, and you need to routinely style and shave his facial hair if you want any style other than a full Santa. You need to bathe him regularly or people will start commenting on his BO, and he'll start visibly appearing filthy long before that. He sunburns in the sun, and in the heat he becomes slick and glossy with sweat.

This shit is IN DEPTH. It blows the customization systems of actual fashion-centric games like tf2, Monster Hunter and Splatoon out of the water in every regard. They honestly look basic in comparison. It's a paradigm shift for sure once you experience RDR2's level of customization. Everything else starts to feel smaller.

The player character all this customization is applied to, and I simply cannot stress this enough, is a 36 year old, 6'3" smoker weighing well over 200 pounds, with facial hair thicker than a sheepdogs, forearms like gnarled tree trunks and a dark, dense forest of body hair covering every reasonable surface. His skin is pocked and marred with scars from a rugged, nomadic lifestyle, and his teeth are the colour of cornbread. He has a thick southern accent, is a known mean drunk and knows how to skin pretty much any North American animal. He has never worn deodorant, flossed or moisturized. He eats canned beans, fruit and the like by simply pouring them into his mouth and gulping, often while walking or riding a horse at full gallop.

I can think of NO better use case for such customization. Not some fresh-faced little twink, not some busty anime babe. Just a gross, hairy, unwashed homeless dude with crippling self esteem issues and a chest broader than a barrel laid lengthwise. A non fashion-centric game, certainly a non-fashion centric character, but for some reason the best clothing and customization system ever concieved, bar none. What the fuck.

[perfectlysanexd]

I haven't done one of these kind of posts in a while, but the expressions in Rebirth were top notch, and I wanted to talk a bit about and analyze Sephiroth's different smiles, both pre and post Nibelheim.

Nibelheim itself is difficult to gauge, because SOLDIER Cloud is actually Zack, and furthermore, some of it is definitely his own wishful thinking. But one thing you can say for sure, is that they portray that Sephiroth, despite being so emotionally weary, still summons up the energy to smile at his friend.

As soon as he turns away from Zack, his smile falls, and he doesn't give one to the Mayor at all.

However, when he turns back to inform the men that they're free until sundown, he summons up another smile for them. I don't think that he's just attempting to keep their morale up, he genuinely has affection for Zack, and cares for the others. He respects them for their service, putting their lives on the line for what they think is a good cause, and Sephiroth—as we saw in Ever Crisis—learned to be a compassionate person, who cares about the lives of others, even enemies.

Of course, he's deeply distressed during this time, the despair is eating him alive. Even Cloud acknowledges(despite having not known Sephiroth on a personal level) that he just wasn't himself once they arrived. But I'm not going to talk about my theories on all the Jenova stuff right now, that's not the focus here. Even at the window, you can tell he's feeling off, but when he turns to Zack, he attempts to smile again.

Sephiroth has never enjoyed his fame, and as we learned in Ever Crisis, he didn't choose it; Shinra made up bogus achievements and declared him to be a hero before even his first field assignment, as part of their recruitment campaign. Can't argue with results, I guess—it certainly got Cloud to join up out of hero worship, right? In EC, Sephiroth admits that all he ever wanted was to be normal, something that he knows he can never have. How sad...

So when this man wants to take his picture, it's no wonder that he's over it by then, and tells him no. And rather politely, too, all things considered. But even before that, he smiles and tells Zack that as long as he does his job, their young tourguide will be safe.

But as soon as he turns his back and walks away? Yeah, that smile immediately fades.

Which certainly doesn't change when the guy takes his picture. But of course, when Zack asks Sephiroth to pose for one, he just can't say no, even though he's not super happy about it. Anyway, he continues to smile at Zack for the duration of their journey up Mt. Nibel, making an effort to talk and even cracking a couple jokes, just trying to be a good leader and keep them in good spirits.

And of course, there's the very sad bridge part, where you can tell that he's genuinely upset that he failed to save the other infantryman that got washed away. He searches for him, but comes up empty-handed. Still, he smiles for Zack and teases him about a performance assessment, since their morale is quite low now, but they need to keep going.

Honestly, the Nibelheim part of Rebirth really did an excellent job of portraying Sephiroth's inner struggle. For reference, there are only 3 points in Remake, I think, when Sephiroth drops his ever-present, sometimes affectionate(towards Cloud) and often unhinged, smile: First, it's replaced with sheer rage as he kills President Shinra.

Second time, is when Aerith has a Cetra moment and suggests that his entire existence is "wrong".

And the third time is when he holds out his hand to Cloud at the Edge of Creation, and is rejected by him.

Anyway, back to Rebirth. Ignoring the bizarre smiles he showed us as Nibelheim was burning, as if he was in a trance and just not all there(that's a subject for a different chat), post-Nibelheim Sephiroth's smiles are interesting, too, if we consider what kind they are, depending on who he's dealing with.

For people he hates, like Tseng, it's much more unhinged looking, and very cold. You can tell there's a certain measure of satisfaction from shanking him, haha...

For someone like Aerith, who...I wouldn't exactly say that he hates her, but she's definitely in the way. I would almost say that he considers her to be actively preventing Cloud from recovering his true memories, leading him to remain as merely Sephiroth's "puppet", but that's a theory for another day. He looks at her coldly, as well, but it's a bit different. There's a bit more respect there than there was for Tseng.

And then there's Zack. Actual Zack. I feel like, deep down, he still cares about him, and has no intention of killing him. I almost sense a little...regret? Maybe? Hm. It's definitely a bit warmer of a smile. And of course, although he had many opportunities to get rid of Zack, he doesn't. Instead, he sends him off into the space between worlds safely.

And of course, last but certainly not least, is the way he smiles at Cloud. I know, I know. "But Sane, you like sefikura, so you're biased!" Look, I won't deny that. However, when you really look at it and compare his smiles, which is what this is all about, his truest smiles are always saved for Cloud. He has 2 different "flavors": pure affection and cruel affection. (There are also a few pity smiles, I think.) The former is used most of the time, whenever Cloud is in his sight, and the latter is used during moments when he's trying to control/influence him. I would almost say that he's...satisfied, yet regretful at the same time?? Like these:

And now, let's contrast that with his more genuine, affectionate smiles for Cloud... (The first shot here ⬇ can be contrasted with the shot 2 up from the bottom there ⬆, as the one above is when he's calling Cloud his puppet, and the one below is when Cloud goes to attack him and he opens his arms wider for the incoming uh...embrace.)

Remake had many interesting smiles from him, too, but that will have to be a different post, as this already has 30 screenshots. Anywho, you're free to draw your own conclusions, and not everyone reads faces in the same way, so maybe I'm nuts. Who knows? Either way, I hope you enjoyed this random, indulgent, very long post, haha. If you made it to the end, you're awesome. 💕

All screenshots were taken by me on my PS5. I won't ask for credit on them, since literally anyone can take an identical shot if they pause at the right second. (The exception are the 3 Remake shots, which were taken on PC with mods and the freecam. For those, I would appreciate credit if you use them anywhere, since I don't watermark them.)

[miukki960]

I'm gonna make this post before I go in the tag and see ANY God or Diew slander, because for me the conflict this episode not only made sense, but was necessary for their relationship to move forward.

The seed was planted long ago when God first found the picture of Diew and Dr. Asshole, and at first God handled it rationally (as expected of our Green Flag King). But the longer the situation went unresolved, the more doubt and insecurity began to creep in until it all came to a head in this episode, because all God needed was honesty and openness from Diew, but Diew has learned from past conditioning to lock those parts of himself away and only show a surface level of his personality and self.

I found that God's argument with Diew, while definitely escalated by emotion and insecurity, was justified at its core. We've learned throughout this story that God's main love language is Quality Time, and that most often is fulfilled by God genuinely enjoying doing anything and everything with the people he loves, so long as they are having a good time. But his conversation with Dr. Asshole put the idea in his mind that Diew has simply been going with the flow and doing whatever God suggested in order to make him feel good, that he hasn't actually enjoyed their time together. And while we as an audience know that's false, the idea is one of God's worst fears and most devastating nightmares.

But he loves Diew and doesn't want to believe it's true, so he gives him multiple chances to prove him wrong. And when Diew continues to reply with lies and deflection, it unfortunately proves him right. Because while the context is a bit off and there is definitely a misunderstanding at play, at the end of the day Diew isn't being honest and isn't trusting God enough to open up and show him the deeper, more emotional parts of himself. So God comes to the only conclusion he can see, that even if Diew is no longer in love with Dr. Asshole, their love was deeper and more meaningful than what he has with God now.

But don't get me wrong! Even though Diew was choosing the wrong dialog options during his argument with God, he was also justified in choosing to keep his secrets and emotions hidden. What God doesn't know is that Diew HAS opened up before, bared his heart and soul to someone he thought he loved and trusted, and what was he rewarded with? Disinterest, deflection, shame. As someone with major anxieties related to human interaction, you only have to burn him once to teach him to never play with fire again. And Dr. Asshole burned him deeply on multiple occasions.

No amount of kindness and sweetness and love from God was gonna convince him to play with fire again. In fact, it was reaffirming. Much like what we have been seeing with Wan towards Beer, I'm sure Diew sees how good and wonderful God is and is absolutely terrified to fuck it up. But just like Wan, his defense became his biggest downfall.

At the end of the day, rather than focusing on what happened, we should instead focus on why it happened and how the characters are going to grow from it. And we can see that how through the characters actions during the last few minutes of the episode. We see Diew, who's defense is to isolate, actively reaching out to God multiple times in multiple ways, ready to explain and open up and heal. And we see God going through the more nasty, volatile parts of his emotions alone, so he doesn't hurt Diew while he's in the wrong headspace, but also doesn't bottle the bad things to explode later.

I think what gets me the most is that in their very last conversation before the end of the episode, Diew was asking for togetherness and God was asking for space, and they were both upset on many levels, but they were still speaking to each other with love in their tone and words.

[gatorbites-imagines]

In that case… Could I please request Killer Croc/Waylon Jones with a supringly really attractive boyfriend (like a male version Jessica Rabbit level hot, like it dosen’t even make sense for someone to be that hot) who no one understand how Waylon pulled. Waylon’s boyfriend is very sultry and alluring.

And Waylon roughly breeds his boyfriend doggy style 😇.

Thank u :)

Waylon Jones x Male reader

Headcanons

Guten Abend squad, how is everyone doing? Classes are still running at a max level, and I’m starting to think this is just how it goes. So, time to chillax with some Waylon.

Not as smutty as I would have wanted, but this honestly just built a life of its own and started running.

We see in the comics, or at least in one run, that Waylon does have game and knows how to pull somebody very attractive, so its not too surprising so could pull you. That’s what you think at least, since he’s a great guy, to you.

I imagine you two met after he left the circus, maybe you guys even left together. With Waylon being the circus’s “freakshow” and you only being there as eye candy to sell tickets. With you both being reduced to nothing but your looks, you two find solidarity with each other, and fall in love.

No one ever really took your love seriously back then, just thinking you were using Waylon for protection, since someone as pretty as you couldn’t be safe anywhere.

Insert the “seriously, what do you see in that guy?” “he makes me laugh” scene.

If we go with the verse where Waylon was in Halys circus, then the only ones that seemed to have some version of acceptance of your love was the Grayson’s. it was one of the reasons you two left the circus, having a strong feeling of what had truly happened to them and who caused it.

After leaving the circus, you couldn’t live in the sewers like Waylon. This meant you got an apartment, in the beginning in crime alley since it was cheapest.

You may have been so beautiful it would drive people mad, but you also had a head on your shoulders. So, in the end you set up a legitimate business, maybe you even become something akin to a designer. Mainly because your lover is so big, there’s no other way to get him clothes.

And maybe during your time in crime alley, you stumble upon a scrawny kid who, though he may act tough, still has a light in him. And maybe that kid ends up being batman’s second robin, who remembers how kind you were to him and everyone around you, so he doesn’t go as hard against Waylon.

The past you have with the Grayson’s also means that Dick takes it easier on Waylon, and they even settle down and talk at times. You’ll regularly find the two former robins hanging around your art studio, even years later when they aren’t robin anymore.

Your lover goes to Arkham, a lot. But you never hate him or even argue with him. You’ll just pull up to Arkham in your most beautiful outfit during visitors’ hours and hold Waylon’s hand as you two act like a new married couple, even if it’s been twenty at this point.

And it may have been twenty years, but you just seem to have become more handsome with age, aging like fine expensive wine. You don’t become shrewd or corrupted by the world around you, instead you stay kind and patient. You’re still in Gotham though, so you’ll turn violent if you have too.

No one really believes that Waylon purrs, until you show up and he becomes as meek as a kitten, ready to roll in your manicured hand.

Its no secret that you, one of the most famous designers around, and Killer Croc, are together. But its just such a normal part of everyday life now, that no one really questions it. your works never been dirty, you help those around you, and lift up poor and struggling artists whenever you can. So, what if your husband is tearing up the road trying to bite Batman to bits.

Theres a viral video in Gotham of you stepping out during one of Waylon’s rampages, and just scolding him, wagging a finger in his face and still looking so unbelievably gorgeous as you do so.

And yes, of course your design trademark is crocodile scales, or anything along those lines. You’ll never use real crocodile skin, but you do use the print or shape.

After all this time, people don’t fear Waylon as much as they probably should, all thanks to you. Its kinda hard to fear a guy when you know his boyfriend is unofficially titled the most beautiful man in Gotham, who’s also as giving and kind as the Waynes, whilst being more involved in the nitty gritty, since you still live in Crime Alley.

Someone has threatened Waylon with telling on him to you at least once too, which doesn’t stop him, but it does cause him to freeze and get an “oh shit” expression, long enough for people to run to safety.

Being one of the most skilled fashionistas around also means you have met the Waynes on multiple occasions.

The shared past with Dick and the circus, and Jason, though you don’t remember him as vividly, means you get called on more than most.

As you measure them out and start making designs, conversations flow, and Damian most likely ends up bluntly just asking you why in the world you decided to pair up with Killer Croc of all people.

You correct him in your answer, referring to your husband as Waylon, and then you just start waxing the poetics. Of your shared past, of the deep unshakable love you both share, and how under all his struggles, Waylon truly is an amazing man.

You’ve never confirmed that Dick was Robin, even though it was very obvious. Its not your place to judge how he, or his family, deal with their trauma or whatever they have going on. Your lover swims through the sewers, you can’t really say anything.

A few passing comments are made though, obviously. You tell the Waynes to “take it easy next time they see Waylon, wont you?” with one of your heart shaking winks before you saunter out, ready to start putting together your latest design.

Its kind of an accepted, not really a secret, secret. Its never put into words, and they know that you know, and you know that they know you know. Nothing ends up happening with it though, outside of you making some jokes and judging their hero outfits.

With age you’ve become less sultry and alluring, at least in the way the public can point out as obviously as before. You have simply mastered your field, and know just how to play people around you if you need too.

Though, you didn’t really learn to master it for the public. It’s mainly just for Waylon, so you like to see how his nostrils flare, and when he starts chuffing in the back of his throat when you saunter around in nothing but a silk robe.

The bats know that the first place Waylon goes when he gets out of Arkham is to you. But…they also all know to wait at least a day or two before they come for him. To allow you to spend some time together, but also because most of them have caught of glimpse of you… reunions…

Bruce wont admit it, but he’s at least impressed with you being able to take two of them at the same time, even after all these years. He might note down your many skills somewhere… just in case.

Reunions with Waylon are typically a hot and steamy affair. Or well, as hot and steamy as a guy whose as cold as a reptile can get. There are days where either of you may not be up for it, and then its just cuddles and having some nice domestic time together before he’s taken back to Arkham again.

But when it does get hot, then you are very happy you own the entire building. Waylon can get quite loud, but never as loud as he still makes you even after all these years.

Sure, you’ve learned to handle it more after all this time, but it still makes you squeal when Waylon fits both his shafts inside you at the same time, lifting and moving you around like a doll.

Where Waylon may be rough and violent in every other part of his life, Waylon is slower and much more careful in the bedroom. He doesn’t want to lose his senses and hurt you on accident. You have some very faded bite and claw scars on your body, back from when you first got together, and Waylon likes to remind himself of that.

Sometimes you do want him to be rougher about it, so you pull all the skills you’ve gained over the years. And Waylon is but a man, even with the scales and all, so he can’t resist you for very long. It always ends up with you writhing, face in the pillow that’s stained with your tears and drool or pleasure, as Waylon growls and snarls behind you, his big, clawed hands moving you back and forth with ease.

He always feels a bit guilty about it afterwards, especially seeing how much you leak all over the sheets. Expect to find yourself being pampered and loved on for the next couple of days. Even the bats seem to leave you to it, most likely having heard your cries. You get a feeling the people in the next building heard them too. But you honestly don’t care anymore.

You may have Waylon, and many others, wrapped around your finger, but so does Waylon with you. And neither of you really seem to mind anymore.

[heartiis]

the big apple ꩜ .ᐟ

pairing - ellie x reader

synopsis - you've just moved to nyc and ellie's your new neighbor. she hates you though and you don't know why :((

cw - mean ellie, eventual side gig dealer ellie, eventual weed, eventual tattoo artist ellie, cigs, drinking, no smut this time but there will be eventually, swearing, reader is feminine, descriptions of outfits, uhh can't think of what else I'm new to this

a/n - this is my first fanfic and english isn't my first language so yea !! there's going to be multiple parts, I'm not sure how many yet. I hope u like it. lots of wish fulfillment here bc I'm not american and would love to live in nyc. I tried to imagine what ellie, jesse and dina would be like irl but I also just did what I wanted to do loll

Your new apartment in New York was dingy, run down and just the slightest bit smelly. But that didn’t matter. You loved it because it was yours, just yours. You were going to pay the rent and everything, and you already had a job at a coffee shop lined up for when your savings ran out.

Then there was the matter of the neighbor. You see, very often, the smell of weed crept under their doorway and made it’s way into your apartment, and into your nose. It wasn’t that you hated it. No, unfortunately for you, you loved it. You wanted so desperately to know who it was that was stinking up your apartment, and what they must be doing every time they got high.

Did they listen to music, the same kind you did? Or did they just lay there, thinking about life? Where they talking to someone? Touching someone…?

You wouldn’t be so nosy, you imagined, if you had your own weed. But moving to a city where you knew no one was complicated. Finding a plug was complicated, even if it was in New York, and it would be great if you could befriend your neighbor and ask them for a referral.

Your question about what they looked like was suddenly answered when you came out on Monday morning for your first official shift at the coffee shop. On that day, your neighbor who you’d never seen before just happened to leave their apartment at the same time as you, and as soon as you saw her, you were struck by how hot she was.

Dressed in baggy, stylish clothes, with auburn hair cut to her shoulders and tied back in a haphazard bun, she was your idea of walking sex. The place you’d be working at didn’t have a uniform except for an apron with its logo, and suddenly you felt sheepish in your dainty goodwill floral dress and sneakers.

Everyone in New York was so cool, with studded belts and graphic tees from bands you obviously wouldn’t know, that your style which had suited you so well living in your small hometown now felt boring. You’d run away to the big apple to be where the action was, to meet cool people and live a full life. But it was growing increasingly clear to you that maybe those people wouldn’t be as eager to meet you.

You turned your head to look at your neighbor, who was exactly the type of person you’d envisioned would be a part of your new amazing life. She had freckles all over her nose and cheeks, creeping down her neck. And she had a beautiful tattoo on her arm. A tattoo! The grand majority of people in your hometown were too conservative to have those, even the young ones. You found yourself wanting to trace it with your fingers…

You realized you were staring, and tried to snap yourself back to reality. Work. You were in the elevator because you needed to go to work.

You straightened up as the elevator bell dinged, then started to walk out—and tripped. The stupid old machine had stopped just below floor level, making it so that you had to step up a bit as if climbing stairs, which you hadn’t done.

Right in front of your extremely hot, extremely-your-type-neighbor. Except it didn’t matter, did it? You didn’t want a complicated relationship with your neighbor (not that you had any confidence she’d be interested in you like that) and there were so many other hot women in New York.

But when you looked back, she was smirking, and it was the sexiest thing ever. So it did matter, a lot.

At least you’d managed not to fall.

You tried to gain back composure, laughing slightly so it was less awkward. But she just kept that same shit-eating grin on her face. Then she scoffed. Actually scoffed. Goddamn. What made it worse was that her distaste for you only made her hotter, more desirable, in your eyes. You were screwed.

You realized you weren’t moving when she walked past you with her hand reaching into her back pocket. She pulled out a pack of cigarettes and did not look back at you as she walked out of the building. You wondered were she was going.

The rest of your day was anxiety inducing. You felt a growing swarm of nerves in your stomach as you were introduced to your co-workers and taught the ropes of your job. You were just thankful they didn’t have you dealing with clients yet. During the early hours of your shift, there had been a steady line at the cash register full of all kinds of people, some of them nice and patient, others not so much. You’d clearly chosen a busy spot to work in.

Then again, wasn’t that most places in New York? You smiled to yourself. Things were indeed nerve-racking, but they were also so very exciting.

As the week went on, you began to settle into the motions of your job. Making more complicated drinks was still very hard, but there were simpler manual tasks you would do were you didn’t have to think much about what your body was doing. And in those quieter moments, your mind would wander to that elevator, and the embarrassing moment you’d had.

After the inner panic at the thought of it would fade, you’d think about your neighbor. You wondered what her life was like here. What she did for a living, what her weekends looked like, if she participated in the nightlife of the city you had no friends to explore with yet. You wanted to know her name, and who her friends were, and if she had a girlfriend (because you were pretty damn sure she liked girls). But unluckily for you, you received very little hints.

After that first day on Monday, you hadn’t seen her in the mornings, nor in the afternoons when you came back home. All you had of her were those moments where the slight smell of weed rose up in your apartment, making you wish you could just knock on her door and join in on the smoke sesh.

Then Friday night came. You were spent from your busy first week and decided to stop by the supermarket on the way home to get yourself some cheap wine and a single wine glass.

It was a warm summer night, so you sat on the fire escape window in your little pajama shorts and tank top, setting down the things you’d bought next to you. You’d already opened the wine, so you poured it in the glass and took to sipping. When the first glass was done you poured yourself another, already starting to feel a little tipsy. You had just begun to drink it when you heard the sound of your neighbor’s window roll up, accompanied with a man’s laughter.

He stepped out onto the fire escape with a beer bottle and leaned against the railing. He wore clothes with a similar, baggy style to your neighbor’s. Then came out a pretty girl with dark hair pulled into a ponytail and heeled black leather boots.

“Come on, slowpoke!” she said, extending a hand.

“Alright, alright I’m coming! I was just checking my phone.” Your neighbor grabbed the girl’s hand and stepped onto the fire escape.

Girlfriend? You thought, feeling like you were deflating.

“You got a message from one of your little fuck buddies?” The girl teased.

Not a girlfriend. Oh, and your neighbor had fuck buddies. You found it kind of hot, of course. Because you were always into the girls who might as well be walking around with the word “danger” written onto their foreheads. It also did makes you feel a little weird, because you knew she wouldn’t fuck you, and even if she did, you’d just be a fuck buddy. But what did it matter? It wasn’t like you even knew her enough to be able to want anything more. Still, you felt weird.

“Clients, actually,” she responded.

“Yeah, Dina, you think Ellie would even deign to give any of those girls her number?”

So, her name was Ellie.

“Asshole,” Ellie said as Dina laughed.

Your time spent staring at her was cut short when she noticed your presence, looking directly at you. You couldn’t help but notice her grin slide right off her face. You picked up the wine glass and tasted the drink nervously.

“Hey!” The guy said, with a bright smile on his mouth. “You must be the new neighbor.”

“Yeah,” you said, hesitating. You watched Ellie’s reaction to this closely. She seemed annoyed her friend was even making conversation with you.

“Much cuter than the last one,” Dina smiled. You smiled back softly.

“Well, it’s not really hard to compete with Stinky Steve,” Ellie said, and your smile faded.

“Dude.” The guy shot her a look. “Anyways, my name’s Jesse. I’m Ellie’s friend.”

“Nice to meet you. My name’s y/n.”

“So,” Dina cut in. “Are you living alone or have you got a roomate that’s cute like you?”

“Um, I’m living alone. I’m new to the city, actually, so I don’t really know anybody yet.”

Jesse leaned onto the railing closest to your side. “Well, you know us now.” He looked at Dina and Ellie, taking a swig of his beer. “You know what? We actually came here to pre-game. We’re going to this club in like an hour, if you want to come with.”

“Jesse.” Ellie looked like she wanted to deck him.

“What? She seems cool!”

“Yeah, Ellie, don’t be such a dick. Be nice to your neighbor.” Dina poked her. Ellie didn’t say anything else, just sat down on the window ledge and looked brooding.

“So, what do you say y/n?”

You thought about it. Maybe the wine was making you more confident, but you kind of wanted to say yes. Not just because you wanted to get closer to Ellie, but because Dina and Jesse seemed cool too, and you really wanted to go out partying in the city. You looked at Ellie, who was staring off into the distance. You’d feel uncomfortable saying yes, knowing she clearly didn’t want you to go. But then you thought it wasn’t fair for her to keep you from making friends. It didn’t make sense for her to hate you so much. You hadn’t even done anything to her.

Yeah, fuck her.

“Okay. I’m just going to get ready while you guys pre-game, is that good?”

“Hell yeah!” Jesse clapped his hands. “Knock on our door when you’re ready.”

“My door,” Ellie interjected. You thought to yourself that you were going to find some other hot girl to dance with, so you could forget about your rude neighbor.

“Oh, one thing,” Jesse said. “How old are you?”

“Nineteen.”

“Same as Ellie! You got a fake id?”

Ellie scoffed. “Definitely not..” She said it under her breath, but you heard it anyways.

“Of course.” You smiled.

“Attagirl.”

Dina smiled and looked pointedly at Ellie.

You climbed inside your apartment, heading straight to your room. Your excitement was taken down a notch when you opened your closet. Jesse, Dina and Ellie were all wearing stylish clothes. Dina had on a hot club girl outfit, while Jesse and Ellie looked like attractive people you’d see at the skate park. They all looked like they’d be stopped by one of those tiktok street interviewers who would ask them to talk about their outfits. You thought about Ellie’s clothes. She was wearing jorts and a shirt with the sides cut out, revealing her Calvin Klein sports bra at the sides. You bit your lip, then shook your head, turning to the task at hand.

Your floral dresses were out of the question. You had a few basic crop tops and tanks which would do for a top, but you didn’t want something that would just do. You were a resident of New York City now, and you wanted to look the part. Then you remembered something. One of the coolest girl friends you had back in your hometown had given you a dress because you’d said you thought it was hot.

You sifted through your things and fished it out. It was a simple black dress with thin straps, but it was quite short and meant to cling onto your body. You’d never worn it before, in part because you hadn’t had many occasions for it, and also in part because you were worried you’d feel self-conscious in it. Especially because it could easily ride up and expose your ass. Whatever. You took out from your closet some tights you could wear underneath and called it a day.

You slipped it on and put on a few rings and your favorite necklace, then went back to the bathroom to put on some makeup. You put on lots of eyeliner and eyeshadow around your eyes, creating a sort of smokey eye look, then stepped back to look at yourself. Finally, you sprayed on some of your favorite perfume. Perfect. You smiled and walked out of your apartment, knocking on Ellie’s door.

Dina answered. “Oh, shit, you look hot.”

“Thanks.” You tilted your head, a little shy but happy.

Jesse came up next to Dina. “Ready to go?”

“Yup,” you replied.

[sangreprince]

I wanna keep this brief (graphic design is my passion level effort but also it kinda works in a really funny way) !!! I wanna let you all know I appreciate the love you've given Zagreus and I'm so so happy to be here. You're all great and wonderful and I could say so many good things to say about each and every one of my mutuals. So fuck it, that's what I'mma do. Because you all truly deserve it. I'm super happy with Zagreus and being able to share my portrayal and have it be well received means so much !!! It's easy to say 'thank you all so much' but I want to acknowledge that I truly do appreciate and care about each and every one of my mutuals, even if my time / availability makes it tough at times. PART 1/4

@withinchains / @hercarnality : Elle you already know how much ily so I'm gonna keep this short. You're such an amazing friend and writer and you already have the screenshot about me gushing pinned so eat my shorts and play arams with me. Your Morgana is to die for and you write every character to a fucking T because of how you just interpret all their personalities and put them into words SO effortlessly.

@lasraichean : NEMO U SMELL LIKE BEEF and I think you're fantastic. You pour so much effort into all your OCs and that passion does you so much credit. You absolutely shower Annie with love in such a way that I shower everyone else with unrequested amounts of fromsoft lore so MWAH.

@blackrosesmatron : Lucy your LB is fantastic and you're so easy to talk to and communicate with. Genuinely every time we sit down and plot I find myself getting so enthralled in her antics and character. You do her so much justice

@avernusfuries : HAN You single handedly made me like Karlach and that isn't even a joke. Before we met and started writing I always thought her story was one of the weaker ones and you somehow managed to turn her into one of the more realized characters in the game. HATS OFF TO YOU and every day I beg for more of this big doofus.

@feuerwizard : Crys I know I need to get back to you for plotting things, I've just been so busy but I want to say: You and some of the other CR writers you write with are so talented and I adore reading your posts. Were it not for you guys I still probably wouldn't have any interest in CR and I'm so so excited to get started with more stuff and actually get threads going!

@soulcluster : Lilah I think all your portrayals are excellent. Your MM deserves all the attention it gets and I honestly couldn't pick a favorite muse if gave me truth serum. Plotting with you is a blast and I'm so thankful for all the ideas we pass between eachother!

@pitgritted : Your Sett, Taric, and Mutli are all so well done Jojo. I can tell you really care about all the people you write and it shines so brightly, right down the amount of detail you place into every reply and how you format things. Passion shows in the end and this is no exception!!

@palespawn : This sassy motherfucker. We've only just started writing and I still need to get to replies but you've showed interest since almost day one and I cant say how much I appreciate that. Courtney you do such a beautiful job with the twink, I almost dont wanna stab him. Almost~

@infinitysagas : I first of all wanna say thank you for writing such underappreciated characters. To see Damon get love brings me so much joy, I always take a second to read his posts when I see them come up. I know we haven't done a ton but please know that I see your writing and totally wanna do stuff, I'm just very busy skdjhf.

@deathdxnces : Irelia was a character I never cared about too much, but how you humanize her so much and have expanded on her character beyond what Riot's given us does SO much for me. I actually adore how you portray her, Mel, and I wish to get writing at some point soon!! I know you liked a starter a bit ago and I do plan to get to that, but please do not hesitate to hit me up for plotting in the meantime. It really does help and I promise I don't bite!!

@tealbeats : I know you're not super active on Ez (and I still owe you a lot of stuff actually) but I wanna say I love the amount of his personality you're able to paint into every interaction. You have such a way of making him the perfect amount of insufferable (in the best way) while still twisting it in SUCH an endearing light. I love that annoying little bug and I'm so glad you do too, because it really shows.

@agonizedembrace : Han it's been really nice to reach out and get into contact again. You're genuinely a really funny, interesting, and thoughtful person who cares about Evelynn in such a way that brings out every aspect of her character. The agony, the sex appeal, the sass, the confidence, you just nail all of it and I'm really hoping we can get stuff going soon!

@bendwill : Elder scrolls blogs are few and far between, but Miraak is absolutely one of those characters that deserves to be more written out. We haven't gotten to do a ton but please don't hesitate to hit me up and scream ideas at me, the idea of Tamrielic Zagreus is very fascinating to me. (And also I need somebody to ramble about my Oblivion D&D Campaign ideas with skdfjh)

@ofweave : First of all, trans gale is based as fuck and you have a vision. Second of all, I know you're on hiatus but once you come back I'd be so happy to get the ball rolling with this stinky wizard man!!

@kismetwilled : I'm not gonna lie, seeing how you pour effort into your headcanons and thoughtful replies kind of inspired me to do similar with my own. I also want to say that I'd love to plot more and yell ideas all day with you, your style is gorgeous and I find myself appreciating characters on your blog I've never even heard of or are barely familiar with. Seriously Dani, it's top tier and I'm so happy to be mutuals.

@enrogued : We haven't gotten anything started with but I'm so hyped. Rogue as a character has such fascinating potential with her powers, and that's not to mention her attitude towards others in general. Once stuff gets started I'm probably never gonna shut up in your DMs but like that's a constant sdfjkh STILL!!

@lunarrepel : Shadowheart my beloved. The aesthetics, writing, dialog, everything you do with her is SO on point and I can't get over it. I was already biased and liked her after Larian adjusted her a bit during the beta phase of BG3 but still. Man you just nail her and I'm so excited to develop these two out. They give wine aunt energy and THAT alone gives me so much life.

@dreadgloom / @cinderschild : I wont lie to you I was GIDDY when I found out you wrote a WoTR character. I honestly expected that fandom to have more of a presence on tumblr but I'll take what small fanclub we can get right?? And also can I comment on the takes you have from Salvatore are absolutely genius and play really well into WoTC's drow?? Genuinely fantastic worldbuilding and it's always a pleasure to see you crop up on the dash.

@nightsbloom : Your headcanons and replies have been gorgeus and I just want to say despite me being really busy and not getting around to approaching yet, I'm so excited??? Also a while back you reblogged a Qimir gifset and it's still living rent free in my head so thank you for the food chef--- Please though, if you have any thoughts or even just dynamic ideas - toss them at me at mach 5 and I will run with them because I'm HYPE.

@spiderwarden : I think you officially win the title of Minthara's #1 fan. Her performance (as I've mentioned) is absolutely captivating, as is your writing. I'm very excited to see where her interactions with Zagreus go and writing with you (or even just seeing your random hc posts and comments) is such a blast. I will always sit down and listen to you ramble about her, I think she's so fascinating and that's in no small part to how you manage to inject so much life and love into her despite all the cut content.

[certifiedsexed]

Hi! Kinda embarrassed to be asking this, but I also kinda need the answer in the near future and google's being royally unhelpful.

How much should a gynecological exam hurt?

I'm ace and never had sex or really masturbated as a result, so idk how much of the pain is not used to penetration and how much is possible vaginismus. I've had a few pap smears and two vaginal ultrasounds over the years, and every time, it's felt like someone is tearing me in half. I will have a death grip on the bed trying to keep silent and not cry out in pain... which might not be normal despite every obgyn I've ever seen behaving like it is??? Like, I've even asked multiple obgyns (I rarely see the same one twice at this point, which is frustrating but beside the point) if it's out of the ordinary, and it's always been dismissed as if it'll get better, but it never has. A friend of mine recently implied this isn't normal, so now I'm wondering if I've just always been stuck with shitty gynecologists.

Hi! No worries, google is universally unhelpful, I get it.

So here's the thing: you shouldn't be experiencing that amount of pain even if you're unused to penetration. Tests like the pap smear can cause discomfort and small amounts of pain [specifically when they collect the sample], but the penetration itself isn't supposed to be causing pain, specifically not at that level.

Also, vaginal ultrasounds are supposed to be very mild.[Sometimes they hurt a little but they're mostly just supposed to be a little uncomfortable.]

There's always the possibility you have trash doctors/nurses [which is unfortunately a common issue] and they're not doing it properly. Sometimes there's pain during procedures like that if someone is especially tense too but it shouldn't be that extreme and if you're having that regularly, something is definitely wrong.

[Which is something you can check if you want, being gentle, using some lube and seeing if general penetration hurts!]

An issue here is that procedures like this are often under-researched and people frequently don't listen about things like vaginal pain. Which is shitty as fuck and inappropriate but it's common.

Vaginismus is definitely a very possible cause. Your best bet might actually be going to an OBG/YN who specifically works with people who experience vaginismus and/or general vulvodynia/dyspareunia and talking to them about what you're experiencing.

Because it sounds like you're probably not experiencing doctors constantly doing the procedures wrong [since you're going to so many different ones], but doctors that are still shitty because they don't care about the pain you're experiencing so maybe talking to a doctor who specializes in what you're experiencing would be more helpful.

(Also, like I said, maybe trying to see yourself if general penetration hurts might give you some clarity on the issue.)

I hope this helps! Lemme know, especially if you want more specific info on all of this. <3

[magnecalliope]

Branzy is not some innocent waif by any means, but I feel like everyone misunderstands the ways in which he matches Clown’s freak. Particularly, they want to subvert what they view as the architypical dynamic between Branzy and Clown without any real regard to how Branzy's personality actually meshes with Clown's. They recognize that Clown’s intimidation of Branzy is surface level, but don’t seem to grasp what’s going on below that to give Branzy his own edge over Clown.

Branzy is a homicidal maniac in his own right, and certainly has aspirations of being the kind of murder machine that Clown is, but he just does not have the fighting skill to back it up, nor was he a particularly skilled engineer when he first joined Lifesteal. At his core, Branzy is a coward. He gravitates towards whichever player or team he thinks is going to protect him, and he'll stroke their ego to get in their good graces. He gets by on his charisma and charm.

Clown, despite having a clear advantage over Branzy, still frequently comes across as uncomfortable with Branzy's attention, while also craving it and seeking it out. He's also a deeply reserved individual. Even when he's emoting he's still very quiet and even tempered. He plays his cards close to his chest. He's a loner. He has his reputation in part because he's unreadable and intimidating. He was coming off of a season where he hadn't died a single time. He’s an unstoppable force without an immovable object.

So here's the scenario: You're a stoic assassin. Usually you like to work alone. Other people slow you down. But you want revenge and you want to execute it in a particular manner that just happens to be outside of your wheelhouse. You have to team up with someone, and it just so happens you know someone with passable talent and a common enemy. You can tell he's afraid of you, and he should be, because he can't even beat Spepticle in a fight, how would he ever take on you?

But he's also... strangely affectionate. You box him in and he lets you, even as he's shaking with fright. You flirt and he flirts back. You're used to letting your reputation speak for itself, but here he is singing your praises to anyone who will listen. He puts all the credit for the collaboration on you, and downplays his own contribution. He sticks around even after you've exacted your revenge, and he still has nothing but good things to say about you, no matter how much you push and prod and scare and tease.

The fundamental difference between Branzy and Clown is vulnerability. Branzy has had no choice but to embrace his, while Clown has done everything in his power to excise it from himself entirely. Branzy allows himself to have big emotions and Clown barely speaks above a whisper at any given moment. When it comes to a fight, of course there isn’t much that can scare Minecraft’s Deadliest Assassin. But Clown has no idea how to navigate emotions, while emotions are Branzy’s greatest asset. People relate to Branzy, they trust him, and he uses it to manipulate them right into their traps. He can trick others’ emotionally as easily as Clown can cut them down with his sword. His relationship with Clown was made on the foundation of betrayal; he sacrificed his alliance with Vitalasy for Clown's protection. It was more important to him to stay on Clown's good side than remain loyal to his previous team, and this is because he felt, with 100% certainty, that Clown offered him more than Vitalasy did. And Vitalasy never saw it coming. 

That’s what makes Branzy so terrifying to Clown. Because he trusts Branzy. He lets his guard down around Branzy. He lets himself be vulnerable with Branzy. What if Branzy’s just manipulating him too? Or worse. 

What if he’s not?

[local-hellhound-steals-spaghetti]

Oooooh here we go. We have the cetacean “experts” joining in to justify the bad handling of Moo Deng and discrediting me/shooting the messenger because I support responsible cetacean management. Because everyone just made up their mind that you can’t give dolphins the habitat they need because “it’s not the ocean.”

But it’s apparently totally okay to give other species substandard habitats. I guess Moo Deng doesn’t really NEED to live in a jungle. Concrete is fine for her :)

Now we do know that dolphins can thrive in human care and “suffering all the time” isn’t actually the case (at least, not from this generalisation basis there can absolutely be poor welfare in bad facilities) and basically any time anyone mentions the word SeaWorld everyone loses the ability to critically think.

You know what we never do with cetaceans? Grab at and harass their babies for clout. The only time we ever interact with the calf in those early days is to check their health parameters. And it is always with active participation and consent.

It’s important that we make sure the calf is doing well, especially in those critical early days where the calf is so vulnerable. So, with positive reinforcement, we teach the mother to bring over her calf voluntarily and do a very gentle restraint to collect samples.

This is the only time we’re touching the calf. And not every facility does this either, some will stay completely hands off besides feeding the mother.

But this is how you do safe, respectful and stress free animal husbandry, actually using desensitisation and conditioning positive emotional responses to being handled:

When watching this video, keep in mind that restraining a dolphin physically with only a few people is almost impossible. This dolphin is staying with her carers because she trusts them and she has a relationship with them.

I know this dolphin and the people in this video. It’s an incredible thing to see cooperative care like this in action.

Commentary and tags like the one above goes to show how the “trust the keeper” argument is only for selective species that are being used for clout.

But trust the people who work with dolphins or orcas? Trust the people that work in dolphin welfare and who actively work to measure and improve it? No, because everyone and their dog are apparently cetacean welfare experts because they regurgitate Blackfish or the talking points of a handful of lobbyists parading as scientists.

And they’ll even use violent wording and thinly veiled death threats against keepers, justifying it with this idea that they want to “liberate” animals that they don’t have any idea about caring for.

Anyway here’s a bunch of research on dolphin welfare that supports positive welfare states in human care :)

• There are no scientific studies suggesting that dolphins in marine mammal facilities are more prone to disease than dolphins in the wild. In fact, peer-reviewed scientific studies have shown that the immune systems of wild dolphins are much more challenged than the immune systems of dolphins in human care (refs 1-2)

• Similarly, there are no scientific studies suggesting that dolphins in marine mammal facilities are any more stressed than dolphins in the wild. On the contrary, studies have shown that cortisol levels (i.e., the “stress hormone”) of dolphins in marine mammal facilities are either very similar to, or lower than, cortisol levels of wild dolphins, depending on the technique used to obtain the samples (See review in ref 3).

• Bottlenose dolphins in U.S facilities are living as long or longer than their wild counterparts (ref 4)

• Average life expectancy from 2001-2015 was 41.6 years in SeaWorld orcas, showing significant improvements in veterinary care and welfare (ref 5)

• Aggression and agonistic behaviour made up 1-2% of observed behaviours in orcas at Loro Parque, debunking claims of hyper aggression and chronic stress from supposed poor social structures. (ref 6)

(1) Ruiz, C. L., Nollens, H. H., Venn-Watson, S., Green, L. G., Wells, R. S., Walsh, M. T., ... & Jacobson, E. R. (2009). Baseline circulating immunoglobulin G levels in managed collection and free-ranging bottlenose dolphins (Tursiops truncatus). Developmental & Comparative Immunology, 33(4), 449-455.

(2) Fair, P. A., Schaefer, A. M., Houser, D. S., Bossart, G. D., Romano, T. A., Champagne, C. D., ... & Reif, J. S. (2017). The environment as a driver of immune and endocrine responses in dolphins (Tursiops truncatus). PLoS ONE, 12(5), e0176202.

(3) Proie, S. (2013). A systematic review of cortisol levels in wild and captive Atlantic bottlenose dolphin (Tursiops truncatus), killer whale, (Orcinus orca), and beluga whale (Delphinapterus leucas). MA Thesis, Evergreen State College.

(4) Jaakkola, K., & Willis, K. (2019). How long do dolphins live? Survival rates and life expectancies for bottlenose dolphins in zoological facilities vs. wild populations. Marine Mammal Science.

(5) Robeck, T. R., Willis, K., Scarpuzzi, M. R., & O’Brien, J. K. (2015). Comparisons of Life-History Parameters between Free-Ranging and Captive Killer Whale (Orcinus orca) Populations for Application Toward Species Management. Journal of Mammalogy, 96(5), 1055–1070. http://doi.org/ 10.1093/jmammal/gyv113

(6) Sánchez-Hernández, P., Krasheninnikova, A., Almunia, J., & Molina-Borja, M. (2019). Social interaction analysis in captive orcas ( Orcinus orca ) . Zoo Biology, (April), 1–11. http://doi.org/ 10.1002/zoo.21502

Positive behavioural states are demonstrated in cetaceans in human care: Peer-reviewed scientific studies show that:

• Dolphins show anticipatory behaviors before sessions of interacting with their trainers (with no food involvement). This shows they view the interactions themselves as positive. (ref 1)

• An increase in dolphin behavioral diversity and play behavior following interactive programs suggest that such programs are in fact enriching for the dolphins and add to their psychological well-being (refs 2-3).

• Dolphins observed swimming in sync with each other at zoological facilities displayed optimistic judgements in optimistic bias tests, indicating positive welfare. (ref 4)

• When given the choice, dolphins in one study showed a preference for being in a smaller pool, despite having access to larger pools, indicating that size of pool may not be influencing dolphin movement preferences. (ref 5)

(1) Clegg, I. L., Rödel, H. G., Boivin, X., & Delfour, F. (2018). Looking forward to interacting with their caretakers: dolphins’ anticipatory behaviour indicates motivation to participate in specific events. Applied Animal Behaviour Science, 202, 85-93.

(2) Miller, L. J., Mellen, J., Greer, T., & Kuczaj, S. A. (2011). The effects of education programmes on Atlantic bottlenose dolphin (Tursiops truncatus) behaviour. Animal Welfare, 20, 159-172.

(3) Trone, M., Kuczaj, S., & Solangi, M. (2005). Does participation in Dolphin–Human Interaction Programs affect bottlenose dolphin behaviour? Applied Animal Behaviour Science, 93, 363-374.

(4) Clegg, I. L., Rödel, H. G., & Delfour, F. (2017). Bottlenose dolphins engaging in more social affiliative behaviour judge ambiguous cues more optimistically. Behavioural brain research, 322, 115-122.

(5) Melissa R. Shyan , David Merritt, N. M., & Kohlmeier, K. B. & J. T. (2010). Effects of Pool Size on Free- Choice Selections by Atlantic Bottlenosed Dolphins at One Zoo Facility. Journal of Applied Animal Welfare Science, 5(3), 203–213. http://doi.org/10.1207/S15327604JAWS0503

Note how this is a body of evidence from multiple sources that are being developed and complied over time. That is what science is all about.

Anyone who tells you that the science is finalised on something eg. Lori Marino and Naomi Rose insisting that the science is settled on cetacean welfare being inherently bad in human care - be very very skeptical of them. They are trying to sell you ideology over science (and they’d love for you to donate your money to their sanctuary that hasn’t passed any approval to build for 5 years)

The science is rarely “settled” on anything.

As for SeaWorld themselves, they have not published enough welfare data for us to discuss. But their animals do show signs of positive welfare states including active participation in health care and training, engagement with enrichment, ability to learn and adapt (stressed animals can’t learn complex behaviours and won’t participate in sessions), stable social structures with occasional conflict ect.

[binhourly]

Sanctuary

Summary: A princess bound between an indefinite pull of duty and forbidden love.

Word Count: 4107

Tags: Royalty Setting / Forbidden Love / Lightest Political Intrigue / Love Triangle / Angst / Unrequited Love.

Pairing: Royal Guard!Lee Minho x Princess!Reader

Trigger Warning: Discussion of Forced Marriage / Mild Sexual Content, Implied Intimacy / Foreseeable Infidelity / Manhandling / Self-Harm Ideation.

Songs: i. Once Upon a December by Liz Callaway ii. Skin to Skin by Amira Elfeky

NOTE: welcome! i’m still figuring out the ropes and ends of tumblr so i’m not the best at handling this website, please be patient or lend me a helping hand. with that, enjoy and leave some feedback!

MINHO STANDS in his uniform on the opposite side of the Garden Sanctuary, a level of strict authority still etched in the bends of his spine despite being far away from the court ball.

He observes you with such fine quality, each trace a long drag of a sharp knife against every curve of your skin. Usually, his training makes him skilled enough to go unnoticed, but it's as though the moon itself betrays him, hanging fatly in the sky, its reflection coming down and sitting on the rippling surface of the fountain's water, crystallising back in the royal guard's eyes.

Despite knowing the boy for so long, you occasionally forget that his constant watchful eye is simply part of his duties—a fact that remains unchanged.

Your face grows hot regardless.

"Many people seem to think me foolish for believing the world could change enough to grant me a choice in who I love," your voice is low, like it's far too ashamed to ask the question in his company. "Do you think of me in that light?"

The boy moves further inside, black boots pressing into the cherry blossom petals that continue to swirl down around him. "Perhaps," he finally speaks, his voice incredibly close now.

You sneer up at him in annoyance. He doesn't seem moved at all by the obvious tremble in your voice. "Then I'll hold you in the same way I think about everyone else: a dead, soulless, ugly being." Your words go against all sensible thinking. It's as if the torture that comes from his willingness to forget the history between you makes you lean into childish remarks.

Minho still peers over you with a tight pull to his back, never allowing one strand of his long hair to fall out of place. "And am I to believe those images you've conjured up of me are true, Princess?" There are pieces of a smug grin found in his eyes, a strange sense of pride that these emotions you harbour for him are strong enough that you've turned irritable. Albeit his stoic attitude, this is also him giving sound to his fiery jealousy after the sudden marriage proposal in the banquet hall.

"How dare you call me that!" you gasp, nails digging into your thigh. The year hasn't fully completed yet since Minho was appointed to your father's high council. Even after the weighted armour was added to his muscular body, and his presence at revels is no longer by your side drinking away the night, but to watch over your family, you still hold no doubt that he'll ever divert from the boy you love.

"Is that not what you are?" Oh, how wrong you were.

"Yes..." Your eyes gloss over with tears, but this time you mean for him to see all your suffering. "I am the kingdom's princess, but I only become one to you when you wish me away."

There's an almost fierce glimmer in your stare, a silent proclamation that you've tried and exhausted yourself from acting out this contrived narrative that was roped in your hands by the newly appointed royal guard in the first place. You're done keeping quiet for the sake of your family. You want some semi-balance of peace, not to hold all of the war that comes each time Minho stalls near the entrance of the palace to guide you into a carriage, his gloved hands holding onto yours.

The royal guard finally crouches down, kneeling on one leg, the sheathed sword by his belt jutting out behind him. "That's not far from the truth." Minho does not allow the domineering nature of his face to change despite being a mere inch away from you.

A couple of months ago, the lining of his eyes and lips would have struggled under the weight of your gaze and softened immediately at the sight of you beckoning him over.

You've become the jester to your own memories.

     "It is precisely why I am here, to offer my deepest apologies, Princess. I was so young," he says, voice quieter now, as if he's speaking more to himself than to you. "We were both so young, weren't we? Free in a way I never understood at the time. I let myself believe in things I had no right to, and I pulled you into those beliefs... I mislead you." There's something effortlessly elegant in the way you sit on the dirt ground, your gown spilled out around you in sparkling blankets of purple. Minho looks away, but he cannot, for the life of him, train that idea out of his head and thinks he'll forever live inside the torment of his own hypocrisy.

     "But we've grown, and that entails more responsibilities—duties that need to be fulfilled."

Minho looks down, undoing his crossed arms behind his back and exposing a pair of pointed shoes in his hands—you hadn't even noticed he was carrying anything this whole time. Being swayed by raging emotions makes anyone irreversibly selfish and tardy, especially when sprinting away with a dress clutched to your chest. The boy gently pulls at your ankle, allowing the material to rub against your heel.

     "Your loyalty should not go to me. I am one man against a nation that needs you, my Princess." Your brows furrow at his response. At the name. Recognising that Minho is soothing the blow of the truth by doing something sweet.

In a silent outburst, you shake your legs in his hands, kicking the material off your feet again.

"Go! I want you gone. Now!" Against the serenity of the Garden Sanctuary, your yells are the driving knife to a portrait painting, the chirping sounds of roaming critters nowhere to be heard. Just the continuous echo of your words each time the royal guard tries to capture your springing ankles before they hit him in the face.

It lasts for a few minutes before he successfully takes you by surprise and locks them closer to his body, the position having you open and perfectly snug around him. With that, you learn just how in control Minho has always been. It makes you feel a little giddy having successfully coaxed it out of him.

You breathe heavily. "I order you." Instant dread coils in your stomach at the sudden use of authority.

Something lively swims in Minho's eyes. It rips into the clouded fragments that have settled there for some time, allowing a piece of him to peek through. You almost want to riot against anyone who claims the royal guard was ever ruthless and arrogant. Maybe he was.

"I take my orders from the King." His eyes slit back into their vacant stare.

After many months of feeling him watch you—in your place at your throne while he guards the door, when you slink back into your chambers and can't help but wince at the burning residue on your backside—you can no longer foretell his actions or what he's thinking.

His hand has perched further up your ankle, the expensive fabric of your gown bunching up, showcasing it rests warmly on your bare knee now. The placement doesn't seem to reach Minho, but it's contributed densely to why you can't keep a steady flow of air pushing past your lips. "And do I have the pleasure to blame my father for your little crusade to find me?"

"No, that one is my own hanging." His voice drags, each word affixed to a thought he won't fully admit. One image in particular clings to him—the sight of you, tear-streaked and marked by the King's hand after disobeying him—owns him completely, every part of his being bound to the memory.

Quickly, he composes himself, slowly standing up, letting his hands grip the sheath of the sword, his knuckles splayed white from the sheer force of erasing the image out of his head.

"I might've become someone you deem dead and soulless, but I thought it was best to end the night with the dance you were promised. I'm a firm believer that you can still reclaim something lost. But again, it's your choice whether you want to accept it from this ugly man."

Softness rewrites the chided look on your face. Embarrassingly enough, it took no more than a minute before you agreed to it. It wasn't even a small nod. You followed him up like you were always linked to him, a shadow to a body. And perhaps that was the whole point of this strange bond—constantly accepting offers that were already his.

Minho pulls you in closer by pressing his palm into your lower back, surprising you greatly when he bends slightly, wrapping his whole arm around your torso, fingers giving your heart the same suction a corset would, before gently lifting you off the rubbled floor, the end of your dress, crumpled and stained, swinging against your ankles.

You stare at him in wonder, the moonlight failing to pale his skin. "You know, I do have legs. Quite capable ones, at that." There's a hint of amusement in your words.

His eyes flutter over the expanse of your face, the dim lighting darkening his stare into perfect black pearls. "Yes, you're right. I was given a taste of that power when I tried giving back your shoes and nearly got kicked in the face for my sincerity." Minho leans in a fraction closer, his voice dropping lower. "Still, it's part of my duty to protect the royal family, and I extend that same oath to stubborn twigs or insects."

The royal guard leads you, swearing each pull around the garden was a secret dance that awoke ash-filled ancestors, all in tune with each other. It feels so ethereal and otherworldly, like a kaleidoscope of colourful ball gowns around the gushing fountain.

"And you? What would you do if I said you've become my greatest torture? How would you protect your princess then?"

Minho pauses, the statement crashing into him like a tidal wave. "Even in your torment... so long as you think about me, I've already done my part."

The confession catches you off guard, half-expecting the royal guard to respond curtly, the same way he dismisses you by naming you by your status. But his hunger for you was just as devouring, has always been secretly consuming. So, you allow it to swallow you whole—in the same darkness that eats mostly at your heart.

"Princess?"

The sudden urgency of your name being called in the distance diminishes the magical glow, and the idea of being caught, arm interlocked with someone other than the awaiting King, makes the frantic glances over your shoulder near the tall arch opening turn jittery, fear running deep into the small passage of yourself that believed—begrudgingly—in the role your father had carved for you.

"You need to hide," you whisper hurriedly, crawling out of his grasp. The royal guard remains in a trance, his two brown eyes drinking in every detail of your face, committing it to memory. He only snaps out of it at your frantic prodding and pushing. "Minho! Take cover behind that statue there."

After quietly ensuring that no part of him is visible to any witness, you reposition yourself, sitting on the cool stone of the fountain rather than draping yourself across the floor. All parts of your previous sadness feel inconsequential now that Minho has lowered his guard and danced with you. Now, you wait.

The arch has intricate carvings of flowers—honeysuckles, red carnations, and white lilies—all woven within the stringy pieces of the vines. It doesn't look wild, as though it gradually grew and found its home around the arch. These flowers are carefully plucked and placed, constantly attended to, ensuring every beautiful piece of the garden is enhanced. When Prince Hyunjin waltzes through and hesitates by the open gateway, you swear his long red hair could set them ablaze, orange flames haloing above him.

Hyunjin is completely unaware of the full-bodied man hiding in plain sight.

"I found you." The boy wears a small smile, uncertainty weighing down each corner. Hyunjin expects you to yell. "I understand I'm not welcome, but I want to—I don't think what your father did was in good grace, and I beg for a chance to properly introduce myself. It could help ease the nerves and the surprise a bit."

"I know who you are; that should save us this conversation." There's no interest in your eyes. His words, no matter how gentle, could never penetrate your heart. They don't make you feel anything.

Hyunjin continues regardless, his hands ruffling the ends of his blouse that tie in lovely bows. "Then not an introduction, but a moment. Although this is a marriage of convenience, I'm not a selfish fool to deny you the chance for organic love, and I won't force your hand either."

You've heard stories about this prince. The most infamous one was when he disguised himself as a civil servant. It was said that he was hired as the village healer's apprentice after rumours spread about the boy's miraculous access to expensive medicine. After months of suspicion and a tragic arrest, it was revealed that he'd been stealing from the palace's cabinets and distributing the medicine for free. Hyunjin is undoubtedly the sweetest soul, so your hatred towards him only willed you to want to be alone so you could continue under false pretences.

There's a certain stillness. You're waiting in the breaks of silence, searching for any sign that Minho is still there, watching.

Hyunjin sits beside you on the stone, avoiding your gaze. "I'll make sure no one speaks against you for taking your time. With enough power, I can also silence your father." Hyunjin shows no distaste for his sensitivity, no trace of second-hand embarrassment crossing his features. He means every word he says.

"Would you like to see what I bought you?" At a simple nod, Hyunjin pulls out something blindingly gold in the midst of the dark night, a vibrant fire emblem in the middle of it. The conclusion that it was a hair accessory only came when the prince politely asked if he could do the honour of fixing it into your locks.

"What you're wearing is a sacred piece from my lineage," he speaks, breaths away from your face, the feeling of his hand heavy above the crown of your head. "It's traditional to wear it at important ceremonies to welcome harmony and good fortune. My parents were hoping to see it on me at my own coronation, but I think it's only fitting for you to wear it at our wedding." Hyunjin reclines back, watching you with keen eagerness, disregarding the idea that you only crossed paths through allyship and Kingdom honour. "Going into unfamiliar grounds could be easier if you had a constant token of hope."

Curious and flustered, you peer down into the still puddle of water inside the fountain. Your reflection greets you among the fallen petals immediately, hair pulled up halfway with pieces cascading down around a face so undoubtedly... royal.

The awaiting king deeply sighs. "You torment me with your beauty, Princess."

The sentiment around the hair accessory has turned you attentive to what you've constantly ignored.

Hyunjin notices the change. It felt like you were scrying the black pool, face entranced and eyes wet, looking for something he can't quite put his finger on. It was like your whole future was constellated, and you were desperately trying to read between the stars, hoping just maybe a meteor shower would smudge the already promised destiny.

You were a princess birthed with a written story, similar to how being birthed from a warrior father already gave Minho the necessity to grow into a warrior son. That he never needed to learn devotion, that it came to him instinctively, like a person finding a lone drum and knowing to slap it to make a roaring sound.

Minho was who he was. And yet, the royal guard entwines his fingers around the leather hilt of his sword behind the statue, his mind so far drawn with a splitting anger that cleaved and reconstructed his sworn oath to protect the kingdom that he was ready to use it against the awaiting king.

SILENT MURMURS are being passed around behind your bedroom door. It wasn't what originally brought you out of your sleep on this quiet night, the scheduled wedding tomorrow morning attributing greatly to that, but it was the one thing louder than your anxious breathing.

The guard assigned to your care, Kim Seungmin, seems to greet the incoming person with more authority, which could only mean the unknown person was of higher rank than the other guard.

The two don't let you ponder for too long as the suspect's name is spoken all too soon. "Commander Lee, what are you doing in this wing?" Minho.

Fleeing the comfort of your bed, you flatten the side of your head against the door, eavesdropping on their conversation.

     "The King ordered closer surveillance in the awaiting Queen's room." His voice is low, smooth—but the words send a cold chill down your spine. You knew better than to take Minho's words at face value. He had always been skilled at hiding his true intentions behind a mask of loyalty, a master of keeping secrets tucked beneath the surface.

Seungmin's reply comes quickly. "There must be a mistake—"

     "Is there?" Judging from the slight edge to his controlled question, Minho wasn't searching for confirmation. It was a chilling assertion, daring Seungmin to challenge him.

     "No... of course not, Commander. I'm just respectfully asking why I wasn't told this before my shift."

A moment of silence lingered. "You seem to misunderstand your position." A soft, deliberate step echos, and then another, until a dark shadow slithers beneath the door, alarming too close to the other. You could only imagine how terrifying he must have looked—teeth grounded, jaw clenched. "Courtesy is not required here, only the demand for your obedience. If there's new orders it's in your best interest to follow without concerning yourself with the specifics. Do I make myself clear?"

     "Without questions, Commander."

     "I will stand guard here, post yourself below her window."

The hurried, precise shuffling beyond the door could only be from Seungmin, surmising that he was carrying out his Commander's orders. With the guard now gone, nothing stood between you and Minho. He would come inside at any moment—his authority granting him the right to cross the threshold.

In panic, you quickly push off the door and move to the middle of the room, watching the door creak open slowly.

Minho stands at the outer shell of the doorway, his uniform barely hiding the rise and fall of his chest. You could only assume it was the aftermath of watching you in the full glory of your sleepless state. The commander says nothing, but his eyes quickly trail up, catching the way your hair piles and pins perfectly on your head with a gold embellishment.

Shame instantly hits you. The whole night had been such a daze that you had forgotten to remove it by the time you entered your room. But it was too late; Minho's stare had already hardened, and the urge to tear it off felt fruitless.

     "What are you doing here?" you ask, the tone of your voice never really sounding as surprised as you'd hoped. Minho can practically sense the way your eyes glitter at his presence.

The commander's attention is fractioned. He knows he should answer you, even though there isn't a well-crafted one, but Minho chooses to let his eyes wander, following the way his gaze lowers, drinking in every detail of you. From the way your collarbones sit to the sheer nightgown lazily draped over your shoulders, leaving nothing to shield your body from the intensity of his stare. But you don't move to grab your robe, because you think he deserves to see you like this—completely open to him.

Minho abruptly walks into the comfort of your room, his steps unsteady, as if the space around you collapses, leaving only the unspoken truth that even when you were children, he had never reached further than the foot of your stairs.

It's almost maddening when he kneels in front of you, and you can't help but feel skeptical as you note how his eyes look almost cleansed from the service of the palace. Then, by some strange force of nature, Minho unsheathes his sword, allowing the steel to rest placidly in his open palms as he offers it to you.

     "What is this?" you ask, and perhaps out of frustration—or perhaps because he knows there's never enough time alone with you—Minho forces the sword into your hand. The new weight alarms you as the tip clinks against the floor.

     "Minho, speak! You're scaring me to my wits' end."

He grips the tip of the blade hard enough that it should tear into his skin, but his eyes—sharp, unwavering—never flinch, revealing no trace of pain. With deliberate slowness, he aligns the blade to his shoulder, adjusting it a few times when Minho senses your hesitation.

     "Your father will handpick a group of guards for your protection," he finally speaks, his voice steady but distant. "They will follow you to the new kingdom and serve you as I've done these past months."

His stare briefly flicks to meet yours, but quickly returns downward, focused on the task at hand. "I will be among them," he continues, a hint of desperation buried beneath his rigid composure. "But due to my inexperience, I will not be chosen unless you personally vouch for me."

The words feel rehearsed, as if he's reciting a script, unable to show the full depth of the vulnerability you so desperately wish for. Even now, his plea for you to choose him is masked in formality.

     "I—I can't. Minho, my father... he's a force of nature—"

     "And soon you'll be a woman. A wife. A queen. He would be a fool not to listen to you."

His tone is unshaken, a surge of power stirring you to your core. Then, he tilts his head, baring the curve of his neck to the sharpness of his own blade.

     "For you, it would not take an ambush to end me," he says, the words carrying the familiar weight of the boy you've always known. Minho lifts the sword again, allowing it to touch the other side of his neck, the cold steel grazing his skin like a self-made vow, knighting himself with a warrior's solemnity. "Only with your permission."

You feel the truth in the way he kneels now. You know that the only love a commander understands is forged in war. Never gentle—always a violent and sacrificial offering, trusting you with the one thing he's never entrusted to anyone—his vulnerability, hidden beneath armour.

In a flash, the sword is discarded on the floor where your knees meet the cold stone. You throw an arm around him, pulling the only man that has ever mattered into your embrace, because Minho would never dare to make the first move.

Your silk gown, which was gifted by your mother to wear on your first night with Hyunjin, crumbles and gathers above your waist as a result of Minho positioning himself between your legs. His fingers burn your skin as they trail down to haul your knees closer to him, tenderly palming your lower half in slow but aggravating movements. You consider the proximity isn't close enough, that you need more than his chest pressed flat against yours, and think that if there were a way to bring him closer, you would steal it in a heartbeat.

Minho weaves his hands into your hair, bunching a fistful with a sharp tug to the side, eliciting a lewd sound that slips past your lips. He meets the sound with a stare that's nothing short of sinful, a smile playing on his lips more wicked than anything you've ever seen—like a portrait of Hades himself. He leans in, his mouth washing over your neck with open-mouthed kisses, working the plushness of his lips and tongue to distract you from the sudden, violent yank as he rips the gold accessory from your hair—the one gifted by the prince he so clearly despises—and hurls it to the side, as though ridding you of everything poisonous.

[morallysuperiorlips]

How I Come Up With Compelling and Fun Characters!

Back at you again with another TedTalk.

Coming up with well-rounded characters is my favorite part of the writing process. I like to come up with convoluted plots, so ofc convoluted characters have to follow. While I am someone who is VERY guilty of injecting my own traits/experiences into my characters (because I like to live vicariously through them or use them to cope don't @ me), I try to do that once I've established them as their own people. Because then they just end up being other versions of me, and we don't want that trust me

The adage I like to live by is "when the character feels real to you, they'll feel real to the reader," so I try to go out of my way to know as much as I can about them before I start to put them down on paper.

I know full names, birthdays (down to the hour), exact heights, blood types, favorite colors, foods, etc. and I try to know most of the surface-level things. I'll try to delve a little deeper but I do like to let my characters breathe when I'm writing them because sometimes they do things that make me stare into the camera like I'm on the Office and I want to give them the room to do so because that's like 60% of the process (in my humblest of opinions as a self-taught/ professional hybrid)

When I first started writing my novel, I could tell you off the top of my head that my protagonist, Odette Harmonie Cinq-Mars, was born in the little fictional town of Pendulum Province, France on December 14th, 1997 at 8:16pm, her blood type is AB+, she's 5'0, she's left-handed, and her favorite color is royal purple. I could also tell you she has anger issues, is hyper-observant, is a classically trained singer and dancer, and is kind of cold as a person. That last trait ended up writing most of itself out as she developed, but it's how she started, and I never got much deeper than that until I wrote her.

But, rewinding a little bit, I like to come up with ideas for my characters from tropes and stereotypes. My truest formula for coming up with characters is:

Trope/Archetype

- Some tropey traits

+ Traits you might not normally see in that trope/archetype

+ As many details as possible

+ Putting them in random situations that come to mind and watching them figure it out (even if it might be unrelated to the plot)

+ A little bit of yourself (always optional)

For example:

My "tropiest" character's name is Noel Masse; he was heavily based on the archetype of the peacocky gay theater kid who kinda has a hoe streak. Before you come for my neck, hear me out.

What are traits of this trope I could erase (or heavily modify) for him? From my experience theater kids get kinda cliquey--not all, but some--Noel has his friends, but he's the type who wants to be friends with everyone. He doesn't like to judge unless people give him a reason to. Theater kids might have their heads in the clouds all the time, and Noel airs on the side of keeping himself grounded when he needs to.

What are some odd traits I could add to him? What can I expand on? Noel has severe indecision--he's a theater kid who doesn't know if he wants to be theater kid. He has dedicated his life to being a musical theater star, but he has a calling in mystery solving, coding, and all things tech. This indecision often cripples him, and even seeps into his love life, which leads to some promiscuity~

What are the little details I know about Noel? Noel Coretyn Masse is a natural born witch, born in a little (fictional) city in France called Athamera on September 9th, 1997 at 12:11am. He is 6'0, 175 pounds, blood type O-, ENFP-T, right-handed, his favorite color is royal blue, and he has a gifted vocal octave range (3.8), and is very good at most forms of dance.

What scenarios have I put him in that helped him build? This was actually how I decided he was good with technology and all things coding, hacking, computers, etc. I figured out he was good at this stuff when I needed a character to hack something later on in the story and I threw him into the mix just to see what would happen and it stuck IMMEDIATELY. So, this category can also help build category 2 for sure.

Bits of me? His dedication to the arts and his desire for a large friend group hope I didn't just roast myself lol

DISCLAIMER: I want to make a note for anyone who thinks that this is overkill: yes, it probably is. But, I also want to note that I have been told time and time again that my characterization in my stories is my strongest point. So, clearly I'm doing SOMETHING right here.

I also want to note that this is NOT the "correct" way of coming up with characters. In fact, I don't think there is a "correct" way (as is with most things artistic and creative). This is just MY way of doing things. If you have a way that you come up with characters that works for you, I'd love to hear about it!

[skaruresonic]

The idea of Sonic being Maria’s reincarnation is fascinating to me, I must admit. Though it’s funny to think that she waited 35 years for it after her demise for Sonic to actually be born and then when he is, he’s opposing the cousin and he can’t enjoy Earth and its flowers fully like she also couldn’t because ALLERGIES lol. Comedy value too.

It is, isn't it? Again, I wouldn't push it as canon, but purely as a hypothetical for-shits-and-giggles kind of idea, it definitely is interesting to think about. Particularly with the parallels between Maria and Sonic:

1.) Both admire the genius of those closest to them (Tails and Gerald), 2.) Both are associated with the color blue, 3.) Both have a playful nature, 4.) Both like to race Shadow, 5.) Both are selfless, 6.) Both share immense strength of spirit. Other thoughts: 1.) Sonic can't swim (no pools on the ARK?) 2.) Sonic also seems to have something of an "you play tough, but I just know you'll do the right thing" attitude when it comes to recognizing Shadow's trauma in Battle. Kind of like how Maria recognizes that Shadow isn't the most personable guy around, but is still kind beneath his prickly exterior.

3.) Sonic's hay fever suggests a strong immune system. Overcompensation for Maria's weak one? xP

4.) It would be hilarious if it turned out Sonic continued stealing Eggman's thunder in his current incarnation.

5.) This is the most YMMV point and total fanfic lol, but maybe the spirit "chose" a hedgehog body in order to copy Shadow. Which would make the whole "faker" exchange extremely ironic on multiple levels.

6.) Sonic and Shadow threatening to throw down every time they clap eyes on each other becomes extra hilarious too.

---

Some people have said they aren't fully on-board with the idea because they fear it has the potential to erase or downplay Sonic's agency. While I sympathize with that anxiety, I also view the concept as something akin to transformation. Sonic may very well become someone or something different when he dies, like the blue wind in '06. Nothing is ever permanent.

(And to be quite frank, I kind of find the idea of Sonic being the literal second ULF that got ejected to Earth to be more convoluted than transmigration. You can accept hedgehogs being born as test tube babies, but you draw the line at reincarnation?) It's not that Maria literally is Sonic, but rather, her spirit has moved on and has become someone else. She no longer exists except as the embodiment of the things she loved most: the Earth, full of wonders and as "cool and blue" as Sonic, humanity, and freedom. (In that vein, I like the idea that Sonic helps Shadow move on from the grief of the death of his former life.)

Sonic is, however, at the end of the day, entirely his own person, even if his underlying "substance" is technically the same as Maria's. He would never want to look back, and maybe that's why he doesn't pick up on any subconscious cues about the ARK during his time there except to bid Shadow sayonara.

That is the whole gist driving the underlying idea. There's never gonna be some dramatic grand revelation where Shadow discovers the truth and angsts about it. Chances are Sonic would just laugh it off anyway.

---

Though it’s funny to think that she waited 35 years for it after her demise for Sonic to actually be born and then when he is,

Well yeah, the spirit had to make sure Sonic's buddies would be born at roughly around the same time. Adventure's no fun without friends.

You ever watch a revolving door and try to gauge when you should step inside? That's probably what happened. Can't go now. Maybe now? Oh crap, Eggman's gonna take over the world if I don't go now. xP

---

she’s opposing the cousin and he can’t enjoy Earth and its flowers fully like she also couldn’t because ALLERGIES lol. Comedy value too.

Can't have shit in this transmigration Chili's lol.

This is a potential comedy gold mine. The Commander is ranting and raving about how Maria was slaughtered in the ARK raid, meanwhile Shadow glances over to Sonic, who's hopping from foot to foot like "I just wanna throw hands" xP

[arlathvhenan]

Seeing people start to complain about Morrigan and Varric being in DA4 and it’s just a new level of sad. I’m not sure what they want at this point? They want to see familiar faces in the new game, and now they’re complaining about it?

I don’t know what these people want and I’m not sure they do either. The Devs were damned no matter what they did. They were never going to be able to please everyone.

And the worst part? The game isn’t even out yet. People are denouncing DA4 as the death of the series despite the fact that it won’t be available to play for another month. You guys waited up to ten years for this game, and now you’re throwing hissy fits because…what? Why?

Because you won’t be getting literally everything you want? Because the Devs had to make compromises, which is an entirely normal and necessary part of the creative process, especially in big budget productions? And also just a thing that adults do in general?

This whole mess is an embarrassment.

[iguessitsjustme]

I don't think Diew is getting enough credit for how good of a communicator he has been this entire show. I know God is upset right now because he thinks Diew is just going along with him and isn't saying when he doesn't want to do something, but we have been shown time and time again that Diew does not do things that he does not want to do.

From the very beginning, Diew has had no problem establishing firm boundaries. It's the main reason that we all call God a giant green flag. Because some of Diew's boundaries could have been ignored and called ridiculous, but they never were. God went out of his way to make sure he did not see Diew face to face because he knew Diew was not ready for that. And he knew Diew was not ready for that because Diew had clearly communicated and established his comfort level.

We even see it outside of their relationship when Diew tells Jane no. Even after being pressured by her. Even after she bullies him. He tells her no. He also tells her that he does not view friendship the same way she does and he's perfectly happy with the few close friends he has.

Diew and God had a wonderful conversation last episode when God was making Diew uncomfortable with how he was treating him while on their vacation. Diew waited until an appropriate moment when they were alone to bring it up and God sat and listened. Even if he felt a little defensive because no one wants to be the reason their loved one is uncomfortable, he listened, he apologized and he fixed it.

Which is why it was so painful to see Diew incapable of communicating to God when it came to Dr. Pee. We all watched those flashbacks and know how poorly Diew was treated by that man. But I think the most telling thing for how badly it affected Diew and how much he still struggles with it is that he did not tell God. Not because he didn't want to, but because that hurt is still so deep that he could not.

God has every right to be upset. Not only does he have Pee telling him falsehoods about Diew and how Diew just goes along with whatever which tugs and one of God's insecurities, but God also does know that Diew lied about how Pee was to him. That one little lie that Pee was just a senior opened the door for God to believe what Pee told him. Despite all of the communication that those two have had, one little worm of doubt found it's way into God's brain and now he doesn't know if he can trust Diew's feelings for him. God still fully trusts Diew, but he doesn't know if Diew truly loves him or loves Pee. We all know, but God does not. And when God gave Diew the opportunity to say anything and Diew did not, the worm buried itself deeper. Then buried itself deeper still when God called out Diew on his lie and made assumptions about the bracelet and instead of telling him anything, Diew left.

What I love about this conflict is there is no right or wrong person. They are both flawed human beings that are hurting because they love each other but they don't know how to approach this issue yet. Because Diew is traumatized by Pee and is shutting down whenever he has to be vulnerable because of Pee but God has no way to know that. So it just seems like Diew is shutting him down and shutting him out. Were there ways that both of them could have avoided this conflict? Absolutely. Diew could have said "This is a hard topic for me to talk about. I want to tell you but I need time to be ready." God could have not made assumptions about the bracelet being given to Diew by an ex. But that's not who they are. They are both flawed and beautiful and in love and sometimes being in love makes things certain things harder and makes people behave irrationally.

But I fully believe that these two can get through this. Please don't break up. And once they make it through this conflict, they will have a better understanding of each other and will know exactly how to handle similar conflicts going forward. Because that's the thing about this conflict. They need to work through it as a team. As partners. And if any couple can do that, God and Diew can.

[galaxy-fleur]

What did you think of Leon and Ada's new relationship in the remakes? Meta wise

I think it's an interesting and more nuanced take on their relationship! Which I definitely like. I see no point in judging OG RE2's love story between them, no matter how cliché and nonsensical it is. It's a product of its time, and it's charming in its own cheesy way. Teenage me cried over Ada's death in there, so I do have a soft spot for it.

But the Remakes offer a fresh interpretation of what happened between them, and I'm definitely interested to see where they will take their relationship in the future (that is if they do, because I wouldn't mind them just having separate story arcs from now on).

If we're talking actual analysis, I'll put down my thoughts. I don't know if you can call it a full-on analysis per se, as it's more just me writing out my personal interpretations on things. So keep that in mind please!

Long post under the cut. I'm talking almost 4k words and way too many shitty gifs (I have no time to make them all polished). I have way too much to say. I'll basically be going over their entire relationship throughout RE2R and RE4R so... yeah.

RE2R and RE4R are two games that offer a full story for Leon's character, and that's a very awesome thing that Capcom has done. I'd even say it's one of the best things they've done with RE recently. Making RE4R feel like a direct continuation to Leon's arc in RE2R makes total sense, and it makes many scenes in RE4R that much more satisfying to play through.

While RE2R does end on a somewhat positive note (much like every RE game has to), Leon's arc in it is very much negative. He loses more than he gains, he's unable to save anyone, and his good intentions end up being used against him. Claire ends her RE2R story by saving a little girl she has come to care for. Leon ends his RE2R story by losing the G-sample, 'losing' Ada without getting much, if any, closure from her, and not saving even a single person he has encountered. Claire and Sherry don't really count in Remake-verse (which I kinda don't like) because their storylines mostly happened separately from each other.

And that's not mentioning that he gets (assumedly, and I am very much hoping we'll finally see more concrete scenes of how it all happened in Remake-verse) pretty much kidnapped and forced into a life he never wanted right after. To say that Leon can't get a break in RE2R is like saying nothing at all. Poor guy gets put through the wringer on every level.

Now, onto his relationship with Ada, and how it ties into everything... It should be said that, while he obviously grows to care about her throughout their short time spent together, he remains suspicious of her. RE2R Leon is naive, but I often feel like people make him too naive. He's not an idiot. He tries over and over again to get answers from her, and he clearly feels apprehensive with her. And I mean... that makes sense. While she does save him multiple times, she keeps her distance from him.

I'd say he starts opening up to her on an emotional level after witnessing Robert having to kill off his own daughter. He directly confronts her, demanding for answers and voicing his drive to do what's right. In a way, that's him showing his vulnerability to her. And Ada uses it against him. After all, it's a perfect opportunity to play on his (rather naive) determination to be the hero to help her achieve her own goals. Ada is also the only figure of 'authority' he has at the moment. Even if her claim of being FBI seems kinda off, she's the only one he has.

And I'll go over Ada and how I interpret her later. For now, just keep in mind that her using Leon is more of a gray area than just some horrible, disgusting thing. I'm just going over the events from Leon's viewpoint here.

So, they team up. Ada starts softening up to him. They share light banter with each other: 'A: After you. L: Gee, thanks.' She expresses concern over his safety (the alligator scene). I'd say that's the point where he starts to care for her on a more personal level from before. As you would.

Him taking a bullet for her was instinctual. I'd say it's a more pivotal moment for Ada's character here rather than Leon's. In Leon's case it's moreso her taking care of him right after that matters. He directly mentions it to her later on (at least I'm pretty sure his 'you protected me' referred to that). I'd say him waking up to find himself tucked in with her coat and his wound taken care of was the moment his 'I care because it's another person who's in this with me' turned into 'I care because I feel genuine attachment to this person'.

Was it romantic? I'd say that's left for you to interpret how you wish. I like to think of it as him just caring for her as a person. Leon is someone who cares very deeply for others, and he's always striving to be the protector to those around him. I kind of think that someone caring for him when he's weak and vulnerable is something that is very meaningful to him. Now, Ada saves him multiple times at that point. But that's the first instance of her arguably going beyond what's needed. Sure, taking care of his wound was necessary, although she could have just let him be as he was for all we know. But tucking him in on top of that? Yeah, that's an obvious 'I care' gesture.

From then on, Leon is following Ada because he wants to trust her. And I do want to ring this home. He wants to trust her. Doesn't mean he does trust her. Because even though he shows genuine care for her, it's clear that he knows she's might not be telling him everything.

He wants her to trust him, so that she'll tell him what she is keeping from him. So that he can trust her.

The kiss scene is a perfect representation of exactly that, I'd say. Honestly, I'll just link this analysis right here, because I pretty much interpret it in almost the exact same way. But I'll go over it in my own words as well.

Leon's growing frustration is in full display here. He turns around from her, he paces, he tries to appeal to her. To just trust him enough to be honest with him. It's clear that he knows Ada might not be telling everything, but he chooses to believe her regardless.

Hence the exchange that follows this:

Ada: 'Hey Leon, trust me?'

Leon, walking up to her: 'Trust me?' (Reversing her question)

Ada: 'Honestly, if I didn't, you'd probably be dead.' (A genuine answer as far as we know, but it's not one Leon wanted to hear, so he shakes his head, mutters 'Right.' and walks off.)

And I do feel like Ada knows that Leon is suspicious of her here. Her reaction once he walks off comes off as kind of panicky to me. She knows she might be losing him, and she can't have that. So, she once again appeals to what she knows is his weak spot. His drive to help others and 'save' the city. It does work. Somewhat. But he's still swaying, so she does the first thing she thinks of. She kisses him.

She, quite literally, cuts off his line of thought so he stops thinking about it. Because him thinking is dangerous for what she's really doing here.

I think it would be very disingenuous to say that that was a kiss of love or affection. It is not presented as such, nor is it addressed that way in all. It was Ada's last attempt at stopping Leon from questioning her any further. How much of it was her focusing on her goals, and how much of it was her effort to 'protect' him from potentially figuring out the truth, is left to your interpretation. But whatever intentions she had, good or bad, it was a kiss of manipulation.

It does shut Leon up, as he's visibly stunned. He doesn't even say anything at that. He just stares at her, then at her hand on his knee. Now, here's the tricky part of it all. Do I think Leon felt romantic affection/attraction to her here? On some level, I'd say yes. But it's definitely no 'love at first kiss' or anything like that. He's confused, mostly. While he spent arguably little time with Ada, it was a time full of meaning. Surviving side by side and protecting one another is no small feat. And Ada did show her care for him.

I think, he chooses to trust her in that moment, because he, once again, wants to believe in her. Even if her kiss felt out of nowhere, and so much of what she says (or rather doesn't say) makes no sense. He chooses to trust her because he wants to think that she's a good person who cares for him.

And so, we come to the pivotal bridge scene once he learns the truth. I do like how he confronts her in a blatantly emotional manner rather than logical. It's not so much about her being a mercenary itself, as it is about her using him and lying to him. That's what he's actually confronting her about, whether he realizes it or not. That's exactly why he tells her to shoot him, fully resolute as he holds her gaze. He wouldn't do that if he was just trying to apprehend a criminal like a good cop would (as he tries to present it at first).

But, he never gets that closure or resolution he was aiming for. Ada lowers her pistol. He breaths out shakily, probably wanting to continue talking, to figure this out. But he doesn't get that.

I do think Ada telling him to take care of himself as her 'last words' is a very painful thing for him. Because it leaves him with no actual closure on what happened between them. Ada chose to not harm him, and her last words to him are ones of selflessness. But she also lied to him and used his vulnerabilities to achieve her goals. And it's not like Leon knows anything about her occupation, and just how much she's involved with it on an emotional level. Maybe she's someone forced to do this against her will. Or maybe she enjoys doing such dirty jobs for all he knows.

That's the thing. Leon doesn't know. And that must be both frustrating and painful. He's basically left questioning all of his interactions with her, how much of it was genuine, whether she was honest with him at all.

And, most importantly, his time with Ada basically proves to him that his drive to protect and save, his willingness to give people the benefit of the doubt - is a flaw, and a weakness. It directly ties into his arc in RE4R. (And his relationship with Krauser, in a way, but I won't go over it here.)

He throws away her bracelet on the train, and I think that kind of shows that he chooses to believe in the pessimistic way of interpreting their time together. He throws it away because he doesn't want to hold on to something that reminds him of her. And, simultaneously, of his mistakes.

Now, let's go through the same events from Ada's POV, shall we? It's a bit more challenging, since we don't get to be in her shoes, but it's still a fun exercise.

Ada's initial interactions with Leon are ones of annoyance. She basically scolds him like a kid for always getting in danger and acts like saving him is a chore. But chooses to help him out regardless. I think it speaks of her humanity despite her line of work. It's an interesting dichotomy that follows her every single appearance pretty much, though not much is done with it (thanks Capcom). But yeah, despite her visible annoyance with him, she saves him time and time again.

She doesn't visibly soften up to him up until that same Robert scene. She's pretty observant from what we can tell, and she probably already had a good idea of Leon's righteous nature, but it's the first instance of her actively playing into it instead of making small snide comments about it ('Trying to save the world?' 'Good luck with that.'). That doesn't mean she doesn't care, though. It's subtle, but the little sighs and changes in her facial expression do show that she's at least a little bit conflicted at the prospect of lying to him on such a huge level (though you can't see most of it with her sunglasses).

It's one thing to say a passing lie about you being an FBI agent, and it's completely another to play the long game by using someone like that. But she needs to accomplish this task, and it already proved to be more difficult than she expected. Remember, Racoon City was Ada's first time dealing with anything of this sort, too. She might be a mercenary, but it's not like she had to deal with zombies and B.O.W's before that. She's out of her depth, and she has someone pretty much offering themselves to her as her assistance.

So, she takes the risk.

While she does join in some passing banter with Leon after that, she still keeps her distance. She's dry and mostly unemotional in her mannerisms. Remember how I said that Leon taking the bullet for her was more pivotal to her in the story? Let's go over that.

It would be disingenuous to say that Ada is a complex character, unfortunately. Most of the complexity she does have, we pretty much have to add on to ourselves. Hell, I'm doing it right now with this entire section! Capcom is doing a way better job with her in the Remakes, but she's still pretty flat as a character. Maybe this'll (hopefully) change in future installments. But for now, we work with what we have.

Either way, we do know that Ada is someone who's self-sufficient and chooses to work alone. She keeps her distance from everyone, and she lives by 'everyone for themselves' ideology. Basically, a total opposite of Leon's 'protector' role. All that to say... someone taking a bullet for her is definitely not something she would expect. On some level, specifically because she would never do that herself. Especially for someone she basically just met. But Leon risks his life for her. Furthermore, telling her to go ahead instead of anything else.

I think that's the moment Ada starts caring for him on a personal level. Maybe she feels like she should repay him for this. Or that she owes him a debt. Regardless, she takes care of him and tucks him in, before proceeding further.

That care only grows once they reunite. Now she's the one injured, and he takes care of her, despite her protests: 'I can do it myself'. Ada is self-sufficient, but Leon offers her his companionship time and time again. We don't know whether that's something she lacks in her life or not. We don't know enough of her as a character to say that. But she's obviously someone who's not used to getting help from others. Again, on some level, because she doesn't do that herself.

Remember, while Ada did save Leon numerous times before, she always acted visibly frustrated by it, like it was a chore she was forced into, despite her choosing to help him herself. Leon, on the other hand, is quick to offer and insist on helping out, very much eager to do that for her. She already made the choice to use him, but now she learns that he's a genuinely good person with a kind heart, and not just some stupid naive rookie.

And so, the kiss scene, again. I already said that her kiss feels like a last-ditch effort to stop Leon from questioning her any further. And I do think she acted on impulse. Thus why she follows up with a hand on his knee and the: 'I'm counting on you'. And I, personally, think she kind of regretted doing that right after. Or maybe felt extra conflicted about the whole ordeal as a whole. The way she slouches and sighs heavily once Leon leaves is very reminiscent of that. It's kind of a mix of 'Fuck, I messed that up, didn't I?' and 'What the hell am I going to do after this?'

It also should be noted that Ada never meant to tell Leon the truth. It would be convenient for both of them. Leon would feel like he did something good, and she would complete her mission with no further issues. Both sides win. But... things go haywire. And she's confronted with the consequences of her initial choice to use him.

It'll be silly to say that Ada doesn't care for Leon. If she truly was this heartless mercenary some would like her to be, she would shoot him on the spot. Her pistol being empty doesn't really matter, either. Leon was basically offering himself up to her, again. Even without any bullets on her hands, she could have easily knocked him out or something.

But, she can't bring herself to hurt him. Because Leon really is a good person that doesn't deserve that. And she knows that, and she cares for him on a personal level on top of it all. We don't know what she was going to do, before Annette shot her. Maybe I'm actually talking out of ass here, and she really was planning on knocking Leon out cold. But, we'll never truly know.

And her last words for him are to take care of himself. Because, in a way, Ada, more than anyone, knows just how selfless Leon is. On some level, it's a wordless 'I'm sorry', if you wish to interpret it that way.

Boy, was that a lengthy mess! Their first introduction to each sure was tumultuous. But we still have RE4R to go through! Though it'll be more about Ada than Leon.

Nevertheless, let's talk about Leon's interactions with Ada. I think we all know he's noticeably harsher and colder to her. It's an interesting change, and it does show that he feels resentment towards her for what happened in Racoon City. We don't know how his initial conflicted feelings morphed into this resentment, but they did.

I don't think nearly enough people mention that he's genuinely being very damn rough with her in their little sparring session. While yeah, you could make an argument that he's holding back, he's not being careful either. Ada has to put in actual effort to fight him off, which she doesn't even succeed in because he takes her off-guard with his intensity.

And he also puts the sharp end of his dagger to her throat. Just to rub more salt into the wound.

I don't think this was him wanting to hurt her or threaten her, though. It was more of a show of strength. Ada approaches him by taunting him and teasing him, like she can do whatever she wants to him. But he's not that same naive rookie anymore. And he shows her exactly that.

A kind of: 'Don't think you can play the same trick on me twice, or you might get burned' message. A message that I think Ada does get.

As for him smirking at her, I don't think that's him being 'happy' to see her or anything. I think that's just him being amused that she still thinks she can play him like that. He grows all cold and distant with her right after.

Leon obviously has a grudge that he hasn't let go of. I actually like how he's almost needlessly petty with her in RE4R. Making snide remarks, calling her heartless and dismissing her on numerous occasions. It shows that he does care. If he didn't, he would cooperate with her with no further complaints on his part. He's purposefully being cold to her to show that yes, he is still upset about what happened, and he will use every opportunity to demonstrate exactly that. It's petty and kind of childish, in a way. But it makes sense for him, and it adds extra flavor to their relationship at this point in time.

Though, he does offer an opening to her in the boat.

'Have you changed, Ada? Or are you trying to use me again?'

It's a good parallel to his: 'Trust me?' In RE2R, and both phrases are used for a similar purpose.

He gives Ada an opening to trust him and be open with him. One that she doesn't take, again: 'What do you think?'

She gives him no answer. Just like she didn't in RE2R. I think, in a way, that kind of gives Leon an answer by itself. He trusts Ada and relies on her when push comes to shove, but he doesn't give her any more openings from then on. I'd say that's his 'I think we both know this is where we go our separate ways' moment.

With Ada, things are way more complicated, in a good way. Separate Ways gave us so much to work with, and that's amazing.

Throughout Separate Ways, we see Ada bouncing back-and-forth on what she wants to do. She's initially very cold and resolute in her job, helping Leon out more like a passing convenience than anything else. She does still help him, though. She's still dealing with the dichotomy of what she presents herself as, and what she actually acts as.

I really like her confrontation with Luis in particular. She's cutthroat and blunt. Almost chillingly so. And she only relents once Luis mentions her own infection. Him telling her of Leon's infection has little effect.

'And why does that matter to me?'

I think that's a question she's asking herself just as much as Luis here. Though, she's still in her cold, self-sufficient mercenary role here. To be honest, I find her relationship with Luis in particular much more interesting in RE4R, but since we're talking about her and Leon here, I'll just say that Luis is the catalyst to her change (so to speak, Ada doesn't really change as a character per se, I'll elaborate on that later). Not Leon.

She confronts Leon face-to-face, quickly being met with the truth that he is not as easy for her to push around now. And I do think she has zero bad intentions there. She was genuinely just playing around and teasing him. Only to figure out that that approach won't work at all. It's kinda cute, honestly. So, she gives him an opening of her own instead. She tells him to leave Ashley, to prioritize his own safety over hers. Because that's what she would have done in his place. Leon is quick to shut that down. Something that Ada probably expected, as she just huffs and gives a knowing 'Right.' to that.

That's the moment Ada knows Leon hasn't changed. Not really. He might be colder, more ruthless and dangerous, but he's still that same guy, wanting to protect others, no matter what. She knows she'll have no success in swaying him at that point. Hence why she tells him exactly that on the boat later.

The next pivotal scene, I'd say, is her watching Ashley wake up and learn of Luis' death. Ada mostly treats Ashley like a nuisance, something Leon has to protect. Because that's his job. But in that moment, she sees the genuine connection they share with each other. She sees that Leon cares. And not just because Ashley is an innocent person he has to save, but because it's Ashley.

Ada's arc throughout Separate Ways is not that connected to Leon, which is a good thing. Similarly to Leon concluding his story from RE2R by saving Ashley and proving to himself (first and foremost) that he can protect someone he cares about, and that his humanity is a strength, not a weakness, Ada learns to accept herself, too. She's visibly conflicted at the start of SW, but by the end of it, she knows what she has to do, and she made peace with that. Her hesitating before going against Wesker in the facility is one of the last moments of her hesitating with her intentions.

But, again, that scene is more about her and Luis. Luis is very important to Ada's character in SW, and I think that's neat.

While the scene itself is kinda awkward, her encountering Ashley during the final battle is another arguably important one. Her watching Leon and Ashley before that was about her witnessing Leon's care for her. Now she sees that Ashley fully reciprocates that care. They are on equal ground with each other.

And so, the final scene between them. I already said that Leon settled on his answer concerning Ada before that. But Ada makes one final opening to him. It's a selfish one. After all, what exactly would happen if Leon agreed to come with? Would they just leave Ashley to die and fly off into the sunset? On some level, I think Ada knows that what she's asking is unrealistic, especially for Leon. But I think it also speaks of her progression throughout Separate Ways. Ada learns to be more genuine with herself, even if it means being selfish or asking something that she knows will be rejected.

So, she shoots her shot one last time. Leon gives his answer. Ada is not surprised by it. But she is visibly upset by it. She knew it was coming, though.

So, they do exactly that. They go their separate ways. At least for now.

[diminuel]

God… Wani transitions, looks so much more like a man than when they first met, and Dragon — so used to being reprimanded and poorly treated by men stronger than him, and used to being cordial and friendly with men he knows are *as* strong as him — but Wani is 10 years his junior. Still a rookie. And the marines teach you to *respect* and *submit* to men stronger than you. Which obviously the RA objects to. But Dragon is *head* of the RA so *everyone* is subservient to him — except his personal friends, whom are all basically equally as strong as he is if not stronger.

/except for Wani/

And whatever level of misogyny Dragon picked up pre-RA from the marines its pretty clear the flavor wouldn’t have been “ugh this woman thinks shes as strong as ME a MAN? Lets teach her a lesson boys!” as much as “pretty lady! pretty lady! impress the pretty lady!!!! make her like you make her job easy as possible so MORE pretty ladies want to work with you!!!!” So whatever Dragon believed about their difference in strength, experience, intelligence, etc. wasn’t assss relevant to him pre-transition. Thats his girlfriend why would he want to compete with or see bis girlfriend as a threat? They love and support eachother forever and ever.

But now he’s a man and he’s less experienced and cocky and all the things Dragon had beaten into him are signs of immense disrespect from one man to another man *clearly* stronger and smarter and more experienced and higher ranking and—

….and now Dragon’s bed is very, very empty. Which is weird because he doesn’t want to get out of it either.

Wani eventually comes back and Dragon has never felt lighter. Nothing really matters except Wani. He’s decided he’d abandon the RA if Wani asked. He really would. He knows his lover has dreams (dreams he’s apparently stomped all over). The RA isn’t a dream, it’s a necessity. But that means he can leave. He belongs to Wani first.

He’s pregnant. Theyre going to be fathers. Wani has NEVER seen Dragon cry like this. He missed him so much and now theyre going to be a family. Its barely past noon and Dragon has a resignation speech ready to go. He just wants to spend the rest of his life with Wani. Clearly his RA duties and his past are getting in the way so he needs to give being supportive his full attention round the clock.

Wani nearly clocks him over the head. Is he INSANE?! He doesn’t own ANYONE. Nobody belongs to ANYONE. Wasn’t that the whole point of his OWN RA? What sort of man throws his ideals away to impress a lover?

Stay in the RA. Wani isn’t giving up on their utopia either. (Maybe he hasn’t given up being king of the pirates yet either.) if theyre raising this child theyre doing it as equals Dragon. Wani thought thats what they were when he fell in love. He was surprised when becoming a man would somehow make that harder (aren’t they even *more* similar now?)

He’s right. Dragon’s respect for his lover should have never been made conditional or brought into question. He never truly forgives himself for fucking this up. Maybe Dragon has given Croc too much leeway with some boundaries, but that should have never been made into an issue of gender. A discomfort Dragon is only able to tolerate for a girlfriend but not a boyfriend. All or nothing. 50-50.

Of course. Reprimanding a superior in thr marines like this would get you on cleaning duty for a month. But he doesn’t feel disrespected. Or threatened. He’s *proud* his Wani is so strong and confident to talk down a man twice his size. Maybe Dragon is bigger and more experienced. But Crocodile is twice as brave and twice as determined and twice as confident and that’s *important* and it *matters* and it makes them both better people together. He’s good for him. Theyre good together. Theyre going to have a great kid and he couldn’t be more excited.

(And besides. Wani is only going to get bigger and stronger.)

Ah, I love it ;w;

Dragon going from one extreme into the other, letting his actions be guided by what he feels is expected of him in a given situation instead of letting himself be guided by his convictions. But luckily, Crocodile's there to knock some sense into him~

And Dragon's right, Crocodile will grow, he will get stronger. ♥

(Though the angsty part in me whispers what about when Crocodile does lose faith in himself? What about when his dream shatters because he was too cocky, too confident and nearly gets killed in a confrontation with Whitebeard? Unless that happened before or doesn't happen at all.)