#own build

[coffeestarsbooks]

Just a little Willow Creek library:)

[hideoutjv]

Goth Family Home Re-build. No CC.

30x20 LOT.

The Goths are an aristocrat family with a dreary aure. Between Mortimer macabre stories and Bella's mysterious disappearances will Cassandra and Alexander grow up to be gloomy, too?

Personally I’ve always hated the Goth House in game, so I made it better(?

GROUND FLOOR: Foyer, formal dinning room, living room, kitchen, library/studio, bathroom and laudry room.

FIRST FLOOR: Master bedroom with master bathroom, two big bedrooms and one Jack&Jill bathroom, music room.

Packs: Base game, Eco lifestyle, Discover university, Island living, Get famous, Seasons, Cat&Dogs, City living, Get together, Get to work, Realms of magic, Parenthood, Vampires, Dine out, Spa day, Outdoor retreat, Kids room, Romantic garden, Movie hangout, Spooky stuff, Cool kitchen, Perfect patio, Luxury party.

Cheats: bb.moveobjects. bb.showhiddenobjects. bb.showliveeditobjects. bb.ignoregameplayunlocksentitlement.

Download: HERE.

[notherpuppet]

Role reversal AU

[voidoffline]

!This is a drawing! Not a screenshot!

This is nineteen hours of work. (Not the build I based this off of- it only took me like a few minutes to build it XD)

(This is the next build of mine that I will draw)

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[runraerun]

me when the slowburn is burning a little too slowly:

[beaft]

BG3 is really testing me because my natural inclination in all situations is to be like "well, i think you should do what is best for you :-) <3" and then my companions are inevitably like "i want to kill an angel" "i want to ascend to godhood" "i want to become the most evil vampire in the world" like can we take it down a notch . please

[bigfatbreak]

Birds of a Feather previous / next

[autismmydearwatson]

Every time I watch Dune I forget about it but I'm foaming at the mouth over how Paul has a vision of himself as a powerful, respected, divine figure with millions worshipping him and he just says "Somebody help me"

[cactuupng]

Mumbo and Grian are never beating the "since s8 we share a soul now and have adopted certain characteristics from each other due to that like building and redstone" allegations with these new episodes, aren't they

[buttercupbuck]

"you know, my therapist says everyone needs a safe space, a place where you can fully be yourself"

[image description: 2 large gifs of evan buckley and eddie diaz from 9-1-1.

gif 1: from season 6 episode 12. in the diaz home, eddie (out of frame) watches buck sleep on his couch, his arm draped across the sofa.

gif 2: from season 7 episode 5. at buck's apartment, the camera pans as eddie, holding his phone, turns to face buck as buck rounds the corner of his kitchen island.

/end ID]

[classy-thief]

🌻 here's my entry for the second week of the @tmntfashioncompetition ! the theme this time was traditional clothing and I immediately knew I wanted to do something relating to my korean culture haha

I'm going against the lovely @tizeline for this one!!

this was supposed to take place in the Joseon Dynasty, but when researching the type of hanbok people wore back then it was kinda hard finding accurate information 😭 so I just went with what I thought would suit them :]

some fun facts about this drawing under the cut! ^^

I hc that donnie would infiltrate the schools to become an astounding scholar, so when he comes home he teaches his brothers what he learned ^^ he's wearing a dopo (도포), which was what confucian scholars wore back then!

mikey's wearing a child's hanbok (한복), which are more colorful than adult ones. so technically speaking, leo and donnie should be wearing one too, but I felt that leo would want to copy don haha. plus, they all still see mikey as the baby of the group 😁

raph's wearing a gat (갓), and this is kinda where it was hard to find accurate info.. it's known that when someone wears a gat with their hair in a topknot, it signifies marriage, but other sources said that it also signifies when a child has transitioned into adulthood. either way, it represents pride, dignity, and status, so I figured I might as well add it.

and since this takes place in the Joseon period, I thought it'd be nice to have raph copying a page of the Hunmninjeongeum (혼민정음), which was a document introducing the invention of the early korean language ^^

and last but not least, the table is inspired by the one my grandparents own :]

[t00thpasteface]

grab that toothbrush dattebayo

[imanes]

some people are truly off their rocker and i don't want to attribute it solely to shit i see on twitter bc I've heard this irl a few times these past couple of weeks but i did see someone on twitter today questioning why Palestinians have children... why the fuck not? these children are the hope for a better future; they're the continuation of aeons old bloodlines; parents have a right to have kids even under apartheid. what your question suggests is nothing short of eugenics imho and truly completely disconnected from the humanity of Palestinians and their rights to full, dignified lives with choices and possibilities. like imagine being pro-choice until one of these choices is "can i have a child if my people are being ethnically cleansed". so long as there is life there is hope and that isn't just a trite little saying it's a way of existing and resisting.

[rocketbirdie]

fateful encounter