#out of the ones I did include I think the main manga is probably my favorite

[lxikobsd]

[absolutebl]

Top 10 Great BLs That Are REALLY hard to find (but worth tracking down)

You may want to go hunting anyway!

Seven Days

Seven Days: Monday-Thursday

Seven Days: Friday-Sunday

Japan 2015

Never doubt my ability to recommend this show. One of the best live action yaois ever made, with perfectly structured angst, fantastic characters and acting, and no problematic tropes (rare in Japanese BL). The leads have excellent chemistry although it’s low heat there’s still some really cute mutual kisses.

Cherry Magic AKA 30-sai made Dotei Da to Mahotsukai ni Nareru rashii

Japan 2020

The sweetest fluffiest magical realism BL, packaged as a pinning office romance, very low heat (practically chaste) but the cutest. It’s truly great.

Cherry Magic Thailand

Thai 2024

A soft charming warm hug of a show about crushes and mind reading and self worth, with no-fuss execution from a consummate team and an OG lead pair proving why they remain eternal and deserve to grow up. Look, here’s the thing, Cherry Magic is a great Thai BL in its own right not comparing it to any other iteration. But even when I do compare (and I've seen all the Cherries and read the manga) it still stands. I personally like it slightly better than the Japanese live action, but I think that’s because I just really like Thai BL and I LOVE TayNew. Also all the kissing was both present and better than any other iteration. As it should be from Thailand.

I Feel You Linger in the Air

Thai 2023

IFYLITA is an exquisite BL, from filming techniques to narrative framework (much like Until We Meet Again). Steeped in history and family drama it edges into lakorn (but no as much as To Sir With Love and with way less scenery chewing). This is an elegant and classy BL... from Thailand which normally doesn't even try for classy. The main couple (both as a pair and individuals) were excellent, particularly Bright (Yai) whose eye-work acting style is a personal favorite of mine. Pity about the ending. Oh it wasn’t that sad but it wasn’t good either. This show could easily have earned a 10/10 from me except that it fumbled the… erm… balls in the final quarter. Argh. Whatever.

All about the ecstasy and the agony here.

Restart After Come Back Home AKA Risutato wa tadaima no ato de

Japan 2020

Atmospheric study in rural Japan meets complex family dynamics built on a romance framework of city boy meets country boy, grumpy/sunshine. It’s beautiful and icy sweet. Slow moving in places but ultimately worth the patience, low heat, low angst, and stunning.

Given

Japan 2021

Boy joins band, falls in love with other boy. The singing is terrible, fast forward through that but with the possible exception of the hair styles, this BL could have been made in 2015 and no one would be surprised. As such, it wasn’t ground breaking, but it didn’t disappoint either.

Make a Wish

Thai 2023

A doctor who can see the dead strikes a bargain with a wish-granting irreverent tree angel - naturally they fall in love (from Sammon: Manner of Death & Triage). Stars Fluke Natouch opposite not-Ohm, but who tf cares because Fluke has chemistry with everybody. Once again the Thai afterlife is incredibly bureaucratic but I enjoyed the premise and the unfolding of the story (it’s not predictable but still satisfying and with nice little twist). I like that the doctor is just gay AF - fag hag bestie and all the swagger. The cast is excellent even if the comedic stylings are a bit overblown and tonally off. It had sad parts and did make me cry but is ultimately happy with a great sex scene, good smiley kisses, and all the agency. Definitely recommended.

2 Moons The Ambassador AKA 2 Moons 3

Thai 2022

A Thai pulp that felt like it came out 5 yrs prior, with many of the flaws inherent to that time and studio system, including manufactured angst and convoluted plot, but an ultimately sweet main couple that (as a pairing) feels a bit more modern and satisfying to watch than they started out. This will probably go down in history as one of the few BLs where I genuinely didn’t care about any of the side couples. All that said, I find this show oddly appealing and rewatchable and I have no excuses for that except, I enjoyed it probably more than it deserved. Nostalgia & d**k, it's what's for dinner.

I Want to See Only You AKA Kimi no Koto Dake Mite Itai

Japan 2022

This is a beautiful well acted piece of cinema, about two boys who are opposite personalities and grew up together. Gifted and serious Sakura pines after outgoing eccentric manic pixie dream boy, Yuma. It is very pretty and this is the kind of atmospheric elegantly performed BL that only really comes from Japan (complete with dead fish kisses - what you though Korea invented them? oh no). If you want something stylish, this is it.

Triage

Thai 2022

BL does Groundhog Day featuring a doctor stuck in a time loop who must save a poor little rich boy from death by seducing the stuffing out of him, then PLOT TWIST, poor little rich boy must do the same for the doctor! Unfortunately... stuffing keeps leaking. I thought the plot was engaging if a little redundant and occasionally exhausting. The pairs were all well done, low heat but with decent chemistry and the support characters were likable (or unlikable, as required). If anything, the romance arc detracted and distracted from the main plot, but that doesn't stop this from being a genuinely good show.

HONORABLE MENTION

Great Men Academy

Thai 2019

Bodyswap involving unicorns turning a teenage girl into a boy makes this questionable as a BL (because, ya know, gender). But the fact remains that James is killer in the lead, and I (who do not like bodyswap) loved this damn show. Look, there is actual plot, hotties at boarding school, "bully the one you love" trope, some weird VR shit, very bad CGI, and yes, the boys end up together... whether they boys or not, so to speak.

Some of these shows may appear on a smaller streaming service, like WeTV, or they may be on a legal platform in your territory. I hope it goes without saying you should check there first.

(source)

This list updated Spring 2024, not responsible for cool stuff that went missing (or was added to a platform) after that date.

It's it last in a series the rest of which are:

[dykeyaoi]

I feel like a lot of fanon tends to miss what seem to be three pretty crucial things about Teru, and it's weird because they are easy to miss, but they're also so important that without them he's very superficial. it's part of why he gets so yassified almost every time he's adapted (see: manga into anime into fancontent)

one is that this kid is smart. on my first watch of his debut arc I assumed he was psychically cheating to be one of Black Vinegar's top students. now though I don't think so: firstly, I'll admit, because he doesn't actually seem to have a way to do that except blackmailing other kids for answers or something; but secondly because throughout the series he's just good at figuring stuff out. he picks up complicated psychic techniques more quickly and frequently than anyone else, including Mob. he was the one who almost beat Shimazaki. he figured out that Psycho Helmet was Dimple from the fact that he was a spirit who knew Teru's name, not a lot of info to go on. he draws conclusions in the somewhat haphazard but very clever way a detective does.

two, he's motivated so much by anger. this one's something of a hot take but it's so there to me that I can't leave it out if I'm Teruposting. before meeting Mob yeah he thought he was special and important for having powers but he was also extremely lonely and subconsciously mad at everyone else for not having them. he's the only one who has to deal with Claw he's the only one who has to live alone because his powers make it dangerous for his parents, he's the only one strong enough to be the shadow leader. he'll do it because he's the Protagonist but god he's gonna be pissed the whole time. it's not what he wants (we only get to see what he wants later with Mob and Reigen and everyone else) but it's all he has for a long time. seventh division shows the intersection between I Should Be Satisfied Now Teru and I'm Better Than These Guys Teru very nicely

last and kind of most important is his thing for Mob. I absolutely believe ONE wrote Teru to be queer and he definitely had or has a crush on Shigeo, but I also think that at least part of said crush is him misconstruing his adoration and the pedestal he's put his friend on. until after the Confession Arc, the two of them getting together would be really tricky and probably not good. Mob still feels bad about what he did at Black Vinegar for most of the rest of season one, and the only reason Teru changed in the first place was because of the cavernous gap in power between the two of them. until he declares Shigeo his rival and realizes that he has faults and any destruction he causes isn't perfectly righteous, Teru can't love him.

there's as much to his character as there is to the other main characters, and I get the easy appeal of the flattened version of him but when he's flanderized into this sparkly gayboy who's also sad sometimes, it makes me sad.

[anime-fan-05]

love your writing. youre awesome. you don't have to but if if you could could you make yuyu hakusho characters x reader who's into cute dresses, make up, skin and haircare routines, stuffed animals collections and girly things. would they be accepting of her, find her annoying, join her or what do you think? plz

Yu Yu Hakusho ~With a very feminine reader~

Manga/anime: Yu Yu Hakusho

Warnings: nothing

(Y/N): your name

Thank you very much for the compliment! I personally didn't know which characters you meant exactly, so I created the headcanon with the main 4 and Koenma. If you also want someone else, write to me privately and I'll include them.

U. Yusuke

He thinks you're very adorable, but he'll never join you in hair and skin care

However, he really enjoys putting on your makeup, even if he often messes up your face

When you come back from the hairdresser with your hair cut or from the beautician with your nails done, he's always playing dumb that doesn't notice anything; however, after seeing you were offended, he compliments you ("I noticed it, (Y/N). You look great.")

Whenever he can, he buys you cute stuffed animals or accessories, such as necklaces and bracelets or rubber bands and hair clips

He also gives you nice clothes if he can buy them for you, and, if you wear them, he'll blush deeply and turn his head away so you can't see his huge blush

K. Kazuma

He's probably the person who accepts you the most

Are you wearing a nice outfit? "You're so cute, (Y/N)!" Have you groomed or cut your hair? "You look great, darling!" Did you wear makeup? "You're so gorgeous! You look great without makeup, but you're beautiful even like that!"

He goes to the game room a lot of times to win stuffed animals for you; when he wins nothing, he sulks all day ("Sorry, I won nothing..." "Kazuma, you don't have to give me a stuffed animal a day, don't worry!")

You two often do skin care together, but don't tell Yusuke this or he'll make fun of Kazuma for life

To give you gifts, he often asks Keiko for advice, as he considers his sister to be one of the least feminine women in existence (Shizuru always gets angry when he points this out to her)

Kurama

He finds it very cute you always get dressed up, but he often tells you you're beautiful, even without accessories or luxurious clothes

He always, always notices when you do something different to your hair, nails or face ("Have you done anything to your hair/nails/face? You're very beautiful, (Y/N).")

Probably, you two do hair care together: you're the only person wh's allowed to care for his hair

When you wear cute clothes, he blushes slightly and looks at you affectionately and meanwhile Youko stirs inside him

He sometimes lets you find cute stuffed animals or accessories on your bed, and then he pretends he didn't put them there ("That? No, I didn't give it to you.")

Hiei

He doesn't understand you: he can't understand why you care yourself so much, and he refuses to join you if you ask him this

Despite this, one day, after seeing his sister getting her hair done by Kazuma (Hiei wanted to kill him), he decided he would do the same to you: so, he combs your hair every morning

For a while, he never gave you accessories or stuffed animals, since he thought they were useless; however, everything changed when, one day, he gave you a hair clip he had found during a mission, and he saw your happiness born from that small gesture

"I found it lying around and I thought only a person like you could wear that horror."

This is what he says every time he gives you something to wear, but it's clear he does it because he loves seeing you smile and seeing you with what he steals buys

Koenma

Like Kazuma, he also compliments you when you change your appearance, changing your hairstyle or wearing different and nice clothes every time

You two do skin treatment together: he always claims your hands have the power to make his skin soft ("Only (Y/N) can touch my face! Only she has magic hands!")

He gives you everything you want: have you seen a nice hairpin? You'll find it in your room. Have you expressed your desire for a dress? It'll be yours immediately

He forces his subordinates to have their hair or make-up done whenever you want poor Jorge

When he can (once a day), he gives you a stuffed animal

💮 Rules 💮 Masterlist 💮

[yumeka-sxf]

Spy x Family Exhibition Pamphlet

I got my copy of the Spy x Family exhibition pamphlet! I wanted to make HD scans of some of the notable pages and try to translate if I can.

First off is this great "Main Character Correlation Chart" (sorry for my amateur editing, all I have is MS Paint!)

I love how Bond has a different "bofu" (woof) for Loid and Yor!

Several of the pages show the creation process of the manga, starting with rough sketches to final drafts, using chapter 1 as an example. There were a lot of pages for this, so I just scanned the ones that showed the end of the chapter.

Probably the most interesting pages of the pamphlet are the early character designs/concept sketches. Most of these have already been shared by @sy-on-boy on her post here, but I thought it'd be cool to have them in HD! Unfortunately, even with higher quality images it's very difficult to decipher Endo's handwriting. I could make out just a few words here and there, and Google Lens is very unreliable when the writing isn't clear.

The first page has early concepts for the Forger family, Loid, Anya, the WISE logo, and the Eden uniform.

Things to note are that "Oscar" was a working name for Loid, as was "Yolanda" for Yor. What's also interesting is that a beta version of Franky is shown along with the Forgers. Unfortunately I can't make out the notes about him, but I think this has significance because of a sketch on the next page...

Most of the next page shows concept designs for Yor, with a section for Bond and Yor's coworkers on the bottom.

However, what's really intriguing is the sketch in the upper right of the whole family, titled 疑似家族 (pseudo family).

Once again, a Franky-looking character is with them, and he has the title "Uncle" (叔父) Was an uncle originally going to be part of the main Forgers? Was he actually related to Loid or Yor, or if that character did eventually become Franky, maybe he would just pretend to be Loid's brother? I can also make out the word "otaku" (オタク) in the notes for this character as well as "enjoying life" (人生を楽しんでる) Also in the notes for beta Yor it looks like 最強 (the best/strongest) and バカ (idiot/dummy) All I can make out for Loid's notes are 孤独 (loneliness) I think? And what's up with the older and more sinister looking Anya? She really looks like Ashe there. But these are all just early concept designs/notes so I wouldn't take them too seriously.

The next page titled "East and West During the Cold War" has concept designs for Franky, Yuri, Fiona (referred to as a female WISE spy), a male WISE spy, Melinda, and various assassins from the cruise arc.

The first interesting thing to point out is the notes next to the very crudely drawn woman at the bottom of Yuri's concept designs. It says "Yuri's girlfriend?"(ユーリの 彼女?) though I can't make out clearly what the rest of it says. For the Franky designs, I could make out "tsukkomi or boke". So it looks like at some point Endo was deciding whether to make him more of a tsukkomi (straight man) or boke (wise guy) personality. There's also mention of giving him a high IQ (IQ高い). Also, the fact that the sketches include Melinda and the cruise arc assassins gives the impression that Endo had ideas for these story elements very early on.

But the character relationship chart in the lower left is really intriguing.

I'm not sure how accurate these translations are so take them with a grain of salt, but they do make sense to me. But I have to wonder why Anya and Becky are connected to Desmond. For Becky, it could be because her family has ties to the Desmonds, but why Anya? Could the "mysterious institute/lab" she comes from have ties to Desmond too? Again, these could just be early concepts from ideas that Endo is no longer using, so best not to take them literally. Also, the lack of Shopkeeper/Garden in the character relationship charts, the concept art, and the exhibition overall, really does portray them as a "mysterious organization" that Endo perhaps didn't plan out until later in the series' development and is still trying to figure out. But as far as this sketch, I have to say that despite how terribly crudely drawn all their little heads are, it's easy to identify every character...proof of Endo's top notch character design skills!

Another sketch that stands out is on the same page...

It's a very rough drawing of what appears to be either Loid holding Yor or Yor holding Loid with Anya next to them. But honestly it's such a rough drawing it could be any other parents+child. All I can make out of the text directly above is "My wife is stressed!? At this rate..." And the drawing next to it also appears to be two parents and maybe two children? I also have no clue what the "WJ4C 9/20, etc" at the top means. Very mysterious sketch, lol.

The next page has Eden related concepts, including Becky, Damian, George, and various teachers. The drawings in the bottom section appear to be an alternate/abbreviated version of how the Forgers met.

Pretty funny that an image of Franky is covering what's supposed to be a sketch of Demetrius. The text from Franky says "I can't show you this information yet" which is pretty solid proof that Demetrius will make an appearance in the series eventually. There's also nicknames for Damian and Demetrius in the notes - "Dami" and "Demi."

Some notes on the Eden page says there's 2,000 students in the school, with 13 grades divided into 8 classes/houses. The chart on the left is a list of teacher names and their classes, all of which are given names of colors. None of the teacher names have been used so far in the series.

And all that's on the last page of sketches is a continuation of the previous page with the early concept of how the Forgers started (it honestly looks pretty cute, wish it wasn't just rough sketches). And the following section looks like drafts Endo did for promotional material.

The final pages of the pamphlet are the new extra mission chapter which I already fully translated here.

And that's all I'm going to share for now from the pamphlet! I could spend more time trying to decipher the concept art notes but it was giving me a headache after a while, lol. But if anyone wants to try translating them, go ahead (I have higher quality png files of all the scans if needed...they were too big for Tumblr). And again, these sketches are just trial and error pre-serialization ideas that don't necessarily reflect Endo's final vision for the series, so I wouldn't dwell on them much other than for fun theorizing.

The pamphlet does have other interesting information, including an interview with Endo, a timeline of his work on Spy x Family and other manga, and his notes about random things from the series. So I might return to translating the pamphlet at a later date when I have time/motivation.

[jumpscaregoose]

tss is kind of a weird manga if you think about it. I've been doing that a lot

its main goal is to be a sequel to flowers, and in that a sequel to the original shaman king, but then you read it and that's. really just the tip of the iceberg. tss is already a confusing, messy story if you know what it's doing, but if you go into it only having read og shaman king and flowers (like I did the first time around) you are going to be so lost

takei has this habit of reusing characters and concepts in his work, he's been doing it literally since the beginning. if we're counting each one separately (including alumi), he's written five anna the itakos. the anna that shows up in butsu zone is almost identical to anna from the original oneshot. he does this reduce reuse recycle thing in shaman king too, most obviously with anna and gandhara. and of course this continues into the mainline sequels.

flowers is interesting in comparison to tss, because it is a shaman king sequel in the way you'd expect. it repeats many of the same characters and plot beats as the original (apathetic main character, itako no anna fiance, edgy rival with a goth older sister). hana even mentions a few times that he doesn't want to relive the same beats as his father. compared to tss, the prior work flowers draws on the most is shaman king. for a few chapters. because then we get yahabe.

yahabe is probably the cleanest copy paste into the shaman king universe, excluding butsu zone. it was a oneshot that wrapped itself up after clearly defining its premise while leaving room for the story to continue. except, instead of this continuation being a full yahabe serialization, we just get yosuke in shaman king. yahabe!yosuke and mankin!yosuke could exist on the same timeline, and with how the flowers anime reuses shots from the yahabe manga and ova, that feels like what's supposed to be canon. any deviations from the shaman king canon in yahabe itself can easily be explained away by yahabe being from yosuke's perspective as a non-shaman who doesn't know what the hell is going on. he integrates so cleanly into flowers I didn't even know he was from something else until earlier this year. the same thing applies to death zero, because I fully forgot that was a different thing while writing this.

so flowers has shaman king, and yahabe, and death zero, and it sets up the main plot. and then there's tss.

tss is completely incomprehensible if you haven't done at least 30 chapters of external reading.

or, it's comprehensible, but it's also bad. the reading experience is made so much worse if, for example, you haven't read ultimo and don't know how terrifying not-stan lee actually is. or how important the themes of ultimo are to tss itself. ultimo is a conversation on the objectivity of good and evil, in the same way tss is a battle of ideologies between gods. if you haven't read ultimo, the dong family comes out of absolute nowhere and make even less sense then they do with context.

and then there's senju. the page where senju, when asked what he's learned on his 40 (20 in real actual life) year journey, smiles and says he "can't save people after all" is probably my favourite moment in anything takei's ever written. the weight of that statement means nothing to the reader who's only come from shaman king, because the senju we see in shaman king is sati saigan's spirit ally and nothing else. "I can't save people after all" is an answer to the main thesis of butsu zone, an answer given decades after that manga was cancelled to a collection of readers who might not even know what that is. it's an impactful moment if you've read butsu zone, if you know how it was cut short before takei could take the story where he wanted, if you know the creator has been writing about the same things, about the state of the world and doing what's right and how there are no bad people who can see ghosts, for decades. it makes you think about the thing you're currently reading, the sequel to the one story that author told that made it, that got to say its piece.

because takei's work is kind of cursed. his manga are frequently cancelled, his oneshots never picked up for serialization. the magazines his sequels run in getting cancelled themselves, leaving his stories in limbo. even shaman king, his most successful work, only got its true ending years after it concluded. there is so much in takei's work that has gone unsaid.

when senju stands in front of daremoine and says he can't save people, it's satisfying. it may have been what takei set out to write in 1997, or maybe it was something he thought of in the years between, but either way. this is the ending of butsu zone. this is how its theme's conclude. in the sequel to the sequel of a manga from which its original protagonist was a side character, and underdeveloped plotline. and when you've read butsu zone, it feels good, it feels complete. it hits you like a ton of bricks

this is why I think flowers and super star lose people. because they aren't sequels to shaman king. they're sequels to everything takei has ever written.

to get the most out of super star, you need to have read not only shaman king and its spinoffs, not only flowers, but butsu zone and ultimo and yahabe. hell, to understand shaman king you need to have read mappa douji, or the entire ending falls flat on its face

if you lean into it, this creates an interconnectedness to takei's work, a sense that what you're reading right now is a part of something bigger. whatever is being contemplated currently ties into a much larger conversation about society and morality spanning one man's entire career.

if you don't, you get... a bunch of messy stories. tss makes no bloody sense half the time. ultimo is insane enough on its own, and you're supposed to keep track of that and all the little changes that fit it into this timeline? not to mention the flaws in takei's writing itself, how he tends to pace things weird and leave gaps in his stories, all of it makes tss specifically pretty inaccessible to the average reader.

what is there to take away from this?

I'm not sure, really. I love tss, a lot actually. I enjoy the sense of discovery that comes with engaging in this twisted knot of a story. I think that if you tried to read tss with only shaman king and were frustrated, you should check out yahabe and ultimo and especially butsu zone and try again. you might still think it's a mess, but I think it's worth it to see if that's what lost you

but I know that's also a big ask, that's over 80 chapters of manga to read just to have the backstory for the insane stuff in tss. not everyone's up for that, and that's fair

do I think tss would be more accessible if it only drew from shaman king? yes. do I think it would have been better?

no

[taki118]

Yakuza Fiance ep 7 Manga Comparison

Ok we are getting into things now, again comparing the anime adaptation to its manga chapters and seeing what was lost. Warning I am using fanstranslations cause I'm lazy.

The train scene isn't so bad but again we loose out on some set up

I guess maybe spoiler? But Tsubaki shows up later and we get this cute image of her but the more important cut is what happens right after.

Yoshino starts talking about people she knows, and how she could easily hook Kirishima up with some good deals and such. This is kinda an important detail for the arc like in ep 6 where they removed her being more of a tour guide this helps to show that Yoshino is more tuned in than you'd assume, Kirishima included. She's reliant on him in Tokyo cause she's new there. (There's also the character beat missed in her saying he has theses connections too but his have.......different circumstances) Anyway this is what leads into the keychain scene. I do like how the anime leaves him dumbfounded holding them for a bit would have appreciated a little more of a linger maybe a simple zoom in for emphasis though.

Nao's scene with her college, I think club members, is cut down a bit you don't miss much but it is made apparent how she's not liked by the female members and that she's manipulating the guys more (we'll see this later too) I think the only real loss is this bit

Nao's internal thoughts are always pretty funny as she's really shows he mean side better. What's more of a loss is her thoughts on the bus.

This shows that Nao did her own digging the morning after from seeing the lock screen and putting that together with the new info she gets. It's interesting how Yoshino is described and how the word has spread (though its probably intentional by Kirishima) Anyway it gives a little more depth to Nao so its a shame.

Meeting and talking with Yoshino is similar but again we loose more Nao thoughts.

She's so low key bothered by the fact that Yoshino doesn't know who she is. (Spoiler she does girl you got played so bad)

Like Nao really just has the meanest thoughts (I really should do my dedicated metas) The only other thing to note is the manga makes it clear that during the elementary school incident she was already in middle school.

The bedroom scene with Yoshino and Shoma is basically the same the main difference being some Yoshino thoughts as she looks into things on the phone and this cute little interaction at the end

Again overall the Nao and Ozu confrontation is similar but some details are lost such as Ozu mentioning she's been ignoring his calls. But they did take out something pretty important for context.

Ozu explains himself and his actions a little more here in the manga (and kind of Kirishima's own) this leans into Ozu mentioning him more smoothly.

We also get a little more on why he wanted Yoshino too

Also Nao is more shocked in the manga all her assumptions about Yoshino kinda dying in an instant.

The aquarium "not a date" date is pretty close but we do loose some stuff as well. Like this cute moment from Yoshino

(Showing her naturally lazy side, haha)

Then we get more info on Yoshino's license and why Kirishima wants one

(He just wants to drive Yoshino around)

The volunteer club scene is pretty much the same but we get more dialogue implying that Nao isn't as good at covering her intentions as she thinks (I seriously think she doesn't actually do anything in the club)

Soooo they again cut some context as Kirishima explains about his um "patron" situation

Just saying a lot of things should start clicking when you hear this, again I really should get to work on my deep dives.

Anyway the scene after is pretty one for one which I'm grateful for but this might just be a me thing I think the phone interruption scene is a bit off

In the manga we never really see Kirishima's face outside of his fake smile so I always got the impression he let his mask slip for a moment in frustration at being interrupted the anime lets us see and I think it doesn't give the same impact.

Also while her talk with Shoma doesn't leave much out the framing of the shot isn't as impactful

Shoma really looks a little scared here, probably cause he knows how she gets when shes mad, but the anime he comes off just looking confused.

The scene with Kirishima and Nao is similar cut down a bit so feel the switches in tone more quickly than the manga though thats not too bad I did like how his VA handled it. Though we loose him implying Nao was going to try and use Yoshino and this line

The rest of the scene pans out basically the same again with just some added back and forth in the manga and more character hints. Like with the other shots I mentioned though I think the manga does a better job at conveying how panicked and surprised Kirishima is that Yoshino pulled one over on him

I think with just a little camera work the scene could have been really great.

I'll end things though with just how pretty and bad ass Yoshino looks in the manga like anime isnt bad but like

You really can't compare.

[carulenes]

an analysis of wolfwood’s characterization in trigun stampede as well as his connection to vash (+ why i believe he’s likely much older than we think)

okay i’ve been thinking abt this since eps 10 or 11 were released (this show became my special interest the second it dropped if i'm being completely honest) but its been scratching at my brain ever since i read the sakuracon radio interview and since i haven’t seen anyone talking abt this yet i figured i may as well because it’s clear they really did pull very extensively from the manga and i really am loving how they adapted his character. also i occasionally keep seeing the “tristamp wolfwood is a kid/is 14-15” takes which i need to at least try to help put to rest bc they make no sense given his other iterations and would actively make the story worse.

a quick tldr of my main points before i get on my very long winded soapbox:

wolfwood in trigun stampede has been used as an undying, unkillable soldier by the eye of michael for decades.

rollo as a character, as opposed to monev the gale, was designed specifically as a metaphor for wolfwood’s backstory.

wolfwood and vash are written to be literal complements to one another.

I literally don’t think I have the space to talk abt all my thoughts, and ofc these are all my personal thoughts so any and all of what i’m saying could be wrong, but direct analysis of eps 4-7 (as I think they’re the most important) and discussion of his trajectory in general under the cut (obvious spoilers for the show but also the manga as well as tw: discussions of suicide/suicidal ideation as well as the general tw list for the show's graphic content):

Starting first with a side point that Wolfwood was never a child at any point he was with Vash during thecourse of the story, including the manga. He has always been a man in his 20s, with trimax ww having the appearance of being in his 30s or 40s. It is absolutely crucial to his and Vash’s characterizations, as well as their entire dynamic together, that Wolfwood is an adult. Could make an entire separate post about this, but I feel like starting here is important.

Onto the sakuracon japan radio interview. The team gave a LOT of interesting insight into the development of the show, but one specific point stood out to me:

This is important, because I definitely missed it during the show’s initial run, but I think it’s REALLY obvious once you know what you’re looking for, and is a big factor in why I think he’s likely older than we realized.

————

EP 4: These are the very first lines that are said about him in the show, and the very first time we see him, he is absolutely exhausted:

We know that at this point, Wolfwood is likely on his way to Jeneora Rock to meet up with Vash to fulfill his contract...until Vash and co. quite literally slam into him (and his life) unexpectedly, nearly killing him with their van. He probably should’ve died except… he’s on his feet almost instantly, able to walk perfectly fine and being a jackass as though he didn’t get launched halfway across the desert by a moving vehicle. Which is… odd, naturally.

When they try to find help and instead find the dead couple, he specifically mentions that he isn't a priest like he's been in other iterations. He's now an undertaker, someone meant to guide others through their deaths:

His personality is hard to tap down. He's goofy and childish and downright unlikeable, and there's a hint of something lurking deeper, something menacing and potentially dangerous. So much so that Roberto is on edge the entire time their group is together after being swallowed by the Grand Worm, and flat out tells Vash that Wolfwood is untrustworthy and likely an assassin, "a man who can kill with a smile on his face". And Vash’s response is… really fucking weird, given how long the two have known each other:

not to mention he's wearing sunglasses Wolfwood is rightfully very ??? in response because, what the fuck is he talking about, and why is he so genuine about it, they just met???

Fast forward to a bit later, when Wolfwood is like "hey man, you really shouldn't be so trusting. I could've shot you in the back several times now." To which Vash is like "but you didn't, though." And Wolfwood is even more confused because is this guy stupid???

And then it's time for the final act: Wolfwood reveals his Punisher, destroying the Grand Worm while giving the illusion of taking out Zazie as well. Meryl was informed by someone that Wolfwood had been the one to save them all, but when she tries to thank him, he immediately shifts the subject, being annoying and arguably completely unlikeable. Roberto points out that Wolfwood had lied about who he was, trying to get Vash to realize that he still can't be trusted, and again Vash shoots it down: "We're alive because of him."

Wolfwood showed his role as the Punisher without hesitation, and not only was Vash not really phased by it, but he actually seemed to be inspired by him, stopping his self-destructive tendencies and even repeating his own words back to him. And that's the moment we finally learn his name in the show:

But then, almost immediately, we have a complete reversal of his scene with Vash in the Worm. It’s also of note that Zazie always specifically says human lives:

————

EP 5: One of the most important episodes in this discussion, and it starts with the name alone, "Child of Blessing". Here’s a very general summary:

A young boy in a much less than ideal living situation is chosen to be 'a blessing upon the world through his sacrifice', which turns out to secretly be mutilative experimentation on children in search of a subject compatible with a mysterious medicine that can heal any injury. The meds warp him, morph him into something that doesn't even appear to be human. He tries to return home, but his mother, the only family he knows and loves, is terrified of him. She calls him a monster, and the boy finds himself struggling to articulate who he is. Then, he wanders alone alone without purpose in that unchanging altered body, a body that can withstand lethal amounts of damage directly because of the meds, for at least 20 years. All he has is a single name: Vash the Stampede, the person who promised to save him, and the one person who managed to bring back his consciousness in the end, if only for a moment.

The moment Nicholas sees Rollo regenerate is the second the switch flips. He instantly demands to know what the fuck is up with him, and when Vash responds telling him that he was too late to give him the medicine he needed, Wolfwood shuts down, because he recognizes himself. From this moment until the rest of the episode, we are no longer seeing Nicholas D. Wolfwood; we're seeing Nicholas the Punisher.

Vash continues to push Rollo to remember who he is, while Nicholas continuously says that there's no way to save him, that he's already a monster now. In the final moments, Nicholas inevitably feels tasked with Rollo's death like the undertaker he is, and when Vash angrily demands to know why he took the shot, his response is:

When discussing Rollo's killer, Elendira refers to Nicholas by name, but Conrad specifically states that no, he is the Punisher.

In vol 10 of the manga, Vash thinks to himself: “I met a strange man. Just as I thought we had come to an understanding, I found that our core beliefs were opposed to each other. I was used to such situations, but I wonder how he felt.”

————

EP 6: This episode builds directly upon the foundations set by the episode prior. Child of Blessing ended with Rollo being referred to repeatedly as a monster, and this episode begins with Nicholas in the middle of completing a kill. Right before he does, his victim gets one final glance at his assailant, an inhuman looking executioner, and calls him a monster… directly because he will not die. He’s also been shown knocking back meds like tequila shots in tristamp, which we all know was NOT possible in the manga. During the flashback scene, Nicholas is literally called the Child of Blessing.

We see a very similar sequence with Nicholas that we saw with Rollo; the horrific torture, the bodily mutilation (during which Conrad specifically mentions that the drug will heal all damage done the body, as well as rebuild and strengthen the cells), and the attempt to return home:

Something different happens with Nicholas, though. Nicholas can't go home; he’s literally yanked away from his chance at freedom by Legato. Nicholas can’t go home, likely ever again in his mind, because Hopeland Orphanage and the Eye of Michael represent two fundamentally different ideals.

Hopeland (and thus Livio) is exactly like its name for Nicholas: it is is land of hope, the only place in the world where Wolfwood was allowed to exist freely. When Nicholas was taken by EoM, Wolfwood began to die.

The entirety of the EoM is shrouded in imagery of death and rebirth, specifically in regards to humanity. Humanity in this case has a dual meaning: humanity as a species, and humanity as a concept. Their philosophy is that the end justifies the means in that humans in this form will be preserved and would likely live exceedingly longer lives but, as repeatedly mentioned, there are side effects.

Aging and death are integral parts of the human experience, the two aspects of life that we ALL experience regardless of circumstance. Can you be human without humanity?

The message behind these two episodes is to show that the process of becoming part of the EoM is a metaphorical crucifixion symbolizing the death of one’s humanity. And Nicholas is interesting, because he’s almost the perfect specimen in their eyes and is treated as such. Almost. The only thing holding him back are the two strands of humanity he has left, both which are nearly destroyed in the very next episode.

————

EP 7: In the previous episode, during the animated flashback of Nicholas and Livio, we see a few scattered scenes of other people living at the orphanage. Interestingly, while almost all of the children are seen with very sparse detail (or even none really at all), there is one person, the caretaker, whose face we get a pretty clear picture of. At the very beginning of this episode, we have the first and only shot of the inside of the orphanage in the usual style. While none of the children are familiar and actually aren’t incredibly distinguishable from one another, there is one figure in the room with recognizable hair, but looks considerably older than in the flashback:

During the majority of their interactions, you don’t see Nicholas and Livio interacting with any of the other children. They are simply a background, a set piece to the story and a representation of just how other they were forced to become.

This episode features them fighting each other, dealing each other what should be mortal wounds, but somehow remain standing, as though they’re perfectly fine. As if on cue, the soldiers stationed call them both monsters and run away in fear.

But Vash doesn’t run from the danger. He runs towards it.

Nicholas tries to stop him, and all he gets in return is “he’s important to you, isn’t he?” as though that’s enough. But it is enough for Vash. And Nicholas doesn’t know what to do with that.

Nicholas comes dangerously close to giving up, to giving into his role as the Punisher and killing the last bit of Wolfwood to do so, but it’s Vash who stops him. He diverts his shot and, instead of hurting Livio, literally frees Nicholas from Legato and Zazie’s trap. Vash tells him to make him remember, and Nicholas thinks it’s bullshit… until he doesn’t.

And when he finally relents, when he tries to emulate what the silly blonde idiot keeps screaming at him about… It works. For a moment, but Livio does wake up for a moment. Nicholas hadn’t been able to see Rollo, but he did see this. And he really doesn’t know what to do about it.

To drive the point home, Livio drives a bullet into his own head and falls to the ground in a scene very reminiscent of Rollo’s death… but is implied to still be alive. With him saved, now it’s time for Hopeland. And this is when the narrative really turns a focus to the balance between Nicholas and Vash.

The group is half convinced that they’re about to die snd that the town will be destroyed when, all of a sudden, it’s Nicholas who’s yelling that they have to do something. Because despite all the noise Nicholas makes about self-sacrifice and calling Vash a weirdo, he’s directly inspired by his energy, which is proven correct when Vash is the first one to side with him.

Then, somehow despite the odds, the two of them manage to work together to stop the ion cannon. Which should have been impossible. And because of this, Nicholas is finally willing to give Vash the chance to take the lead on things.

When Vash and Wolfwood discuss their plan to save Hopeland, and after they argue about which method is the correct one, the conversation they have is probably the clearest depiction of Nicholas’ inner struggle:

Nicholas: Have it your way. Just for today. I do owe you one… but if the orphanage doesn’t survive this, I’ll hurt you so bad you’ll wish you were dead before I kill you.

Vash: Wolfwood…

Nicholas: Shut up! I’m the Punisher! I’m not like you… I’m Nicholas the Punisher…

He murmurs the last line as though he’s trying to convince himself. He uses his persona as the Punisher almost like a mask, like a cat puffing up and hissing to deter predators. It’s a defense mechanism, and a trauma response. Except.. it still doesn’t work, because the entire time Vash is simply not listening. Regardless of what Nicholas says, Vash does not stop fighting Nicholas on the title that was forced on him by the EoM and, in fact, blatantly rejects it. And the moment Nicholas finishes speaking, when he declares himself to be the Punisher, the episode’s title card finally appears: Wolfwood.

It's a direct representation of this panel of Nicholas' inner monologue from the manga:

——

Nicholas and Vash’s roles as each other’s complements is emphasized very deliberately when the two work to stop the sand steamer from smashing into Hopeland. These screenshots occur one directly after the other:

Another detail the team mentioned often during the interview was attention to use of color. In color theory, blue and orange are complementary colors: hues that are opposite each other on the color wheel but, when used together, come together to create harmony and balance. Additionally, Vash is the character typically associated with warm hues, while Nicholas is paired with colder ones; with the colors flipped, it’s almost as if they are literally mirror images of each other.

The two are in the same position, in the middle of similar actions, both drawing strength from that which makes them “other” in order to work together to protect a common goal. And once again, miraculously, they succeed, able to do together what neither could ever have done together.

This mirror motif is even clearer when comparing these respective scenes from each of their respective backstory episodes:

For Nicholas and Vash, on top of sharing such a crucial common thread in their backstories, often in the show they are seen together, either side by side or back to back. Often they’re shown doing the same thing at the same time, almost as though they’re moving as one. And they consistently save each other over and over again, with Nicholas acting to save Vash physically, and Vash working to protect Nicholas’ psyche. Vash refuses to let anyone continue to see themselves as a monster, as lesser than, in much the same way Nicholas refuses to let anyone else be used as one.

They are a pair, a unit working together to create a force that is stronger than the sum of its parts.

They are both “other”, they are both different, and they both seek to protect the things they love and care about despite the excruciating pain it can put them through.

Nicholas and Vash’s entite dynamic is basically “I don’t understand you, but I recognize you. I recognize myself in you. And somehow, that’s enough for me to trust you.”

————

So with all this in mind, here is how I’ve come to understand Nicholas’ arc throughout tristamp:

When we first meet Nicholas D. Wolfwood we meet a weary man longing for death to save him, longing to be free from the purposelessness of his life but knowing the hope is futile. He works for the Eye of Michael as an assassin against his will and has for God knows how long. Not only is he no longer a priest, but he’s no longer religious at all, having no belief in God at all and a particular disdain for the false promises and hopes of salvation that are portrayed by it. He doesn’t care about the clothes he wears, whether he looks messy, whether it’s suited for the desert, because he literally doesn’t care about anything, really. He has no home, and can never go back to the orphanage— there’s likely no one left there that he knows anyway, and even of there were, they wouldn’t recognize the monster he’s become. Nicholas is tired, he’s angry, he’s potentially depressed. He fights impractically, sometimes leaving himself open to attacks he could probably block with his Punisher, but he just doesn’t care. He’s just here to do his job, which is to escort his piece of shit CEO’s assumedly equally piece of shit brother to him so they can destroy the world together and he can hopefully die off in peace.

Until he actually meets Vash, and he’s… really fucking weird. He’s dumb and naive and acts like he knows Nicholas on some deep level after they’ve just met, but… he’s not a bad guy. Just another crybaby who doesn’t understand the world. He can see the Punisher and not be frightened by it. That means something, means enough that he feels that he can introduce himself now. He still doesn’t know how to handle kindness, so he deflects whenever it’s shown to him, making irreverent jokes and being annoying in order push people away. But then he meets Rollo and has a flashback to himself. He learns that Vash is no stranger to false promises, has sold the same thing to the kid who ended up just like him, and yeah, Vash is no better than the EoM. He talks a big game but doesn’t actually know anything. Nicholas kills Rollo out of mercy because it’s what he wishes could be done to him; every day of living his life is torture.

But then his hometown and childhood best friend are suddenly in danger. He’d completely forgotten what it felt like to have something to lose, to protect. And without planning for it, Vash also becomes something to protect, because even if he doesn’t act like it, Nicholas desperately wants to believe in him. He doesn’t want the EoM to be right. But the feeling of having something to protect is terrifying, because it means you have something to lose. Nicholas gets incredibly stressed out by this, because it’s been so long that he doesn’t even remember what it feels like. But it’s enough to get him, for likely the first time in a very long time, to hope. And it’s Vash who helps him so that he’s able to hang on to that hope for a little while longer.

He still can’t get too excited, because he hasn’t actually finished his job yet. Before he does, though, he sees Vash’s scars (which was a deliberate choice, as in both the manga AND the og anime this scene went to the girls) and wow, if it weren’t for the regenerative properties of the drug, he would likely look the same. He drops Vash off with Knives and knows that Vash will likely be killed, but he’s also expecting to die himself in the fallout, so it doesn’t matter, really. Except for some reason, it does a bit. And then, yet again, Vash miraculously doesn’t die, and in fact changes the game and actually looks like he might stand a chance against Knives, and is clearly willing to die to do it.

And then July is destroyed. But, miraculously, Nicholas isn’t dead. He still finished the contract, but now… now what?

The show began with Nicholas at his lowest, and ends with Vash at his lowest point. And Nicholas owes him one.

————

INCREDIBLY long story short, it really is clear that they weren’t kidding, the team really drew SO MUCH inspiration from the themes trimax it’s unbelievable and I really really think we’re in for something incredible during the second phase. I also think it’s gonna hurt like a bitch.

[aihoshiino]

So I actually only just found out that OnK ended and I think I only read up to where S1 of the anime finished, so imagine my horror when I learned that not only did AquaRu happen (technically? I know there was a kiss, at least), but that Aqua dies after coming up with what's probably the stupidest plan I've ever heard of. I'm going off of this from the wiki, btw, so feel free to correct me if I'm missing anything, but I thought this story was going to be a critique on the entertainment industry mixed in with a "catch the killer" plot when I first started, yet it just looks like nobody learned anything by the end of it and the villain's defeat was underwhelming.

Good news! AquRuby did not really happen.

Bad news! AquRuby did not really happen.

Honestly, to this day, I have no idea wtf Akasaka was cooking when it came to the AquRuby stuff... my best guess is that because Oshi no Ko was influenced pretty strongly by Mengo's past works & Aka was trying to emulate some elements of it (to good effect, sometimes!) the AquRuby stuff was inserted to appeal to her and it actually playing out on page was them being like "lalala, playing with our toys" and wasn't ever something the two of them took really seriously.

By coincidence I ended up rambling about this off tumblr the other day, so I'll just grab what I said and slap it here so I'm not just repeating myself;

I'm gonna be so real, I don't think an AquRuby ending was ever something anybody on the series including Mengo ever took all that seriously as a direction the series was going to take. Despite what a lot of people will try and tell you, Ruby and her relationship with Aqua were just never really written remotely in the sort of way you would build up your endgame heroine. Prior to 123 it wasn't really something the series tabled in any meaningful way and even past 123, Ruby's apparent attraction to Aqua is largely just played as shallow brocon gag fodder. It's only when the manga talks about her love for Gorou that it takes her remotely seriously and even then that's dropped like a rock past 150 and never addressed again. The biggest red flag for me though is that the series never actually addresses the concept of incest in the context of Aqua and Ruby's relationship. It is the one big major roadblock to a hypothetical romance between them but the roadblock that is actually, textually floated by the narrative is Gorou and Sarina's past life age gap which is, as Ruby repeatedly asserts, no longer an issue. It's honestly bizarre to see a series have a whole ass subplot about a character falling in love with their blood related twin and pursuing it to the point of forcing a kiss on them and just... never ever address the concept of incest??? It ends up feeling kind of deliberate - like, Akasaka knew that the second the obstacle that is the social taboo of incest came up on-panel it would be the death knell for being able to shiptease AquRuby (and thus, get clicks and attention from hyping it up for better or worse). So we get the... whatever the hell he was cooking that happened on page.

[In response to a comment asserting that Ruby was "absolutely written as the main heroine" as refutation to the above;]

When I say that Ruby was not built up as the main/endgame heroine, I mean moreso in the sense that for over half of the manga, she and Aqua just... don't really have a relationship that is given weight and consequence in the story in comparison to their individual relationships to the other characters. Even before the story was seriously teasing the idea of a romance between them this was always a point of critique in the fandom - hell, if you go back and read comments on it from around 2022 onwards, Ruby's sidelining and the lack of meat to her and Aqua's relationship is always something people have (imo, rightfully) had issue with. And like, sure, maybe Akasaka just wanted her status as the final/true heroine to be a surprise but even if that's what he was going for, there were tons of opportunities in the first 120+ chapters of the manga to properly sow those seeds. I know this is The low hanging fruit to point at and I know we're all aware that Aka deliberately orchestrated this moment to make sure Aqua and Ruby wouldn't discover each other's past identities before he decided it wanted to happen, but it's still characterization that Aka chose to put on the page and informs Aqua's character - Akane and Ruby found a literal dead body and instead of checking in on his sister, Aqua chose to spend time with (and kiss!) Akane. It would've been extremely easy to include Ruby more prominently in moments like chapter 68 when Aqua thinks about living a normal life free of revenge, or when Gorou confronts him in 65 about his 'happy life filled with love'. Even in the anime which makes a point of emphasizing Ruby more in Aqua's 'happy memory' montage from chapter 50's material fails to do this. Or hell, maybe even have it be a point of conflict during the AquAka 'real dating' period, that he ends up prioritizing Ruby more than Akane to a degree that it causes conflict in the relationship and clearly betrays where his real feelings lie. But none of that really happens. Hell, even after 123, Aqua and Ruby still barely interact and all the newfound intensity in that relationship comes primarily from Ruby doing brocon gag bits every time they make eye contact. Even the kiss is difficult to really take seriously because it has absolutely zero impact on Aqua and Ruby both individually and as a duo. It does not affect any change in the series whatsoever to the point where I legit don't even know whether it's been retconned out of continuity or not. That just doesn't feel to me like a 'main heroine' whose feelings and relationship to the main character are being taken seriously by the author. That's why the whole "btw i was reincarnated to be ruby's attack dog them kms" resolution at the end of the series feels so jarring and would have done with or without any AquRuby ship teasing. It was the story trying to cash cheques vis-a-vis the twins' relationship it hadn't bothered to write.

[albertonykus]

Doraemon Movie Review: Nobita's Earth Symphony (2024)

What is Doraemon? The title character of the Doraemon manga and anime is a blue robotic cat from the 22nd Century who keeps an array of high-tech gadgets in a portable pocket dimension on his belly, and has traveled from the future to improve the fortunes of a hapless schoolboy named Nobita. Although relatively obscure in the English-speaking world, Doraemon is a Mickey-Mouse-level cultural icon in East Asia (and some other regions, too). The Doraemon franchise was a big part of my childhood, and there are still elements of it that I enjoy now.

Doraemon has released theatrical films almost annually since 1980, most of which involve Nobita and his friends (kind Shizuka, brash Gian, and crafty Suneo) getting swept into adventures thanks to Doraemon's gadgets. Despite being of potentially broad appeal to fans of science fiction and animated films, there are very few English reviews of the Doraemon movies, so I've embarked on a project to write about all the films, for as long as I continue watching them, at least.

For links to all of my Doraemon movie reviews, see here.

Movie premise: Nobita and his friends respond to a mysterious request seeking help from "talented musicians".

My spoiler-free take: A nice tribute to the human affinity for music, despite some issues with pacing.

POTENTIAL SPOILERS AFTER THIS POINT

Review: I was very intrigued when I first heard about the premise of this movie, because music is a theme that the Doraemon films had not really explored before. Having seen the movie now, I'm happy to report that I had a pretty good time! Beyond the handling of its main subject matter, I enjoyed that the foreshadowing here was surprisingly well thought out. There's so much setup in the beginning and middle of the story that pays off at the end. This includes the use of a gadget (the Future Diary) that would probably be considered "too overpowered" to be acknowledged in a typical Doraemon movie!

The film does have its flaws, of course, and the biggest in my opinion come down to the pacing. Several moments that are framed as emotional or dramatic are resolved or brushed aside too quickly, when they would've benefited from being given more time and gravitas. There's also some ending fatigue that kept me second-guessing, "Is this the climax? No, wait, is this the climax?"

However, the actual climax is quite nicely done and well worth experiencing in theaters for full effect. (It's a musical performance after all, as is pretty much a given in a movie about music.) As a tribute to the importance and appeal of music to humanity, I think the movie is very much a success.

As usual for a Doraemon movie, most of the character focus is on Nobita and his new movie-exclusive friends, but the rest of the main cast does have an active presence throughout. One thing I would've liked to see is more elaboration on why each character is deemed compatible with the instruments that they're assigned for their performances. Gian is said to be suited to playing the tuba due to his lung capacity, and the relevance of the recorder to Nobita's character arc is self-evident, but no such explanations are given for why Suneo gets the violin or why Shizuka is assigned to percussion.

Speaking of which, considering that Shizuka is the one main character who has an established affinity for playing musical instruments outside of school (she takes piano lessons and enjoys playing the violin, despite being bad at it), I'd hoped that she would play an important role in this movie. As it turns out... it would be a stretch to say that she's particularly important to the story, but the film did meet my bare minimum expectations for how much she would be involved. Her piano playing is relevant to the plot in one scene, and her poor violin skills also come up (albeit only during the end credits). Even so, it does feel like there were some missed opportunities; for example, maybe a scene where she wants to swap instruments with Suneo would've been funny. At the very least though, this movie doesn't contain a bath scene or any other similarly distasteful joke involving her, so that's good.

Star rating: ★★★☆☆

[op-smash-or-pass]

Welcome to One Piece smash or pass

This is based off of @fe-smashorpass except with One Piece characters here are the guidelines:

-Each day we will have 2 characters be chosen for smash or pass. The polls will last for a week.

-Obviously I am skipping: Animals, Children, characters that look like children, and dwarfs(Any character that is over the age of 18 after the timeskip we will use those designs)

-You guys can send me asks! Honestly I don’t know how quick I’ll respond to them but go ahead! It can be about anything (yes including headcannons + ships)

We also have a popularity poll going on! Here

Some important tags: #OP smash or pass (where you can find all the current and previous polls)

#Inbox trick or treating- the trick or treat event that went on

#Rosi’s holiday exchange- Holiday event going on now

Below are some FAQ’s that might pop up:

Q: how are you keeping track of the characters? How will you prevent from repeats?

A: I spent four hours making a spreadsheet and tried to weed out all the characters we can’t post here. If a character I missed pops up and I post it I’ll take it down and post a new one.

Q: What else are you a fan of?

A: I’m really into Coral island as of late. Fire emblem has always had a special place in my heart. I also have been playing a ton of Identity V as of late. (I’m a college student so I can really only watch anime)

Q: Are you gonna make a spreadsheet of the most smashable characters?

A: Yes! I have a friend who is willing to do it! Plus at the end I have something else planned :]

Q: Are we allowed to request characters?

No, I’m going in alphabetical order, but if I miss someone please let me know! Though if you want people to smash or pass your One Piece OC’s I can do that!

Q: What characters are we including?

A: As long as they fit in our categories and have a photo of them, they are welcome in this. So yes we have some movie characters but not a lot.

I have decided Momonosuke will not be in this poll because he has the mindset of a child

Q: Why are you doing this?

A: I’m jobless, bored, and hyper fixating hard. Also I thought it would be fun. Plus I wanna get a consensus on characters

Q: Do you have an age limit on this blog?

A: Not really, though if you are a minor and try to argue about this being NSFW then…unfollow idc it’s just a silly poll

Q: The series is still running what about future chapters with characters?

A: I’ll add them to the end of the list and we’ll circle back to them once my main list is done.

Q: How many characters are in this poll?

A: 1000+ most are male there’s only about 250 women in this poll. And yes I checked EVERY big mom child

Q: How are we incorporating Zoan devil fruits in this?

A: As long as they have a human form we will be using them. But the lab made zoan fruits were gonna go with how they look

Cheetah for legs: ❌ Ox for stomach: ✅

Q: Why are people smashing XYZ?

A: Idfk it’s Tumblr man, have you seen the bitches these people are into??

Q: I have a friend who you blocked why did you do that?

A: They probably shipped Coralaw, DoffyCora, or some other illegal ass ship, we’re a pornbot, or straight up being racist. Just don’t be fucking weird man and I won’t block you. I love shipping but if your shipping something illegal I’m gonna block you.

Q: Why is Corazon the profile photo?

A: I think he’s hot + idk heart theme kinda fits. And he has some good alts so I can do Halloween and spring themes

Info about OP:

Hello! You can call me Deer/Rafiel (Raffy) /Michael/ or Rosinante!!

I am trans masc and use He/they/it/thing pronouns! Though just He/they is fine too!

I am in my first year of college majoring in creative writing leaning towards video game scrips with a minor in digital art.

This account is run by a DID system and the fictive host Rosinante. Though please do not ask questions about our system due to privacy reasons.

I’m still catching up on the One Piece manga (caught up on the anime), so I apologize if I don’t know the manga characters

Dni:

-Homophobes/transphobes

-Proshippers (fancy way of saying illegal ships)

-Racists

- People telling me how to run my blog

-Coralaw shippers

-Trump supporters

[raeii-of-sunshine]

Infodump about Will, please?

OMG ANON U HAVE NO IDEA HOW HAPPY U JUST MADE ME. I PROMISE U MY FIRSTBORN FOR THIS GREAT OPPORTUNITY

okok so first of all he’s a gemini (05/31/1994) which is crazy cuz i don’t think this man is capable of wearing a mask. he wears everything right on his face even if he’s not yapping about it. not very gemini of him tbh

SECOND also getting basic info out of the way he’s puerto rican and he has a lot of tattoos to pay homage to his heritage!! including the frog (a coqui) and hibiscus (amapola) tattoo on his neck, as well as i BELIEVE the aztec-style mural on his back!!!!

before he got into harder music like lamb of god, white chapel, etc, he listened to pretty tame rock like AC/DC. he actually played the guitar and the saxophone! he was in band in hs!! fun fact, his parents were NOT excited about him going from his “normal person music” to deathcore and other metal genres. one time when he was first learning how to scream (in the shower), his mom knocked on the door to ask if he was okay lmaooo. nowadays they’re all very proud of him tho!!

he has a tattoo of a goblin with his curly pink hair and gauges on one of his legs, eating ramen out of a skull bc he fuckin LOVES ramen. he’s also really big into anime and manga

he appeared several times on the youtube channel “the charismatic voice” to discuss his and other people’s vocal techniques, AS WELL AS letting them put a camera up his nose and down his throat to record him while he did all of his insane vocal techniques!! ANDDDD also did another video with them where they put needles in his neck to get an even more accurate recording of everything!! i couldn’t watch that one bc i can’t do needles ‘:D but it was probably pretty fuckin cool.

he is a really big fan of opera and is friends with one of the people from the charismatic voice named elizabeth, who is a vocal specialist and (used to be(?)) an opera singer. he made a whole video reacting to one of her very old opera performances and said that he really likes opera bc it’s like deathcore in the sense that there are SOOOO many vocal techniques used in every performance, much like the best deathcore vocalists out there !

elizabeth said in the putting-a-camera-down-his-throat video that one of the first things that she noticed about him when they met in the airport was that his hair was super animated and kinda flips around on his head like it’s got a personality of its own!!

example:: (him playing ping pong with elizabeth)

getting back into music, he’s said that he actually doesn’t listen to a ton of deathcore or metal music anymore, he’s more of an indie guy!! if he wasn’t in a deathcore band, he’d apparently be making indie music. and one of the main reasons he doesn’t listen to a lot of metal is so that any ideas for songs that he comes up with won’t be accidentally pulling from other songs so they’re more original. he also doesn’t usually try to force lyrics out of himself, he just kind of writes down things whenever he thinks of them (and it works quite well!!)

his first gig was in an old vaulted church building in new jersey (BECAUSE OF COURSE THIS MAN IF FROM NEW JERSEY) that no longer hosts gigs, and the acoustics were TERRIBLE bc of all the reverb from the vaulted ceilings. his first gig was fucking NERVE WRECKING but nowadays after the first couple of days of tour the pre-show jitters just go away??

ALSO he brings tea and an entire tea set to every venue!! and says shit like and i quote, “where am i gonna set up my tea party today?” he’s VERY serious about his vocal care! he drinks his tea, he has a bunch of fancy serums and other vocal products, and has a handheld nebulizer that he swears up and down by. <333 better self care routine than any of us out here tbh

he’s apparently always late to rehearsal lol. and he’s a cat person!! he’s literally so perfect <3

that is all that i have rn!! thank you so much anon you seriously made my fuckin day!!!!

[berrymascarpone]

How does the Twelfth Squad work even

For some reason the weird mentor-mentee? Employee-boss? Twisted found family? relationship between Kurotsuchi Mayuri and his third seat Akon (who is, full disclosure, my fave for his long-suffering tolerance for 12th squad and shinigami shenanigans in general) has been sloshing around my brain recently, so I figured I’d write it out for my own reference. There’s not much shown regarding the relationship in canon, but here are the broad strokes.

1. Mayuri probably pulled Akon out of Maggot’s nest soon after he was tapped by Urahara to start the Shinigami Research Institute

Evidence: a) Akon is in Maggot’s nest when Urahara goes to recruit Mayuri, but for whatever reason Urahara doesn’t mention or seem to acknowledge his existence beyond just another prisoner. Also, Akon appears to be disassembling some kind of device and/or dissecting a small creature.

b) Some time after the establishment of the Shinigami Research Institute, Akon joins as Mayuri’s personal lab assistant, despite Akon being a child (or at least child-sized). They appear to have a cordial relationship, as opposed to Akon’s somewhat antagonistic relationship with Hiyori and dismissal of Urahara.

2. Mayuri appears to leave many of the day to day dealings of the 12th squad to Akon.

Evidence: a) Akon is most often seen directing other members of the SRDI when Mayuri is busy. Sometimes even when he’s not.

b) Other SRDI members have a lot of trust in him as a leader, possibly even more than their actual captain, which isn’t that unexpected considering Mayuri’s track record with underlings includes lots of explosions.

c) Akon is the one to give a report on the first Quincy attack in TYBW arc, despite Mayuri standing right there. (In the manga, he sends out a broadcast instead, which isn’t exactly the same, but shows he’s got enough authority for a PSA).

3. Akon shares Mayuri’s dubious morality regarding experimental subjects, but seems to care about the people close to him.

Evidence: a) Akon is present during Mayuri’s study of the Quincies. (I know this is anime only, but he’s not exactly opposed to it in the manga either)

B) he also was involved with the Nemuri project, which I don’t doubt was quite gruesome at times.

4. Akon does not always agree with Mayuri and sometimes takes things into his own hands, which Mayuri seems to tolerate.

a) Akon has cameras in Mayuri’s quarters, which Mayuri either doesn’t know or doesn’t care about

b) Akon makes the executive decision to call Ichigo and Urahara in Hueco Mundo, despite Mayuri saying that it’s unnecessary

In conclusion:

Although Mayuri is the main brainpower of the 12th squad, Akon is the one who keeps the lights on. Akon respects his captain but isn’t afraid to proceed with his own plan of action. Mayuri likely recognizes the usefulness of having someone take over the boring administrative tasks so he can go do his mad science and shit-talk the other captains while someone holds the squad together and remembers to clean out the biohazard trash often enough so that no weird mutant creatures grow out of it.

Besides the purely pragmatic aspects of their relationship, I also think there is mutual respect of each other’s skill. Akon's worked on a lot of Mayuri's big projects, including the Nemuri project, which was Mayuri's greatest dream and ambition. Even Kuna, who has probably been there almost as long as Akon, did not know about the Nemuri project until he brought it up.

On a more emotional level, I think they have a mutual understanding as well. Both were condemned by society and thrown into Maggot's Nest for their interests or their potential. They both have body modifications (Mayuri's ear situation and face paint, and Akon's horns which he definitely didn't have as a kid) that mark them as outsiders, deviant in some way from the rest of society, but proud of it. For them, the twelfth squad, and the SDRI in particular, is a refuge, a place where their ideas are seen as valuable instead of unnatural, where they can be admired instead of shunned and locked away in Maggot's nest.

In conclusion, though they may be dysfunctional and probably a bit too interested in dissection and human experimentation, Akon and Mayuri have tolerated and even respected each other for at least a hundred years. May they continue to do so (with minimal danger to the rest of society) for a hundred more.

[kozachenko]

I've crawled out of my cave after playing Final Fantasy IX for a long ass time what have I missed?

Artist's Notes:

I'M BACK BABY! A while back I made a post with a new style experimentation thingy but I ended up deleting it because it was just kind of a boring face thing, I was planning on doing more art but then I started playing Final Fantasy IX and uhhhh yeah so that game has kind of taken of my brain for the past two weeks and I am 20 hours into the game because I love it so much. I wanted to draw Vivi because Vivi is just really fun to draw ok? I've kinda been feeling really burnt out with my lineless style, mainly because of how hard it was to do lighting. I'll show one of my initial art style tests on the bottom of this post. Again, used to have it be an individual post but it was just one face so it was kinda boring, so might as well include with this one on the subject of art styles. I wanted to kinda mix some aspects of my older style with the sketchy shading lines with a more painterly way of doing the lighting (mainly in the shadows). All in all, I think that's my favourite part about this drawing, it feels nice to finally be able to do some proper lighting again, and I want to experiment even more with my lighting and rendering in future pieces. Also, part of the pant shading got kinda lost in the sketchiness, so for next time I'll probably focus on the clarity of the more sketchy parts of the drawing, since I did go with my initial sketch for the final drawing. I also gave up on the background since I had no idea what to do for it, and I didn't put too much detail into the staff as I forgot which one I gave him in my current playthrough and I didn't want to risk spoiling myself via looking up references, but that's ok I like how the singular yellow circle on it matches Vivi's eyes. Also I was having a bit of trouble figuring out how to draw his body and how to pose him, but I like how the pose turned out a lot. It was inspired by his idle animation when in a battle in game where he does a little shimmy.

Ok I need to talk about Vivi's design because I love it so fucking much oh my god-

I absolutely love how his face is just in complete shadow and only his eyes stand out, it's so cool and unique and I love how they recontextualized the original black mage design from the classic Final Fantasy games. How they did it I won't say because I don't wanna spoil the game, but someone give this poor baby a therapist because he goes through a lot. Actually, same can be said for all of the FFIX cast, they all need therapy (again, I won't spoil anything, please go play the game for yourself).

While I do love almost all the characters in the game, even though Vivi is most fun to draw, my favourite character has to be Zidane (the main protagonist of the game). He's a really fun protagonist, and they could have easily written him as a misogynistic jerk who doesn't respect women but they didn't, and I really appreciate that. He's just an overall cool dude who's a really nice older brother figure to Vivi and also just has a cool character design (who I also want to draw eventually). Initially in the game I was planning on grinding levels for Vivi to make him the tactical nuke of the party, but then that title went to a different character (who was initially multiple levels behind the group since I grinded the party in the starting area way to much before they joined, but now they are two levels ahead of everyone and have pulled the team through a lot of tough battles, again I won't say who it is because it is kind of a spoiler and the way the gameplay actually ties into their character arc is just so good omfg). Once I eventually finish the game I'll probably write a full review on here, so no spoilers until then lol

Also, I've kinda been burning out a bit with making Touhou art, which also made me a bit burnt out with Touhou stuff in general (although I will continue keeping up with the manga) so getting into other things (i.e. Final Fantasy and even Fallout since I've watched the first season of the TV show which is a whole other post for another day) has helped me refresh and given me something new to think about. I've ended up in the exact place I feared ending up, where I would start drawing fanart for it not because I wanted to but because I felt like I had to, so I'm taking a bit of a break. When I do draw Touhou fanart again I'll try to draw for the sake of myself, and to all the other artists and fanartists on this platform (and on any social media for that matter), take care of yourself and don't forget to take breaks when you need to!

(Ok part of that last paragraph was definitley influenced by the good ol' "it's 9:00pm and I need sleeb, but the message at the end still holds up, always take care of yourself)

Oh yeah, and here is that one style experiment I did btw

Man I really fell down the "Yoshitaka Amano art enjoyer" to "Final Fantasy fan" pipe line didn't I?

[connoisseursdecomfort]

Jeeves and the Desmonds

I really want to write about Jeeves because A. he’s hot (!?); B. he seems to be a nice guy; and C. he most likely would be a key figure later on.

Weirdly, Jeeves, a non-Desmond, is the glue of the Desmond family. His first appearance was in ch. 25. He was on the phone talking to Damian:

I would love to know how you read this panel, because it seems to me that Jeeves wanted Damian to come home, so he continued to persuade Damian to do so after Damian said no. To me, it sounds very much like, “Even if your dad is not home, but your brother is.”

A lot have been discussed about how Jeeves is practically the only parental figure Damian has. But he is more than that. He is the butler. He is probably one of the people who is closest to Donovan Desmond. To some extent, we can even say that Donovan trusts him. And that is why Damian would ask Jeeves about his father’s reaction to Anya punch! that incident:

(Manga spoiler ahead)

Coincidentally, in ch. 76, Damian also asked Jeeves about Melinda’s whereabout:

When you think about it, he is the only one who has contact with all members in the Desmond family, especially when a lot have already pointed out that all members live in different places. 

This, I think, is where things get interesting.

Jeeves is the butler. 

So I was doing some mini research scrolling through the wikipedia page trying to see what a butler does, and this caught my eye: “[Victorian b]utlers were typically hired by the master of the house but usually reported to its lady.” So I decided to pop over to the Japanese version to see if this is mentioned. The Japanese version doesn't mention anything about it, and mainly focuses on a butler’s duty to serve the master - a butler is basically also a private secretary of the master of the house. His duty also includes meal serving (as portrayed in the panel), preparation of the master(s)’ clothes, property management and management of all male servants.

He is the head of the servants and that probably explains why he wears a three-piece suit while other servants wear a two-piece suit. That includes the bodyguards (ch.38, ch.66) and the female servant accompanying Melinda (ch.65).

That could be me overthinking, but the driver who drove Melinda to pick up Damian, and the one who drove Damian to school, also wears a three-piece suit. 

What is the role of Jeeves in the aftermath of the hijacking arc?

Judging from Melinda’s reaction, she got the news rather late. She was really the last parent to be there (after Yor), and she must have rushed there the minute she’s got the news.

The question I have the whole time, even during the arc, is if Donovan knows about the hijack. There was obviously a leak although the SSS was trying to cover it up. The Blackbells and the Desmonds are business partners. Donovan was the head of state. I just find it hard to believe that he has been kept in the dark during the whole incident.

On the other hand, we see that there is a grain of truth in WISE’s report on Melinda:

If ch.75-76 tell us anything, it is that Melinda is most probably not (totally) in control. She indeed seems marginalised in the family. She stays at a secondary residence, and obviously information reaches her much later than most of the parents. Moreover, I don’t think a person who’s gaining the upper hand would have the mentality of “I shouldn’t have” and “he can’t know about this”.

So when and how did she get the news then? For her to be that late to arrive at the scene, I’m guessing that the news that it’s okay for the parents to go pick up the kids has first reached the main residence, where Jeeves works. Is there a delay in the transmission of information? And is Donovan the reason of the delay?

Even if the one who drove Melinda was not Jeeves (very unlikely imo because we all know how detailed Endo can be, especially when it comes to clothings), Melinda actually took Damian to the main residence, cooked there, and left. Jeeves knows. Other servants would also know. If Donovan wants to know anything about his wife and his son, he could have easily got that info. But he is probably also not there the whole time. There is also a possibility that he doesn’t care.

It does seem that Donovan hasn’t banned her from being in the main residence at all. She is still effectively the mistress of the house, or at least Jeeves is willing to help her. What she doesn’t want Donovan to know is that she’s at the scene and she was there to pick Damian up.

It is a place she felt she shouldn’t be at. (Just food for thoughts, coincidentally, the other “mother” who’s not there is Mrs. Blackbell.)

Let’s say it is indeed Jeeves who informed Melinda and drove her to pick Damian up. Did he deliberately go against Donovan’s wish/order to do so? Or did Donovan give the green light? Because we know Donovan is paranoid. Either Jeeves is just very brave (and worried about Damian), or he just knows he is allowed to do it.

From what we’ve seen, Donovan and Melinda are terrible parents. For whatever reasons they have, they are distanced. Jeeves is the only one who goes against the idea that they are terrible parents - he tries to maintain the image of the Desmond couple as “good” parents. Whenever Damian feels that his parents don’t care about him, Jeeves is there to tell him his parents care. He is obviously quite protective of Damian, but on the other hand, he is also protecting his master and mistress.

I would even say that he’s loyal to both of them, and he probably also cares about Donovan and Melinda, just as how he cares about Damian (and most probably Demetrius as well), and in return, both Donovan and Melinda trust him. He is still the butler after all. He is trusted with the household and the kids. Unless Jeeves is really the final boss (!?).

I’m really intrigued about Jeeves, because it does seem that Donovan is the bad guy in most of the perspectives. WISE suspects that he is this war-waging psycho. Melinda despises him. Damian thinks he doesn’t care. Jeeves is the only one who seems to be still on Donovan’s side, and he seems to be a nice guy.

More importantly, I think Jeeves knows what happened between the couple. He is now currently closer to Donovan than his wife and his son(s) - we’re still not sure how close Demetrius is with Donovan. Demetrius is still living at Eden after all. Jeeves probably knows how Donovan really feels about his wife and children, and that has to have an effect on his own decision in helping Melinda and Damian. If we look at all the allusions Endo made about peace between countries and peace within a household, Jeeves is the peacekeeper in the Desmond household.

Anyway here’s my two cents on Jeeves. Sorry for the long post and tell me what you think!

[ecargmura]

Oblivion Battery Episode 12 Review + Final Thoughts - Baseball Is Fun

What’s interesting about Oblivion Battery is that this is one of the rare cases where a sports anime does not have a big focus on matches in a big tournament. Instead, they chose to focus more on practice matches. Practice matches aren’t high stakes, yet they’re still treated as such here. While it’s not a bad thing, I just find that interesting given that they’re in a public school with a barebones baseball team. Hence why the match against Hikawa High wraps up quickly for this finale.

It’s good that Kei developed and managed to hit Makita’s pitch. It was an important hit, after all. I liked how Haruka was confident that Kei will hit it because he has always been practicing with him. If Kei can keep up with Haruka’s pitches, then other pitchers are no match for him. It helped Shunpei get to home base with his speed and finally proving to Makita that his style of baseball is ideal for him. It helped Kotesashi get a win against a big named school. Most of all, it helped Kei develop a love for baseball in his amnesiac state. The way he was all excited in his room was very nice to look at.

While the finale is nice and all, there still hasn't been a concise answer to how or why Kei lost his memories or if he’s suffering from Dissociative Identity Disorder. All that’s shown is that he seemed to have a burnout from baseball and everything he did as the Commander, which included “killing” potential baseball monsters to help Haruka get on top, probably took a toll on him mentally. He watched a slice of life anime and realized that his life was full of stress and he was missing out on the mundane aspects of life like eating snacks, going to a store and searching for love and peace. That’s why his amnesiac self always repeated the same things he saw from that anime. It’s also unsure how the change from Kei to Commander Kei happened. Was it really hypnosis or over exhaustion? I guess I would have to read the manga to find out.

Kei’s gradual change from disliking baseball to falling in love with it was interesting to see. He does things at his own pace, so it was eventual that he’d fall in love with baseball once again. I do have a feeling that the Commander never loved baseball genuinely, hence why the amnesia caused him to regress. The current Kei wants to surpass the Commander, so I do wonder how powerful Kei will become with that declaration now.

It’s unknown whether this anime will get a season 2, but it would be nice to see where Kotesashi will go from here if it’s possible. If there is no Season 2, then this finale is a great way for new viewers to dive into the manga to see what happens next. What are your thoughts on this anime as a whole?

Final Thoughts

There are those animes that have a bad first impression, but does get better later on. Oblivion Battery is one of those. First-time viewers may be put off by how annoying Kei was—I certainly was too—but if you persevered, it’s actually pretty good. However, I do admit that Aoi and Shunpei were the main reasons why the anime is good because those two saved the show with their antics.

Did you know that ‘Boukyaku’ can also mean ‘forgetful’ in Japanese? That’s the premise of this show! Because Kei lost his memories, he regressed from Lv. 100 to Lv 1 and had to reteach himself the basics and fundamentals of baseball. Kei learning about baseball is also helping first-time viewers with the sport too. I learned a lot about positions, how to score points and how important a battery is to the sport. I do feel like the author is very familiar with the sport to be writing about it.

While sports animes can be comical, the comedy in Oblivion Battery can be hit or miss. Kei’s Nipple Hair gag can get old, but all the meta jokes were hilarious. I think Episode 8 was the best when it came to comedy because all my favorite moments came from that episode from Haruka pouting to Mamoru Miyano making an actual cameo.

Learning about Aoi and Shunpei’s past was also a highlight because it’s fascinating to see how two baseball aces fell from grace due to their own personal issues. It shows that you can be your own worst enemy. Aoi was riddled with personal guilt which caused him to develop yips. He ran away from his problems by getting into fights, but when he decided to reform and attend Kotesashi, he realized that he still loved baseball even with his guilt and issues. For Shunpei, he was insecure about the things he lacked which he denied until a one-off comment made him realize that he was deluding himself into believing he wasn’t insecure all this time. Heck, even someone like Kazuki had his own issues with baseball as he couldn’t deal with a suffocating hierarchy system, showing that some clubs functioned in a toxic manner. My only gripe was not getting a Yamada backstory. The guy is the POV character, give me his backstory!

I guess my only gripe of this anime is that the team sort of lacks proper management? Like they still don’t have a coach or anyone to train them properly so they still feel like newbies aura-wise? I guess I might have to dive into the manga to see if they will get a coach later on. Also, Yamada was the POV character, yet he’s mainly in the shadows compared to Haruka and Kei, who are the real stars of the show.

The voice cast is actually very strong for an obscure sports anime like this. The five main characters are voiced by either big names or rising stars. Big name voice actors include Toshiki Masuda as Haruka, Mamoru Miyano as Kei, Yuki Kaji as Yamada and Nobunaga Shimazaki as Shunpei. Rising stars include Yohei Azakami as Aoi. I like the mix-match of big and rising stars for the cast. The supporting cast is no joke either. There’s Tomokazu Sugita as Teitoku’s coach, Takeo Otsuka, another rising star, as Kokuto, and Kengo Kawanishi as Kirishima. MAPPA really does pour a lot of money into a good voice cast.

The music and animation are pretty decent for MAPPA standards. The opening song is good, but when you realize the band is Mrs. Green Apple and then you look up the recent controversy they had regarding a rather questionable music video…yeah. But the opening song is still addicting. The ending song is a little meh. The animation is pretty good, especially with all the meta stuff, but Episode 11 is when it amped up a lot and looks amazing.

Oblivion Battery may not be the ideal baseball anime. I wouldn’t really recommend this as a baseball anime because it’s so short, but if you still like sports shows, I’m not going to prevent you from trying this anime out. It’s still a good show despite its many flaws. If you watched this show, what are your thoughts?