#packs of money

[motliez]

Instagram: @Motliez

[ballad-of-the-lamb]

Live ballad reaction to the new fishing animation?

the best friend you never wanted

[gerbits]

the sims 4 is...finally too overwhelming for me I think. I can't keep up with new packs and updates, the intrusive advertising is killing me, the game is riddled with bugs that make parts of it totally unplayable.

it feels so loud and so big, not to mention so incredibly bloated.

I tried to play this weekend...and I was just...frustrated playing it. It doesn't bring me joy anymore.

I might try to do something in an empty world and stay mostly cc-free (cc is ruined for me between early access, perma paywalls, entitled modders, creator kits dear GOD creator kits...it's gross).

or I might try to do stuff in ts2.

it's just hard letting this series go, letting this community go...and I don't want to leave. so I'm really trying to find a happy medium. I hope I can.

[ourdadai]

✿ lisa ꒰ blackpink ꒱ lockscreens !

[choccy-milky]

the place me and my roommate were supposed to move into today was so disgusting and uninhabitable we just took our stuff and left and now we're gonna be staying at airbnbs and hotels until further notice/until we can find a new place hopefully quickly...........im in my homeless drifter era y'all!!!😍😍so if im not as active then thats why LMFAO

1 like = 1 prayer

[casually-eat-my-soul]

So like anyway regular mermaid stiles or vauge sea creature stiles. This can be set it default canon or if your feeling spicy mafia au 🤷🏻‍♀️. Where Stiles doesn’t tell anyone and he doesn’t shift for years until Derek finds outs and they bond over that but twist — when stiles takes Derek to the beach he used to go with his mom, it’s far to crowed. Even the outcroppping has become a place for teenagers to sneak aways. It’s far too dangerous for stiles to shift there. And he’s devastated. He lost that connection to his mother, to hiself.

But he needs to shift, it feels far to painful not to. But he can’t because his safe place is invaded. And the others place to swim are either chemical filled pool(no thanks) or somewhere that’s too long a drive.

And Derek 1. knows what it’s like to lose that space and 2. No chances he’s letting stiles shift in a well populated area. For his safety.

So he either just buys a fucking private beach. Like straight up, names it after stiles or Mrs Claudia Stilinski or some vauge reference to sea creatures or legends.

Or two he just builds stiles a man made lake on hale land. He set a piece of land to the die and just goes ham. Building underwater caves, with statues and mosaic’s and fancy rocks and jewels. Good rocky terrain, but also lots of space and depth. Gets stiles favourite fish and seaweed or kelp imported so stiles can have it fresh. Bonus, this way it’s close to home and Derek can keep an eye on his mate and it’s private property.

[sunniewr]

[allowmetohityouwithmyreblog]

All I’ve been able to think after seeing Deadpool and Wolverine is just

Wow

This movie was the love story Wade thought the first movie was.

Go on, tell me I’m wrong.

[respectthepetty]

Wut and Sol said they could give Joe some money out of kindness, and Joe could pay them back whenever.

Ming said he would give Joe whatever he wanted in exchange for Joe's body because Ming is selfish.

Joe taking Ming's deal is the most relatable moment I've had with Joe because I, too, would pick the devil I already know. Mixing finances with friends is always dicey, and he would still owe them. With Ming, it's business and he doesn't have to worry about ruining a friendship. He can hate Ming, but as long as Ming runs him his money, he'll continue to do his job because this is just another stand-in job.

Joe is really saying "sex work is work"

And I respect that.

[softpine]

friends don't let friends pay for sims packs

[motliez]

Instagram: @Motliez

[meirimerens]

i'm scared...... hold my hand.

[unpretty]

the first guy to sell some kind of daft punk helmet you can stick your dumbass vr goggles inside of to hide your shame and distribute the weight is going to make so much fucking money

[bisclavret]

what SICKO wrote the last scenes between gwaine and merlin is what i want to know. because even lancelot's last episode with merlin - which had to have been intentionally gay-coded since it's obvious the man is grappling with his feelings for merlin morphing from platonic to explicitly romantic - is still subtext because he doesn't have the tools to healthily express his feelings so he goes for the biggest romantic gesture he can think of: sacrificing his life to save a loved one. the writers also make sure to root this gesture back to gwen by adding a scene where she's inadvertently asking him to make that sacrifice first, so although it's very obvious that it's more for merlin than for gwen that lancelot dies for, she is there to add some plausible deniability, thus keeping his sexuality within the realms of subtext.

i don't want to delve too deeply into arthur's last scenes with merlin as there is both so much to unpack about what they mean to each other and there is also somehow nothing left to say that hasn't been said before. my point is just that there's so much at stake that if the viewer doesn't want to deal with the romantic subtext between them they can hang onto the 38 other dynamics merlin and arthur have represented to each other that the writers spent 5 years plastering on top of the gay subtext. basically, while the romance feels textual emotionally-speaking, it isn't "canon".

i don't mean to say that any relationship is better than another (even though i obviously have a preference) but that in gwaine's final scenes with merlin there's just no subtext anymore. his becomes the most explicit expression of romantic love towards merlin, and therefore the most explicit acknowledgment of homosexual love and the existence of queer people on the show:

it starts out with merlin suggesting that gwaine saved a girl from the saxons and then looked after her because he has a more than platonic interest in her, and they show us that merlin is right - gwaine and the girl eira slept together - even as gwaine half-heartedly denies any interest (which, why even deny it? merlin saw them holding hands! unless the lie is part of the point). then in that very same scene and directly after this exchange, merlin needs rescuing from the saxons, calls after gwaine, and gwaine performs the exact same role for him that he performed for eira: he saves him from the saxons and looks after him (for as long as merlin lets him).

the parallel between merlin and eira with such quick cause and effect (it literally all happens within the same minute) is where the shift from subtext to text becomes undeniable. yes, there have been other moments on the show where a character's affections towards two different genders are beat-for-beat the same, but, again, there has always been plausible deniability. in this case the parallel is meant to be taken at face value: the core point of it is to show us how gwaine expresses his attraction.

then, the dialogue they chose to bookend this scene with takes it a few steps further by functioning as a textual love confession to merlin himself: the scene opens with gwaine thanking merlin for everything he did for eira, and merlin saying that there is no need to thank him as it was the least he could do. a minute later, after merlin thanks gwaine for protecting him from the saxons as both merlin and the show just concluded gwaine did for eira for romantic reasons (even as he denied it by outright lying), gwaine parrots what merlin said when gwaine thanked him: no need to thank me, merlin, it's the least i could do.

but this comes off as the opposite of dismissive: in fact, this echoing of merlin's words is meant to jolt both merlin and the audience. by saying this right after saving merlin from the saxons, gwaine has now intentionally pointed merlin's attention towards the explicitly romantic parallel between himself and eira. gwaine is directly implying he just did for merlin what merlin correctly deduced he did for a woman because he desired her sexually and romantically, and he is using merlin's own words to challenge him into seeing past the initial flimsy lie that there is nothing between them. and what's behind the lie, of course, is that gwaine has done all of this and more because he desires merlin sexually and romantically. the camera even lingers on merlin, allowing him and the viewer to absorb what just happened. that for as long as we have known gwaine, his motivations have always boiled down to "i want to be there for merlin". and now both the audience and merlin finally know for sure what was motivating him the entire time.

what's more, by using merlin's own dismissive words, gwaine also implicates merlin's penchant for repression and denial and never allowing himself to be given credit where it's due. this unfortunately never properly gets dismantled on the show, but this moment shows that gwaine knows merlin well enough to know that he goes above and beyond for people, and that merlin's reasons for this ring as false to gwaine's ears as gwaine's reasons for saving damsels do to merlin. it also bittersweetly implies that gwaine has accepted that these are the platonic, repressed terms on which he can have a relationship with merlin. but i think the way in which he explicitly points all of this out to merlin is meant to imply that he isn't entirely happy about having to accept that. or, to circle back to eira, that merlin seems to be cheering for him to enter a heterosexual relationship when gwaine would clearly rather be with him.

what's additionally interesting to me about this is that this is one of the only scenes on this show that touch on same gender attraction that isn't using magic as a metaphor - because merlin doesn't have magic at the moment, yes, but also because gwaine is the more active character in this sequence, and he's an adventure hero, so he simply fights the bad guy to protect the person he loves. there is no metaphor to wrap this in, so he just gets to explicitly state his bisexuality. in the next scene, the very last one he and merlin share, it all becomes about magic again, which is both representative of merlin's sexuality and the show's "plausible deniability" approach to gay-coding, and so neither gwaine or merlin are permitted to acknowledge it. also, and this is for another post altogether, but all things point to "gwaine knew". not least because he gets to come out as queer without the complications of the magic-as-gay-metaphor which in turn emboldens him to ask merlin for the truth as directly as the metaphor-suffocated narrative will allow it.

tldr gwaine textually and canonically expresses and then confesses his feelings to merlin in a shockingly well-written and layered scene which makes gwaine the most explicitly queer character on bbc merlin and it's entirely because he exists outside the magic-as-gay-metaphor plot while loving someone who embodies that entire metaphor and it's crazy to me that we don't talk about this more. once again i ask what SICKO wrote this and where were they for the entire rest of this fucking show

tldrtldr at least gwaine is bi. its like i always say. at least gwaine is bi. at the end of the day. gwaine is bi. dont cry ok? gwaine is bi. at the end of the day. gwaine is bi. when all else fails. gwaine is bi. we'll always have. gwaine is bi

[ourdadai]

୨୧ lisa ( blackpink ) lockscreens.

[yooniesim]

I love not paying EA for a damn thing