#part two!!!it's finally here

[becca-alexa]

Ride the Lightning

Chapter Eight: The Unforgiven

Read on AO3!

01 ┋ 02 ┋ 03 ┋ 04 ┋ 05 ┋ 06 ┋ 07 ┋ 08 ┋ 09 ┋ 10 ┋ 11 ┋ 12 ┋ 13

Pairing: Eddie Munson x Original Female Character

Summary: Veronica can't help but be worried when Eddie misses school - will he finally be able to apologize?

Word Count: 4.4K

Content Warnings: mentions of illness

Author's Note: GOD this took way too long to put out -- i'm back at school and it's really killing me but i will try to get these out as soon as i can!! and THANK YOU FOR READING 💗

and as always HUGE hug and many many kisses to @rollforhellfire for putting up with me and reading these before they go out 💗💗💗

    He’d missed first period.

    Whatever. If he wanted to risk his chances at graduation with shoddy attendance, so be it.

    It wasn’t like she cared.

    Sitting through Ms. O’Donnell’s ramblings on… whatever Shakespearian drama she’d decided to delve into that week was usually easy for her. Simple; she’d take a few notes, answer a few questions. But, as her eyes drifted to the empty seat three desks over, Veronica couldn’t help but chew on her lip - it wasn’t unusual for Eddie to be late, but he was rarely absent. She kicked her feet, trying to figure out where he could be, what he could be doing, so lost in her thoughts that she didn’t hear name being called.

    “Miss Windsor?” Mrs. O’Donnell called out, tapping her manicured fingers against her desk in annoyance. “Miss Windsor!”

    “H-Huh…?” Veronica’s head snapped toward the board, face flushed as she desperately tried to recall what the older woman had been saying. “I’m sorry, what was the question?”

    Mrs. O’Donnell rolled her eyes. “What was Romeo’s intention in pursuing Juliet?”

    Veronica gave a quick answer - true love. It seemed to pacify the woman, as she’d turned back around and continued her droll recitation of the literary classic. Struggling to keep from gnawing at her nails, her eyes moved to the clock hanging above the door, and she counted the seconds for the class to be over, a feeling of unease already settling itself in her stomach.

    He’d missed second period, and third - and by fifth, Veronica was beside herself with worry. Not that he deserved her concern, but it still managed to wrap itself around her chest, tightening, pulling the air from her lungs as she pushed through the heavy double-doors leading into the lunchroom. Searching the crowd, she nearly barreled into an unsuspecting group of freshmen in her haste to reach her table.

    “Max.” Veronica called out, winded, clearly frazzled, dazed and confused beyond anything her friends had ever seen. “Did you see Eddie this morning?” The younger girl gave her an odd look, chewing through her sad excuse of a burger before answering with a shrug.

    “His van was still there when Steve picked me up.”

    “You didn’t see him at all?”

    Max shook her head, stabbing a straw through her carton of chocolate milk. “He’s probably sick.” she said by way of a reply, giving the two of them an exasperated look. “Like, who the Hell goes for a bike ride in the middle of a thunderstorm?”

    Sick? Of course he’d gotten sick.

    Eddie was sick… and it was her fault.

    “You lookin’ for him?” Robin chimed in, wiping sandwich crumbs from her hands. “I have him next period - I can pass along a message, if I see him.”

    Veronica slowly shook her head, her thoughts a violent spiral behind her troubled eyes. “No, it’s… That’s okay. I don’t think he’s here today.” She looked around the room, her bag suddenly too heavy, the noises suddenly too loud. She needed to get out, needed to leave-

    “Hey, aren’t you going to eat?” Max shouted over the crowd, giving Robin a confused look as they watched Veronica shove her way toward the doors.

    “I forgot I had something to do!” she shouted back, giving them both a wave, not bothering to look back. “I’ll call you later, okay?”

    Veronica stared at the door to the trailer, absentmindedly counting the rusted spots speckling the metal, the plastic Melvald’s bag in her hand stuffed to the brim with… everything, feeling as though it’d been filled with bricks. Don’t be stupid, it’s just Munson, she reminded herself, her words echoing through the empty expanses of her mind, never finding purchase, never truly reassuring her. Taking in what she intended to be a calming breath, she knocked on the door. Once, twice, even a third time, but was met with silence, the quiet buzzing of the rain around her silenced only by the sound of her pulse thrumming in her ears.

    Looking around, she found the small plastic rock hidden just behind the railing Eddie had shown her after their first few meetings; flipping it over, she pulled out the key, brassy and well-worn with age, and let herself in. “Hello?” she called out, her voice cautious, hesitant - she'd never actually used the secret key before. Usually, Wayne had always been around to let her inside. She felt… out of place, being in the trailer by herself. Something felt off, missing. “Uncle Wayne? You home?”

    She took off her shoes at the door, not wanting to track in mud and water. The television was off, as was the radio, the coffee maker, the hallway light that always seemed to flicker, no matter how new the bulb was. The unending stillness unnerved her, the sound of her setting her bag of supplies atop the kitchen counter much too loud, too jarring. Working quickly, she pulled out a pot from one of the cabinets, putting it on the stove, all but tearing open a can of soup and leaving it to warm - chicken noodle. Simple, filling, familiar. She wasn’t sure what kind of soup Eddie liked, and for the life of her, she didn’t know why she cared. But, she conceded with a sigh, he did need to eat - even if that meant taking his preferences into consideration.

    With the soup debacle cleared, Veronica made her way further into the trailer, to where she knew Eddie’s bedroom to be; the furthest room down the narrow hallway, past the bathroom and the oddly-framed picture of geese flying over a lake, worn and yellowed from years of nicotine. She stopped just before the threshold of his door, her mind still a whirlwind as she took that final step forward.

    “Eddie…?” she whispered, having to squint her eyes as she looked around the room. The curtains were drawn, the blinds closed, blanketing the room in a stuffy, musty darkness. “Munson, are you in here?” Hearing no answer, she let herself in, and reached for where she knew his lamp to be - and, to her shock, she found him, abed and asleep. Rather, as asleep as someone with a raging fever could be. A swell of sympathy - unwarranted sympathy, she reminded herself - overcame her at the sight of him, shiny with sweat, his brows furrowed almost painfully as he groaned, turning onto his side, pulling his blankets infinitely tighter around him. Even from beneath the covers, she could tell how roughly he trembled, his cheeks and nose apple-red.

    “God, Munson, why’d you have to do that…?” She brought his desk chair to his bedside, her touch gentle, featherlight as she brushed the damp hair off his forehead, feeling for his temperature. “You total dingus…” Her mind began to wander, her thoughts trailing off to nothing as she allowed herself a single indulgence; she let her hand trail down his face, the backs of her fingers soft against the light stubble of his cheek, tracing over the gentle edge of his jaw. Feeling the caress through the iron grip of his nightmare, Eddie leaned into her touch with another groan, chasing any relief he could find, its source be damned. He was so hot, and she was cold-

    “Hey, you alive in there?”

    That voice. Wincing as he swallowed against the dryness of his throat, Eddie peeled his eyes open, aching and miserable in a way he hadn’t felt since… well, since he’d been dragged out of the Upside Down. His chest burned, his hands itched, but all he could feel was the cool relief ghosting over his skin. He blinked, his eyes adjusting to the darkness, his mind still a pitiful haze as he mumbled, “Angel…?”

    Angel. That was new.

    “Sorry, it’s just me.” Veronica tried to keep her smile out of her voice. She didn’t pull her hand away, letting it rest against him, her thumb rubbing slow circles over his cheek. “How are you feeling?”

    “Bad-” Eddie croaked, burying his face into his blanket as he let out a series of hoarse coughs, his shoulders shaking with the effort he expended trying to catch his breath, tears gleaming at the corners of his eyes as he calmed himself down. “Shit. Bad.”

    “I’m sorry.” Her response was genuine, honest. “Would some warm soup make you feel better?”

    “Not hungry.” he mumbled with a pout unbefitting his twenty years.

    Veronica rolled her eyes, shaking her head as she bit back her grin. “You can’t take your medicine on an empty gut.” At her words, a shiver ran through him - just the mention of medicine made his stomach roll, clench, flip; he buried his face back into the blanket, his breathing labored as he tried to keep himself from tossing his cookies all over the carpet.

    “What is it?” Veronica asked, suddenly panicked. “Are you-”

    Eddie nodded.

    Her head snapped around the room, searching for something she could give to Eddie to use, counting the seconds between his breaths as she finally found his trash bin. Dumping out the empty baggies and crumbled homework assignments, she shoved the thing at his face just as he’d started to heave. She held onto him - he clung to her - as he brought up whatever sorry excuse of a meal he’d had that day; pulling aside his hair, she rubbed at his back, mumbling soothing words, her touch grounding him as he pulled away, wiping at his mouth with the back of his hand.

    “Feeling better?”

    “Still shit.”

    She leaned him back against the wall, propping him up with pillows to keep him comfortable as she left to flush away his impromptu escapade, returning with a glass of water. “Drink it.” She left no room for arguments, but he was too weak to even reach out for the thing, let alone bring it to his mouth. Veronica, again, rolled her eyes as he looked away, his own clenched shut in shame, his lips a thin line as he tried to keep them from quivering.

    “You’re something else, Munson, y’know that?”

    He didn’t argue with her.

    With the patience of a saint, she brought the glass to his lips, pausing often to let him breathe as she made sure he finished it off, leaving and returning with another - and a sleeve of saltines. “C’mon, big boy, you need to eat.” He shook his head, focusing on his breathing, slow and steady. She leaned in toward him, her hand back on his forehead, tender and sweet - she had to break out the heavy artillery. “Just one. For me, yeah?” She pressed the salty square to his mouth, watching with unfiltered satisfaction as he nibbled at the corner of one, then another, and another still, until he had downed half the packet.

    “That wasn’t so bad, was it?” she asked, pointedly ignoring his piercing glare. “Feeling up for that soup now?”

    With a stifled groan, he nodded, the emptiness of his stomach more uncomfortable than the prospect of eating. His gaze followed her out as she disappeared down the hall, something in his sickness-addled mind screaming at him to bring her back, to keep her with him; he tried to move but couldn’t, tried to shout but wasn’t able to produce any sound louder than a squeak. He wanted her, needed her - where was she? How long had she been gone? He couldn’t hear her anymore. Had she left? Was he by himself? As the seconds ticked by - hours to him - the lonely ache that he’d always kept at the fringes of his mind flooded into him, enveloped him, dominated his thoughts.

    He was alone, as he always was.

    “Hey, hey, whoa - what’s with the waterworks?” Veronica was quick to set the soup on his nightstand, falling back into her seat as she brought her hands - still warmed from the bowl - to Eddie’s face, catching his tears, wiping them away as they dripped onto his lap. “What happened? Your stomach hurt again?”

    “Y-You… You l-left…” he tried to say, swallowing against the aching knot in his throat. “You were gone.”

    “I was in the kitchen, remember? Getting your soup?” she ran a hand through his hair, making a mental note to brush it out later. “What, did you think I…” As the meaning of his words seeped into her mind, she felt her heart constrict, her stomach drop. “Eddie, did you think I went home?”

    He didn’t answer. He didn’t have to.

    How often had he been forced to do this by himself? To weather his illnesses on his own? As much as she knew the man loved his nephew, she couldn’t imagine Wayne staying home to take care of him - nor could she imagine Eddie letting him do such a thing.

    “I’m right here, dingus.” Her voice dropped to a whisper, still tight as she cradled the side of his face, pulling at him to look at her. “I’m not going anywhere, okay?”

    Again, he nodded, staring at her as though she were an angel. His angel.

    She fed him the soup, filling the silence between them with mindless chatter about the school day - rather, it was mindless to him. For the life of him, he couldn’t understand a word she was saying, his eyes already beginning to droop as she set the now-empty bowl aside.

    She watched as his head bobbed once, twice, smiling as she pulled at a few of the pillows behind him to lay him back down. “Sleepy?” she asked, tugging his blanket up to his shoulders, biting back a grin as he curled up and turned himself toward her.

    “Tired.”

    “I bet.”

    “Soup was good.”

    “I’m glad it was.”

    Veronica stood up, the bowl and half-eaten sleeve of crackers balanced in one hand when she felt something pull at the hem of her skirt, urging her to turn around.

    “Stay…?”

    “...Sure, Munson.” she relented, her sigh warm, balmy as her voice pulled him further into whatever dream his mind had chosen for him - something pleasant, she hoped. “I’ll stay.”

    Slowly, peacefully, Eddie drifted away, clinging to her hand as tightly as his sapped strength would allow, the smallest of smiles on his lips at the feeling of her beside him.

    “Christ, I feel like shit.”

    Eddie walked out into his living room, hands scrubbing at his face as he stumbled toward the kitchen in search of something to drink, his tongue sticking to the roof of his mouth, chapped lips nearly to the point of bleeding.

    “Look like it, too.” Wayne called out from the couch, turning down the game he’d been watching before leaving for work - football, probably. Eddie was too exhausted to even pretend to care. “There’s still soup on the stove, if you’re hungry.”

    Eddie rushed into the kitchen as quickly as his sapped strength allowed - more of a hobble than a run. “Aw, Uncle Wayne, you shouldn’t have.” he croaked, lifting the lid, sighing as a salty cloud of steam reached his face. God, he was starving.

    “I didn’t.” Wayne kept his voice even in tone, watching as his nephew pulled a bowl from inside the cabinet beside the stove, digging through one of the drawers for a spoon, all the while biting back a grin. “The lil’ lady did.”

    Eddie dropped his spoon in the pot, hissing out a curse as he tried to fish it out, burning the tips of his fingers in the hot broth. “Veronica? She was here?” He stared at his uncle for some sort of clarification, but the man just shrugged. “When was this?”

    “Today.” Wayne said by way of reply, walking toward the solitary peg on the wall where he’d hang his coat. “Must’ve skipped school to come here, I think. Brought you all sorts of goodies.” At his words, Eddie finally noticed the plastic bag set atop the counter, filled with several more cans of soup, bottles and boxes of medicine - and, at the very bottom of the bag, pretzels. The tiny ones he liked to eat at school.

    She’d remembered the kind he liked.

    Memories of earlier that day slowly trickled into his mind - Veronica in his room, feeding him, calming him down. Him, in tears; her, holding his hand. As if he hadn’t already been feeling like a sentient pile of hot garbage, the fact that she had gone out of her way - skipped school, of all things - to look after him buried what was left of his crumbling pride.

    Wasn’t she upset with him? Didn’t she hate him?

    And, yet, she still cared.

    He felt like such a loser.

    “Don’t forget to take your medicine.” Wayne called out from the door, pulling his hat down over his balding head, hand already gripping the doorknob. “Every six hours, she said. Couldn’t get you to take it before.”

    Eddie waved off his uncle, his mind still reeling at the fact that Veronica had been there -  in his trailer, in his bedroom, with him. Tearing open the safety seal to a bottle of NyQuil, he grimaced as he took the measured amount, chasing down the green bile with a glass of water, all while thinking only of her.

    It took two days before Eddie was well enough to return to school, and his presence was met with a… mixed reception.

    “Veronica…!”

    Eddie struggled to shout above the waves of students ebbing and flowing through the halls, all eager to leave for the day, the sound of the final bell still ringing in his ears as he pushed his way forward. ”Veronica, please - just listen to me!”

    “Shove it, Munson.” her voice carried little, yet he heard it all the same, her words piercing his chest, his heart. Nonetheless, he continued after her, nearly knocking someone over as he pushed through the building’s front doors. He was paces behind her now - so close, yet still impossibly far away.

    “Please, I… Just let me explain!”

    “What could you possibly have to explain-”

    “Five minutes.” he begged, pleaded, his hands shaking as he held them at his sides. “Please… A-And then you’ll never have to talk to me again, I swear.”

    He stared at her, holding his breath as she turned around, hands set firmly at her hips. Even with the distance between them, he could see the pain in her eyes, certain they reflected his own. He let out a trembling exhale, tearing a hand through his hair as he tried to gather his thoughts into some semblance of order, his lip worried to the point of bruising between his teeth.

    “What you heard that day, I… It came out wrong.” He swallowed, still watching her, the iota of confidence he’d had going into their conversation deflating as she rolled her eyes. “I didn’t mean it like that-”

    “How did you mean it, then?”

    “Not the way you took it…!”

    Veronica let out a groan, pinching the space between her eyes, her head falling to her chest as she turned back around, frustrations mounting as she struggled with the lock on her bicycle. “I don’t have time for this.”

    Eddie found himself at an impasse, his unbridled need for her to just understand bringing him nearly to the verge of tears, the muddled desperation bleeding through his chest breaking his voice. “I-I miss you.”

    She froze, shoulders stiff, her hands stilling atop the chilled lock as she swallowed at the tightness coiling in her throat, her words soft and strained as she replied, “Eddie, don’t-”

    “I mean it, Veronica.” He took a half-step toward her, a cautious step, maybe just a tread. Still, she didn’t shy away from him; he took what little he could and bolstered his resolve. “And I’d rather you hate me and know that I do, than… than hate me and think that I don’t.”

    Hate him? Veronica spun back around, giving him a pointed look as if to say she’d never heard something so ridiculous. “I don’t hate you, I…” She blinked once, twice, before pressing the heels of her palms to her eyes, cursing herself for getting so emotional. “God, I just… I really thought we were finally friends, y’know?”

    “We are friends-”

    “Are we?” She hadn’t realized she’d raised her voice, drawing more than a few curious eyes from the students still gathered in the parking lot. “Because it sure as Hell didn’t seem that way when you were talking to Gareth!”

    "Forget Gareth! Forget that whole conversation!" Eddie started to pace, pulling at his hair, dragging his hands down his face as he tried to keep his breathing in check, failing miserably as he felt a sweltering heat work its way up his neck. “I was being a total dickhead, alright? I didn’t mean any of it! I was just talking straight out of my ass-”

    “God, seriously-”

    “I’m an idiot - I know! But, sweetheart, you have to believe me…!”

    He stopped, turning on his heel to look at her, swearing he could feel her indecisiveness; it made him want to scream, watching how uncertain she was, how her hands tugged at the hem of her cable knit sweater, gaze falling to her feet.

    And Eddie dropped to the ground, to his knees, hands reaching out, grabbing one of her own, his voice loud and booming as though they weren’t surrounded by dozens of inquisitive people. “Oh, will the beautiful princess spare a morsel of pity for this lowly knight?” As he continued on, Veronica couldn’t help the smile tugging at her lips, her resistance withering away with each passing phrase.

    “Eddie, get up-”

    “Pray tell, shall ye bestow thine most benevolent forgiveness upon such a homely creature as I?” He didn’t care for the small crowd gathered around them, gawking at his display - some in annoyance, but more than a few in unspoken envy. His focus was solely on Veronica, on the way her warring thoughts were clear as day behind her verdant eyes, her expression a cautionary mix of sadness and… and hope.

    Calling forth what was left of his courage, he brought her hand to his lips, pressing the softest of kisses atop her knuckles, his touch lingering perhaps a bit too long before he lifted his head to look at her. 

    “Please, Veronica…?”

    “Get off the ground, dingus.”

    He scrambled to his feet, his eyes never leaving hers, his stomach leaping as he waited for her to speak, to sort through her thoughts.

    Veronica kicked at a pebble near her foot, her shoulders falling ever so slightly, braids swaying as she shifted from one leg to the other, her hesitation palpable. “You… You really hurt my feelings, Eds.” Her voice was small, quiet, and it pained him to hear it, knowing he was at fault.

    “I know - and I’m sorry, sweetheart.” 

    She looked at him - truly looked at him  - and the shadow of a smile playing at her lips sent butterflies soaring through his chest. “So, what you said before… You didn’t mean it?”

    “Everything in that conversation can be regarded as false.” he answered quickly, his eagerness making her budding smile broaden, even if only a little. He took another reluctant step toward her, hands stuffed into his pockets, lip caught between his teeth as he asked, “So, are we okay? Are… Are we still friends?”

    And she shoved at his shoulder, rolling her eyes, her reply of, “Yes, you dweeb, we’re still friends.” sending an explosion of relief blooming through him, his body moving on its own accord as he picked her up in his arms, his head resting atop hers, his smile absolutely radiant as she returned his embrace with one just as tight.

    Eddie wiped the sweat trailing over his brow, shaking the nervousness from his hands as he made his way up Jeff’s driveway toward the open garage, guitar slung across his back, heart pounding in his throat. Inside, he could see the other three already gathered, practicing what he could only assume to be their Indy setlist; his stomach dropped, tightened as Gareth's words echoed through his mind.

    He had been neglecting the band; Hell, he couldn't even remember the last time he’d played his Sweetheart, let alone practiced with them.

    The trio were quiet as he approached them, unsure of what to say, how to address him - and he deserved as much, he’d figured. It was only fair, considering how things had been going as of late.

    Thomas was the first to acknowledge him. "Hey, Eds." he called out, giving his friend a wave, breaking the frigid ice between them; Eddie gave a smile in return, hands deep into his pockets as he looked between the three of them, his mind wiped clean of the speech he'd prepared.

    “Look, I-” he began, but was… cut off? Jeff waved his hand around, shutting him up as he whispered something sternly to Gareth, pushing the younger man forward.

    “Look, man, before you start, Gareth’s got something he wants to say.” Another shove, and Gareth’s standing face-to-face with the repentant metalhead, tugging at his fingers, kicking his feet. "Don’t you?"

    Eddie watched, waited as Gareth took in a deep, steeling breath, hands twisting behind him as he worked through his thoughts.

    “Dude-”

    “I-I was wrong, for saying what I did.” Gareth’s voice, quiet as it was, carried through the open garage as though he’d been shouting, his apology hanging heavy between them. “I was just… angry, I guess…”

    Eddie blinked, still reeling from the shock of having received an apology at all - and from Gareth, of all people; he’d gone to the group fully prepared to grovel for his spot back in the band.

    “I… We… know how hard you’re working to graduate this time - and that stuff I said about Veronica was just…” Gareth continued, rubbing at the back of his neck as he looked behind him to Jeff, who gave him an encouraging look. And, taking in a final breath, he quickly added, “I’m sorry, man. We all are.”

    Eddie shook his head, still in obvious disbelief; he took a step forward, crossing the length of the garage and dismissing Gareth’s extended hand altogether as he pulled the young man into his arms, his hold well past the point of tightening discomfort.

    “A-Alright, man!” Gareth laughed, both returning his friend’s embrace and struggling to escape from it; Eddie, finally relenting, turned to them all, his face tickled pink as he asked, 

    “So… uh… Am I back in the band?”

    “Dude, who said you ever left?” Thomas exclaimed, clapping a hand against Eddie’s shoulder with enough - albeit loving - force to knock him off balance, and the metalhead’s smile is blinding as he takes his usual position beside Gareth, strumming away at his guitar.

Tag List

@lulukings92 @i-me-mine @kaitebugg03

[egophiliac]

crossing my fingers and wishing upon every star that chapter 10 finally brings us the tweel cards 🤞🤞

[itstimetodrew]

Their epic love story continues...

[ruporas]

kisses of affirmation (ID in alt)

[sp0o0kylights]

Wayne takes in a Beat to Shit Steve Harrington after Starcourt as n Owed Favor to Hopper Part 4

Part Three: link

First Chapter (parts 1-3 on tumblr) on A03: Link

The kid was madder than a wet hen.

Just as slippery as one too, when he got like this--music pulsing like a living thing to signal all his rage and upset. 

Not like Wayne hadn’t expected it. 

He just wished it wasn’t quite so damn loud. 

The music had started up almost immediately after Eddie had stormed to his room, startling Steve awake and nearly making Wayne curse for it.

Normally it was a good thing--music meant Eds was willing to listen instead of heading for the hills.  

Normally, they didn't have a house guest who looked like he'd gone ten rounds with a bear.

They had a routine for this, was the thing and the music was a key part of it. It worked all the edges off for Wayne, and he'd long figured out that about thirty minutes was a the perfect length of time for Eddie to stew before he could actually talk things through.

Given the hand Harrington put to his forehead, Wayne wasn't eager to give him that thirty minutes.

Not when Steve deserved little peace he could have.

Unfortunately, so did Eds. 

Still.

 Strutting through the door and demanding to talk right now was a bad move and so, with a sympathetic look given to Steve, Wayne did what he did best

Gave space.

Let Eddie rage, as Wayne got up and shuffled about the kitchen.

Pulled out the soft earplugs he pretended weren’t there for Eds to steal (playing that damn loud guitar all the time could not be good for his ears) and offered them to Steve, before making two cups of what Wayne privately thought was the Munson “chitchat” drink. 

One cup of hot water, one packet swiss miss, a small amount of maple syrup drizzled in, topped with little marshmallows they reserved for these types of situations. 

Wayne took his time with it, thinking through what he wanted to say. 

‘I understand that this is a screen door on a submarine kind of situation...’ 

Nope. 

‘Son I know you hate listening to anyone for anything but this is serious...’ 

Absolutely not--that would end up with the boy bolting for sure. 

‘Ed’s, I love you but could we please turn Ozzy off while we talk? That man wails louder than any damn cat I have ever met.’

That one was purely self indulgent, mostly because the wall was starting to shake. 

Wayne put the finishing touches on the cocoa before staring at both of them. 

Perhaps if he stared the Garfield mug in its eyes hard enough, the right words would come through. 

They did not.

He kept trying, standing there long enough for the cocoa to reasonably have cooled and for Eddie’s song to flip over to something with more screaming in it than singing. 

Wayne supposed that this was the hardest part of being a parent. You just didn’t get to have the magical one liner. The right thing to say at just the right time.  

The joke that would ease all the tension and let things progress forward nice and easy.

Instead, you got to fumble your way through the dark with a flashlight up your ass and hope you were going in the right-ish direction. Ideally without making things worse. 

Wayne was here though, and that had to count for something. 

(Knew it counted for something--because Eddie was still here. 

They had cleared hurdles far higher than this when it came to trust. They’d get through this too, come what may. 

Steve too.)

“Can I just ask,” Eddie started, aggressive as always when Wayne finally gave in and entered his room, feeling all sorts of awful for the migraine Steve had to have, “what the absolute fuck is happening?” 

Sure as fire he was sitting on his bed, leg bouncing a mile a minute.

An unlit cigarette hung between two fingers, looking a little chewed on, but otherwise undisturbed--as it should be, because one of Wayne’s few rules was that smoke stayed outside the house. 

“You could.” Wayne said loudly but agreeably, as he turned himself around and dropped down next to his kid.  

Held out the Garfield mug, and was happy when it was taken from him. 

“Figured you might have other things to say, though.” 

Likely a lot of things. 

It was as good an opening as any, and his kid didn’t disappoint, launching right to it. 

“Why is he here and not at a hospital?”

 ‘Here’ was punctuated by Ed’s hand winging towards the door, and while it wasn’t the righteous fury Wayne expected, it was at least, an easy answer to give. 

“Steve has some people looking for him. Bad people. Hospital makes him an easy target.” 

Wayne was still talking loud. Could only hear Eddie himself because he was looking at the kid’s lips more than he was actually hearing his voice. 

Eddie took that in, swallowing it about as well as he’d swallowed anything he hadn’t liked. 

And thank the stars above, he finally reached a hand out and turned the music down. Not a lot--Steve wouldn’t be able to hear them over all this--but enough that Wayne didn’t have to struggle. 

“We’re hiding him from the cops now?!” Ed’s spat. 

“Cops know he’s here. Hopper’s the one who asked me to take him.” Wayne reminded him, because it was the truth. 

Not the full truth, but given how Ed’s pissed off half the local PD on a good day, Wayne absolutely did not want to see his nephew take on Federal Agents.

(Particularly not the kind who were going ‘round killing kids.) 

“So--what?” Eddie yanked hard on his hair, a gesture that looked less intentional and more like he was trying to fight his own anger down. “Hopper just called you up and said ‘Hey, we had a whoopsie with the rich kid, the hospital’s not safe anymore. Can we stash him with you for a few days?” 

Wayne nodded once, slow-like. 

Always remembered how too fast movements had made Eddie flinch and jerk back when was littler, and given the way Steve was looking, figured it was a good time to be cautious again. 

“He did.”

“And you just--agreed? Just like that!?” 

“I did.” 

He pretended not to see Eddie boggle at him at the simple admission, so furious that he seemed to struggle for words when he normally had too many to say. 

Wayne took advantage. 

“We did talk a bit more than that, I’ll admit.”

Ed’s scoffed. “About the weather I’m sure.” 

“‘Bout trust.” 

Eddie blinked at that. 

“Trust.” He echoed flatly. 

“What have I always told you? People like to ask you to trust them, but you they don’t get to have it until--” 

“They provide proof or a reason.” Eddie finished with an eyeroll. “So which did Hopper provide then?”

Wayne took a noisy sip of his coca. Smacked his lips a little before saying: “Both.” 

Didn’t bother to say anything else, because he knew Eddie would finish the thought for him. 

“One of them was me, wasn’t it.” 

Eds didn’t say it like a question, but Wayne hummed in agreement anyway. 

He wasn’t gonna shame his boy, but he wasn’t gonna sugar coat Eddie’s involvement in this either. Not when he’d already admitted that was half the reason Hopper had gone to Wayne to begin with. 

“No one is expecting Steve to be here.” He said, seeing the chance to hammer home the most important part of this entire shitshow. “So long as no one finds out he’s here, he’ll be safe. Everyone will be safe.” 

Steve from the Feds who were hunting him for while he was busy being involved in shit he couldn’t control and Eddie because he had a mouth that most people didn’t like. 

Not small town people anyway, and absolutely not authority figures with guns. 

“Who’s even after him?” Eddie was theatrical as always, hands waving away as he talked. “Did he make a deal with the mob? Piss off some other rich guy? I know it’s not anything drug related, I’d have heard about it by now.” 

After years of experience, Wayne knew exactly how far to lean away to stay out of range, too used to his nephew talking with his entire body.

“That’s his story to tell ya, Ed’s. It ain’t mine. Same way it ain’t my place to tell him your story.” 

That at least got the boy to think for a minute. Put down that frustration he carried with him all the time, and use the brain they both knew he had. 

“How long is he staying here?”

Wayne shrugged. “Don’t know.” 

Eddie sighed and mockingly mimicked Wayne, taking an obnoxious slurp of his cocoa. “The neighbors are going to notice if he’s here more than a few days. The trailer park isn’t exactly big.” 

“They didn’t notice that time you decided to make fireballs with the cooking spray and about blew up half the driveway. Don’t think they’re gonna notice someone being quiet in the house.” 

Eddie snorted, and probably rolled his eyes again, not that Wayne could see it given the kid was looking into his own mug as he thought it all through. 

Wayne sat with him as he processed. 

Eds worked at his own pace with things, and while life at large might be against that, Wayne was happy to let him do it. Found it easier that way, then trying to poke and prod and force him like so many father figures did. 

Wayne’s patience was rewarded not even a full minute later, when Eddie turned to him and asked; 

“What if he finds out?”  

This in a quieter voice. An unsure one--words and body hunching in a way unlike the Eddie the world outside knew, but very much like the little boy Wayne had brought inside his home. 

It took Wayne  a moment to connect the dots--he’d been speaking out of the place parents and authority figures often do, and in doing so hadn’t thought much of the fact his nephew had a real secret. 

The kind small town minds didn’t like--and would kill him over. 

This all wasn’t about Wayne taking in Steve, he realized abruptly.  It was that Steve being here meant Eddie couldn’t be himself. 

Could not relax in a place he was accepted for who he was, because Wayne knew and made sure Eddie understood he was wanted here, had a place here, regardless of who he loved. 

Now, Wayne had gone and removed it.

‘Shit.’ 

“He won’t.” Wayne said. 

Knew that wasn’t enough, and so, promised: “But if he does, I’ll make sure he understands his safety here relies on your own.” 

Ed’s chin jerked in a nod, the two of them sitting in silence for a moment before the boy did as he often did when he wanted a hug but felt too awkward to ask for one, and tipped himself into Wayne’s side. 

“Thanks old man.” Eddie whispered into his shoulder and not for the first time, Wayne wished things were easier for the poor kid as he put his mug in one hand and hugged his kid with the other. 

Hoped that in the future, it would be.

Even if he had to force everyone and everything coming after him--and now Steve--to do it.

(Wondered vaguely, how bad it was that he was already getting as protective as Steve as he was of his own kid.

Probably very, given his kid clearly hated Harrington.)

xXx

Wayne took the first night of Steve’s stay off.

He wasn’t the type to use his PTO lightly. Was used to rationing it for any possible thing Eddie might need him for.

A night up sick when he was younger, to a night spent chasing him down during some of their bad spots--but the last year or so Wayne had slowly realized he hadn’t had to use it much.

He was still careful with it though, precious as it was, and was thankful for it now as it ensured his nephew didn’t murder their house guest. 

Or at the very least, didn't sit there pecking at him.

The kid might've failed English a few times, but he had a real gift with words and an even better one with insults.

(Wayne wasn't quite clear on what all the "King" jabs were about, and absolutely did not get why Steve looked far more hurt at the comment about his "sad ass floppy hair" but given the increasingly flat look Steve was throwing Eddie's way, Wayne figured it couldn't be anything good.)

Thankfully a pointed reminder about Steve's injuries had finally gotten them all some peace, enough for Harrington to drop back to sleep--and for Wayne to realize he looked a little too dead while he did it to be comfortable getting any sleep himself.

The kids chest barely moved, and that it ate at Wayne’s until he got up and shoved a hand under his nose. 

Felt his breath, and told himself the poor sod was fine. 

Hurt, absolutely, but alive. 

Over and over again, until the sun had made its rotation in the sky, bringing the morning with it.

‘Better than nightmares, I suppose.’ Wayne figured, as exhaustion scraped at his eyelids.

Those Wayne knew, would come later. When Steve’s brain caught up to the rest of him, and stopping dumping survival chemicals through his battered body. 

He'd given up on sleep entirely sometime around 1 am, and now he sat at his small kitchen table, writing out a medication schedule for Harrington so he and the kid both knew when he could have his next Tylenol. 

Wasn’t even halfway through it before Eddie made his typically late appearance and blew through his door. 

Had his back up from the moment he’d stepped a foot in the kitchen and it didn’t take a genius to see he’d worked himself into a snit again.

Unfortunately for him, whatever scenario that imaginative brain of his had cooked up fell flat to the reality that was the poor kid on the couch. 

Steve Harrington was one a hell of a sight.

Didn’t help that he was doing his level best to make himself as small as possible, curled deep into Wayne's ancient couch.

The blankets covered the ribs and hid away most of the damage, but there wasn’t much Steve could do to hide the shiners on his face--or the marks around his neck.  

Not when they’d grown worse overnight, practically inviting questions.

It was almost laughable how quickly Eddie ate whatever words he’d prepared, mouth awkwardly chewing around them as if they were tangible. 

The less-than-sneaky looks he threw at the younger teen were equally amusing, and if Wayne wasn’t trying to peace keep, he’d have given in and chuckled when Eds split attention caused him to pour half his coffee into the sink rather than a cup. 

Looked utterly lost when, after finishing putting his coffee together and grabbing some junk food thing that absolutely was not a breakfast item, he came to stand awkwardly at Wayne's shoulder, openly staring as Steve blatantly ignored him.

Eds didn’t know what to do, and Wayne couldn't blame him. 

Seemed to keep thinking he was going to encounter a boy that likely no longer existed, and whose blood tinged specter just made things sad.

Shit like this, Wayne knew, took a man’s ego and warped it, shaping it to something else entirely. 

At least for Steve, it seemed that getting wrapped up in whatever mess he had had shaped him for the better, instead of pretzeling him into something worse. That, Wayne thought, spoke to the boy's character more than anything he’d done prior. 

(It helped to know what Hopper tolerated and what he didn’t. That he’d vouched for Steve in the same way Wayne knew he’d vouched for Eddie, even if Eddie didn’t yet realize the cop he antagonized so much would do that for him.) 

That didn't erase the history his kid had with Harrington, though.

Wouldn't stop him from seeing the old Steve, first.

‘Don’t you got school?” Wayne asked when he decided Ed had stared enough. 

“Yeah, yeah.” Eddie waved him off, trotting out the door. “Bye old man, house parasite!” 

It was clearly a jab, meant to nettle, but Steve barely acted like he heard it. 

Wayne rolled his eyes. 

“Goodbye, Eds.” He said firmly, much of a warning as he ever gave, and fondly watched his nephew scuttle out the door. 

Turned to see how Steve was taking things, and was once again given a reminder that Steve wasn’t doing a hell of a lot other than feeling his injuries. 

“I think I promised you a game, son.”  Wayne said gently, startling Steve out of the distant, dim look he had trained on the wall. 

It wasn’t a lot to offer in terms of a distraction, but it would have to do.

[vickdoom]

had to color swatch Zack for that last post and ended up with all these 🤦.

[fatedroses]

More than just the Demon.

[melverie]

One of Satan's top three favorite days ever. If you guys even care

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[poorly-drawn-mdzs]

Party of one (divided into four)

[afewproblems]

Christmas Party Wish Part One

After The Christmas party, Steve manages to avoid everyone for all of two days before Robin shows up at his front door, ready to knock it down.

He crosses from the kitchen and into the foyer just as Robin starts yelling.

"Steven Marie Harrington, you open up this door or so help me--"

Steve rolls his eyes, pulling the door inward quickly enough that Robin loses her balance and nearly topples onto the inside floor mat. If not for Steve's quick reflexes she would be face down in a heap, he tells her as much with a sly grin as he helps her to stand.

"And whose fault would that be? Nice way to treat the person who is here to help you out Dingus," Robin huffs, brushing off imaginary dust from her shoulders while Steve moves aside to let her in.

"Merry Christmas to you too Rob," Steve says tugging her towards himself. He sighs as she immediately wraps her arms around his neck, content until she blows a long wet raspberry into his check. Steve drops her with a yelp and wipes away the wet mark she left behind with grinning lips.

"That was for ignoring my call," she says with narrowed eyes, "you were supposed to come for supper on Christmas day remember?"

She shrugs off her blue parka before lifting each foot to pull off her snowy boots, Steve takes the coat and tosses it over the back of the closest chair and crosses his arms over his chest.

"I know," he manages after a beat, sighing as Robin scoffs. She turns on her heel and wanders into the kitchen, leaving Steve to trail after her.

"I can only assume it's because you had other plans, you can't have possibly ignored my call for some other reason, hmm?"

Steve lifts his head to stare at the ceiling and count to five.

The thing that Steve both loves and hates about his best friend is her ability to read him through and through and call him on his shit. He'd hoped to have at least a little more time to wallow in self pity though.

"You've been wallowing for two days Steve, and I know it sucks," she chews her lip for a moment before sighing, "I'm sorry about the wish game, I feel like it's my fault".

Steve shakes his head and moves to the fridge. He opens it and reaches inside for two cans of cola before turning and using his foot to nudge the door closed again. He stacks the cans, holding them both with one hand and he moves to the pantry, grabbing an old open tube of Pringles, before making his way back to the kitchen island.

"Nah," he says eventually, "it wasn't your fault, if anything it proved why I was right not to say anything".

Steve places Robin's cola and the chips on the counter beside him and cracks the tab on his can with one hand as he leans heavily against the edge. He takes a long swig from the can, pounding his chest as he finishes to release a long burp.

Robin grimaces and swats at Steve's bicep as she grabs her own can and hops up onto the counter next to Steve.

"Dis-GUST-ing," she enunciates, wrinkling her nose, "and it doesn't prove anything Steve, of course Eddie would wish for his band to succeed, he doesn't even know you're on the table".

"And besides," Robin continues, gesturing to Steve with the can, "Nancy and Jonathan don't know that I'm a friend of Dorothy and we've known each other for over a year now. You've known them for three years and haven't said anything either, Dingus, so why would Eddie feel comfortable sharing something like that in front of everyone?"

And, huh, well what Robin says does make a lot more sense than the rambling depressing thoughts that he's been playing on repeat since their movie night.

He and Eddie have gotten a lot closer since they escaped from the Upside Down for the last time. Since Steve managed to carry him out of hell and got them to the hospital in time.

And Steve has been trying so hard for months not to expose himself, to show the most vulnerable parts of his heart to someone that could stomp on it as easily as Nancy did.

But Robin has a point.

On the one hand Steve has been protecting himself, and on the other he's also made sure that there would never be a possibility of--

Steve shakes his head, "first of all, I only just figured all of this, Bi-Sectional stuff, out Robin--"

"Bisexual," she sighs as Steve keeps talking.

"Whatever, and second, we have no idea if Eddie swings that way either…I just don't want to take the risk and end up fucking it all up".

Robin stares at him, an unhappy frown marring her normally sweet features. It feels too much like she's evaluating the inside of his mind --though she did always have the uncanny talent of knowing exactly what he was thinking.

"And what would you say if I told you I had a plan?" Robin says slowly, her gaze unwavering still.

Steve meets her eyes for a moment, taking in the smirk and the raised eyebrow. There's a challenge in her expression and Steve knows there's nothing for it but to listen to what she has to say.

"I'm going to regret letting you in today aren't I?" Steve says as he lifts his can towards her own.

Robin answers with a wide grin and knocks her can into his with a metallic click.

"Don't you always? Anyways," she clears her throat and looks at him with a mischievous smirk, lifting her hands into the air and wiggling her fingers, "I'm thinking, are you ready? New Year's Eve!"

"No--"

"New Year's Eve Steve, come on!" She insists as Steve grazes on a stack of chips from the Pringles tube.

"All we need to do is invite everyone over, Eddie included, to Casa Harrington for a little New Years Party," Robin continues, ignoring the eye roll Steve sends her way, "with enough liquid courage you'd have another opportunity to actually talk to Eddie, confess your feelings, and Boom! Maybe even get a midnight kiss out of the whole thing!"

Steve stares at her wide eyes and wider grin, forcing himself to keep his expression blank.

"So, just to be clear," Steve says eventually, around a mouthful of chips. Robin exaggeratedly gags and snatches her own stack from the tube.

"Your plan is for me to host another party and talk to him".

"Well, yeah--"

"...Robin, that's not a plan, that's a repeat of what already happened," Steve groans as he puts down the chips and runs his hands over his face until they've tangled into his hair.

"No, no, nuh uh, because you didn't say jack shit to him all night," she huffs, gently pulling his hands down, "the crucial difference my sweet bozo, is that you are actually going to tell him how you feel this time".

"How am I supposed to do that with my ex-girlfriend and her boyfriend, and everyone else here smart ass," he counters, letting her continue to hold his hands in her own smaller ones.

She rolls her eyes but squeezes his fingers as she continues, "it will be easy to get him alone, come on, you could tell him you want to give him his Christmas present in your room, you could ask him to go for a smoke outside, you could show him the basement stereo and your ridiculous music collection, must I go on while you don't write this down?"

With every suggestion Steve feels a surge of warm affection for his friend and allows for a fond grin to replace the skeptical frown on his face.

"Do I have to do all of those or should I pick one?" Steve asks, lifting his now free hands to protect his face as Robin whips her own at his chest and head.

"How you were ever considered a ladies man, I will never know," Robin says, though the words are rather undercut by a laugh that turns into a giggle as she finds a particularly ticklish rib and begins her assault.

"You are a fucking menace birdie," Steve manages to say as he catches the offending hands and steps away from the counter and his friends attack.

"You love it," she scoffs, stealing another chip and crunching it loudly as though to make her point.

And he does, Steve thinks to himself.

They have five days to figure out the final details, and Steve can't help but move back to the counter to swing an arm around her shoulders.

Because when in doubt, he can always count on Robin.

"Okay, New Years it is".

[myokk]

💘

[batsplat]

Austria 2018: Bradley Smith, Andrea Dovizioso, Marc Marquez, Valentino Rossi, Jorge Lorenzo and Miguel Oliveira design their ideal circuit

[lady-phasma]

Feyd-Rautha Harkonnen - Dune: Part 2

Planetary Governor of Arrakis

[averlym]

litany of the martyrs (click for better resolution!)

[ravetillyoucry]

finally got around to doing that illustration I wanted to do from TAOLAW by @fireflywritesgt :D

Huzzah!