#paco stanley

[jukeboxofjellycat]

El crédito corresponde a El Deforma del Facebook.

[polarhoid]

VIX

He visto cuatro capítulos de "El show: crónica de un asesinato" y más allá de lo evidente: es un documental que -conscientemente- está armado para explotar el morbo y las especulaciones en torno asesinato de Paco Stanley; lo que llama mi atención es que este andamiaje "espectacular" pareciera sólo una fachada que oculta la otra agenda ideológica del show: blanquear la imagen del monopolio Televisa del siglo pasado y reintroducir a los viejos-nuevos públicos** la marca VIX.

Desde el primer capítulo se dedican a exponer al Tigre Azcárraga como el patriarca anticuado, cuasi-salvaje e inepto para los tiempos que corren. Vaya, hasta lo muestran dando la nota con declaraciones que, para los estándares de la vida pública contemporánea, claramente son incorrectas y que están puestas ahí para subrayar el clasismo, la misoginia y la prepotencia del gran jefe atrapado en su propia época.

Acto que podría tomarse como expiación y disculpa institucional, si no es porque, una vez expuesto el pasado problemático, el programa nos presenta a un joven Emilio Azcárraga que toma las riendas del monstruo y ya lidera una reunión con los presentadores y figuras mediáticas más importantes de la televisora. En esta reunión abierta y televisada, Talina Fernández le pregunta al hijo del Tigre: antes, con tu papá, sabíamos todos que éramos del PRI, y todos le íbamos al PRI, pero, ahora, ¿a quién le vamos? Y el patriarca joven le responde: ahora Televisa no le va a nadie, ahora Televisa le va a México. Acto seguido, vítores de pie de todos y cada uno de los participantes.

Y así es como se mata al padre en señal abierta y se deja el registro en vídeo para que, casi treinta años después, se utilice nuevamente para re-brandear Televisa para el mercado del streaming; y vaya que les está saliendo muy bien [ver el fenómeno de La Casa de los Famosos].

Fuera de imágenes de archivo, el Azcárraga -actual- aparece un par de veces más en entrevistas para el documental, pero sus intervenciones son más bien anecdóticas e intrascendentes. Lo cual tiene sentido para un personaje que sí reconoce los errores del pasado [los de su papá], pero que ni por asomo está dispuesto a correr riesgos por mencionar las fallas de su gestión, pues eso arruinaría el negocio. Y si algo nos ha enseñado la historia reciente de este país es que en esto de las televisoras -y los sexenios- lo que importa realmente es el negocio.

Seguiré viendo la serie para ver si tiene algo más que aportar, y, aunque no espero mucho en términos de valor cinematográfico [ni testimonial], sí es interesante como un producto cultural y mediático del que se pueden obtener lecturas profundas de nuestro medio y sus medios.

---

**El público objetivo de Televisa-VIX es el nacido en los ochenta-noventa; aquellos a los que sí nos importa y nos suenan figuras como Stanley, o los formatos tipo Gran Hermano que fueron populares a inicios de los dosmiles. Es decir, el público mayor de 30 años que re-conoce la televisión convencional, con cierta capacidad adquisitiva [como para pagar streamings], y que aún se le puede ganchar con la nostalgia y, sobre todo, con el contenido rosa y/o sensacionalista [la especialidad de la casa, :p].

[cinemedios]

'¿Quién lo Mató?', Intentando Responder una Pregunta de 25 Años

Rodeada de polémica y curiosidad desde su primer anuncio, la serie sobre el asesinato de Paco Stanley llegó a su fin con el estreno de sus dos últimos capítulos el viernes pasado, pero ¿Qué tan bien se retrata una de las muertes más escandalosas en todo el país? Reseña | ‘¿Quién lo Mató?’ Tratando sobre uno de los casos más controversiales en la historia del país, por supuesto que una serie de…

[x-manson-annotated]

I can kind of see how that might be. But at the same time, being murdered in a restaurant feels a bit on the broadly dramatic side of things.

I did not know who Paco Stanley was before this moment, so I'm actually really happy to know about him. it's good to have a vast array of knowledge even about small things outside of my limited scope.

X-Manson Annotated Chapter 5 - Part Two: THE ASSASSINATION OF JOHN KELLY.

This is the section of the final chapter where we will be discussing the assassination of John Kelly. Unrelated, but I discovered a marvel character named "John Kelly". He's completely unrelated to Robert Kelly from the comics, but i wanted to share with you all: Siege. So now I've decided to headcanon him as John's mutant ally brother. So...FUN!

*I have no idea who John Q. Renfrew is a reference to if he is one at all.

**Definitive year when the raid on the Xavier school happens. 2000.

*** "Lapain Infidele" is not a real restaraunt, but it's name does mean "unfaithful rabbit". Weird.

**** "You aren't folding those napkins, right. What are you, GAY?!"

*****The Hulk probably killed Piotr.

*Weird how that happens. I'm not fully sure why Xavier murdered Kelly then. I guess you could say it was to help push the Amendment through, but at the same time, it seems like Xavier would want the exact opposite of that to happen.

*The Kennedys and Hilary are racist against weird deformed kids with glowing blood.

Fuck you, Ronald Reagan.

*Lyndon LaRouche Jr, I believe.

**Not quite Sentinels like in the comics, eh? Just internment camps and prisons.

*That's really depressing.

**Jesus

*2000, before Morrison really started to push the idea of Mutant Culture in their X-Men run.

*Well when you say it like that, it almost sounds comical.

*Because it involved Weapon X?

[jazzdailyblog]

Al Di Meola: The Maestro of Fusion Guitar

Introduction: Al Di Meola is a name synonymous with technical prowess, innovative compositions, and genre-defying collaborations in the world of guitar music. His career, spanning several decades, has seen him push the boundaries of jazz, rock, and world music, earning him a revered place among the guitar greats. This blog post delves into the life, career, and enduring influence of Al Di Meola,…

[the-indie-owl]

SpongeBob SquarePants Shipping Chart (FEEL FREE TO USE)

MAJOR UPDATE (10/14/2023): Added More Characters from the Musical

For the record, I've decided to create my own official blank shipping chart of one of my Fandoms for the very first time (since there isn't much SB Shipping Charts all over online so I created my own).

I've created Two Versions in case for Half of the Fandom's POV on the Two King Neptune characters (rather if you believe they are the same Character or Not).

Here are the Two Links for Full Versions in case to use for the Better Quality.

In case if you are confused of what each of the Ship Terms for what each of the Color represents...

❤️ = OTP (A Ship that You Love so Much and it is your own Main Favorite One out of all of the Other Ships) 🧡 = Platonic (A Ship that you prefer to be more than just Personal Friends rather than a Couple) 💖 = Crack (A Kind of Ship that is meant to be either Bizarre or Funny as in a Joke) 🩷= Love (A Ship that you also Adore but not that much of a Main Favorite) 💛= Like (A Ship that you do Enjoy but rather in a More "Causal" way to say the least) 💚= Neutral (A Ship that you have Mixed Feelings or Indifferent with) 🩵= Ok (A Ship that you're completely Fine with, but don't have any strong feelings towards it) 💜= Meh (A Ship that you just don't completely care nor pay any attention to) 💙= Dislike (A Ship that you just don't agree with or just not a personal fan of, if you don't have any too much Hate of it) 💙= Hate (A Ship that you just CAN'T STAND no matter how much that you despise) 🖤= Crash and Burn (A NOTOP that you Hate so much and is your own Main DEPISE One out of all the Other Ships)

Bonus Option: 💗= Ship with OC (A Character that you personally prefer to ship with Any of Your Own Persona/Mutuals' OC) 💚= Ship in Crossover (An X-Over Ship that you prefer to ship with Any Canon Character in the Franchise with a Different Character from Another Media) 🟤= Stay Single (A Character that you don't have enough ships and would just leave the Character to be Single without being shipped with anyone)

Characters in the Chart:

(Main Show)

SpongeBob SquarePants

Patrick Star

Gary The Snail

Sheldon J. Plankton

Squidward Tentacles

Sandy Cheeks

Mr. Krabs

Pearl Krabs

Karen

Mrs. Puff

Mermaid Man

Barnacle Boy

Larry The Lobster

The Flying Dutchman

Man Ray

Dirty Bubble

King Neptune

Queen Amphitrite

Prince Triton

Squidabeth

Barry Blobfish

Nosferatu

Slappy Laszlo

Slippy

Squidina Star

Chip Plankton

Tony 

Squilliam Fancyson

Squilvia

Patchy The Pirate

Spot

Snellie

Kenny The Cat

Perch Perkins

Bubble Bass

Old Man Jenkins

Kevin C. Cucumber

Flats The Flounder

Lady Upturn

Stanley SquarePants

Sam Star

Flapjack SquarePants

Bubble Buddy

Rube Goldfish

Gale Doppler

Plankrab

Charlton Hawkfish

Boat Salesman Shark

Hieronymus Glove

Karen 2.0.

Nurse Bazooka

Lord Poltergeist

DoodleBob

Don Grouper

Sticky Fins Whiting

Dorsal Dan

Dylan

Fred

Tom

Archie

Harry

Francis

John

Nancy Suzy Fish

Nazz Mimi

Tina Fran

Henry Bart

Franco

Sheila

Vera Fishbowl

Medley Fishbowl

Evelyn

Mevis

Buddy

Perry

Horace

Sheldon

Halbert

Jennifer Millie

Charlie

Frank The Goldfish

Jimmy Gus

Phil

Molly

Clay

Don The Whale

Harold (Red Fish)

Gus

Martin/Wobbles

Scooter

Lou

Harold "Bill" Reginald

Nat

Shubie

Dave

Sadie

Abigail Marge

Patty Rechid

Norma Rechid

Nathiel

Martha Smith

Thaddeus

Billy Lime

Harv

Frank (Lifeguard Guy)

Lloyd-Rich

Cara

Paco

Sylvester

Mabel

Old Man Walker

Lonnie

Mary

Sandals

Dennis

Miss Shell

Norma Edna

Debbie

Frank

Pilar 

Frankie Billy

Dale

Lenny

Mable-Monica

Purple Doctorfish

Norton

Richard

(Movies)

-1st Movie, "The SpongeBob SquarePants Movie"

Princess Mindy

Dennis

- 2nd Movie, "Sponge Out of Water"

Burger Beard

-3rd Movie, "Sponge On The Run"

King Poseidon

Queen Salacia (For those who don't know, in Roman Legends, Salacia was the Goddess of the Sea as well as the Actual Wife of Neptune (her Counterpart was Amphitrite, a Greek Goddess who was Poseidon's Wife). However, considering that the Franchise has secretly done an Alternate "Wife Swap" idea between the Consorts of the Greek/Roman Sea Gods, Salacia did appear in a Cameo of the Third Movie, regarding if it could be truly her or not. There was also a Semi-Design of Her through Concept Arts behind the Third Movie that I did found through ArtStation by 3D Developer (Michael Defeo). For those who are curious to know about the concept design behind King Poseidon's Wife in SB, here's the link that you can click on.)

Sage

Otto

Chancellor

Tiffany Haddock

(Spin-Offs)

-Kamp Koral

Narlene Narwhal

Nobby Narwhal

Kidferatu

Preda Tory

Roxy

Jimmy Blobfish

-The Patrick Star Show

Ouchie

(Musical)

Mrs. Mayor

Merlina Mermaid

Entity Punkfish

Goldfish

Fred Blutang

Bubbles

Bitsey

The Eletric Skates

(Other Media)

- Games 

Prawn ("Battle for Bikini Bottom")

Madame Kassandra ("The Cosmic Shake")

- Books

Princess Neptuna ("SpongeBob and the Princess")

Feel free to use if you like to use any version you want, either if you'd want to credit me or link my own charts in the descriptions/texts.

[randomcollectionitem]

Stanley Clarke, Al Di Meola, Jean-Luc Ponty - The Rite Of Strings

https://www.discogs.com/release/853788-Stanley-Clarke-Al-Di-Meola-Jean-Luc-Ponty-The-Rite-Of-Strings

The 90s were a strange, rough time for jazz, particularly 70s fusion luminaries like the trio of Clarke, Di Meola, and Ponty assembled here. Those familiar with the genre will know Stanley Clarke and Al Di Meola from Chick Corea's groundbreaking jazz-rock fusion group Return to Forever, and Jean-Luc Ponty from John McLaughlin's equally groundbreaking jazz-rock fusion group Mahavishnu Orchestra (or, for the less jazz-inclined, his work in the years prior with Frank Zappa's also-equally-groundbreaking avant garde art rock group, The Mothers of Invention).

By the 90s all three players had enjoyed long and successful solo careers, but things were slowing down substantially for the genre as a whole. The 80s saw jazz reach its highest level of mainstream appeal since the glory days of the 50s and 60s with smooth jazz and lighter synth-laden jazz fusion gaining major traction with non-jazz listeners. At the same time, those accessible and soft-edged sounds and styles alienated more serious jazz fans. The rise and fall of mainstream 80s jazz sounds led to serious disinterest in new jazz releases in the 90s, both from jazz enthusiasts, who were disillusioned by the smooth sounds of the 80s, and from the mainstream listeners, who had almost completely moved on as harder-edged grunge and alternative rock dominated the radio waves and made the synthy adventures of the 80s feel instantly passé. This led to a number of embarrassing outings from more trend-focused jazz artists trying to recapture the attention they found in the 80s. Many others found themselves returning back to basics, with many of the jazz elite releasing more straight ahead albums in an attempt to recapture the hearts of more serious jazz listeners.

Thankfully for us, this album falls mostly in the latter category. It follows in the steps of Al Di Meola's highly successful Guitar Trio recordings with John McLaughlin and Paco de Lucia (the final of which would be recorded the following year, the prior two having been recorded in the early 80s), as a simple acoustic trio recording with a focus on great compositions and highly technical performances. I'll note that while the credits only list acoustic instrumentation, Al does sneak in a touch of guitar synth; which, in his defense, is a much more restrained amount than many of his solo records of the era. Most tracks also double Al's guitar, splitting rhythm and lead to the left and right channels. While this may be his slightly inflated ego at work (not that I can blame him, my ego would be slightly inflated if I could play like that too 🙂), it serves the tracks well and fills the large sonic space between the bass and violin out nicely.

The album clocks in at 55:34, spanning 9 tracks. Writing credits are split evenly to three tracks per player, with the sole (partial) exception being Stanley Clarke's Song to John, which was co-written with Chick Corea for Clarke's 1975 album Journey to Love. Sonically, Rite of Strings is incredibly well recorded and mixed. The imaging and soundstaging is excellent (although the soundstaging is occasionally confused by Al's overdubs, creating an odd sense of two Al clones shredding at once seated between the other two players). I'm particularly impressed with the sound of Stanley's bass; it has a very deep, resonant sound while maintaining good articulation and harmonic clarity. Often jazz recordings drop the ball on the bass, with it either sounding flubby and inarticulate or clicky and shallow. The engineers did a spectacular job of capturing the full range of the instrument while still leaving plenty of room for the remainder of the trio. Also, while I alluded to it earlier I'd like to spell it out: the compositions and performances here are truly top-notch. The players have excellent synergy, and walk the fine line between technical showmanship and performing compelling compositions in a way that serves the composition. This is a must-listen for anyone who enjoys any of the three players on the album, and is a worthy introduction to any or all of the three for those not familiar. Which brings us to the well-buried lede of this post: this album is criminally underrated. I think if this had been recorded anywhere from 10 to 20 years prior it would have received a much higher degree of notoriety. As it stands, it's one that even many jazz fans seem to be unaware of. It charted reasonably well at #4 on the contemporary jazz charts, but that was a shallow pool that few were wading in at the time. Today it seems to be mostly off the radar. The Wikipedia page is painfully sparse, and very little information is available surrounding the recording and release of the album. While I have very little reach here, I hope this inspires one or two people to check this one out.

The copy in front of me is the standard mass-market US CD release. In fact, this is almost the only release. It was released on Gai Saber, a short-lived label with only a small handful of releases from '95 & '96, with additional distribution by I.R.S. (yes, the college rock label, no, not the federal government, although either would be equally nonsensical in context). Notably both Gai Saber and I.R.S. would fold the following year in 1996; I would guess the implication of hard financial times explains I.R.S.'s baffling choice to involve themselves in this release, which is profoundly off-brand for a label better known for groups like R.E.M. and Oingo Boingo. While the CD was released in a number of markets, the different international editions appear to be identical aside from the usual differences in copyright text, etc. There was one cassette version released in the US, one promo version of the CD, and a Russian bootleg of the CD (a common occurrence at the time due to scarce music distribution across the board in most parts of the former Soviet Union). The album has never been issued on vinyl and has never been officially reissued. The booklet is a simple two page affair with all of the essentials and nothing more. The graphic design is definitely a product of its time, with a certain Old-El-Paso-meets-90s-Taco-Bell je ne sais quoi, topped off by a particularly uninteresting piece of digital abstract cover art from Luis Siquot (rightfully better known for his contributions to typesetting than for his art). Needless to say, the look of the album certainly isn't doing it any favors when it comes to attracting the attention of modern listeners. Like many long-out-of-print albums, it isn't currently available on streaming beyond some rando's YouTube upload. Luckily, the CD is very affordable used at the time of writing due to general lack of interest/awareness.

Anyways, that's all for today folks! Give this thing a listen if you can. Hoping to be able to continue posting a bit more frequently now. Til next time, may your bass be full in the mix and may your labels stay afloat.

[onehandtypingb1]

Song of the Day: Al DiMeola, "Broken Heart"

Happy 69th birthday to jazz fusion guitarist Al DiMeola. At 19, he was brought in to replace Bill Connors in Chick Corea’s Return to Forever. When that group disbanded in 1976, he embarked on a solo career and has recorded over 30 albums, including projects with John McLaughlin and Paco de Lucia, Stanley Clarke and Jean-Luc Ponty, and others. “Broken Heart” is from his 2018 album Opus.

[escarabaja]

Paco Stanley.

Donald Trump.

[laguaridadelnagual]

Reviven polémica mención a El Mayo Zambada en el programa de Paco Stanley

Aunque existen comentarios en internet que sugieren que el narcotraficante podría haber estado presente en el público, no hay forma de comprobar esa información   En el segundo capítulo del documental sobre la vida de Paco Stanley, fue recordado el instante en el que el famoso conductor leyó en su programa “Pacátelas” un presunto mensaje enviado al aire por quien se presentó como “El Mayo” Zambada. En la escena, Stanley aparece en escena mientras lee un mensaje que reza: “Un pequeño presente de su amigo, Mayo Zambada de Culiacán. Estamos aquí presentes, su familia e hijos, por favor… Ay. Me quemé, ¿verdad? Por favor, es que al final vi lo que decía, por favor no lo lea en público”. Al notar su error, incluso Stanley comparte el mensaje con Mario Bezares, su compañero de programa. Ante estas declaraciones, el conductor se dirige al público presente y lanza la pregunta: “¿Y quién es Mayo, eh, dónde está?”, pregunta a la audiencia mientras la cámara enfoca a las personas presentes. Paco Stanley, revela el nombre de su patrón El Mayo Zambada durante transmisión del programa pakatelas en televisa tiempo después por broma a Azcarraga lo corrió y se fue a TvAzteca al programa “una tras otra” durante ese programa llegó la tragica muerte (7 de junio de 1999). pic.twitter.com/jd43pmfUng — Fernando Diaz (@fdiaz2050) June 8, 2023 Aunque existen comentarios en internet que sugieren que “El Mayo” podría haber estado presente en el público durante este momento televisivo trascendental, las autoridades no han confirmado oficialmente esta información. En la docuserie producida por Televisa, la misma televisora que catapultó a la fama a Paco Stanley, se evidencia la disputa entre TV Azteca y las autoridades del entonces Distrito Federal, lideradas por Cuauhtémoc Cárdenas, tras el tr��gico asesinato del reconocido presentador. De acuerdo con la Fiscalía del Distrito Federal, en el cuerpo de Stanley se encontraron rastros de cocaína, lo que se convirtió en una de las líneas de investigación principales en torno a su trágico crimen. Read the full article

[eddiebolish]

Bitacora Bolillo #4

30 / 01 / 2025

Apenas ayer pude volver a Tumblr porque realmente todo mi verano me la pase enviciado con LCDLFmx2 y programas de Paco Stanley con Mario Bezares (2nda vez que fundo un ship lmao), pero mas que nada mi laptop valio vrg y hasta hace poco es que estoy retomando mi computadora que justo el año pasado cumplio sus 10 años.

Igual, no ha pasado casi nada relevante en este 3er semestre mas que reprobar con papi-ovulos pero pues creo que lo normal, me hice amigo de varios seniors y venci mi miedo por la gente de rondalla/j.

En mis vacaciones de invierno creo que lo mas relevante es que me he enviciado con Los Beatles y mas que nada con el McLennon, me cae mal John Lennon como buen abandonadito que soy PERO como hijo del divorcio realmente prefiero su discografia LMAO asi que csm John Lennon, also culpo un poco mi fanatismo por culpas de un fanfic McLennon re buenisimo que se llama Now And Then por Kamiireuc en AO3/Wattpad, el mejor slowburn que he leido.

Igual tambien en mis vacaciones me vi la T2 del Juego del Calamar justo el mismo dia en que salio y me teñi el pelo de azul pero me quedo bien negro asi que me lo ando tiñiendo de una especie de naranja but who cares.

Se me estaba pasando, estoy esperando pacientemente Julio porque como buen otacu me vi DanDaDan y claro cai bien enculadito con Okarun, also soy tremenda Momo Ayase Kinnie.

Y creo que es todo lo que tengo para comentar, el 4 de feb vuelvo a la prepa y ojala tener algo de tiempo para escribir aca, igual ya tengo un diario en fisico que no he escrito en el desde hace muchos dias FUAAA

[dispatchdcu]

New Champions #1 Review

New Champions #1 Review #NewChampions #champions #msmarvel #milesmorales #spiderman #MARVEL #marvelcomics #comics #comicbooks #news #mcu #art #info #NCBD #comicbooknews #previews #reviews #Amazon

Writer: Steve Foxe Artist: Ivan Fiorelli & Ig Guara Colorist: Arthur Hesli Letterer: Travis Lanham Cover Artists: Gleb Melnikov & Edgar Delgado; Federico Vicentini & Matt Milla; Luciano Vecchio; Rose Besch; Stanley “Artgerm” Lau; Peach Momoko; Paco Medina & Jesus Aburtov; Nicoletta Baldari Graphic Designer: Kat Walkington Editors: MR Daniel, Kaitlyn Lindtvedt, Alanna Smith & CB…

[dear-indies]

hello! i hope you're doing well :) i was wondering if you had any ideas for a fc for an older brother of emily bader and a fc who could play her father? thank you in advance and have a good day!

Dad:

Stanley Tucci (1960)

Dermot Mulroney (1963)

Paco Tous (1964) - has spoken up for Palestine!

John Cusack (1966) - has spoken up for Palestine!

Marton Csokas (1966)

Sam Rockwell (1968)

Norman Reedus (1969)

David Tennant (1971)

Brother:

Kiowa Gordon (1990) Hualapai and White - has spoken up for Palestine!

Josh O’Connor (1990) - donated an auction to Cinema4Gaza.

Sam Otto (1991) Ugandan Indian / White - has spoken up for Palestine!

RJ Mitte (1992) - has cerebral palsy.

Jack Mulhern (1994)

Anthony Boyle (194)

Mekki Leeper (1994)

Luke Rollason (1994) - signed artistsforpalestine, for Starmer to stop selling arms to Isr*el.

Nick Robinson (1995)

Archie Madekwe (1995) 1/4 Igbo Nigerian, White - has spoken up for Palestine!

Jack Wolfe (1995) - is queer - donated an auction to Cinema4Gaza.

Hope this helps!

[cinemedios]

'El Show: Crónica de un Asesinato', Investigación a Profundidad

Ya estamos a menos de una semana de que se estrene la serie sobre el caso Stanley, uno de los asesinatos más importantes en la historia de este país, pero antes de esta serie ficticia, existió una serie documental hablando del mismo caso, acompáñanos a descubrir todo sobre esta serie que puede sorprender a más de uno. Reseña | ‘El Show: Crónica de un Asesinato’ Si se quiere hablar de grandes…

[keycomicbooks]

Here Are Some Comics I Picked Up Today:  X-Force #30, Punisher War Zone Vol 1 30, STAR WARS BATTLE OF JAKKU INSURGENCY RISING #1, BATMAN #153, DC All In Special #1, DC All In Special #1 Cover B Wes Craig Card Stock Variant, CREEPING BELOW #1, HYDE STREET #1, Lobo Cancellation Special #1 Cover B Simon Bisley After Dark Card Stock Variant, NYX #2, Wonder Woman #13 Cover C Stanley Artgerm Lau Card Stock Variant, The Avengers Annual #1 Ryan Meinerding Marvel Studios Variant, Deadpool #6 Paco Medina Godzilla Variant,

GHOST RIDER ROBBIE REYES SPECIAL #1, Masters of the Universe  Teenage Mutant Ninja Turtles Turtles of Grayskull #1, Mighty Morphin Power Rangers  Usagi Yojimbo #1, Phases of the Moon Knight #2 Woo Chul Lee Luna Variant, Spirits of Vengeance #1 Derrick Chew Kushala Variant, STORM #1 2024 Lucas Werneck Variant,  Violator #1 2024 Cover C Todd McFarlane Variant

[mixi31051976]

Sergio Mayer arremete contra la producción de LCDLF por ingreso de Paul Stanley: “Quieren perfilar para la final a Mayito” https://www.infobae.com/mexico/2024/09/26/sergio-mayer-arremete-contra-la-produccion-de-lcdlf-por-ingreso-de-paul-stanley-quieren-perfilar-para-la-final-a-mayito/