#pearls of meta

[rosenotactuallyquartz]

i love how this picture symbolizes some unique qualities that rose saw in the crystal gems. why she was excited for steven to know each of them.

there's garnet standing in front of him with the butterflies, red & blue representing ruby & sapphire, because she's wise & she'll teach steven about fusion & true love, helping him with his own relationships.

there's amethyst, kind of at eye level with steven, leaning against the fence. she's young at heart & playful, so she'll be able to connect with him on that level & help him enjoy being a kid.

lastly, there's pearl. her first love & someone she loved for thousands of years, until the day she died. she’s holding steven & she also has a backpack, probably with his things because she knows what he needs & she may have packed extra for him, just to be on the safe side. she's intelligent & caring & she seems to be stopping him from falling over the fence because of her naturally protective personality. rose knew those sides of her really, really well.

the sky is pink, just like in sworn to the sword when pearl says, “rose made me feel like i was everything.” when the background is pink, it represents what rose would have wanted her loved ones to feel & know & experience. much like she wanted pearl to truly grasp that she felt the same way about her (and that’s why they argued back then), she wanted steven to be close to the gems. she loved & admired them deeply, just like she loved steven. and she believed that they all deserved to know & love each other.

[dyinggirldied]

Rosemary's Baby Misunderstanding

It's the usual: Ellie and Dan get injured and reverted back to cores which Danny basically adopts inside his own to help protecting them.

Meanwhile, every single mages, wizards and magical-inclined person sees this young, high-school-age boy carrying what must be a sort of equivalent to Satan's babies except this particular Satan is not really Satan and is more of the High King of Infinity Realm I guess.

[metamorphiacreations]

What Makes a Cookie Legend? an in-depth diagram by me

edit: much funnier version of the 2nd pic

[ranna-alga]

"Do the Evolution" - Pearl Jam

[girltimeswithscar]

we need to teach fandom girl likers to be rabid about women in a more constructive way. i know being cutesy and going "ough women" is in right now for many reasons including not wanting to fall into the trap of sexualizing a real life woman on the internet (fair) BUT for my health and wellness consider being more specific about that woman . tell me how you love how weird she is and tell me about a specific thing she did or said that made you go crazy. tell me about her freakish behavior. and tell me all her charm points. "ough women" is lame tell me about THAT WOMAN SPECIFICALLY !!!!!!

[lintwriting]

thinking about Binghe being a washerwoman's son, as I do. There's the cuckoo's jade aspect to it—

But also I think it would be fascinating to explore the viscerality of it. Binghe is a laundress's son. He views love through the lens of this mundane, working woman.

And so, love must smell of her bath beans or detergent, and her water-wrinkled hands must look like they're lined with love, like what I'd imagine a palmreader would see taking his hand.

his love is inextricably tied to laundry, so there's a beauty to him doing laundry for Shen Qingqiu.

For him, it's willing work, lowering himself for someone else. For how unfilial he would be if he saw mundane work as shameful!

And when Shen Qingqiu wears his freshly laundered clothes, that's Binghe's love threading the air, like a tether. like a leash. like a lifeline.

he keeps his master's hands unlined, like his mother did for him.

[ultraviolet-ink]

what are ur thoughts on phoenix and maya's relationship? saw a post the other day talking about how they're not really sibling coded and it got me thinking. (ie the fandom kinda shoe-horned them into that)

personally i think maya was ride or die for him from the moment he got arrested for her (see her offer to break him out of there) but didn't really see him as a sibling until later (maybe when she gives him the magatama?) whereas i think phoenix felt like he had to look after her for mia, but didn't really see her as a sibling until farewell my turnabout.

Honestly to me, they're just really good friends, legitimately the other person's best friend ever! Kind of like platonic soulmates if that makes sense! I used to also really lie the found family trope, but fandom just basically turned it into the nuclear family with extra steps, and that defeats the point of it to me. I definitely think they consider the other family, but there's not that specific role they'll assign to the other person-- just a sort of nebulous concept of family, like home is where the heart is rather than 'siBLiNgSsSsS!!", hence, platonic soulmates XD I really like your breakdown of the relationship, I think Maya definitely warmed up faster to Phoenix than he did to her, she just kind of seems like that kind of person that can figure out someone's vibes, where Phoenix is definitely a lot more guarded. She's not afraid to be more vulnerable, even as early as 1-4 where she says she wishes she didn't wake up. It definitely shows that Phoenix is still super guarded around her when he absolutely refuses to even talk about Edgeworth's "death". I think 2-4 was sort of a wake up call for him, not only because he had to step up to make sure Pearl was doing okay, but it was when he realized he really did care for Maya a lot, she's not the Chief's little sister, she's HIS friend Maya!! It really makes T&T really special where they kind of have this unique rapport that wasn't seen before, where Phoenix is somewhat more playful/relaxed/open with her (until the ex-girlfriend shaped elephant lingers in the room, which, honestly, fair, who would really want to open up about THAT mess?) So yeah, hope you enjoyed my little ramble!! :D

[salemoleander]

Double Life is so funny to reflect on

bc at the time it was (given 3L -> LL game mechanics and how each game evolved from the last) clearly intended to help with balancing; assigning random pairs to try to alleviate the skill disparity of his friends. And then we get to see Grian real-time speedrun the 5 Stages of Creator's Grief as he realizes that RNG has somehow striated everyone by skill level

But in retrospect, as a piece of narrative, it is one of the most compelling and enduring seasons to engage with. It resulted in pairs that betrayed deep and fascinating character traits. Without a mechanic literally forcing them together we never would've gotten a season of only pairs; a season where Impulse & Bdubs married via clock, where Cleo & Martyn had so many solo discussions, where Joel & Etho burned together in the end. Their similarities, RNG be damned, were precisely the thing that made the season so fucking good.

[huggywuggysuppy]

Obsessed with PICS (pearl/impulse/cleo/scott) and how absolutely dysfunctional they are. BEGGING to fall apart in the messiest breakup and make it everyone else’s problem.

Dissection on why:

Pearl is obviously suffering under scott/cleo’s usual pressure, especially their disregard for her side of the story. When she’s like “yeah double life was awful for me, it was a win at what cost” they just brush it off as character development. Impulse doesn’t back her up at all either. Soup Group for life, but not in Life Series. Logically, she knows she works well and lives long with these people, but it always costs her emotionally. She’s just not comfortable around any of them. In the breakup, Pearl would probably go to BigB, Gem, or Tango, as they’ve all treated her with constant kindness in the past. It’s only a matter of time before she leaves.

Impulse is in a weird place. Him and Scott were buds in Secret, but it was more of a coworker relationship held together by Gem. Impulse tried to cut him loose during tag, but Gem shot it down (“are you breaking up with me?!”) They were also spontaneously allied for a bit in Limited, and betrayed by Martyn together, but again that’s more coworkery than real bonded. Impulse has betrayed Cleo, who holds a grudge forever, and will have to spend the whole series trying to make up for that. He’s got a fondness for Pearl, but nothing concrete. He canonically doesn’t remember the other series while the other three (winners) do, so there’s that angle too. Impulse isn’t in danger, there’s just no real loyalty. If I had money on it: if he’s not taken in the divorce he ends up with Skizz again.

Cleo doesn’t want to be with Impulse and Pearl. Scott and Cleo are chosen soulmates and would probably stick together post divorce, but they are definitely beefing with the other two. Cleo has a clear and loud grudge against Impulse and wouldn’t mind cutting him off immediately. As for Pearl, Cleo is uncomfortable naming Pearl’s new wolf, as they understand just how much weight that carries. Cleo knows that PICS is almost certainly gonna fall apart, and is already dreading what they’ll have to do. They might even have to kill it themselves, as they’ve tried with many of Pearl’s other dogs. Others have pointed out and I repeat here: Pearl only kills Cleo when they’re not allied, Cleo kills Pearl when they are. If and when the breakup happens, Cleo will be the first to walk away, maybe dragging Scott with them.

Scott knows all of this. He’s perceptive and likes making power moves and will set up contingencies and alliances in preparation for the breakup, which will only speed up the process. More unconsciously, he hasn’t forgiven Pearl for double life either (ex: powdered snow comment). As I’ve mentioned, he and Impulse have some unresolved distrust from their professional coworker relationship in secret. Scott’s mostly chill with Cleo, but if they don’t officially stick together then all bets are off (ex: limited, secret). I expect him to struggle a bit post breakup, as he usually leans on strong day one alliances he can put his back to.

This is the interpretation from lore!! The actual creators are clearly having a blast with things. And honestly, that just makes it better. They are storytellers and I have faith they’ll pick the best one. Personally, I’m rooting for the breakup.

[rosenotactuallyquartz]

“rose is always wall eyed, sad eyed even when smiling.” — rebecca sugar

this is such a simple note describing rose’s appearance in rebecca’s concept drawings for rose’s lion 3 debut, but it’s incredibly tragic when you consider rose’s character

she’s so deeply ashamed of herself and her past; the way she worships everyone around her is so sincere; she can’t stand herself

rose keeps her eyes closed in every picture she leaves behind. rose with her boyfriend, the portrait in steven’s house. she wouldn’t want him to be anywhere near that kind of pain. even rose’s fountain has a statue of her with her eyes closed. she hides parts of herself, literally & figuratively.

she can’t open up about her past; she would much rather shut it out. she can’t bear the thought of even having to look at her own pain.

“oh, i’m so happy for everyone who’s going to know you.” — rose, lion 4

“rose quartz hoped with all her being that her child would grow up surrounded by love & kindness & care… and would never find a way back to her horrendous old home.” — the tale of steven

“sometimes i wonder if it's even you up there, smiling all day and night. i just want to know the real you. not the you that everyone tells me about.” — steven, storm in the room

just on a pearlrose note, i always loved how pearl was in the picture on the left. rose really did trust her & garnet & ame, despite the fact that it took time for them to understand how to show their love & raise a half human kid properly. but he was a gift to them & she believed in them too. she’d be proud of them, especially with everything going on.

rose hides her past, but one person was there for most of it. she was the type to notice small details—maybe it was painfully easy for her to notice rose’s eyes. i wonder if this complicated things even more, as she was already focused on what she could do to make rose happy. simply being herself made rose feel loved, but that was always something she struggled to feel worthy of

[azuremist]

"A ship manifesto is a meta essay meant to introduce fans to a ship and promote it by explaining its appeal."

Fanlore, on the definition of a ship manifesto

Welcome to my Pearlina manifesto! In this essay, I will be introducing you to Splatoon, as well as the characters, Pearl and Marina. I will be going over their lore, their coding, and I hope that I will be able to make you understand their appeal as a romantic pairing.

First, though, I must get you caught up on the not-inherently gay lore of Splatoon. What you need to know is that, around 100 years ago, Octarians and Inklings coexisted in harmony. However, rising sea levels made it so the two had to battle over remaining territory. The Inklings came out victorious, and forced the Octarians to live underground and in much worse conditions. Nowadays, most Octarians are a part of the Octarian army, trying to regain control of the surface.

Also, for clarification: an Octarian is any octopus-like creature, but an Octoling is specifically the intelligent humanoid creature. All Octolings are Octarians, but not all Octarians are Octolings.

As for non-Pearlina key players, we have the Squid Sisters, also known as Callie and Marie. When they sing the Calamari Inkantation, it's known to snap Octarians out of their brainwashing. Because it's just that much of a bop.

Agent 8 was the first playable Octoling, introduced in Splatoon 2's DLC, Octo Expansion. They're an Octoling who had their memories wiped, and was one of the very first Octolings to escape the Octarian army and go to the surface for a new life. They are also the playable character of Splatoon 3's DLC, Side Order.

We have DJ Octavio, who is the leader of the Octarian army. He has some messed up methods, and he's sort of a war criminal, but he's also a funny old man so we forgive him. He's been around since the Octarian and Inkling war of old, along with Cap'n Cuttlefish. Cap'n Cuttlefish is an Inkling who enlists the named Agents, and the grandfather of Callie and Marie.

And lastly, there's a phone. This phone is known as Tartar. It's an AI driven to insanity by isolation, with a desire to wipe out all living beings on Earth to start anew. It frames itself as trying to help the Octolings who attempt to escape the underground, while actually leading the Octolings to their doom. Agent 8 is the first Octoling to escape its grasp alive.

Tartar is also the owner of what is known as Kamabo Co., which, among many other messed-up things, uses a process called "sanitization" to brainwash and wipe the memories of Octolings who work with them to escape to the surface. Sanitized Octolings are then used by Kamabo as test subjects, now mindless husks. Empty of all previous personality. Zombie-like creatures, made of Octolings who only wished to see the sun.

So, anyways, meet Pearl! She's an Inkling who likes rapping and the dualie class of weapons! She's a blunt speaker who uses slang a lot, and she's energetic, expressive, and brash, but ultimately friendly. Her personality is intended to clash with her appearance, which is that of a typical soft, cute Japanese pop princess. "Gap moe", as the kids say.

She was born rich, and with oddly-shaped vocal cords that made her able to be so loud that it could cause damage to her surroundings. She participated in a youth folks-singing contest as a child, which had to be cut short precisely because of the damage caused by her singing. Her using this ability is called her "Hypersonic Battlecry". Upon reaching adulthood, she started a heavy metal solo career, and she had a song that gained some fans, "#$@%* Dudes Be #$@%* Sleepin". However, besides that one song, she didn't have much luck. Even still, she practiced regularly; going to Mt. Nantai to be alone, due to the potential danger her singing can cause, when she did.

Marina is an Octoling who likes singing, music production, and is also generally good with tech! She draws in a shoujo manga-esque style, and likes the brella class of weapons. She speaks in a soft and sweet way, but she can get sassy if provoked. She's sentimental, shy and pretty bad socially, often coming across as awkward or oblivious. Even still, she expresses herself honestly, without embarrassment.

Marina was born into Octoling soldierhood, and was trained up from a child as a combat engineer. She was so intelligent that she skipped multiple grades, and went to an elite training facility, where she became an active soldier in the Octarian army. However, when she was on the surface on a mission, and heard the Calamari Inkantation, she deserted the army and Octarian society. She was at a severe disadvantage, of course; she didn't speak a word of the Inkling language. But she managed to escape, still, to Mt. Nantai.

Pearl and Marina met for the first time by chance, as Pearl was practicing in the mountains at the same time that Marina was escaping the army. They quickly grew close, and Pearl taught Marina the Inkling language and Inkling culture. She didn't know that Marina was an Octoling at this time.

After this first meeting, Marina returned to the mountains every day for two weeks in hopes of meeting Pearl again. When they finally did meet again, Marina showed Pearl a demo of a song she created, which Pearl loved. The two agreed to form Off the Hook, and they released a polished version of the demo as their first single, under the title "Ebb & Flow".

9 months after the events of Splatoon 1, Off the Hook was popular enough to take over hosting Inkopolis News for the Squid Sisters, who were now focusing on their solo careers.

Which leads us into Splatoon 2! Marina and Pearl don't have a big role in the main game. They get a bigger spotlight in the game's DLC. However, they host Inkopolis News and the Splatfests, so they have lots of dialogue for that!

But! There is another key player here. A rather important one, in fact, one who actually has a big say in Pearl and Marina's story.

So, basically, Nintendo of America hates queer people. The Japanese dialogue for Pearl and Marina make it VERY clear that the two are intended to be queercoded. But Nintendo of America didn't likey, so they censored the everloving shit out of it. They only got any better about this during the tail end of Splatoon 3's lifespan, ending around the time Side Order released. Even then, I personally suspect that they only did this because a lot of the fanbase took notice of how, hey, they sure are throwing the term "best friends" around a lot more in the English version… For that reason, a lot of the dialogue I'll be sharing for this section will be the original Japanese dialogue.

Note, these are just my personal favorite examples of dialogue between them. All dialogue referenced can be viewed on the indie Splatoon wiki, also known as Inkipedia.

During the first Splatfest, Marina says, "Even against Pearl-senpai, I will not lose," and tells Pearl that she won't hold back, despite how much she admires Pearl. We also have Marina inviting Pearl to eat with her after winning the Fries vs McNuggets Splatfest, and Pearl excitedly inviting Marina to see a movie together with her for Action vs Comedy. For the Knight vs Wizard Splatfest, Pearl says that she likes knights because they fight to protect everyone, and Marina, in response, says, "Ehehe, then I'll be a witch so you can protect me!" Marina also reveals that she learned how to make chicken the way that Pearl likes so that she can make some for her, despite it not being her taste, in the aftermath of the With vs Without Lemons Splatfest.

One of the rare English localization wins is Marina saying that she likes using the brella to "protect her precious Pearlie at all costs!" There is also a line in the German localization where Pearl says that the Ferris wheel glimmers and shines, and Marina replies, saying it doesn't glimmer and shine like Pearl's eyes.

Lastly, in one of the Sanrio Splatfests, Pearl talks about having a dream where she is with Hello Kitty, and Marina responds by saying it's too much cuteness for her to process. (Of course, her implying that Hello Kitty and Pearl are both cute, so them together makes her malfunction.)

I think one of the most underrated exchanges, though, is in the Friends vs Family dialogue, where Pearl is team family. Marina at first seems sad that Pearl would choose her family over her, and Pearl, noticing this, clarifies that she sees Marina as a part of her family. Marina, in response, exclaims that, in that case, she's joining Team Family too! It's SO cute. In the Japanese version of this exchange, she even does a keyboard smash in response because she's so flustered and happy.

Also, when describing one of her favorite manga, Marina describes a manga which seems to heavily parallel her own life: "The protagonist was born to be the prince of an evil army and the story progresses along with his troubles! And to say nothing of the romance elements on top of that! It gets me emotional every time!" It's clear that she sees herself in the protag, and is likely projecting her relationship with Pearl onto the romance, as her relationship with Pearl is what helped her escape her own "evil army".

I'd also like to invite you to check out the official Splatfest art of them! There are a few pieces that show them domestic and just hanging out, like Pulp vs No Pulp and Warm vs Cold Breakfast. There are also a few more overtly romance-coded ones. In the Sci-Fi vs Fantasy art, Marina is obviously swooning over Pearl, and the gay eye contact in the Kid vs Grown-Up promo art is so good. But my two personal favorites are the Knight vs Wizard and the Vampires vs Werewolves art. I adore the framing of knight Pearl protecting witch Marina, just like she talked about in her Splatfest dialogue, in the Knight vs Wizard art, and the dramatic lighting is gorgeous. For the Halloween Splatfest, I've never gotten over the detail that Pearl is gently touching Marina's face. Something about it just activates my neurons.

And speaking of Splatfests, after all is said and done, there has to be a final Splatfest, doesn't there? This one is themed around the Splatpocolypse! Pearl reps Team Chaos, and Marina reps Team Order, for the question of which kind of apocalypse would be more bearable. The results of Final Fests are known to be very important, and to affect what happens in future Splatoon games, so, when Pearl starts talking like the future of Off the Hook is depending on the result of this Splatfest, the threat is very real, despite her reassuring Marina that she cares about their band.

But, in the end, it's Pearl's team who comes out victorious! And so Off the Hook will break… into new musical genres! Ayy!

Marina is confused by this outcome, and voices that she thought that Off the Hook would be breaking up. Pearl is confused right back at this assumption, because she would never break the two of them up.

Pearl's Japanese dialogue reads: "That's exactly why! Our, Off the Hook's, best, unbeatable color will repaint the world! After all, I need you… Making music without you is no fun! Now, now, settle down… Are you okay, Marina? There's still more coming up for Off the Hook!"

And her English dialogue reads: "You and me are gonna rock the mic together until the end of time! Or at least until I can get my solo career off the ground. BAHAHA! I'm just playin', Marina. You know I love you. It's you and me against the universe, 'Rina!"

In all versions of the dialogue, Marina bursts into tears on-air out of joy, and Pearl tries her best to comfort her, assuring her that she never wanted to leave her behind, and never would want to. (She also directs the cameraperson to point the camera at her, trying to save Marina from any embarrassment.)

Special art for the Splatfest shows Pearl putting her signature crown on Marina's head. In Splatoon 3, we get to see an in-game selfie of the two which confirms that this happened, presumably once they were off-air.

Splatoon 2's DLC is called Octo Expansion, and follows Agent 8. Octo Expansion is where a lot of the lore with Octolings gets explored, including Marina being one! Because, yes, up until the release of this DLC, Marina has just VISIBLY been an Octoling this whole time, with nobody addressing it. It drove the fandom nuts. It was pretty funny.

Agent 8, with amnesia, finds themself in an underground subway system, stuck with Cap'n Cuttlefish and a desire to see the surface. Pearl and Marina accidentally get in contact with Agent 8 and Cap'n Cuttlefish because of a glitch in their communication device, and decide to help them out. As such, Pearl, Marina and Cuttlefish all end up in a group chat together to discuss strategy, and the player can read through their chat logs. It's in these chat logs that Pearl and Marina relay much of their previously-discussed backstory. However, Marina never brings up her own past before meeting Pearl.

Which Cuttlefish decides to fix via outing Marina as an Octoling! Very cool. He sends Pearl information about Marina from when she was in the Octarian army, while Marina is away from the chat. Pearl is, of course, surprised, but isn't stunned for long, as she immediately starts jumping all over Cuttlefish, threatening him to make sure no harm comes to Marina. World's tiniest attack dog, truly.

When Marina returns, she goes silent when Pearl tells her that Cuttlefish shared her past, but, when Pearl reassures her that she's still accepted, Marina's implied to start crying out of joy via the emoticons she uses.

Something worth noting is that the Inkling/Octoling conflict is heavily coded to be analogous to racial and xenophobia-related issues, especially from this DLC-onward. Past wars are used as an excuse for bigotry, Marina and Agent 8 are both dark-skinned, Octoling culture seems to take inspiration from black culture, and Cuttlefish quite literally says, "I don't see species" while complimenting Marina on how "articulate" she is.

In the final battle against Tartar, Marina and Pearl play a huge part! Marina uses her hacking skills to determine how to weaken Tartar's blast, which would destroy all inkfish. Pearl uses her Hypersonic Battlecry to push back against the blast, and destroys the weapon in the process, after planning it with Marina (who uses a really gay shoujou manga-like drawing of Pearl, with sparkles around her, to illustrate the plan). This, of course, leads to the iconic scene where Marina glomps Pearl and nuzzles into her face at such force that she makes both of them fall over. They can be seen on the floor in the following shot, where Marina is still nuzzling into Pearl's face.

While we're in between Splatoon 2 and 3, I thought now would be a good time to sprinkle in some miscellaneous fun facts that don't really belong anywhere else!

Pearl and Marina have nicknames for each other! Marina calls Pearl "my precious Pearlie", or just "Pearlie", and Pearl calls Marina "'Rina".

In the Japanese text, Marina calls Pearl "senpai", while referring to everyone else with the "-san" honorific. This is likely both because Pearl is older than her and because she has a lot of respect for Pearl. (Because yes, Pearl is the older one, despite their height difference suggesting otherwise! She is 21, while Marina is 18.)

Marina's feelings for Pearl are 100% confirmed romantic! In the official relationship chart, Marina, in relation to Pearl, is described as "koisuru otome". "Koisuru" means "to fall in love", and "otome" means "maiden", especially in romantic contexts like otome games. So she's a "maiden who has fallen in love"! Nintendo of America, predictably, censored this in their localization of the chart.

They seem to have a princess and knight motif! This is made more explicit in Splatoon 3, but Pearl's Japanese name, Hime, means 'princess', and she is known as MC Princess in English. Her appearance is based on that of a "pop princess". Marina, of course, was a top-ranking Octarian soldier. But Pearl is braver and is more protective of Marina, while Marina swoons at the idea of Pearl saving and protecting her in the Japanese text for Knights vs Witches. In appearance, Pearl is the princess and Marina is the knight, but in personality, it's swapped.

In "Suffer No Fools", Pearl refers to Marina as attractive and intelligent in various ways, depending on the language. In English, her line is, "She's divine, one of a kind, voice so fine, BIG mind!" In Dutch, it's, "She is without equal! Hell of a voice and won't give an inch!" In French, it's, "Divine and seductive, ravishing voice and GORGEOUS brains!" In Italian, the line is, "She is divine, a darling, crystalline voice, refined mind!" And, my personal favorite, the German version of the line: "My beauty writes tunes and she's smart like a dream!"

Also, Suffer No Fools is a rap battle. So one of Frye's disses is targeted at Marina, calling her Pearl's "grouper". This is a fish pun on "groupie", which is someone who follows a pop star around in hopes of forming a romantic connection.

The Final Fest of Splatoon 1 was Callie vs Marie, so many people were expecting Splatoon 2's to be Marina vs Pearl. When asked why this wasn't the case, a head developer stated that the reason was that the Squid Sisters always had a hint of rivalry in their relationship. However, Pearl and Marina hold only care for each other. This is even directly addressed in the Final Fest's pre-Fest dialogue, where Pearl states she knows that Marina is more popular than her, without a hint of bitterness.

Nintendo likes to give the idols of Splatoon faux-interviews, to make it feel like they're real idols! One such interview asked Pearl what the most precious gift she's ever received was, to which her answer was, "The chance to meet Marina!"

Lastly, in the Splatfest performances of "We're So Back", there is an extended section where Marina places her hand on Pearl's lower back as they dance. Kinda gay.

With that, let's get back to the story! Stop me if you've heard this before — but Pearl and Marina don't get a lot of focus in Splatoon 3's main mode, instead getting the spotlight in the game's DLC. They're super busy, after all, on their world tour!! Agent 8 went on tour with them, too, in order to help out behind the scenes. It's also heavily implied that they moved in together between Splatoon 2 and 3, as, multiple times in 2, they say they have separate houses, but, in Splatoon 3, Pearl mentions "our (her and Marina's) yard". (Oh my God, they were roommates.)

Onto Splatoon 3's DLC, titled, "Side Order"! As Splatoon 3's general main story mode took on the chaotic aesthetic due to it winning 2's Final Fest, Side Order is what takes on the aesthetic of Team Order.

And, remember how I said that Nintendo of America only got better about censoring Pearl and Marina being queercoded with the release of Side Order? Yeah, we're gonna be referencing the English dialogue a lot more from now on.

In Side Order, Agent 8 is transported to a virtual world created by Marina, named Order Sector. This world was originally created to help sanitized Octarians regain their memories! However, it seems to have been corrupted, somehow…

In Order Sector, Pearl is turned into a drone! Together, she, Acht (also known by their stage name, Dedf1sh) and Agent 8 climb the Spire of Order to save Marina, who they can hear calling out to Pearl from the spire.

Quick Acht break. I would like to bring to attention the fact that Acht is canonically non-binary, and are only referred to with they/them pronouns in-game. This means that Splatoon is willing to go there, in terms of purposefully putting queer characters in the official canon. Just in case you needed more convincing, regarding Pearl and Marina's queercoding being 100% intentional.

Anyhow. Upon reaching the control room, the 3 of them encounter Marina, now mind-controlled with a visor and called Marina Agitando. This new name for the controlled version of Marina matches the naming conventions of the other Side Order bosses. "Agitando" means agitated or restless, and an "agitato" in musical composition means that something must be played with force and accuracy (of course, leaning into the theme of order).

After freeing Marina, Agent 8 and Pearl are confronted by Order, an AI who seized control of Marina's virtual world, and whose goal is to force everyone in the outside world into Order Sector, and to then establish a colorless world of order, where independent thought does not exist.

Marina, obviously distressed by her altruistic project being hijacked for a horrible purpose, resolves to help Agent 8, Pearl and Acht with subsequent journeys up the Spire. After rescuing Marina, Pearl is also able to freely transform between being a drone and an Inkling, but chooses to be a drone most of the time, as that form helps Agent 8 more on their missions.

(By the way, it's around this time that we learn that Marina's computer background is a picture of Pearl lying seductively in her Final Fest outfit. I'm not kidding.)

In subsequent climbs up the Spire, Marina joins you, and there is dialogue in between her, Pearl and Acht between stages. This dialogue had a tendency to be Very Gay. Standouts include but aren't limited to:

Marina doing her usual gushing about how cool and cute and incredible Pearl is.

Pearl being protective of Marina, threatening violence if anyone is mean to her.

Pearl talking about a planned break after the tour, saying: "I promised her that we could find a quiet spot together and take it easy for a while."

Pearl confessing that she isn't scared of the usual enemies in the Spire, and the only time she did get scared was when she was fighting Marina. It frightened her that she didn't know if Marina would be okay. (Again, knight/princess, you get it.)

Multiple instances of Acht saying "I'm glad you're here, 8," or something to that effect, after Pearl and Marina have a moment. With the implication being that they're glad they don't have to third-wheel these dorks alone.

And, of course, the iconic dialogue where Acht says, "Hey, Pearl. Have we met? You seem familiar," and Marina immediately responds, "What?! Acht, come on! You can't seriously be hitting on Pearl in front of…!"

Ah, sweet, sweet, blatant queercoding. We could've been having this level of it this whole time in the English version, if Nintendo of America weren't cowards.

Additionally, one of the rewards for completing missions in Side Order is being able to read Marina's dev diaries! These give the player a lot of insight into the development of the virtual world.

We learn, among other things, that Marina planned for Pearl to be the player's guide from the beginning, and that she personally crafted a model for her to use for this purpose. She writes: "It's really, truly all starting to come together! I'll put myself at the top of the tower, so Pearl has to climb it to get the user to me. ❤️ Wait… would that make me like a storybook princess? ❓ Hahaha, now I HAVE to do it! I'll build you a tower worth the climb, brave Pearl!" (Again with, in terms of personality, Marina being the princess, and Pearl being her brave knight.)

Also, is now a good time to mention that the currency in the virtual world Marina created are called "Prlz"?

Marina also writes: "When I felt lost and directionless after deserting from the army, it was Pearl who showed me hope. ✨ The two of us formed Off the Hook, and ever since, I've felt like I'm just waiting to wake up from a dream! ❤️ Sniff- sorry, something's in my eye!" Then she does a gay keysmash and crying emoji.

Plus, with each diary entry, we get a picture taken by Marina! This is where we get the selfie of her in Pearl's crown, post-Final Fest. We also see, via her pictures, that she has plushies of her and Pearl on top of her computer setup, and has a sticky note doodle of Pearl with a heart in a speech bubble stuck to her computer. Among other gay shoujou drawings of Pearl we get to see, of course.

Once again, Pearl and Marina help Agent 8 a lot with the DLC's final boss!

When you reach the top of the spire, before Order attacks 8, Marina is seen pleading with Order, trying to explain why its idea of a perfect world is dysfunctional. Her words, comparing everyone's different thoughts to colors that mix together, closely parallel what Pearl told her in the Japanese text to comfort her after the Final Fest, showing that she's truly internalized what Pearl told her.

When Agent 8 is knocked out by Overlorder, Order's battle form, it seems, for a moment, all is lost. The screen is slowly losing its color. Marina desperately types away at her computer, scrambling to see if she can do anything, anything at all, to stop Order, but it's no use.

Marina herself turns gray, and begins to glitch, just like everything around her. Everything slows. Realizing that she's about to lose everything, she speaks, her voice distorted from Order's influence: "Pearl… I…"

She's not able to finish. The screen turns gray.

However, Acht had rushed over to Marina's laptop, running and reaching out to just barely press the correct key. Agent 8's heart begins to pump again – pumping to a beat.

Marina and Acht had begun playing a new version of Ebb & Flow, "Spectrum Obligato", in defiance of Order's ideals. Pearl, hyped up by the music, uses her Hypersonic Battlecry to destroy the control room!

After Agent 8 destroys Overlorder's barrier, and collects all the color chips that were lost, Pearl uses a unique special, dubbed the Color Wail, which combines her Hypersonic Battlecry with the Killer Wail. The usage of "Spectrum" in the new version of the song, the collection of all of the color chips, and the new special being Color Wail all, of course, additionally call back to what Pearl told Marina.

This final attack causes Overlorder to explode, and in its place…! Reveal a tiny octopus, who baby-talks. This little guy is known as Smollusk, a childlike, heavily-damaged, and restricted version of Order. Like this, Order no longer poses any real threat.

In additional runs after this final boss, the player learns that Order was made of the desire from Marina, and other Octoling programmers she brought on, for an unchanging world. This adds additional meaning to the continuous callbacks to Pearl's comforting words to Marina. Order is a manifestation of Marina's desire for the world to never change, so she never loses Pearl, and, for Order to be defeated, it needs to be reminded again and again of Pearl's words of comfort: that, even if the type of music Off the Hook makes changes, that change makes the world more colorful. But what will never change is that Pearl needs Marina by her side.

In these subsequent runs, as well, Pearl and Marina grow gradually more fond of this childlike version of Smollosk, who grows to like them in turn. Which, of course, leads to the fandom in-joke that they're Smollosk's moms, helped by the fact that Marina did, quite literally, make Order.

Which leads us to the Final Fest of Splatoon 3! But, I'd like to take a small break again, if you'll indulge me. I'd like to provide a quick list of some of the romantic tropes that Pearl and Marina fall into. Yoinked from TVtropes!

Love Doodles: Drawing love symbols and writing initials and names, indicating someone has a secret crush. (I'd argue Marina's doodles of Pearl fall into this trope.)

The Glomp: Tackling and hugging one's love interest tightly.

Interrupted Declaration of Love: Character tries to confess their love for somebody, but is interrupted. (During the final boss of "Side Order".)

Love at First Note: Falling in love with somebody when you hear them sing. (Marina first encountered Pearl when she was practicing her music.)

One Head Taller: A couple where one partner towers over the other partner.

Pitbull Dates Puppy: A rough and tough character (Pearl) falls in love with someone of a softer, gentler nature (Marina).

Please, Don't Leave Me: A character pleads the love of their life not to leave them. (The point of conflict in Splatoon 2's Final Fest.)

Sickeningly Sweethearts: Two people love each other to a sickeningly sweet level. (A sentiment expressed by Acht and Shiver.)

Violently Protective Girlfriend: This girl will not let anyone harm her significant other. (Pearl is very consistently shown with this trait.)

Like an Old Married Couple: Friends bicker and banter the way a married couple might, but without being married. (Seen a lot during Splatfest dialogue.)

There are even more tropes that Pearlina falls into that didn't have a proper label on TVtropes (learning a loved one's language, "it isn't fun without you", having your loved one as your phone or computer wallpaper, etc…), so just know that their story falls into many established romantic tropes.

Which brings us to the grand finale of Splatoon 3; a grand fest! Some may even say, the Grand Fest: Past vs Present vs Future! This was a very unique Splatfest in that each team is represented by a different idol group! Team Past is represented by Callie and Marie, Team Future is represented by Splatoon 3's idol group, Deep Cut, and Team Present is represented by Pearl and Marina! Their team choice is a culmination of the lessons they've learned since their own Final Fest. In Pearl's own words, from the Grand Fest announcement: "Get all you can out of the present, and the future will take care of itself. That's real!" Which prompts Marina to agree, "I can take or leave my past. But my present with Off the Hook means so much to me!"

Indeed, the general theme with Pearl and Marina's promotion of Team Present is that the reason why they love the present is because they love each other, and they love their present with the other. This is displayed no better than in their portions of the song, "Three Wishes."

"Three Wishes" is a song, sung by all of the idols, about why their team choice is important to them. Callie and Marie sing about their past, shared memories, and how far they've come. Shiver, Frye and Big Man of Deep Cut sing about their hope and excitement for the future, and determination to cut down anything that gets in their way. Pearl and Marina, though, have many, many lines dedicated solely to how much they deeply care for each other, and how that makes them love the present.

A good example to illustrate this difference is each team's lines following "Here we stand in time—endless past, present, and future span. / Our wishes are the flame that lights up history." Callie and Marie's are, "All life here is one—intermingled in the hourglass. / No start, no end, it lasts for all eternity." Shiver, Frye and Big Man's are, "Surging down the line—glowing promise we hold in our hands. / Reflecting off themselves to build a guiding gleam." Both being rather directly about the appeal and importance of the past and the future. Pearl and Marina's, though? "In the infinite sea of people passing in the dark, / My brightly burning radiance drew you to me." Not referencing the present as much as their wonder and joy in the fact that, in such a wide world, they still managed to find each other.

Furthermore, in their extended section, Marina sings, "I've been searching, all of my life, / Finally I've found my north star. / My heart's synched up, a satellite, / Orbiting wherever you are." Following this up, Pearl raps, "So your life sucks? Down on your luck? Gotta free yourself, get your mind unstuck. / Let fear push you on through, can do— Use some colors in your palette but blue, / Paint it new!" Her language echoing the way she comforted Marina during their Final Fest, with talk of colors and paint, and the fact that this follows up Marina talking about meeting Pearl, seems to imply that these lyrics are directed at a past version of Marina. The following section being question-and-answer (Marina singing, "When is the moment you should chase your dreams?", and Pearl responding, "It's right now!") seems to reinforce this idea.

After this, they sing together, in order to close out their dedicated section: "Overlapping cycles, binary stardom / Nothing can knock us out of our groove / Overlapping cycles, binary stardom / With you, nothing can stand in my way." But, just in case you thought that would be a really romantic note to end on, don't worry! They have one more shared line, which they sing together near the very end of the song:

"Having you by my side makes today perfect."

That is what they provide us as their closer; their ultimate reason why they live in the present. Why would they want to be anywhere else, when the other is here? This is also represented visually, in the trailer which revealed their outfits; they are not only holding hands, but them holding hands is the central point of the piece's composition. Your eyes are meant to be drawn to it. On top of that, you can see them tighten their grip on each other as the camera pans out, drawing your eyes to that motion. You are meant to see and take notice of the fact that they are holding hands. That is the point. That is their point.

(By the way, one of Pearl's lines in the Japanese version of "Three Wishes" is, "Hey! Give us a stage, romantic, and we'll reminisce in the café." The English translation is otherwise pretty accurate, so I didn't feel the need to provide the Japanese versions of the text, but… yeah, sure. Namedrop a romantic café as the place where you and Marina ("we'll") would reminisce. Why not, at this point.)

Even when they lose, they still manage to make it about how much they love each other! When Marie prompts, "In honor of Team Past's victory, let's hear some of everyone's favorite memories!", Marina is quick to respond, "Mine would be the day I first heard Pearl's voice at Mt. Nantai! Let me set the stage…" (She loves her wife so much. She needs you to know this!) Before she can continue, though, Shiver interrupts: "Um... not sure we have the airtime to go THAT far back. Save it for a podcast." One last time, someone has to shut Marina down before she starts gushing about Pearl, before they go off-air.

And that is the complete timeline of Splatoon, as-of my time writing this!

So, basically, these inkfish are gay. Good for them! Good for them. I mean, if you have Nintendo of America censoring your dialogue for being too queer, and weirdos on Twitter are using you as an example of Nintendo going woke, then you know you've got it made.

Pearl and Marina genuinely love and care about each other so much, it makes me feel ill. They balance each other out in personality, able to banter and tease each other, but they are also both open about how much they admire and cherish the other. Both need the other in their lives, not just as their musical duo partner, but as their life companion. Marina will follow Pearl wherever she goes, and Pearl will protect Marina at all costs. Pearl doesn't find any joy in making music without Marina, her muse, and after being a child soldier for the vast majority of her life, Marina is able to rely on and relax around her precious Pearlie, knowing and trusting that she is safe with her. They are both each other's most precious gift.

[cali-kabi]

~ Random Favorite Character Canvas Doodles💫🌟🎨

[novantinuum]

So, one of the interesting meta things I've been thinking about lately with SU: Future is that...

When Steven was wanting to "marry" Connie so he could fuse with her and live as Stevonnie (which, given Garnet is the biggest example of marriage in his life, is genuinely how he conceives of marriage now), he was in fact acting out with the same sort of "fusion lust" that Pearl experienced when she betrayed Garnet in the episode Cry for Help. He felt a surge of belonging and joy and love he probably hadn't experienced in a long while when he got to skate as Stevonnie in the previous episode, and then he just... got fixated on that, I think.

It's... a really good thing that he at least had the sense to ask permission from her instead of resorting to subterfuge like Pearl did, but regardless both Steven and Pearl had a similar brand of insecurities at play causing them to want to become something bigger than themselves.

"No matter how hard I try to be strong like you, I'm just a pearl! I'm useless on my own. I need someone... to tell me what to do." -Pearl, Friend Ship

"Wherever we go I already trust I'd know what to do if it were us I'd know what to say I'd know how to be I'd know your entire syllabus..." -Steven, "I'd Rather Be Me (With You)," Together Forever

Both of them felt directionless and powerless on their own at this point in their lives, and came to the conclusion that a fusion relationship with another person would somehow "fix" them, would somehow bring purpose to their lives they didn't have on their own before. Which, of course, was not the solution at all. Pearl had to deal with her deep-rooted insecurities about her former role on Homeworld on her own, and Steven had to wrestle with his own mental state in therapy in order to once again regain a sense of trajectory within his world.

All this to say though, I hope the two of them had a heart-to-heart about this at some point beyond canon, because I think they would have a lot to connect with on this topic.

[haphazardlyannotated]

This post made me think about how in Rose's Scabbard and Sworn To The Sword Pearl puts her importance to Rose in terms of what she can do for her. If you listen to Pearl, their relationship sounds pretty transactional on Rose's side. Pearl emphasises her importance to Rose with the 'jobs' she's doing for her. She can keep secrets Rose wouldn't trust anyone else with. She can fight for and protect Rose with her life. Even when she's arguing with Greg in We Need To Talk she defaults to "You're no threat to me because I am a Gem who can fuse" rather than, I don't know, anything about her actual emotional bond with Rose?

Listening to her, it's no wonder many viewers would initially come to the conclusion that Pearl's romantic feelings, or even feelings period for Rose were unrequitted, and that Rose valued Pearl more as an ally than anything else.

But then we see Rose's side of it and Pearl's abilities aren't a factor in her affection for Pearl at all! In fact, I don't think I recall a single instance where Rose even mentioned things Pearl can do for her as a positive. More than that, every time the acts of service Pearl treasures so much come up, Rose seems more worried than anything.

Judging from Pearl's flashback to her arguments with Rose in Sworn To The Sword it sounds like Rose was actually actively distressed about the very acts that Pearl seems to regard as the foundation of their relationship.

When Rose actually expresses positive feelings for Pearl, we get this:

Rose emphasises simply being with Pearl. In a world where they can be free and at peace and Pearl would never need to take on any burdens for her. She doesn't want Pearl to do anything for her, she just wants Pearl.

Where is my point? I had a point. Oh, right!

Pearl seems to determine the strength of her relationship with others, especially Rose, by how much she can do for them, and doesn't realise that her loved ones not only love her for herself, but would, in fact, appreciate if she stopped throwing herself into the meatgrinder for one second, we mean it, Pearl, Rose is getting the gem equivalent of dehydrated.

(Rose, of course, takes all of this as evidence that her existence is causing everyone she loves to suffer and they would be better off without her)

[whenmemorydies]

90s alternative rock, masculinity and The Bear

This post by @bbythurs got me thinking about The Bear's soundtrack, specifically its use of 90s alternative rock. Some thoughts below.

Chris Storer and I are very close in age, and going by the soundtrack choices for The Bear, grew up listening to very similar music. I came to grunge a few years after its heyday but when I did, I quickly became obsessed with these (mostly) white boys singing frankly about things like domestic violence, sexual assault, drug use, and mental health issues, and who seemed to revel in challenging traditional masculinity. Their hair was often long but usually not overly styled (or washed for that matter), they sometimes wore dresses, lipstick and eyeliner on stage (but were decidedly unglam about it), and they scribbled "PRO CHOICE" on their bare arms during prime time television performances (shout out to Eddie Vedder).

Kurt Cobain on the cover of The Face, September 1993.

Michael Stipe, who often played with gender in R.E.M.'s live shows, had also recently come out as queer (his words were, an "equal opportunity lech") during the promotional cycle for REM's Monster (the album featuring Sydcarmy's infamous "Strange Currencies"). Alternative rock in the 90s was full of folks who were challenging convention, including the necessity of traditional masculinity.

The irony is that so many of the people who listened to grunge were white guys who had no problem with traditional masculinity. These were the same guys who head-banged and dove in mosh pits to these songs but went home and beat on their partners, or perpetrated sexual assault while singing the lyrics to these songs. No one can control who consumes your art, even if some artists did try to (see Kurt Cobain's liner notes from Nirvana's Insecticide):

In contrast, it seems like Chris Storer (thankfully) got the correct memo.

Ever since watching the first episode of The Bear, it was clear to me that this show has plenty to say about masculinity: how its performed and weaponised (2x06 Fishes is a master class in depicting this on film), how its subverted (think: Emmanuel and Pete but also Marcus and Chester), how those who don't conform to traditional masculine archetypes - in even the most innocuous way, like being artistic - can be isolated and picked off, including by those who might love them the most (see: Carmy's treatment by many in his family), and how those who do perform traditional masculinity to a T, can still be decimated in its wake (see: alpha-male Mikey).

Hearing tracks like Pearl Jam's "Animal" and "Come Back", REM's "Strange Currencies" and "Oh My Heart", Radiohead's "Let Down", and Nine Inch Nail's "The Day The World Went Away" used in The Bear is incredibly nostalgic for those of us who grew up with these artists. Their inclusion in the soundtrack is also incredibly intentional (like everything to do with this show). This is the music that Mikey was likely listening to growing up and that Carmy would have heard his brother playing. This is also undoubtedly the music that Storer grew up listening to as well.

I love that in a show about a man who is coming into his own after years of toxicity and abuse - much of which was targeted at Carmy because of how he performed (or didn't perform) masculinity - that reference is being paid to this genre. And if it was the case that this was the music Mikey was listening to and, perhaps even playing for Carmy when they were kids, that Carmy would be able to go back and re-listen to these artists now and know, that despite Mikey's demons and his own relationship with masculinity, that his brother always loved Carm, just as he was.

Author's note:

Also if there is a temporary (because it has to be fucking temporary, you hear me lol) Sydcarmy break up/parting of ways, I'm gonna need Storer and Calo to soundtrack it with Pearl Jam's "Black" (the MTV Unplugged performance). I'll need Eddie Vedder growling/screaming "WE BELONG TOGETHER" over a close up of Carmy's distraught face as Syd walks away. I'm going to need to hear,

I know someday you'll have a beautiful life/I know you will be a star/In somebody else's sky/But why, why, why can't it be/Can't it be mine?,

over the end credits please.

[sepublic]

Now that I’m older, it’s occurred to me that Jack Sparrow really does play the role of the mentor figure in Curse of the Black Pearl. He’s definitely a very cleverly subversive take on the trope, but he is a take on it nonetheless; The older figure who teaches our young, hotshot hero how to act and passes on wisdom. “I knew your father.” An experienced member of a forbidden group that our protagonist learns to accept he is a part of. Acts as a call to action, and isn’t introduced until past the first few scenes of the film.

By contrast, Elizabeth and Will are established in the movie’s first scene, which further strengthens the actually hot take that they’re the main protagonists of the film and the trilogy as a whole, not Jack. Jack is just less recognizable as a mentor because he breaks a lot of the rules (more guidelines really) of the trope, and is treated as more than just a tool for our main character’s growth; He’s someone with his own life and wants and stake in this, too.

Jack Sparrow is ultimately the Gandalf, the Obi-Wan of Pirates of the Caribbean. And that leads me to my argument that PotC is the Star Wars of its generation, with its own Empire Strikes Back and everything. It’s got a lot of the same tropes and structure, but it’s mixed around and dressed up in such a unique way that most people fail to realize this at first glance. 

Take for example, the dynamic of Davy Jones and Cutler Beckett... This is just Vader and Tarkin in A New Hope; A more iconic, supernatural threat, physically imposing, who is nevertheless subservient to Just Some Guy who is British and represents the Machine that strips the world of its magic and wonder. Vader and Jones are more romantic, they’ve got sad backstories and are humanized to the audience; But Tarkin and Beckett are banal and simple, just ruthless men who don’t care, like in real life.

But while Tarkin dies in the first film to make way for Vader taking the spotlight, as well as his similarly theatrical Emperor, the creators of PotC clearly wanted to explore the dynamic of a supernatural force straining against his imperial collar, and the tension of knowing he is contributing to the decline of his own kind. They took Vader and Tarkin’s relationship and made it front and center, happening at the end of the trilogy and not at its beginning. And it is Beckett and the imperial machine that is emphasized as the true evil, whereas in Star Wars, the Empire takes orders from Palpatine and his Dark Side shenanigans, who are framed as the foundation for the conflict.

The crew reinvented Star Wars for a new audience, rather than just... pulling off of the brand and imagery of Star Wars, or copying it word-for-word. They understood the core foundation of the story and the earnest creativity that comes into making something both familiar yet inarguably new, which subverts the stories that came before it in a meaningful manner.