#part of it is my family background

[mesaprotector]

just thinking about elden ring + how absolutely amazing kalé's questline would've been if they hadn't cut it. genuinely would've considered doing the frenzied flame ending just for that. i feel while elden ring has good character writing overall it has nothing that would've hit on that level

[beannoss]

Something I think about a lot and wonder if maybe gets overlooked in Twilight’s story and as vitally indicative of his character is actually in the very first chapter:

Anya isn’t needed for Strix. Twilight decides to adopt her anyway.

[Spoiler warning: Mostly this post deals with early chapters already in the anime but there is reference to chapter 62, which has not yet been animated and will be in season 3]

Twilight decides it — “I’m going to rework the mission so it doesn’t involve a child because that’s too dangerous” and he’s 100% right! Donovan Desmond is canonically a far right warmonger with fascistic authoritarian aims. His government made liberal use of the SSS — a group to mirror the Stasi — who continue to operate in morally dubious ways (much more likely they’re actively morally reprehensible, though we’ve mostly only had rumours of that so far). From what we can tell, Desmond is at best an absent father and likely actually worse than that: if that's how he treats his own children, imagine how he might treat others. And the timeline seems to indicate that the experimentation performed on Anya was done under Desmond's government — even if Twilight isn't aware of experimentation on children, he is aware of both human and animal experimentation under Desmond's government. Taking all that and also the complexity of Strix's aims, undoubtedly there were other things that could be done, more straightforward if not necessarily easier.

So. Why? Why entertain the change at all? And then, having entertained it, why go back when the reasoning is indisputable?

On the Doylist level, I think Endo wanted to ensure that Anya had some agency within the set up — Endo also does this with Yor. It would be much harder to be on Twilight’s side fully, or to trust him on an ethical level/take him as any sort of moral authority, if he were just straightforwardly using these two people. To have them be active and consenting participants (arguably to actually be affirming the arrangement: Twilight sets it up, but Anya and Yor actually make it happen) even if the audience only knows the depth of their knowledge/motivations/etc currently, shifts the power dynamic in important ways.

But it also the set up tells us important things about Twilight. He is largely impatient, cold, detached in chapter one. His overarching feelings towards Anya are, I think, real annoyance, real confusion, and real impatience. He just doesn’t understand this damn kid and it turns out she’s a person which is frankly unacceptable — he’d needed and anticipated an automaton, ideally of himself in miniature form. (Though I think one could ponder whether Twilight was, in many ways, an automaton himself at this point, but that's maybe for another meta 🙃)

He’s not entirely unmoved of course — we're given to understand he’s affected when Franky tells him how many times Anya’s been adopted and returned, and isn't amused by Franky's joke about names. Franky's comment — "Just don't get attached" — reinforces this. The prospect of “the future” perturbs Twilight when he’s reading the parenting books. His initial reaction to Anya’s kidnap is horror. All these are true too.

Then there’s also this, from earlier in the chapter:

It’s exposition, yeah, and it’s also exposing. "Hopes" and "joys" are very specific words to describe those events. It could simply have been "A marriage? An ordinary life?" but describing them as such — hope for marriage; joy in ordinary life — expose something of what Twilight feels about those two experiences and, on the flipside, they expose what he deems he's lacking. No hopes of intimacy; no joy in (an ordinary) life. There's an argument as well, of course, that he's being ironic but I don't think that actually invalidates the above analysis. Drawing attention to 'hope' and 'joy' at all are revealing, regardless of Twilight's tone in thinking of them. I think it's also interesting this panel, taken in conjunction with a pair of panels in chapter 62, Twilight's backstory. The above is almost a pulled out version of this below panel of Twilight's recollection of his childhood, and of course the returning image of not just a rubbish bin but a rubbish bin on fire when it comes to disposing of his identity:

Back to Strix. Both his final interaction with Karen and the whole everything of the framing of Strix is making Twilight think (and feel, ahem) things that he hasn't for some time. Twilight decides, I’m reworking this. It can’t proceed this way. Not because Anya is a pain in his ass, not because she’s not as (apparently) intellectually advanced as he’d originally thought, not even because he thinks he can find another child who would better be exactly what mission parameters called for. No:

And what changes his mind is Anya asking to come home.

One of the important parts of this to me is this:

He seeks consent.

This moment is a keystone, I think, to understanding Twilight. It’s also more telling than he maybe realises. Twilight is decisive — we all laugh because he spirals at the drop of a hat when his daughter or wife look even mildly upset but outside those (also very telling) scenarios, he makes decisions and he pursues them. Often he makes decisions quickly. He’s a dab hand at it; it’s a large part of why he’s as good a spy as he is.

He’d decided to change Strix.

Anya asks him, in essence, not to.

So, he doesn't.

But it's wild that he entertains keeping her request at all — why? Why even entertain it? It’s dangerous; it’s impractical; there are too many moving parts outside his direct control; Anya isn’t the sort of child he’d wanted for the mission if he’d spent any time thinking about what a child might actually be like; Strix is in many ways an extremely long shot anyway, Desmond could just stop attending for reasons unknown and unrelated; etc.

So, yeah, why? Maybe because of this —

In conjunction, I often think of this moment in the cruise arc:

Twilight first naming the feeling as lonesome, and secondly tacitly conceding that he perceives Yor as a companion and that that relationship is important to him, something to be missed. What makes this for me though is that Anya calls this out "Papa's you're so sappy" and Twilight's reaction is that of someone caught-out. He doesn’t say “nuh-uh!” but he may as well have. Essentially, something landed a bit close to home, hm? Maybe some of that hope for marriage? A soupçon of joy of an ordinary life?

Twilight’s loneliness underpins many of his decisions with his family — probably without him being fully conscious of it. I think he is at least somewhat conscious of it, but also if he looks too closely... Well, best not to. I could fill this post, I think, with images that demonstrate his loneliness throughout the series; that sorrowful/pensive close-up of his eye(s) is one of the abiding motifs for Twilight throughout. I'd probably start with this one from Twilight's backstory arc:

Anya's request plays directly off his loneliness. Still though, he doesn’t immediately capitulate — he emphasises Anya’s choice. Is she sure? The last day has been scary for a child (and for him, but he's ignoring that part) and Twilight, in his increasing recognition that Anya is a person, is probably aware in the back of his mind that he hasn’t exactly been warm or welcoming or at all patient with her. Things that people respond to — he's otherwise excellent at manipulating people, so of course he understands this. So. Given she'd just had this scary experience, given he hasn't exactly been great with her: Is she sure? She wants to come home — with him?

I think the moment may get a little lost because Anya says something riffing off his own earlier thoughts and self-revelation (featuring that shadowed, lonely eye motif again!)

Were this a post about Anya, I’d talk about how it’s an important character moment for her as well by way both of demonstrating her agency/choice and also that she isn’t nearly as dumb as Twilight thinks (and the audience, maybe, also thinks).

But in my view, she didn’t actually need to say anything about it making her cry. I think she could simply have said yes in that moment and Twilight would have agreed.

Twilight’s an unreliable narrator; he’s disconnected from his heart and that shrouds his own motivations from himself — something he actually also concedes in this chapter!

And it shrouds from us just how much he actually understands himself. He’s also a master of deflection. Easy to assume or say that bringing Anya home is just to align with Strix. Nothing more to see here; nothing else going on. But also that ripping off of the mask in the panel above — and the literal 'riiip' sound effects — also indicate to us that this is an unveiling to himself.

In my view, Twilight agreeing to Anya's request, deciding to go back to original mission parameters, actually shifts his motivations, subtly. Now he’s committed not only to the original mission goals, but also to Anya. He needs Anya to succeed at Strix, not only for Strix's sake, but also because otherwise the mission will end and she’ll have to go back to the orphanage, and he’s just agreed with her not to do that (not right away, in any case). I don’t think at this point he’s thinking it’s forever — his thoughts throughout the manga indicate he still expects the Forgers to be temporary. I don't think the shift in motivation is necessarily even conscious, but given the set up, I think something inside Twilight recognises that agreeing to bring Anya home is a compact, jointly engaged. Mostly all this has become subsumed into Strix: he makes decisions. He pursues them. He deflects, even from himself. Of course it's just for the mission; this saved him the trouble of reworking it, of figuring out something else. Nothing more to see; no need to think any more on it. And to be fair to him, Strix is very high stakes, resting pretty solely on his shoulders, so of course that is, objectively, motivation enough. Why even consider beyond that?

But I personally think that to the extent he's aware of it at all, there is something else going on, that he wants to have Anya for as long as it takes him to work something else out for her. If that's the case, then of course, we have Occam’s razor: the simplest solution may be the best one.

Maybe Twilight should just keep Anya himself, eh?

[Image description: gif from Spy x Family season 1, episode 1. Twilight and Anya have just found out Anya passed her entrance exam and are overjoyed. Celebratory, Twilight picks Anya up and swoops her into the air as they smile at one another. End image description]

[drakkonyan]

finally did some good art, enjoy ya animals/aff

[mistfallengw2]

Feel free to be more specific in comments/notes if you want! If you want to elaborate further, how do you organize them? By role, species, age, alphabetical order, vibes or something else?

[beskarfrog]

Maybe it's too detailed but i always liked 'the swing' by jean-honoré fragonard for dinluke, with din as the woman swinging toward Luke and maybe away from the armorer or the other mandalorians.

Also I love this project, it's so fun and creative 🥰🥰💖💖

there is something very unrepentantly silly about this, thank you for the prompt!

painted 15 ABY by alderaan's royally sponsored artist, the painting hung in princess leia's office on coruscant for several years

museum title: the swing

alternate title: while exploring an abandoned jedi temple, grogu really wanted to try the swing they found and din wasn't going to say no, this would have been fine except no one told luke they were going to be flying at him from a tree

[raiiny-bay]

oc questionnaire - dhes edition

tagged by @vicciouxs (ty!! <3)

NAME: Destiny Rose (he hates his name though. anyone who calls him destiny WILL get decked)

NICKNAME: Dhestyn, Dhes, Dusty, & Tiny (that’s what his grandparents call him)

GENDER: male, he/him

STAR SIGN: leo

HEIGHT: 5'7

ORIENTATION: gay

NATIONALITY/ETHNICITY: american, latino

FAVORITE FRUIT: mangoes

FAVORITE SEASON: summer

FAVORITE FLOWER: sunflower

FAVORITE SCENT: kel's pizza breath uhhh probably his dad's cooking

COFFEE, TEA, OR HOT CHOCOLATE: coffee (he drinks it black)

AVERAGE HOURS OF SLEEP: 2-4

DOGS OR CATS: he actually likes both, but i personally associate him more with dogs

DREAM TRIP: he doesn't have one, but honestly he'd have fun going anywhere

NUMBER OF BLANKETS: 0-1

RANDOM FACT: he was expelled from school halfway through his 8th grade year lol

tagging: @sikoi, @flovoid, @elderwisp, @birdietrait, & @mexipoopy (no pressure ofc!)

[bruhstation]

you deserved better from me than an oversized uniform and a world full of troubles

[blackboard-monitor]

actually queer people are allowed to have a positive relationship with their religious upbringing and queer people are also allowed to be religious and participate in organised religion and yes even if that religion is a form of christianity

[goatpaste]

Huge SA warning for the next chapter. I really do hate that Araki keeps falling on using that as a shock factor/writing crutch twice to the same character now. Though doesn’t the recent chapter kind of confirm Dragona is trans now?

yeah no iv already read the chapter so i knows what up

but for anyone else who hasnt read todays new jojoland chapter PLEASE read this

but im also like

anyone with a brain alreadY knewW she was trans, ARaki im already in her corner, I already support her, you don't have to keep brutalizing her to make her compelling or whatever

im so sick of the transmisogynoir, pick out something else to do with Dragona for the love of god!!!

araki the last 3 parts, seeing a woman and asking if anyone is going to do gross sexual harassment to them and NOT waiting for an answer

[ao3dorian-gay]

au where haku joins the akatsuki after zabuza dies & gossips about itachi with deidara (fic)

[verdemoth]

Perseverance! Rookie member of the EEG’s field research team. She’s a nerd-jock newbie who wants her idols to like her sooooooooooo bad.

-> Biology major with a particular interest in ecology! And bugs she likes bugs. And really all sorts of fun crawly invertebrates.

-> Perse is no stranger to the EEG headquarters, she’d been coming here for years before her official admission to the team! With two older relatives to shadow, she got to know a lot of the older members during her frequent visits. She greatly admires all of them.

-> She maintains some terrariums to raise and study copepods and amphipods. As well as several potted plants.

-> Perse has the same level of passion discussing a new and as of yet undocumented species as she does showing off the cute little house moth that almost gave Maven a heart attack.

-> She’s a hobbyist photographer with a Leica 1(A) 35mm. She’s into wildlife photography, and though her work isn’t very technically impressive, you don’t need to be an ace at something to have fun with it!

-> Perseverance maintains that she is NOT a nerd like her cousin, Maven, is a nerd.

-> She’s very athletic and energetic. She enjoys a daily jog, and plenty of exercise both indoors and outdoors. She loves going on hiking or full on camping trips with her uncle Phoenix.

-> She and Phoenix are very close. They’ve got a really easygoing and playful dynamic, with plenty of in-jokes built up between them. Phoenix was a constant in her early life, almost a third parent. He’d often visit to play with her and to babysit so her dads could enjoy a free evening every so often. He still dotes on her as much as Perse will let him get away with, but he respects that she values having a more adult relationship now. Still with plenty of fun, of course!

-> Perse and Maven weren’t really around each other as young kids, but became friends as they got a little older. Maven’s scientific leanings led to Perse finding and developing her own passion for study and exploration. Maven and the rest of her family have been nothing but supportive and nurturing, and she’s grateful for it. But she wants to make sure they know she’s not just a little girl anymore, and she’s ready to be the one offering support when needed.

-> She’s more than willing to get her hands dirty and to do ‘boring’, menial work. Especially if it means the people she looks up to see how diligent and cooperative she is :)

-> Perse is very needlessly competitive, though in a lighthearted sort of way. She doesn’t mind taking a loss, because it’s more about the challenge than the winning. It’s about the thrill. But don’t expect her to go easy on a challenger, because she still plays to win. Game night is a disaster

[cosmothealien358]

Just finished season 6 of the Dragon Prince

(More coherent thoughts in tags)

[rainoverthewindow]

O1: Ruins

O0: Fallen Down

[yakool-foolio]

The Curse Of The Deathbound Descendant (Part 1 - There's Life In Death)

Enveloped in towering pine trees dusted with snow, a town stands alone far north in the world. Its solidarity would be often compared to the now-confined Kanai Ward, but the humble Lusonara Village has grown comfortable with isolation for generations longer. Though its population size unremarkable, its history richens the pages of scholarly records read mandatorily in every astute-suited academy.

Centuries ago, Lusonara Village was a no man's land, inhabited solely by dogsledding loners wishing for the solemn silence of snowfall to drown out their sorrows. They wanted nothing to do with the outside world, especially since none of them were anything special to be sought after. That is, until two families started to sparkle amidst the daily mundanity.

The Goldmine family and the Twilight family worked together as tight-knit allies to run Lusonara Village in the olden days. They had each other's backs and raised their children to do the same. In doing so, it fostered an inseparable bond between them, one that would soon manifest into unique connective spiritual abilities between the two bloodlines. The Twilight family has mediums that can see spirits but not hear or communicate with them, and the Goldmine family has mediums that can hear or communicate but not see them. Other villagers soon became acutely aware of the evolving powers in the families, which allowed them to maintain influence in the growing community. Spiritualism became the defining practice in Lusonara's culture, promising peace and security to the living and deceased.

When the World Detective Organization was founded, any Goldmine or Twilight children showing signs of supernatural abilities would be selected to be a part of its special division for Master Detectives. The entire village considered being a Master Detective the highest honor one could receive, which would then provide the families with more influence over the other. As deep as the two bloodlines' camaraderie flowed, the craving for dominance festered. This rift caused by competition widened as the years passed, the families' history rewritten into a mutually distant rivalry.

Everything came to a halt for the Twilight family when one generation bore no gifted offspring, and all who harnessed powers died from natural causes or were killed during active duty as a detective. The newlywed couple of the immediate family carried the overwhelming weight of their bloodline's legacy and the future of their influence over Lusonara. With no powers of their own, they prayed their yet-to-be children would bear that pain for them instead. Then the fourth day of the fourth month arrived.

[yami-in-leather]

New art for the Bitter Rabbit Café coming in August!!

All of the Bitter Rabbit shop items are so cute I could screeeeeam

[lunar-years]

this fic has turned kind of angsty tbh im so sorry everyone